Title:   ON DREAMS

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Author:   by Aristotle

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ON DREAMS

by Aristotle



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Table of Contents

ON DREAMS......................................................................................................................................................1

by Aristotle..............................................................................................................................................1

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ON DREAMS

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ON DREAMS

by Aristotle

translated by J. I. Beare

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1

WE must, in the next place, investigate the subject of the dream,  and first inquire to which of the faculties of

the soul it presents  itself, i.e. whether the affection is one which pertains to the  faculty of intelligence or to

that of senseperception; for these  are  the only faculties within us by which we acquire knowledge. 

If, then, the exercise of the faculty of sight is actual seeing,  that of the auditory faculty, hearing, and, in

general that of the  faculty of senseperception, perceiving; and if there are some  perceptions common to the

senses, such as figure, magnitude, motion,  while there are others, as colour, sound, taste, peculiar [each  to  its

own sense]; and further, if all creatures, when the eyes are  closed in sleep, are unable to see, and the

analogous statement is  true of the other senses, so that manifestly we perceive nothing  when  asleep; we may

conclude that it is not by senseperception we  perceive  a dream. 

But neither is it by opinion that we do so. For [in dreams] we not  only assert, e.g. that some object

approaching is a man or a horse  [which would be an exercise of opinion], but that the object is  white  or

beautiful, points on which opinion without senseperception  asserts  nothing either truly or falsely. It is,

however, a fact that  the soul  makes such assertions in sleep. We seem to see equally well  that the  approaching

figure is a man, and that it is white. [In  dreams], too,  we think something else, over and above the dream

presentation, just  as we do in waking moments when we perceive  something; for we often  also reason about

that which we perceive.  So, too, in sleep we  sometimes have thoughts other than the mere  phantasms

immediately  before our minds. This would be manifest to  any one who should attend  and try, immediately on

arising from  sleep, to remember [his dreaming  experience]. There are cases of  persons who have seen such

dreams,  those, for example, who believe  themselves to be mentally arranging a  given list of subjects

according  to the mnemonic rule. They frequently  find themselves engaged in  something else besides the

dream, viz. in  setting a phantasm which  they envisage into its mnemonic position.  Hence it is plain that not

every 'phantasm' in sleep is a mere  dreamimage, and that the  further thinking which we perform then is  due

to an exercise of the  faculty of opinion. 

So much at least is plain on all these points, viz. that the  faculty  by which, in waking hours, we are subject to

illusion when  affected by  disease, is identical with that which produces illusory  effects in  sleep. So, even

when persons are in excellent health, and  know the  facts of the case perfectly well, the sun, nevertheless,

appears to  them to be only a foot wide. Now, whether the presentative  faculty  of the soul be identical with, or

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different from, the faculty  of  senseperception, in either case the illusion does not occur  without  our actually

seeing or [otherwise] perceiving something. Even  to see  wrongly or to hear wrongly can happen only to one

who sees or  hears  something real, though not exactly what he supposes. But we have  assumed that in sleep

one neither sees, nor hears, nor exercises any  sense whatever. Perhaps we may regard it as true that the

dreamer sees  nothing, yet as false that his faculty of senseperception is  unaffected, the fact being that the

sense of seeing and the other  senses may possibly be then in a certain way affected, while each of  these

affections, as duly as when he is awake, gives its impulse in  a  certain manner to his [primary] faculty of

sense, though not in  precisely the same manner as when he is awake. Sometimes, too, opinion  says [to

dreamers] just as to those who are awake, that the object  seen is an illusion; at other times it is inhibited, and

becomes a  mere follower of the phantasm. 

It is plain therefore that this affection, which we name  'dreaming',  is no mere exercise of opinion or

intelligence, but yet is  not an  affection of the faculty of perception in the simple sense. If  it were  the latter it

would be possible [when asleep] to hear and see  in the  simple sense. 

How then, and in what manner, it takes place, is what we have to  examine. Let us assume, what is indeed

clear enough, that the  affection [of dreaming] pertains to senseperception as surely as  sleep itself does. For

sleep does not pertain to one organ in  animals  and dreaming to another; both pertain to the same organ. 

