Title:   The Angel and the Author

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Author:   Jerome K. Jerome

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The Angel and the Author

Jerome K. Jerome



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Table of Contents

The Angel and the Author ..................................................................................................................................1

Jerome K. Jerome .....................................................................................................................................1

CHAPTER I .............................................................................................................................................1

CHAPTER II ............................................................................................................................................5

CHAPTER III..........................................................................................................................................9

CHAPTER IV........................................................................................................................................13

CHAPTER V.........................................................................................................................................16

CHAPTER VI........................................................................................................................................21

CHAPTER VII .......................................................................................................................................24

CHAPTER VIII.....................................................................................................................................27

CHAPTER IX........................................................................................................................................30

CHAPTER X.........................................................................................................................................33

CHAPTER XI........................................................................................................................................36

CHAPTER XII .......................................................................................................................................40

CHAPTER XIII.....................................................................................................................................43

CHAPTER XIV.....................................................................................................................................46

CHAPTER XV......................................................................................................................................50

CHAPTER XVI.....................................................................................................................................54

CHAPTER XVII ....................................................................................................................................58

CHAPTER XVIII ...................................................................................................................................61

CHAPTER XIX.....................................................................................................................................65

CHAPTER XX......................................................................................................................................69


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The Angel and the Author

Jerome K. Jerome

CHAPTER I 

CHAPTER II 

CHAPTER III 

CHAPTER IV 

CHAPTER V 

CHAPTER VI 

CHAPTER VII 

CHAPTER VIII 

CHAPTER IX 

CHAPTER X 

CHAPTER XI 

CHAPTER XII 

CHAPTER XIII 

CHAPTER XIV 

CHAPTER XV 

CHAPTER XVI 

CHAPTER XVII 

CHAPTER XVIII 

CHAPTER XIX 

CHAPTER XX  

The Angel and the Author  and others

CHAPTER I

I had a vexing dream one night, not long ago:  it was about a  fortnight after Christmas.  I dreamt I flew out of

the window in my  nightshirt.  I went up and up.  I was glad that I was going up.  "They  have been noticing me,"

I thought to myself.  "If anything, I  have  been a bit too good.  A little less virtue and I might have  lived  longer.

But one cannot have everything."  The world grew  smaller and  smaller.  The last I saw of London was the long

line of  electric lamps  bordering the Embankment; later nothing remained but a  faint  luminosity buried

beneath darkness.  It was at this point of my  journey that I heard behind me the slow, throbbing sound of

wings. 

I turned my head.  It was the Recording Angel.  He had a weary  look;  I judged him to be tired. 

"Yes," he acknowledged, "it is a trying period for me, your  Christmas  time." 

"I am sure it must be," I returned; "the wonder to me is how you  get  through it all.  You see at Christmas

time," I went on, "all we  men  and women become generous, quite suddenly.  It is really a  delightful

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sensation." 

"You are to be envied," he agreed. 

"It is the first Christmas number that starts me off," I told him;  "those beautiful picturesthe sweet child

looking so pretty in her  furs, giving Bovril with her own dear little hands to the shivering  street arab; the

good old redfaced squire shovelling out plum  pudding to the crowd of grateful villagers.  It makes me yearn

to  borrow a collecting box and go round doing good myself. 

"And it is not only meI should say I," I continued; "I don't want  you to run away with the idea that I am the

only good man in the  world.  That's what I like about Christmas, it makes everybody good.  The lovely

sentiments we go about repeating! the noble deeds we do!  from a little before Christmas up to, say, the end of

January! why  noting them down must be a comfort to you." 

"Yes," he admitted, "noble deeds are always a great joy to me." 

"They are to all of us," I said; "I love to think of all the good  deeds I myself have done.  I have often thought

of keeping a diary  jotting them down each day.  It would be so nice for one's children." 

He agreed there was an idea in this. 

"That book of yours," I said, "I suppose, now, it contains all the  good actions that we men and women have

been doing during the last  six weeks?"  It was a bulky looking volume. 

Yes, he answered, they were all recorded in the book. 

[The Author tells of his Good Deeds.] 

It was more for the sake of talking of his than anything else that  I  kept up with him.  I did not really doubt his

care and  conscientiousness, but it is always pleasant to chat about one's  self.  "My five shillings subscription

to the Daily Telegraph's  Sixpenny Fund for the Unemployedgot that down all right?" I asked  him. 

Yes, he replied, it was entered. 

"As a matter of fact, now I come to think of it," I added, "it was  ten shillings altogether.  They spelt my name

wrong the first time." 

Both subscriptions had been entered, he told me. 

"Then I have been to four charity dinners," I reminded him; "I  forget  what the particular charity was about.  I

know I suffered the  next  morning.  Champagne never does agree with me.  But, then, if you  don't order it

people think you can't afford it.  Not that I don't  like it.  It's my liver, if you understand.  If I take more" 

He interrupted me with the assurance that my attendance had been  noted. 

"Last week I sent a dozen photographs of myself, signed, to a  charity  bazaar." 

He said he remembered my doing so. 

"Then let me see," I continued, "I have been to two ordinary balls.  I don't care much about dancing, but a few

of us generally play a  little bridge; and to one fancy dress affair.  I went as Sir Walter  Raleigh.  Some men


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cannot afford to show their leg.  What I say is,  if a man can, why not?  It isn't often that one gets the

opportunity  of really looking one's best." 

He told me all three balls had been duly entered:  and commented  upon. 

"And, of course, you remember my performance of Talbot Champneys in  Our Boys the week before last, in

aid of the Fund for Poor Curates,"  I went on.  "I don't know whether you saw the notice in the Morning  Post,

but" 

He again interrupted me to remark that what the Morning Post man  said  would be entered, one way or the

other, to the critic of the  Morning  Post, and had nothing to do with me.  "Of course not," I  agreed; "and

between ourselves, I don't think the charity got very  much.  Expenses, when you come to add refreshments

and one thing and  another, mount up.  But I fancy they rather liked my Talbot  Champneys." 

He replied that he had been present at the performance, and had  made  his own report. 

I also reminded him of the four balcony seats I had taken for the  monster show at His Majesty's in aid of the

Fund for the Destitute  British in Johannesburg.  Not all the celebrated actors and actresses  announced on the

posters had appeared, but all had sent letters full  of kindly wishes; and the othersall the celebrities one had

never  heard ofhad turned up to a man.  Still, on the whole, the show was  well worth the money.  There was

nothing to grumble at. 

There were other noble deeds of mine.  I could not remember them at  the time in their entirety.  I seemed to

have done a good many.  But  I did remember the rummage sale to which I sent all my old clothes,  including a

coat that had got mixed up with them by accident, and  that I believe I could have worn again. 

And also the raffle I had joined for a motorcar. 

The Angel said I really need not be alarmed, that everything had  been  noted, together with other matters I,

may be, had forgotten. 

[The Angel appears to have made a slight Mistake.] 

I felt a certain curiosity.  We had been getting on very well  togetherso it had seemed to me.  I asked him if

he would mind my  seeing the book.  He said there could be no objection.  He opened it  at the page devoted to

myself, and I flew a little higher, and looked  down over his shoulder.  I can hardly believe it, even nowthat

I  could have dreamt anything so foolish: 

He had got it all down wrong! 

Instead of to the credit side of my account he had put the whole  bag  of tricks to my debit.  He had mixed them

up with my sinswith my  acts of hypocrisy, vanity, selfindulgence.  Under the head of  Charity he had but

one item to my credit for the past six months:  my  giving up my seat inside a tramcar, late one wet night, to a

dismal  looking old woman, who had not had even the politeness to say "thank  you," she seemed just half

asleep.  According to this idiot, all the  time and money I had spent responding to these charitable appeals had

been wasted. 

I was not angry with him, at first.  I was willing to regard what  he  had done as merely a clerical error. 

"You have got the items down all right," I said (I spoke quite  friendly), "but you have made a slight

mistakewe all do now and  again; you have put them down on the wrong side of the book.  I only  hope this


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sort of thing doesn't occur often." 

What irritated me as much as anything was the grave, passionless  face  the Angel turned upon me. 

"There is no mistake," he answered. 

"No mistake!" I cried.  "Why, you blundering" 

He closed the book with a weary sigh. 

I felt so mad with him, I went to snatch it out of his hand.  He  did  not do anything that I was aware of, but at

once I began falling.  The faint luminosity beneath me grew, and then the lights of London  seemed shooting

up to meet me.  I was coming down on the clock tower  at Westminster.  I gave myself a convulsive twist,

hoping to escape  it, and fell into the river. 

And then I awoke. 

But it stays with me:  the weary sadness of the Angel's face.  I  cannot shake remembrance from me.  Would I

have done better, had I  taken the money I had spent upon these fooleries, gone down with it  among the poor

myself, asking nothing in return.  Is this fraction of  our superfluity, flung without further thought or care into

the  collection box, likely to satisfy the Impracticable Idealist, who  actually suggestedone shrugs one's

shoulders when one thinks of it  that one should sell all one had and give to the poor? 

[The Author is troubled concerning his Investments.] 

Or is our charity but a salve to consciencean insurance, at  decidedly moderate premium, in case, after all,

there should happen  to be another world?  Is Charity lending to the Lord something we can  so easily do

without? 

I remember a lady tidying up her house, clearing it of rubbish.  She  called it "Giving to the Fresh Air Fund."

Into the heap of  lumber  one of her daughters flung a pair of crutches that for years  had been  knocking about

the house.  The lady picked them out again. 

"We won't give those away," she said, "they might come in useful  again.  One never knows." 

Another lady, I remember coming downstairs one evening dressed for  a  fancy ball.  I forget the title of the

charity, but I remember that  every lady who sold more than ten tickets received an autograph  letter of thanks

from the Duchess who was the president.  The tickets  were twelve and sixpence each and included light

refreshments and a  very substantial supper.  One presumes the odd sixpence reached the  pooror at least the

noisier portion of them. 

"A little decolletee, isn't it, my dear?" suggested a lady friend,  as  the charitable dancer entered the

drawingroom. 

"Perhaps it isa little," she admitted, "but we all of us ought to  do all we can for the Cause.  Don't you think

so, dear?" 

Really, seeing the amount we give in charity, the wonder is there  are  any poor left.  It is a comfort that there

are.  What should we do  without them?  Our furclad little girls! our jolly, redfaced  squires! we should never

know how good they were, but for the poor?  Without the poor how could we be virtuous?  We should have to

go  about giving to each other.  And friends expect such expensive  presents, while a shilling here and there


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among the poor brings to us  all the sensations of a good Samaritan.  Providence has been very  thoughtful in

providing us with poor. 

Dear Lady Bountiful! does it not ever occur to you to thank God for  the poor?  The clean, grateful poor, who

bob their heads and curtsey  and assure you that heaven is going to repay you a thousandfold.  One  does hope

you will not be disappointed. 

An EastEnd curate once told me, with a twinkle in his eye, of a  smart lady who called upon him in her

carriage, and insisted on his  going round with her to show her where the poor hid themselves.  They  went

down many streets, and the lady distributed her parcels.  Then  they came to one of the worst, a very narrow

street.  The coachman  gave it one glance. 

"Sorry, my lady," said the coachman, "but the carriage won't go  down." 

The lady sighed. 

"I am afraid we shall have to leave it," she said. 

So the gallant greys dashed past. 

Where the real poor creep I fear there is no room for Lady  Bountiful's fine coach.  The ways are very

narrowwide enough only  for little Sister Pity, stealing softly. 

I put it to my friend, the curate: 

"But if all this charity is, as you say, so useless; if it touches  but the fringe; if it makes the evil worse, what

would you do?" 

[And questions a Man of Thought] 

"I would substitute Justice," he answered; "there would be no need  for Charity." 

"But it is so delightful to give," I answered. 

"Yes," he agreed.  "It is better to give than to receive.  I was  thinking of the receiver.  And my ideal is a long

way off.  We shall  have to work towards it slowly." 

CHAPTER II

[Philosophy and the Daemon] 

Philosophy, it has been said, is the art of bearing other people's  troubles.  The truest philosopher I ever heard

of was a woman.  She  was brought into the London Hospital suffering from a poisoned leg.  The house

surgeon made a hurried examination.  He was a man of blunt  speech. 

"It will have to come off," he told her. 

"What, not all of it?" 

"The whole of it, I am sorry to say," growled the house surgeon. 


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"Nothing else for it?" 

"No other chance for you whatever," explained the house surgeon. 

"Ah, well, thank Gawd it's not my 'ead," observed the lady. 

The poor have a great advantage over us betteroff folk.  Providence  provides them with many opportunities

for the practice of  philosophy.  I was present at a "high tea" given last winter by  charitable folk to  a party of

charwomen.  After the tables were  cleared we sought to  amuse them.  One young lady, who was proud of

herself as a palmist,  set out to study their "lines."  At sight of the  first toilworn hand  she took hold of her

sympathetic face grew sad. 

"There is a great trouble coming to you," she informed the ancient  dame. 

The placidfeatured dame looked up and smiled: 

"What, only one, my dear?" 

"Yes, only one," asserted the kind fortuneteller, much pleased,  "after that all goes smoothly." 

"Ah," murmured the old dame, quite cheerfully, "we was all of us a  shortlived family." 

Our skins harden to the blows of Fate.  I was lunching one  Wednesday  with a friend in the country.  His son

and heir, aged  twelve, entered  and took his seat at the table. 

"Well," said his father, "and how did we get on at school today?" 

"Oh, all right," answered the youngster, settling himself down to  his  dinner with evident appetite. 

"Nobody caned?" demanded his father, withas I noticeda sly  twinkle in his eye. 

"No," replied young hopeful, after reflection; "no, I don't think  so," adding as an afterthought, as he tucked

into beef and potatoes,  "'cepting, o' course, me." 

[When the Daemon will not work] 

It is a simple science, philosophy.  The idea is that it never  matters what happens to you provided you don't

mind it.  The weak  point in the argument is that nine times out of ten you can't help  minding it. 

"No misfortune can harm me," says Marcus Aurelius, "without the  consent of the daemon within me." 

The trouble is our daemon cannot always be relied upon.  So often  he  does not seem up to his work. 

"You've been a naughty boy, and I'm going to whip you," said nurse  to  a fouryearold criminal. 

"You tant," retorted the young ruffian, gripping with both hands  the  chair that he was occupying, "I'se sittin'

on it." 

His daemon was, no doubt, resolved that misfortune, as personified  by  nurse, should not hurt him.  The

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The toothache cannot hurt us so long as the daemon within us (that  is  to say, our will power) holds on to the

chair and says it can't.  But, sooner or later, the daemon lets go, and then we howl.  One sees  the idea:  in theory

it is excellent.  One makes believe.  Your bank  has suddenly stopped payment.  You say to yourself. 

"This does not really matter." 

Your butcher and your baker say it does, and insist on making a row  in the passage. 

You fill yourself up with gooseberry wine.  You tell yourself it is  seasoned champagne.  Your liver next

morning says it is not. 

The daemon within us means well, but forgets it is not the only  thing  there.  A man I knew was an enthusiast

on vegetarianism.  He  argued  that if the poor would adopt a vegetarian diet the problem of  existence would be

simpler for them, and maybe he was right.  So one  day he assembled some twenty poor lads for the purpose of

introducing  to them a vegetarian lunch.  He begged them to believe that lentil  beans were steaks, that

cauliflowers were chops.  As a third course  he placed before them a mixture of carrots and savoury herbs, and

urged them to imagine they were eating saveloys. 

"Now, you all like saveloys," he said, addressing them, "and the  palate is but the creature of the imagination.

Say to yourselves, 'I  am eating saveloys,' and for all practical purposes these things will  be saveloys." 

Some of the lads professed to have done it, but one disappointed  looking youth confessed to failure. 

"But how can you be sure it was not a saveloy?" the host persisted. 

"Because," explained the boy, "I haven't got the stomachache." 

It appeared that saveloys, although a dish of which he was fond,  invariably and immediately disagreed with

him.  If only we were all  daemon and nothing else philosophy would be easier.  Unfortunately,  there is more of

us. 

Another argument much approved by philosophy is that nothing  matters,  because a hundred years hence, say,

at the outside, we shall  be dead.  What we really want is a philosophy that will enable us to  get along  while we

are still alive.  I am not worrying about my  centenary; I am  worrying about next quarterday.  I feel that if

other  people would  only go away, and leave meincometax collectors,  critics, men who  come round about

the gas, all those sort of peopleI  could be a  philosopher myself.  I am willing enough to make believe  that

nothing  matters, but they are not.  They say it is going to be  cut off, and  talk about judgment summonses.  I tell

them it won't  trouble any of  us a hundred years hence.  They answer they are not  talking of a  hundred years

hence, but of this thing that was due last  April  twelvemonth.  They won't listen to my daemon.  He does not

interest  them.  Nor, to be candid, does it comfort myself very much,  this  philosophical reflection that a

hundred years later on I'll be  sure  to be deadthat is, with ordinary luck.  What bucks me up much  more  is

the hope that they will be dead.  Besides, in a hundred years  things may have improved.  I may not want to be

dead.  If I were sure  of being dead next morning, before their threat of cutting off that  water or that gas could

by any possibility be carried out, before  that judgment summons they are bragging about could be made

returnable, I mightI don't say I shouldbe amused, thinking how I  was going to dish them.  The wife of a

very wicked man visited him  one evening in prison, and found him enjoying a supper of toasted  cheese. 

"How foolish of you, Edward," argued the fond lady, "to be eating  toasted cheese for supper.  You know it

always affects your liver.  All day long tomorrow you will be complaining." 


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"No, I shan't," interrupted Edward; "not so foolish as you think  me.  They are going to hang me

tomorrowearly." 

There is a passage in Marcus Aurelius that used to puzzle me until  I  hit upon the solution.  A footnote says

the meaning is obscure.  Myself, I had gathered this before I read the footnote.  What it is  all about I defy any

human being to explain.  It might mean anything;  it might mean nothing.  The majority of students incline to

the  latter theory, though a minority maintain there is a meaning, if only  it could be discovered.  My own

conviction is that once in his life  Marcus Aurelius had a real good time.  He came home feeling pleased  with

himself without knowing quite why. 

"I will write it down," he said to himself, "now, while it is fresh  in my mind." 

It seemed to him the most wonderful thing that anybody had ever  said.  Maybe he shed a tear or two, thinking

of all the good he was  doing,  and later on went suddenly to sleep.  In the morning he had  forgotten  all about it,

and by accident it got mixed up with the rest  of the  book.  That is the only explanation that seems to me

possible,  and it  comforts me. 

We are none of us philosophers all the time. 

Philosophy is the science of suffering the inevitable, which most  of  us contrive to accomplish without the aid

of philosophy.  Marcus  Aurelius was an Emperor of Rome, and Diogenes was a bachelor living  rent free.  I

want the philosophy of the bank clerk married on thirty  shillings a week, of the farm labourer bringing up a

family of eight  on a precarious wage of twelve shillings.  The troubles of Marcus  Aurelius were chiefly those

of other people. 

"Taxes will have to go up, I am afraid," no doubt he often sighed.  "But, after all, what are taxes?  A thing in

conformity with the  nature of mana little thing that Zeus approves of, one feels sure.  The daemon within

me says taxes don't really matter." 

Maybe the paterfamilias of the period, who did the paying, worried  about new sandals for the children, his

wife insisting she hadn't a  frock fit to be seen in at the amphitheatre; that, if there was one  thing in the world

she fancied, it was seeing a Christian eaten by a  lion, but now she supposed the children would have to go

without her,  found that philosophy came to his aid less readily. 

"Bother these barbarians," Marcus Aurelius may have been tempted,  in  an unphilosophical moment, to

exclaim; "I do wish they would not  burn  these poor people's houses over their heads, toss the babies  about on

spears, and carry off the older children into slavery.  Why  don't  they behave themselves?" 

But philosophy in Marcus Aurelius would eventually triumph over  passing fretfulness. 

"But how foolish of me to be angry with them," he would argue with  himself.  "One is not vexed with the

figtree for yielding figs, with  the cucumber for being bitter!  One must expect barbarians to behave

barbariously." 

Marcus Aurelius would proceed to slaughter the barbarians, and then  forgive them.  We can most of us

forgive our brother his  transgressions, having once got even with him.  In a tiny Swiss  village, behind the

angle of the schoolhouse wall, I came across a  maiden crying bitterly, her head resting on her arm.  I asked

her  what had happened.  Between her sobs she explained that a school  companion, a little lad about her own

age, having snatched her hat  from her head, was at that moment playing football with it the other  side of the

wall.  I attempted to console her with philosophy.  I  pointed out to her that boys would be boysthat to expect

from them  at that age reverence for feminine headgear was to seek what was not  conformable with the nature


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of boy.  But she appeared to have no  philosophy in her.  She said he was a horrid boy, and that she hated  him.

It transpired it was a hat she rather fancied herself in.  He  peeped round the corner while we were talking, the

hat in his hand.  He held it out to her, but she took no notice of him.  I gathered the  incident was closed, and

went my way, but turned a few steps further  on, curious to witness the end.  Step by step he approached

nearer,  looking a little ashamed of himself; but still she wept, her face  hidden in her arm. 

He was not expecting it:  to all seeming she stood there the  personification of the grief that is not to be

comforted, oblivious  to all surroundings.  Incautiously he took another step.  In an  instant she had "landed"

him over the head with a long narrow wooden  box containing, one supposes, pencils and pens.  He must have

been a  hardheaded youngster, the sound of the compact echoed through the  valley.  I met her again on my

way back. 

"Hat much damaged?" I inquired. 

"Oh, no," she answered, smiling; "besides, it was only an old hat.  I've got a better one for Sundays." 

I often feel philosophical myself; generally over a good cigar  after  a satisfactory dinner.  At such times I open

my Marcus Aurelius,  my  pocket Epicurus, my translation of Plato's "Republic."  At such  times  I agree with

them.  Man troubles himself too much about the  unessential.  Let us cultivate serenity.  Nothing can happen to

us  that we have not been constituted by Nature to sustain.  That foolish  farm labourer, on his precarious wage

of twelve shillings a week:  let  him dwell rather on the mercies he enjoys.  Is he not spared all  anxiety

concerning safe investment of capital yielding four per  cent.?  Is not the sunrise and the sunset for him also?

Many of us  never see the sunrise.  So many of our sotermed poorer brethen are  privileged rarely to miss that

early morning festival.  Let the  daemon within them rejoice.  Why should he fret when the children cry  for

bread?  Is it not in the nature of things that the children of  the poor should cry for bread?  The gods in their

wisdom have  arranged it thus.  Let the daemon within him reflect upon the  advantage to the community of

cheap labour.  Let the farm labourer  contemplate the universal good. 

CHAPTER III

[Literature and the Middle Classes.] 

I am sorry to be compelled to cast a slur upon the Literary  profession, but observation shows me that it still

contains within  its ranks writers born and bred in, and moving amidstif, without  offence, one may put it

bluntlya purely middleclass environment:  men and women to whom Park Lane will never be anything

than the  shortest route between Notting Hill and the Strand; to whom Debrett's  Peerage giltedged and

bound in red, a tastefullooking volume  ever has been and ever will remain a drawingroom ornament and

not a  social necessity.  Now what is to become of these writersof us, if  for the moment I may be allowed to

speak as representative of this  rapidlydiminishing yet nevertheless still numerous section of the  world of Art

and Letters?  Formerly, provided we were masters of  style, possessed imagination and insight, understood

human nature,  had sympathy with and knowledge of life, and could express ourselves  with humour and

distinction, our pathway was, comparatively speaking,  free from obstacle.  We drew from the middleclass

life around us,  passed it through our own middleclass individuality, and presented  it to a public composed of

middleclass readers. 

But the middleclass public, for purposes of Art, has practically  disappeared.  The social strata from which

George Eliot and Dickens  drew their characters no longer interests the great B. P. Hetty  Sorrell, Little Em'ly,

would be pronounced "provincial;" a Deronda or  a Wilfer Family ignored as "suburban." 

I confess that personally the terms "provincial" and "suburban," as  epithets of reproach, have always puzzled


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me.  I never met anyone  more severe on what she termed the "suburban note" in literature than  a thin lady

who lived in a semidetached villa in a bystreet of  Hammersmith.  Is Art merely a question of geography,

and if so what  is the exact limit?  Is it the fourmile cab radius from Charing  Cross?  Is the cheesemonger of

Tottenham Court Road of necessity a  man of taste, and the Oxford professor of necessity a Philistine?  I  want

to understand this thing.  I once hazarded the direct question  to a critical friend: 

"You say a book is suburban," I put it to him, "and there is an end  to the matter.  But what do you mean by

suburban?" 

"Well," he replied, "I mean it is the sort of book likely to appeal  to the class that inhabits the suburbs."  He

lived himself in  Chancery Lane. 

[May a man of intelligence live, say, in Surbiton?] 

"But there is Jones, the editor of The Evening Gentleman," I  argued;  "he lives at Surbiton.  It is just twelve

miles from Waterloo.  He  comes up every morning by the eightfifteen and returns again by  the  fiveten.

Would you say that a book is bound to be bad because it  appeals to Jones?  Then again, take Tomlinson:  he

lives, as you are  well aware, at Forest Gate which is Epping way, and entertains you on  Kakemonos

whenever you call upon him.  You know what I mean, of  course.  I think 'Kakemono' is right.  They are long

things; they  look like coloured hieroglyphics printed on brown paper.  He gets  behind them and holds them up

above his head on the end of a stick so  that you can see the whole of them at once; and he tells you the name

of the Japanese artist who painted them in the year 1500 B.C., and  what it is all about.  He shows them to you

by the hour and forgets  to give you dinner.  There isn't an easy chair in the house.  To put  it vulgarly, what is

wrong with Tomlinson from a high art point of  view? 

"There's a man I know who lives in Birmingham:  you must have heard  of him.  He is the great collector of

Eighteenth Century caricatures,  the Rowlandson and Gilray school of things.  I don't call them  artistic myself;

they make me ill to look at them; but people who  understand Art rave about them.  Why can't a man be artistic

who has  got a cottage in the country?" 

"You don't understand me," retorted my critical friend, a little  irritably, as I thought. 

"I admit it," I returned.  "It is what I am trying to do." 

"Of course artistic people live in the suburbs," he admitted.  "But  they are not of the suburbs." 

"Though they may dwell in Wimbledon or Hornsey," I suggested, "they  sing with the Scotch bard:  'My heart

is in the SouthWest postal  district.  My heart is not here.'" 

"You can put it that way if you like," he growled. 

"I will, if you have no objection," I agreed.  "It makes life  easier  for those of us with limited incomes." 

The modern novel takes care, however, to avoid all doubt upon the  subject.  Its personages, one and all, reside

within the halfmile  square lying between Bond Street and the Parka neighbourhood that  would appear to

be somewhat densely populated.  True, a year or two  ago there appeared a fairly successful novel the heroine

of which  resided in Onslow Gardens.  An eminent critic observed of it that:  "It fell short only by a little way

of being a serious contribution  to English literature."  Consultation with the keeper of the cabman's  shelter at

Hyde Park Corner suggested to me that the "little way" the  critic had in mind measures exactly eleven

hundred yards.  When the  nobility and gentry of the modern novel do leave London they do not  go into the

provinces:  to do that would be vulgar.  They make  straight for "Barchester Towers," or what the Duke calls


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"his little  place up north"localities, one presumes, suspended somewhere in  midair. 

