Title:   THE CRIME CRYPT

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Author:   Maxwell Grant

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THE CRIME CRYPT

Maxwell Grant



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Table of Contents

THE CRIME CRYPT .........................................................................................................................................1

Maxwell Grant.........................................................................................................................................1

CHAPTER I. A MAN OF MURDER.....................................................................................................1

CHAPTER II. CROOKS OF A KIND....................................................................................................5

CHAPTER III. THE MEETING ..............................................................................................................9

CHAPTER IV. CRIME BREAKS .........................................................................................................13

CHAPTER V. TWO MEN MEET .........................................................................................................17

CHAPTER VI. THE ALIBI ...................................................................................................................20

CHAPTER VII. MOBSTERS MOVE ...................................................................................................24

CHAPTER VIII. WITHIN THE HOUSE ..............................................................................................29

CHAPTER IX. GUNS BARK...............................................................................................................32

CHAPTER X. CRIME AND COUNTERCRIME................................................................................34

CHAPTER XI. THE SHADOW'S PART ..............................................................................................38

CHAPTER XII. THE STOLEN SCROLL............................................................................................41

CHAPTER XIII. THE SHADOW ACTS ..............................................................................................46

CHAPTER XIV. CROOKS SUSPECT .................................................................................................50

CHAPTER XV. AT THE MUSEUM ....................................................................................................54

CHAPTER XVI. THE PILLAGERS .....................................................................................................58

CHAPTER XVII. BRODIE'S MOVE...................................................................................................60

CHAPTER XVIII. DEATH AWAITS..................................................................................................64

CHAPTER XIX. CARDONA'S CLEW................................................................................................66

CHAPTER XX. THE SNARE ...............................................................................................................70

CHAPTER XXI. LIVING AND DEAD ................................................................................................73

CHAPTER XXII. WORDS OF THE SHADOW ..................................................................................76

CHAPTER XXIII. THE SHADOW'S MIGHT.....................................................................................78

CHAPTER XXIV. FROM THE CRYPT..............................................................................................80


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THE CRIME CRYPT

Maxwell Grant

CHAPTER I. A MAN OF MURDER 

CHAPTER II. CROOKS OF A KIND 

CHAPTER III. THE MEETING 

CHAPTER IV. CRIME BREAKS 

CHAPTER V. TWO MEN MEET 

CHAPTER VI. THE ALIBI 

CHAPTER VII. MOBSTERS MOVE 

CHAPTER VIII. WITHIN THE HOUSE 

CHAPTER IX. GUNS BARK 

CHAPTER X. CRIME AND COUNTERCRIME 

CHAPTER XI. THE SHADOW'S PART 

CHAPTER XII. THE STOLEN SCROLL 

CHAPTER XIII. THE SHADOW ACTS 

CHAPTER XIV. CROOKS SUSPECT 

CHAPTER XV. AT THE MUSEUM 

CHAPTER XVI. THE PILLAGERS 

CHAPTER XVII. BRODIE'S MOVE 

CHAPTER XVIII. DEATH AWAITS 

CHAPTER XIX. CARDONA'S CLEW 

CHAPTER XX. THE SNARE 

CHAPTER XXI. LIVING AND DEAD 

CHAPTER XXII. WORDS OF THE SHADOW 

CHAPTER XXIII. THE SHADOW'S MIGHT 

CHAPTER XXIV. FROM THE CRYPT  

CHAPTER I. A MAN OF MURDER

THE glare of a Manhattan evening flushed Times Square. Standing  amid the brilliant illumination of the

Rialto, a young man surveyed the  bright lights as though they were a sight that he had long forgotten. 

Lost among the myriads who strolled this dense district, the young  man remained unnoticed by those who

passed him. Yet there was something  in his bearing that would have attracted attention had people paused to

look at him. His suave, mustached face; his shrewd, roving eyes; these  were tokens of a clever schemer  a

man whose mind was trained to think  in crime. 

The young man noted a huge clock dial that glittered from the far  side of Broadway. It told the time as twenty

minutes after eight. The  observer shrugged his shoulders, strolled leisurely along the street  and hailed a

taxicab. He gave the driver an uptown address. 

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Twenty minutes later, the cab stopped in front of an old brownstone  house. The young man alighted and paid

the driver. He ascended the  steps and rang the bell. A solemnfaced servant opened the door. The  menial

stepped back and bowed as the young man entered. 

"Good evening, Mr. Havelock," said the servant. "Your uncle is  awaiting your arrival. His attorney is here,

sir." 

"Very well, Calhoun," responded the young man. "I shall join them.  Are they in the living room?" 

"Yes, sir." 

The young man crossed the hall, opened a door and entered a lighted  room. Two grayhaired men looked up

as he came in. One  a stooped  shouldered old fellow  arose to greet the visitor. 

"Ah, Martin!" he exclaimed. "We have been awaiting you. This is  Jason Thunig, my attorney"  he was

indicating the other grayhaired  man as he spoke  "and this, Jason, is my nephew, Martin Havelock." 

JASON THUNIG arose to shake hands with Martin Havelock. To the  lawyer, the young man appeared clean

cut. He liked the friendly smile  that Havelock wore. All traces of the schemer had faded from the young

man's visage during the cab ride from Times Square. 

"Martin Havelock!" remarked Thunig. "Back in New York, after all  these years. Cecil Armsbury's nephew 

in the flesh. You are to be  congratulated, Cecil"  Thunig turned to the stoopshouldered man  "on  having

so fine a young man as your one surviving relative." 

"Martin and I have become friends already," asserted Cecil  Armsbury, as he took a chair and waved the

others to seats. "I was  greatly pleased when he arrived from Mexico, two days ago. I have seen  him but

occasionally, however"  old Armsbury was smiling  "because  the lights of Broadway have lured him

downtown each evening." 

"New York interests me," admitted Martin Havelock. "I haven't seen  the old town in a good many years. It is

quite a change from Mexico.  However, Uncle Cecil, I remembered my appointment. Here I am." 

The three men settled back in their chairs. Armsbury and Thunig  were smoking cigars. Martin Havelock

lighted a cigarette and puffed it  idly while he surveyed the faces of his uncle and the attorney. 

"Your arrival, Martin," remarked old Cecil Armsbury, "has proven a  most fortunate one. I have recently put

my affairs in order; and Jason  Thunig has come up to discuss all the matters which concern my estate." 

"Not a very complex task," declared Thunig, with a smile. "This  home  your holdings in stocks and bonds 

those constitute your entire  fortune, Cecil." 

"The value?" 

"Between thirty and forty thousand dollars." 

"Perhaps a trifle more," remarked Armsbury. "The few curios which I  still possess may bring fair value. Ah!"

The old man shook his head  sadly. "The treasures which I once owned! I was forced to sell them,  Martin, to

finance the many excursions which I made throughout the  world." 


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"You were always a spender, Cecil," agreed Jason Thunig.  "Nevertheless, you have managed to retain a tidy

sum of wealth. Your  estate is a wellarranged one. The securities are sound. This property  has held its value." 

"You are heir to it all, Martin," said Armsbury, smiling in kindly  fashion as he turned toward his nephew.

"You  my one living relative." 

"I appreciate it, Uncle Cecil," declared Havelock, in a voice which  echoed the old man's friendly tone. "My

one hope, however, is that my  inheritance shall be long delayed. In fact, uncle, chance might make  you my

heir. All of my Mexican mining properties are willed to you.  They are worth many thousands  those mines

in Hidalgo." 

"The old usually die before the young, Martin." 

"Perhaps. My father died young  my mother also. However, uncle, my  purpose here is to enjoy a visit with

you. I shall stay as long as  possible; after that, back to Mexico. My interests are too extensive to  neglect." 

"You are wise, Martin," nodded Jason Thunig, sagely. "It is  excellent to know that you have done so well. A

stranger in a foreign  land, you met with great success. Commendable, Martin. Commendable!" 

THE door of the living room opened as Thunig ceased speaking. It  was Calhoun who entered. The old

servant was carrying a tray which bore  a glass of water and a bottle of large white tablets. The three men

watched him set the tray upon a table. Solemnly, Calhoun opened the  bottle and poured out three tablets

which he dropped into the glass of  water. 

"Your medicine, sir," he said, turning to Cecil Armsbury. "About  this evening, sir  do you require me

further?" 

"No, Calhoun," returned Armsbury. "You may go." 

The servant stalked from the room. Cecil Armsbury settled back to  puff at his cigar. His voice took on a

reflective tone. 

"Years have gone rapidly," he declared. "I have traveled far and  often. To many strange lands. Those days of

journeying are ended. I am  growing old. My medicine! Bah!" 

The old man scowled as he stretched forward a clawed hand and  picked up the glass. The tablets had

dissolved while he was speaking.  The water appeared almost as clear as before. 

"Every night," mused Armsbury. "Three tablets in a glass of water.  A stimulus for my weakening heart. I

wonder why Calhoun did not put in  the tablets before he brought the glass in here. He usually does so."  The

old man paused and frowned speculatively. "Calhoun is sometimes  absentminded. If he put three tablets in

before he entered  and three  here  that would be a double dose." 

"Would it be serious?" questioned Thunig, anxiously. 

"Probably fatal." Armsbury laughed at Thunig's expression of alarm.  "But do not worry. I can rely upon

Calhoun." 

"Perhaps it would be best to prepare another glass " 


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"Foolishness, Jason," scoffed Armsbury. "If I worried over every  possibility of error that might mean my life,

I should live a  burdensome existence. No, no. I have escaped death at the hands of wild  African savages. I

have eluded wellaimed Tartar arrows. I passed  through the Boxer uprising in China. Folly, Jason, to think

that a  servant's error could possibly end my adventurous career! After these  tablets have thoroughly

dissolved, I shall take this medicine as is." 

With a quiet laugh, old Armsbury placed the glass upon the table.  Thunig eyed it anxiously; then puffed at his

cigar. Martin Havelock,  idly lighting another cigarette, showed little interest in the trend of  conversation. 

"Do you wish these statements, Cecil?" questioned Jason Thunig,  extending an envelope as he spoke to

Armsbury. 

"No, indeed, Jason," returned the old man. "You are my attorney.  Keep them." 

"Very well." Thunig rose. "I must leave you, Cecil  and you,  Martin. I am expected downtown before half

past ten." 

Armsbury and his nephew arose. The old man conducted the lawyer to  the door and Martin Havelock

followed. The nephew watched while his  uncle showed Thunig to the front door. Calhoun had evidently gone

out. 

Cecil Armsbury returned to find Martin Havelock standing just  within the doorway of the living room. The

old man clapped his nephew  on the shoulder. 

"Wait here, Martin," he suggested. "I have some papers that I wish  to give you. They will interest you. I must

go upstairs to obtain  them." Armsbury's eyes noted the glass upon the table. "I can take my  medicine when I

return. I shall not be gone more than ten minutes." 

The old man turned and walked from the room. Martin Havelock's lips  became suave as his ears heard the

fading footsteps. The young man's  face had resumed its shrewd expression. From an idler, Martin Havelock

had become a schemer. Again, he was that keen, sharpvisaged individual  who had stood in the light of New

York's Rialto. 

WITH long, stealthy strides, Martin Havelock crossed the living  room. His eyes were fiendish as they gazed

upon the bottle of white  tablets. His hands were steady as they uncorked the bottle and removed  three of the

large white pills. One by one, the treacherous nephew  dropped the tablets into the glass. Then, as an

afterthought, he added  a fourth and finally a fifth. 

Twisted, leering lips showed him to be a man who contemplated  murder. Carefully, Martin Havelock corked

the bottle. He placed it  beside the glass. He noted that it still contained many pills. The fact  that more had

been added to the tumbler of medicine would not be  recognized. 

Three might have been sufficient. Five was better. Dissolved pills  could not be counted. Calhoun would be to

blame for this; and Jason  Thunig, Cecil Armsbury's attorney, would be a testifier to the fact  that the servant

must have erred. 

Martin Havelock's smile was evil. The young man watched the tablets  rapidly dissolve. The water was

clearing almost to its original color.  Murder was in the making  murder that would be classed as accident. 

Still standing by the table, Martin Havelock drew a cigarette from  his pocket. He placed it between his evil

lips. His expression began to  change, turning mild for the part that he was to play upon his uncle's  return. 


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Then came a sudden rigidity. Martin Havelock's changing appearance  froze. His face, half fiendish, half

friendly, was caught in the midst  of its transformation. A chuckle from the doorway. Instinctively,  Havelock

wheeled. 

With staring eyes, the young man gazed into the muzzle of a  glistening revolver. The gun was in the hand of

Cecil Armsbury. The  stoopshouldered old man, his lips spread in a gloating grin, had  returned with stealthy

tread. 

Cecil Armsbury had trapped his treacherous nephew in the act of  preparing certain murder! 

CHAPTER II. CROOKS OF A KIND

MARTIN HAVELOCK made no move as he stared into the muzzle of his  uncle's gun. The young man knew

that he was caught; and in the face  beyond that revolver, he saw no mercy. Cecil Armsbury, like his nephew,

had undergone a change. The placid face of the old man had become the  countenance of a fiend. 

Again the chuckle. Havelock paled. He thought that he had  previously deceived his uncle. Now he knew that

he was the one who had  been fooled. There was something monstrous in Armsbury's evil gloat. 

"Sit down." 

The command was accompanied by a gesture of the revolver. Martin  Havelock obeyed. Cecil Armsbury

pocketed his revolver, taking it for  granted that his nephew was unarmed. The old man strode across the

room, showing unusual agility in his paces. With a cackling laugh, he  picked up the glass of medicine and

drank it at a single draught. He  set down the glass with a thump. 

"Harmless," he chuckled. "White tablets of sugar. A little bit of  byplay performed by Calhoun at my order.

It deceived you  as I  expected. Well  what do you have to say, Martin?" 

"Nothing very much," returned the nephew, in a tone which showed a  resumption of his indifferent attitude.

"I suppose this changes the  will. That's all." 

"The law can deal with you." 

"Hardly. You have drunk the evidence." 

"A clever thought." The old man chuckled. "Well, Martin, I have put  you to the test. You played for thirty

thousand dollars  perhaps forty   and you lost." 

Martin Havelock merely smiled sourly and shrugged his shoulders. He  did not feel concerned by his uncle's

malicious glare. Cecil Armsbury  laughed. 

"Thirty thousand. Quite a loss, Martin. Not much to a man who owns  large interests in Hidalgo silver mines,

perhaps. But to a man who  merely pretends to own such wealth " 

Martin Havelock stared at his uncle; paused. The old man drew a  large envelope from his pocket. 

"This contains the documents that I promised to show you," he  declared. "I had them in my pocket all the

while. They contain proof  that Martin Havelock owns no mining interests in Mexico. They prove,  moreover,

that Martin Havelock has not been living in Mexico. They tell  a great deal, in addition, regarding the affairs


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of a certain  international crook who is known as Duke Larrin " 

With a furious cry of interruption, Martin Havelock was on his  feet. His spring toward Cecil Armsbury was

stopped only by the old  man's quick action. Like a flash, Armsbury brought out his revolver and  pointed it at

his leaping nephew. Havelock halted six feet from the old  man's chair. 

CECIL ARMSBURY cackled. He seemed to enjoy this turn of affairs.  Martin Havelock, seeing the threat in

his uncle's eyes, retreated to  his chair. 

"Duke Larrin," announced Cecil Armsbury. "That is the name you have  been using. You are Duke Larrin 

smooth crook who has worked in Paris,  Berlin, Vienna, along the Riviera. 

"Like most men who have turned to crime, you have spent all that  you have made. Europe is no longer open

to you. But you remembered that  your old self  Martin Havelock  had an uncle. You thought that you

might be my heir. You came to find out. 

"Thirty thousand dollars! Bah! A paltry sum for a crook like Duke  Larrin. I lost my respect for you when I

saw you, as a vulture,  hovering by to wait for me to die. That is why I put you to the test   to see if you

would deal in murder." 

Martin Havelock stared as he heard these words. A new expression  had appeared upon his uncle's face  a

look that showed a strange  approval. Before the young man could voice a question, Cecil Armsbury  spoke

again. 

"You were my heir," declared the old man. "Thirty thousand dollars  would some day have been yours  had

you balked at the chance to murder  me and lay the blame on someone else. 

"But you made good in the test. You showed that murder was in your  category of crime. You are my heir no

longer, Martin. You will be my  partner  an equal sharer in a sum that will exceed a million dollars!" 

Armsbury's face was gleaming. Martin Havelock wondered if his uncle  had gone insane. The cunning look on

the old man's face might be that  of a maniac; on the contrary, it showed amazing craft. 

"To kill me, Martin," resumed the old man, with a cackle, "would be  folly. Your crime would rest upon you.

Whatever you might reap would be  lost. There are reasons. But to become my partner  ah, there lies

opportunity. 

"I have been awaiting your arrival from Mexico ever since I gained  this information." The old man tapped his

envelope with his revolver.  "For I had need of a partner of Duke Larrin's caliber. I merely  required a test of

your nerve." 

With a gesture of new friendship, the old man placed both revolver  and envelope upon the table. Each had

been a threat  one of death; the  other of exposure. Martin Havelock, however, ignored them. His uncle

smiled approvingly. 

"You are with me, Martin," he stated. 

"For half a million?" The young man laughed. "Sure thing. How did  you find out that I was Duke Larrin?" 

"A friend who went to Mexico discovered that you were not living  there. I thought, perhaps, that crime was in

your blood. The friend  learned that you had been in three European capitals. Through another  man, I checked


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what was known about the famous international crook,  Duke Larrin. I learned sufficient to identify him as

you." 

"I quit the Duke Larrin stuff for a while." 

"Because you knew it was becoming unsafe." 

"Yes. I landed back in Mexico  my hideout  nearly broke. That's  why I " 

"Why you came here. It was clever of you. A wise step, Martin. It  has paved the way to wealth for both of

us." 

"Through theft?" 

"Yes. Murder, also." 

"What is our game?" 

"To acquire objects," smiled Armsbury, "that are worth nothing." 

HAVELOCK stared. Again he felt the impression that his old uncle  had lost his mind. Armsbury saw the

look and chuckled. 

"Articles worth nothing," repeated the old man. "That is why they  must be gained. You may think that you

are clever, Martin. You cannot  match your uncle. I have left a trail of strange swindles in my path.  Once it is

covered, our way is clear to tremendous gain. Theft and  murder are required." 

The old man arose with surprising agility  a further proof that  his presumed illness had been a pretense. He

crossed the living room  and locked the door. Striding to the far wall, he reached into the huge  fireplace and

pressed a hidden switch. 

Martin Havelock stared as he saw the rear of the fireplace slide  upward like a panel. The space revealed was

of considerable size.  Stooping, the old man entered. He turned and beckoned. Havelock joined  him.

Armsbury pressed another switch. The floor of the fireplace  descended like an elevator, into blackness. 

Then came light  a dim glow that showed a small vaulted room. An  iron door lay beyond. Armsbury led the

way. He pressed at the side of  the door. It slid away and showed a crypt beyond. 

Into this larger chamber went uncle and nephew. Their footsteps  awoke hollow echoes in the dim crypt. 

Each wall had a door. Cecil Armsbury opened the farther one. His  nephew gasped at the sight of gleaming

objects that flashed even in  this dull light. Golden Buddhas with glittering emerald eyes; strange  scrolls of

yellow metal; these were samples of the treasure that lay  revealed. 

"STOLEN goods," chuckled Cecil Armsbury. "Spoils from Chinese  palaces; from Hindu temples; from

Persian mosques. Some are worth much  because of the precious metal and jewels which they contain. Others

have value because of their rarity. The time has arrived, Martin, to  turn the contents of this crypt into cash.

But before we can do so, we  must steal  and slay!" 

"Why?" 


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"Because of my past!" Armsbury gripped his nephew by the arm and  spoke in a cackle that was harsh within

the confines of the crypt. "I  have sold treasures in the past. I have gained fame as a discoverer of  unknown

relics. But in my dealings with men who had wealth to spend, I  used cunning methods. 

"I sold them fakes! The jeweled Vishnu from Hyderabad"  the old  man paused to raise one finger  "was the

first. The golden panel from  the Temple of Heaven in the Forbidden City. That was the second. The  sacred

scroll from Kaaba, in Mecca"  Armsbury was chuckling  "was the  third. Last of all, the collection of

antiquities which I sold to the  Egyptian Museum. 

"All are impositions. I manufactured those supposed treasures. I  gained large sums through their sale. I kept

my real treasures for  myself. Now, however, I am faced with exposure. Should my swindles be  discovered,

all would be lost. My reputation would be ended." 

The old man paused in solemn fashion. Martin Havelock nodded with  understanding. 