But since we have, in our work On the Soul, treated of  presentation,  and the faculty of presentation is

identical with that  of  senseperception, though the essential notion of a faculty of  presentation is different

from that of a faculty of  senseperception;  and since presentation is the movement set up by a  sensory faculty

when actually discharging its function, while a  dream appears to be a  presentation (for a presentation which

occurs in  sleepwhether simply  or in some particular wayis what we call a  dream): it manifestly  follows

that dreaming is an activity of the  faculty of  senseperception, but belongs to this faculty qua  presentative. 

2

We can best obtain a scientific view of the nature of the dream  and the manner in which it originates by

regarding it in the light  of  the circumstances attending sleep. The objects of  senseperception  corresponding

to each sensory organ produce  senseperception in us,  and the affection due to their operation is  present in

the organs of  sense not only when the perceptions are  actualized, but even when they  have departed. 

What happens in these cases may be compared with what happens in  the  case of projectiles moving in space.

For in the case of these the  movement continues even when that which set up the movement is no  longer in

contact [with the things that are moved]. For that which set  them in motion moves a certain portion of air, and

this, in turn,  being moved excites motion in another portion; and so, accordingly, it  is in this way that [the

bodies], whether in air or in liquids,  continue moving, until they come to a standstill. 

This we must likewise assume to happen in the case of qualitative  change; for that part which [for example]

has been heated by something  hot, heats [in turn] the part next to it, and this propagates the  affection

continuously onwards until the process has come round to its  oint of origination. This must also happen in the

organ wherein the  exercise of senseperception takes place, since senseperception, as  realized in actual

perceiving, is a mode of qualitative change. This  explains why the affection continues in the sensory organs,

both in  their deeper and in their more superficial parts, not merely while  they are actually engaged in

perceiving, but even after they have  ceased to do so. That they do this, indeed, is obvious in cases  where  we

continue for some time engaged in a particular form of  perception,  for then, when we shift the scene of our

perceptive  activity, the  previous affection remains; for instance, when we have  turned our gaze  from sunlight

into darkness. For the result of this is  that one sees  nothing, owing to the excited by the light still  subsisting in

our  eyes. Also, when we have looked steadily for a  long while at one  colour, e.g. at white or green, that to


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which we  next transfer our  gaze appears to be of the same colour. Again if,  after having looked  at the sun or

some other brilliant object, we  close the eyes, then, if  we watch carefully, it appears in a right  line with the

direction of  vision (whatever this may be), at first  in its own colour; then it  changes to crimson, next to

purple, until  it becomes black and  disappears. And also when persons turn away  from looking at objects in

motion, e.g. rivers, and especially those  which flow very rapidly,  they find that the visual stimulations  still

present themselves, for  the things really at rest are then  seen moving: persons become very  deaf after hearing

loud noises, and  after smelling very strong odours  their power of smelling is impaired;  and similarly in other

cases.  These phenomena manifestly take place in  the way above described. 

That the sensory organs are acutely sensitive to even a slight  qualitative difference [in their objects] is shown

by what happens  in  the case of mirrors; a subject to which, even taking it  independently,  one might devote

close consideration and inquiry. At  the same time it  becomes plain from them that as the eye [in seeing]  is

affected [by  the object seen], so also it produces a certain effect  upon it. If a  woman chances during her

menstrual period to look into a  highly  polished mirror, the surface of it will grow cloudy with a

bloodcoloured haze. It is very hard to remove this stain from a new  mirror, but easier to remove from an

older mirror. As we have said  before, the cause of this lies in the fact that in the act of sight  there occurs not

only a passion in the sense organ acted on by the  polished surface, but the organ, as an agent, also produces

an action,  as is proper to a brilliant object. For sight is the property of an  organ possessing brilliance and

colour. The eyes, therefore, have  their proper action as have other parts of the body. Because it is  natural to

the eye to be filled with bloodvessels, a woman's eyes,  during the period of menstrual flux and

inflammation, will undergo a  change, although her husband will not note this since his seed is of  the same

nature as that of his wife. The surrounding atmosphere,  through which operates the action of sight, and which

surrounds the  mirror also, will undergo a change of the same sort that occurred  shortly before in the woman's

eyes, and hence the surface of the  mirror is likewise affected. And as in the case of a garment, the  cleaner it is

the more quickly it is soiled, so the same holds true in  the case of the mirror. For anything that is clean will

show quite  clearly a stain that it chances to receive, and the cleanest object  shows up even the slightest stain.