In every social circle exist great souls with yearnings towards  higher things.  Even among the labouring

classes one meets with  naturally refined natures, gentlemanly persons to whom the loom and  the plough will

always appear low, whose natural desire is towards  the dignities and graces of the servants' hall.  So in Grub

Street we  can always reckon upon the superior writer whose temperament will  prompt him to make respectful

study of his betters.  A reasonable  supply of highclass novels might always have been depended upon; the

trouble is that the public now demands that all stories must be of  the upper ten thousand.  Auld Robin Grey

must be Sir Robert Grey,  South African millionaire; and Jamie, the youngest son of the old  Earl, otherwise a

cultured public can take no interest in the ballad.  A modern nursery rhymester to succeed would have to write

of Little  Lord Jack and Lady Jill ascending one of the many beautiful eminences  belonging to the ancestral

estates of their parents, bearing between  them, on a silver rod, an exquisitely painted Sevres vase filled with

ottar of roses. 

I take up my fourpennyhalfpenny magazine.  The heroine is a  youthful  Duchess; her husband gambles with

thousandpound notes, with  the  result that they are reduced to living on the first floor of the  Carlton Hotel.

The villain is a Russian Prince.  The Baronet of a  simpler age has been unable, poor fellow, to keep pace with

the  times.  What selfrespecting heroine would abandon her husband and  children for sin and a paltry five

thousand a year?  To the heroine  of the pastto the clergyman's daughter or the lady artisthe was

dangerous.  The modern heroine misbehaves herself with nothing below  Cabinet rank. 

I turn to something less pretentious, a weekly periodical that my  wife tells me is the best authority she has

come across on blouses.  I  find in it what once upon a time would have been called a farce.  It is  now a

"drawingroom comedietta.  All rights reserved."  The  dramatis  personae consist of the Earl of Danbury, the

Marquis of  Rottenborough  (with a past), and an American heiressa character  that nowadays  takes with

lovers of the simple the place formerly  occupied by "Rose,  the miller's daughter." 

I sometimes wonder, is it such teaching as that of Carlyle and  Tennyson that is responsible for this present

tendency of literature?  Carlyle impressed upon us that the only history worth consideration  was the life of

great men and women, and Tennyson that we "needs must  love the highest."  So literature, striving ever

upward, ignores  plain Romola for the Lady Ponsonby de Tompkins; the provincialisms of  a Charlotte Bronte

for what a certain critic, born before his time,  would have called the "doin's of the hupper succles." 

The British Drama has advanced by even greater bounds.  It takes  place now exclusively within castle walls,

andwhat Messrs. Lumley  Co.'s circular would describe as"desirable town mansions, suitable  for

gentlemen of means."  A living dramatist, who should know, tells  us that drama does not occur in the back

parlour.  Dramatists have,  it has been argued, occasionally found it there, but such may have  been dramatists

with eyes capable of seeing through clothes. 

I once wrote a play which I read to a distinguished Manager.  He  said  it was a most interesting play:  they

always say that.  I waited,  wondering to what other manager he would recommend me to take it.  To  my

surprise he told me he would like it for himselfbut with  alterations. 

"The whole thing wants lifting up," was his opinion.  "Your hero is  a  barrister:  my public take no interest in

plain barristers.  Make  him  the Solicitor General." 

"But he's got to be amusing," I argued.  "A Solicitor General is  never amusing." 

My Manager pondered for a moment.  "Let him be Solicitor General  for  Ireland," he suggested. 

I made a note of it. 


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"Your heroine," he continued, "is the daughter of a seaside  lodging  house keeper.  My public do not

recognize seaside lodgings.  Why not  the daughter of an hotel proprietor?  Even that will be  risky, but we

might venture it."  An inspiration came to him.  "Or  better still,  let the old man be the Managing Director of an

hotel  Trust:  that  would account for her clothes." 

Unfortunately I put the thing aside for a few months, and when I  was  ready again the public taste had still

further advanced.  The  doors  of the British Drama were closed for the time being on all but  members of the

aristocracy, and I did not see my comic old man as a  Marquis, which was the lowest title that just then one

dared to offer  to a low comedian. 

Now how are we middleclass novelists and dramatists to continue to  live?  I am aware of the obvious retort,

but to us it absolutely is  necessary.  We know only parlours:  we call them drawingrooms.  At  the bottom of

our middleclass hearts we regard them fondly:  the  foldingdoors thrown back, they make rather a fine

apartment.  The  only drama that we know takes place in such rooms:  the hero sitting  in the gentleman's easy

chair, of green repp:  the heroine in the  lady's ditto, without armsthe chair, I mean.  The scornful glances,

the bitter words of our middleclass world are hurled across these  threelegged lootables, the

weddingcake ornament under its glass  case playing the part of white ghost. 

In these days, when "Imperial cement" is at a premium, who would  dare  suggest that the emotions of a

parlour can by any possibility be  the  same as those exhibited in a salon furnished in the style of Louis

Quatorze; that the tears of Bayswater can possibly be compared for  saltness with the lachrymal fluid distilled

from South Audley Street  glands; that the laughter of Clapham can be as catching as the  cultured cackle of

Curzon Street?  But we, whose best clothes are  exhibited only in parlours, what are we to do?  How can we lay

bare  the souls of Duchesses, explain the heartthrobs of peers of the  realm?  Some of my friends who, being

Conservative, attend Primrose  "tourneys" (or is it "Courts of love"?  I speak as an outsider.  Something

mediaeval, I know it is) do, it is true, occasionally  converse with titled ladies.  But the period for conversation

is  always limited owing to the impatience of the man behind; and I doubt  if the interview is ever of much

practical use to them, as conveying  knowledge of the workings of the aristocratic mind.  Those of us who  are

not Primrose Knights miss even this poor glimpse into the world  above us.  We know nothing, simply

nothing, concerning the deeper  feelings of the upper ten.  Personally, I once received a letter from  an Earl, but

that was in connection with a dairy company of which his  lordship was chairman, and spoke only of his

lordship's views  concerning milk and the advantages of the cash system.  Of what I  really wished to

knowhis lordship's passions, yearnings and general  attitude to lifethe circular said nothing. 

Year by year I find myself more and more in a minority.  One by one  my literary friends enter into this

charmed aristocratic circle;  after which one hears no more from them regarding the middleclasses.  At once

they set to work to describe the mental sufferings of Grooms  of the Bedchamber, the hidden emotions of

Ladies in their own right,  the religious doubts of Marquises.  I want to know how they do it  "how the devil

they get there."  They refuse to tell me. 

Meanwhile, I see nothing before me but the workhouse.  Year by year  the public grows more impatient of

literature dealing merely with the  middleclasses.  I know nothing about any other class.  What am I to  do? 

Commonplace peoplefriends of mine without conscience, counsel me  in  flippant phrase to "have a shot at

it." 

"I expect, old fellow, you know just as much about it as these  other  Johnnies do."  (I am not defending their

conversation either as  regards style or matter:  I am merely quoting.)  "And even if you  don't, what does it

matter?  The average reader knows less.  How is  he to find you out?" 


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But, as I explain to them, it is the law of literature never to  write  except about what you really know.  I want

to mix with the  aristocracy, study them, understand them; so that I may earn my  living in the only way a

literary man nowadays can earn his living,  namely, by writing about the upper circles. 

I want to know how to get there. 

CHAPTER IV

[Man and his Master.] 

There is one thing that the AngloSaxon does better than the  "French,  or Turk, or Rooshian," to which add

the German or the  Belgian.  When  the AngloSaxon appoints an official, he appoints a  servant:  when  the

others put a man in uniform, they add to their long  list of  masters.  If among your acquaintances you can

discover an  American,  or Englishman, unfamiliar with the continental official, it  is worth  your while to

accompany him, the first time he goes out to  post a  letter, say.  He advances towards the postoffice a breezy,

self  confident gentleman, borne up by pride of race.  While mounting  the  steps he talks airily of "just getting

this letter off his mind,  and  then picking up Jobson and going on to Durand's for lunch." 

He talks as if he had the whole day before him.  At the top of the  steps he attempts to push open the door.  It

will not move.  He looks  about him, and discovers that is the door of egress, not of ingress.  It does not seem to

him worth while redescending the twenty steps and  climbing another twenty.  So far as he is concerned he is

willing to  pull the door, instead of pushing it.  But a stern official bars his  way, and haughtily indicates the

proper entrance.  "Oh, bother," he  says, and down he trots again, and up the other flight. 

"I shall not be a minute," he remarks over his shoulder.  "You can  wait for me outside." 

But if you know your way about, you follow him in.  There are seats  within, and you have a newspaper in

your pocket:  the time will pass  more pleasantly.  Inside he looks round, bewildered.  The German  postoffice,

generally speaking, is about the size of the Bank of  England.  Some twenty different windows confront your

troubled  friend, each one bearing its own particular legend.  Starting with  number one, he sets to work to spell

them out.  It appears to him  that the posting of letters is not a thing that the German post  office desires to

encourage.  Would he not like a dog licence  instead? is what one window suggests to him.  "Oh, never mind

that  letter of yours; come and talk about bicycles," pleads another.  At  last he thinks he has found the right

hole:  the word "Registration"  he distinctly recognizes.  He taps at the glass. 

Nobody takes any notice of him.  The foreign official is a man  whose  life is saddened by a public always

wanting something.  You read  it  in his face wherever you go.  The man who sells you tickets for the  theatre!

He is eating sandwiches when you knock at his window.  He  turns to his companion: 

"Good Lord!" you can see him say, "here's another of 'em.  If there  has been one man worrying me this

morning there have been a hundred.  Always the same story:  all of 'em want to come and see the play.  You

listen now; bet you anything he's going to bother me for tickets.  Really, it gets on my nerves sometimes." 

At the railway station it is just the same. 

"Another man who wants to go to Antwerp!  Don't seem to care for  rest, these people:  flying here, flying

there, what's the sense of  it?"  It is this absurd craze on the part of the public for letter  writing that is spoiling

the temper of the continental postoffice  official.  He does his best to discourage it. 

"Look at them," he says to his assistantthe thoughtful German  Government is careful to provide every


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official with another official  for company, lest by sheer force of ennui he might be reduced to  taking interest

in his work"twenty of 'em, all in a row!  Some of  'em been there for the last quarter of an hour.'' 

"Let 'em wait another quarter of an hour," advises the assistant;  "perhaps they'll go away." 

"My dear fellow," he answers, "do you think I haven't tried that?  There's simply no getting rid of 'em.  And it's

always the same cry:  'Stamps! stamps! stamps!'  'Pon my word, I think they live on stamps,  some of 'em." 

"Well let 'em have their stamps?" suggests the assistant, with a  burst of inspiration; "perhaps it will get rid of

'em." 

[Why the Man in Uniform has, generally, sad Eyes.] 

"What's the use?" wearily replies the older man.  "There will only  come a fresh crowd when those are gone." 

"Oh, well," argues the other, "that will be a change, anyhow.  I'm  tired of looking at this lot." 

I put it to a German postoffice clerk oncea man I had been  boring  for months.  I said: 

"You think I write these lettersthese short stories, these three  act playson purpose to annoy you.  Do let

me try to get the idea  out of your head.  Personally, I hate workhate it as much as you  do.  This is a pleasant

little town of yours:  given a free choice, I  could spend the whole day mooning round it, never putting pen to

paper.  But what am I to do?  I have a wife and children.  You know  what it is yourself:  they clamour for food,

bootsall sorts of  things.  I have to prepare these little packets for sale and bring  them to you to send off.

You see, you are here.  If you were not  hereif there were no postoffice in this town, maybe I'd have to

train pigeons, or cork the thing up in a bottle, fling it into the  river, and trust to luck and the Gulf Stream.  But,

you being here,  and calling yourself a postofficewell, it's a temptation to a  fellow." 

I think it did good.  Anyhow, after that he used to grin when I  opened the door, instead of greeting me as

formerly with a face the  picture of despair.  But to return to our inexperienced friend. 

At last the wicket is suddenly opened.  A peremptory official  demands  of him "name and address."  Not

expecting the question, he is  a  little doubtful of his address, and has to correct himself once or  twice.  The

official eyes him suspiciously. 

"Name of mother?" continues the official. 

"Name of what?" 

"Mother!" repeats the official.  "Had a mother of some sort, I  suppose." 

He is a man who loved his mother sincerely while she lived, but she  has been dead these twenty years, and,

for the life of him he cannot  recollect her name.  He thinks it was Margaret Henrietta, but is not  at all sure.

Besides, what on earth has his mother got to do with  this registered letter that he wants to send to his partner

in New  York? 

"When did it die?" asks the official. 

"When did what die?  Mother?" 

"No, no, the child." 


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"What child?"  The indignation of the official is almost  picturesque. 

"All I want to do," explains your friend, "is to register a  letter." 

"A what?" 

"This letter, I want" 

The window is slammed in his face.  When, ten minutes later he does  reach the right wicketthe bureau for

the registration of letters,  and not the bureau for the registration of infantile deathsit is  pointed out to him

that the letter either is sealed or that it is not  sealed. 

I have never been able yet to solve this problem.  If your letter  is  sealed, it then appears that it ought not to

have been sealed. 

If, on the other hand, you have omitted to seal it, that is your  fault.  In any case, the letter cannot go as it is.

The continental  official brings up the public on the principle of the nurse who sent  the eldest girl to see what

Tommy was doing and tell him he mustn't.  Your friend, having wasted half an hour and mislaid his temper

for  the day, decides to leave this thing over and talk to the hotel  porter about it.  Next to the Burgomeister, the

hotel porter is the  most influential man in the continental town:  maybe because he can  swear in seven

different languages.  But even he is not omnipotent. 

[The Traveller's one Friend.] 

Three of us, on the point of starting for a walking tour through  the  Tyrol, once sent on our luggage by post

from Constance to  Innsbruck.  Our idea was that, reaching Innsbruck in the height of the  season,  after a

week's tramp on two flannel shirts and a change of  socks, we  should be glad to get into fresh clothes before

showing  ourselves in  civilized society.  Our bags were waiting for us in the  postoffice:  we could see them

through the grating.  But some  informalityI have  never been able to understand what it washad  occurred

at Constance.  The suspicion of the Swiss postal authorities  had been aroused, and  special instructions had

been sent that the bags  were to be delivered  up only to their rightful owners. 

It sounds sensible enough.  Nobody wants his bag delivered up to  anyone else.  But it had not been explained

to the authorities at  Innsbruck how they were to know the proper owners.  Three wretched  looking creatures

crawled into the postoffice and said they wanted  those three bags"those bags, there in the

corner"which happened  to be nice, clean, respectablelooking bags, the sort of bags that  anyone might

want.  One of them produced a bit of paper, it is true,  which he said had been given to him as a receipt by the

postoffice  people at Constance.  But in the lonely passes of the Tyrol one man,  set upon by three, might

easily be robbed of his papers, and his body  thrown over a precipice.  The chief clerk shook his head.  He

would  like us to return accompanied by someone who could identify us.  The  hotel porter occurred to us, as a

matter of course.  Keeping to the  back streets, we returned to the hotel and fished him out of his box. 

"I am Mr. J.," I said:  "this is my friend Mr. B. and this is Mr.  S." 

The porter bowed and said he was delighted. 

"I want you to come with us to the postoffice," I explained, "and  identify us." 

The hotel porter is always a practical man:  his calling robs him  of  all sympathy with the hidebound

formality of his compatriots.  He  put on his cap and accompanied us back to the office.  He did his  best:  no one

could say he did not.  He told them who we were:  they  asked him how he knew.  For reply he asked them how


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they thought he  knew his mother:  he just knew us:  it was second nature with him.  He  implied that the

question was a silly one, and suggested that, as  his  time was valuable, they should hand us over the three bags

and  have  done with their nonsense. 

They asked him how long he had known us.  He threw up his hands  with  an eloquent gesture:  memory refused

to travel back such  distance.  It appeared there was never a time when he had not known us.  We had  been

boys together. 

Did he know anybody else who knew us?  The question appeared to him  almost insulting.  Everybody in

Innsbruck knew us, honoured us,  respected useverybody, that is, except a few postoffice officials,  people

quite out of society. 

Would he kindly bring along, say; one undoubtedly respectable  citizen  who could vouch for our identity?  The

request caused him to  forget  us and our troubles.  The argument became a personal quarrel  between  the porter

and the clerk.  If he, the porter, was not a  respectable  citizen of Innsbruck, where was such an one to be

found? 

[The disadvantage of being an unknown Person.] 

Both gentlemen became excited, and the discussion passed beyond my  understanding.  But I gathered dimly

from what the clerk said, that  illnatured remarks relative to the porter's grandfather and a  missing cow had

never yet been satisfactorily replied to:  and, from  observations made by the porter, that stories were in

circulation  about the clerk's aunt and a sergeant of artillery that should  suggest to a discreet nephew of the

lady the inadvisability of  talking about other people's grandfathers. 

Our sympathies were naturally with the porter:  he was our man, but  he did not seem to be advancing our

cause much.  We left them  quarrelling, and persuaded the head waiter that evening to turn out  the gas at our

end of the table d'hote. 

The next morning we returned to the postoffice by ourselves.  The  clerk proved a reasonable man when

treated in a friendly spirit.  He  was a bit of a climber himself.  He admitted the possibility of our  being the

rightful owners.  His instructions were only not to DELIVER  UP the bags, and he himself suggested a way

out of the difficulty.  We  might come each day and dress in the postoffice, behind the  screen.  It was an

awkward arrangement, even although the clerk  allowed us the  use of the back door.  And occasionally, in

spite of  the utmost care,  bits of us would show outside the screen.  But for a  couple of days,  until the British

Consul returned from Salzburg, the  postoffice had  to be our dressing room.  The continental official, I  am

inclined to  think, errs on the side of prudence. 

CHAPTER V

[If only we had not lost our Tails!] 

A friend of mine thinks it a pity that we have lost our tails.  He  argues it would be so helpful if, like the dog,

we possessed a tail  that wagged when we were pleased, that stuck out straight when we  were feeling mad. 

"Now, do come and see us again soon," says our hostess; "don't wait  to be asked.  Drop in whenever you are

passing." 

We take her at her word.  The servant who answers our knocking says  she "will see."  There is a scuffling of

feet, a murmur of hushed  voices, a swift opening and closing of doors.  We are shown into the  drawingroom,


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the maid, breathless from her search, one supposes,  having discovered that her mistress IS at home.  We stand

upon the  hearthrug, clinging to our hat and stick as to things friendly and  sympathetic:  the suggestion forcing

itself upon us is that of a  visit to the dentist. 

Our hostess enters wreathed in smiles.  Is she really pleased to  see  us, or is she saying to herself, "Drat the

man!  Why must he  choose  the very morning I had intended to fix up the clean curtains?" 

But she has to pretend to be delighted, and ask us to stay to  lunch.  It would save us hours of anxiety could we

look beyond her  smiling  face to her tail peeping out saucily from a plackethole.  Is  it  wagging, or is it

standing out rigid at right angles from her  skirt? 

But I fear by this time we should have taught our tails polite  behaviour.  We should have schooled them to

wag enthusiastically the  while we were growling savagely to ourselves.  Man put on insincerity  to hide his

mind when he made himself a garment of figleaves to hide  his body. 

One sometimes wonders whether he has gained so very much.  A small  acquaintance of mine is being brought

up on strange principles.  Whether his parents are mad or not is a matter of opinion.  Their  ideas are certainly

peculiar.  They encourage him rather than  otherwise to tell the truth on all occasions.  I am watching the

experiment with interest.  If you ask him what he thinks of you, he  tells you.  Some people don't ask him a

second time.  They say: 

"What a very rude little boy you are!" 

"But you insisted upon it," he explains; "I told you I'd rather not  say." 

It does not comfort them in the least.  Yet the result is, he is  already an influence.  People who have braved the

ordeal, and emerged  successfully, go about with swelled head. 

[And little Boys would always tell the Truth!] 

Politeness would seem to have been invented for the comfort of the  undeserving.  We let fall our rain of

compliments upon the unjust and  the just without distinction.  Every hostess has provided us with the  most

charming evening of our life.  Every guest has conferred a like  blessing upon us by accepting our invitation.  I

remember a dear good  lady in a small south German town organizing for one winter's day a  sleighing party to

the woods.  A sleighing party differs from a  picnic.  The people who want each other cannot go off together

and  lose themselves, leaving the bores to find only each other.  You are  in close company from early morn till

late at night.  We were to  drive twenty miles, six in a sledge, dine together in a lonely  Wirtschaft, dance and

sing songs, and afterwards drive home by  moonlight.  Success depends on every member of the company

fitting  into his place and assisting in the general harmony.  Our  chieftainess was fixing the final arrangements

the evening before in  the drawingroom of the pension.  One place was still to spare. 

"Tompkins!" 

Two voices uttered the name simultaneously; three others  immediately  took up the refrain.  Tompkins was our

manthe cheeriest,  merriest  companion imaginable.  Tompkins alone could be trusted to  make the  affair a

success.  Tompkins, who had only arrived that  afternoon, was  pointed out to our chieftainess.  We could hear

his  goodtempered  laugh from where we sat, grouped together at the other  end of the  room.  Our chieftainess

rose, and made for him direct. 

Alas! she was a shortsighted ladywe had not thought of that.  She  returned in triumph, followed by a

dismallooking man I had met  the  year before in the Black Forest, and had hoped never to meet  again.  I drew


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her aside. 

"Whatever you do," I said, "don't ask  " (I forget his name.  One  of these days I'll forget him altogether, and

be happier.  I will  call him Johnson.)  "He would turn the whole thing into a funeral  before we were halfway

there.  I climbed a mountain with him once.  He makes you forget all your other troubles; that is the only thing

he is good for." 

"But who is Johnson?" she demanded.  "Why, that's Johnson," I  explained"the thing you've brought over.

Why on earth didn't you  leave it alone?  Where's your woman's instinct?" 

"Great heavens!" she cried, "I thought it was Tompkins.  I've  invited  him, and he's accepted." 

She was a stickler for politeness, and would not hear of his being  told that he had been mistaken for an

agreeable man, but that the  error, most fortunately, had been discovered in time.  He started a  row with the

driver of the sledge, and devoted the journey outwards  to an argument on the fiscal question.  He told the

proprietor of the  hotel what he thought of German cooking, and insisted on having the  windows open.  One of

our partya German studentsang,  "Deutschland, Deutschland uber alles,"which led to a heated

discussion on the proper place of sentiment in literature, and a  general denunciation by Johnson of Teutonic

characteristics in  general.  We did not dance.  Johnson said that, of course, he spoke  only for himself, but the

sight of middleaged ladies and gentlemen  catching hold of each other round the middle and jigging about

like  children was to him rather a saddening spectacle, but to the young  such gambolling was natural.  Let the

young ones indulge themselves.  Only four of our party could claim to be under thirty with any hope  of

success.  They were kind enough not to impress the fact upon us.  Johnson enlivened the journey back by a

searching analysis of  enjoyment:  Of what did it really consist? 

Yet, on wishing him "Goodnight," our chieftainess thanked him for  his company in precisely the same terms

she would have applied to  Tompkins, who, by unflagging good humour and tact, would have made  the day

worth remembering to us all for all time. 

[And everyone obtained his just Deserts!] 

We pay dearly for our want of sincerity.  We are denied the payment  of praise:  it has ceased to have any

value.  People shake me warmly  by the hand and tell me that they like my books.  It only bores me.  Not that I

am superior to complimentnobody isbut because I cannot  be sure that they mean it.  They would say just

the same had they  never read a line I had written.  If I visit a house and find a book  of mine open face

downwards on the windowseat, it sends no thrill of  pride through my suspicious mind.  As likely as not, I tell

myself,  the following is the conversation that has taken place between my  host and hostess the day before my

arrival: 

"Don't forget that man J is coming down tomorrow." 

"Tomorrow!  I wish you would tell me of these things a little  earlier." 

"I did tell youtold you last week.  Your memory gets worse every  day." 

"You certainly never told me, or I should have remembered it.  Is  he  anybody important?" 

"Oh, no; writes books." 

"What sort of books?I mean, is he quite respectable?" 


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"Of course, or I should not have invited him.  These sort of people  go everywhere nowadays.  By the by, have

we got any of his books  about the house?" 

"I don't think so.  I'll look and see.  If you had let me know in  time I could have ordered one from Mudie's." 

"Well, I've got to go to town; I'll make sure of it, and buy one." 

"Seems a pity to waste money.  Won't you be going anywhere near  Mudie's?" 

"Looks more appreciative to have bought a copy.  It will do for a  birthday present for someone." 

On the other hand, the conversation may have been very different.  My  hostess may have said: 

"Oh, I AM glad he's coming.  I have been longing to meet him for  years." 

She may have bought my book on the day of publication, and be  reading  it through for the second time.  She

may, by pure accident,  have left  it on her favourite seat beneath the window.  The knowledge  that  insincerity

is our universal garment has reduced all compliment  to  meaningless formula.  A lady one evening at a party

drew me aside.  The chief guesta famous writerhad just arrived. 

"Tell me," she said, "I have so little time for reading, what has  he  done?" 

I was on the point of replying when an inveterate wag, who had  overheard her, interposed between us. 

"'The Cloister and the Hearth,'" he told her, "and 'Adam Bede.'" 

He happened to know the lady well.  She has a good heart, but was  ever muddleheaded.  She thanked that

wag with a smile, and I heard  her later in the evening boring most evidently that literary lion  with elongated

praise of the "Cloister and the Hearth" and "Adam  Bede."  They were among the few books she had ever read,

and talking  about them came easily to her.  She told me afterwards that she had  found that literary lion a

charming man, but  

"Well," she laughed, "he has got a good opinion of himself.  He  told  me he considered both books among the

finest in the English  language." 

It is as well always to make a note of the author's name.  Some  people never domore particularly playgoers.

A wellknown dramatic  author told me he once took a couple of colonial friends to a play of  his own.  It was

after a little dinner at Kettner's; they suggested  the theatre, and he thought he would give them a treat.  He did

not  mention to them that he was the author, and they never looked at the  programme.  Their faces as the play

proceeded lengthened; it did not  seem to be their school of comedy.  At the end of the first act they  sprang to

their feet. 

"Let's chuck this rot," suggested one. 

"Let's go to the Empire," suggested the other.  The wellknown  dramatist followed them out.  He thinks the

fault must have been with  the dinner. 

A young friend of minea man of good familycontracted a  mesalliance:  that is, he married the daughter

of a Canadian farmer,  a frank, amiable girl, bewitchingly pretty, with more character in  her little finger than

some girls possess in their whole body.  I met  him one day, some three months after his return to London. 


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[And only people would do Parlour Tricks who do them well!] 

"Well," I asked him, "how is it shaping?" 

"She is the dearest girl in the world," he answered.  "She has only  got one fault; she believes what people

say." 

"She will get over that," I suggested. 

"I hope she does," he replied; "it's awkward at present." 

"I can see it leading her into difficulty," I agreed. 

"She is not accomplished," he continued.  He seemed to wish to talk  about it to a sympathetic listener.  "She

never pretended to be  accomplished.  I did not marry her for her accomplishments.  But now  she is beginning

to think she must have been accomplished all the  time, without knowing it.  She plays the piano like a

schoolgirl on a  parents' visitingday.  She told them she did not playnot worth  listening toat least, she

began by telling them so.  They insisted  that she did, that they had heard about her playing, and were  thirsting

to enjoy it.  She is good nature itself.  She would stand  on her head if she thought it would give real joy to

anyone.  She  took it they really wanted to hear her, and so let 'em have it.  They  tell her that her touch is

something quite out of the commonwhich  is the truth, if only she could understand itwhy did she never

think of taking up music as a profession?  By this time she is  wondering herself that she never did.  They are

not satisfied with  hearing her once.  They ask for more, and they get it.  The other  evening I had to keep quiet

on my chair while she thumped through  four pieces one after the other, including the Beethoven Sonata.  We

knew it was the Beethoven Sonata.  She told us before she started it  was going to be the Beethoven Sonata,

otherwise, for all any of us  could have guessed, it might have been the 'Battle of Prague.'  We  all sat round

with wooden faces, staring at our boots.  Afterwards  those of them that couldn't get near enough to her to

make a fool of  her crowded round me.  Wanted to know why I had never told them I had  discovered a musical

prodigy.  I'll lose my temper one day and pull  somebody's nose, I feel I shall.  She's got a recitation; whether

intended to be serious or comic I had never been able to make up my  mind.  The way she gives it confers upon

it all the disadvantages of  both.  It is chiefly concerned with an angel and a child.  But a dog  comes into it

about the middle, and from that point onward it is  impossible to tell who is talkingsometimes you think it

is the  angel, and then it sounds more like the dog.  The child is the  easiest to follow:  it talks all the time

through its nose.  If I  have heard that recitation once I have heard it fifty times; and now  she is busy learning

an encore. 