"You mean," declared the nephew, "that your first step must be the  regaining of the fraudulent items that you

have placed in other hands." 

"Exactly," stated Armsbury. "More than that: the fake treasures  must be destroyed and their owners

eliminated. Theft and murder must  come from someone other than myself. The first three items that I have

named are owned by individuals. Those men must die when their treasures  are taken. 

"The antiquities in the museum can be regained last of all. No one  need die when they are stolen; but there,

Martin, we can play a double  game. With the fake items, we can also steal real treasure  objects of  fabulous

wealth  which are in the Egyptian Museum along with the fake  antiquities. The trail will be ended. The road

to millions will be  ours!" 

Martin Havelock was sober. His uncle watched him narrowly, as  though divining the young man's thoughts.

A smile flickered on Cecil  Armsbury's face even before the nephew spoke. 

"Suspicion," declared Havelock, "is to be kept from you. Yet I  as  your nephew " 

"Cannot commit the crimes," interposed Armsbury, with a cunning  grin. "But as Duke Larrin, the

international crook, you have every  opportunity. Your task will be to form a band of clever workers. This

crypt will be your headquarters. Here, as the leader, you can give your  orders and send the henchmen forth

upon their work!" 

STRIDING across the crypt, Cecil Armsbury opened a door at the  side. He pointed to a darkened corridor

which formed a long tunnel  leading from the crypt. 

"This will be the mode of entrance," declared the old man. "The  shaft to my living room will remain

unknown to your band. I shall not  appear. You will live quietly in my home, as my nephew, Martin

Havelock. 

"But as Duke Larrin, crook supreme, it will be your part to launch  crime so baffling that no one in all New

York can ever suspect its  source!" 

Chuckling, Cecil Armsbury faced his nephew in the crypt. A leering  smile appeared upon Martin Havelock's

lips. Uncle and nephew  both  were crooks of a kind. They saw alike. The time had come to act. 


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Amazing, baffling crime was in the making; its font was to be this  hidden crypt where only men of evil could

assemble. Cecil Armsbury had  found the man he needed. Lives were at stake and the schemes of these

potential murderers were buried as deeply as the crypt itself! 

CHAPTER III. THE MEETING

DAYS had passed since Cecil Armsbury and his nephew had formed  their plot of crime. New night had come

to Manhattan. The metropolis  was again aglow. 

There was one spot, however, that no illumination reached. This was  a room in which pitchdarkness

reigned, irrespective of day or night.  Somber silence marked the strange abode, until a slight swishing

sounded faintly through the gloom. 

Something clicked. The rays of a bluish light appeared in the  corner of the room. The flickering glare was

focused upon the surface  of a polished table. Beneath that glow appeared two long white hands.  From a

finger of the left sparkled a brilliant gem, that displayed a  range of mystic, everchanging hues. 

The Shadow was in his sanctum. Those hands were his. The flashing  gem  a priceless girasol  was the

emblem of this master being who  balked all men of crime. An unseen visitant to a lost abode, The Shadow

was studying reports that concerned the underworld. 

All crookdom knew of the existence of The Shadow. In the badlands,  the very name of this weird creature

was pronounced with awe. Time and  again, the mysterious figure of The Shadow had arrived to foil the  plans

of master criminals. 

A being clad in black  a fighter whose mighty automatics blazed a  trail of death to skulking fiends  such

was The Shadow. Those who  recognized his existence knew that The Shadow held the balance between

crime and order. When evil threatened to gain power over right, it was  The Shadow who could turn the tide. 

Long white hands were opening envelopes. Report sheets and  clippings fluttered to the table. These were

from The Shadow's agents   faithful workers who aided their master in keeping tabs on the pulse  beats of

crime. 

Strange hands  those of The Shadow! When the mighty fighter fared  forth, his hands were gloved in black,

in keeping with the spectral  attire that clothed him from head to foot. Crooks who had met him had  never

seen the hands themselves. Long white fingers and the sparkling  girasol were tokens of recognition that none

had ever gained. 

Coded report sheets glistened with bluish ink. The Shadow read the  word that his agents had reported. The

writing faded in uncanny  fashion. Such was the way with all messages between The Shadow and his  agents. 

THE SHADOW'S right hand brought forth a pen. Upon a sheet of white  paper it inscribed a name that

remained in liquid ink of blue. 

"Duke" Larrin! 

This was the name that The Shadow had written. From two of his  agents, he had learned that the famous

international crook was in New  York. Yet neither informant had picked up Duke Larrin's trail. 

Cliff Marsland, The Shadow's agent who played the part of a  gangster in the underworld, had heard


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whisperings that Duke Larrin had  come to the badlands. No descriptions of the man had been given; it was

merely rumored that he was somewhere in Manhattan. 

Clyde Burke, reporter on the New York Classic, had gained the same  information. Clyde was in touch with

Joe Cardona, ace detective at  Manhattan headquarters. Through stool pigeons, Cardona had heard the  rumors

of Duke Larrin's presence in New York. The ace sleuth was  looking for the international crook. 

So far, nothing tangible had been learned. The Shadow divined the  answer. If crime happened to be in the

making, Duke Larrin would be  forming secret contacts. With whom? That was the question to be  considered. 

Black gloves slipped over the longfingered hands. The light  clicked out. A soft laugh sounded in the gloom.

The swishing of a  cloak; then silence. 

The Shadow had fared forth. His destination was the underworld.  There he would seek the undiscovered

connection between Duke Larrin and  men of the badlands. 

AT the precise time when The Shadow was departing from his sanctum,  a man was strolling along an uptown

Manhattan street. The walker paused  to study the entrance of an old apartment hotel. He saw the name above

the doorway: 

RIDGELOW COURT 

With a hasty glance up and down the street, the man entered the  doorway of the building. He went through a

deserted lobby until he  reached the obscure stairway. Another glance came from his dark eyes;  his crafty,

heavybrowed features showed a cunning scowl. The man moved  to the stairway. Instead of going up, he

took the downward steps. 

No one had seen this visitor arrive. His identity would not have  been suspected, even if he had been observed

in the lobby of Ridgelow  Court. But in certain sections of Manhattan  particularly where  gangsters were

wont to meet  this darkbrowed man would have been  promptly recognized. He was "Brodie" Brodan, a

gang leader who had  ostensibly retired from the business. 

Reaching the basement of the old hotel, Brodan passed the entrance  to a furnace room and continued on until

he reached the rear wall of  the cellar. He drew a key from his pocket and unlocked a door. He took  a flight of

steps that went down to the littleused subbasement. 

All was dark below. Brodie's flashlight flickered in the darkness.  The illumination showed the doors of old

storage rooms. Brodie picked  one and unlocked it. He closed it behind him and pushed his way past  stacks of

furniture until he reached the rear wall. He stopped in front  of a wooden wall that had apparently been erected

to offset the  dampness from the stone in back of it. 

Brodie's flashlight showed a projecting nailhead. The gang leader  pressed it, like a button. The nail came

back. Brodie waited. A slight  clicking sounded. Brodie pressed upward. A portion of the woodwork  rose.

Brodie went through the opening. He used his flashlight to find  his way along a narrow corridor. The wooden

barrier slipped down after  he had entered. 

The passage was more than a hundred feet in length. It terminated  in a metal door. Brodie Brodan stopped at

the barrier and gave four  short raps. The door slid aside. The gang leader's flashlight clicked  off. 

Brodie Brodan stepped into a dimly lighted chamber. A strange room   vaulted  with doors on every side.

Deep in the earth, this crypt had  been reached through the cleverly concealed opening into the old  storeroom


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of Ridgelow Court. 

The iron door clicked shut after Brodie Brodan had entered.  Quizzically, the gang leader surveyed three men

who were seated on  stools within the crypt. 

THE darkbrowed arrival knew them all. One  a smoothshaven,  languorous fellow  was "Fingers"

Keefel. A safecracker of remarkable  skill, Fingers specialized in artistic crime. He was a crook who looked

for big jobs when he needed them. 

The second, a tall man with firmset jaw and cold, evil eyes, was  "Croaker" Mannick. With Croaker, murder

was a pastime; yet this  dangerous criminal was wary in his ways. He killed when people paid the  price and

each scratch on his .38 represented the life of some big shot  whom Croaker had assassinated at another's

order. 

The police had never pinned a murder on Croaker Mannick. The  underworld, however, knew his ability.

Brodie Brodan, cagey gang  leader, felt that he was in select company with Fingers Keefel and  Croaker

Mannick. 

Yet it was the central figure of the group  the third man of the  trio  toward whom Brodie finally looked. He

saw a young man of good  appearance, whose face wore the faint flicker of an evil, satisfied  leer. This was the

leader of the four; the man who had summoned  Fingers, Croaker and Brodie to the secret crypt of crime.

Brodie Brodan  was gazing at the international crook, Duke Larrin. 

Cecil Armsbury's nephew opened the proceedings. He looked from man  to man; then spoke in a firm, harsh

tone that marked him as a man who  accepted leadership. 

"We're all here," he announced. "I've picked the three of you  because you are the men I want. You know the

terms. They're the same to  all. Ten grand apiece." 

The other men nodded to show their satisfaction. 

"Three jobs for two of you," resumed Duke Larrin. "Fingers gets the  swag. Croaker does the bumping. Keep

apart. You'll never see each other  except when you do the jobs. You've got your instructions. You know the

exact times and places. 

"Each of you will be washed up after the third job. We'll work  fast, because the fifteenth of the month is the

deadline. That's the  time you're each due back here. The payoff comes on the fifteenth   and if all goes

right, there'll be more than the ten grand each." 

Fingers and Croaker grinned. They felt that their parts were set.  Duke Larrin turned to Brodie Brodan. 

"Fingers has his job," declared the international crook. "So has  Croaker. You're the coverup man. You have

your instructions; wherever  Fingers and Croaker hit, you be there with your mob. 

"These two fellows will have to make clean getaways. We want it to  look as though the mob did the trick.

That's your job, Brodie." 

"Leave it to me," agreed the darkbrowed gang leader. 

"There's a fourth job scheduled," added Larrin. "It will come on  the fifteenth. We'll need a picked crew for it

and it's up to you to  get them, Brodie. 


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"None of your regular mob are to be in that crew. Get your special  crowd in advance. Have them laying low

doing nothing  until you call  them on the fifteenth. They can show up where they're due  and they  can

pull the job like clockwork. After that, they're through. They can  scram out of town, with one grand each for

their work." 

DUKE LARRIN arose. From his pocket, he drew three typewritten  lists. He handed one to each of the

crooks. They were detailed  instruction sheets. Each read his part. Grins appeared upon satisfied  faces. 

"Got it all?" questioned Larrin, after the men had finished their  reading by the dim light of the crypt. 

Nods were the replies. Duke Larrin gathered in the lists. He tore  them into fragments and dropped the pieces

in a small antique urn that  rested on the floor. He applied a match. The flame of the burning paper  showed the

harsh scowl on his face. 

"You are the three whom I have chosen," declared Larrin, "because  you accepted my indefinite terms. There

were others whom I considered.  They were rejected when they wanted to know more before the secret

meeting. I told them  as I told you  that I could consider no  conditions. 

"Each of you agreed to follow my instructions. That is why I gave  each of you a key that would enable you to

reach this crypt. It is  known, perhaps, that Duke Larrin is in New York; but with this crypt as  my

headquarters no one can find me. I have planned my crimes so that  all investigators will be baffled." 

Shrewdly, Duke Larrin eyed his trio of subordinates. He noticed  sober glances on their faces. Duke Larrin

smiled. 

"I said all investigators," he repeated. "I know what you are  thinking. You are wondering if I have included

one of whom we all have  heard  The Shadow. 

"Yes. The Shadow is included. Perhaps you think that I  underestimate his power. You are wrong. I have

heard of The Shadow in  cities other than New York. He has been in Paris, London, Berlin,  Moscow, Madrid

yes, and in Rome. He has struck at crime in all those  capitals; and he has vanished as quickly as he has

arrived. 

"New York, they say, is where The Shadow makes his headquarters.  The chances are that he is in this city at

present." Duke paused; then  smiled as he noted anxious looks on the faces of his companions. "Let  The

Shadow be here. He can never fathom the secret of this buried  crypt. Each of you has dealt in crime. None of

you have met The Shadow. 

"Our plans are perfect. The police will cut no figure. While The  Shadow is on the trail of one job, the next

will be under way. Three in  swift succession; then the fourth, in which none of you will be  actively

concerned. 

"The Shadow will be thwarted. In all his fighting against crime, he  has never crossed Duke Larrin's path.

Even though he may know that I am  in New York, he will never find me nor my crypt." 

The voice of Cecil Armsbury's nephew rang with confidence. It  brought nods from the men whom he had

chosen as his aids. 

Crossing the crypt, Duke Larrin opened the door to the long  passage. One by one, the chosen crooks left, each

shaking hands with  his chief. When the last of the three had gone, Duke closed the  barrier. 


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The leering look faded from the shrewd crook's lips. Duke Larrin's  face assumed the quiet manner which

characterized Martin Havelock. 

Crime had been launched from the crypt. Martin Havelock  otherwise  Duke Larrin  had no qualms. He was

sure that even The Shadow would  fail to thwart his schemes. 

Turning, the young man opened the barrier that led to the secret  elevator in Cecil Armsbury's fireplace. He

entered the lift and rode  upward through darkness until he reached the light of Armsbury's living  room. 

As he stepped from the fireplace, Martin Havelock heard his uncle's  chuckle. With shrewd eyes, old Cecil

Armsbury had spied his nephew's  face. That one glance told the old man that the meeting had served its

intended purpose. 

Men of evil had sallied from the crime crypt. When they met again,  successful deeds of lawlessness would lie

behind them. 

CHAPTER IV. CRIME BREAKS

"A GENTLEMAN to see you, sir." 

Perry Trappe looked up as he heard the servant's words. There was a  puzzled expression on his face. Perry

Trappe was a man who seldom  received visitors. Here, in the living room of his secluded apartment,  he was

wont to spend his time alone. 

"Who is it?" he questioned. 

"Here is his card, sir," replied the servant. 

Trappe took the card. It bore an odd name. The inscription beneath  was the portion that awakened his

interest: 

DARWIN BASIB 

CURIO DEALER 

"Where is the man?" questioned Trappe. "In the anteroom?" 

"Yes, sir." 

"Show him in. I shall talk with him." 

The servant departed and returned shortly afterward, followed by  the visitor. Perry Trappe waved the arrival

to a chair. The servant  left as the two men were studying one another. 

Perry Trappe had expected a human oddity, for he was familiar with  curio dealers, especially those who had

foreign names. Darwin Basib,  however, was not at all the type that he had anticipated. The man was  tall,

smooth of features and languorous in expression. His dark hair  was glistening in slickness. 

The man who had introduced himself as Darwin Basib, curio dealer,  was none other than Fingers Keefel. 


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The false curio dealer was studying Perry Trappe. Fingers had  expected to find an elderly man, for he knew

that Trappe was a  collector who lived alone. Instead, he noted that Trappe was of middle  age and a brusque,

businesslike fellow. Stocky, fullfaced and of  somewhat challenging eye, Trappe looked like a test for the

subtle  strategy of Fingers Keefel. 

"A curio dealer, eh?" questioned Trappe. "What have you to offer?" 

"I am not selling curios," responded Fingers, in an indifferent  tone. "I am buying them." 

"None of mine are for sale," snapped Trappe. "What I collect, I  keep." 

"I understand that you are wealthy," declared Fingers. "That is why  I have come to see you. Most of my

purchases are made from wealthy men.  I have done some rather odd buying, Mr. Trappe." 

"Of what sort?" 

"Of all sorts. Always at the same price which the purchasers  originally paid  and my offers have been

accepted very quickly." 

Perry Trappe appeared puzzled. This smoothspeaking individual had  him guessing. He noted a shrewd look

in his visitor's eye. The  explanation followed. 

"The curios that I buy," declared Fingers Keefel, in a cautious  tone, "are the ones which have been unloaded

on their present owners.  In other words, Mr. Trappe, I show people a way out  after they have  been

swindled." 

"You mean"  Trappe's voice was incredulous  "that you pay money  for stuff that is worth nothing?" 

"Exactly," said Fingers, with a smile. 

PERRY TRAPPE was on his feet. With arms akimbo, he was studying his  visitor, wondering if the man

could possess his proper senses. Leaning  back in his chair, Fingers Keefel laughed. 

"Here is my system, Mr. Trappe," he explained. "Suppose a swindler  should try to sell you a fake curio.

Suppose he found you biting. What  would be his natural action?" 

"To meet my price," returned Trappe, promptly. 

"That's right," declared Fingers. "He would let you have a thousand  dollar item for less than five hundred.

Why? Because he would be  selling something without being able to guarantee its genuineness. 

"Suppose that you learn your curio is a fake. You would be tickled  to sell it to me for five hundred dollars

and give me a certificate  that I had made the purchase. Am I correct?" 

"Certainly," agreed Trappe. 

"All right," resumed Fingers. "I take the curio and the  certificate. I go to another collector. I ask the full price

of one  thousand dollars. I have what appears to be a guarantee of its  genuineness  the proof that I bought it

from you, a recognized  collector. You get rid of a fake without a loss; I make the profit that  I want." 


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Perry Trappe rubbed his chin thoughtfully. He saw the game. It was  crooked; yet attractive. Fingers Keefel

smiled as he saw the trend of  the collector's mind. 

"There's no comeback," remarked the fake curio dealer. "My sales  appear so bona fide that they are never

questioned. You cannot be held  responsible after the item has left your hands." 

"I agree," declared Trappe. "The only point is that my collection  of rare curios contains no fakes." 

"You are sure?" 

Trappe was startled by the suddenness of his visitor's question.  Though he nodded his head, the collector

seemed a bit perturbed. 

"I should like to see your collection," purred Fingers. "I can pick  out fakes where others can't. I'm an expert in

that line, Mr. Trappe." 

"So I infer," stated Trappe, dryly. He drew a big key from his  pocket. "Come along. I'll show you the curio

room." 

FINGERS KEEFEL followed as Trappe led the way to the rear of the  living room. The crook coughed

slightly as they neared the far door.  Trappe entered a hallway and turned to the right. He reached a door at  the

end of the passage and unlocked it. He and Fingers stepped into a  room that looked liked a small museum. 

Tapestries hung from the walls. A suit of armor stood in one  corner. Glass cases were filled with objects that

varied from ancient  coins to earthen jars. Fingers Keefel surveyed the medley. 

"Is this all?" he questioned. 

"Yes," replied Trappe. 

Fingers strolled across the room, to the only wall that had no  windows. He calmly lifted a tapestry and

revealed a door that bore a  huge lock. 

"Another room, eh?" he questioned, suavely. 

"Drop that tapestry!" roared Perry Trappe. "This is outrageous! You  act as though you owned this place!" 

"Perhaps I do," returned Fingers, with a grin. "Suppose you open  that door, Mr. Trappe." 

With clenched fists; Trappe sprang toward the crook. He stopped  suddenly as he heard a sharp word from the

outer door. He turned to see  a tall, squarejawed man standing with leveled revolver. It was Croaker

Mannick. 

"Stick 'em up!" ordered the killer. 

Perry Trappe obeyed in sullen fashion. Fingers Keefel, grinning  broadly, approached the curio collector and

frisked his pockets. He  found a ring of keys. 

Going to the rear door, Fingers ripped the tapestry from the wall.  He tried the keys until he found the one he

wanted. He unlocked the  door and pushed it inward. The light from the larger room showed a  large closet. Set

upon a low, squaretopped table was a fourarmed  golden idol. 


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The headdress; the objects in the statue's hands  all were studded  with sparkling jewels. Fingers picked up

the statue of Vishnu and  carried it into the curio room. The jewels glittered. Fingers laughed. 

"Heavy," he remarked. "Maybe it's gold  maybe not. Perhaps these  sparklers are really rubies. Maybe they're

only glass. Anyhow, it's  what I came for  the jeweled Vishnu from Hyderabad." 

"Thief!" gasped Perry Trappe. "Thief " 

A threatening gesture by Croaker Mannick stopped the collector  short. Fingers Keefel, holding the small but

heavy idol, spied a cloth  covering upon one of the curio cases. He laid the Vishnu upon it and  formed the

cloth into a sack, which he loaded on his left arm. 

"All aboard," he said to Croaker Mannick. "I may have trouble with  the flunky. If I do"  Fingers pulled a

stubnosed revolver from his  pocket  "I'll drop him and leave the finish to you." 

"He must have gone to his room," returned Croaker. "He wasn't  around when I sneaked in from the hallway. I

waited till I heard you  cough. I followed you in here without any trouble." 

"O.K.," said Fingers. 