A bronze mirror, because of its  shininess, is especially sensitive to any sort of contact (the  movement of the

surrounding air acts upon it like a rubbing or  pressing or wiping); on that account, therefore, what is clean

will  show up clearly the slightest touch on its surface. It is hard to  cleanse smudges off new mirrors because

the stain penetrates deeply  and is suffused to all parts; it penetrates deeply because the  mirror  is not a dense

medium, and is suffused widely because of the  smoothness of the object. On the other hand, in the case of old

mirrors, stains do not remain because they do not penetrate deeply,  but only smudge the surface. 

From this therefore it is plain that stimulatory motion is set up  even by slight differences, and that

senseperception is quick to  respond to it; and further that the organ which perceives colour is  not only

affected by its object, but also reacts upon it. Further  evidence to the same point is afforded by what takes

place in wines,  and in the manufacture of unguents. For both oil, when prepared, and  wine become rapidly

infected by the odours of the things near them;  they not only acquire the odours of the things thrown into or

mixed  with them, but also those of the things which are placed, or which  grow, near the vessels containing

them. 

In order to answer our original question, let us now, therefore,  assume one proposition, which is clear from

what precedes, viz. that  even when the external object of perception has departed, the  impressions it has made

persist, and are themselves objects of  perception: and [let us assume], besides, that we are easily  deceived

respecting the operations of senseperception when we are  excited by  emotions, and different persons

according to their  different emotions;  for example, the coward when excited by fear,  the amorous person by

amorous desire; so that, with but little  resemblance to go upon, the  former thinks he sees his foes

approaching, the latter, that he sees  the object of his desire; and  the more deeply one is under the  influence of

the emotion, the less  similarity is required to give rise  to these illusory impressions.  Thus too, both in fits of

anger, and  also in all states of appetite,  all men become easily deceived, and  more so the more their emotions

are excited. This is the reason too  why persons in the delirium of  fever sometimes think they see animals  on


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their chamber walls, an  illusion arising from the faint resemblance  to animals of the markings  thereon when

put together in patterns; and  this sometimes  corresponds with the emotional states of the sufferers,  in such a

way that, if the latter be not very ill, they know well  enough that it  is an illusion; but if the illness is more

severe they  actually move  according to the appearances. The cause of these  occurrences is that  the faculty in

virtue of which the controlling  sense judges is not  identical with that in virtue of which  presentations come

before the  mind. A proof of this is, that the sun  presents itself as only a  foot in diameter, though often

something  else gainsays the  presentation. Again, when the fingers are crossed,  the one object  [placed between

them] is felt [by the touch] as two;  but yet we deny  that it is two; for sight is more authoritative than  touch.

Yet, if  touch stood alone, we should actually have pronounced  the one object  to be two. The ground of such

false judgements is that  any appearances  whatever present themselves, not only when its object  stimulates a

sense, but also when the sense by itself alone is  stimulated, provided  only it be stimulated in the same manner

as it is  by the object. For  example, to persons sailing past the land seems to  move, when it is  really the eye

that is being moved by something else  [the moving ship.] 