[And all the World had Sense!] 

"What hurts me most," he went on, "is having to watch her making  herself ridiculous.  Yet what am I to do?  If

I explain things to her  she will be miserable and ashamed of herself; added to which her  franknessperhaps

her greatest charmwill be murdered.  The trouble  runs through everything.  She won't take my advice about

her frocks.  She laughs, and repeats to mewell, the lies that other women tell a  girl who is spoiling herself

by dressing absurdly; especially when  she is a pretty girl and they are anxious she should go on spoiling

herself.  She bought a hat last week, one day when I was not with  her.  It only wants the candles to look like a

Christmas tree.  They  insist on her taking it off so they may examine it more closely, with  the idea of having

one built like it for themselves; and she sits by  delighted, and explains to them the secret of the thing.  We get

to  parties half an hour before the opening time; she is afraid of being  a minute late.  They have told her that

the party can't begin without  herisn't worth calling a party till she's there.  We are always the  last to go.  The

other people don't matter, but if she goes they will  feel the whole thing has been a failure.  She is dead for

want of  sleep, and they are sick and tired of us; but if I look at my watch  they talk as if their hearts were

breaking, and she thinks me a brute  for wanting to leave friends so passionately attached to us. 


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"Why do we all play this silly game; what is the sense of it?" he  wanted to know. 

I could not tell him. 

CHAPTER VI

[Fire and the Foreigner.] 

They are odd folk, these foreigners.  There are moments of despair  when I almost give them upfeel I don't

care what becomes of them  feel as if I could let them muddle on in their own waywash my hands  of

them, so to speak, and attend exclusively to my own business:  we  all have our days of feebleness.  They will

sit outside a cafe on a  freezing night, with an east wind blowing, and play dominoes.  They  will stand outside

a tramcar, rushing through the icy air at fifteen  miles an hour, and refuse to go inside, even to oblige a lady.

Yet  in railway carriages, in which you could grill a bloater by the  simple process of laying it underneath the

seat, they will insist on  the window being closed, light cigars to keep their noses warm, and  sit with the

collars of their fur coats buttoned up around their  necks. 

In their houses they keep the double windows hermetically sealed  for  three or four months at a time:  and the

hot air quivering about  the  stoves scorches your face if you venture nearer to it than a yard.  Travel can

broaden the mind.  It can also suggest to the Britisher  that in some respects his countrymen are nothing near

so silly as  they are supposed to be.  There was a time when I used to sit with my  legs stretched out before the

English coal fire and listen with  respectful attention while people who I thought knew all about it  explained

to me how wicked and how wasteful were our methods. 

All the heat from that fire, they told me, was going up the  chimney.  I did not like to answer them that

notwithstanding I felt  warm and  cosy.  I feared it might be merely British stupidity that  kept me  warm and

cosy, not the fire at all.  How could it be the fire?  The  heat from the fire was going up the chimney.  It was the

glow of  ignorance that was making my toes tingle.  Besides, if by sitting  close in front of the fire and looking

hard at it, I did contrive, by  hypnotic suggestion, maybe, to fancy myself warm, what should I feel  like at the

other end of the room? 

It seemed like begging the question to reply that I had no  particular  use for the other end of the room, that

generally speaking  there was  room enough about the fire for all the people I really cared  for,  that sitting

altogether round the fire seemed quite as sensible  as  sulking by one's self in a corner the other end of the

room, that  the  fire made a cheerful and convenient focus for family and friends.  They pointed out to me how

a stove, blocking up the centre of the  room, with a dingy looking fluepipe wandering round the ceiling,  would

enable us to sit ranged round the walls, like patients in a  hospital waitingroom, and use up coke and

potatopeelings. 

Since then I have had practical experience of the scientific stove.  I want the oldfashioned, unsanitary,

wasteful, illogical, open  fireplace.  I want the heat to go up the chimney, instead of stopping  in the room and

giving me a headache, and making everything go round.  When I come in out of the snow I want to see a

firesomething that  says to me with a cheerful crackle, "Hallo, old man, cold outside,  isn't it?  Come and sit

down.  Come quite close and warm your hands.  That's right, put your foot under him and persuade him to

move a yard  or two.  That's all he's been doing for the last hour, lying there  roasting himself, lazy little devil.

He'll get softening of the  spine, that's what will happen to him.  Put your toes on the fender.  The tea will be

here in a minute." 

[My British Stupidity.] 


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I want something that I can toast my back against, while standing  with coat tails tucked up and my hands in

my pockets, explaining  things to people.  I don't want a comfortless, staring, white thing,  in a corner of the

room, behind the sofaa thing that looks and  smells like a family tomb.  It may be hygienic, and it may be

hot,  but it does not seem to do me any good.  It has its advantages:  it  contains a cupboard into which you can

put things to dry.  You can  also forget them, and leave them there.  Then people complain of a  smell of

burning, and hope the house is not on fire, and you ease  their mind by explaining to them that it is probably

only your boots.  Complicated internal arrangements are worked by a key.  If you put on  too much fuel, and do

not work this key properly, the thing explodes.  And if you do not put on any coal at all and the fire goes out

suddenly, then likewise it explodes.  That is the only way it knows  of calling attention to itself.  On the

Continent you know when the  fire wants seeing to merely by listening: 

"Sounded like the diningroom, that last explosion," somebody  remarks. 

"I think not," observes another, "I distinctly felt the shock  behind  memy bedroom, I expect." 

Bits of ceiling begin to fall, and you notice that the mirror over  the sideboard is slowly coming towards you. 

"Why it must be this stove," you say; "curious how difficult it is  to  locate sound." 

You snatch up the children and hurry out of the room.  After a  while,  when things have settled down, you

venture to look in again.  Maybe  it was only a mild explosion.  A tenpound note and a couple of  plumbers in

the house for a week will put things right again.  They  tell me they are economical, these German stoves, but

you have got to  understand them.  I think I have learnt the trick of them at last:  and I don't suppose, all told, it

has cost me more than fifty pounds.  And now I am trying to teach the rest of the family.  What I complain

about the family is that they do not seem anxious to learn. 

"You do it," they say, pressing the coal scoop into my hand:  "it  makes us nervous." 

It is a pretty, patriarchal idea:  I stand between the trusting,  admiring family and these explosive stoves that

are the terror of  their lives.  They gather round me in a group and watch me, the  capable, allknowing Head

who fears no foreign stove.  But there are  days when I get tired of going round making up fires. 

Nor is it sufficient to understand only one particular stove.  The  practical foreigner prides himself upon having

various stoves,  adapted to various work.  Hitherto I have been speaking only of the  stove supposed to be best

suited to reception rooms and bedrooms.  The  hall is provided with another sort of stove altogether:  an iron

stove  this, that turns up its nose at coke and potatopeelings.  If  you give  it anything else but the best coal it

explodes.  It is like  living  surrounded by peppery old colonels, trying to pass a peaceful  winter  among these

passionate stoves.  There is a stove in the  kitchen to be  used only for roasting:  this one will not look at

anything else but  wood.  Give it a bit of coal, meaning to be kind,  and before you are  out of the room it has

exploded. 

Then there is a trick stove specially popular in Belgium.  It has a  little door at the top and another little door at

the bottom, and  looks like a peppercaster.  Whether it is happy or not depends upon  those two little doors.

There are times when it feels it wants the  bottom door shut and the top door open, or vice versa, or both open

at the same time, or both shutit is a fussy little stove. 

Ordinary intelligence does not help you much with this stove.  You  want to be bred in the country.  It is a

question of instinct:  you  have to have Belgian blood in your veins to get on comfortably with  it.  On the

whole, it is a mild little stove, this Belgian pet.  It  does not often explode:  it only gets angry, and throws its

cover  into the air, and flings hot coals about the room.  It lives,  generally speaking, inside an iron cupboard

with two doors.  When you  want it, you open these doors, and pull it out into the room.  It  works on a swivel.


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And when you don't want it you try to push it  back again, and then the whole thing tumbles over, and the girl

throws her hands up to Heaven and says, "Mon Dieu!" and screams for  the cook and the femme journee, and

they all three say "Mon Dieu!"  and fall upon it with buckets of water.  By the time everything has  been

extinguished you have made up your mind to substitute for it  just the ordinary explosive stove to which you

are accustomed. 

[I am considered Cold and Mad.] 

In your own house you can, of course, open the windows, and thus  defeat the foreign stove.  The rest of the

street thinks you mad, but  then the Englishman is considered by all foreigners to be always mad.  It is his

privilege to be mad.  The street thinks no worse of you  than it did before, and you can breathe in comfort.  But

in the  railway carriage they don't allow you to be mad.  In Europe, unless  you are prepared to draw at sight

upon the other passengers, throw  the conductor out of the window, and take the train in by yourself,  it is

useless arguing the question of fresh air.  The rule abroad is  that if any one man objects to the window being

open, the window  remains closed.  He does not quarrel with you:  he rings the bell,  and points out to the

conductor that the temperature of the carriage  has sunk to little more than ninety degrees, Fahrenheit.  He

thinks a  window must be open. 

The conductor is generally an old soldier:  he understands being  shot, he understands being thrown out of

window, but not the laws of  sanitation.  If, as I have explained, you shoot him, or throw him out  on the

permanent way, that convinces him.  He leaves you to discuss  the matter with the second conductor, who, by

your action, has now,  of course, become the first conductor.  As there are generally half a  dozen of these

conductors scattered about the train, the process of  educating them becomes monotonous.  You generally end

by submitting  to the law. 

Unless you happen to be an American woman.  Never did my heart go  out  more gladly to America as a nation

than one spring day travelling  from Berne to Vevey.  We had been sitting for an hour in an  atmosphere that

would have rendered a Dante disinclined to notice  things.  Dante, after ten minutes in that atmosphere, would

have lost  all interest in the show.  He would not have asked questions.  He  would have whispered to Virgil: 

"Get me out of this, old man, there's a good fellow!" 

[Sometimes I wish I were an American Woman.] 

The carriage was crowded, chiefly with Germans.  Every window was  closed, every ventilator shut.  The hot

air quivered round our feet  Seventeen men and four women were smoking, two children were sucking

peppermints, and an old married couple were eating their lunch,  consisting chiefly of garlic.  At a junction, the

door was thrown  open.  The foreigner opens the door a little way, glides in, and  closes it behind him.  This was

not a foreigner, but an American  lady, en voyage, accompanied by five other American ladies.  They  marched

in carrying packages.  They could not find six seats  together, so they scattered up and down the carriage.  The

first  thing that each woman did, the moment she could get her hands free,  was to dash for the nearest window

and haul it down. 

"Astonishes me," said the first woman, "that somebody is not dead  in  this carriage." 

Their idea, I think, was that through asphyxiation we had become  comatose, and, but for their entrance,

would have died unconscious. 

"It is a current of air that is wanted," said another of the  ladies. 


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So they opened the door at the front of the carriage and four of  them  stood outside on the platform, chatting

pleasantly and admiring  the  scenery, while two of them opened the door at the other end, and  took

photographs of the Lake of Geneva.  The carriage rose and cursed  them  in six languages.  Bells were rung:

conductors came flying in.  It  was all of no use.  Those American ladies were cheerful but firm.  They argued

with volubility:  they argued standing in the open  doorway.  The conductors, familiar, no doubt, with the

American lady  and her ways, shrugged their shoulders and retired.  The other  passengers undid their bags and

bundles, and wrapped themselves up in  shawls and Jaeger nightshirts. 

I met the ladies afterwards in Lausanne.  They told me they had  been  condemned to a fine of forty francs

apiece.  They also explained  to  me that they had not the slightest intention of paying it. 

CHAPTER VII

[Too much Postcard.] 

The postcard craze is dying out in Germanythe land of its  birthI  am told.  In Germany they do things

thoroughly, or not at  all.  The  German when he took to sending postcards abandoned almost  every other

pursuit in life.  The German tourist never knew where he  had been  until on reaching home again he asked

some friend or relation  to  allow him to look over the postcards he had sent.  Then it was he  began to enjoy his

trip. 

"What a charming old town!" the German tourist would exclaim.  "I  wish I could have found time while I was

there to have gone outside  the hotel and have had a look round.  Still, it is pleasant to think  one has been

there." 

"I suppose you did not have much time?" his friend would suggest. 

"We did not get there till the evening," the tourist would explain.  "We were busy till dark buying postcards,

and then in the morning  there was the writing and addressing to be done, and when that was  over, and we had

had our breakfast, it was time to leave again." 

He would take up another card showing the panorama from a mountain  top. 

"Sublime! colossal!" he would cry enraptured.  "If I had known it  was  anything like that, I'd have stopped

another day and had a look at  it." 

It was always worth seeing, the arrival of a party of German  tourists  in a Schwartzwald village.  Leaping from

the coach they would  surge  round the solitary gendarme. 

"Where is the postcard shop?"  "Tell uswe have only two hours  where do we get postcards?" 

The gendarme, scenting Trinkgeld, would head them at the double  quick:  stout old gentlemen unaccustomed

to the doublequick, stouter  Frauen gathering up their skirts with utter disregard to all  propriety, slim

Fraulein clinging to their beloved would run after  him.  Nervous pedestrians would fly for safety into

doorways,  careless loiterers would be swept into the gutter. 

In the narrow doorway of the postcard shop trouble would begin.  The  cries of suffocated women and

trampled children, the curses of  strong  men, would rend the air.  The German is a peaceful, lawabiding

citizen, but in the hunt for postcards he was a beast.  A woman would  pounce on a tray of cards, commence

selecting, suddenly the tray  would be snatched from her.  She would burst into tears, and hit the  person nearest


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to her with her umbrella.  The cunning and the strong  would secure the best cards.  The weak and courteous be

left with  pictures of post offices and railway stations.  Torn and dishevelled,  the crowd would rush back to the

hotel, sweep crockery from the  table, andsucking stumpy pencilswrite feverishly.  A hurried meal  would

follow.  Then the horses would be put to again, the German  tourists would climb back to their places and be

driven away, asking  of the coachman what the name of the place they had just left might  happen to be. 

[The Postcard as a Family Curse.] 

One presumes that even to the patient German the thing grew  tiresome.  In the Fliegende Blatter two young

clerks were represented  discussing  the question of summer holidays. 

"Where are you going?" asks A of B. 

"Nowhere," answers B. 

"Can't you afford it?" asks the sympathetic A. 

"Only been able to save up enough for the postcards," answers B,  gloomily; "no money left for the trip." 

Men and women carried bulky volumes containing the names and  addresses of the people to whom they had

promised to send cards.  Everywhere, through winding forest glade, by silver sea, on mountain  pathway, one

met with prematurely aged looking tourists muttering as  they walked: 

"Did I send Aunt Gretchen a postcard from that last village that we  stopped at, or did I address two to Cousin

Lisa?" 

Then, again, maybe, the picture postcard led to disappointment.  Uninteresting towns clamoured, as

illfavoured spinsters in a  photographic studio, to be made beautiful. 

"I want," says the lady, "a photograph my friends will really like.  Some of these secondrate photographers

make one look quite plain.  I  don't want you to flatter me, if you understand, I merely want  something nice." 

The obliging photographer does his best.  The nose is carefully  toned  down, the wart becomes a dimple, her

own husband doesn't know  her.  The postcard artist has ended by imagining everything as it might  have been. 

"If it were not for the houses," says the postcard artist to  himself,  "this might have been a picturesque old

High street of  mediaeval  aspect." 

So he draws a picture of the High street as it might have been.  The  lover of quaint architecture travels out of

his way to see it,  and  when he finds it and contrasts it with the picture postcard he  gets  mad.  I bought a

postcard myself once representing the market  place  of a certain French town.  It seemed to me, looking at the

postcard,  that I hadn't really seen Francenot yet.  I travelled  nearly a  hundred miles to see that market place.

I was careful to  arrive on  market day and to get there at the right time.  I reached  the market  square and looked

at it.  Then I asked a gendarme where it  was. 

He said it was therethat I was in it. 

I said, "I don't mean this one, I want the other one, the  picturesque  one." 

He said it was the only market square they had.  I took the  postcard  from my pocket. 


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"Where are all the girls?" I asked him. 

"What girls?" he demanded. 

[The Artist's Dream.] 

"Why, these girls;" I showed him the postcard, there ought to have  been about a hundred of them.  There was

not a plain one among the  lot.  Many of them I should have called beautiful.  They were selling  flowers and

fruit, all kinds of fruitcherries, strawberries, rosy  cheeked apples, luscious grapesall freshly picked and

sparkling  with dew.  The gendarme said he had never seen any girlsnot in this  particular square.  Referring

casually to the blood of saints and  martyrs, he said he would like to see a few girls in that town worth  looking

at.  In the square itself sat six motherly old souls round a  lamppost.  One of them had a moustache, and was

smoking a pipe, but  in other respects, I have no doubt, was all a woman should be.  Two  of them were selling

fish.  That is they would have sold fish, no  doubt, had anyone been there to buy fish.  The gaily clad thousands

of eager purchasers pictured in the postcard were represented by two  workmen in blue blouses talking at a

corner, mostly with their  fingers; a small boy walking backwards, with the idea apparently of  not missing

anything behind him, and a yellow dog that sat on the  kerb, and had given up all hopejudging from his

expressionof  anything ever happening again.  With the gendarme and myself, these  four were the only

living creatures in the square.  The rest of the  market consisted of eggs and a few emaciated fowls hanging

from a  sort of broom handle. 

"And where's the cathedral?" I asked the gendarme.  It was a Gothic  structure in the postcard of evident

antiquity.  He said there had  once been a cathedral.  It was now a brewery; he pointed it out to  me.  He said he

thought some portion of the original south wall had  been retained.  He thought the manager of the brewery

might be  willing to show it to me. 

"And the fountain?" I demanded, "and all these doves!" 

He said there had been talk of a fountain.  He believed the design  had already been prepared. 

I took the next train back.  I do not now travel much out of my way  to see the original of the picture postcard.

Maybe others have had  like experience and the picture postcard as a guide to the Continent  has lost its value. 

The dealer has fallen back upon the eternal feminine.  The postcard  collector is confined to girls.  Through the

kindness of  correspondents I possess myself some fifty to a hundred girls, or  perhaps it would be more

correct to say one girl in fifty to a  hundred different hats.  I have her in big hats, I have her in small  hats, I

have her in no hat at all.  I have her smiling, and I have  her looking as if she had lost her last sixpence.  I have

her  overdressed, I have her decidedly underdressed, but she is much the  same girl.  Very young men cannot

have too many of her, but myself I  am getting tired of her.  I suppose it is the result of growing old. 

[Why not the Eternal Male for a change?] 

Girls of my acquaintance are also beginning to grumble at her.  I  often think it hard on girls that the artist so

neglects the eternal  male.  Why should there not be portraits of young men in different  hats; young men in big

hats, young men in little hats, young men  smiling archly, young men looking noble.  Girls don't want to

decorate their rooms with pictures of other girls, they want rows of  young men beaming down upon them. 

But possibly I am sinning my mercies.  A father hears what young  men  don't.  The girl in real life is feeling it

keenly:  the  impossible  standard set for her by the popular artist. 


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"Real skirts don't hang like that," she grumbles, "it's not in the  nature of skirts.  You can't have feet that size.  It

isn't our  fault, they are not made.  Look at those waists!  There would be no  room to put anything?" 

"Nature, in fashioning woman, has not yet crept up to the artistic  ideal.  The young man studies the picture on

the postcard; on the  coloured almanack given away at Christmas by the local grocer; on the  advertisement of

Jones' soap, and thinks with discontent of Polly  Perkins, who in a natural way is as pretty a girl as can be

looked  for in this imperfect world.  Thus it is that woman has had to take  to shorthand and typewriting.

Modern woman is being ruined by the  artist. 

[How Women are ruined by Art.] 

Mr. Anstey tells a story of a young barber who fell in love with  his  own wax model.  All day he dreamed of

the impossible.  Shethe  young  lady of waxlike complexion, with her everlasting expression of  dignity

combined with amiability.  No girl of his acquaintance could  compete with her.  If I remember rightly he died

a bachelor, still  dreaming of waxlike perfection.  Perhaps it is as well we men are  not handicapped to the

same extent.  If every hoarding, if every  picture shop window, if every illustrated journal teemed with

illustrations of the ideal young man in perfect fitting trousers that  never bagged at the knees!  Maybe it would

result in our cooking our  own breakfasts and making our own beds to the end of our lives. 

The novelist and playwright, as it is, have made things difficult  enough for us.  In books and plays the young

man makes love with a  flow of language, a wealth of imagery, that must have taken him years  to acquire.

What does the novelreading girl think, I wonder, when  the real young man proposes to her!  He has not

called her anything  in particular.  Possibly he has got as far as suggesting she is a  duck or a daisy, or hinting

shyly that she is his bee or his  honeysuckle:  in his excitement he is not quite sure which.  In the  novel she has

been reading the hero has likened the heroine to half  the vegetable kingdom.  Elementary astronomy has been

exhausted in  his attempt to describe to her the impression her appearance leaves  on him.  Bond Street has been

sacked in his endeavour to get it  clearly home to her what different parts of her are likeher eyes,  her teeth,

her heart, her hair, her ears.  Delicacy alone prevents  his extending the catalogue.  A Fiji Island lover might

possibly go  further.  We have not yet had the Fiji Island novel.  By the time he  is through with it she must have

a somewhat confused notion of  herselfa vague conviction that she is a sort of condensed South  Kensington

Museum. 

[Difficulty of living up to the Poster.] 

Poor Angelina must feel dissatisfied with the Edwin of real life.  I  am not sure that art and fiction have not

made life more difficult  for us than even it was intended to be.  The view from the mountain  top is less

extensive than represented by the picture postcard.  The  play, I fear me, does not always come up to the

poster.  Polly  Perkins is pretty enough as girls go; but oh for the young lady of  the grocer's almanack!  Poor

dear John is very nice and loves usso  he tells us, in his stupid, halting way; but how can we respond when

we remember how the man loved in the play!  The "artist has fashioned  his dream of delight," and the

workaday world by comparison seems  tame to us. 

CHAPTER VIII

[The Lady and the Problem.] 

She is a good woman, the Heroine of the Problem Play, but accidents  will happen, and other people were to

blame. 

Perhaps that is really the Problem:  who was responsible for the  heroine's past?  Was it her father?  She does


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not say sonot in so  many words.  That is not her way.  It is not for her, the silently  suffering victim of

complicated antecedent incidents, to purchase  justice for herself by pointing the finger of accusation against

him  who, whatever his faults may be, was once, at all events, her father.  That one fact in his favour she can

never forget.  Indeed she would  not if she could.  That one asset, for whatever it may be worth by  the time the

Day of Judgment arrives, he shall retain.  It shall not  be taken from him.  "After all he was my father."  She

admits it,  with the accent on the "was."  That he is so no longer, he has only  himself to blame.  His subsequent

behaviour has apparently rendered  it necessary for her to sever the relationship. 

"I love you," she has probably said to him, paraphrasing Othello's  speech to Cassio; "it is my duty, andas

by this time you must be  awareit is my keen if occasionally somewhat involved, sense of duty  that is the

cause of almost all our troubles in this play.  You will  always remain the object of what I cannot help feeling

is misplaced  affection on my part, mingled with contempt.  But never more be  relative of mine." 

Certain it is that but for her father she would never have had a  past.  Failing anyone else on whom to lay the

blame for whatever the  lady may have done, we can generally fall back upon the father.  He  becomes our

sheetanchor, so to speak.  There are plays in which at  first sight it would almost appear there was nobody to

blamenobody,  except the heroine herself.  It all seems to happen just because she  is no better than she

ought to be:  clearly, the father's fault! for  ever having had a daughter no better than she ought to be.  As the

Heroine of a certain Problem Play once put it neatly and succinctly  to the old man himself:  "It is you parents

that make us children  what we are."  She had him there.  He had not a word to answer for  himself, but went off

centre, leaving his hat behind him. 

Sometimes, however, the father is merely a "Scientist"which in  Stageland is another term for helpless

imbecile.  In Stageland, if a  gentleman has not got to have much brain and you do not know what  else to make

of him, you let him be a scientistand then, of course,  he is only to blame in a minor degree.  If he had not

been a  scientistthinking more of his silly old stars or beetles than of  his intricate daughter, he might have

done something.  The heroine  does not say precisely what:  perhaps have taken her up stairs now  and again,

while she was still young and susceptible of improvement,  and have spanked some sense into her. 

[The Stage Hero who, for once, had Justice done to him.] 

I remember witnessing long ago, in a country barn, a highly moral  play.  It was a Problem Play, now I come to

think of it.  At least,  that is, it would have been a Problem Play but that the party with  the past happened in

this case to be merely a male thing.  Stage life  presents no problems to the man.  The hero of the Problem Play

has  not got to wonder what to do; he has got to wonder only what the  heroine will do next.  The herohe was

not exactly the hero; he  would have been the hero had he not been hanged in the last act.  But  for that he was

rather a nice young man, full of sentiment and not  ashamed of it.  From the scaffold he pleaded for leave to

embrace his  mother just once more before he died.  It was a pretty idea.  The  hangman himself was touched.

The necessary leave was granted him.  He  descended the steps and flung his arms round the sobbing old lady,

andbit off her nose.  After that he told her why he had bitten off  her nose.  It appeared that when he was a

boy, he had returned home  one evening with a rabbit in his pocket.  Instead of putting him  across her knee,

and working into him the eighth commandment, she had  said nothing; but that it seemed to be a fairly useful

sort of  rabbit, and had sent him out into the garden to pick onions.  If she  had done her duty by him then, he

would not have been now in his  present most unsatisfactory position, and she would still have had  her nose.

The fathers and mothers in the audience applauded, but the  children, scenting addition to precedent, looked

glum. 

Maybe it is something of this kind the heroine is hinting at.  Perhaps the Problem has nothing to do with the

heroine herself, but  with the heroine's parents:  what is the best way of bringing up a  daughter who shows the

slightest sign of developing a tendency  towards a Past?  Can it be done by kindness?  And, if not, how much? 


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Occasionally the parents attempt to solve the Problem, so far as  they  are concerned, by dying youngshortly

after the heroine's birth.  No  doubt they argue to themselves this is their only chance of  avoiding  future blame.

But they do not get out of it so easily. 

"Ah, if I had only had a motheror even a father!" cries the  heroine:  one feels how mean it was of them to

slip away as they did. 

The fact remains, however, that they are dead.  One despises them  for  dying, but beyond that it is difficult to

hold them personally  responsible for the heroine's subsequent misdeeds.  The argument  takes to itself new

shape.  Is it Fate that is to blame?  The lady  herself would seem to favour this suggestion.  It has always been

her  fate, she explains, to bring suffering and misery upon those she  loves.  At first, according to her own

account, she rebelled against  this cruel Fatepossibly instigated thereto by the people  unfortunate enough to

he loved by her.  But of late she has come to  accept this strange destiny of hers with touching resignation.  It

grieves her, when she thinks of it, that she is unable to imbue those  she loves with her own patient spirit.

They seem to be a fretful  little band. 

Considered as a scapegoat, Fate, as compared with the father, has  this advantage:  it is always about:  it cannot

slip away and die  before the real trouble begins:  it cannot even plead a scientific  head; it is there all the time.