With a snorting, disdainful laugh at Perry Trappe, Fingers hurried  along the passage. His footsteps ended.

Perry Trappe stared anxiously,  wondering if the thief had found a clear way. Croaker Mannick listened.  His

keen ears heard the outer door close. 

"There goes your funny looking idol," growled the killer. "Don't  feel too bad about it  you're only losing a

phony." 

"What!" gasped Trappe. "You mean " 

"That the thing is a fake," snarled Croaker. "But you're not going  to blab about it. That's what I'm here for 

to shut you up so you'll  stay shut up for " 

The glare in Croaker's malicious gaze struck home. Perry Trappe  gasped. He realized that death had been

planned for him. This man had  covered the thief's getaway. Murder was the step to follow! 

"Help!" howled Trappe, hoping that his distant servant would hear.  "Help! Harvey  quick! Help! Murder!" 

As he shouted, Trappe leaped forward with lunging arms, in an  effort to prevent Croaker's shot. The

squarejawed killer wore an evil  grin. He timed his trigger pull with Trappe's plunge. The revolver  spurted

flame. 

Trappe's cry ended in a choking gasp. The curio collector collapsed  upon the floor. His body sprawled

sidewise at Croaker's feet. 

The single shot had done its work. Perry Trappe was dead. 

CROAKER turned. He faced the hall and waited. He heard footsteps.  The whitefaced servant, Harvey, came

into the hallway. The man was  holding a puny automatic  a .22. He raised it quickly as he saw  Croaker

Mannick covering him with the revolver. 


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Croaker fired. Harvey had no chance. Like master, the servant  dropped. Croaker hurried along the hall and

took a look at the body.  His second shot had been as good as his first. Both Perry Trappe and  his lone servant,

Harvey, were dead. 

Hastening through the living room, Croaker reached the outer door.  He bobbed into a hallway and leaped for

a flight of stairs. A shout  came from a turn in the hallway. Croaker fired at a man who had  evidently hurried

in this direction after hearing the shots from  Trappe's apartment. 

Down the stairs dashed Croaker. He reached a small lobby two floors  below and ran uninterrupted to the

street. His arrival on the sidewalk,  however, brought a shout. 

This was a quiet district of Manhattan. The revolver shots from  Trappe's third floor apartment had been heard

outside. Two men were  pointing upward as they beckoned to an approaching policeman. One of  them spied

Croaker. 

The killer dashed toward the nearest corner. Shouting, the two men  began to take up the chase. The officer

drew his revolver and shouted a  command to halt. Not one of the three pursuers noted a sedan that was

parked across the street. 

As the policeman leveled his revolver, a fusillade of shots broke  from the darkness of the sedan. The

policeman sprawled upon the  sidewalk. The first pursuer staggered; then his companion dropped. 

Croaker had reached the corner. From the sedan came a growled order   the voice of Brodie Brodan. The

sedan leaped forward and sped along  the narrow street. The three victims of gangster bullets lay upon the

sidewalk in front of the apartment house. 

Fingers Keefel  Croaker Mannick  Brodie Brodan. The trio had  worked together tonight. The first of Duke

Larrin's scheduled jobs had  been accomplished. The orders from the crypt had been obeyed! 

CHAPTER V. TWO MEN MEET

"GOT anything, Joe?" 

The question came from Clyde Burke, the Classic reporter, as he  entered the office of Detective Joe Cardona.

It was addressed to the  stocky, swarthyvisaged sleuth who was seated behind a desk. 

"Nothing new, Burke," growled Cardona, as he looked toward his  visitor. "We know it was a gang job 

that's all. We're looking for the  fellows who were in it." 

The detective glanced at his watch. It showed four o'clock. This  was the afternoon following the murder of

Perry Trappe and his servant,  Harvey Diker  a crime which had preceded the slaying of a policeman  and the

wounding of two men who had tried to apprehend the murderer. 

"The fellow who ran away," questioned Clyde. "Anything on who he  may be, Joe?" 

"Nothing," admitted the detective. "He was one of the mob and there  may have been others in the apartment

house. It was nine o'clock when  he beat it out of the place. We figure he joined up with another car  around

the corner. 

"You know the story, Burke. Where there's a gang, there's a leader.  That's the guy I'm looking for. I'm going


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the rounds to hear the  alibis. That's the only system." 

The reporter sat down. Cardona, paying no attention to his  presence, began to check half a dozen names on a

list that lay upon his  desk. These were the names of mob leaders whom the shrewd sleuth  intended to

question. 

Joe Cardona studied the topmost name. He picked up the telephone  and called a number. Clyde Burke heard

the clicking of a voice; then  came Cardona's questioning: 

"Hello. Hotel Spartan?... Brodie Brodan there?... This is a friend  of his... Out of town, eh... I see... Wired to

have a room for him...  I'll see him later..." 

Joe hung up the receiver. He looked at the names on the list, then  folded the sheet of paper and tucked it in

his pocket. 

"Six thirty," he remarked. "That's when I'll see the first guy on  the list. I'll pick up the others in the evening.

Hear what they have  to say for themselves. I'll let you know, Burke, if we get anything  new." 

"Thanks, Joe." 

The reporter strolled from Cardona's office. Reaching the street,  he approached a cigar store and entered a

telephone booth. He called a  number. A quiet voice responded. 

"Burbank speaking." 

"Burke," returned Clyde. "Report. Cardona checking on gang leaders.  Going the rounds. First stop Hotel

Spartan, six thirty, to see Brodie  Brodan." 

"Report received." 

CLYDE BURKE left the booth. His assigned task was completed. He had  informed Burbank, contact agent

of The Shadow, of the steps that Joe  Cardona was taking to apprehend the murderer of Perry Trappe. Reports

that went to Burbank were telephoned immediately to The Shadow,  wherever he might be. Burbank

represented the hidden link between The  Shadow and his active agents. 

Clyde Burke was speculative as he strolled toward the Classic  office. He knew that Brodie Brodan was a

figure in the underworld. Like  others of gangland's elite, Brodan lived at the Hotel Spartan when in  New

York. That hotel was a decadent structure on the East Side  a  meeting place between wouldbe big shots

and the lesser of gangdom's  minions. 

Brodie Brodan, Clyde had heard, made frequent visits to Chicago. He  was supposed to be friendly with big

shots of that city. The fact that  a telegram had arrived indicated that Brodan might have paid a visit to  the

MidWest metropolis. 

It was nearly six o'clock when Clyde Burke reached the Classic  office. At that precise time, a man appeared

in the concourse of the  Grand Central Station. It was Brodie Brodan. Strolling amid the crowd,  the

heavybrowed gang leader approached a package room. 

Tendering two tags to the attendant, Brodie received a pair of  suitcases. He carefully detached the stubs that

the package man had  left on the bags. Picking up his burdens, Brodie walked toward a train  gate. He stopped

in an inconspicuous spot by a broad stairway and  waited there. 


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Six o'clock. The gate opened. A throng of passengers came forth.  Brodie watched them from a distance until

he spied a man in a loud tan  overcoat who was carrying a black suitcase. Picking up his own bags,  Brodie

strolled after the arrival. As the man reached the exit from the  concourse, Brodan was beside him. 

"Hello, Fritz," growled the gang leader. "Keep on strolling, I'm  with you." 

"O.K., Brodie," mumbled the man with the black bag. 

The pair moved from the terminal. They reached the taxi tunnel and  entered a cab. Brodie told the driver to

take them to the Hotel  Spartan. Settling back in the rear seat, the gang leader spoke in a low  voice to his

companion. 

"Give me the ticket stub, Fritz." 

The other man brought the required object from his vest pocket.  Brodie studied the car number and the berth. 

"I checked out of the Hotel Spartan five days ago," he said, in a  low tone. "Been living in a joint where they

don't know me. Packed up  today and left my bags in the baggage room at the Grand Central. 

"Here's our story. You met me in Chicago, yesterday. Hotel Drury   where you were stopping. We pulled out

on the Starlight Limited ten  o'clock last night. I've used that train before. I know it. Twentyone  hours from

Chicago; came in on schedule. Anything else happen?" 

"Nope." 

"Where did you see the New York newspapers? The ones with the story  about a guy named Perry Trappe

getting the bump?" 

Fritz raised his eyebrows. He knew the game now. Until this moment,  he had not known the purpose of the

alibi which he was to establish. 

"Evening newspapers came on the train at Albany," he said. "I was  in the club car." 

"We were in the club car." 

"O.K., Brodie." 

THE taxicab had reached a dingy district. It was rolling along  beneath the superstructure of an elevated line.

Brodie Brodan peered  from the window. 

"Here's the hotel," he stated. "Come in with me, Fritz. Check in  for the night. I might as well have a mug

from Chicago along with me." 

The two alighted after the cab had reached the curb. The driver  passed the bags into the lobby and a loafing

bell hop carried them to  the desk. Brodie swaggered in with Fritz at his heels and waved his  hand to the clerk. 

"Keep a room for me?" 

"You bet," returned the clerk. "Got your wire, Mr. Brodie. Room  406." 


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The bell hop carried the bags to the elevator. Brodie started in  that direction. It was then that a man arose

from an obscure corner.  Brodie did not see him until he blocked the gang leader's path, Brodie  raised his

heavy eyebrows in feigned surprise as he faced Detective Joe  Cardona. 

"Just a minute, Brodie," declared Cardona, soberly. "I want to talk  to you. Where are you going?" 

"Up to my room," returned Brodie. 

"All right," agreed Cardona. "I'll talk to you there." 

"Come on up, Fritz," said Brodie, turning to his companion. "You  can check in afterward. I'll phone down to

the clerk." 

The three entered the elevator. The door closed. The clerk stared  quizzically as the lift ascended. Thus he

failed to see a motion which  occurred in a corner of the lobby where a little used passage led to  the rear of the

hotel. 

Someone had been watching from that spot. Keen eyes had witnessed  Brodie Brodan's arrival. They had seen

Joe Cardona interrupt the gang  leader's progress. While the clerk still stared at the door of the  elevator shaft, a

figure came openly into view. 

A tall being clad in black; such was the appearance of this  unnoticed visitant. With easy, stealthy stride, the

shape that had come  from the gloom of the passage edged toward the stairway that led to the  upper floors. 

For a moment, the sinister figure stood revealed. Blazing eyes  flashed from beneath the brim of a slouch hat.

The upturned folds of a  long, black cloak obscured the lower features of the stealthy stranger.  Hands were

gloved in the same sable hue. 

Then the phantom being blended with the darkness of the stairway.  The clerk, shifting his gaze blankly

toward that direction, saw  nothing. The Shadow, like a being invisible, had followed Joe Cardona  and Brodie

Brodan to the fourth floor of the Hotel Spartan. 

CHAPTER VI. THE ALIBI

"Do you know Fritz Fursch?" 

Brodie Brodan put the question to Joe Cardona. At the same time, he  gestured toward Fritz, the man whom

had met at the Grand Central  Station. 

"Never met him," answered Joe. 

"Meet him now, then," suggested the gang leader. "Fritz, this is  Detective Cardona. Joe Cardona  a good

guy." 

Cardona shook hands with the man from Chicago. They had reached  Brodie Brodan's room and the gang

leader was placing his bags upon the  bed. He turned to switch on a light, for dusk had brought gloom to this

narrowwindowed room. 

"Thought you was a dick," confided Fritz Fursch, speaking to Joe  Cardona. "You looked like one when we

seen you in the lobby." 


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Joe Cardona made no response to the comment. He turned and spoke to  Brodie Brodan. 

"Where've you been, Brodie?" he asked. 

"Me?" returned the gang leader. "Chicago." 

Cardona stared steadily. The gang leader was unstrapping his  suitcases. Brodie stopped as he noted Cardona's

gaze. For a few  moments, they stood facing each other, without a word. 

Fritz Fursch watched the tableau. His eyes went from man to man.  All three were engrossed. None saw the

motion that occurred on the  other side of the room  behind Fritz's back. A door was opening  slowly. It was a

connecting door to an adjoining room. Inch by inch it  moved until it allowed a narrow crevice through which

a keen eye  peered. 

THE SHADOW had entered the next room. Silently, he had gained this  vantage post. He could see and hear

all that transpired between Cardona  and Brodan. 

"Chicago, eh?" questioned Cardona. "When did you get in from  there?" 

"Six o'clock this afternoon," returned Brodie, promptly. "I came in  with Fritz. Chicago is his town. We rolled

in on the Starlight  Limited." 

"When did you leave Chicago?" 

"Say"  Brodie's tone was challenging  "what's the idea of this  third degree? I thought you was a good guy,

Joe. You heard what I just  told Fritz." 

"Never mind the goodguy stuff. I want to know where you were last  night. That's all." 

"O.K., Joe. Suit yourself. Fritz and I pulled out on the Starlight.  Left Chi at ten o'clock." 

"What were you doing in Chicago?" 

"Say  that's a mean one, Joe. If I had been doing anything, I'd  think you were working along with a bunch of

Chicago dicks. I wasn't  doing anything, though, so I'll tell you. I was staying at the Hotel  Drury, trying to put

through a deal with some birds who want to start a  night club in New York. 

"That's where I met Fritz. Found he was coming on to New York, so  we came along together. I wired here

yesterday. Told them to hold a  room for me. That was before I bumped into Fritz." 

Fritz watched Joe Cardona closely. It was Fritz who had sent the  wire from Chicago. He looked to see if the

detective suspected the  truth. Cardona gave no inkling. 

"Starlight Limited, eh?" quizzed Cardona. "Got anything to show for  it  outside of this guy's sayso?" 

"Ticket stub," grinned Brodie, producing the article from his vest  pocket, as though the idea had just occurred

to him. "There it is,  Joe." 

"You got one too?" quizzed Cardona, turning to Fritz. 


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The Chicago man produced the required stub. Cardona examined it  along with Brodie's. The gang leader

began to unpack his bags. Clothes  were in a state of disarray. 

"Look at that, Joe," said Brodie, with a grin. "I threw everything  into the bag in a hurry. This other bag is just

as bad. Say  I didn't  get it shut until we were on the cab to the station in Chicago. Lucky I  never opened it on

the train. Maybe I wouldn't have got it shut." 

The second bag was bulging. Shirts fell out as Brodie opened it.  The gang leader unpacked a suit, which

needed pressing. He found a  razor and shaving cream. He laid them on the bed beside the bag. 

"So you came in from Chicago, eh?" Cardona was persistent. "Then  you don't know anything about Perry

Trappe?" 

"Perry Trappe?" 

"Yeah. The curio collector who was murdered in his apartment, last  night." 

Brodie Brodan looked up from the suitcase. He stared at Joe  Cardona; then laughed. 

"You mean the guy who was bumped off with his servant? All about  him in the evening papers? Say  have

you gone goofy, Cardona?" 

The detective did not reply. Brodie guffawed and shook his head. 

"That's hot," pronounced the gang leader. "Remember, Fritz, you  showed me the paper in the club car  the

one with the dead guy's mug  on the front page? Coming in from Albany, wasn't it?" 

Fritz nodded. 

"Is this the paper?" Brodie pulled a folded journal from Fritz's  pocket. He saw that it was a Chicago

newspaper. "No  that isn't it. I  guess we left the New York paper on the train. Say, Joe"  Brodie's  voice

became earnest as the gang leader addressed Cardona  "you're  following a wrong steer. If you're after the

bird that killed this guy  Trappe, why waste your time? 

"I came in with Fritz on the Starlight Limited. That's that. You  know me well enough to know that I don't

chase around collecting  curios. I'm in the nightclub business  building it up from a side  line. They used to

try to pin rackets on me  but never any hokum like  this. Grabbing off curios  say, I'll be cutting up paper

dolls before  I go into that line." 

Brodie bent over the suitcase and pulled out the few remaining  objects. One was an excellent desk clock.

Brodie set the time piece on  the bureau and noted the dial as he did so. 

"Ten after seven," he remarked. "I want to get up to the Club  Madrid at eight. So if you've got any more

questions, Joe, shoot 'em.  But I've given you the straight dope. Fritz will vouch for it." 

JOE CARDONA shrugged his shoulders in a fashion that was a trifle  sheepish. To cover up his lack of

composure, he drew his watch from his  pocket. 

"Ten after seven," he confirmed. "Well, Brodie, I'm moving along. I  just picked you as the first person to see

because I had a hunch you've  been laying too quiet lately. But this night club business of yours  sounds

straight. Lay off the racket boys and maybe you can make an  honest living  if fleecing customers can be


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called that." 

With a gruff laugh at his own weak jest, Joe Cardona turned toward  the door. Brodie Brodan was peeling

shirt and vest. He picked up his  razor and spoke to Fritz Fursch. 

"Ride down to the lobby with Cardona," suggested the gang leader in  an affable tone. "Take your bag along 

check in and get a room for  yourself. Kind of an old joint, this hotel, but it's not bad." 

Fritz picked up his bag and followed the detective. The door closed  behind the pair. Brodie Brodan did not

show the slightest elation. His  poker face remained the same. The gang leader turned to cross the room. 

The door opposite slid tightly shut, just before Brodie glanced in  that direction. The Shadow had heard Joe

Cardona's quiz. Like the  detective, he was leaving. 

RIDING uptown on the elevated, Joe Cardona checked his list of  names. He crossed out Brodie Brodan. The

gang leader's alibi stood, so  far as Joe was concerned. The Chicago story had the earmarks of a  correct one,

one Joe could not dispute. 

There had not been a flaw in any of Brodie's statements, so far as  Cardona could see. Everything had stood

the test. A man riding eastward  on a limited would have no thought of preparing an alibi. Joe Cardona  had

picked Brodie Brodan on a hunch. That hunch was fading  it was  out. 

In retrospect, Cardona recalled each statement that had been made;  he defined Brodie's actions and formed

the final conclusion that there  was not a single shred of evidence to indicate falsity in the gang  leader's story. 

SUCH was Cardona's conclusion. The detective thought that it was  thorough. He was sure that nothing had

escaped his keen attention. But  Cardona was not the only investigator who had viewed Brodie Brodan at  the

Hotel Spartan. 

There was another  The Shadow. He, the mysterious supersleuth, had  been there also. He had heard

Cardona's quiz. Like the detective, he  had analyzed the statements of Brodie Brodan and had witnessed all of

the gang leader's actions. 

The Shadow, like Cardona, had an answer. It differed, however, from  Cardona's. It came, shortly after

Cardona had formed his final decision  regarding his suspect. 

THE light clicked in The Shadow's sanctum. Long white hands  appeared beneath the bluish glare. The

Shadow's right hand wrote a name  upon a sheet of paper; beneath the name went two short statements: 

Brodie Brodan. 

Clock in bag. 

7:10. 

A laugh sounded from the gloom on the near side of the bluish  light. That laugh betokened keen

understanding. It told of a clew which  Joe Cardona had not noticed; one, however, which had not escaped

The  Shadow. 

Brodie Brodan had been in Chicago for three days or more. He had  told Cardona that he had packed his bags

in a hurry; that he had not  opened the second bag upon the train. Therefore, the clock had not been  touched


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since it was packed. 

Ten minutes after seven! A clock packed in Chicago  hurriedly   had registered New York time! There

could be but one answer. Brodie  Brodan had not packed that desk clock in Chicago. Had he done so, it  would

have shown ten minutes after six, allowing for the difference in  time between Chicago and New York. 

Brodie had packed his clock in New York. He could not have gone to  Chicago, as he stated. There was a

chance that he might not have  changed its time during his sojourn in the Middle West. That chance;  however,

was slight. 

The clew was sufficient for The Shadow. It was the thread which  marked Brodie Brodan's alibi as a doubtful

one. With that thread as a  starting point, The Shadow was ready to trace Brodie Brodan's  activities in the

immediate future. 

A long hand reached across the table. A tiny bulb flashed from the  wall as The Shadow drew a pair of

earphones toward him. A quiet voice  came over the wire: 

"Burbank speaking." 

"Instructions to Marsland," ordered The Shadow, in a low whisper. 

"Ready," was Burbank's answer. 

The sinister tones of The Shadow's eerie voice clung to the lighted  corner of the room as the master worker

gave his orders. When Burbank's  final corroboration came, The Shadow placed the earphones back upon the

wall. The little bulb went out. The blue light clicked. The sanctum was  in complete darkness. 

Then came a whispered laugh. It rose to a strain of shuddering  mockery that awoke ghoulish echoes from the

hidden walls of blackness.  When the reverberations had died, deep silence reigned. 

The Shadow had departed. His orders had been given. The Shadow had  taken the first step to trail Brodie

Brodan  the gang leader whom he  suspected was concerned with the death of Perry Trappe. 