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From this it is manifest that the stimulatory movements based upon  sensory impressions, whether the latter

are derived from external  objects or from causes within the body, present themselves not only  when persons

are awake, but also then, when this affection which is  called sleep has come upon them, with even greater

impressiveness. For  by day, while the senses and the intellect are working together,  they  (i.e. such

movements) are extruded from consciousness or  obscured,  just as a smaller is beside a larger fire, or as small

beside great  pains or pleasures, though, as soon as the latter have  ceased, even  those which are trifling emerge

into notice. But by night  [i.e. in  sleep] owing to the inaction of the particular senses, and  their  powerlessness

to realize themselves, which arises from the  reflux of  the hot from the exterior parts to the interior, they  [i.e.

the above  'movements'] are borne in to the head quarters of  senseperception,  and there display themselves as

the disturbance  (of waking life)  subsides. We must suppose that, like the little  eddies which are being  ever

formed in rivers, so the sensory movements  are each a continuous  process, often remaining like what they

were  when first started, but  often, too, broken into other forms by  collisions with obstacles. This  [last

mentioned point], moreover,  gives the reason why no dreams occur  in sleep immediately after meals,  or to

sleepers who are extremely  young, e.g. to infants. The  internal movement in such cases is  excessive, owing to

the heat  generated from the food. Hence, just as  in a liquid, if one vehemently  disturbs it, sometimes no

reflected  image appears, while at other  times one appears, indeed, but utterly  distorted, so as to seem  quite

unlike its original; while, when once  the motion has ceased, the  reflected images are clear and plain; in  the

same manner during  sleep the phantasms, or residuary movements,  which are based upon  the sensory

impressions, become sometimes quite  obliterated by the  above described motion when too violent; while at

other times the  sights are indeed seen, but confused and weird, and  the dreams  [which then appear] are

unhealthy, like those of persons  who are  atrabilious, or feverish, or intoxicated with wine. For all  such

affections, being spirituous, cause much commotion and  disturbance. In  sanguineous animals, in proportion

as the blood  becomes calm, and as  its purer are separated from its less pure  elements, the fact that the

movement, based on impressions derived  from each of the organs of  sense, is preserved in its integrity,

renders the dreams healthy,  causes a [clear] image to present itself,  and makes the dreamer think,  owing to

the effects borne in from the  organ of sight, that he  actually sees, and owing to those which come  from the

organ of  hearing, that he really hears; and so on with those  also which proceed  from the other sensory organs.

For it is owing to  the fact that the  movement which reaches the primary organ of sense  comes from them,  that

one even when awake believes himself to see, or  hear, or  otherwise perceive; just as it is from a belief that the

organ of  sight is being stimulated, though in reality not so  stimulated, that  we sometimes erroneously declare

ourselves to see, or  that, from the  fact that touch announces two movements, we think that  the one  object is

two. For, as a rule, the governing sense affirms the  report of each particular sense, unless another particular

sense, more  authoritative, makes a contradictory report. In every case an  appearance presents itself, but what

appears does not in every case  seem real, unless when the deciding faculty is inhibited, or does  not  move with


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its proper motion. Moreover, as we said that different  men  are subject to illusions, each according to the

different  emotion  present in him, so it is that the sleeper, owing to sleep, and  to the  movements then going on

in his sensory organs, as well as to  the other  facts of the sensory process, [is liable to illusion], so  that the

dream presentation, though but little like it, appears as  some actual  given thing. For when one is asleep, in

proportion as most  of the  blood sinks inwards to its fountain [the heart], the internal  [sensory] movements,

some potential, others actual accompany it  inwards. They are so related [in general] that, if anything move

the  blood, some one sensory movement will emerge from it, while if this  perishes another will take its place;

while to one another also they  are related in the same way as the artificial frogs in water which  severally rise

[in fixed succesion] to the surface in the order in  which the salt [which keeps them down] becomes dissolved.

The  residuary movements are like these: they are within the soul  potentially, but actualize themselves only

when the impediment to  their doing so has been relaxed; and according as they are thus set  free, they begin to

move in the blood which remains in the sensory  organs, and which is now but scanty, while they possess

verisimilitude  after the manner of cloudshapes, which in their rapid metamorphoses  one compares now to

human beings and a moment afterwards to  centaurs.  Each of them is however, as has been said, the remnant

of  a sensory  impression taken when sense was actualizing itself; and when  this, the  true impression, has

departed, its remnant is still  immanent, and it  is correct to say of it, that though not actually  Koriskos, it is

like  Koriskos. For when the person was actually  perceiving, his controlling  and judging sensory faculty did

not call  it Koriskos, but, prompted by  this [impression], called the genuine  person yonder Koriskos.