With care one can blame it for most  everything.  The vexing thing about it is, that it does not mind  being

blamed.  One cannot make Fate feel small and mean.  It affords  no relief to our harrowed feelings to cry out

indignantly to Fate:  "look here, what you have done.  Look at this sweet and well  proportioned lady,

compelled to travel firstclass, accompanied by an  amount of luggage that must be a perpetual nightmare to

her maid,  from one fashionable European resort to another; forced to exist on a  wellsecured income of,

apparently, five thousand a year, most of  which has to go in clothes; beloved by only the best people in the

play; talked about by everybody incessantly to the exclusion of  everybody elseall the neighbours interested

in her and in nobody  else much; all the women envying her; all the men tumbling over one  another after

herlooks, in spite of all her worries, not a day  older than twentythree; and has discovered a dressmaker

never yet  known to have been an hour behind her promise!  And all your fault,  yours, Fate.  Will nothing move

you to shame?" 

[She has a way of mislaying her Husband.] 

It brings no satisfaction with it, speaking out one's mind to Fate.  We want to see him before us, the thing of

flesh and blood that has  brought all this upon her.  Was it that early husbandor rather the  gentleman she

thought was her husband.  As a matter of fact, he was a  husband.  Only he did not happen to be hers.  That

naturally confused  her.  "Then who is my husband?" she seems to have said to herself; "I  had a husband:  I

remember it distinctly." 

"Difficult to know them apart from one another," says the lady with  the past, "the way they dress them all

alike nowadays.  I suppose it  does not really matter.  They are much the same as one another when  you get

them home.  Doesn't do to be too fussy." 

She is a careless woman.  She is always mislaying that early  husband.  And she has an unfortunate knack of

finding him at the wrong  moment.  Perhaps that is the Problem:  What is a lady to do with a  husband for  whom

she has no further use?  If she gives him away he is  sure to  come back, like the clever dog that is sent in a

hamper to the  other  end of the kingdom, and three days afterwards is found gasping  on the  doorstep.  If she

leaves him in the middle of South Africa,  with most  of the heavy baggage and all the debts, she may reckon it

a  certainty  that on her return from her next honeymoon he will be the  first to  greet her. 

Her surprise at meeting him again is a little unreasonable.  She  seems to be under the impression that because

she has forgotten him,  he is for all practical purposes dead. 


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"Why I forgot all about him," she seems to be arguing to herself,  "seven years ago at least.  According to the

laws of Nature there  ought to be nothing left of him but just his bones." 

She is indignant at finding he is still alive, and lets him know  it  tells him he is a beast for turning up at his

sister's party, and  pleads to him for one last favour:  that he will go away where  neither she nor anybody else

of any importance will ever see him or  hear of him again.  That's all she asks of him.  If he make a point  of it

she willthough her costume is ill adapted to the exercisego  down upon her knees to ask it of him. 

He brutally retorts that he doesn't know where to "get."  The lady  travels round a good deal and seems to be in

most places.  She  accepts weekend invitations to the houses of his nearest relatives.  She has married his first

cousin, and is now getting up a bazaar with  the help of his present wife.  How he is to avoid her he does not

quite see. 

Perhaps, by the by, that is really the Problem:  where is the early  husband to disappear to?  Even if every time

he saw her coming he  were to duck under the table, somebody would be sure to notice it and  make remarks.

Ought he to take himself out one dark night, tie a  brick round his neck, and throw himself into a pond? 

[What is a Lady to do with a Husband when she has finished with  him?] 

But men are so selfish.  The idea does not even occur to him; and  the  lady herself is too generous to do more

than just hint at it. 

Maybe it is Society that is to blame.  There comes a luminous  moment  when it is suddenly revealed to the

Heroine of the Problem Play  that  it is Society that is at the bottom of this thing.  She has felt  all  along there

was something the matter.  Why has she never thought  of  it before?  Here all these years has she been going

about blaming  her  poor old father; her mother for dying too soon; the remarkable  circumstances attending her

girlhood; that dear old stupid husband  she thought was hers; and all the while the really culpable party has

been existing unsuspected under her very nose.  She clears away the  furniture a bit, and tells Society exactly

what she thinks of itshe  is always good at that, telling people what she thinks of them.  Other  people's

failings do not escape her, not for long.  If Society  would  only step out for a moment, and look at itself with

her eyes,  something might be done.  If Society, now that the thing has been  pointed out to it, has still any

lingering desire to live, let it  look at her.  This, that she is, Society has made her!  Let Society  have a walk

round her, and then go home and reflect. 

[Could sheherselfhave been to blame?] 

It lifts a load from us, fixing the blame on Society.  There were  periods in the play when we hardly knew what

to think.  The  scientific father, the dead mother, the early husband! it was  difficult to grasp the fact that they

alone were to blame.  One felt  there was something to be said for even them.  Ugly thoughts would  cross our

mind that perhaps the Heroine herself was not altogether  irreproachablethat possibly there would have

been less Problem, if,  thinking a little less about her clothes, yearning a little less to  do nothing all day long

and be perfectly happy, she had pulled  herself together, told herself that the world was not built  exclusively

for her, and settled down to the existence of an ordinary  decent woman. 

Looking at the thing all round, that is perhaps the best solution  of  the Problem:  it is Society that is to blame.

We had better keep  to  that. 

CHAPTER IX

[Civilization and the Unemployed.] 


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Where Civilization fails is in not providing men and women with  sufficient work.  In the Stone Age man was,

one imagines, kept busy.  When he was not looking for his dinner, or eating his dinner, or  sleeping off the

effects of his dinner, he was hard at work with a  club, clearing the neighbourhood of what one doubts not he

would have  described as aliens.  The healthy Palaeolithic man would have had a  contempt for Cobden

rivalling that of Mr. Chamberlain himself.  He  did not take the incursion of the foreigner "lying down."  One

pictures him in the mind's eye:  unscientific, perhaps, but active to  a degree difficult to conceive in these

degenerate days.  Now up a  tree hurling cocoanuts, the next moment on the ground flinging roots  and rocks.

Both having tolerably hard heads, the argument would of  necessity be long and heated.  Phrases that have

since come to be  meaningless had, in those days, a real significance. 

When a Palaeolithic politician claimed to have "crushed his  critic,"  he meant that he had succeeded in

dropping a tree or a ton of  earth  upon him.  When it was said that one bright and intelligent  member of  that

early sociology had "annihilated his opponent," that  opponent's  friends and relations took no further interest

in him.  It  meant that  he was actually annihilated.  Bits of him might be found,  but the  most of him would be

hopelessly scattered.  When the adherents  of any  particular Cave Dweller remarked that their man was wiping

the  floor  with his rival, it did not mean that he was talking himself red  in  the face to a bored audience of

sixteen friends and a reporter.  It  meant that he was dragging that rival by the legs round the enclosure  and

making the place damp and untidy with him. 

[Early instances of "Dumping."] 

Maybe the Cave Dweller, finding nuts in his own neighbourhood  growing  scarce, would emigrate himself:

for even in that age the  politician  was not always logical.  Thus roles became reversed.  The  defender of  his

country became the alien, dumping himself where he was  not  wanted.  The charm of those early political

arguments lay in their  simplicity.  A child could have followed every point.  There could  never have been a

moment's doubt, even among his own followers, as to  what a Palaeolithic statesman really meant to convey.

At the close  of the contest the party who considered it had won the moral victory  would be cleared away, or

buried neatly on the spot, according to  taste:  and the discussion, until the arrival of the next generation,  was

voted closed. 

All this must have been harassing, but it did serve to pass away  the  time.  Civilization has brought into being a

section of the  community  with little else to do but to amuse itself.  For youth to  play is  natural; the young

barbarian plays, the kitten plays, the colt  gambols, the lamb skips.  But man is the only animal that gambols

and  jumps and skips after it has reached maturity.  Were we to meet an  elderly bearded goat, springing about

in the air and behaving,  generally speaking, like a kid, we should say it had gone mad.  Yet  we throng in our

thousands to watch elderly ladies and gentlemen  jumping about after a ball, twisting themselves into strange

shapes,  rushing, racing, falling over one another; and present them with  silverbacked hairbrushes and

goldhandled umbrellas as a reward to  them for doing so. 

Imagine some scientific inhabitant of one of the larger fixed stars  examining us through a magnifyingglass

as we examine ants.  Our  amusements would puzzle him.  The ball of all sorts and sizes, from  the marble to the

pushball, would lead to endless scientific  argument. 

"What is it?  Why are these men and women always knocking it about,  seizing it wherever and whenever they

find it and worrying it?" 

The observer from that fixed star would argue that the Ball must be  some malignant creature of fiendish

power, the great enemy of the  human race.  Watching our cricketfields, our tenniscourts, our golf  links, he

would conclude that a certain section of mankind had been  told off to do battle with the "Ball" on behalf of

mankind in  general. 


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"As a rule," so he would report, "it is a superior class of insect  to  which this special duty has been assigned.

They are a friskier,  gaudier species than their fellows. 

[Cricket, as viewed from the fixed Stars.] 

"For this one purpose they appear to be kept and fed.  They do no  other work, so far as I have been able to

ascertain.  Carefully  selected and trained, their mission is to go about the world looking  for Balls.  Whenever

they find a Ball they set to work to kill it.  But the vitality of these Balls is extraordinary.  There is a medium

sized, reddish species that, on an average, takes three days to kill.  When one of these is discovered, specially

trained champions are  summoned from every corner of the country.  They arrive in hot haste,  eager for the

battle, which takes place in the presence of the entire  neighbourhood.  The number of champions for some

reason or another is  limited to twentytwo.  Each one seizing in turn a large piece of  wood, rushes at the Ball

as it flies along the ground, or through the  air, and strikes at it with all his force.  When, exhausted, he can

strike no longer, he throws down his weapon and retires into a tent,  where he is restored to strength by

copious draughts of a drug the  nature of which I have been unable to discover.  Meanwhile, another  has

picked up the fallen weapon, and the contest is continued without  a moment's interruption.  The Ball makes

frantic efforts to escape  from its tormentors, but every time it is captured and flung back.  So  far as can be

observed, it makes no attempt at retaliation, its  only  object being to get away; though, occasionallywhether

by  design or  accidentit succeeds in inflicting injury upon one or  other of its  executioners, or more often

upon one of the spectators,  striking him  either on the head or about the region of the waist,  which, judging by

results, would appear, from the Ball's point of  view, to be the better  selection.  These small reddish Balls are

quickened into life  evidently by the heat of the sun; in the cold  season they disappear,  and their place is taken

by a much larger  Ball.  This Ball the  champions kill by striking it with their feet  and with their heads.  But

sometimes they will attempt to suffocate  it by falling on it,  some dozen of them at a time. 

"Another of these seemingly harmless enemies of the human race is a  small white Ball of great cunning and

resource.  It frequents sandy  districts by the sea coast and open spaces near the large towns.  It  is pursued with

extraordinary animosity by a floridfaced insect of  fierce aspect and rotundity of figure.  The weapon he

employs is a  long stick loaded with metal.  With one blow he will send the  creature through the air sometimes

to a distance of nearly a quarter  of a mile; yet so vigorous is the constitution of these Balls that it  will fall to

earth apparently but little damaged.  It is followed by  the rotund man accompanied by a smaller insect

carrying spare clubs.  Though hampered by the prominent whiteness of its skin, the extreme  smallness of this

Ball often enables it to defy rediscovery, and at  such times the fury of the little round man is terrible to

contemplate.  He dances round the spot where the ball has  disappeared, making frenzied passes at the

surrounding vegetation  with his club, uttering the while the most savage and bloodcurdling  growls.

Occasionally striking at the small creature in fury, he will  miss it altogether, and, having struck merely the

air, will sit down  heavily upon the ground, or, striking the solid earth, will shatter  his own club.  Then a

curious thing takes place:  all the other  insects standing round place their right hand before their mouth,  and,

turning away their faces, shake their bodies to and fro,  emitting a strange crackling sound.  Whether this is to

be regarded  as a mere expression of their grief that the blow of their comrade  should have miscarried, or

whether one may assume it to be a  ceremonious appeal to their gods for better luck next time, I have  not as

yet made up my mind.  The striker, meanwhile, raises both  arms, the hands tightly clenched, towards the

heavens, and utters  what is probably a prayer, prepared expressly for the occasion. 

[The Heir of all Ages.  His Inheritance.] 

In similar manner he, the Celestial Observer, proceeds to describe  our billiard matches, our tennis

tournaments, our croquet parties.  Maybe it never occurs to him that a large section of our race  surrounded by

Eternity, would devote its entire span of life to sheer  killing of time.  A middleaged friend of mine, a

cultured gentleman,  a M.A. of Cambridge, assured me the other day that, notwithstanding  all his experiences

of life, the thing that still gave him the  greatest satisfaction was the accomplishment of a successful drive to


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leg.  Rather a quaint commentary on our civilization, is it not?  "The  singers have sung, and the builders have

builded.  The artists  have  fashioned their dreams of delight."  The martyrs for thought and  freedom have died

their death; knowledge has sprung from the bones of  ignorance; civilization for ten thousand years has battled

with  brutality to this resultthat a specimen gentleman of the Twentieth  Century, the heir of all the ages,

finds his greatest joy in life the  striking of a ball with a chunk of wood! 

Human energy, human suffering, has been wasted.  Such crown of  happiness for a man might surely have

been obtained earlier and at  less cost.  Was it intended?  Are we on the right track?  The child's  play is wiser.

The battered doll is a princess.  Within the sand  castle dwells an ogre.  It is with imagination that he plays.  His

games have some relation to life.  It is the man only who is content  with this everlasting knocking about of a

ball.  The majority of  mankind is doomed to labour so constant, so exhausting, that no  opportunity is given it

to cultivate its brain.  Civilization has  arranged that a small privileged minority shall alone enjoy that  leisure

necessary to the development of thought.  And what is the  answer of this leisured class?  It is: 

"We will do nothing for the world that feeds us, clothes us, keeps  us  in luxury.  We will spend our whole

existence knocking balls about,  watching other people knocking balls about, arguing with one another  as to

the best means of knocking balls about." 

[Is it "Playing the Game?"] 

Is itto use their own jargon"playing the game?" 

And the queer thing is this overworked world, that stints itself  to  keep them in idleness, approves of the

answer.  "The flannelled  fool," "The muddied oaf," is the pet of the people; their hero, their  ideal. 

But maybe all this is mere jealousy.  Myself, I have never been  clever at knocking balls about. 

CHAPTER X

[Patience and the Waiter.] 

The slowest waiter I know is the British railway refreshmentroom  waiter. 

His very breathingregular, harmonious, penetrating, instinct as  it  is with all the better attributes of a

wellpreserved grandfather's  clockconveys suggestion of dignity and peace.  He is a huge,  impressive

person.  There emanates from him an atmosphere of  Lotusland.  The otherwise unattractive refreshmentroom

becomes an  oasis of repose amid the turmoil of a fretful world.  All things  conspire to aid him:  the ancient

joints, ranged side by side like  corpses in a morgue, each one decently hidden under its white muslin  shroud,

whispering of death and decay; the dish of dead flies,  thoughtfully placed in the centre of the table; the

framed  advertisements extolling the virtues of heavy beers and stouts, of  weird champagnes, emanating from

hauntedlooking chateaux, situate  if one may judge from the illustrationin the midst of desert lands;  the

sleepinviting buzz of the bluebottles. 

The spirit of the place steals over you.  On entering, with a  quarter  of an hour to spare, your idea was a cutlet

and a glass of  claret.  In the face of the refreshmentroom waiter, the notion appears  frivolous, not to say

unEnglish.  You order cold beef and pickles,  with a pint of bitter in a tankard.  To win the British waiter's

approval, you must always order beer in a tankard.  The British  waiter, in his ideals, is mediaeval.  There is a

Shakespearean touch  about a tankard.  A soapy potato will, of course, be added.  Afterwards a ton of cheese

and a basin of rabbit's food floating in  water (the British salad) will be placed before you.  You will work

steadily through the whole, anticipating the somnolence that will  subsequently fall upon you with a certain


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amount of satisfaction.  It  will serve to dispel the last lingering regret at the reflection that  you will miss your

appointment, and suffer thereby serious  inconvenience if not positive loss.  These things are of the world

the noisy, tiresome world you have left without. 

To the English traveller, the foreign waiter in the earlier stages  of  his career is a burden and a trial.  When he

is completewhen he  really can talk English I rejoice in him.  When I object to him is  when his English is

worse than my French or German, and when he will,  for his own educational purposes, insist, nevertheless,

that the  conversation shall be entirely in English.  I would he came to me  some other time.  I would so much

rather make it after dinner or,  say, the next morning.  I hate giving lessons during meal times. 

Besides, to a man with feeble digestion, this sort of thing can  lead  to trouble.  One waiter I met at an hotel in

Dijon knew very  little  Englishabout as much as a poll parrot.  The moment I entered  the  salleamanger he

started to his feet. 

"Ah!  You English!" he cried. 

"Well, what about us?" I answered.  It was during the period of the  Boer War.  I took it he was about to

denounce the English nation  generally.  I was looking for something to throw at him. 

"You Englishyou Englishman, yes," he repeated. 

And then I understood he had merely intended a question.  I owned  up  that I was, and accused him in turn of

being a Frenchman.  He  admitted it.  Introductions, as it were, thus over, I thought I would  order dinner.  I

ordered it in French.  I am not bragging of my  French, I never wanted to learn French.  Even as a boy, it was

more  the idea of others than of myself.  I learnt as little as possible.  But I have learnt enough to live in places

where they can't, or  won't, speak anything else.  Left to myself, I could have enjoyed a  very satisfactory

dinner.  I was tired with a long day's journey, and  hungry.  They cook well at this hotel.  I had been looking

forward to  my dinner for hours and hours.  I had sat down in my imagination to a  consomme bisque, sole au

gratin, a poulet saute, and an omelette au  fromage. 

[Waiterkind in the making.] 

It is wrong to let one's mind dwell upon carnal delights; I see  that  now.  At the time I was mad about it.  The

fool would not even  listen  to me.  He had got it into his garlicsodden brain that all  Englishmen live on beef,

and nothing but beef.  He swept aside all my  suggestions as though they had been the prattlings of a foolish

child. 

"You haf nice biftek.  Not at all done.  Yes?" 

"No, I don't," I answered.  "I don't want what the cook of a French  provincial hotel calls a biftek.  I want

something to eat.  I want"  Apparently, he understood neither English nor French. 

"Yes, yes," he interrupted cheerfully, "with pottitoes." 

"With what?" I asked.  I thought for the moment he was suggesting  potted pigs' feet in the nearest English he

could get to it. 

"Pottito," he repeated; "boil pottito.  Yes?  And pell hell." 

I felt like telling him to go there; I suppose he meant "pale ale."  It took me about five minutes to get that

beefsteak out of his head.  By the time I had done it, I did not care what I had for dinner.  I  took potdujour


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and veal.  He added, on his own initiative, a thing  that looked like a poultice.  I did not try the taste of it.  He

explained it was "plum poodeen."  I fancy he had made it himself. 

This fellow is typical; you meet him everywhere abroad.  He  translates your bill into English for you, calls ten

centimes a  penny, calculates twelve francs to the pound, and presses a handful  of sous affectionately upon

you as change for a napoleon. 

The cheating waiter is common to all countries, though in Italy and  Belgium he flourishes, perhaps, more

than elsewhere.  But the British  waiter, when detected, becomes surlydoes not take it nicely.  The  foreign

waiter is amiable about itbears no malice.  He is grieved,  maybe, at your language, but that is because he is

thinking of you  the possible effect of it upon your future.  To try and stop you, he  offers you another four

sous.  The story is told of a Frenchman who,  not knowing the legal fare, adopted the plan of doling out

pennies to  a London cabman one at a time, continuing until the man looked  satisfied.  Myself, I doubt the

story.  From what I know of the  London cabman, I can see him leaning down still, with outstretched  hand,

the horse between the shafts long since dead, the cab chockfull  of coppers, and yet no expression of satiety

upon his face. 

But the story would appear to have crossed the Channel, and to have  commended itself to the foreign

waiterespecially to the railway  refreshmentroom waiter.  He doles out sous to the traveller, one at  a time,

with the air of a man who is giving away the savings of a  lifetime.  If, after five minutes or so, you still appear

discontented he goes away quite suddenly.  You think he has gone to  open another chest of halfpence, but

when a quarter of an hour has  passed and he does not reappear, you inquire about him amongst the  other

waiters. 

A gloom at once falls upon them.  You have spoken of the very thing  that has been troubling them.  He used to

be a waiter here onceone  might almost say until quite recently.  As to what has become of him  ah! there

you have them.  If in the course of their chequered career  they ever come across him, they will mention to him

that you are  waiting for him.  Meanwhile a stentorianvoiced official is shouting  that your train is on the point

of leaving.  You console yourself  with the reflection that it might have been more.  It always might  have been

more; sometimes it is. 

[His Little Mistakes.] 

A waiter at the Gare du Nord, in Brussels, on one occasion pressed  upon me a fivefranc piece, a small

Turkish coin the value of which  was unknown to me, and remains so to this day, a distinctly bad two  francs,

and from a quarter of a pound to six ounces of centimes, as  change for a twentyfranc note, after deducting

the price of a cup of  coffee.  He put it down with the air of one subscribing to a charity.  We looked at one

another.  I suppose I must have conveyed to him the  impression of being discontented.  He drew a purse from

his pocket.  The action suggested that, for the purpose of satisfying my  inordinate demands, he would be

compelled to draw upon his private  resources; but it did not move me.  Abstracting reluctantly a fifty

centime piece, he added it to the heap upon the table. 

I suggested his taking a seat, as at this rate it seemed likely we  should be doing business together for some

time.  I think he gathered  I was not a fool.  Hitherto he had been judging, I suppose, purely  from appearances.

But he was not in the least offended. 

"Ah!" he cried, with a cheery laugh, "Monsieur comprend!"  He swept  the whole nonsense back into his bag

and gave me the right change.  I  slipped my arm through his and insisted upon the pleasure of his  society,

until I had examined each and every coin.  He went away  chuckling, and told another waiter all about it.  They

both of them  bowed to me as I went out, and wished me a pleasant journey.  I left  them still chuckling.  A

British waiter would have been sulky all the  afternoon. 


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The waiter who insists upon mistaking you for the heir of all the  Rothschilds used to cost me dear when I was

younger.  I find the best  plan is to take him in hand at the beginning and disillusion him;  sweep aside his talk

of '84 Perrier Jouet, followed by a '79 Chateau  Lafite, and ask him, as man to man, if he can conscientiously

recommend the Saint Julien at twoandsix.  After that he settles  down to his work and talks sense. 

The fatherly waiter is sometimes a comfort.  You feel that he knows  best.  Your instinct is to address him as

"Uncle."  But you remember  yourself in time.  When you are dining a lady, however, and wish to  appear

important, he is apt to be in the way.  It seems, somehow, to  be his dinner.  You have a sense almost of being

de trop. 

The greatest insult you can offer a waiter is to mistake him for  your  waiter.  You think he is your

waiterthere is the bald head, the  black sidewhiskers, the Roman nose.  But your waiter had blue eyes,  this

man soft hazel.  You had forgotten to notice the eyes.  You bar  his progress and ask him for the red pepper.

The haughty contempt  with which he regards you is painful to bear.  It is as if you had  insulted a lady.  He

appears to be saying the same thing: 

"I think you have made a mistake.  You are possibly confusing me  with  somebody else; I have not the honour

of your acquaintance." 

[How to insult him.] 

I do not wish it to be understood that I am in the habit of  insulting  ladies, but occasionally I have made an

innocent mistake,  and have  met with some such response.  The wrong waiter conveys to me  precisely the

same feeling of humiliation. 

"I will send your waiter to you," he answers.  His tone implies  that  there are waiters and waiters; some may

not mind what class of  person  they serve:  others, though poor, have their selfrespect.  It  is  clear to you now

why your waiter is keeping away from you; the man  is  ashamed of being your waiter.  He is watching,

probably, for an  opportunity to approach you when nobody is looking.  The other waiter  finds him for you.  He

was hiding behind a screen. 

"Table fortytwo wants you," the other tells him.  The tone of  voice  adds: 

"If you like to encourage this class of customer that is your  business; but don't ask me to have anything to do

with him." 

Even the waiter has his feelings. 

CHAPTER XI

[The everlasting Newness of Woman.] 

An Oriental visitor was returning from our shores to his native  land. 

"Well," asked the youthful diplomatist who had been told off to  show  him round, as on the deck of the

steamer they shook hands, "what  do  you now think of England?" 

"Too much woman," answered the grave Orientalist, and descended to  his cabin. 

The young diplomatist returned to the shore thoughtful, and later  in  the day a few of us discussed the matter


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in a faroff,  dimlylighted  corner of the club smokingroom. 

Has the pendulum swung too far the other way?  Could there be truth  in our Oriental friend's terse

commentary?  The eternal feminine!  The  Western world has been handed over to her.  The stranger from  Mars

or  Jupiter would describe us as a hive of women, the soberclad  male  being retained apparently on condition

of its doing all the hard  work  and making itself generally useful.  Formerly it was the man who  wore  the fine

clothes who went to the shows.  Today it is the woman  gorgeously clad for whom the shows are organized.

The man dressed in  a serviceable and unostentatious, not to say depressing, suit of  black accompanies her for

the purpose of carrying her cloak and  calling her carriage.  Among the working classes life, of necessity,

remains primitive; the law of the cave is still, with slight  modification, the law of the slum.  But in upper and

middleclass  circles the man is now the woman's servant. 

I remember being present while a mother of my acquaintance was  instilling into the mind of her little son the

advantages of being  born a man.  A little girl cousin was about to spend a week with him.  It was impressed

upon him that if she showed a liking for any of his  toys, he was at once to give them up to her. 

"But why, mamma?" he demanded, evidently surprised. 

"Because, my dear, you are a little man." 

Should she break them, he was not to smack her head or kick heras  his instinct might prompt him to do.

He was just to say: 

"Oh, it is of no consequence at all," and to look as if he meant  it. 

[Doctor says she is not to be bothered.] 

She was always to choose the gameto have the biggest apple.  There  was much more of a similar nature.  It

was all because he was a  little man and she was a little woman.  At the end he looked up,  puzzled: 

"But don't she do anything, 'cos she's a little girl?" 

It was explained to him that she didn't.  By right of being born a  little girl she was exempt from all duty. 

Woman nowadays is not taking any duty.  She objects to  housekeeping;  she calls it domestic slavery, and

feels she was  intended for higher  things.  What higher things she does not  condescend to explain.  One  or two

wives of my acquaintance have  persuaded their husbands that  these higher things are allimportant.  The

home has been given up.  In company with other strivers after  higher things, they live now in  dismal barracks

differing but little  from a glorified Bloomsbury  lodginghouse.  But they call them  "Mansions" or "Courts,"

and seem  proud of the address.  They are not  bothered with servantswith  housekeeping.  The idea of the

modern  woman is that she is not to be  bothered with anything.  I remember the  words with which one of these

ladies announced her departure from her  bothering home. 

"Oh, well, I'm tired of trouble," she confided to another lady, "so  I've made up my mind not to have any more

of it." 

Artemus Ward tells us of a man who had been in prison for twenty  years.  Suddenly a bright idea occurred to

him; he opened the window  and got out.  Here have we poor, foolish mortals been imprisoned in  this

troublesome world for Lord knows how many millions of years.  We  have got so used to trouble we thought

there was no help for it.  We  have told ourselves that "Man is born to trouble as the sparks fly  upwards."  We

imagined the only thing to be done was to bear it  philosophically.  Why did not this bright young creature


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come along  beforeshow us the way out.  All we had to do was to give up the  bothering home and the

bothering servants, and go into a "Mansion" or  a "Court." 