Where Joe Cardona's hunch had faded, The Shadow's inkling had  begun. From keen deduction, The Shadow

had picked up the trail which  Cardona had lost. Crimes like the murder of Perry Trappe were due to  fall in

sequence. 

Through his agent, Cliff Marsland, The Shadow would gain the word  he needed. When crime next struck,

The Shadow would be there! 

CHAPTER VII. MOBSTERS MOVE

"OFF for Chi, eh?" 

The speaker was Brodie Brodan. He was seated in his hotel room, on  the second evening following his arrival

at the Hotel Spartan. The man  to whom he was speaking was his alibi artist, Fritz Fursch. 

"Yeah. Leaving at nine o'clock," replied Fursch. "Anything you need  done?" 

"Not a thing, Fritz. You did your job. Say  Cardona fell for that  gag like a punk. We'll work the stall again,


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some time." 

"What  on Cardona?" 

"No." Brodie snorted. "Not a chance of that, Fritz. Next time we'll  use it, we'll work from New York west. If

I've got a job to pull in  Chi, I'll plant you here and let you come out there with a couple of  tickets." 

"And a newspaper in my pocket." 

"Yeah. That clinched it." 

Fritz Fursch looked at the clock on the bureau. It showed quarter  after eight. The alibi man stretched himself

and strolled about the  room, intending to spend a last few minutes with Brodan. 

"I'm set for my next alibi," remarked the gang leader, in a casual  tone. "I've got Lobo Ruscott all fixed  he's

the guy that's running  the Club Madrid." 

"Another job coming, eh?" 

"Pretty soon." Brodan's reply was noncommittal. "I just took  another bird into the outfit  and he's a swell

worker, too." 

"The fellow up here this afternoon?" 

"Yeah. Cliff Marsland. Say  he's cagey, that guy. Everybody knows  he's as good as half a dozen gorillas; but

there's nobody can lay a  finger on any jobs he does. I met him up at the Club Madrid two nights  ago  and he

let it out that he was on the loose." 

"There's lots of gorillas on the loose these days." 

"Not guys like Cliff Marsland. He gets dough when he works. Needs  some cash  that's all. I picked him up

at a bargain and promised to  keep mum about the price. Just the guy I needed." 

Brodie Brodan paused to light a cigarette. Fritz Fursch noted the  clock again. He decided it was time to leave

for his train. 

"So long, Brodie," he said. "Get me at the Hotel Drury when you  need me." 

FIVE minutes after Fritz's departure, there was a tap at the door.  Brodie Brodan issued a summons to come

in. A husky, wellattired young  man appeared. Brodie Brodan recognized Cliff Marsland and waved his

visitor to a chair. 

Brodie held a high opinion of his new recruit. Cliff Marsland was a  different type than the average gangster.

His face showed intelligence.  His appearance was cleancut. Yet with it, Cliff possessed a firm chin  and a

straightfeatured face that showed selfconfidence and ability.  Brodie Brodan classed him as one mobster in

a thousand. 

"All set, Cliff?" questioned Brodie. 

Cliff Marsland nodded. 


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"O.K.," decided the gang leader. "We've got a job tonight  and I'm  picking you as my right hand man. We've

got to spread. I'm putting you  in charge of part of the crew. Get that?" 

"What's the lay?" questioned Cliff, in calm fashion. 

"I'll give it to you," declared Brodie. "We're going out to Long  Island. A big house near the Sound  home of

a millionaire named Tyler  Bogart. There's three entrances to the place  front, side and back. 

"Bozo Griffin will handle the front. Just for emergency  that's  all. I'm taking the side  because that's where

someone's going in. The  back is yours  and there may be a getaway in that direction. That's  why you're

there. To cover. 

"I'll be on the job. When you hear three quick shots from the side,  pile in. That means the getaway has been

made by the side and I want a  quick fuss at the back. Get it?" 

Cliff nodded. 

"If you see anybody duck out in your direction," added Brodie, "you  pass out three quick shots. That lets me

pile in from the side.  There'll be two guys coming out  if they come your way. Let them  ride." 

"I've got it." 

"There'll be shooting in the house, maybe," remarked Brodie. "That  doesn't mean anything. Forget it. If I give

the signal, you kick up the  fuss, then scram with your part of the outfit. If you give the signal,  beat it right

away. That's all." 

Cliff repeated the instructions in methodical fashion. Brodie  nodded his approval. He arose and motioned his

new lieutenant toward  the door. 

"Come along," he ordered. "We're meeting the mob out back. Wait a  second  I want to phone the lobby.

Better see who's down there." 

Brodie made the phone call. It was evident that he had fixed the  clerk. Brodie's signal to leave was proof that

no unknown loiterers  were in the lobby. 

Brodie led the way to the stairs instead of the elevator. At the  bottom, he pushed Cliff toward the passage that

went through to the  rear of the hotel. 

REACHING a darkened alley, Brodie uttered a low, hissing whistle.  Whispers came from the darkness.

Members of the mob had assembled.  Brodie drew Cliff over toward the wall; a confab began between the

gang  leader, Cliff and the other lieutenant, "Bozo" Griffin. 

"I'll take these gorillas," decided Brodie. "You take the car out  in the side street, Bozo. What about the bunch

over by the Pink Rat?  Did you tell them to wait for Cliff Marsland?" 

"Yeah," answered Bozo. "I told them he'd be along. I'll be driving  past there and they can follow. Hunky

Wikell is driving Cliff's car.  He'll know me when I go by." 

"Give me a few minutes to get there, Bozo," interposed Cliff. "I'm  not going on the run, you know. Some

smart copper might ask me why the  hurry." 


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"Give him ten minutes," decided Brodie. "That'll make it sure. All  right, Cliff. Get started." 

Cliff sauntered from the alley. He was smiling to himself as he  reached the side street. He made a turn into an

alley beyond; then  quickened his pace. 

Ten minutes! That was a lucky break. He could make the Pink Rat  locality in five. 

On the next street, Cliff spied a small store. He entered and  picked a telephone in the corner. The place was

deserted except for an  old man behind a counter. Cliff called Burbank's number. He heard the  voice of The

Shadow's contact man. 

"Marsland." 

Cliff's lips were close to the mouthpiece. 

"Report." 

In brief terms, Cliff fulfilled Burbank's order. He told the  contact man all that he had learned. Under ordinary

conditions, Burbank  would have instructed Cliff to stand by and await a return call. This  was impossible

under the circumstances. Cliff was due at the Pink Rat  in five minutes. 

However, both Cliff and Burbank saw the situation. That was the way  with The Shadow's agents. Trained to

obey their master, they were also  capable in dealing with emergencies. Cliff, as he explained matters to

Burbank, saw that tonight's episode could offer but one of two  possibilities. 

Either The Shadow would seek to enter the home of Tyler Bogart, or  he would require Cliff for some definite

duty outside. Perhaps both.  Cliff could prepare for either circumstance. Keenly, he visualized a  back door that

he had never seen. 

"I'll post my squad thirty feet to the right," he informed Burbank.  "I'll have them far enough from the house.

I'll be ten feet to the left  of the back door  and as close to the house as possible." 

"Report received," returned Burbank. 

Cliff hung up the receiver. He glanced to note that the old man at  the counter had heard nothing. He hurried

from the store and dodged  through alleys to gain time on his way to the Pink Rat. 

A CAR was waiting near the spot designated. Cliff approached and  gave a low whistle as he observed dim

forms within the car. Before any  of the gangsters could reply, he announced himself in a single word: 

"Marsland." 

"O.K." The voice belonged to "Hunky" Wikell, the man at the wheel.  "Climb in with me." 

Cliff joined the driver. They waited for a full minute. Then a car  rolled into the narrow street and passed the

sedan in which Cliff and  Hunky were waiting, with gangsters in the rear. Hunky started the motor  and

followed. He was taking the way that Bozo Griffin showed. 

The cars headed for an East River bridge. They crossed and moved  rapidly along a highway. Cliff, silently

watching from Hunky's side,  felt qualms at the speed that they were making. 


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Brodie Brodan had moved sooner than Cliff had anticipated. That  meant that the raid on Bogart's home would

begin shortly after the mob  arrived. Brodie had said that men would enter. Did that mean some of  Brodie's

crew, from the side? Or were others on the job? 

If the latter case existed, the men appointed to enter  whoever  they might be  would probably be outside of

Bogart's house at present.  The Shadow, swift though he was, would have to travel at unusual speed  to

anticipate this raid, unless some fortunate delay occurred. 

Cliff began to see another possibility that he had not suggested to  Burbank. If The Shadow needed time, a

fracas outside of Bogart's could  produce it. Perhaps that would be necessary. Cliff decided to be ready   even

to the point of spoiling the raid  should The Shadow not  appear. 

Half an hour after the start from Manhattan, Bozo's leading car  turned into a side road. Cliff fancied that

Brodie Brodan must be up  ahead of the lieutenant. A mile of side road; then Brodie swung into  the deserted

driveway of an abandoned house. Wikell followed. 

Lights went out; but just before the glow failed, Cliff noted a  third car up ahead. With his mobsters close

beside him, Cliff alighted  from the sedan. He heard the voice of Brodie Brodan. 

"All right, Cliff," said the mob leader in a low tone. "There's  Bogart's house  through that hedge. We're at

the back of the place.  Bozo's going around to the front. I'm going through to the side. You  come along last

and cover the back." 

Men shuffled through the darkness. Cliff held his squad in  readiness. When all was silent, he led the way

through the hedge. He  could see the home of Tyler Bogart  a looming mansion of gray stone.  There were

lights in upstairs windows; a glow from a broad veranda on  the side toward the Sound showed that people

were at home. 

There was no light at the back, except a shaft that came from a  curtained room on the second floor. This gave

a faint glow above the  back door. Cliff drew his men thirty feet to the right and posted them. 

"Lay here," he whispered. "I'm casing over by the back door to see  what's what. No shots  until I give the

order." 

Mumbles of understanding came from the gorillas. Cliff moved to the  left. His plan was working. It was

natural that he should circle in  aiming for the back door. Cautiously Cliff crept through the darkness  until he

found a spot not more than ten feet from the back door. There  Cliff waited. 

LONG minutes passed. Cliff was not nervous, but he could feel the  tension. His eyes were glued to the

whiteness of the back door. He felt  that the time for trouble was imminent. He feared that The Shadow had

been unable to arrive in the brief time allowed. 

Then, as Cliff blinked, he fancied that he saw the back door moving  inward. The motion itself was

imperceptible. It seemed that a vertical  strip of blackness was working its way from the side of the door. The

strange phenomenon continued; then stopped. Gradually, the widened  strip of black began to fade. 

Cliff suppressed a gasp. He realized the amazing truth. The Shadow,  with ample space between the gangsters

and the house, had approached  the back door. With stealthy, unseen hand, he had picked the lock. He  had

opened the door inch by inch; the blackness had been from the  interior of the house. 


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Through the crevice, The Shadow had passed. The narrowing shaft of  blackness was all that marked the silent

closing of the door. Cliff   not more than a dozen feet away  had seen no sign of a living form! 

The gangsters, farther from the house, could not have seen a single  token of The Shadow's arrival  not even

that moving strip of black.  Subtle had been The Shadow's entrance; yet Cliff realized that it could  have been

made even less visibly. He saw that The Shadow had  deliberately left his trace that Cliff, himself, might

know that his  chief had entered! 

There had been no signal; no whispered words from the dark. Cliff  knew the answer. He was to play the role

to which Brodie Brodan had  assigned him. The Shadow could take care of his own departure as  effectively as

he had attended to his arrival. 

Cliff smiled grimly, as he drew his revolver from his pocket. The  climax of this episode was on the way.

Silent and placid, the home of  Tyler Bogart was due for a startling eruption. Crime was ready to break  loose. 

This time, consequences would differ from those which had occurred  at Perry Trappe's. The Shadow, the

master who battled crime, was on the  scene to meet the fiends within the silent house. 

CHAPTER VIII. WITHIN THE HOUSE

THREE men were seated on the enclosed veranda of Tyler Bogart's  home. The millionaire and two friends

formed the trio. The night was  mild and ice clinked in cold glasses as the three conversed. 

This was the side of the house that faced the Sound. A spacious  lawn, with widespread trees, formed a

pleasant, dimlyoutlined vista  beyond which sparkled the moving lights of vessels that were passing  this

portion of Long Island. 

The atmosphere was one of serenity, with no menace of approaching  danger. Hence the three men, as they

chatted, gave no thought to the  unexpected. Not one of them saw the door that slowly opened from the  house;

nor did they observe the keen, brilliant eyes that watched them. 

The Shadow, studying this scene, saw that Tyler Bogart and his  companions were set to remain on the

veranda. This formed a temporary  refuge. Brodie Brodan and his crew of mobsmen were on the other side of

the house. Cliff Marsland at the back; Bozo Griffin at the front;  neither of their squads would appear at this

spot. 

The one method of attack, should Tyler Bogart's life be sought,  would come directly through the house.

Stealth would be the method  chosen by the crooks tonight. The Shadow held a key position; from this  door he

could block anyone who tried to come to the veranda. 

The Shadow, however, was on the watch for dual crime. He had linked  this approaching trouble with the

affray at Perry Trappe's. Theft, as  well as murder, must be the motive. Cliff had informed, through  Burbank,

that two men would be in the house. The Shadow, now that he  had established the point of contact between

house and porch, had other  work to do. 

Somewhere in the house, criminals might already be at work. The  Shadow, when he battled crime, forestalled

his enemies. Such was to be  his plan tonight. From the darkened doorway, The Shadow moved inward.  He

reached a gloomy hallway. There he stood in mystic outline, a tall  blackgarbed figure of sepulchral

appearance. 


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Keen, burning eyes stared along the hall. The Shadow saw a passage  at the rear. It led deeper into the house.

It formed the natural path  to search. The Shadow moved from the blackness of the wall; then  stopped short. 

Footsteps were coming down a flight of stairs. The Shadow eased  back into the gloom. His keen eyes

watched as a servant appeared. The  man walked within five paces of The Shadow. He did not see the singular

form of blackness that stood so foreboding. The Shadow, however,  studied the man's dull, passive features.

He saw that this menial was  no minion of crime. He watched the man pass onward toward the porch. 

SWIFTLY, The Shadow moved out into the narrow hall. He reached the  corridor that turned left. He

followed it until he came to a blocking  door. The side of the broadbrimmed hat pressed against the barrier.

The Shadow listened. His keen ear detected the sound of whispers. 

Two men were in the room beyond. Crooks were at work. The Shadow  had discovered them. 

Slowly, a blackgloved hand turned the knob of the door. The  barrier did not yield. A tiny metal pick clicked

almost inaudibly as  The Shadow applied it to the keyhole. The lock gave without a sound.  With black form

pressed against the door to mask the slight gloom from  beyond the turn in the passage, The Shadow opened

the door by inches. 

Clicking footsteps came faintly from the house. The Shadow waited,  knowing that the servant had come back

from the veranda. The Shadow  heard the footsteps die. The door was open wider now. With keen eyes,  The

Shadow studied a circle of light that was shining upon the door of  a safe. 

"Got it, Fingers?" came a whispered query. 

"Not yet, Croaker," was the cautious reply. "Easy. Keep a watch on  the door. We want it clear to get out by

the side  where Brodie is." 

"Right. I'll do a sneak to see that you can make it. I'm just  waiting until you get this tin box open. You make a

getaway. I'll do  the rest." 

"All set for Bogart?" 

"You bet. He's the fat bimbo. I got a squint at the three of them  on the porch. I'll plug him and then cut out the

way you went." 

Momentary silence. Fingers was working at the dials of the safe. A  soft click sounded; then came a low

expression of satisfaction from the  lips of the smoothfingered crook. 

"Got it!" 

The door of the safe opened. Fingers threw the rays of his  flashlight into the interior. Croaker, somewhere in

the darkness behind  the safecracker, saw the same object that Fingers had spied  a square  panel of gold

engraved with Chinese characters and studded with  sparkling gems. 

It was the second of Cecil Armsbury's fake treasures which the old  man had unloaded on unsuspecting

collectors. The golden panel that had  supposedly come from the Temple of Heaven in the Forbidden City of

old  Peking. 

THE SHADOW, from the spot where he was standing, could not see into  the safe, for the door was opened in

his direction. Fingers Keefel  clicked off his flashlight. The Shadow could hear the safecracker  dragging a


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clanking object from the safe. Then came a whispered buzz. 

"Stick here." Croaker was the speaker. "I'm going out to see that  it's all clear. Wait " 

"Naw." Fingers put a protest. "I'm sliding straight out, Croaker.  There's nobody around. You stick here by the

safe. Wait until I'm  clear. Then you can head for the porch. Savvy?" 

"All right," agreed Croaker. 

Pitchdarkness reigned. The Shadow was edging through the door that  he had opened. His action was a

careful one. The doorway was low; The  Shadow's tall form covered the opening between door and post. The

blackness of his shape killed all light from the distant hall. 

Crooks in the dark! The Shadow was entering with them. Despite the  blackness, he could tell the exact

positions of the men. Fingers Keefel  was sneaking toward a farther door. Croaker Mannick was on the other

side of the opened front of the safe. 

Theft was reaching its accomplishment. Murder was due to follow.  The Shadow, from his strategic position,

was ready to frustrate them  both. Fingers  a moving target  would be the first. He could be  stopped when

he reached the door; for that was a spot which he must  certainly pass. Croaker, the potential murderer, could

come second. 

"I'll give you time, Fingers." Croaker's hoarse whisper was coming  from the other side of the blocking door

of the safe. "I'll finish  Bogart and beat it for the side line, after you've made a good getaway  " 

Fingers sent an answering growl from near the farther doorway.  That, and the clank of the object which he

carried, drowned other  sounds. Then came a muffled exclamation. Fingers had encountered  something in the

dark. 

Click! 

The room was flooded with light. Standing within the doorway, his  hand upon the switch, was a portly,

grimfaced man who held a  glistening revolver. 

It was Tyler Bogart. Some unexpected suspicion had brought the  millionaire to the strongroom. His gun was

pointed toward Croaker  Mannick. 

Beside the millionaire, almost at the doorway, was Fingers Keefel,  crouching as he held the flat shape of the

golden panel close against  his body. 

By the little door stood The Shadow, revealed as a tall, sinister  figure in total black. He was the fourth

member of this unexpected  tableau. 

Crooks were at bay; yet the sudden change that had brought the  present emergency was to their benefit. Tyler

Bogart, by his unexpected  arrival had produced a strange dilemma. 

The millionaire who had come to protect his property had, by his  appearance, thwarted the plan of The

Shadow! 


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CHAPTER IX. GUNS BARK

TYLER BOGART, standing by the doorway of the lighted room, had  every opportunity in his favor. The

millionaire had come with loaded  revolver. He had aimed at the safe as the logical objective. He had  Croaker

Mannick covered. 

Fingers Keefel, though close to the millionaire, was handicapped by  the burden of the panel which he carried.

He had no revolver ready,  although one hand was free. Counting on Croaker's protection, Fingers  had left his

gat in his pocket. 

Circumstances, however, had caught The Shadow in an unfortunate  position. The master from the darkness

had moved into the room; but he  was not beyond that projecting door of the safe. Fingers Keefel, his  first

target, was in plain view. Croaker Mannick, crouching behind a  steel barrier, was not within The Shadow's

range! 

Tyler Bogart had his chance. He fired. The millionaire's own  excitement was his undoing. His shot went

wide. Even while the revolver  roared, an answering bark came from the safe. Croaker Mannick, replying  with

a single shot, found the millionaire's body as a target. Tyler  Bogart crumpled. 

The Shadow, had not been inactive. With the shots, his tall form  was sweeping toward the wall away from

the safe. The black cloak  whirled as The Shadow swung to aim at Croaker Mannick. The killer's  gloating

eyes became transfixed. A gasp came from Croaker's lips as the  murderer saw the weird shape that had

arrived to cover him with deadly  automatic. 

Too late to save Tyler Bogart's life, The Shadow was ready to  avenge the murder. Gun to gun, he was facing

Croaker Mannick. The  quickfingered crook was aiming instinctively to meet The Shadow's  swinging

weapon. 

Then came an unexpected break. Fingers Keefel had not seen The  Shadow. His eyes had been on Tyler

Bogart. As the millionaire crumpled  from Croaker's bullet, his hand dropped away from the light switch. At

that instant, Fingers acted with clawing clutch. 

Just as The Shadow and Croaker swung gun to gun, Fingers yanked the  switch and plunged out through the

door of the room, carrying the  stolen panel with him! 

DARKNESS  as fingers were pressed to triggers! The Shadow and  Croaker Mannick, each seeking to beat

the other to the shot, were  blotted from view by pitchblack gloom. Instinctive fighters, the  terror of the

underworld and the famous marksman of the badlands, both  adapted themselves to the unexpected change. 