Accordingly, this sensory impulse, which, when  actually perceiving, it  [the controlling faculty] describes

(unless  completely inhibited by  the blood), it now [in dreams] when  quasiperceiving, receives from  the

movements persisting in the  senseorgans, and mistakes itan  impulse that is merely like the  true [objective]

impressionfor the  true impression itself, while  the effect of sleep is so great that it  causes this mistake to

pass  unnoticed. Accordingly, just as if a  finger be inserted beneath the  eyeball without being observed, one

object will not only present two  visual images, but will create an  opinion of its being two objects;  while if it

[the finger] be  observed, the presentation will be the  same, but the same opinion will  not be formed of it;

exactly so it  is in states of sleep: if the  sleeper perceives that he is asleep, and  is conscious of the sleeping

state during which the perception comes  before his mind, it presents  itself still, but something within him

speaks to this effect: 'the  image of Koriskos presents itself, but the  real Koriskos is not  present'; for often,

when one is asleep, there is  something in  consciousness which declares that what then presents  itself is but a

dream. If, however, he is not aware of being asleep,  there is nothing  which will contradict the testimony of

the bare  presentation. 

That what we here urge is true, i.e. that there are such  presentative movements in the sensory organs, any one

may convince  himself, if he attends to and tries to remember the affections we  experience when sinking into

slumber or when being awakened. He will  sometimes, in the moment of awakening, surprise the images

which  present themselves to him in sleep, and find that they are really  but  movements lurking in the organs of

sense. And indeed some very  young  persons, if it is dark, though looking with wide open eyes,  see  multitudes

of phantom figures moving before them, so that they  often  cover up their heads in terror. 

From all this, then, the conclusion to be drawn is, that the dream  is a sort of presentation, and, more

particularly, one which occurs in  sleep; since the phantoms just mentioned are not dreams, nor is any  other a

dream which presents itself when the senseperceptions are  in  a state of freedom. Nor is every presentation

which occurs in sleep  necessarily a dream. For in the first place, some persons [when  asleep] actually, in a

certain way, perceive sounds, light, savour,  and contact; feebly, however, and, as it were, remotely. For there

have been cases in which persons while asleep, but with the eyes  partly open, saw faintly in their sleep (as

they supposed) the light  of a lamp, and afterwards, on being awakened, straightway recognized  it as the

actual light of a real lamp; while, in other cases,  persons  who faintly heard the crowing of cocks or the

barking of  dogs  identified these clearly with the real sounds as soon as they  awoke.  Some persons, too, return

answers to questions put to them in  sleep.  For it is quite possible that, of waking or sleeping, while the  one is

present in the ordinary sense, the other also should be present  in a  certain way. But none of these occurrences

should be called a  dream.  Nor should the true thoughts, as distinct from the mere  presentations,  which occur


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in sleep [be called dreams]. The dream  proper is a  presentation based on the movement of sense impressions,

when such  presentation occurs during sleep, taking sleep in the strict  sense of  the term. 

There are cases of persons who in their whole lives have never had  a  dream, while others dream when

considerably advanced in years,  having never dreamed before. The cause of their not having dreams  appears

somewhat like that which operates in the case of infants, and  [that which operates] immediately after meals. It

is intelligible  enough that no dreampresentation should occur to persons whose  natural constitution is such

that in them copious evaporation is borne  upwards, which, when borne back downwards, causes a large

quantity of  motion. But it is not surprising that, as age advances, a dream should  at length appear to them.

Indeed, it is inevitable that, as a change  is wrought in them in proportion to age or emotional experience, this

reversal [from nondreaming to dreaming] should occur also. 

THE END 


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1. Table of Contents, page = 3

2. ON DREAMS, page = 4

   3. by Aristotle, page = 4

   4.  1, page = 4

   5.  2, page = 5

   6.  3, page = 7