It seems that you leave trouble outsidein charge of the hall  porter, one supposes.  He ties it up for you as

the Commissionaire of  the Army and Navy Stores ties up your dog.  If you want it again, you  ask for it as you

come out.  Small wonder that the "Court" and  "Mansion" are growing in popularity every day. 

[That "Higher Life."] 

They have nothing to do now all day long, these soaring wives of  whom  I am speaking.  They would scorn to

sew on a shirtbutton even.  Are  there not other womenof an inferior breedspecially fashioned  by

Providence for the doing of such slavish tasks?  They have no more  bothers of any kind.  They are free to lead

the higher life.  What I  am waiting for is a glimpse of the higher life.  One of them, it is  true, has taken up the

violin.  Another of them is devoting her  emancipation to poker work.  A third is learning skirtdancing.  Are

these the "higher things" for which women are claiming freedom from  all duty?  And, if so, is there not danger

that the closing of our  homes may lead to the crowding up of the world with too much higher  things? 

May there not, by the time all bothers have been removed from  woman's  path, be too many amateur violinists

in the world, too many  skirt  dancers, too much poker work?  If not, what are they? these  "higher  things," for

which so many women are demanding twentyfour  hours a  day leisure.  I want to know. 

One lady of my acquaintance is a Poor Law Guardian and secretary to  a  labour bureau.  But then she runs a

house with two servants, four  children, and a husband, and appears to be so used to bothers that  she would

feel herself lost without them.  You can do this kind of  work apparently even when you are bothered with a

home.  It is the  skirtdancing and the poker work that cannot brook rivalry.  The  modern woman has begun to

find children a nuisance; they interfere  with her development.  The mere man, who has written his poems,

painted his pictures, composed his melodies, fashioned his  philosophies, in the midst of life's troubles and

bothers, grows  nervous thinking what this new woman must be whose mind is so  tremendous that the whole

world must be shut up, so to speak, sent to  do its business out of her sight and hearing, lest her attention

should be distracted. 

An optimistic friend of mine tells me not to worry myself; tells me  that it is going to come out all right in the

end.  Woman just now,  he contends, is passing through her college period.  The school life  of strict

surveillance is for ever done with.  She is now the young  Freshwoman.  The bothering lessons are over, the

bothering  schoolmaster she has said goodbye to.  She has her latchkey and is  "on her own."  There are still

some bothering rules about being in at  twelve o'clock, and so many attendances each term at chapel.  She is

indignant.  This interferes with her idea that life is to be one long  orgie of selfindulgence, of pleasure.  The

college period will pass  is passing.  Woman will go out into the world, take her place there,  discover that

bothers were not left behind in the old schoolhouse,  will learn that life has duties, responsibilities, will take

up her  burden side by side with man, will accomplish her destiny. 

[Is there anything left for her to learn?] 

Meanwhile, however, she is having a good timesome people think  too  good a time.  She wants the best of

both.  She demands the joys of  independence together with freedom from all workslavery she calls  it.  The

servants are not to be allowed to bother her, the children  are not to be allowed to bother her, her husband is

not to be allowed  to bother her.  She is to be free to lead the higher life.  My dear  lady, we all want to lead the

higher life.  I don't want to write  these articles.  I want somebody else to bother about my rates and  taxes, my

children's boots, while I sit in an easychair and dream  about the wonderful books I am going to write, if only

a stupid  public would let me.  Tommy Smith of Brixton feels that he was  intended for higher things.  He does

not want to be wasting his time  in an office from nine to six adding up figures.  His proper place in  life is that


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of Prime Minister or Field Marshal:  he feels it.  Do  you think the man has no yearning for higher things?  Do

you think we  like the office, the shop, the factory?  We ought to be writing  poetry, painting pictures, the

whole world admiring us.  You seem to  imagine your man goes off every morning to a sort of City picnic, has

eight hours' funwhich he calls workand then comes home to annoy  you with chatter about dinner. 

It is the old fable reversed; man said woman had nothing to do all  day but to enjoy herself.  Making a potato

pie!  What sort of work  was that?  Making a potato pie was a lark; anybody could make a  potato pie. 

So the woman said, "Try it," and took the man's spade and went out  into the field, and left him at home to

make that pie. 

The man discovered that potato pies took a bit more making than he  had reckonedfound that running the

house and looking after the  children was not quite the merry pastime he had argued.  Man was a  fool. 

Now it is the woman who talks without thinking.  How did she like  hoeing the potato patch?  Hard work, was

it not, my dear lady?  Made  your back ache?  It came on to rain and you got wet. 

I don't see that it very much matters which of you hoes the potato  patch, which of you makes the potato pie.

Maybe the hoeing of the  patch demands more muscleis more suited to the man.  Maybe the  making of the

pie may be more in your department.  But, as I have  said, I cannot see that this matter is of importance.  The

patch has  to be hoed, the pie to be cooked; the one cannot do the both.  Settle  it between you, and, having

settled it, agree to do each your own  work free from this everlasting nagging. 

I know, personally, three ladies who have exchanged the woman's  work  for the man's.  One was deserted by

her husband, and left with  two  young children.  She hired a capable woman to look after the  house,  and joined

a ladies' orchestra as pianist at two pounds a week.  She  now earns four, and works twelve hours a day.  The

husband of the  second fell ill.  She set him to write letters and run errands, which  was light work that he could

do, and started a dressmaker's business.  The third was left a widow without means.  She sent her three

children to boardingschool, and opened a tearoom.  I don't know how  they talked before, but I know that

they do not talk now as though  earning the income was a sort of round game. 

[When they have tried it the other way round.] 

On the Continent they have gone deliberately to work, one would  imagine, to reverse matters.  Abroad woman

is always where man ought  to be, and man where most ladies would prefer to meet with women.  The  ladies

garderobe is superintended by a superannuated sergeant of  artillery.  When I want to curl my moustache,

say, I have to make  application to a superb goldenhaired creature, who stands by and  watches me with an

interested smile.  I would be much happier waited  on by the superannuated sergeant, and my wife tells me she

could very  well spare him.  But it is the law of the land.  I remember the first  time I travelled with my daughter

on the Continent.  In the morning I  was awakened by a piercing scream from her room.  I struggled into my

pyjamas, and rushed to her assistance.  I could not see her.  I could  see nothing but a muscularlooking man in

a blue blouse with a can of  hot water in one hand and a pair of boots in the other.  He appeared  to be equally

bewildered with myself at the sight of the empty bed.  From a cupboard in the corner came a wail of distress: 

"Oh, do send that horrid man away.  What's he doing in my room?" 

I explained to her afterwards that the chambermaid abroad is always  an active and willing young man.  The

foreign girl fills in her time  bricklaying and grooming down the horses.  It is a young and charming  lady who

serves you when you enter the tobacconist's.  She doesn't  understand tobacco, is unsympathetic; with Mr.

Frederic Harrison,  regards smoking as a degrading and unclean habit; cannot see,  herself, any difference

between shag and Mayblossom, seeing that they  are both the same price; thinks you fussy.  The corset shop is


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run by  a most presentable young man in a Vandyck beard.  The wife runs the  restaurant; the man does the

cooking, and yet the woman has not  reached freedom from bother. 

[A brutal suggestion] 

It sounds brutal, but perhaps woman was not intended to live free  from all bothers.  Perhaps even the higher

lifethe skirtdancing  and the poker workhas its bothers.  Perhaps woman was intended to  take her share

of the world's workof the world's bothers. 

CHAPTER XII

[Why I hate Heroes] 

When I was younger, reading the popular novel used to make me sad.  I  find it vexes others also.  I was talking

to a bright young girl  upon  the subject not so very long ago. 

"I just hate the girl in the novel," she confessed.  "She makes me  feel real bad.  If I don't think of her I feel

pleased with myself,  and good; but when I read about herwell, I'm crazy.  I would not  mind her being

smart, sometimes.  We can all of us say the right  thing, now and then.  This girl says them straight away, all

the  time.  She don't have to dig for them even; they come crowding out of  her.  There never happens a time

when she stands there feeling like a  fool and knowing that she looks it.  As for her hair:  'pon my word,  there

are days when I believe it is a wig.  I'd like to get behind  her and give it just one pull.  It curls of its own

accord.  She  don't seem to have any trouble with it.  Look at this mop of mine.  I've been working at it for

threequarters of an hour this morning;  and now I would not laugh, not if you were to tell me the funniest

thing, you'd ever heard, for fear it would come down again.  As for  her clothes, they make me tired.  She don't

possess a frock that does  not fit her to perfection; she doesn't have to think about them.  You  would imagine

she went into the garden and picked them off a tree.  She just slips it on and comes down, and thenmy

stars!  All the  other women in the room may just as well go to bed and get a good  night's rest for all the

chance they've got.  It isn't that she's  beautiful.  From what they tell you about her, you might fancy her a

freak.  Looks don't appear to matter to her; she gets there anyhow.  I  tell you she just makes me boil." 

Allowing for the difference between the masculine and feminine  outlook, this is precisely how I used to feel

when reading of the  hero.  He was not always good; sometimes he hit the villain harder  than he had intended,

and then he was sorrywhen it was too late,  blamed himself severely, and subscribed towards the wreath.

Like the  rest of us, he made mistakes; occasionally married the wrong girl.  But how well he did

everything!does still for the matter of that, I  believe.  Take it that he condescends to play cricket!  He never

scores less than a hundreddoes not know how to score less than a  hundred, wonders how it could be done,

supposing, for example, you  had an appointment and wanted to catch an early train.  I used to  play cricket

myself, but I could always stop at ten or twenty.  There  have been times when I have stopped at even less. 

It is the same with everything he puts his hand to.  Either he does  not care for boating at all, or, as a matter of

course, he pulls  stroke in the University Boatrace; and then takes the train on to  Henley and wins the

Diamond Sculls so easily that it hardly seems  worth while for the other fellow to have started.  Were I living

in  Novelland, and had I entered for the Diamond Sculls, I should put it  to my opponent before the word was

given to us to go. 

"One minute!" I should have called out to him.  "Are you the hero  of  this novel, or, like myself, only one of

the minor characters?  Because, if you are the hero you go on; don't you wait for me.  I  shall just pull as far as

the boathouse and get myself a cup of tea." 


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[Because it always seems to be his Day.] 

There is no sense of happy medium about the hero of the popular  novel.  He cannot get astride a horse without

its going off and  winning a steeplechase against the favourite.  The crowd in Novel  land appears to have no

power of observation.  It worries itself  about the odds, discusses records, reads the nonsense published by  the

sporting papers.  Were I to find myself on a racecourse in Novel  land I should not trouble about the

unessential; I should go up to  the bookie who looked as if he had the most money, and should say to  him: 

"Don't shout so loud; you are making yourself hoarse.  Just listen  to  me.  Who's the hero of this novel?  Oh,

that's he, is it?  The  heavy  looking man on the little brown horse that keeps coughing and  is  suffering

apparently from bone spavin?  Well, what are the odds  against his winning by ten lengths?  A thousand to one!

Very well!  Have you got a bag?Good.  Here's twentyseven pounds in gold and  eighteen shillings in silver.

Coat and waistcoat, say another ten  shillings.  Shirt and trousersit's all right, I've got my pyjamas  on

underneathsay seven and six.  Bootswe won't quarrelmake it  five bob.  That's twentynine pounds and

sixpence, isn't it?  In  addition here's a mortgage on the family estate, which I've had made  out in blank, an I O

U for fourteen pounds which has been owing to me  now for some time, and this bundle of securities which,

strictly  speaking, belong to my Aunt Jane.  You keep that little lot till  after the race, and we will call it in

round figures, five hundred  pounds." 

That single afternoon would thus bring me in five hundred thousand  poundsprovided the bookie did not

blow his brains out. 

Backers in Novelland do not seem to me to know their way about.  If  the hero of the popular novel swims at

all, it is not like an  ordinary human being that he does it.  You never meet him in a  swimmingbath; he never

pays ninepence, like the rest of us, for a  machine.  He goes out at uncanny hours, generally accompanied by a

lady friend, with whom the while swimming he talks poetry and cracks  jokes.  Some of us, when we try to

talk in the sea, fill ourselves up  with salt water.  This chap lies on his back and carols, and the wild  waves,

seeing him, go round the other way.  At billiards he can give  the average sharper forty in a hundred.  He does

not really want to  play; he does it to teach these bad men a lesson.  He has not handled  a cue for years.  He

picked up the game when a young man in  Australia, and it seems to have lingered with him. 

He does not have to get up early and worry dumbbells in his  nightshirt; he just lies on a sofa in an elegant

attitude and muscle  comes to him.  If his horse declines to jump a hedge, he slips down  off the animal's back

and throws the poor thing over; it saves  argument.  If he gets cross and puts his shoulder to the massive  oaken

door, we know there is going to be work next morning for the  carpenter.  Maybe he is a party belonging to the

Middle Ages.  Then  when he reluctantly challenges the crack fencer of Europe to a duel,  our instinct is to call

out and warn his opponent. 

"You silly fool," one feels one wants to say; "why, it is the hero  of  the novel!  You take a friend's advice while

you are still alive,  and  get out of it anywayanyhow.  Apologizehire a horse and cart,  do  something.

You're not going to fight a duel, you're going to  commit  suicide." 

If the hero is a modern young man, and has not got a father, or has  only something not worth calling a father,

then he comes across a  libraryanybody's library does for him.  He passes Sir Walter Scott  and the "Arabian

Nights," and makes a beeline for Plato; it seems to  be an instinct with him.  By help of a dictionary he

worries it out  in the original Greek.  This gives him a passion for Greek. 

When he has romped through the Greek classics he plays about among  the Latins.  He spends most of his

spare time in that library, and  forgets to go to tea. 

[Because he always "gets there," without any trouble.] 


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That is the sort of boy he is.  How I used to hate him!  If he has  a  proper sort of father, then he goes to college.

He does no work:  there is no need for him to work:  everything seems to come to him.  That was another

grievance of mine against him.  I always had to work  a good deal, and very little came of it.  He fools around

doing  things that other men would be sent down for; but in his case the  professors love him for it all the

more.  He is the sort of man who  can't do wrong.  A fortnight before the examination he ties a wet  towel round

his head.  That is all we hear about it.  It seems to be  the towel that does it.  Maybe, if the towel is not quite up

to its  work, he will help things on by drinking gallons of strong tea.  The  tea and the towel combined are

irresistible:  the result is always  the senior wranglership. 

I used to believe in that wet towel and that strong tea.  Lord! the  things I used to believe when I was young.

They would make an  Encyclopaedia of Useless Knowledge.  I wonder if the author of the  popular novel has

ever tried working with a wet towel round his or  her head:  I have.  It is difficult enough to move a yard,

balancing  a dry towel.  A heathen Turk may have it in his blood to do so:  the  ordinary Christian has not got

the trick of it.  To carry about a wet  towel twisted round one's head needs a trained acrobat.  Every few

minutes the wretched thing works loose.  In darkness and in misery,  you struggle to get your head out of a

clammy towel that clings to  you almost with passion.  Brain power is wasted in inventing names  for that

towelnames expressive of your feelings with regard to it.  Further time is taken up before the glass, fixing

the thing afresh. 

You return to your books in the wrong temper, the water trickles  down  your nose, runs in rivulets down your

back.  Until you have  finally  flung the towel out of the window and rubbed yourself dry,  work is  impossible.

The strong tea always gave me indigestion, and  made me  sleepy.  Until I had got over the effects of the tea,

attempts  at  study were useless. 

[Because he's so damned clever.] 

But the thing that still irritates me most against the hero of the  popular novel is the ease with which he learns

a modern foreign  language.  Were he a German waiter, a Swiss barber, or a Polish  photographer, I would not

envy him; these people do not have to learn  a language.  My idea is that they boil down a dictionary, and take

two tablespoonsful each night before going to bed.  By the time the  bottle is finished they have the language

well into their system.  But  he is not.  He is just an ordinary AngloSaxon, and I don't  believe in  him.  I walk

about for years with dictionaries in my  pocket.  Weirdlooking ladies and gentlemen gesticulate and rave at

me for  months.  I hide myself in lonely places, repeating idioms to  myself  out loud, in the hope that by this

means they will come  readily to me  if ever I want them, which I never do.  And, after all  this, I don't  seem to

know very much.  This irritating ass, who has  never left his  native suburb, suddenly makes up his mind to

travel on  the Continent.  I find him in the next chapter engaged in complicated  psychological  argument with

French or German savants.  It appears  the author had  forgotten to mention it beforethat one summer a

French, or German,  or Italian refugee, as the case may happen to be,  came to live in the  hero's street:  thus it is

that the hero is able  to talk fluently in  the native language of that unhappy refugee. 

I remember a melodrama visiting a country town where I was staying.  The heroine and child were sleeping

peacefully in the customary  attic.  For some reason not quite clear to me, the villain had set  fire to the house.

He had been complaining through the three  preceding acts of the heroine's coldness; maybe it was with some

idea  of warming her.  Escape by way of the staircase was impossible.  Each  time the poor girl opened the door

a flame came in and nearly burned  her hair off.  It seemed to have been waiting for her. 

"Thank God!" said the lady, hastily wrapping the child in a sheet,  "that I was brought up a wire walker." 

Without a moment's hesitation she opened the attic window and took  the nearest telegraph wire to the

opposite side of the street. 


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In the same way, apparently, the hero of the popular novel, finding  himself stranded in a foreign land,

suddenly recollects that once  upon a time he met a refugee, and at once begins to talk.  I have met  refugees

myself.  The only thing they have ever taught me is not to  leave my brandy flask about. 

[And, finally, because I don't believe he's true.] 

I don't believe in these heroes and heroines that cannot keep quiet  in a foreign language they have taught

themselves in an oldworld  library.  My fixed idea is that they muddle along like the rest of  us, surprised that

so few people understand them, begging everyone  they meet not to talk so quickly.  These brilliant

conversations with  foreign philosophers!  These passionate interviews with foreign  countesses!  They fancy

they have had them. 

I crossed once with an English lady from Boulogne to Folkestone.  At  Folkestone a little French

girlanxious about her trainasked us  a  simple question.  My companion replied to it with an ease that

astonished herself.  The little French girl vanished; my companion  sighed. 

"It's so odd," said my companion, "but I seem to know quite a lot  of  French the moment I get back to

England." 

CHAPTER XIII

[How to be Healthy and Unhappy.] 

"They do say," remarked Mrs. Wilkins, as she took the cover off the  dish and gave a finishing polish to my

plate with the cleanest corner  of her apron, "that 'addicks, leastways in May, ain't, strictly  speaking, the safest

of food.  But then, if you listen to all they  say, it seems to me, we'd have to give up victuals altogether." 

"The haddock, Mrs. Wilkins," I replied, "is a savoury and  nourishing  dish, the 'poor man's steak' I believe it is

commonly  called.  When I  was younger, Mrs. Wilkins, they were cheaper.  For  twopence one could  secure a

small specimen, for fourpence one of  generous proportions.  In the halcyon days of youth, when one's lexicon

contained not the  word failure (it has crept into later editions, Mrs.  Wilkins, the  word it was found was

occasionally needful), the haddock  was of much  comfort and support to me, a very present help in time of

trouble.  In those days a kind friend, without intending it, nearly  brought  about my death by slow starvation.  I

had left my umbrella in  an  omnibus, and the season was rainy.  The kind rich friend gave me a  new umbrella;

it was a rich man's umbrella; we made an illassorted  pair.  Its handle was of ivory, imposing in appearance,

ornamented  with a golden snake. 

[The unsympathetic Umbrella.] 

"Following my own judgment I should have pawned that umbrella,  purchased one more suited to my state in

life, and 'blued' the  difference.  But I was fearful of offending my one respectable  acquaintance, and for weeks

struggled on, hampered by this  plutocratic appendage.  The humble haddock was denied to me.  Tied to  this

imposing umbrella, how could I haggle with fishmongers for  haddocks.  At first sight of meor, rather, of

my umbrellathey  flew to icy cellars, brought up for my inspection soles at  eighteenpence a pound,

recommended me prime parts of salmon, which my  landlady would have fried in a pan reeking with the

mixed remains of  pork chops, rashers of bacon and cheese.  It was closed to me, the  humble coffee shop,

where for threepence I could have strengthened my  soul with half a pint of cocoa and four

"doorsteps"satisfactory  slices of bread smeared with a yellow grease that before the days of  County

Council inspectors they called butter.  You know of them, Mrs.  Wilkins?  At sight of such nowadays I should

turn up my jaded nose.  But those were the days of my youth, Mrs. Wilkins.  The scent of a  thousand hopes


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was in my nostrils:  so they smelt good to me.  The  fourpenny beefsteak pie, satisfying to the verge of

repletion; the  succulent saveloy, were not for the owner of the ivoryhandled  umbrella.  On Mondays and

Tuesdays, perhaps, I could enjoy life at  the rate of five hundred a yearclean serviette a penny extra, and

twopence to the waiter, whose income must have been at least four  times my own.  But from Wednesday to

Saturday I had to wander in the  wilderness of back streets and silent squares dinnerless, where there  were not

even to be found locusts and wild honey. 

"It was, as I have said, a rainy season, and an umbrella of some  sort  was a necessity.  Fortunatelyor I might

not be sitting here,  Mrs.  Wilkins, talking to you nowmy one respectable acquaintance was  called away to

foreign lands, and that umbrella I promptly put 'up  the spout.'  You understand me?" 

Mrs. Wilkins admitted she did, but was of opinion that twentyfive  per cent., to say nothing of the halfpenny

for the ticket every time,  was a wicked imposition. 

"It did not trouble me, Mrs. Wilkins," I replied, "in this  particular  instance.  It was my determination never to

see that  umbrella again.  The young man behind the counter seemed suspicious,  and asked where I  got it from.

I told him that a friend had given it  to me." 

"'Did he know that he had given it to you?" demanded the young man. 

"Upon which I gave him a piece of my mind concerning the character  of  those who think evil of others, and

he gave me five and six, and  said  he should know me again; and I purchased an umbrella suited to my  rank

and station, and as fine a haddock as I have ever tasted with  the balance, which was sevenpence, for I was

feeling hungry. 

"The haddock is an excellent fish, Mrs. Wilkins," I said, "and if,  as  you observe, we listened to all that was

said we'd be hungrier at  forty, with a balance to our credit at the bank, than ever we were at  twenty, with 'no

effects' beyond a sound digestion." 

[A Martyr to Health.] 

"There was a gent in Middle Temple Lane," said Mrs. Wilkins, "as I  used to do for.  It's my belief as 'e killed

'imself worrying twenty  four hours a day over what 'e called 'is 'ygiene.  Leastways 'e's  dead and buried now,

which must be a comfort to 'imself, feeling as  at last 'e's out of danger.  All 'is time 'e spent taking care of

'imselfdidn't seem to 'ave a leisure moment in which to live.  For  'alf an hour every morning 'e'd lie on 'is

back on the floor, which  is a draughty place, I always 'old, at the best of times, with  nothing on but 'is

pyjamas, waving 'is arms and legs about, and  twisting 'imself into shapes unnatural to a Christian.  Then 'e

found  out that everything 'e'd been doing on 'is back was just all wrong,  so 'e turned over and did tricks on 'is

stomachbegging your pardon  for using the wordthat you'd 'ave thought more fit and proper to a  worm

than to a man.  Then all that was discovered to be a mistake.  There don't seem nothing certain in these

matters.  That's the  awkward part of it, so it seems to me.  'E got 'imself a machine, by  means of which 'e'd 'ang

'imself up to the wall, and behave for all  the world like a beetle with a pin stuck through 'im, poor thing.  It

used to give me the shudders to catch sight of 'im through the 'alf  open door.  For that was part of the game:

you 'ad to 'ave a current  of air through the room, the result of which was that for six months  out of the year

'e'd be coughing and blowing 'is nose from morning to  night.  It was the new treatment, so 'e'd explain to me.

You got  yourself accustomed to draughts so that they didn't 'urt you, and if  you died in the process that only

proved that you never ought to 'ave  been born. 

"Then there came in this new Japanese business, and 'e'd 'ire a  little smiling 'eathen to chuck 'im about 'is

room for 'alf an hour  every morning after breakfast.  It got on my nerves after a while  'earing 'im being

bumped on the floor every minute, or flung with 'is  'ead into the fireplace.  But 'e always said it was doing


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'im good.  'E'd argue that it freshened up 'is liver.  It was 'is liver that 'e  seemed to live fordidn't appear to

'ave any other interest in life.  It was the same with 'is food.  One year it would be nothing but  meat, and next

door to raw at that.  One of them medical papers 'ad  suddenly discovered that we were intended to be a sort of

wild beast.  The wonder to me is that 'e didn't go out 'unting chickens with a  club, and bring 'em 'ome and eat

'em on the mat without any further  fuss.  For drink it would be boiling water that burnt my fingers  merely

'andling the glass.  Then some other crank came out with the  information that every other crank was

wrongwhich, taken by itself,  sounds natural enoughthat meat was fatal to the 'uman system.  Upon  that 'e

becomes all at once a raging, tearing vegetarian, and trouble  enough I 'ad learning twenty different ways of

cooking beans, which  didn't make, so far as I could ever see, the slightest difference  beans they were, and

beans they tasted like, whether you called them  ragout a la maison, or cutlets a la Pompadour.  But it seemed

to  please 'im. 

[He was never pigheaded.] 

"Then vegetarianism turned out to be the mistake of our lives.  It  seemed we made an error giving up

monkeys' food.  That was our  natural victuals; nuts with occasional bananas.  As I used to tell  'im, if that was

so, then for all we 'ad got out of it we might just  as well have stopped up a treesaved rent and shoe leather.

But 'e  was one of that sort that don't seem able to 'elp believing  everything they read in print.  If one of those

papers 'ad told 'im  to live on the shells and throw away the nuts, 'e'd have made a  conscientious endeavour to

do so, contending that 'is failure to  digest them was merely the result of vicious trainingdidn't seem to  'ave

any likes or dislikes of 'is own.  You might 'ave thought 'e was  just a bit of public property made to be

experimented upon. 

"One of the daily papers interviewed an old gent, as said 'e was a  'undred, and I will say from 'is picture as

any'ow 'e looked it.  'E  said it was all the result of never 'aving swallowed anything 'ot,  upon which my

gentleman for a week lives on cold porridge, if you'll  believe me; although myself I'd rather 'ave died at fifty

and got it  over.  Then another paper dug up from somewhere a sort of animated  corpse that said was a 'undred

and two, and attributed the  unfortunate fact to 'is always 'aving 'ad 'is food as 'ot as 'e could  swallow it.  A bit

of sense did begin to dawn upon 'im then, but too  late in the day, I take it.  'E'd played about with 'imself too

long.  'E died at thirtytwo, looking to all appearance sixty, and you can't  say as 'ow it was the result of not

taking advice." 

[Only just in time.] 

"On this subject of health we are much too ready to follow advice,"  I  agreed.  "A cousin of mine, Mrs.

Wilkins, had a wife who suffered  occasionally from headache.  No medicine relieved her of themnot

altogether.  And one day by chance she met a friend who said:  'Come  straight with me to Dr. Blank,' who

happened to be a specialist  famous for having invented a new disease that nobody until the year  before had

ever heard of.  She accompanied her friend to Dr. Blank,  and in less than ten minutes he had persuaded her

that she had got  this new disease, and got it badly; and that her only chance was to  let him cut her open and

have it out.  She was a tolerably healthy  woman, with the exception of these occasional headaches, but from

what that specialist said it was doubtful whether she would get home  alive, unless she let him operate on her

then and there, and her  friend, who appeared delighted, urged her not to commit suicide, as  it were, by

missing her turn. 