Each shifted as he fired. Automatic and revolver blazed  simultaneously, each at a target that had dropped

away. Those bursts  were but the first of a succession. Through the strongroom where Tyler  Bogart's body lay

came flash after flash, each from a new and  unexpected quarter. 

The Shadow was fighting it out with Croaker Mannick. The master  battler was weaving through the darkness

to meet an enemy whose craft  was worthy of his own. Flashes were targets; but each marksman was on  the

move as he fired. 

A burst of flame came from near the door. It brought a quick  response from the other side of the room.

Croaker's revolver had spoken  from the exit. The Shadow, with keen strategy, had fired in reply  toward the

side of the target that was inward from the door. 


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A sharp cry from the darkness. Croaker had dodged inward, expecting  to deceive The Shadow. He had failed.

A zimming bullet from the  automatic had found its mark in human flesh. Croaker was wounded  on  the left

side, and not seriously  for he fired again, almost instantly  after he had cried out aloud. 

Another bark from the automatic. Then a pause, while roaring echoes  resounded through the room. The

Shadow was shifting for the cover of  the safe door  the barrier which had previously protected Croaker. His

enemy was somewhere in the darkness toward the door. 

Then came Croaker's final shot. The smart killer had suspected The  Shadow's move. He had taken advantage

of two short seconds to gain the  door. His revolver delivered a winging bullet that thudded like a  warning

against the steel door of the safe. 

The automatic responded. Once  twice  it hurled its lead toward  the far door where Croaker, firing, had

sprung for safety. Croaker,  wounded in the fray, had sought safety in flight. Those two quick shots  from The

Shadow's gun were the master's last effort to stay the  plunging murderer. 

The gunfray, despite its varied action, had been short in duration.  The few seconds that followed the final

echoes of the shots were tense  ones. The Shadow, playing his strategic game, was waiting for any  answer that

might come. 

All was silent by the door. Croaker Mannick  he had recognized The  Shadow  had chosen flight as his final

goal. There would be no more  from Croaker  that The Shadow knew. Fingers Keefel had gained a start.

Outside were mobsters ready to cause trouble. 

The Shadow moved forward. His flashlight glimmered. It showed the  body of Tyler Bogart, crumpled within

the doorway. The light flickered  toward the hallway. Suddenly, its rays went out. A soft, sinister laugh

whispered through the room. 

What was The Shadow's thought? As if in answer came a signal from  the outside of the house. Three quick

shots  a belated token from  Brodie Brodan. That meant invasion  from the back. 

FOOTSTEPS were clattering. Tyler Bogart's friends and servants,  alarmed by the shots from the strongroom,

were coming to investigate.  The sounds were from the direction of the veranda. Sweeping back into  the

strongroom, The Shadow reached the little hallway. 

He was in time. Cliff Marsland, in order to play the part assigned  to him, had been forced to launch his

cohorts. A snarling mobster  arrived in the passage. The Shadow saw the fiendish look on the man's  face as

the fellow aimed a revolver down the straight hall, where he  spotted one of Bogart's frightened friends. 

The Shadow's automatic boomed from the side passage. The mobster  dropped. With a forward leap, The

Shadow gained the junction of the  passages. His blazing automatics  a second had come forth in his other

hand  delivered fierce fire toward the doorway where two other  mobsters had appeared. 

One man fell. The other fled. The Shadow caught a glimpse of Cliff  Marsland. The agent, playing his part,

also took to flight. He could  tell Brodie Brodan that he and his men had encountered an unexpected  ambush. 

Back through the strongroom. The Shadow reached the way to the side  door. Again, he was just in time.

Brodie Brodan, alarmed by unexpected  firing within the house, had launched a new drive. Mobsters were

piling  into the darkened side passage. Once again, The Shadow's automatics  broke loose. 


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Snarling mobsters staggered. Guns clattered to the floor as the  repulsed horde took to flight. The fury of The

Shadow's fire brought  belief that several armed men were here to meet the invasion. 

The effect on the mobsters, however, was matched by that which came  to the startled guests of Tyler Bogart.

The two men coming in from the  veranda ran back the way that they had come, followed by a pair of

bewildered servants. 

Flinging open the veranda windows, they leaped to the lawn and fled  in the only direction that seemed to

afford safety  toward the sloping  vista that led to the Sound. Scattered shots  too distant to cause  harm 

came from Bozo Griffin's few men at the front of the big  mansion. 

Shouted orders followed. Brodie Brodan was urging his men to  scatter. The admonition was a wise one. The

Shadow had reached a window  that covered both front and side. His automatics belched in both  directions.

Scurrying mobsters ran for shelter. 

The Shadow knew that Cliff would lead the mobsters at the back into  a swift retreat. His aim was to scatter

Brodie's hordes and send them  flocking back to Manhattan. He succeeded swiftly; and as token of The

Shadow's might, a few stray gangsters lay flattened on the turf. 

Tyler Bogart's home was emptied of all living beings save one: The  Shadow. Stalking ghostlike through the

darkness, the master battler  returned to the strongroom where Tyler Bogart had met his unfortunate  death. 

Once again, The Shadow's flashlight flickered. Then came a long,  weird peal of mocking laughter. In this

deserted spot, The Shadow stood  alone. He had banished hordes of crime, although murder had been

accomplished. 

Triumph, itself, was hollow; yet The Shadow's thoughts were of the  future, rather than the present. Already,

his keen brain was working  out new plans. 

The first crime  the death of Perry Trappe  had struck without  The Shadow's knowledge. The second  this

murder of Tyler Bogart  had  been accomplished despite his presence, although The Shadow had taken

fearful toll in vengeance. 

More crime, however, was due. A third stroke was in the making.  When it arrived, The Shadow would be

there, prepared to accomplish by  subtle craft more than could be gained by might alone! 

CHAPTER X. CRIME AND COUNTERCRIME

CECIL ARMSBURY was sitting in his living room. The old man who had  sponsored crime was puffing at a

cigar while he watched his nephew  studying newspaper reports. A frown appeared on the brow of Martin

Havelock, alias Duke Larrin. 

"What's the trouble?" questioned Armsbury. 

"This mixup at Bogart's," returned Havelock. "I don't like the way  it turned out." 

"I have read the newspapers," commented Armsbury. "I see nothing to  cause alarm. Tyler Bogart's safe was

opened and rifled. Bogart,  himself, was slain." 

"But some of Brodan's men were bumped off, too." 


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"What of it? That means less to pay. Brodan got away; and so did  your other two workers  Keefel and

Mannick. They were important enough  to have been recognized by the police had either of them remained.

We  know that the false panel was stolen. That is sufficient." 

"I guess so." Havelock's tone was thoughtful. "But I'm glad I've  played a wary game. Brodie  Fingers 

Croaker  all three are on their  own. They don't have to hear from me to go through with the next job." 

"Good strategy," agreed Armsbury. "Your qualms, Martin, are hardly  justified. Perry Trappe and Tyler

Bogart each knew too much; but what  they knew has perished with them. The statue of Vishnu, the panel

from  the Forbidden City  both have been destroyed. The police know  nothing." 

Havelock nodded in agreement. 

"Brisbane Calbot," laughed Armsbury, "is the next. He has the  sacred scroll from the Kaaba in Mecca. It will

be stolen. He will  perish  like Trappe and Bogart." 

"I guess you're right," decided Havelock. "Fingers and Croaker know  their way. They each have a hideout;

they won't meet again until they  show up at Calbot's. 

"As for Brodie  he's a good hand with the alibi business. He knows  enough to throw the police off the track.

It's working perfectly and  I'm completely out of it. Duke Larrin in New York! They probably know  it down at

headquarters by this time; but they haven't got a single  thing on what Duke Larrin's doing." 

The young man arose and walked to the fireplace. He pressed the  switch that produced the special elevator.

He turned to his uncle. 

"Seven o'clock," announced Havelock. "I'm going down to the crypt.  If any one of the outfit suspects trouble,

he'll be around to signal  me." 

Cecil Armsbury nodded. He knew the emergency arrangements that  Martin Havelock had made. No news

would mean good news. The old man  chuckled as the fireplace closed over the descending elevator. He

puffed serenely at his cigar for the next few minutes. A clicking sound  announced Havelock's return. 

"All well," declared Havelock, as he stepped from the elevator. "No  visitors. That means each of my men is

sure of himself. The job will go  through at Calbot's tonight. The only one I was really worried about  was

Brodie Brodan. Those folks at Bogart's picked off a few of his  gorillas. But Brodie is too clever to let that

bother him." 

MARTIN HAVELOCK'S remark indicated his assurance. He had picked  Brodie Brodan as his mobleading

henchman because he felt sure that  Brodie could cover up no matter what might occur. The proof that

Havelock's certainty was justified was occurring at that very time in a  room at the Hotel Spartan. 

Brodie Brodan, reclining in a dressing gown, was talking with  Detective Joe Cardona. The ace detective was

paying a second visit to  the mob leader whom he had originally suspected of complicity in the  affray at Perry

Trappe's. 

"Still worrying about me, eh?" Brodie was questioning. "Say, Joe,  you must have me heavy on your mind.

Where do you get these cuckoo  ideas, anyway?" 

"There were two gorillas out at Bogart's," returned Cardona, "who  were guys that used to work for you,

Brodie. I recognized their mugs  when I went out to look at the bodies. What were they doing out there?" 


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"Working for someone else," responded Brodie, promptly. "Listen,  Joe  I'm not going into details about my

past. But you know me well  enough to know that whenever I do anything, I do it myself." 

"With a mob at your heels." 

"I've got no mob. But even if I did have, I'd be with the boys,  wouldn't I?" 

"Yeah." 

"That settles it then. I wasn't out on Long Island when Bogart was  killed." 

Cardona eyed the heavybrowed mob leader in narrow fashion. After a  short survey, the detective shrugged

his shoulders. 

"Guess you're right, Brodie," he admitted. "I haven't been able,  though, to pick anyone else that might have

been in on the deal. That's  why I came to question you. Say  where were you that night?" 

"At the Club Madrid," returned Brodie. "In the office with Lobo  Ruscott. Why don't you slide up there and

talk to Lobo? He'll tell you  the same." 

"I've seen Lobo," growled Cardona, as he rose and turned toward the  door. "Your alibi holds, Brodie." 

With this final remark, the detective strolled from the room.  Brodie Brodan remained in his chair. His poker

face remained the same  for a full five minutes. Then his heavy brows furrowed. Reaching from  his chair,

Brodie picked up a telephone and called a number. 

"That you, Bozo?... Yeah. This is Brodie... Ankle up here... Yeah,  right away and stop off at the Black Ship

on your way... Pick up  Marsland if he's around there. Yeah, that's his usual hangout...  Listen, Bozo  keep an

eye out for Joe Cardona, If he's around this  hotel, stay out. Call me instead. Savvy?" 

The gang leader placed the telephone aside. He leaned back in his  chair and drowsed. 

TWENTY minutes passed. Then came a rap at the door. Brodie awoke  with a growl. The door opened and

two men came in; one was Bozo  Griffin; the other, Cliff Marsland. Brodie motioned his visitors to  chairs. 

"Listen," declared the gang leader. "Joe Cardona was just up here.  It's the second time he's been around. He's

trying to find something   but he hasn't been able to crimp my alibis. 

"We've got a job tonight  as you fellows know. I was going to take  you along and let you find out about it on

the way. But I'm changing  that plan on account of Cardona. I'm going to let the pair of you  handle the work

yourself. Get me?" 

Both Bozo and Cliff nodded their understanding. 

"That'll let me hang out at the Club Madrid," continued Brodie.  "Like as not Cardona'll be up there  or have

some stools mooching  around the joint. When tonight's over, Cardona won't suspect Brodie  Brodan. That's

all." 

A satisfied smile appeared on Brodie's face. The gang leader stared  approvingly at his companions; seeing

that they were anxious to learn  their duties, he gave them the needed information. 


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"Here's the lay," explained Brodie. "There's a guy named Brisbane  Calbot who lives in an old house uptown.

Worth a lot of cash, but he  hangs out alone with an old goofy servant  a geezer that has been with  him for

years. 

"The servant don't amount to much anyway; but to make it all the  softer, he was taken sick a couple of

months ago and Calbot sent him to  a sanitarium. Being a crabby guy himself, Calbot hasn't taken on anyone

else. He lives in the house all alone and he has a room down in his  basement where he spends most of his

time mulling over a lot of junk  that he's collected. He's got a big vault down there, too." 

"We're goin' in?" questioned Bozo. 

"Wait a minute," ordered Brodie. "You're doing just what I tell  you, Bozo. You and Cliff are to be with the

mob, outside of Calbot's  place. You'll hear a shot from inside. That'll mean the end of Calbot.  Wait a couple

of minutes, see? Then gang the joint. Shoot up the  windows; pile in through the doors  they'll be open  and

make a big  noise. Then scram, in a hurry, before any flat feet show up. Got it?" 

Bozo nodded, a trifle perplexed. Cliff grinned, to show that he  understood. Brodie could see which was the

more intelligent of his two  lieutenants. 

"It's a coverup," growled Brodie. "Like we've done before, Bozo.  We lost some gorillas out on Long Island;

we don't want to drop any  more on this job. That shot from inside tells you that it's all set to  do some

shooting. But wait a couple of minutes " 

"So the man who fires the shot can get away," interposed Cliff. 

"That's it," announced Brodie. "Say, Cliff, you've got a noodle,  even if Bozo hasn't. Wake up, Bozo! I've

given you credit for being  more than just a dumb egg." 

Bozo scowled. He glanced angrily at Cliff, as though blaming his  companion for the criticism which had

come from Brodie Brodan. Cliff  returned the scowl with a steady gaze. He felt that Brodie's innuendo

regarding Bozo was quite correct. 

Bozo, tough, stocky, and with a hardboiled face, looked like an  ordinary gorilla. He had gained his

lieutenancy purely through survival  in the service of Brodie Brodan. He was a relic of the gang leader's  past. 

Brodie saw Bozo's malicious glare. He ended it with another growl  that caused Bozo to ease back in his chair

and give a sheepish grin. 

"No sorehead stuff," warned Brodie. "You and Cliff are working  together. Figure it between you where you'll

pick up the mob. Ten  o'clock's the time. Beat it  and dope out your game outside. Look  Brisbane Calbot up

in the phone book. He's listed. That'll tell you  where he lives. I'm going up to the Club Madrid. Stay away

from there.  Call me here tomorrow." 

Brodie waved his hand toward the door. Cliff and Bozo arose and  made their exit. Brodie's face, usually

immobile, showed changing  expressions after the pair had gone. Brodie was comparing his new  lieutenant,

Cliff Marsland, with the old, Bozo Griffin. The comparison  was in Cliff's favor. 

Rising from his chair, Brodie Brodan went to a closet and brought  out a tuxedo. The gang leader was

preparing for a gala night at the  Club Madrid. His plans of crime had been completed. The clock on his

bureau showed five minutes to eight. 


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HALF an hour later, at exactly eight twentyfive, a click resounded  in a darkened room. Shimmering blue

light glared upon a polished table.  White hands stretched forth to obtain earphones from the wall where a  tiny

bulb was burning. 

"Burbank speaking," came a voice over the wire. 

"Report!" It was The Shadow's whisper that sounded weirdly in the  sanctum. 

"Report from Marsland." 

The Shadow listened in the gloom. The clicking of Burbank's  telephoned voice brought the word which the

contact man had heard from  Cliff. Every detail came in terse form. 

"Instructions," spoke the voice of The Shadow. "Marsland to follow  orders as given by Brodan." 

"Instructions received," answered Burbank. 

The earphones clattered to the wall. The bulb went out. The blue  light clicked off. A creepy laugh rose to a

shuddering crescendo.  Silence came to the sanctum. 

The Shadow had departed. He had learned the facts he wanted. He  would find a way to deal with crime. 

The Shadow knew. 

CHAPTER XI. THE SHADOW'S PART

NINE o'clock. The home of Brisbane Calbot, an oldfashioned brick  structure, showed gloomily in the

semidarkness of a side street. 

It was a building that no one would have suspected as a place where  valuables could be found. In fact, that

was one reason why Brisbane  Calbot kept this old house. He did not want to be annoyed by intruders  who

might come to rob; and the fact that his place was so inconspicuous  made it an ideal location. 

A patch of blackness appeared beneath the light of a street lamp.  It paused there, and its shape became that of

a human silhouette. Shown  in profile, the brim of a hat projected above a hawklike nose. That  silhouette was

the symbol of a living presence; yet no figure appeared  in the darkness near the lamp. 

The black patch moved. It blended with the darkness of the street.  A slight swish was all that announced a

motion in the gloom. A strange,  invisible creature was moving toward Brisbane Calbot's old house. The

Shadow had arrived before men of crime. 

There was a cement passage beside the old house. That was the  course which The Shadow took; yet no eyes

unless they had possessed  the sharpness of The Shadow's own  could have spied the progress of  this

mystic visitant. 

The dull whiteness of a side door was blotted by a grotesque  blackness that covered it. The door was heavy;

though its outer surface  did not show it, the barrier was held from within by formidable  fastenings. 

Slight clicks occurred in the darkness. Slow minutes passed. At  last the door yielded to The Shadow's skill.

The barrier opened. The  Shadow entered. The locks tightened again as an unseen hand threw them  with


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scarcely a telltale sound. 

Traveling through a passage, The Shadow spied a single light in a  side room. He stalked to the door. His tall

form threw a long streak of  blackness across the threshold. That darkened, flattened length became

immovable. It was not noticed by a man who sat reading at a little  table. 

Brisbane Calbot was a middleaged man whose appearance gave him the  air of a recluse. He was totally

engrossed in his reading; and the  volume which he held showed that he was engaged in study. The walls of

the room were lined with odd books in dusty bindings. 

SATISFIED that Calbot was completely oblivious of what passed about  him, The Shadow moved away from

the open doorway. He moved through a  passage. A tiny light, its circle of illumination no larger than a  silver

dollar, became the medium through which he found a low, locked  door. This was obviously the entrance to

the basement. 

The Shadow's pick went to work. The lock yielded. The Shadow opened  the door, pointed his flashlight down

a flight of steps and descended,  locking the door behind him. 

The basement proved to be a formidably protected place. The iron  gratings that covered the small windows

were such that no one could  have opened them without long trouble and considerable noise. A locked  door

drew The Shadow to it. He opened this barrier as he had the  others. He stepped into Calbot's curio room. 

Iron shutters guarded this place. The room was large and  wellstocked with all sorts of oddities. The Shadow,

knowing that his  presence here could not possibly be detected, turned on a light. His  spectral form made a

grotesque figure in this unusual room. 

Suits of armor, curious weapons of many descriptions, iron statues,  urns and pedestals  these were the

assortment of oddities through  which The Shadow stepped. The room was in disarray; and it was obvious  that

the weight of the objects themselves made them inviolate to  thieving hands. 

It would have required a group of moving men with a van to carry  away Calbot's collection. Stealth and

subterfuge could not avail with  this huge lot of curios. 

The far wall, however, showed a door that fitted tightly. It was  the barrier to a vault. The Shadow approached

it and began to work. The  vault was a formidable obstacle. The black glove came from The Shadow's  left

hand. The girasol glimmered while long, sensitive fingers tried  the knobs. 

One minute passed; two  three  The Shadow's skill was rewarded.  The door of the vault came open.

Glittering metal sent back flashes as  The Shadow gazed. Within the large vault stood two guardian statues.

One was as black as ebony; the other statue was as white as ivory. 

Heavily bedecked with metal, these rare idols were safe without  their vault. A whispered laugh told The

Shadow's thought. Three men  could not carry one of these heavy pagan gods. Yet Brisbane Calbot had  placed

them in the vault, probably because of their tremendous value. 

On the floor between the idols  set as though it belonged to the  statues and was in their care  a glittering

object rested upon a low  pedestal. It was a golden scroll, inscribed with curious characters in  Arabic. Each

line was illuminated with sparkling gems. 

Stooping, The Shadow formed a shroud which blocked off the light  that shone upon this treasure. His tiny

flashlight glimmered. It showed  the uppermost line of the scroll. It moved along from word to word  while


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keen eyes followed. 

The Shadow was reading the Arabic inscription as easily as if it  had been English. He was deciphering it

word by word, perusing its  mystic message. The flashlight's glimmer continued until it had reached  the final

statement of the inscription. 

FROM hidden lips came a whispered laugh that sounded like hollow  mockery within the opened vault. The

legend purported that this was the  sacred scroll from the Kaaba in Mecca, that cubeshaped building that

stands within the holy place called the Haram, and which houses the  Black Stone venerated by all

Mohammedans. 