"The result was she consented, and afterwards went home in a four  wheeled cab, and put herself to bed.  Her

husband, when he returned  in the evening and was told, was furious.  He said it was all humbug,  and by this

time she was ready to agree with him.  He put on his hat,  and started to give that specialist a bit of his mind.

The  specialist was out, and he had to bottle up his rage until the  morning.  By then, his wife now really ill for

the first time in her  life, his indignation had reached boiling point.  He was at that  specialist's door at halfpast

nine o clock.  At halfpast eleven he  came back, also in a fourwheeled cab, and day and night nurses for


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both of them were wired for.  He also, it appeared, had arrived at  that specialist's door only just in time. 

"There's this appendywhatever they call it," commented Mrs.  Wilkins, "why a dozen years ago one poor

creature out of ten thousand  may possibly 'ave 'ad something wrong with 'is innards.  Today you  ain't 'ardly

considered respectable unless you've got it, or 'ave 'ad  it.  I 'ave no patience with their talk.  To listen to some

of them  you'd think as Nature 'adn't made a mannot yet:  would never  understand the principle of the thing

till some of these young chaps  'ad shown 'er 'ow to do it." 

[How to avoid Everything.] 

"They have now discovered, Mrs. Wilkins," I said, "the germ of old  age.  They are going to inoculate us for it

in early youth, with the  result that the only chance of ever getting rid of our friends will  be to give them a

motorcar.  And maybe it will not do to trust to  that for long.  They will discover that some men's tendency

towards  getting themselves into trouble is due to some sort of a germ.  The  man of the future, Mrs. Wilkins,

will be inoculated against all  chance of gas explosions, storms at sea, bad oysters, and thin ice.  Science may

eventually discover the germ prompting to illassorted  marriages, proneness to invest in the wrong stock,

uncontrollable  desire to recite poetry at evening parties.  Religion, politics,  educationall these things are so

much wasted energy.  To live happy  and good for ever and ever, all we have to do is to hunt out these  various

germs and wring their necks for themor whatever the proper  treatment may be.  Heaven, I gather from

medical science, is merely a  place that is free from germs." 

"We talk a lot about it," thought Mrs. Wilkins, "but it does not  seem  to me that we are very much better off

than before we took to  worrying ourselves for twentyfour 'ours a day about 'ow we are going  to live.  Lord!

to read the advertisements in the papers you would  think as 'ow flesh and blood was never intended to 'ave

any natural  ills.  'Do you ever 'ave a pain in your back?' because, if so,  there's a picture of a kind gent who's

willing for one and sixpence  halfpenny to take it quite away from youmake you look forward to  scrubbing

floors, and standing over the washtub six 'ours at a  stretch like to a beanfeast.  'Do you ever feel as though

you don't  want to get out of bed in the morning?' that's all to be cured by a  bottle of their stuffor two at the

outside.  Four children to keep,  and a sick 'usband on your 'ands used to get me over it when I was  younger.  I

used to fancy it was just because I was tired. 

[The one CureAll.] 

"There's some of them seem to think," continued Mrs. Wilkins, "that  if you don't get all you want out of this

world, and ain't so 'appy  as you've persuaded yourself you ought to be, that it's all because  you ain't taking the

right medicine.  Appears to me there's only one  doctor as can do for you, all the others talk as though they

could,  and 'e only comes to each of us once, and then 'e makes no charge." 

CHAPTER XIV

[Europe and the bright American Girl.] 

"How does she do it?" 

That is what the European girl wants to know.  The American girl!  She comes over here, and, as a British

matron, reduced to slang by  force of indignation, once exclaimed to me:  "You'd think the whole  blessed show

belonged to her."  The European girl is hampered by her  relatives.  She has to account for her father:  to explain

away, if  possible, her grandfather.  The American girl sweeps them aside: 

"Don't you worry about them," she says to the Lord Chamberlain.  "It's awfully good of you, but don't you


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fuss yourself.  I'm looking  after my old people.  That's my department.  What I want you to do is  just to listen

to what I am saying and then hustle around.  I can  fill up your time all right by myself." 

Her father may be a soapboiler, her grandmother may have gone out  charing. 

"That's all right," she says to her Ambassador:  "They're not  coming.  You just take my card and tell the King

that when he's got a  few  minutes to spare I'll be pleased to see him." 

And the extraordinary thing is that, a day or two afterwards, the  invitation arrives. 

A modern writer has said that "I'm Murrican" is the Civis Romanus  sum  of the presentday woman's world.

The late King of Saxony, did, I  believe, on one occasion make a feeble protest at being asked to  receive the

daughter of a retail bootmaker.  The young lady,  nonplussed for the moment, telegraphed to her father in

Detroit.  The  answer came back next morning:  "Can't call it sellingpractically  giving them away.  See

Advertisement."  The lady was presented as the  daughter of an eminent philanthropist. 

It is due to her to admit that, taking her as a class, the American  girl is a distinct gain to European Society.

Her influence is  against convention and in favour of simplicity.  One of her greatest  charms, in the eyes of the

European man, is that she listens to him.  I cannot say whether it does her any good.  Maybe she does not

remember it all, but while you are talking she does give you her  attention.  The English woman does not

always.  She greets you  pleasantly enough: 

"I've so often wanted to meet you," she says, "must you really go?" 

It strikes you as sudden:  you had no intention of going for hours.  But the hint is too plain to be ignored.  You

are preparing to agree  that you really must when, looking round, you gather that the last  remark was not

addressed to you, but to another gentleman who is  shaking hands with her: 

"Now, perhaps we shall be able to talk for five minutes," she says.  "I've so often wanted to say that I shall

never forgive you.  You  have been simply horrid." 

Again you are confused, until you jump to the conclusion that the  latter portion of the speech is probably

intended for quite another  party with whom, at the moment, her back towards you, she is engaged  in a

whispered conversation.  When he is gone she turns again to you.  But the varied expressions that pass across

her face while you are  discussing with her the disadvantages of Protection, bewilder you.  When, explaining

your own difficulty in arriving at a conclusion, you  remark that Great Britain is an island, she roguishly

shakes her  head.  It is not that she has forgotten her geography, it is that she  is conducting a conversation by

signs with a lady at the other end of  the room.  When you observe that the working classes must be fed, she

smiles archly while murmuring: 

"Oh, do you really think so?" 

You are about to say something strong on the subject of dumping.  Apparently she has disappeared.  You find

that she is reaching round  behind you to tap a new arrival with her fan. 

[She has the Art of Listening.] 

Now, the American girl looks at you, and just listens to you with  her  eyes fixed on you all the time.  You

gather that, as far as she is  concerned, the rest of the company are passing shadows.  She wants to  hear what

you have to say about Bimetallism:  her trouble is lest  she may miss a word of it.  From a talk with an

American girl one  comes away with the conviction that one is a brilliant  conversationalist, who can hold a


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charming woman spellbound.  This  may not be good for one:  but while it lasts, the sensation is  pleasant. 

Even the American girl cannot, on all occasions, sweep from her  path  the cobwebs of oldworld etiquette.

Two American ladies told me  a  sad tale of things that had happened to them not long ago in  Dresden.  An

officer of rank and standing invited them to breakfast  with him on  the ice.  Dames and nobles of the plus haut

ton would be  there.  It  is a social function that occurs every Sunday morning in  Dresden  during the skating

season.  The great lake in the Grosser  Garten is  covered with all sorts and conditions of people.  Prince and

commoner  circle and recircle round one another.  But they do not mix.  The  girls were pleased.  They secured

the services of an elderly  lady,  the widow of an analytical chemist:  unfortunately, she could  not  skate.  They

wrapped her up and put her in a sledge.  While they  were  in the garde robe putting on their skates, a German

gentleman  came up  and bowed to them. 

He was a nice young man of prepossessing appearance and amiable  manners.  They could not call to mind his

name, but remembered having  met him, somewhere, and on more than one occasion.  The American girl  is

always sociable:  they bowed and smiled, and said it was a fine  day.  He replied with volubility, and helped

them down on to the ice.  He was really most attentive.  They saw their friend, the officer of  noble family, and,

with the assistance of the German gentleman,  skated towards him.  He glided past them.  They thought that

maybe he  did not know enough to stop, so they turned and skated after him.  They chased him three times

round the pond and then, feeling tired,  eased up and took counsel together. 

"I'm sure he must have seen us," said the younger girl.  "What does  he mean by it?" 

"Well, I have not come down here to play forfeits," said the other,  "added to which I want my breakfast.  You

wait here a minute, I'll go  and have it out with him." 

He was standing only a dozen yards away.  Alone, though not a good  performer on the ice, she contrived to

cover half the distance  dividing them.  The officer, perceiving her, came to her assistance  and greeted her with

effusion. 

[The Republican Idea in practice.] 

"Oh," said the lady, who was feeling indignant, "I thought maybe  you  had left your glasses at home." 

"I am sorry," said the officer, "but it is impossible." 

"What's impossible?" demanded the lady. 

"That I can be seen speaking to you," declared the officer, "while  you are in company with thatthat

person." 

"What person?"  She thought maybe he was alluding to the lady in  the  sledge.  The chaperon was not showy,

but, what is better, she was  good.  And, anyhow, it was the best the girls had been able to do.  So  far as they

were concerned, they had no use for a chaperon.  The  idea  had been a thoughtful concession to European

prejudice. 

"The person in knickerbockers," explained the officer. 

"Oh, THAT," exclaimed the lady, relieved:  "he just came up and  made  himself agreeable while we were

putting on our skates.  We have  met  him somewhere, but I can't exactly fix him for the moment." 


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"You have met him possibly at Wiesman's, in the Pragerstrasse:  he  is  one of the attendants there," said the

officer. 

The American girl is Republican in her ideas, but she draws the  line  at hairdressers.  In theory it is absurd:  the

hairdresser is a  man  and a brother:  but we are none of us logical all the way.  It  made  her mad, the thought that

she had been seen by all Dresden  Society  skating with a hairdresser. 

"Well," she said, "I do call that impudence.  Why, they wouldn't do  that even in Chicago." 

And she returned to where the hairdresser was illustrating to her  friend the Dutch roll, determined to explain

to him, as politely as  possible, that although the free and enlightened Westerner has  abolished social

distinctions, he has not yet abolished them to that  extent. 

Had he been a commonplace German hairdresser he would have  understood  English, and all might have been

easy.  But to the "classy"  German  hairdresser, English is not so necessary, and the American  ladies had

reached, as regards their German, only the "improving"  stage.  In her  excitement she confused the subjunctive

and the  imperative, and told  him that he "might" go.  He had no wish to go; he  assured themso  they

gatheredthat his intention was to devote the  morning to their  service.  He must have been a stupid man, but

it is a  type  occasionally encountered.  Two pretty women had greeted his  advances  with apparent delight.

They were Americans, and the American  girl  was notoriously unconventional.  He knew himself to be a

goodlooking  young fellow.  It did not occur to him that in expressing  willingness  to dispense with his

attendance they could be in earnest. 

There was nothing for it, so it seemed to the girls, but to request  the assistance of the officer, who continued

to skate round and round  them at a distance of about ten yards.  So again the elder young  lady, seizing her

opportunity, made appeal. 

[What the Soldier dared not do.] 

"I cannot," persisted the officer, who, having been looking forward  to a morning with two of the prettiest girls

in Dresden, was also  feeling mad.  "I dare not be seen speaking to a hairdresser.  You  must get rid of him." 

"But we can't," said the girl.  "We do not know enough German, and  he  can't, or he won't, understand us.  For

goodness sake come and help  us.  We'll be spending the whole morning with him if you don't." 

The German officer said he was desolate.  Steps would be  takenlater  in the weekthe result of which

would probably be to  render that  young hairdresser prematurely bald.  But, meanwhile,  beyond skating  round

and round them, for which they did not even feel  they wanted to  thank him, the German officer could do

nothing for  them.  They tried  being rude to the hairdresser:  he mistook it for  American chic.  They tried joining

hands and running away from him, but  they were not  good skaters, and he thought they were trying to show

him the cake  walk.  They both fell down and hurt themselves, and it is  difficult  to be angry with a man, even a

hairdresser, when he is doing  his best  to pick you up and comfort you. 

The chaperon was worse than useless.  She was very old.  She had  been  promised her breakfast, but saw no

signs of it.  She could not  speak  German; and remembered somewhat late in the day that two young  ladies  had

no business to accept breakfast at the hands of German  officers:  and, if they did, at least they might see that

they got it.  She  appeared to be willing to talk about decadence of modern manners  to  almost any extent, but

the subject of the hairdresser, and how to  get  rid of him, only bored her. 

Their first stroke of luck occurred when the hairdresser, showing  them the "dropped three," fell down and

temporarily stunned himself.  It was not kind of them, but they were desperate.  They flew for the  bank just


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anyhow, and, scrambling over the grass, gained the  restaurant.  The officer, overtaking them at the door, led

them to  the table that had been reserved for them, then hastened back to hunt  for the chaperon.  The girls

thought their trouble was over.  Had  they glanced behind them their joy would have been shorterlived than

even was the case.  The hairdresser had recovered consciousness in  time to see them waddling over the grass.

He thought they were  running to fetch him brandy.  When the officer returned with the  chaperon he found the

hairdresser sitting opposite to them,  explaining that he really was not hurt, and suggesting that, as they  were

there, perhaps they would like something to eat and drink. 

The girls made one last frantic appeal to the man of buckram and  pipeclay, but the etiquette of the Saxon

Army was inexorable.  It  transpired that he might kill the hairdresser, but nothing else:  he  must not speak to

himnot even explain to the poor devil why it was  that he was being killed. 

[Her path of Usefulness.] 

It did not seem quite worth it.  They had some sandwiches and  coffee  at the hairdresser's expense, and went

home in a cab:  while  the  chaperon had breakfast with the officer of noble family. 

The American girl has succeeded in freeing European social  intercourse from many of its hidebound

conventions.  There is still  much work for her to do.  But I have faith in her. 

CHAPTER XV

[Music and the Savage.] 

I never visit a musichall without reflecting concerning the great  future there must be before the human race. 

How young we are, how very young!  And think of all we have done!  Man is still a mere boy.  He has only just

within the last half  century been put into trousers.  Two thousand years ago he wore long  clothesthe

Grecian robe, the Roman toga.  Then followed the Little  Lord Fauntleroy period, when he went about dressed

in a velvet suit  with lace collar and cuffs, and had his hair curled for him.  The  late lamented Queen Victoria

put him into trousers.  What a wonderful  little man he will be when he is grown up! 

A clergyman friend of mine told me of a German Kurhaus to which he  was sent for his sins and his health.  It

was a resort, for some  reason, specially patronized by the more elderly section of the  higher English middle

class.  Bishops were there, suffering from  fatty degeneration of the heart caused by too close application to

study; ancient spinsters of good family subject to spasms; gouty  retired generals.  Can anybody tell me how

many men in the British  Army go to a general?  Somebody once assured me it was five thousand,  but that is

absurd, on the face of it.  The British Army, in that  case, would have to be counted by millions.  There are a

goodish few  American colonels still knocking about.  The American colonel is  still to be met with here and

there by the curious traveller, but  compared with the retired British general he is an extinct species.  In

Cheltenham and Brighton and other favoured towns there are streets  of nothing but retired British

generalssquares of retired British  generalswhole crescents of British generals.  Abroad there are

pensions with a special scale of charges for British generals.  In  Switzerland there has even been talk of

reserving railway  compartments "For British Generals Only."  In Germany, when you do  not say distinctly

and emphatically on being introduced that you are  not a British general, you are assumed, as a matter of

course, to be  a British general.  During the Boer War, when I was residing in a  small garrison town on the

Rhine, German military men would draw me  aside and ask of me my own private personal views as to the

conduct  of the campaign.  I would give them my views freely, explain to them  how I would finish the whole

thing in a week. 


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"But how in the face of the enemy's tactics" one of them would  begin. 

"Bother the enemy's tactics," I would reply.  "Who cares for  tactics?" 

"But surely a British general" they would persist.  "Who's a  British general?" I would retort, "I am talking

to you merely as a  plain commonsense man, with a head on my shoulders." 

They would apologize for their mistake.  But this is leading me  away  from that German Kurhaus. 

[Recreation for the Higher clergy.] 

My clergyman friend found life there dull.  The generals and the  spinsters left to themselves might have

played cards, but they  thought of the poor bishops who would have had to look on envious.  The bishops and

the spinsters might have sung ballads, but the  British general after dinner does not care for ballads, and had

mentioned it.  The bishops and the generals might have told each  other stories, but could not before the ladies.

My clergyman friend  stood the awful solemnity of three evenings, then cautiously felt his  way towards

revelry.  He started with an intellectual game called  "Quotations."  You write down quotations on a piece of

paper, and the  players have to add the author's name.  It roped in four old ladies,  and the youngest bishop.  One

or two generals tried a round, but not  being familiar with quotations voted the game slow. 

The next night my friend tried "Consequences."  "Saucy Miss A. met  the gay General B. in"most unlikely

places.  "He said."  Really it  was fortunate that General B. remained too engrossed in the day  before

yesterday's Standard to overhear, or Miss A. could never have  again faced him.  "And she replied."  The

suppressed giggles excited  the curiosity of the nonplayers.  Most of the bishops and half the  generals asked

to be allowed to join.  The giggles grew into roars.  Those standing out found that they could not read their

papers in  comfort. 

From "Consequences" the descent was easy.  The tables and chairs  were  pushed against the walls, the bishops

and the spinsters and the  generals would sit in a ring upon the floor playing hunt the slipper.  Musical chairs

made the two hours between bed and dinner the time of  the day they all looked forward to:  the steady trot

with every nerve  alert, the ear listening for the sudden stoppage of the music, the  eye seeking with artfulness

the likeliest chair, the volcanic  silence, the mad scramble. 

The generals felt themselves fighting their battles over again, the  spinsters blushed and preened themselves,

the bishops took interest  in proving that even the Church could be prompt of decision and swift  of movement.

Before the week was out they were playing Pussinthe  corner; ladies feeling young again were archly

beckoning to stout  deans, to whom were returning all the sensations of a curate.  The  swiftness with which the

gouty generals found they could still hobble  surprised even themselves. 

[Why are we so young?] 

But it is in the musichall, as I have said, that I am most  impressed  with the youthfulness of man.  How

delighted we are when the  long man  in the little boy's hat, having asked his short brother a  riddle, and  before

he can find time to answer it, hits him over the  stomach with  an umbrella!  How we clap our hands and shout

with glee!  It isn't  really his stomach:  it is a bolster tied round his  waistwe know  that; but seeing the long

man whack at that bolster  with an umbrella  gives us almost as much joy as if the bolster were  not there. 

I laugh at the knockabout brothers, I confess, so long as they are  on  the stage; but they do not convince me.

Reflecting on the  performance afterwards, my dramatic sense revolts against the "plot."  I cannot accept the

theory of their being brothers.  The difference  in size alone is a strain upon my imagination.  It is not probable

that of two children of the same parents one should measure six foot  six, and the other five foot four.  Even


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allowing for a freak of  nature, and accepting the fact that they might be brothers, I do not  believe they would

remain so inseparable.  The short brother would  have succeeded before now in losing the long brother.  Those

continual bangings over the head and stomach would have weakened  whatever affection the short brother

might originally have felt  towards his long relation.  At least, he would insist upon the  umbrella being left at

home. 

"I will go for a walk with you," he might say, "I will stand stock  still with you in Trafalgar Square in the

midst of the traffic while  you ask me silly riddles, but not if you persist in bringing with you  that absurd

umbrella.  You are too handy with it.  Put it back in the  rack before we start, or go out by yourself." 

Besides, my sense of justice is outraged.  Why should the short  brother be banged and thumped without

reason?  The Greek dramatist  would have explained to us that the shorter brother had committed a  crime

against the gods.  Aristophanes would have made the longer  brother the instrument of the Furies.  The riddles

he asked would  have had bearing upon the shorter brother's sin.  In this way the  spectator would have enjoyed

amusement combined with the satisfactory  sense that Nemesis is ever present in human affairs.  I present the

idea, for what it may be worth, to the concoctors of knockabout  turns. 

[Where Brotherly (and Sisterly) Love reigns supreme] 

The family tie is always strong on the musichall stage.  The  acrobatic troupe is always a "Family":  Pa, Ma,

eight brothers and  sisters, and the baby.  A more affectionate family one rarely sees.  Pa and Ma are a trifle

stout, but still active.  Baby, dear little  fellow, is full of humour.  Ladies do not care to go on the music  hall

stage unless they can take their sister with them.  I have seen  a performance given by eleven sisters, all the

same size and  apparently all the same age.  She must have been a wonderful woman  the mother.  They all

had golden hair, and all wore precisely similar  frocksa charming but decolletee arrangementin

claretcoloured  velvet over blue silk stockings.  So far as I could gather, they all  had the same young man.  No

doubt he found it difficult amongst them  to make up his mind. 

"Arrange it among yourselves," he no doubt had said, "it is quite  immaterial to me.  You are so much alike, it

is impossible that a  fellow loving one should not love the lot of you.  So long as I marry  into the family I

really don't care." 

When a performer appears alone on the musichall stage it is easy  to  understand why.  His or her domestic

life has been a failure.  I  listened one evening to six songs in succession.  The first two were  sung by a

gentleman.  He entered with his clothes hanging upon him in  shreds.  He explained that he had just come from

an argument with his  wife.  He showed us the brick with which she had hit him, and the  bump at the back of

his head that had resulted.  The funny man's  marriage is never a success.  But really this seems to be his own

fault.  "She was such a lovely girl," he tells us, "with a face  well, you'd hardly call it a face, it was more

like a gas explosion.  Then she had those wonderful sort of eyes that you can see two ways  at once with, one

of them looks down the street, while the other one  is watching round the corner.  Can see you coming any

way.  And her  mouth!" 

It appears that if she stands anywhere near the curb and smiles,  careless people mistake her for a pillarbox,

and drop letters into  her. 

"And such a voice!"  We are told it is a perfect imitation of a  motorcar.  When she laughs people spring into

doorways to escape  being run over. 

If he will marry that sort of woman, what can he expect?  The man  is  asking for it. 


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The lady who followed him also told us a sad story of misplaced  trust.  She also was comicso the

programme assured us.  The  humorist appears to have no luck.  She had lent her lover money to  buy the ring,

and the licence, and to furnish the flat.  He did buy  the ring, and he furnished the flat, but it was for another

lady.  The  audience roared.  I have heard it so often asked, "What is  humour?"  From observation, I should

describe it as other people's  troubles. 

A male performer followed her.  He came on dressed in a  nightshirt,  carrying a baby.  His wife, it seemed,

had gone out for  the evening  with the lodger.  That was his joke.  It was the most  successful song  of the whole

six. 

[The one sure Joke.] 

A philosopher has put it on record that he always felt sad when he  reflected on the sorrows of humanity.  But

when he reflected on its  amusements he felt sadder still. 

Why was it so funny that the baby had the lodger's nose?  We  laughed  for a full minute by the clock. 

Why do I love to see a flabbyfaced man go behind curtains, and,  emerging in a wig and a false beard, say

that he is now Bismarck or  Mr. Chamberlain?  I have felt resentment against the Lightning  Impersonator ever

since the days of Queen Victoria's Diamond Jubilee.  During that summer every Lightning Impersonator

ended his show by  shouting, while the band played the National Anthem, "Queen  Victoria!"  He was not a bit

like Queen Victoria.  He did not even,  to my thinking, look a lady; but at once I had to stand up in my  place

and sing "God save the Queen."  It was a time of enthusiastic  loyalty; if you did not spring up quickly some

patriotic old fool  from the back would reach across and hit you over the head with the  first thing he could lay

his hands upon. 

Other musichall performers caught at the idea.  By ending up with  "God save the Queen" any performer,

however poor, could retire in a  whirlwind of applause.  Niggers, having bored us with tiresome songs  about

coons and honeys and Swanee Rivers, would, as a last resource,  strike up "God save the Queen" on the banjo.

The whole house would  have to rise and cheer.  Elderly Sisters Trippet, having failed to  arouse our

enthusiasm by allowing us a brief glimpse of an ankle,  would put aside all frivolity, and tell us of a hero lover

named  George, who had fought somebody somewhere for his Queen and country.  "He fell!"bang from the

big drum and blue limelight.  In a  recumbent position he appears to have immediately started singing  "God

save the Queen." 

[How Anarchists are made.] 

Sleepy members of the audience would be hastily awakened by their  friends.  We would stagger to our feet.

The Sisters Trippet, with  eyes fixed on the chandelier, would lead us:  to the best of our  ability we would sing

"God save the Queen." 

There have been evenings when I have sung "God save the Queen" six  times.  Another season of it, and I

should have become a Republican. 

The singer of patriotic songs is generally a stout and puffy man.  The perspiration pours from his face as the

result of the violent  gesticulations with which he tells us how he stormed the fort.  He  must have reached it

very hot. 

"There were ten to one agin us, boys."  We feel that this was a  miscalculation on the enemy's part.  Ten to one

"agin" such wildly  gesticulating Britishers was inviting defeat. 


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It seems to have been a terrible battle notwithstanding.  He shows  us  with a real sword how it was done.

Nothing could have lived within  a  dozen yards of that sword.  The conductor of the orchestra looks  nervous.

Our fear is lest he will end by cutting off his own head.  His recollections are carrying him away.  Then

follows "Victory!" 

The gas men and the programme sellers cheer wildly.  We conclude  with  the inevitable "God save the King." 

CHAPTER XVI

[The Ghost and the Blind Children.] 

Ghosts are in the air.  It is difficult at this moment to avoid  talking of ghosts.  The first question you are asked

on being  introduced this season is: 

"Do you believe in ghosts?" 

I would be so glad to believe in ghosts.  This world is much too  small for me.  Up to a century or two ago the

intellectual young man  found it sufficient for his purposes.  It still contained the  unknownthe

possiblewithin its boundaries.  New continents were  still to be discovered:  we dreamt of giants, Liliputians,

desert  fenced Utopias.  We set our sail, and Wonderland lay ever just beyond  our horizon.  Today the world

is small, the light railway runs  through the desert, the coasting steamer calls at the Islands of the  Blessed, the

last mystery has been unveiled, the fairies are dead,  the talking birds are silent.  Our baffled curiosity turns for

relief  outwards.  We call upon the dead to rescue us from our monotony.  The  first authentic ghost will be

welcomed as the saviour of humanity. 

But he must be a living ghosta ghost we can respect, a ghost we  can  listen to.  The poor spiritless

addleheaded ghost that has  hitherto  haunted our blue chambers is of no use to us.  I remember a  thoughtful

man once remarking during argument that if he believed in  ghoststhe silly, childish spooks about which we

had been telling  anecdotesdeath would possess for him an added fear:  the idea that  his next dwellingplace

would be among such a pack of dismal idiots  would sadden his departing hours.  What was he to talk to them

about?  Apparently their only interest lay in recalling their earthly  troubles.  The ghost of the lady unhappily

married who had been  poisoned, or had her throat cut, who every night for the last five  hundred years had

visited the chamber where it happened for no other  purpose than to scream about it! what a tiresome person

she would be  to meet!  All her conversation during the long days would be around  her earthly wrongs.  The

other ghosts, in all probability, would have  heard about that husband of hers, what he said, and what he did,

till  they were sick of the subject.  A newcomer would be seized upon with  avidity. 

A lady of repute writes to a magazine that she once occupied for a  season a wainscotted room in an old manor

house.  On several  occasions she awoke in the night:  each time to witness the same  ghostly performance.  Four

gentlemen sat round a table playing cards.  Suddenly one of them sprang to his feet and plunged a dagger into

the  back of his partner.  The lady does not say so:  one presumes it was  his partner.  I have, myself, when

playing bridge, seen an expression  on my partner's face that said quite plainly: 

"I would like to murder you." 