A sacred scroll from the Kaaba! That was the reason for The  Shadow's sardonic mirth. The theft of such a

scroll would be as  difficult as the purloining of the Black Stone itself. Had this scroll  ever rested within the

Kaaba, its disappearance would have stirred  tumult through all Islam! 

The Shadow knew that Brisbane Calbot's treasure was a fake. Someone  had duped the old collector. This was

not all that The Shadow divined.  He knew also that this spurious scroll could be the only object which  men of

crime might be seeking at Brisbane Calbot's. 

Crooks were coming to take false treasure. Paste jewels on plated  gold; that was all that they could gain. Yet

this, to The Shadow, was  more important than the discovery of an object of real value. 

His keen mind was tracing backward. Criminals intended to take a  false treasure from a man who had been

swindled when he obtained it.  How had the crooks learned of this hidden scroll? Who had foisted it  upon

Brisbane Calbot? 

The Shadow was connecting the approaching robbery with the two that  had gone before. The police had

advanced the theory that the robbery at  Trappe's and the invasion at Bogart's had resulted in the theft of

unknown wealth on each occasion. The Shadow, himself, had glimpsed a  golden panel in the arms of Fingers

Keefel, when the crook had escaped  from Tyler Bogart's. 

That was all The Shadow needed. He knew the truth. The crooks were  at work to reclaim fake curios; to

cover up the traces of some swindler  who had operated in the past. Fingers Keefel would be here tonight. The

Shadow could frustrate him. But would the saving of this valueless  scroll be an accomplishment of import? 

Again, The Shadow laughed. His tall form rose. It stood like a  gigantic shroud. The black glove slid over the

left hand. The girasol  was hidden. The Shadow closed the door of Brisbane Calbot's vault. 

Stalking through the curio room, The Shadow traversed the way that  he had come. He locked the door behind

him. He ascended the stairs,  unlocked the door at the top and relocked it from the passage. He moved  beyond

the open doorway of the room where Brisbane Calbot was poring  over an antique volume. The Shadow

merged with darkness. 

Minutes passed. The hour of ten was approaching. The Shadow,  however, expected action before that hour.

As he waited in the silence  of a darkened room, he knew that crime would soon be under way. 

The faint whisper of a laugh sounded in suppressed tones. Strange  crime would come to a head tonight; and

The Shadow was ready to play a  part that he had chosen! 


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CHAPTER XII. THE STOLEN SCROLL

A CLOCK chimed in a room of Brisbane Calbot's home. It marked the  third quarter. Fifteen minutes before

ten. Hardly had the chiming ended  before a bell tinkled to announce a visitor. 

Brisbane Calbot heard the bell. The recluse arose from his reading  and reluctantly placed his book aside. He

walked slowly through the  darkened hallway until he reached the front, where he pressed a light  switch. He

pushed back the bolt of the front door; then turned the  lock. He peered cautiously through the crack as he

opened the door. 

A man was standing on the door step. He turned as Calbot's white  face appeared. Brisbane saw a smile flash

in the darkness. He put a  query. 

"You are Mr. Basib?" 

"Yes," came the reply. "Darwin Basib, the curio dealer who made the  appointment for tonight." 

"Come in." 

Fingers Keefel stepped into the light. Brisbane Calbot moved beyond  him and closed the large front door.

With shrewd gaze, Fingers watched  the man's action. A gloating smile appeared upon the lips of the  visitor. 

A pressed bolt  the turning of a lock below. These were easy to  counteract from within the house. As Calbot

moved back from the door,  Fingers, still standing in the vestibule, removed his hat and coat. He  spied a rack

just inside the inner door; but he did not move in that  direction. 

Instead, he spoke to Calbot as he showed his host the hat and coat. 

"Can I hang these somewhere?" he questioned. "Is there a rack " 

He looked about the vestibule as he spoke. Calbot took the hat and  coat. 

"Right this way, Mr. Basib," he said. 

"The rack is inside  in the hallway. Here " 

In indication, Calbot moved into the hall. Raising hat and coat, he  hung them on the rack. Fingers Keefel

foresaw the action. Standing by  the outer door, he turned and with deft movement drew the bolt while  his

other hand twisted the key of the lock. Then, with a quick step, he  turned toward the hall. He was at the inner

door as Calbot turned. 

"This way, Mr. Basib," said the collector, not suspecting for an  instant that his visitor had released the

fastenings of the front door.  "I like to talk with curio dealers. Collecting is my hobby " 

Fingers Keefel was experiencing uneasiness. Despite the ease of the  trickery which he had used at the front

door, he had a suspicion that  eyes were watching him. Fingers had opened the way for Croaker Mannick.

Could Brisbane Calbot have seen him do it? 

AS they entered Calbot's reading room, Fingers decided that he must  have been mistaken. Calbot's face was

friendly and showed no sign of  distrust. The collector offered his visitor a cigar. Fingers sat down  and smiled. 


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"You told me"  Calbot's tone denoted anticipation  "that you had  something most unusual to tell me about

curios. I assumed that you  might be desirous of selling me some for my collection; but you  informed me that

such was not the case " 

"You heard me right," interposed Fingers. "I don't sell curios, Mr.  Calbot. I buy them." 

"But I am not interested in selling any of my curios " 

"You might be," interrupted the false dealer, "when you have heard  my terms. There is a particular type of

curio that I buy, Mr. Calbot." 

"Ah!" 

"A type of curio that no one wants." 

"That no one wants?" 

"Yes." Fingers smiled. "I buy fake curios, Mr. Calbot." 

The collector seemed puzzled. Fingers grinned as he went on with  his explanation. 

"Lots of collectors," he said, "get stuck with phony curios. They  usually buy them cheap  that's why they get

stung. So I give them  their money for them and pass the fake curios on to other people." 

An indignant exclamation came from Brisbane Calbot's lips. 

"This is outrageous, Mr. Basib!" asserted the collector. "A  dishonest practice!" 

"Just a way out," returned Fingers. "I find that most curio  collectors are glad to find it  if they learn that they

own fakes." 

"I should never take such a step," protested Calbot. "If ever I  have been swindled, the loss is my own. I trust

people, Mr. Basib. I  believe in honesty." 

"So do I." Fingers suddenly changed tactics. "It's not my fault  that I had to take up this game. The collectors

are the ones to blame.  I used to be an expert at detecting forged curios. What did I get for  it? 

"Nothing. People called me in to examine articles they thought had  value. I told them when I found fakes.

That upset them because they saw  financial loss. They didn't like to pay me the fee that I required.  They all

had one question  just one question, Mr. Calbot." 

"What was that?" 

"If I could help them to get rid of their fakes, passing the junk  off as genuine." 

"And you complied?" 

"I had to do it." Fingers took on a mournful look. "It was the only  way, Mr. Calbot. Think of it  me  the

man who can spot a fake quicker  than anybody else in the country  forced to go into a racket." 


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"I am sorry," stated Calbot, sympathetically. "Very sorry, Mr.  Basib. I appreciate the fact that you feel

remorse. I should like to  aid you in a return to honesty. Perhaps"  the collector was nodding  thoughtfully 

"you would be willing to give an impartial study to my  collection of curios. I should value your expert

opinion. I can assure  you, also, that I shall be willing to pay you a generous fee. 

"But I shall not dispose of any spurious items in my collection.  Instead, I shall spare no effort to trace the

men who swindled me   should you discover that some of my curios are not genuine." 

"I'd like to see your collection," asserted Fingers, in an eager  tone. "I'd like to get a first look at it so that I

could list all  doubtful articles. Then I could return to give a more exact  inspection." 

"Very well, Mr. Basib. Come this way." 

BRISBANE CALBOT arose and conducted his visitor toward the door  that led to the stairs below. Fingers

Keefel, as he followed, gave a  warning cough, as he threw a glance toward the front of the house. He  heard a

slight creaking sound just beyond a turn in the hall. He  grinned, knowing that it must be Croaker Mannick. 

Brisbane Calbot opened the door and turned on a light at the top of  the stairs. With Fingers Keefel at his

heels, he led the way to the  cellar and unlocked the door of the curio room. The two men stepped  into the

room. Calbot turned on the light and waved his hand. 

"Here it is," he said. 

"A wonderful collection!" exclaimed Fingers. "Wonderful. Many  interesting items." 

He strolled about the room, noting one object after another and  finally stopped to face Calbot. 

"I suppose," said Fingers, in an indifferent tone, "that you have  other items which you consider to be of more

value than these?" 

"Yes," admitted Calbot. "But " 

"Where are they?" 

"I keep them in a special place." 

"In that vault?" 

Calbot looked nervously at Fingers; then his eyes went toward the  vault. Fingers, near the door of the curio

room, gave a noiseless snap  to his fingers  a sign which could be seen by anyone in the cellar.  Then,

stepping past Calbot, he approached the door of the vault. He  placed his hand upon a knob. 

"That vault stays locked!" exclaimed Calbot, excitedly. "I do not  care to open it, Mr. Basib." 

"What is the combination?" quizzed Fingers. 

"What  what!" blurted Calbot. "You dare to seek to open it? Leave  my house at once. At once, I say!" 

"After you," smirked Fingers, waving his hand toward the door. 


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Brisbane Calbot turned in bewilderment. A gasp came from his lips  as he sighted the reason for his visitor's

grin. 

Standing in the doorway was a tall, squarejawed man who gripped a  .38. The revolver was covering

Brisbane Calbot. The collector's arms  came up; he backed away. 

"Good work, Croaker," laughed Fingers, as he recognized the tough,  though pasty, face of the killer whom he

had summoned. "Keep this bimbo  covered while I open the box." 

With cool indifference, Fingers turned and began his work upon the  knob. He laughed sourly as he

proceeded, talking to Brisbane Calbot as  he went along. 

"It would be easier," he remarked, "if you gave me the combination.  What's that? No answer? How would a

bullet from my friend's gun suit  you?" 

Brisbane Calbot remained silent. Fingers Keefel muttered, another  laugh. 

"You'd rather die, I'll bet," he declared. "Well, maybe you will   maybe you will. And if you're dead, you

can't tell us. We don't like to  stay around long after a guy takes the bump. So we'll let you keep your  funny

mug shut. Keep watching, oldtimer, and see how a safecracker  works." 

BRISBANE CALBOT stared. His lips were pursed. As Fingers Keefel had  suggested, the outraged collector

was ready to face death without  speaking. He had a sort of nervous confidence in the door of his safe.  As

Fingers growled at missed combinations, Calbot felt hysterical  elation. 

Fingers began to talk. It was his way of working. His growled  remarks reached the door of the curio room

and brought a smile to the  ugly lips of Croaker Mannick. 

"The last job," was the comment that Fingers made. "I fixed it for  you and you walked in, Croaker. This is a

better lay for you than the  one out on Long Island. Say  I helped you out when I yanked off that  light, didn't

I? 

"You're cool with the gun, Croaker. The way you beat old Fatty  Bogart to the shot was neat. You had to

scram plenty fast. Brodie's mob  ran into trouble that you got out of. Didn't they?" 

"Yeah." Croaker's growled affirmative indicated an unpleasant  recollection. 

"Don't get nervous, Croaker," laughed Fingers. "Say  if I could  handle a gat like you can, nothing would

make me nervous  not even The  Shadow." 

"Yeah?" Croaker's voice showed actual nervousness. "Well, when I  scrammed, there was some guy firing in

the dark  and I didn't like  it." 

Fingers poised his hand. His smile faded. A grim look appeared upon  his face. He halfturned his head to

look toward Croaker. The gleaming  .38 was trained steadily upon Brisbane Calbot; but Fingers fancied that

he saw a nervous expression on Croaker's face. 

"This is the last job, Croaker," assured Fingers. "I don't blame  you for wanting to get it over with  if you've

got a hunch that The  Shadow might mix in. Well  we'll scram when we're through  and  there's nothing

more to worry about. 


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"Not even The Shadow can get wise to the next stunt that Duke  Larrin's going to pull. He'll get what he's after

and it won't be  phony junk  so he said. We're not in it  and neither is Brodie. Even  The Shadow won't

have a chance to get to that crypt of Duke Larrin's." 

With these words, Fingers bent back to the vault. His hands resumed  their task. The nervousness which

Fingers had gained after his survey  of Croaker s face seemed to spur him rather than deter him. 

Something clicked. The door of the vault moved open. It had taken  Fingers twentyfive minutes; he thought

that he had done a creditable  job. He did not know that The Shadow had been here before him, to do  the work

in exactly three minutes! 

Fingers Keefel spied the golden scroll. He gloated. He pulled the  object from between the two statues that

guarded it and gripped the  scroll beneath his arm, leaving the pedestal on the floor of the vault. 

AS Fingers headed for the door of the curio room, he saw Croaker  Mannick moving inward. The killer

shoved the muzzle of his revolver  close to Brisbane Calbot's body. Fingers, at the door, peered nervously

about. He remembered the sensation of some strange presence in the  house. He wanted to be sure that no

intruder was around. 

"Better give him the bump," urged Fingers, nudging his free thumb  toward Brisbane Calbot. "Wait until I'm

up the stairs though. You'll  have to hurry to get out before the mob piles in. I'll open the side  door, Croaker.

That'll leave two ways." 

"Yeah?" Croaker growled. "How's the mob going to hear it if I fire  down here?" 

"Give them another signal upstairs." 

"And suppose they might happen to hear the first one? Listen,  Fingers  I'm coming right after you  get

that? I'm not sticking down  here in this trap. Say  could anybody ever open that vault in shorter  time than it

took you?" 

"There's not another guy could do it in less than an hour." 

"Well, that settles it. This mug is going in his own vault. He  won't last a half an hour." 

Croaker's gun jabbed against Calbot's ribs. The curio collector  backed away. Fingers Keefel grinned

fiendishly as he watched from the  cellar. He saw Croaker back Calbot into the vault while the curio  collector

gasped his protests. 

"My scroll!" blurted Calbot. "You thieves! Stealing  my greatest  treasure. You  you murderers!" 

The last word came in a hoarse scream as the collector tumbled  backward into the vault. As Calbot sprawled

upon the pedestal which had  held the golden scroll, the vault door swung shut. Fingers saw Croaker  twirl the

knob. Without another word, the safecracker started for the  stairs, leaving his companion to follow. 

Fingers reached the side door and opened it. He left the barrier  ajar. With the fake scroll of pretended gold,

Fingers slipped out into  the darkness of the alleyway. He headed toward the back; he quickened  his pace as

he heard the blast of Croaker's .38 from within the side  door of the house. 

Croaker, like Fingers, was clear. Thief and murderer were scurrying  away to safety  each to his own

hideout. The third job had been  accomplished. 


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Gloating, Fingers Keefel chuckled over the thought of Brisbane  Calbot, interred alive in his own vault. The

last of three whom Duke  Larrin had marked for death was buried in a spot where doom was  certain! 

CHAPTER XIII. THE SHADOW ACTS

THE pause that followed the shot from Croaker's revolver was an  ominous one. To mobsmen, waiting in cars

in front of Brisbane Calbot's  home, the report was a familiar signal. They had heard the sound of  that gun at

Perry Trappe's. They had heard it again on Long Island,  when they had invaded the home of Tyler Bogart. 

Bozo Griffin, assuming full command for himself despite the fact  that he and Cliff Marsland were of equal

ranking, emitted a growl as he  heard the signal. He remembered Brodie Brodan's admonition to allow  time

for the man who fired the revolver to make a getaway. 

The single shot, though unexpected in this quiet neighborhood, had  no aftermath until Bozo decided to give

the next command. In a louder  growl, Brodie Brodan's lieutenant ordered his gorillas to start their  wild raid. 

"Let 'em go!" 

Mobsters piled from automobiles. Dashing across the street, they  opened fire on the windows of Calbot's

home. Three men rushed up the  front steps and threw open the big door. Others made for the alley, to  seek

the side entrance. Bozo Griffin, with Cliff Marsland beside him,  was standing near the leading car across the

street. 

Shots from the front of the house. Then came a scream from the  first mobster who had entered. The man

came tumbling from the  vestibule. A gorilla beside him leveled his revolver and fired. An  answering boom

came from within. The second mobster staggered and  plunged, headlong down the steps. The third man

scrambled for safety. 

There were shots in the alleyway. The gangsters who had taken the  cement passage were at the side door. In

response to the wild barks of  their revolvers came a new fusillade. Someone within the house had  stopped the

raiders at the front and had turned to meet those who were  entering at the side! 

One mobster had sprawled upon the cement. Another was staggering,  crying to his pals to aid him. The rest,

remembering the ambush at  Bogart's, took to flight. As they scattered for the waiting  automobiles, new shots

came from bulletbroken windows. 

Mobsmen were starting the automobiles. Bozo Griffin had dived into  the front car. Cliff Marsland was

following him. With demoralized  gorillas clambering aboard, the cars shot from the curb. Brodie  Brodan's

mobsters had met another setback. 

CLIFF MARSLAND knew the answer. The Shadow had acted from within  the beleaguered house. Stationed

there, he had met the first invaders;  then had turned his fire to the second horde. Mobsters had met their  just

deserts. 

The quick exchange of shots had roused the neighborhood. People  were shouting from windows. In this quiet,

unfrequented district,  minutes would elapse before police responded. 

Within Calbot's now silent house, The Shadow was moving with quick  precision. Almost before the echoes

of his fire had died, the tall  avenger in black had reached the steps to the cellar. With swift,  sweeping stride,

The Shadow gained the curio room. 


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Gloved fingers worked upon the knobs of Brisbane Calbot's vault.  The Shadow had unbarred the barrier in a

few minutes on his previous  attempt. This time, his task was a matter of seconds. The door of the  vault swung

open. 

Brisbane Calbot was slumped between the two idols. The black statue  and the white looked like huge slaves

protecting their master. The  light from the curio room shone upon Calbot's face. With frightened  gasp, the

recluse looked up. 

Before him stood a being clad in black. The sinister visitant  seemed like a spectral figure sent to the vault

which had been marked  as Calbot's tomb. Burning eyes were commanding, as a blackgloved hand  stretched

forth and beckoned. 

Wondering, Brisbane Calbot rose. He was like a man in a trance.  Strong hands caught his shoulders and

swung him from the vault. The  door clanged shut. The light went out. With a powerful arm swinging him

forward, Brisbane Calbot found himself following the sharp glare of a  narrowbeamed flashlight as it cut a

swath toward the bottom of the  steps that led upstairs. 

The Shadow swept the recluse onward. Together, they crossed the  floor above and reached the side entrance.

Calbot, wondering where he  was being taken, could do nothing but obey. This strange visitant had  brought

him from a vault of death. He felt that he had gained a needed  protector. 

Shouts were coming from the front street when The Shadow and his  charge issued into the cement passage.

Brisbane Calbot stumbled over  the body of a dead gangster. The Shadow caught the recluse and helped  him

onward. Through the rear of the passage; down a tiny alleyway; then  across a side street. The pair was just

ahead of the police who were  arriving. 

Calbot slumped upon the cushions of a coupe. The car shot forward  as an invisible driver took the wheel.

Turning a corner, it sped into  darkness. The Shadow, like those who had gone ahead, was leaving this

vicinity. 

The coupe stopped after a trip of one mile. Calbot, still nervous,  felt himself being aided from the car. He

blinked. He was on a side  street, with a bright avenue ahead. He felt a strong arm aiding him  through the

dark; then he tumbled into the rear seat of a sumptuous  limousine. 

"Newark, Stanley," came a quiet voice at Calbot's side. 

THE chauffeur started the limousine. Calbot tried to make out the  form of the man beside him. He could see

nothing in the black corner of  the limousine. Then came the quiet voice, again bringing reassurance. 

"You are fortunate, Mr. Calbot," were the words. "The death which  you expected has been stayed." 

"Thanks to you," blurted Calbot. "I thought that I was doomed. I  can never fully thank you " 

"I do not ask your thanks. I wish you to obey. Hear my orders." 

Calbot nodded in the darkness. The voice, though quiet, was  commanding. 

"Men of crime have sought your death." The Shadow's tone was  ominous. "In order that they be foiled, they

must believe that they  succeeded. You are leaving New York." 

"Gladly," expressed Calbot, in a relieved tone. "But  but they did  more than try to murder me. They stole " 


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"The golden scroll from the Kaaba. I shall speak of it later. In  the meantime, remember that you must stay

away and communicate with no  one. You are taking a train at Newark, tonight. Travel to the  destination

named upon the ticket that you receive." 

Again Calbot nodded. This stranger in the dark seemed to know  everything. The recluse, however, was due

for a more startling  surprise. 

"Your golden scroll," declared The Shadow, "was a fraudulent  treasure. The theft of it relieves you of a

valueless object." 

"My scroll!" Calbot's exclamation was a sharp cry. "Fraudulent. You  mean that I  that I was swindled " 

"Yes. That is why I seek the name of the man from whom you received  it." 

"Cecil Armsbury," declared Calbot, slowly. "I cannot believe that  he would have played me false. His

reputation is too great. Armsbury  has traveled everywhere. His collection of Egyptian antiquities was

purchased by the Egyptian Museum. I  I cannot believe it of Armsbury.  He  he must have been duped

also." 

"Cecil Armsbury." 

The name came in a whisper from The Shadow's hidden lips. The  limousine rode on, heading for the Holland

Tunnel. 

"A man of reputation," added Brisbane Calbot. "A great traveler and  explorer. A fine career behind him.

Armsbury! I cannot believe that he  is to blame." 

There was a long pause. Brisbane Calbot, staring ahead, was trying  to find an answer to this new perplexity.

In one short evening, he had  experienced more surprises than he had previously gained during his  entire

lifetime. 

THE limousine came to a stop. It had turned into a side street to  gain a parallel avenue. Brisbane Calbot was

leaning forward. Keen eyes  from the dark were studying his pale profile. Something moved in the  darkness at

Calbot's side. A gloved hand grasped the knob of the door.  Silently, the door opened and closed. While

Calbot still stared, the  limousine moved on. 

"Armsbury!" Calbot still repeated the name. "The golden scroll from  the Kaaba  a fake! I have been

defrauded. Men have sought to murder  me!" 

The collector mumbled incoherent words. The limousine reached the  Holland Tunnel as he still was speaking.

It rolled swiftly through the  tube and reached the Jersey side. 

Lights from the highspeed highway. Brisbane Calbot turned, with  sudden realization that he could see the

man beside him. To his  amazement, he saw that the limousine was empty of passengers other than  himself. 

Calbot could offer no explanation. He could not remember a possible  occasion upon which his mysterious

rescuer could have left the car. He  was still bewildered when the limousine pulled up at the Market Street

station in Newark. 

The chauffeur alighted and opened the rear door. He handed an  envelope to Calbot. The curio collector

opened it in dumfounded  surprise. He found a railway ticket, with Pullman berth to Washington. 


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"Your train leaves in ten minutes, sir," the chauffeur of the  limousine informed him. 

The chauffeur went back to the car. The limousine rolled away while  Brisbane Calbot was still examining the

ticket. Slowly, the recluse  entered the station and ascended the steps to the train platform. He  knew that his

only course was to follow his rescuer's orders. 

Calbot could still recall that weird form in black; the burning  eyes of his rescuer; the quiet voice that had

spoken in the limousine.  As the headlight of an electric locomotive blazed down the track,  Calbot realized

that some strange brain had been at work in his behalf. 

This ticket had been ready for him while he was still within the  vault of his curio room. That meant that his

rescuer had anticipated  the visit of the men who had stolen the golden scroll and had placed  him in the vault! 

For a moment, Calbot experienced perplexing doubts. Then, as he  stepped aboard the sleeper, he realized that

one to whom he owed his  life must certainly be working entirely in his aid. Brisbane Calbot  noted a card in

the envelope which contained the ticket. It bore the  name of a Washington hotel. That would be Calbot's

residence until he  received word to return to New York. 

BACK at Calbot's house, the side door was open. A patrolman in the  passage at the side was staring toward

the street. He turned as two men  came from the house. One was Inspector Timothy Klein; the other  Detective

Joe Cardona. 

"You were the first man to enter here?" Klein, the grayhaired  inspector, put the question to the patrolman. 

"Yes, sir," returned the officer. "Came in through one of the  busted windows at the front. Found the front

door bolted; the side door  was closed with a spring lock." 

"Looks like the trouble was all outside," remarked Cardona. "That  junk room hadn't been touched, inspector." 

"It would take more than a bunch of gangsters to lift any of that  stuff," agreed the inspector. "That note we

found in the reading room  settles it anyway." 

"Yeah. This fellow Calbot who owns the house left the note for his  servant, Hildebrand. I called up the

sanitarium where the servant is  staying. They told me he's due back in a week  and that he has keys to  this

place." 

Klein nodded. He had read the note mentioned by Cardona. It  announced to Hildebrand that Calbot was going

away for a trip. It  instructed the servant to put the place in order and to remain until  his master returned. No

mention had been given of Calbot's destination. 

"Just a gang fight," decided Cardona, "but they picked a funny  place to stage it. I figured for a while that they

must have been  trying to bust in here. Maybe they were at that; but they didn't make  it. Anyway, there's one

guy that's out of it." 

"Who?" 

"Brodie Brodan. I thought that guy was mixed up in the murder of  Trappe  and Bogart. But I had my eye on

him tonight. I was watching  him down at the Club Madrid when I got the call to come up here." 

The two men strolled along the alley. The patrolman closed the side  door to Calbot's home. The automatic

latch sprang shut. The policeman  followed the inspector and the detective. 


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Something clicked in the darkness. The side door opened. A swish  sounded as a moving form made its way

through the dark house to  Calbot's reading room. A tiny flashlight glimmered on the table. It  revealed the

note which Cardona had read and replaced. 

The Shadow had returned to make sure that his plans had succeeded.  He had left that note; he plucked it from

the table, now that its  purpose had been served. 

The Shadow had played a triple game tonight. 

He had saved Brisbane Calbot from death in the vault and had sent  the collector out of town where he was to

remain. He had tricked the  police into thinking that nothing had occurred within this house. Most  important,

however, The Shadow had duped the enemy. 

So far as Duke Larrin and his minions were concerned, Brisbane  Calbot had perished. They would believe

that the curio collector's body  was still in the vault. Yet Brisbane Calbot still lived; and tonight,  The Shadow

had gained knowledge of the game which the crooks were  playing. 

The spurious scroll from the Kaaba. Its former owner a man named  Cecil Armsbury! These were facts which

The Shadow had learned. Through  them, he would trace crime to its source! 

The whispered laugh of The Shadow echoed through the hollow  stillness of Brisbane Calbot's reading room.

The tiny light vanished.  The Shadow had departed. 

CHAPTER XIV. CROOKS SUSPECT

ONCE again, Cecil Armsbury and his nephew, Martin Havelock, were  seated in the living room of

Armsbury's home. Calhoun, the solemnfaced  servant, had just gone out to the hall, closing the door behind

him.  The departure of the servitor was followed by a growl from Martin  Havelock. 

"I don't like it!" expressed the man who called himself Duke  Larrin. "I thought that Brodie Brodan was

smarter than he is. Getting  his mobsmen picked off is something I hadn't counted on." 

"Less men for him to pay," reiterated Armsbury, in a satisfied  tone. 

"All right from that standpoint," admitted Havelock. "But I can't  see what caused the trouble. Nothing has

gone sour  otherwise Fingers  or Croaker  even Brodan  would have shown up at the crypt. They  polished

off Brisbane Calbot, sure enough, and stowed his body  somewhere. But what caused all the shooting?" 

"Easily answered," returned Armsbury. "The shot that Croaker  Mannick fired as a signal must have brought

in someone other than  Brodie's men." 

"Who, for instance?" 

"The Shadow." 

Cecil Armsbury uttered the name in matteroffact fashion. His  nephew stared in unfeigned alarm. A

cackling laugh came from old  Armsbury. 

"The Shadow," repeated Armsbury. "You, Martin, have yourself  expected him to appear. He is a supersleuth;

and it is not at all  unlikely that he has trailed some of Brodan's mobsmen. Brodan's system  was a delayed


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attack. The Shadow, lurking somewhere in the dark, must  have come to meet it." 

"He didn't stop Fingers or Croaker," declared Havelock. "They made  a getaway all right. Those fellows

whose bodies were found by the  police were just secondrate gangsters." 

"Precisely," stated Armsbury. "That is The Shadow's forte, my dear  nephew. He fights with men of the

underworld. He kills them and he  feels satisfied. But he has touched the surface only. He cannot have  reached

beneath. He will never reach far enough"  the old man's eyes  were gleaming with cunning  "to learn the

secret of our crime crypt." 

"You're right about that," decided Havelock. "The Shadow is a keen  worker, but all indications show that he

hasn't gone far. I'm glad,  though, that this was the last job for Fingers Keefel and Croaker  Mannick. They can

lay low until they're due at the crypt." 

"On the fifteenth," chuckled Armsbury. 

"Yes, the fifteenth," repeated Havelock. "But there's one point of  contact left. Brodie Brodan." 

"A clever man, Martin, despite your criticism of his leadership." 

"Sure Brodie's clever. That's why I picked him. But he's the only  one that The Shadow might trail to the

crypt. That's why I want to make  sure about him." 

"How?" 

"I'm going to call Brodie. I'm going to tell him to be on the  lookout. I took the right precautions from the

start. He has a special  crew all fixed to handle our final job." 

"Which will bring us vast wealth," chuckled Armsbury, "as well as  destroying the final shred of evidence that

might be used to expose my  past." 

"There's only one answer," declared Havelock. "Somebody in Brodie's  mob must be working with The

Shadow. I'm going to put Brodie wise to  what I think  and let him act accordingly." 

"A wise thought," returned Armsbury, "but actually an unnecessary  precaution. Brodie is through with his

present minions. When he tells  them that they are no longer needed, they will have no further trail to  follow." 

"Except Brodie himself. That's why I'm calling him. I can reach him  at the Hotel Spartan, from a pay station a

long way from here. There'll  be no way of tracing my call." 

With this decision, Havelock arose and sauntered from the room.  Cecil Armsbury smiled indulgently. He did

not share his nephew's  apprehensions. 

THE aftermath of Martin Havelock's precaution came at the Hotel  Spartan. Brodie Brodan, seated in his

room, was talking with Bozo  Griffin. Coincidentally, the gang leader was discussing the very  subject that

Havelock had mentioned to Armsbury  the forestalled raid  on Brisbane Calbot's home. 

Brodie's voice was coming in a growl when it was interrupted by the  ringing of the telephone. Brodie picked

up the receiver. His eyebrows  furrowed as he heard the voice of the man whom he knew as Duke Larrin. 


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Duke's terms, though cautious, were to the point. Brodie answered  them in short monosyllables. His words

meant nothing to Bozo Griffin.  When the call was complete, Brodie placed the telephone aside and  stared at

Bozo. 

"I was talking to Marsland a short while ago," asserted Brodie.  "That's why I called you up here, Bozo.

Marsland can't account for the  trouble up at Calbot's any more than you can. But he told me  without

criticizing  that you were the one who told the mob what to do. Is  that right?" 

"Sure, I told 'em," retorted Bozo. "If I hadn't, Marsland would  have. The thing looked like a setup, Brodie. I

can't see why Marsland  squawked." 

"He didn't squawk," returned Brodie. "He told me something which  you have admitted. Seems to me you

don't like Marsland, Bozo." 

"I don't," growled the lieutenant. 

"Good," grinned Brodie. "That's why I want you to pal with him." 

"Me?" 

"Yes, you. Stick along with the guy. Do as I tell you. I'm keeping  the two of you to handle the mob if I need

you later. You buzz me every  night at the Club Madrid. When I've got work for you to do, I'll let  you know." 

There was a rap at the door. Brodie gave a summons to come in.  Cliff Marsland entered. Brodie had told him

to return. 

"Hello, Marsland," greeted Brodie, in a cheery tone. "Was just  talking about you. Bozo, here, was a bit sore

because he thought you  were passing the buck to him on that trouble up at Calbot's. I told  Bozo to get over

it." 

"No reason for him to be sore," remarked Cliff, in a quiet tone.  "He gave the order quicker than I expected,

that was all. It might have  been better to wait a few minutes longer." 

"Then you'd have given the same order," growled Bozo. "It would  have turned out the same way, wouldn't

it?" 

"Probably," admitted Cliff. 

"That settles it," expressed Brodie Brodan. "Stick out your mitt,  Bozo, and give Marsland the grip. You birds

are pals. Get it?" 

Bozo obeyed. Cliff shook hands in friendly manner. Brodie lowered  his growl and spoke to the reconciled

lieutenants. 

"I'm laying low, boys," he declared. "I'm sticking at the Club  Madrid  except when I'm here at this hotel.

When I need something  done, I'll let you know. That's why I want you to be pals. Get it?" 

Nods from the lieutenants. 

"Bozo can call me every night," resumed Brodie. "I'll tell him  what's to be done. If it don't sound O.K. to you,

Marsland, you can get  me on the wire to make sure. But we're laying easy for a time  that's  all." 


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With a wave toward the door, Brodie dismissed his lieutenants;  Cliff Marsland and Bozo Griffin went from

the room. From now on, they  would stick together, with the understanding that both would be ready  when

needed. 

SEVERAL minutes passed. Brodie Brodan picked up the telephone. He  called a number. A growling voice

responded. Brodie recognized it. The  man at the other end of the wire was one whom he had chosen to keep

under cover  "Sinker" Hargun  a mobster who had his own squad of  gorillas. 

"This is Brodie," informed Brodan. "All set?" 

"Yeah," came Sinker's growl. 

"Let it ride then," returned Brodie. "You know the lay. Go through  with the job. I'll see you after it." 

Brodie hung up the receiver. He grinned as he prepared to leave for  the Club Madrid. The warning that had

come from Duke Larrin had aroused  latent suspicions in Brodie's mind. 

The Shadow! Duke Larrin had mentioned the name of that dangerous  foeman. He had stated that an agent of

The Shadow might be a spy in  Brodie's camp. If such were the case, the guilt must lie between Bozo  Griffin

and Cliff Marsland. Of the two, Brodie picked Cliff as the  logical one. 

Hence the mob leader's insistence that Bozo and Cliff stick  together. It had been Brodie's original idea to

break up his mob after  the Calbot job. His present plan was better. The Shadow  if Cliff were  his informant

would be waiting for another move by Brodie's present  mob. That move would never come. Brodie would

lie idle at the Club  Madrid. Sinker Hargun would do the dirty work. 

Bozo and Cliff, however, were not out of Brodie's mind. The crafty  gang leader had plans concerning them;

and by keeping the two together,  he saw a culmination that would strike home. 

Brodie Brodan had played his cards craftily. Cliff Marsland,  strolling through the badlands with Bozo Griffin,

had gained no  suspicion whatever. When the pair reached the notorious dive known as  the Black Ship, they

separated for the time. Cliff, with opportunity at  his disposal, slipped into a room where a telephone was

located and  gave a call to Burbank. 

SOME time afterward, the tiny bulb glowed on the wall of The  Shadow's sanctum. The little spot of light

showed clearly, for the  silent room was dark. The glow remained. At last, a swish in the  blackness announced

that The Shadow had entered. 

Hands clicked the earphones in the dark. The voice of The Shadow  spoke from the total gloom. Burbank

replied with his report  a simple  statement from Cliff Marsland. The Shadow gave brief orders. Cliff was  to

stick with Bozo. 

A weird laugh resounded as the blue light clicked above the  polished table. There was cause for The

Shadow's mirth. The master  fighter could see that Brodie's instructions to Bozo and Cliff were a  stall. 

Plotting fiends were planning different crime. The Shadow was  seeking their objective. Beneath the surface,

he had gained startling  results that his enemies did not suspect. Though they believed his hand  was present

they had no inkling that he had learned an iota of their  game. 

The Shadow was planning a counterstroke to crime; one that would  prove astounding when it came. But in

the plans lay a flaw that even  The Shadow did not see  for it was the result of Cliff Marsland's  unfortunate


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lack of intuition. 

Cliff's report had failed to give a complete resume of the  conversation with Brodie Brodan. It did not show

that Cliff, himself,  lay under the gang leader's suspicion. That fact concerned The Shadow,  for it involved the

safety of his agent. 

All lay in the cunning of The Shadow's contemplated counterstroke;  for when it was delivered, The Shadow

would find the life of Cliff  Marsland dependent upon The Shadow's own success! 

CHAPTER XV. AT THE MUSEUM

A FEW days after the affair at Brisbane Calbot's, a  stoopshouldered old man appeared on the avenue in

front of the new  Egyptian Museum. Turning from the sidewalk, this visitor ascended the  granite steps that led

to the imposing edifice. 

The old man had an odd, tottering step that seemed to indicate a  strength despite the frailty of his form. His

short height was due to  the forward lean of his shoulders. This resulted in a peculiar upturn  of his neck; and

the old man made a ludicrous appearance as he stalked  toward the entrance of the museum. 

An attendant at the door grinned and turned to a companion. He  pointed out the figure of the wearylooking

old man. 

"Here he is again," said the attendant. "The guy I was telling you  about. If he ain't a card, I miss my bet. We

get some goofy looking  birds around here, but this old turkeyneck has 'em all beat." 

The old man was at the door when the attendant ceased speaking. The  uniformed man opened the barrier to

admit the visitor. The old man  bowed in friendly fashion and mumbled his thanks. Then, in a quavering  tone,

he asked: 

"Is the curator in his office?" 

"Yes, sir," returned the attendant. "You can see him this  afternoon." 

"Ah!" The old man's tone was grateful. "I had hoped to find him  here. This is my third visit in the past few

days. I had hoped to find  him this time." 

Following the attendant's pointing finger, the old man walked along  a corridor and reached the office which

had been indicated. An  inscription on the glass door read: 

HANDLEY MATSON 

CURATOR 

The old man opened the door. Hesitatingly, he entered. He reached  an outer office and bowed to a young

woman, evidently the curator's  secretary. 

"The curator?" questioned the visitor. "May I see him?" 

"Who shall I tell him is here?" 


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"Professor Dilling. Professor Sturgis Dilling." 

"Be seated, professor." 

The old man was carrying a heavy package under one arm and a  briefcase in his other hand. He placed these

objects upon the floor and  seated himself in a chair. He produced a pair of largerimmed  spectacles and

adjusted them to his eyes. The action gave him an owlish  appearance. 

"The curator will see you, professor." 

OLD Sturgis Dilling arose and followed the girl into an inner  office. He bowed to a cadaverouslooking man

who sat behind a mahogany  table. Handley Matson, curator of the Egyptian Museum, looked like the

mummy of some Pharaoh. 

"Good afternoon, professor," said Matson, in a solemn voice. "What  is the purpose of your inquiry here?" 

"I am an Egyptologist, sir," returned Dilling, in a quavering  voice. "I came, a few days ago, to see the tomb of

Senwosri. I was  informed that it was not open to the public." 

"It is not," asserted the curator. "We intend to have it so after  the new wing is completed. However, I can

show individual visitors the  tomb. Would you like to see it?" 

Sturgis Dilling nodded. His eyes gleamed warmly. The curator arose  and led the way to the door. He passed

through the anteroom, with the  professor following. On the way, the old man hesitated; then picked up  his

package and briefcase to totter after the curator. 

The pair reached a long room some distance from the office. They  passed an attendant who was standing at

the door. The curator turned to  the professor. 

"You have seen the antiquities here, of course?" he asked. "We have  some remarkable specimens of Egyptian

art and sculpture in these cases,  particularly here." 

Sturgis Dilling nodded as Handley Matson pointed out a show case  that contained delicately sculptured

objects of the sort found in  Egyptian tombs. 

"This is the Armsbury collection," explained the curator.  "Purchased from Cecil Armsbury, a man whose

archaeological work is  highly recognized. Over here are clay tablets  also from the same  collection." 

Professor Dilling stared at the second case. He seemed to be  deciphering the inscriptions on the tablets. The

curator watched the  old man nod. 

"I have seen these," declared Sturgis Dilling. "Very interesting,  sir. Very interesting, indeed." 

The curator led the way to the end of the room. He removed a large  key from his pocket and unlocked a

heavy door. Within was a huge stone  sarcophagus, with heavy lid. Standing before the coffinlike structure

was an upright mummy case, fastened with heavy bands. 

"THE tomb of Senwosri," announced the curator, in a voice that  sounded solemn within the walls and low

ceiling of the little room. "We  keep the mummy case here because of its great value. The golden mask   the

jeweled objects  all are in their place within the case. We keep  it closed and strapped shut because of the

value of its contents." 


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"I should like to see the mummy itself," remarked Sturgis Dilling.  "I shall certainly be among the first to visit

the new wing of your  museum, Mr. Matson. I have been deeply interested in the history of  Senwosri. He was

the son of Amenemhe " 

"And the builder of the obelisk at Heliopolis," added the curator,  in a monotone. "He also erected the temple

at Wadi Halfa.  Confidentially, Professor Dilling, I am almost afraid to have so  valuable a treasure here in my

museum! The wealth within that mummy  case rivals that of Tutankhamen's tomb! 