I have not the memory for bridge.  I forget who it was that, last  trick but seven, played the two of clubs.  I

thought it was he, my  partner.  I thought it meant that I was to take an early opportunity  of forcing trumps.  I

don't know why I thought so, I try to explain  why I thought so.  It sounds a silly argument even to myself; I

feel  I have not got it quite right.  Added to which it was not my partner  who played the two of clubs, it was

Dummy.  If I had only remembered  this, and had concluded from itas I ought to have donethat my


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partner had the ace of diamondsas otherwise why did he pass my  knave?we might have saved the odd

trick.  I have not the head for  bridge.  It is only an ordinary headmine.  I have no business to  play bridge. 

[Why not, occasionally, a cheerful Ghost.] 

But to return to our ghosts.  These four gentlemen must now and  again, during their earthly existence, have sat

down to a merry game  of cards.  There must have been evenings when nobody was stabbed.  Why  choose an

unpleasant occasion to harp exclusively upon it?  Why  do  ghosts never give a cheerful show?  The lady who

was poisoned!  there  must have been other evenings in her life.  Why does she not  show us  "The first

meeting":  when he gave her the violets and said  they were  like her eyes?  He wasn't always poisoning her.

There must  have been  a period before he ever thought of poisoning her.  Cannot  these ghosts  do something

occasionally in what is termed "the lighter  vein"?  If  they haunt a forest glade, it is to perform a duel to the

death, or an  assassination.  Why cannot they, for a change, give us  an oldtime  picnic, or "The hawking

party," which, in Elizabethan  costume, should  make a pretty picture?  Ghostland would appear to be  obsessed

by the  spirit of the Scandinavian drama:  murders, suicides,  ruined fortunes,  and broken hearts are the only

material made use of.  Why is not a dead  humorist allowed now and then to write the sketch?  There must be

plenty of dead comic lovers; why are they never allowed  to give a  performance? 

[Where are the dead Humorists?] 

A cheerful person contemplates death with alarm.  What is he to do  in  this land of ghosts? there is no place for

him.  Imagine the  commonplace liver of a humdrum existence being received into  ghostland.  He enters

nervous, shy, feeling again the new boy at  school.  The old ghosts gather round him. 

"How do you come heremurdered?" 

"No, at least, I don't think so." 

"Suicide? 

"Nocan't remember the name of it now.  Began with a chill on the  liver, I think." 

The ghosts are disappointed.  But a happy suggestion is made.  Perhaps he was the murderer; that would be

even better.  Let him  think carefully; can he recollect ever having committed a murder?  He  racks his brains in

vain, not a single murder comes to his  recollection.  He never forged a will.  Doesn't even know where

anything is hid.  Of what use will he be in ghostland?  One pictures  him passing the centuries among a moody

crowd of uninteresting  mediocrities, brooding perpetually over their wasted lives.  Only the  ghosts of ladies

and gentlemen mixed up in crime have any "show" in  ghostland. 

[The Spirit does not shine as a Conversationalist.] 

I feel an equal dissatisfaction with the spirits who are supposed  to  return to us and communicate with us

through the medium of three  legged tables.  I do not deny the possibility that spirits exist.  I  am even willing

to allow them their threelegged tables.  It must be  confessed it is a clumsy method.  One cannot help

regretting that  during all the ages they have not evolved a more dignified system.  One feels that the

threelegged table must hamper them.  One can  imagine an impatient spirit getting tired of spelling out a

lengthy  story on a threelegged table.  But, as I have said, I am willing to  assume that, for some spiritual

reason unfathomable to my mere human  intelligence, that threelegged table is essential.  I am willing  also to

accept the human medium.  She is generally an unprepossessing  lady running somewhat to bulk.  If a

gentleman, he so often has dirty  fingernails, and smells of stale beer.  I think myself it would be  so much

simpler if the spirit would talk to me direct; we could get  on quicker.  But there is that about the medium, I am


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told, which  appeals to a spirit.  Well, it is his affair, not mine, and I waive  the argument.  My real

stumblingblock is the spirit himselfthe  sort of conversation that, when he does talk, he indulges in.  I

cannot help feeling that his conversation is not worth the  paraphernalia.  I can talk better than that myself. 

The late Professor Huxley, who took some trouble over this matter,  attended some halfdozen seances, and

then determined to attend no  more. 

"I have," he said, "for my sins to submit occasionally to the  society  of live bores.  I refuse to go out of my way

to spend an  evening in  the dark with dead bores." 

The spiritualists themselves admit that their tablerapping spooks  are precious dull dogs; it would be

difficult, in face of the  communications recorded, for them to deny it.  They explain to us  that they have not

yet achieved communication with the higher  spiritual Intelligences.  The more intelligent spiritsfor some

reason that the spiritualists themselves are unable to explaindo  not want to talk to them, appear to have

something else to do.  At  presentso I am told, and can believeit is only the spirits of  lower intelligence

that care to turn up on these evenings.  The  spiritualists argue that, by continuing, the higherclass spirits  will

later on be induced to "come in."  I fail to follow the  argument.  It seems to me that we are frightening them

away.  Anyhow,  myself I shall wait awhile. 

When the spirit comes along that can talk sense, that can tell me  something I don't know, I shall be glad to

meet him.  The class of  spirit that we are getting just at present does not appeal to me.  The  thought of

himthe reflection that I shall die and spend the  rest of  eternity in his companydoes not comfort me. 

[She is now a Believer.] 

A lady of my acquaintance tells me it is marvellous how much these  spirits seem to know.  On her very first

visit, the spirit, through  the voice of the mediuman elderly gentleman residing obscurely in

Clerkenwellinformed her without a moment's hesitation that she  possessed a relative with the Christian

name of George.  (I am not  making this upit is real.)  This gave her at first the idea that  spiritualism was a

fraud.  She had no relative named Georgeat  least, so she thought.  But a morning or two later her husband

received a letter from Australia.  "By Jove!" he exclaimed, as he  glanced at the last page, "I had forgotten all

about the poor old  beggar." 

"Whom is it from?" she asked. 

"Oh, nobody you knowhaven't seen him myself for twenty yearsa  third or fourth cousin of

mineGeorge" 

She never heard the surname, she was too excited.  The spirit had  been right from the beginning; she HAD a

relative named George.  Her  faith in spiritualism is now as a rock. 

There are thousands of folk who believe in Old Moore's Almanac.  My  difficulty would be not to believe in

the old gentleman.  I see that  for the month of January last he foretold us that the Government  would meet

with determined and persistent opposition.  He warned us  that there would be much sickness about, and that

rheumatism would  discover its old victims.  How does he know these things?  Is it that  the stars really do

communicate with him, or does he "feel it in his  bones," as the saying is up North? 

During February, he mentioned, the weather would be unsettled.  He  concluded: 

"The word Taxation will have a terrible significance for both  Government and people this month." 


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Really, it is quite uncanny.  In March: 

"Theatres will do badly during the month." 

There seems to be no keeping anything from Old Moore.  In April  "much  dissatisfaction will be expressed

among Post Office employees."  That  sounds probable, on the face of it.  In any event, I will answer  for  our

local postman. 

In May "a wealthy magnate is going to die."  In June there is going  to be a fire.  In July "Old Moore has reason

to fear there will be  trouble." 

I do hope he may be wrong, and yet somehow I feel a conviction that  he won't be.  Anyhow, one is glad it has

been put off till July. 

In August "one in high authority will be in danger of demise."  In  September "zeal" on the part of persons

mentioned "will outstrip  discretion."  In October Old Moore is afraid again.  He cannot avoid  a haunting

suspicion that "Certain people will be victimized by  extensive fraudulent proceedings." 

In November "the public Press will have its columns full of  important  news."  The weather will be "adverse,"

and "a death will  occur in  high circles."  This makes the second in one year.  I am glad  I do  not belong to the

higher circles. 

[How does he do it?] 

In December Old Moore again foresees trouble, just when I was  hoping  it was all over.  "Frauds will come to

light, and death will  find its  victims." 

And all this information is given to us for a penny. 

The palmist examines our hand.  "You will go a journey," he tells  us.  It is marvellous!  How could he have

known that only the night  before  we had been discussing the advisability of taking the children  to  Margate for

the holidays? 

"There is trouble in store for you," he tells us, regretfully, "but  you will get over it."  We feel that the future

has no secret hidden  from him. 

We have "presentiments" that people we love, who are climbing  mountains, who are fond of ballooning, are

in danger. 

The sister of a friend of mine who went out to the South African  War  as a volunteer had three presentiments

of his death.  He came home  safe and sound, but admitted that on three distinct occasions he had  been in

imminent danger.  It seemed to the dear lady a proof of  everything she had ever read. 

Another friend of mine was waked in the middle of the night by his  wife, who insisted that he should dress

himself and walk three miles  across a moor because she had had a dream that something terrible was

happening to a bosom friend of hers.  The bosom friend and her  husband were rather indignant at being waked

at two o'clock in the  morning, but their indignation was mild compared with that of the  dreamer on learning

that nothing was the matter.  From that day  forward a coldness sprang up between the two families. 

I would give much to believe in ghosts.  The interest of life would  be multiplied by its own square power

could we communicate with the  myriad dead watching us from their mountain summits.  Mr. Zangwill,  in a


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poem that should live, draws for us a pathetic picture of blind  children playing in a garden, laughing,

romping.  All their lives  they have lived in darkness; they are content.  But, the wonder of  it, could their eyes

by some miracle be opened! 

[Blind Children playing in a World of Darkness.] 

May not we be but blind children, suggests the poet, living in a  world of darknesslaughing, weeping,

loving, dyingknowing nothing  of the wonder round us? 

The ghosts about us, with their godlike faces, it might be good to  look at them. 

But these poor, palefaced spooks, these dullwitted,  tablethumping  spirits:  it would be sad to think that of

such was the  kingdom of  the Dead. 

CHAPTER XVII

[Parents and their Teachers.] 

My heart has been much torn of late, reading of the wrongs of  Children.  It has lately been discovered that

Children are being  hampered and harassed in their career by certain brutal and ignorant  persons called, for

want of a better name, parents.  The parent is a  selfish wretch who, out of pure devilment, and without

consulting the  Child itself upon the subject, lures innocent Children into the  world, apparently for the purpose

merely of annoying them.  The  parent does not understand the Child when he has got it; he does not

understand anything, not much.  The only person who understands the  Child is the young gentleman fresh

from College and the elderly  maiden lady, who, between them, produce most of the literature that  explains to

us the Child. 

The parent does not even know how to dress the Child.  The parent  will persist in dressing the Child in a long

and trailing garment  that prevents the Child from kicking.  The young gentleman fresh from  College grows

almost poetical in his contempt.  It appears that the  one thing essential for the health of a young child is that it

should  have perfect freedom to kick.  Later on the parent dresses the Child  in short clothes, and leaves bits of

its leg bare.  The elderly  maiden Understander of Children, quoting medical opinion, denounces  us as

criminals for leaving any portion of that precious leg  uncovered.  It appears that the partially uncovered leg of

childhood  is responsible for most of the disease that flesh is heir to. 

Then we put it into boots.  We "crush its delicately fashioned feet  into hideous leather instruments of torture."

That is the sort of  phrase that is hurled at us!  The picture conjured up is that of some  fiend in human shape,

calling itself a father, seizing some helpless  cherub by the hair, and, while drowning its pathetic wails for

mercy  beneath roars of demon laughter, proceeding to bind about its tender  bones some ancient curiosity dug

from the dungeons of the  Inquisition. 

If the young gentleman fresh from College or the maiden lady  Understander could be, if only for a month or

two, a father!  If only  he or she could guess how gladly the father of limited income would  reply, 

"My dear, you are wrong in saying that the children must have  boots.  That is an exploded theory.  The

children must not have boots.  I  refuse to be a party to crushing their delicately fashioned feet  into  hideous

leather instruments of torture.  The young gentleman  fresh  from College and the elderly maiden Understander

have decided  that  the children must not have boots.  Do not let me hear again that  out  ofdate

wordboots." 


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If there were only one young gentleman fresh from College, one  maiden  lady Understander teaching us our

duty, life would be simpler.  But  there are so many young gentlemen from College, so many maiden  lady

Understanders, on the jobif I may be permitted a vulgarism; and  as  yet they are not all agreed.  It is

distracting for the parent  anxious to do right.  We put the little dears into sandals, and then  at once other

young gentlemen from College, other maiden lady  Understanders, point to us as wouldbe murderers.  Long

clothes are  fatal, short clothes are deadly, boots are instruments of torture, to  allow children to go about with

bare feet shows that we regard them  as Incumbrances, and, with low cunning, are seeking to be rid of  them. 

[Their first attempt.] 

I knew a pair of parents.  I am convinced, in spite of all that can  be said to the contrary, they were fond of

their Child; it was their  first.  They were anxious to do the right thing.  They read with  avidity all books and

articles written on the subject of Children.  They read that a Child should always sleep lying on its back, and

took it in turns to sit awake o' nights to make sure that the Child  was always right side up. 

But another magazine told them that Children allowed to sleep lying  on their backs grew up to be idiots.  They

were sad they had not read  of this before, and started the Child on its right side.  The Child,  on the contrary,

appeared to have a predilection for the left, the  result being that neither the parents nor the baby itself for the

next three weeks got any sleep worth speaking of. 

Later on, by good fortune, they came across a treatise that said a  Child should always be allowed to choose its

own position while  sleeping, and their friends persuaded them to stop at thattold them  they would never

strike a better article if they searched the whole  British Museum Library.  It troubled them to find that Child

sometimes sleeping curled up with its toe in its mouth, and sometimes  flat on its stomach with its head

underneath the pillow.  But its  health and temper were decidedly improved. 

[The Parent can do no right.] 

There is nothing the parent can do right.  You would think that now  and then he might, if only by mere

accident, blunder into sense.  But,  no, there seems to be a law against it.  He brings home woolly  rabbits  and

indiarubber elephants, and expects the Child to be  contented  "forsooth" with suchlike aids to its education.  As

a  matter of fact,  the Child is content:  it bangs its own head with the  woolly rabbit  and does itself no harm; it

tries to swallow the  indiarubber elephant;  it does not succeed, but continues to hope.  With that woolly rabbit

and that indiarubber elephant it would be as  happy as the day is long  if only the young gentleman from

Cambridge  would leave it alone, and  not put new ideas into its head.  But the  gentleman from Cambridge and

the maiden lady Understander are  convinced that the future of the race  depends upon leaving the Child

untrammelled to select its own  amusements.  A friend of mine, during  his wife's absence once on a  visit to her

mother, tried the  experiment. 

The Child selected a fryingpan.  How it got the fryingpan remains  to this day a mystery.  The cook said

"fryingpans don't walk  upstairs."  The nurse said she should be sorry to call anyone a liar,  but that there was

commonsense in everything.  The scullerymaid said  that if everybody did their own work other people

would not be driven  beyond the limits of human endurance; and the housekeeper said that  she was sick and

tired of life.  My friend said it did not matter.  The Child clung to the fryingpan with passion.  The book my

friend  was reading said that was how the human mind was formed:  the Child's  instinct prompted it to seize

upon objects tending to develop its  brain faculty.  What the parent had got to do was to stand aside and  watch

events. 

The Child proceeded to black everything about the nursery with the  bottom of the fryingpan.  It then set to

work to lick the fryingpan  clean.  The nurse, a woman of narrow ideas, had a presentiment that  later on it

would be ill.  My friend explained to her the error the  world had hitherto committed:  it had imagined that the


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parent knew a  thing or two that the Child didn't.  In future the Children were to  do their bringing up

themselves.  In the house of the future the  parents would be allotted the attics where they would be out of the

way.  They might occasionally be allowed down to dinner, say, on  Sundays. 

The Child, having exhausted all the nourishment the fryingpan  contained, sought to develop its brain faculty

by thumping itself  over the head with the flat of the thing.  With the selfishness of  the average

parentthinking chiefly of what the Coroner might say,  and indifferent to the future of humanity, my friend

insisted upon  changing the game. 

[His foolish talk.] 

The parent does not even know how to talk to his own Child.  The  Child is yearning to acquire a correct and

dignified mode of  expression.  The parent says:  "Did ums.  Did naughty table hurt  ickle tootsie pootsies?  Baby

say:  ''Oo naughty table.  Me no love  'oo.'" 

The Child despairs of ever learning English.  What should we think  ourselves were we to join a French class,

and were the Instructor to  commence talking to us French of this description?  What the Child,  according to

the gentleman from Cambridge, says to itself is, 

"Oh for one hour's intelligent conversation with a human being who  can talk the language." 

Will not the young gentleman from Cambridge descend to detail?  Will  he not give us a specimen dialogue? 

A celebrated lady writer, who has made herself the mouthpiece of  feminine indignation against male

stupidity, took up the cudgels a  little while ago on behalf of Mrs. Caudle.  She admitted Mrs. Caudle  appeared

to be a somewhat foolish lady.  "BUT WHAT HAD CAUDLE EVER  DONE TO IMPROVE MRS.

CAUDLE'S MIND?"  Had he ever sought, with  intelligent illuminating conversation, to direct her thoughts

towards  other topics than lent umbrellas and redheaded minxes? 

It is my complaint against so many of our teachers.  They scold us  for what we do, but so rarely tell us what

we ought to do.  Tell me  how to talk to my baby, and I am willing to try.  It is not as if I  took a personal pride

in the phrase:  "Did ums."  I did not even  invent it.  I found it, so to speak, when I got here, and my  experience

is that it soothes the Child.  When he is howling, and I  say "Did ums" with sympathetic intonation, he stops

crying.  Possibly  enough it is astonishment at the ineptitude of the remark that  silences him.  Maybe it is that

minor troubles are lost sight of face  to face with the reflection that this is the sort of father with  which fate

has provided him.  But may not even this be useful to him?  He has got to meet with stupid people in the

world.  Let him begin by  contemplating me.  It will make things easier for him later on.  I  put forward the idea

in the hope of comforting the young gentleman  from Cambridge. 

We injure the health of the Child by enforcing on it silence.  We  have a stupid formula that children should be

seen and not heard.  We  deny it exercise to its lungs.  We discourage its natural and  laudable curiosity by

telling it not to worry usnot to ask so many  questions. 

Won't somebody lend the young gentleman from Cambridge a small and  healthy child just for a week or so,

and let the bargain be that he  lives with it all the time?  The young gentleman from Cambridge  thinks, when

we call up the stairs to say that if we hear another  sound from the nursery during the next two hours we will

come up and  do things to that Child the mere thought of which should appal it,  that is silencing the Child.  It

does not occur to him that two  minutes later that Child is yelling again at the top of its voice,  having forgotten

all we ever said. 

[The Child of Fiction.] 


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I know the sort of Child the weeper over Children's wrongs has in  his  mind.  It has deep, soulful, yearning

eyes.  It moves about the  house  softly, shedding an atmosphere of patient resignation.  It says:  "Yes, dear

papa."  "No, dear mamma."  It has but one ambitionto be  good and useful.  It has beautiful thoughts about

the stars.  You  don't know whether it is in the house or isn't:  you find it with its  little face pressed close against

the windowpane watching the golden  sunset.  Nobody understands it.  It blesses the old people and dies.  One

of these days the young gentleman from Cambridge will, one hopes,  have a Baby of his owna real Child:

and serve him darnwell right. 

At present he is labouring under a wrong conception of the article.  He says we overeducate it.  We clog its

wonderful brain with a mass  of uninteresting facts and foolish formulas that we call knowledge.  He does not

know that all this time the Child is alive and kicking.  He is under the delusion that the Child is taking all this

lying  down.  We tell the Child it has got to be quiet, or else we will  wring its neck.  The gentleman from

Cambridge pictures the Child as  from that moment a silent spirit moving voiceless towards the grave. 

We catch the Child in the morning, and clean it up, and put a  little  satchel on its back, and pack it off to

school; and the maiden  lady  Understander pictures that Child wasting the all too brief period  of  youth

crowding itself up with knowledge. 

My dear Madam, you take it from me that your tears are being  wasted.  You wipe your eyes and cheer up.  The

dear Child is not going  to be  overworked:  HE is seeing to that. 

As a matter of the fact, the Child of the present day is having, if  anything, too good a time.  I shall be

considered a brute for saying  this, but I am thinking of its future, and my opinion is that we are  giving it

swelled head.  The argument just now in the air is that the  parent exists merely for the Children.  The parent

doesn't count.  It  is as if a gardener were to say, 

"Bother the flowers, let them rot.  The sooner they are out of the  way the better.  The seed is the only thing that

interests me." 

You can't produce respectable seed but from carefully cultivated  flowers.  The philosopher, clamouring for

improved Children, will  later grasp the fact that the parent is of importance.  Then he will  change his tactics,

and address the Children, and we shall have our  time.  He will impress on them how necessary it is for their

own  sakes that they should be careful of us.  We shall have books written  about misunderstood fathers who

were worried into early graves. 

[The misunderstood Father.] 

Fresh Air Funds will be started for sending parents away to the  seaside on visits to kind bachelors living in

detached houses, miles  away from Children.  Books will be specially written for us picturing  a world where

school fees are never demanded and babies never howl o'  nights.  Societies for the Prevention of Cruelty to

Parents will  arise.  Little girls who get their hair entangled and mislay all  their clothes just before they are

starting for the partylittle  boys who kick holes in their best shoes will be spanked at the public  expense. 

CHAPTER XVIII

[Marriage and the Joke of it.] 

Marriages are made in heaven"but solely," it has been added by a  cynical writer, "for export."  There is

nothing more remarkable in  human sociology than our attitude towards the institution of  marriage.  So it came

home to me the other evening as I sat on a cane  chair in the illlighted schoolroom of a small country town.


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The  occasion was a Penny Reading.  We had listened to the usual overture  from Zampa, played by the lady

professor and the eldest daughter of  the brewer; to "Phil Blood's Leap," recited by the curate; to the  violin

solo by the pretty widow about whom gossip is whisperedone  hopes it is not true.  Then a palefaced

gentleman, with a drooping  black moustache, walked on to the platform.  It was the local tenor.  He sang to us

a song of love.  Misunderstandings had arisen; bitter  words, regretted as soon as uttered, had pierced the all

too  sensitive spirit.  Parting had followed.  The brokenhearted one had  died believing his affection

unrequited.  But the angels had since  told him; he knew she loved him nowthe accent on the now. 

I glanced around me.  We were the usual crowd of mixed humanity  tinkers, tailors, soldiers, sailors, with

our cousins, and our  sisters, and our wives.  So many of our eyes were wet with tears.  Miss Butcher could

hardly repress her sobs.  Young Mr. Tinker, his  face hidden behind his programme, pretended to be blowing

his nose.  Mrs. Apothecary's large bosom heaved with heartfelt sighs.  The  retired Colonel sniffed audibly.

Sadness rested on our souls.  It  might have been so different but for those foolish, hasty words!  There need

have been no funeral.  Instead, the church might have been  decked with bridal flowers.  How sweet she would

have looked beneath  her orange wreath!  How proudly, gladly, he might have responded "I  will," take her for

his wedded wife, to have and to hold from this  day forward, for better for worse, for richer for poorer, in

sickness  and in health, to love and to cherish, till death did them part.  And  thereto he might have plighted his

troth. 

In the silence which reigned after the applause had subsided the  beautiful words of the Marriage Service

seemed to be stealing through  the room:  that they might ever remain in perfect love and peace  together.  Thy

wife shall be as the fruitful vine.  Thy children like  the olive branches round about thy table.  Lo! thus shall a

man be  blessed.  So shall men love their wives as their own bodies, and be  not bitter against them, giving

honour unto them as unto the weaker  vessel.  Let the wife see that she reverence her husband, wearing the

ornament of a meek and quiet spirit. 

[Love and the Satyr.] 

All the stories sung by the sweet singers of all time were echoing  in  our earsstories of true love that would

not run smoothly until  the  last chapter; of gallant lovers strong and brave against fate; of  tender sweethearts,

waiting, trusting, till love's golden crown was  won; so they married and lived happy ever after. 

Then stepped briskly on the platform a stout, baldheaded man.  We  greeted him with enthusiasmit was the

local low comedian.  The  piano tinkled saucily.  The selfconfident man winked and opened wide  his mouth.

It was a funny song; how we roared with laughter!  The  last line of each verse was the same: 

"And that's what it's like when you're married." 

"Before it was 'duckie,' and 'darling,' and 'dear.'  Now it's 'Take  your cold feet away, Brute! can't you hear?' 

"Once they walked hand in hand:  'Me loves ickle 'oo.'  Now he  strides on ahead" (imitation with aid of

umbrella much appreciated;  the baldheaded man, in his enthusiasm and owing to the smallness of  the

platform, sweeping the lady accompanist off her stool), "bawling:  'Come along, do.'" 

The baldheaded man interspersed sidesplitting patter.  The  husband  comes home late; the wife is waiting

for him at the top of the  stairs  with a broom.  He kisses the servantgirl.  She retaliates by  discovering a cousin

in the Guards. 

The comic man retired to an enthusiastic demand for an encore.  I  looked around me at the laughing faces.

Miss Butcher had been  compelled to stuff her handkerchief into her mouth.  Mr. Tinker was  wiping his eyes;

he was not ashamed this time, they were tears of  merriment.  Mrs. Apothecary's motherly bosom was shaking


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like a  jelly.  The Colonel was grinning from ear to ear. 

Later on, as I noticed in the programme, the schoolmistress, an  unmarried lady, was down to sing "Darby and

Joan."  She has a  sympathetic voice.  Her "Darby and Joan" is always popular.  The  comic man would also

again appear in the second part, and would  oblige with (by request) "His MotherinLaw." 

So the quaint comedy continues:  Tonight we will enjoy Romeo and  Juliet, for tomorrow we have seats

booked for The Pink Domino. 

[What the Gipsy did not mention.] 

"Won't the pretty lady let the poor old gipsy tell her fortune?"  Blushes, giggles, protestations.  Gallant

gentleman friend insists.  A  dark man is in love with pretty lady.  Gipsy sees a marriage not so  very far ahead.

Pretty lady says "What nonsense!" but looks serious.  Pretty lady's pretty friends must, of course, be teasing.

Gallant  gentleman friend, by curious coincidence, happens to be dark.  Gipsy  grins and passes on. 

Is that all the gipsy knows of pretty lady's future?  The rheumy,  cunning eyes!  They were bonny and black

many years ago, when the  parchment skin was smooth and fair.  They have seen so many a passing  showdo

they see in pretty lady's hand nothing further? 

What would the wicked old eyes foresee did it pay them to speak:   Pretty lady crying tears into a pillow.

Pretty lady growing ugly,  spite and anger spoiling pretty features.  Dark young man no longer  loving.  Dark

young man hurling bitter words at pretty ladyhurling,  maybe, things more heavy.  Dark young man and

pretty lady listening  approvingly to comic singer, having both discovered:  "That's what  it's like when you're

married." 

My friend H. G. Wells wrote a book, "The Island of Dr. Moreau."  I  read it in MS. one winter evening in a

lonely country house upon the  hills, wind screaming to wind in the dark without.  The story has  haunted me

ever since.  I hear the wind's shrill laughter.  The  doctor had taken the beasts of the forest, apes, tigers, strange

creatures from the deep, had fashioned them with hideous cruelty into  the shapes of men, had given them

souls, had taught to them the law.  In all things else were they human, but their original instincts  their creator's

skill had failed to eliminate.  All their lives were  one long torture.  The Law said, "We are men and women;

this we shall  do, this we shall not do."  But the ape and tiger still cried aloud  within them. 

Civilization lays her laws upon us; they are the laws of godsof  the  men that one day, perhaps, shall come.

But the primeval creature  of  the cave still cries within us. 

[A few rules for Married Happiness.] 

The wonder is that not being godsbeing mere men and  womenmarriage  works out as well as it does.  We

take two creatures  with the  instincts of the ape still stirring within them; two  creatures  fashioned on the law of

selfishness; two selfcentred  creatures of  opposite appetites, of desires opposed to one another, of  differing

moods and fancies; two creatures not yet taught the lesson  of self  control, of selfrenunciation, and bind

them together for  life in an  union so close that one cannot snore o'nights without  disturbing the  other's rest;

that one cannot, without risk to  happiness, have a  single taste unshared by the other; that neither,  without

danger of  upsetting the whole applecart, so to speak, can have  an opinion with  which the other does not

heartedly agree. 

Could two angels exist together on such terms without ever  quarrelling?  I doubt it.  To make marriage the

ideal we love to  picture it in romance, the elimination of human nature is the first  essential.  Supreme

unselfishness, perfect patience, changeless  amiability, we should have to start with, and continue with, until


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the end. 

[The real Darby and Joan.] 

I do not believe in the "Darby and Joan" of the song.  They belong  to  songland.  To accept them I need a

piano, a sympathetic contralto  voice, a firelight effect, and that sentimental mood in myself, the  foundation of

which is a good dinner well digested.  But there are  Darbys and Joans of real flesh and blood to be met

withGod bless  them, and send more for our examplewholesome living men and women,  brave,

struggling, souls with commonsense.  Ah, yes! they have  quarrelled; had their dark house of bitterness, of

hate, when he  wished to heaven he had never met her, and told her so.  How could he  have guessed those

sweet lips could utter such cruel words; those  tender eyes, he loved to kiss, flash with scorn and anger? 

And she, had she known what lay behind; those days when he knelt  before her, swore that his only dream was

to save her from all pain.  Passion lies dead; it is a flame that burns out quickly.  The most  beautiful face in the

world grows indifferent to us when we have sat  opposite it every morning at breakfast, every evening at

supper, for  a brief year or two.  Passion is the seed.  Love grows from it, a  tender sapling, beautiful to look

upon, but wondrous frail, easily  broken, easily trampled on during those first years of wedded life.  Only by

much nursing, by long caringfor, watered with tears, shall  it grow into a sturdy tree, defiant of the winds,

'neath which Darby  and Joan shall sit sheltered in old age. 

They had commonsense, brave hearts.  Darby had expected too much.  Darby had not made allowance for

human nature which he ought to have  done, seeing how much he had of it himself.  Joan knows he did not

mean it.  Joan has a nasty temper; she admits it.  Joan will try,  Darby will try.  They kiss again with tears.  It is a

workaday world;  Darby and Joan will take it as it is, will do their best.  A little  kindness, a little clasping of

the hands before night comes. 

[Many ways of Love] 

Youth deems it heresy, but I sometimes wonder if our English  speaking  way is quite the best.  I discussed the

subject once with an  old  French lady.  The English reader forms his idea of French life  from  the French novel;

it leads to mistaken notions.  There are French  Darbys, French Joans, many thousands of them. 

"Believe me," said my old French friend, "your English way is  wrong;  our way is not perfect, but it is the

better, I am sure.  You  leave  it entirely to the young people.  What do they know of life, of  themselves, even.

He falls in love with a pretty face.  Shehe  danced so well! he was so agreeable that day of the picnic!  If

marriage were only for a month or so; could be ended without harm  when the passion was burnt out.  Ah, yes!

then perhaps you would be  right.  I loved at eighteen, madlynearly broke my heart.  I meet  him occasionally

now.  My dear"her hair was silvery white, and I  was only thirtyfive; she always called me "my dear"; it is

pleasant  at thirtyfive to be talked to as a child.  "He was a perfect brute,  handsome he had been, yes, but all

that was changed.  He was as  stupid as an ox.  I never see his poor frightenedlooking wife  without shuddering

thinking of what I have escaped.  They told me all  that, but I looked only at his face, and did not believe them.

They  forced me into marriage with the kindest man that ever lived.  I did  not love him then, but I loved him

for thirty years; was it not  better?" 

"But, my dear friend," I answered; "that poor, frightenedlooking  wife of your first love!  Her marriage also

was, I take it, the  result of parental choosing.  The love marriage, I admit, as often as  not turns out sadly.  The

children choose ill.  Parents also choose  ill.  I fear there is no sure receipt for the happy marriage." 

"You are arguing from bad examples," answered my silverhaired  friend; "it is the system that I am

defending.  A young girl is no  judge of character.  She is easily deceived, is wishful to be  deceived.  As I have

said, she does not even know herself.  She  imagines the mood of the moment will remain with her.  Only those


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who  have watched over her with loving insight from her infancy know her  real temperament. 

"The young man is blinded by his passion.  Nature knows nothing of  marriage, of companionship.  She has

only one aim.  That  accomplished, she is indifferent to the future of those she has  joined together.  I would

have parents think only of their children's  happiness, giving to worldly considerations their true value, but

nothing beyond, choosing for their children with loving care, with  sense of their great responsibility." 

[Which is it?] 

"I fear our young people would not be contented with our choosing,"  I  suggested. 

"Are they so contented with their own, the honeymoon over?" she  responded with a smile. 

We agreed it was a difficult problem viewed from any point. 

But I still think it would be better were we to heap less ridicule  upon the institution.  Matrimony cannot be

"holy" and ridiculous at  the same time.  We have been familiar with it long enough to make up  our minds in

which light to regard it. 

CHAPTER XIX

[Man and his Tailor.] 

What's wrong with the "Madeup Tie"?  I gather from the fashionable  novelist that no man can wear a

madeup tie and be a gentleman.  He  may be a worthy man, clever, welltodo, eligible from every other

point of view; but She, the refined heroine, can never get over the  fact that he wears a madeup tie.  It causes

a shudder down her high  bred spine whenever she thinks of it.  There is nothing else to be  said against him.

There is nothing worse about him than thishe  wears a madeup tie.  It is all sufficient.  No true woman

could ever  care for him, no really classy society ever open its doors to him. 

I am worried about this thing because, to confess the horrid truth,  I  wear a madeup tie myself.  On foggy

afternoons I steal out of the  house disguised.  They ask me where I am going in a hat that comes  down over

my ears, and why I am wearing blue spectacles and a false  beard, but I will not tell them.  I creep along the

wall till I find  a common hosier's shop, and then, in an assumed voice, I tell the man  what it is I want.  They

come to fourpence halfpenny each; by taking  the halfdozen I get them for a trifle less.  They are put on in a

moment, and, to my vulgar eye, look neat and tasteful. 

Of course, I know I am not a gentleman.  I have given up hopes of  ever being one.  Years ago, when life

presented possibilities, I  thought that with pains and intelligence I might become one.  I never  succeeded.  It all

depends on being able to tie a bow.  Round the  bedpost, or the neck of the waterjug, I could tie the

wretched  thing to perfection.  If only the bedpost or the waterjug could  have taken my place and gone to

the party instead of me, life would  have been simpler.  The bedpost and the waterjug, in its neat white  bow,

looked like a gentlemanthe fashionable novelist's idea of a  gentleman.  Upon myself the result was

otherwise, suggesting always a  feeble attempt at suicide by strangulation.  I could never understand  how it

was done.  There were moments when it flashed across me that  the secret lay in being able to turn one's self

inside out, coming up  with one's arms and legs the other way round.  Standing on one's head  might have

surmounted the difficulty; but the higher gymnastics  Nature has denied to me.  "The Boneless Wonder" or the

"Man Serpent"  could, I felt, be a gentleman so easily.  To one to whom has been  given only the common

ordinary joints gentlemanliness is apparently  an impossible ideal. 


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It is not only the tie.  I never read the fashionable novel without  misgiving.  Some hopeless bounder is being

described: 

"If you want to know what he is like," says the Peer of the Realm,  throwing himself back in his deep

easychair, and puffing lazily at  his cigar of delicate aroma, "he is the sort of man that wears three  studs in

his shirt." 

[The difficulty of being a Gentleman.] 

Merciful heavens!  I myself wear three studs in my shirt.  I also  am  a hopeless bounder, and I never knew it.  It

comes upon me like a  thunderbolt.  I thought three studs were fashionable.  The idiot at  the shop told me three

studs were all the rage, and I ordered two  dozen.  I can't afford to throw them away.  Till these two dozen

shirts are worn out, I shall have to remain a hopeless bounder. 

Why have we not a Minister of the Fine Arts?  Why does not a  paternal  Government fix notices at the street

corners, telling the  wouldbe  gentleman how many studs he ought to wear, what style of  necktie now

distinguishes the nobleminded man from the basehearted?  They are  prompt enough with their police

regulations, their  vaccination  ordersthe higher things of life they neglect. 

I select at random another masterpiece of English literature. 

"My dear," says Lady Montresor, with her light aristocratic laugh,  "you surely cannot seriously think of

marrying a man who wears socks  with yellow spots?" 

Lady Emmelina sighs. 

"He is very nice," she murmurs, "but I suppose you are right.  I  suppose that sort of man does get on your

nerves after a time." 

"My dear child," says Lady Montresor, "he is impossible." 

In a cold sweat I rush upstairs into my bedroom. 

I thought so:  I am always wrong.  All my best socks have yellow  spots.  I rather fancied them.  They were

expensive, too, now I come  to think of it. 

What am I to do?  If I sacrifice them and get red spots, then red  spots, for all I know, may be wrong.  I have no

instinct.  The  fashionable novelist never helps one.  He tells us what is wrong, but  he does not tell us what is

right.  It is creative criticism that I  feel the need of.  Why does not the Lady Montresor go on?  Tell me  what

sort of socks the ideal lover ought to wear.  There are so many  varieties of socks.  What is a

wouldbegentleman to do?  Would it be  of any use writing to the fashionable novelist: 

[How we might, all of us, be Gentlemen.] 

"Dear Mr. Fashionable Novelist (or should it be Miss?),Before  going  to my tailor, I venture to write to you

on a subject of some  importance.  I am fairly well educated, of good family and address,  and, so my friends

tell me, of passable appearance.  I yearn to  become a gentleman.  If it is not troubling you too much, would

you  mind telling me how to set about the business?  What socks and ties  ought I to wear?  Do I wear a flower

in my buttonhole, or is that a  sign of a coarse mind?  How many buttons on a morning coat show a  beautiful

nature?  Does a standup collar with a tennis shirt prove  that you are of noble descent, or, on the contrary,

stamp you as a  parvenu?  If answering these questions imposes too great a tax on  your time, perhaps you


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would not mind telling me how you yourself  know these things.  Who is your authority, and when is he at

home?  I  should apologize for writing to you but that I feel you will  sympathize with my appeal.  It seems a

pity there should be so many  vulgar, illbred people in the world when a little knowledge on these  trivial

points would enable us all to become gentlemen.  Thanking you  in anticipation, I remain . . . " 

Would he or she tell us?  Or would the fashionable novelist reply  as  I once overheard a harassed mother retort

upon one of her inquiring  children.  Most of the afternoon she had been rushing out into the  garden, where

games were in progress, to tell the children what they  must not do: "Tommy, you know you must not do

that.  Haven't you  got any sense at all?"  "Johnny, you wicked boy, how dare you do  that; how many more

times do you want me to tell you?"  "Jane, if you  do that again you will go straight to bed, my girl!" and so on. 

At length the door was opened from without, and a little face  peeped  in:  "Mother!" 

"Now, what is it? can't I ever get a moment's peace?" 

"Mother, please would you mind telling us something we might do?" 

The lady almost fell back on the floor in her astonishment.  The  idea  had never occurred to her. 

"What may you do!  Don't ask me.  I am tired enough of telling you  what not to do." 

[Things a Gentleman should never do.] 

I remember when a young man, wishful to conform to the rules of  good  society, I bought a book of etiquette

for gentlemen.  Its fault  was  just this.  It told me through many pages what not to do.  Beyond  that it seemed to

have no idea.  I made a list of things it said a  gentleman should NEVER do:  it was a lengthy list. 

Determined to do the job completely while I was about it, I bought  other books of etiquette and added on

their list of "Nevers."  What  one book left out another supplied.  There did not seem much left for  a gentleman

to do. 

I concluded by the time I had come to the end of my books, that to  be  a true gentleman my safest course

would be to stop in bed for the  rest of my life.  By this means only could I hope to avoid every  possible faux

pas, every solecism.  I should have lived and died a  gentleman.  I could have had it engraved upon my

tombstone: 

"He never in his life committed a single act unbecoming to a  gentleman." 

To be a gentleman is not so easy, perhaps, as a fashionable  novelist  imagines.  One is forced to the conclusion

that it is not a  question  entirely for the outfitter.  My attention was attracted once  by a  notice in the window of

a WestEnd emporium, "Gentlemen  supplied." 

It is to such like Universal Providers that the fashionable  novelist  goes for his gentleman.  The gentleman is

supplied to him  complete in  every detail.  If the reader be not satisfied, that is the  reader's  fault.  He is one of

those tiresome, discontented customers  who does  not know a good article when he has got it. 

I was told the other day of the writer of a musical farce (or is it  comedy?) who was most desirous that his

leading character should be a  perfect gentleman.  During the dress rehearsal, the actor  representing the part

had to open his cigarette case and request  another perfect gentleman to help himself.  The actor drew forth his

case.  It caught the critical eye of the author. 


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"Good heavens!" he cried, "what do you call that?" 

"A cigarette case," answered the actor. 

"But, my dear boy," exclaimed the author, "surely it is silver?" 

"I know," admitted the actor, "it does perhaps suggest that I am  living beyond my means, but the truth is I

picked it up cheap." 

The author turned to the manager. 

"This won't do," he explained, "a real gentleman always carries a  gold cigarette case.  He must be a

gentleman, or there's no point in  the plot." 

"Don't let us endanger any point the plot may happen to possess,  for  goodness sake," agreed the manager, "let

him by all means have a  gold  cigarette case." 

[How one may know the perfect Gentleman.] 

So, regardless of expense, a gold cigarette case was obtained and  put  down to expenses.  And yet on the first

night of that musical  play,  when that leading personage smashed a tray over a waiter's head,  and,  after a row

with the police, came home drunk to his wife, even  that  gold cigarette case failed to convince one that the

man was a  gentleman beyond all doubt. 

The old writers appear to have been singularly unaware of the  importance attaching to these socks, and ties,

and cigarettecases.  They told us merely what the man felt and thought.  What reliance can  we place upon

them?  How could they possibly have known what sort of  man he was underneath his clothes?  Tweed or

broadcloth is not  transparent.  Even could they have got rid of his clothes there would  have remained his flesh

and bones.  It was pure guesswork.  They did  not observe. 

The modern writer goes to work scientifically.  He tells us that  the  creature wore a madeup tie.  From that we

know he was not a  gentleman; it follows as the night the day.  The fashionable novelist  notices the young

man's socks.  It reveals to us whether the marriage  would have been successful or a failure.  It is necessary to

convince  us that the hero is a perfect gentleman:  the author gives him a gold  cigarette case. 

A wellknown dramatist has left it on record that comedy cannot  exist  nowadays, for the simple reason that

gentlemen have given up  taking  snuff and wearing swords.  How can one have comedy in company  with

frockcoatswithout its "Las" and its "Odds Bobs." 

The sword may have been helpful.  I have been told that at levees  City men, unaccustomed to the thing, have,

with its help, provided  comedy for the rest of the company. 

But I take it this is not the comedy our dramatist had in mind. 

[Why not an Exhibition of Gentlemen?] 

It seems a pity that comedy should disappear from among us.  If it  depend entirely on swords and

snuffboxes, would it not be worth the  while of the Society of Authors to keep a few gentlemen specially

trained?  Maybe some sympathetic theatrical manager would lend us  costumes of the eighteenth century.  We

might provide them with  swords and snuffboxes.  They might meet, say, once a week, in a  Queen Anne

drawingroom, especially prepared by Gillow, and go  through their tricks.  Authors seeking highclass


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comedy might be  admitted to a gallery. 

Perhaps this explains why oldfashioned readers complain that we do  not give them human nature.  How can

we?  Ladies and gentlemen  nowadays don't wear the proper clothes.  Evidently it all depends  upon the clothes. 

CHAPTER XX

[Woman and her behaviour.] 

Should women smoke? 

The question, in fourinch letters, exhibited on a placard outside  a  small newsvendor's shop, caught recently

my eye.  The wanderer  through London streets is familiar with suchlike appeals to his  decision:  "Should

short men marry tall wives?"  "Ought we to cut our  hair?"  "Should second cousins kiss?"  Life's problems

appear to be  endless. 

Personally, I am not worrying myself whether women should smoke or  not.  It seems to me a question for the

individual woman to decide  for herself.  I like women who smoke; I can see no objection to their  smoking.

Smoking soothes the nerves.  Women's nerves occasionally  want soothing.  The tiresome idiot who argues that

smoking is  unwomanly denounces the drinking of tea as unmanly.  He is a wooden  headed person who

derives all his ideas from cheap fiction.  The  manly man of cheap fiction smokes a pipe and drinks whisky.

That is  how we know he is a man.  The womanly womanwell, I always feel I  could make a better woman

myself out of an old clothes shop and a  hairdresser's block. 

But, as I have said, the question does not impress me as one  demanding my particular attention.  I also like the

woman who does  not smoke.  I have met in my time some very charming women who do not  smoke.  It may

be a sign of degeneracy, but I am prepared to abdicate  my position of woman's god, leaving her free to lead

her own life. 

[Woman's God.] 

Candidly, the responsibility of feeling myself answerable for all a  woman does or does not do would weigh

upon me.  There are men who are  willing to take this burden upon themselves, and a large number of  women

are still anxious that they should continue to bear it.  I  spoke quite seriously to a young lady not long ago on

the subject of  tight lacing; undoubtedly she was injuring her health.  She admitted  it herself. 

"I know all you can say," she wailed; "I daresay a lot of it is  true.  Those awful pictures where one

seeswell, all the things one  does  not want to think about.  If they are correct, it must be bad,  squeezing it all

up together." 

"Then why continue to do so?" I argued. 

"Oh, it's easy enough to talk," she explained; "a few old fogies  like  you"I had been speaking very plainly

to her, and she was cross  with  me"may pretend you don't like small waists, but the average man  does." 

Poor girl!  She was quite prepared to injure herself for life, to  damage her children's future, to be

uncomfortable for fifteen hours a  day, all to oblige the average man. 

It is a compliment to our sex.  What man would suffer injury and  torture to please the average woman?  This

frenzied desire of woman  to conform to our ideals is touching.  A few daring spirits of late  years have


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exhibited a tendency to seek for other godsfor ideals of  their own.  We call them the unsexed women.  The

womanly women lift  up their hands in horror of such blasphemy. 

When I was a boy no womanly woman rode a bicycletricycles were  permitted.  On three wheels you could

still be womanly, but on two  you were "a creature"!  The womanly woman, seeing her approach, would  draw

down the parlour blind with a jerk, lest the children looking  out might catch a glimpse of her, and their young

souls be smirched  for all eternity. 

No womanly woman rode inside a hansom or outside a 'bus.  I  remember  the day my own dear mother

climbed outside a 'bus for the  first time  in her life.  She was excited, and cried a little; but  nobodyheaven  be

praised!saw usthat is, nobody of importance.  And afterwards  she confessed the air was pleasant. 

"Be not the first by whom the new is tried, Nor yet the last to lay  the old aside," is a safe rule for those who

would always retain the  good opinion of that allpowerful, but somewhat unintelligent,  incubus, "the average

person," but the pioneer, the guide, is  necessary.  That is, if the world is to move forward. 

The freedomloving girl of today, who can enjoy a walk by herself  without losing her reputation, who can

ride down the street on her  "bike" without being hooted at, who can play a mixed double at tennis  without

being compelled by public opinion to marry her partner, who  can, in short, lead a human creature's life, and

not that of a lap  dog led about at the end of a string, might pause to think what she  owes to the "unsexed

creatures" who fought her battle for her fifty  years ago. 

[Those unsexed Creatures] 

Can the working woman of today, who may earn her own living, if  she  will, without loss of the elementary

rights of womanhood, think of  the bachelor girl of a short generation ago without admiration of her  pluck?

There were ladies in those day too "unwomanly" to remain  helpless burdens on overworked fathers and

mothers, too "unsexed" to  marry the first man that came along for the sake of their bread and  butter.  They

fought their way into journalism, into the office, into  the shop.  The reformer is not always the pleasantest

man to invite  to a teaparty.  Maybe these women who went forward with the flag  were not the most

charming of their sex.  The "Dora Copperfield" type  will for some time remain the young man's ideal, the

model the young  girl puts before herself.  Myself, I think Dora Copperfield charming,  but a world of Dora

Copperfields! 

The working woman is a new development in sociology.  She has many  lessons to learn, but one has hopes of

her.  It is said that she is  unfitting herself to be a wife and mother.  If the ideal helpmeet for  a man be an

animated Dresden china shepherdesssomething that looks  pretty on the table, something to be shown

round to one's friends,  something that can be locked up safely in a cupboard, that asks no  questions, and,

therefore, need be told no liesthen a woman who has  learnt something of the world, who has formed ideas

of her own, will  not be the ideal wife. 

[References givenand required.] 

Maybe the average man will not be her ideal husband.  Each  Michaelmas  at a little town in the Thames Valley

with which I am  acquainted  there is held a hiring fair.  A farmer one year laid his  hand on a  livelylooking

lad, and asked him if he wanted a job.  It  was what  the boy was looking for. 

"Got a character?" asked the farmer.  The boy replied that he had  for  the last two years been working for Mr.

Muggs, the  ironmongerfelt  sure that Mr. Muggs would give him a good character. 


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"Well, go and ask Mr. Muggs to come across and speak to me, I will  wait here," directed the wouldbe

employer.  Five minutes went by  ten minutes.  No Mr. Muggs appeared.  Later in the afternoon the  farmer

met the boy again. 

"Mr. Muggs never came near me with that character of yours," said  the  farmer. 

"No, sir," answered the boy, "I didn't ask him to." 

"Why not?" inquired the farmer. 

"Well, I told him who it was that wanted it"the boy hesitated. 

"Well?" demanded the farmer, impatiently. 

"Well, then, he told me yours," explained the boy. 

Maybe the working woman, looking for a husband, and not merely a  livelihood, may end by formulating

standards of her own.  She may end  by demanding the manly man and moving about the world, knowing

something of life, may arrive at the conclusion that something more  is needed than the smoking of pipes and

the drinking of whiskies and  sodas.  We must be prepared for this.  The sheltered woman who learnt  her life

from fairy stories is a dream of the past.  Woman has  escaped from her "shelter"she is on the loose.  For the

future we  men have got to accept the emancipated woman as an accomplished fact. 

[The ideal World.] 

Many of us are worried about her.  What is going to become of the  home?  I admit there is a more ideal

existence where the working  woman would find no place; it is in a world that exists only on the  comic opera

stage.  There every picturesque village contains an equal  number of ladies and gentlemen nearly all the same

height and weight,  to all appearance of the same age.  Each Jack has his Jill, and does  not want anybody else's.

There are no complications:  one presumes  they draw lots and fall in love the moment they unscrew the paper.

They dance for awhile on grass which is never damp, and then into the  conveniently situated ivycovered

church they troop in pairs and are  wedded off hand by a whitehaired clergyman, who is a married man

himself. 

Ah, if the world were but a comic opera stage, there would be no  need  for working women!  As a matter of

fact, so far as one can judge  from  the front of the house, there are no working men either. 

But outside the opera house in the muddy street Jack goes home to  his  third floor back, or his chambers in the

Albany, according to his  caste, and wonders when the time will come when he will be able to  support a wife.

And Jill climbs on a penny 'bus, or steps into the  family brougham, and dreams with regret of a lost garden,

where there  was just one man and just one woman, and clothes grew on a fig tree. 

With the progress of civilizationutterly opposed as it is to all  Nature's intentionsthe number of working

women will increase.  With  some friends the other day I was discussing motorcars, and one  gentleman with

sorrow in his voicehe is the type of Conservative  who would have regretted the passing away of the glacial

period  opined that motorcars had come to stay. 

"You mean," said another, "they have come to go."  The working  woman,  however much we may regret it,

has come to go, and she is going  it.  We shall have to accept her and see what can be done with her.  One  thing

is certain, we shall not solve the problem of the twentieth  century by regretting the simple sociology of the

Stone Age. 


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[A Lover's View.] 

Speaking as a lover, I welcome the openings that are being given to  women to earn their own livelihood.  I

can conceive of no more  degrading profession for a womanno profession more calculated to  unfit her for

being that wife and mother we talk so much about than  the profession that up to a few years ago was the only

one open to  herthe profession of husbandhunting. 

As a man, I object to being regarded as woman's last refuge, her  one  and only alternative to the workhouse.  I

cannot myself see why  the  woman who has faced the difficulties of existence, learnt the  lesson  of life, should

not make as good a wife and mother as the  ignorant  girl taken direct, one might almost say, from the nursery,

and,  without the slightest preparation, put in a position of  responsibility that to a thinking person must be

almost appalling. 

It has been said that the difference between men and women is this:  That the man goes about the world

making it ready for the children,  that the woman stops at home making the children ready for the world.  Will

not she do it much better for knowing something of the world,  for knowing something of the temptations, the

difficulties, her own  children will have to face, for having learnt by her own experience  to sympathize with

the struggles, the sordid heartbreaking cares  that man has daily to contend with? 

Civilization is ever undergoing transformation, but human nature  remains.  The bachelor girl, in her

bedsitting room, in her studio,  in her flat, will still see in the shadows the vision of the home,  will still hear

in the silence the sound of children's voices, will  still dream of the lover's kiss that is to open up new life to

her.  She is not quite so unsexed as you may think, my dear womanly madame.  A male friend of mine was

telling me of a catastrophe that once  occurred at a station in the East Indies. 

[No time to think of Husbands.] 

A fire broke out at night, and everybody was in terror lest it  should  reach the magazine.  The women and

children were being hurried  to the  ships, and two ladies were hastening past my friend.  One of  them  paused,

and, clasping her hands, demanded of him if he knew what  had  become of her husband.  Her companion was

indignant. 

"For goodness' sake, don't dawdle, Maria," she cried; "this is no  time to think of husbands." 

There is no reason to fear that the working woman will ever cease  to  think of husbands.  Maybe, as I have

said, she will demand a better  article than the mere husbandhunter has been able to stand out for.  Maybe she

herself will have something more to give; maybe she will  bring to him broader sympathies, higher ideals.  The

woman who has  herself been down among the people, who has faced life in the open,  will know that the

home is but one cell of the vast hive. 

We shall, perhaps, hear less of the woman who "has her own home and  children to think ofreally takes no

interest in these matters"  these matters of right and wrong, these matters that spell the  happiness or misery

of millions. 

[The Wife of the Future.] 

Maybe the bridegroom of the future will not say, "I have married a  wife, and therefore I cannot come," but "I

have married a wife; we  will both come." 


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Bookmarks



1. Table of Contents, page = 3

2. The Angel and the Author, page = 4

   3. Jerome K. Jerome, page = 4

   4. CHAPTER I, page = 4

   5. CHAPTER II, page = 8

   6. CHAPTER III, page = 12

   7. CHAPTER IV, page = 16

   8. CHAPTER V, page = 19

   9. CHAPTER VI, page = 24

   10. CHAPTER VII, page = 27

   11. CHAPTER VIII, page = 30

   12. CHAPTER IX, page = 33

   13. CHAPTER X, page = 36

   14. CHAPTER XI, page = 39

   15. CHAPTER XII, page = 43

   16. CHAPTER XIII, page = 46

   17. CHAPTER XIV, page = 49

   18. CHAPTER XV, page = 53

   19. CHAPTER XVI, page = 57

   20. CHAPTER XVII, page = 61

   21. CHAPTER XVIII, page = 64

   22. CHAPTER XIX, page = 68

   23. CHAPTER XX, page = 72