"The public does not realize the value of Senwosri's coffin, for  the publicity given to Carnarvaron's discovery

of Tutankhamen eclipsed  the finding of Senwosri. There are Egyptologists, however, who know  that the

American expedition which unearthed this case and its  sarcophagus did quite as creditable work as the British

expedition  which Lord Carnarvaron headed in the finding of Tutankhamen." 

"This is a strongroom," observed Sturgis Dilling. 

"Accessible only from the outer room," declared the curator. "That  fact has somewhat relieved my qualms. In

the new wing, however, the  tomb of Senwosri will have ample space for public display. We have made  it a

rule, however, to keep the mummy case closed until we have the  proper arrangements for its protection." 

Professor Dilling was examining the painted, gold decorated surface  of the mummy case. The curator added

another comment. 

"The straps," he explained, "are simply to keep the case loosely  shut. At first, we used to keep it in the stone

sarcophagus. You will  observe the padlocked bars that still encircle the stone container. I  intend to remove

those later. They serve no useful purpose." 

The old man looked at the sarcophagus. He turned and walked from  the little room. The curator followed him

and locked the door of the  tomb. 

Dilling was strolling about the outer room when the curator joined  him. The old professor had laid his

package and briefcase aside. He was  displaying new interest in the Armsbury collection. Then he turned and

pointed to the end wall of the room  opposite the door of the tomb. 

"I was told," he said, "that yonder space was reserved for a  collection of mummies." 

"Yes," acknowledged the curator. "They are a part of the Armsbury  collection that has not yet been delivered.

The mummy cases have been  in temporary storage. They are not of great value, professor;  nevertheless, they

would interest you. They are virtually a gift from  Armsbury  for we did not have the funds to purchase

them." 

"Indeed," remarked Dilling. "That is quite interesting, Mr. Matson.  The attendant did not know just when the

mummies were expected. He  thought they would come on the fifteenth." 

"They are to be delivered on the fifteenth," returned Matson.  "Jove! That's today, isn't it? I had forgotten all

about the matter." 

The curator paused to glance at his watch. The time showed twenty  minutes of three. 

"We close at three o'clock," declared Matson. "Of course, the  attendants and myself are here until five. The

mummies will probably  come in later in the afternoon. Should you come back tomorrow,  Professor Dilling,

you will find them on display." 


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"Thank you, sir," returned Dilling. 

"I must leave you," said the curator. "I have business in the  office. I shall be pleased to meet you again,

Professor Dilling." 

Handley Matson departed, leaving Dilling in the long room that  housed the Armsbury collection of Egyptian

antiquities. 

THE old man moved about from case to case, mumbling to himself as  he studied hieroglyphs that appeared

upon various objects. 

At times he paused to look at the windows. They were high above the  floor and heavily barred. All the doors

about the place were massive.  The old man remembered the museum as he had seen it from the outside.  The

place was a formidable fortress. 

Strolling about the room, Professor Sturgis Dilling allowed a thin  smile to form upon his lips. He studied the

door of the tomb of  Senwosri. He looked toward the end of the room reserved for mummies of  lesser value. 

The afternoon was glum and a pall seemed falling within this room.  The old man, stalking noiselessly here

and there, seemed like some  ghostly figure out of Egypt. He was the only occupant of the room. His  presence

here seemed forgotten. At last, the old man's inspection of  the antiquities was ended. He came to the door of

the room and picked  up his briefcase and package. 

The attendant had gone from the outer hall. It was near the closing  hour and the whole museum was silent.

Then came the clang of a bell.  Attendants called to one another through the corridor. 

Shortly afterward, the uniformed man appeared and entered the room  where Sturgis Dilling had been. He saw

that the old man had left. He  was about to close the outer door when another attendant called to him  from the

curator's office. 

"Keep it open, Jerry! Mummies coming in. Stick around until the  truck arrives. Curator's orders." 

The attendant nodded. He turned on the lights in the room and sat  down to read a newspaper that he took

from his pocket. An hour passed.  The museum, closed and barred, was as silent as the shut tomb of  Senwosri. 

Then came the tramp of footsteps in a corridor. Attendants and  truckmen appeared carrying heavy mummy

cases. The man in the room which  housed the Armsbury collection was on his feet, pointing out the spot

where the cases were to go. 

Fifteen minutes later, a row of mummy cases lined the end of the  room. The heavy objects were standing

upright; their painted faces made  them appear like a squad of solemn sentinels. The moving men went out,

accompanied by an attendant. The other attendants remained, making  jests as they studied the row of new

exhibits. 

The mummy cases bore fastenings that had kept them intact during  shipment. These would be removed in the

morning. It was approaching  five o'clock and the attendants seldom waited until that hour. They  reported at

eight in the morning  an hour and half before opening   and that was the period during which new exhibits

were arranged for  proper display. 

"Curator says he'll look over the mummies in the morning," declared  an attendant, coming from the office.

"Come on. He's leaving. Time to  close." 


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The group passed along the corridors to the rear entrance of the  museum. This was where the truck had

delivered the mummy cases. The  curator and his secretary passed from the museum; the attendants  followed.

A big watchman shut the heavy door and barred it. 

The Egyptian Museum was closed until the morrow. 

CHAPTER XVI. THE PILLAGERS

EVENING. Blackness pervaded the Egyptian Museum. The building was a  whitened sepulchre within a

blanketing pall. The glow of Manhattan did  not visibly affect the secluded spot whereon the granite edifice

stood. 

Within the room which housed the Armsbury collection, thick  blackness reigned below the dim stretch of

high windows. The watchman's  electric lantern, glimmering in the darkness, flashed upon the solemn  painted

faces of the mummy cases. Then the man was gone upon his  rounds. 

A slight sound occurred in the end of the room. It came from one of  the mummy cases. Something was

working from within! Life was present  inside that wooden shroud! Some prying force was pushing out the

front;  an instrument was at work upon the central band which held the case  intact! 

The front of the mummy case sprang open. A figure stepped from  within. A flashlight glimmered upon the

next case in the row. Brawny  hands ripped open the bands that held the second case. Another man came  into

view. 

Both set to work. Other cases were opened. Where eight closed mummy  cases had been, four opened ones

remained. Flashlights were flickering  about the room. Two men, sneaking through the darkness, reached the

door. 

"Get the watchman," came a growl. "Grab him and tie him up. We  don't want any shooting until we're ready

for it." 

"All right, Sinker." 

Men moved out into the darkness of the hall, bound on the mission  ordered by Sinker Hargun. These men

who had come from the mummy cases  were invaders from the underworld, under the command of Brodie

Brodan's  hidden lieutenant. 

Flashlights showed upon the cases which harbored the items of the  Armsbury collection. Clay tablets were

dumped into burlap bags which  the invaders had with them. Specimens of metal sculpture were piled  into

other containers. 

A squad of crooks was rifling this room of its supposed treasure.  Actually, Duke Larrin's orders were being

completed. Spurious items of  fake origin were being lifted for destruction. The last evidence of  Cecil

Armsbury's swindles was being reclaimed! 

Whispers in the darkness. They announced that the watchman had been  captured. Gangsters had trailed him

to an obscure part of the museum.  He was bound and gagged  totally unaware of how the yeggs had entered. 

"That's good," growled Sinker. "Drag this stuff out to the back  door. Set that charge so we can blow the

works and make it look like we  came in there. But don't do nothing until after we've finished in here.  Come


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back, you gorillas, when you're ready." 

His flashlight sweeping along the floor, Sinker Hargun revealed the  door to the Senwosri tomb. It was a

formidable barrier because of its  powerful lock. Sinker Hargun, however, was a thug who used measures

more persuasive than lockpicking. 

HIS flashlight showed him making arrangements in front of the door  that hid the tomb. His warning growl

sent mobsters scurrying to cover,  with Hargun at their heels. Then came a muffled report; with it a burst  of

flame. Flashlights showed clouds of pungent smoke. 

As the vapor cleared, Sinker uttered a command. His torch marked  the mummy case of Senwosri. The heavy

object had toppled backward from  the explosion and was leaning against the wall beside the stone

sarcophagus. 

"Come on!" 

Mobsters piled into the tomb. Three on a side, they gathered up the  heavy mummy case of the Egyptian king.

Struggling with their burden,  they made their way along the corridor to the back. 

Sinker Hargun, chasing ahead, yanked open the bars of the rear  entrance. He uttered a warning hiss. A reply

came from the alleyway. A  truck was parked there. 

"Make it speedy, Sinker," came a low voice. "You could hear that  boom out this way. Maybe they got it in

the avenue. Make it speedy." 

The mummy case came floundering through the wide doorway. Sinker  aided the men who were carrying it.

The big case slid aboard the truck  and settled into a mammoth box, coffinlike in shape, which was there to

receive it. 

"Yank those doors," growled Sinker. "Shoot the works as we start,  Terry. Climb on with us " 

The truck was in motion. A stooping yegg was standing by the doors  which he had closed. He was igniting a

new charge. He came bounding  after the rolling truck and leaped aboard. As the truck reached a side  street, a

huge roar followed it. A second explosion had wrecked the  rear entrance of the Egyptian Museum. 

The truck was speeding toward a rear avenue. Police whistles were  sounding from in front of the Egyptian

Museum. Sinker Hargun, growling  a laugh, had clambered up to the front seat of the truck. 

"It's soft," was his comment to the driver. "Say, bo, this job went  through like clockwork. The bulls are goin'

to go goofy when they look  it over. 

"Keep on rolling. I'll show you where we're goin' to unload. There  ain't nobody can stop us now. This job is a

honey." 

AT Sinker's direction, the truck driver guided the big vehicle on a  weaving course. Far from the vicinity of

the robbed museum, there was  no need for hurry. The truck was moving slowly when it neared the  vicinity

which Sinker Hargun required. 

"Easy, now," warned the leader. "Stop here  we're goin' to make  sure there's nobody following." 


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The driver obeyed. Gangsters dropped to the street and strolled  back along the sidewalk. They returned to

report that no one was on the  trail of the truck. 

Sinker ordered the driver ahead. He growled new directions. When he  issued his final command to stop, the

truck had pulled up close to an  old apartment hotel  Ridgelow Court. 

Sinker Hargun alighted. He strolled down a side entrance and rapped  at a big delivery door. A janitor opened

it. 

"Got my truck outside," announced Sinker. "Bringing in a big couch  to go down in Mr. Sudgen's storage

room. I got the key." 

The janitor nodded as he peered from the door and saw a crew of men  unloading a huge box from a truck. He

pointed out the way to the  subcellar. As the pretended moving men came through, the janitor  strolled away. 

Men went back and brought in burlap bags. These  had the janitor  seen them  would have passed for bags

of household effects. But the  janitor gave no further thought to the matter. When he happened back,  he noted

that the truck had moved away. He thought that the crew of  storage men had gone with it. 

Little did he realize that the subcellar harbored Sinker Hargun,  notorious gangster, and a crew of sullen thugs.

The box which had been  unloaded was going through a passage that led beyond the subcellar of  Ridgelow

Court. 

The mummy case of Senwosri, pillaged from the Egyptian Museum, was  being delivered to the crime crypt! 

CHAPTER XVII. BRODIE'S MOVE

WHILE hardfaced thugs, members of Brodie Brodan's undercover  band, were lugging away their loot

from the Egyptian Museum, their  absent leader was enjoying a gala night. Brodie was at the Club Madrid,

one of the most glittering of Manhattan's night cafes. 

Brodie, attired in wellfitting tuxedo, was seated at a conspicuous  table. The gang leader was applauding a

dancing act. His bluff face  wore a grin; a paper cap perched above his heavy eyebrows gave him the

appearance of a playboy. 

At the table with Brodie was Fritz Fursch, his alibi pal from  Chicago. Fritz had come in at Brodie's order and

seemed to be enjoying  his visit to New York. 

But Brodie, despite his merrymaking had serious thoughts in mind.  He was secretly eyeing a stocky,

swarthyfaced man on the other side of  the floor. This individual, half behind a pillar, was also making a

pretense of watching the floor show. Actually, however, his gaze was on  Brodie Brodan. 

It was Detective Joe Cardona. Persistent in his hunches, the sleuth  was dogging Brodie's trail. Baffled in his

attempts to locate the  murderers of Perry Trappe and Tyler Bogart, Joe was watching Brodie in  the hope that

he could at least frustrate further crime. 

Cardona's reasoning showed logic. He had accepted Brodan's first  alibi. He had also been forced to take the

second. One had been on the  sayso of Fritz Fursch from Chicago; the other on the statements of  Lobo

Ruscott, proprietor of the Club Madrid. Cardona was not willing to  base much on the testimonies of those

two. 


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So he had watched Brodie Brodan  either through his own  observation or with the aid of stool pigeons. Joe

was sure that Brodie  had been at the Club Madrid on the night that mobsters appeared at  Brisbane Calbot's.

He was sure that some of those dead gangsters were  members of Brodie's old crew. 

Whatever the purpose at Calbot's, it had failed. That, Cardona  knew. He had attributed the failure to the

possible absence of Brodie  Brodan. That was why Cardona was again at the Club Madrid. Brodie  watched,

was crimped. Such was Cardona's maxim. 

LOBO RUSCOTT, a suave, elegantly attired man with a pointed  mustache, paused at Cardona's table to

acknowledge the detective's  presence. Joe growled a reply to Lobo's welcome; then snorted. 

Brodie Brodan had spied Lobo from across the floor; seeing the  proprietor, he had apparently discovered

Cardona also. The blackbrowed  gang leader had left his table and was skirting the floor to join the  pair. 

"Hello, Lobo," greeted Brodie. "Hello, Cardona. Say  you've picked  a great place to spend a night off. Not a

better night club in the  city. You know Lobo Ruscott, don't you, Cardona?" 

"I know him," commented the detective, grimly. 

"I remember," laughed Brodie, sitting down at the table. "You  talked to Lobo after that guy was killed out on

Long Island. I had  forgotten it." 

"Yeah," retorted Cardona. "Lobo gave you an alibi  like that other  pal of yours, from Chicago. I see you've

got him with you again  tonight." 

"Fritz Fursch?" questioned Brodie. "That's right, he told you the  straight dope one night  another time you

were going to put the screws  on me. Say, Joe"  Brodie was making a fervent appeal  "when are you  going

to forget this goofy idea that I'm hooked up with a funny  racket?" 

"I've got no idea," returned Cardona. "I'm just playing a hunch,  Brodie. Things are sort of quiet right now. I'm

waiting for something  to break  something big  and I just want to see if that can happen  while you're

wearing a paper hat and making googoo eyes at a flock of  chorines." 

"Great stuff, Joe," laughed Brodie. "Well, stick around old kid.  How long have you been here tonight?" 

"Since seven thirty." 

"Just before I came in. Well, Joe, I hope something does break.  It'll give you some excitement and it'll mean a

real alibi for me. But  let's be serious. This cuckoo idea of yours " 

"Listen, Brodie. I'm not questioning your alibis. They're good  ones. I'd like to see a better one; I've got a

hunch that some funny  business is going to break loose. If it does while you're here, I'll  admit that you're out

of it. How's that?" 

"Fair enough, Joe. Say, Lobo " 

Brodie paused as he turned toward the proprietor. Looking beyond  Lobo Ruscott, he saw a solemnfaced

man picking his way among the  tables. Brodie turned and plucked Cardona's sleeve. 

"Say, Joe," informed the gang leader. "Here comes a pal of yours   another dick, ain't he? Is he looking for

you?" 


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Cardona followed the direction of Brodie's gaze. He saw that the  gang leader's statement was correct. The

man coming from the door of  the night club was Detective Sergeant Markham. 

CARDONA arose and beckoned to the second sleuth. Markham hurried  over and buzzed with Cardona. Joe's

face took on a grim look. 

Both Brodie Brodan and Lobo Ruscott were staring with questioning  gaze. Cardona noted Brodie's look. He

turned to the gang leader. 

"No reason why you shouldn't know what's up," growled the  detective. "A crowd of gorillas just raided the

Egyptian Museum." 

Brodie looked puzzled; then guffawed. 

"Say  that's hot!" he exclaimed. "They'll be crashing Grant's Tomb  next. What can they get out of a

museum?" 

"That's what I'm going to find out," retorted Cardona. "Take it as  a joke, Brodie. You've got a right to laugh." 

"Why?" 

"Because I expected something like this, I won't be around for an  alibi from you. That's why you ought to

laugh." 

"O.K., Joe," returned Brodie. "Thanks, old man." 

There was a touch of feigned sincerity in the tone. Cardona  remembered it as he followed Markham. No use

of watching Brodie Brodan  now. This was the clincher that backed up Brodie's previous alibis. 

Brodan watched Cardona leave the night club. He remained seated and  chatted with Lobo Ruscott. A waiter

approached and spoke to the  proprietor. 

"Call for you in the office, sir," he said. "Not exactly for you   the man wants to talk to someone  but he

wishes to speak to you first  " 

"All right." 

As Lobo turned away, Brodie arose and followed him. Traveling by  the proprietor's side, Brodie whispered: 

"Sounds like Bozo Griffin. Probably for me. I'll come along with  you." 

They reached the office. Lobo Ruscott spoke into the mouthpiece of  the telephone. He turned and handed the

instrument to Brodie with a  nod. As Brodie began to talk, Lobo went from the office and closed the  door. 

"Listen Bozo." Brodie's tone was serious. "Is Marsland there with  you?... Yes? All right... I want to see the

two of you... Together...  Yes. Right away... I'll tell you where to meet me... Hotel Ridgelow  Court... Yes,

come up there in a cab and don't mention where you're  going until you've got Marsland in the cab with you,

see? 

"I'll meet you outside the place. We'll go in together... Now  remember this. When you hear me say 'Hurry up,

Bozo!' yank your gat and  poke it in Marsland's ribs. Get that?" 


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Brodie scowled as a surprised exclamation came over the wire. He  growled an admonition. 

"Keep mum, you sap! You heard me... Remember what I told you... Now  get started." 

Brodie hung up the receiver. He opened a closet door and removed  hat and overcoat. He examined a revolver

in the pocket of the outer  garment. Brodie was accustomed to parking his gat and overcoat in the  closet of

Lobo Ruscott's office. 

Following this action, Brodie opened the door of the office and  signaled to Lobo Ruscott, who was seated in

a chair outside. 

"Tell Fritz Fursch to meet me out at the side door," order Brodie. 

The gang leader took an obscure exit that led from the Cafe Madrid.  On the sidewalk, he waited for Fritz and

piled the alibi man into a  cab. He ordered the driver to take him to an uptown destination not far  from

Ridgelow Court. 

"Fritz," declared Brodie, in a low tone, "you're going to see a lot  tonight. You and some other guys that I can

count on. You're going to  see the headquarters for the greatest bunch of jobs that has ever been. 

"More than that, you're going to see a doublecrosser get  doublecrossed. Have your gat handy. I'll tell you

when and how to use  it." 

BRODIE and Fritz alighted at their destination. They strolled a  block until they reached the front of the old

hotel, where Brodie was  to meet Bozo and Cliff. A few minutes later a cab rolled up. Bozo and  Cliff alighted.

Brodie stepped out to meet them. 

"Come along," ordered the gang leader. "We're going places. You two  go first. Through the lobby of this old

hotel  and take the stairway  down. This fellow  Fritz Fursch  will follow along with me." 

Cliff and Bozo obeyed. They entered the old hotel, walked across  the deserted lobby and descended. At the

bottom of the steps, they  awaited Brodie and Fritz, who showed up a minute later. Brodie led the  way to the

door that opened on the steps to the subbasement. 

The quartet arrived at the storeroom. Brodie unlocked the door and  ushered his companions in. A voice

spoke. It was Sinker Hargun's.  Brodie growled a reply. 

"All right, Sinker. We're coming through. Give us a light." 

Sinker turned the glimmer of a flashlight upon the spot where the  wooden panel was located. Brodie stepped

forward and called for Cliff.  The Shadow's agent joined him. 

"Watch this gag, Cliff," remarked Brodie, in a cordial tone. He  pressed the special nail. The panel opened. 

"Come on through," said Brodie, urging Cliff forward. "Come on, you  other guys. Hurry up, Bozo!" 

Cliff Marsland was in the light of Sinker Hargun's torch. Brodie  Brodan was ahead. The gang leader swung

suddenly; he whisked out a  revolver. At the same instant the muzzle of Bozo's gun jabbed Cliff  from behind. 

"Put 'em up, you rat!" snarled Brodie. "Keep 'em up and come along  with us. We're going to put you on the

sweetest spot you ever saw." 


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Cliff's arms raised mechanically. The Shadow's agent had fallen  into a perfect trap. Brodie Brodan's flashlight

came on; Sinker Hargun  let the panel drop. With a contemptuous laugh, Brodie Brodan ordered  Bozo Griffin

to bring the prisoner along. 

The gang leader had trapped the man he suspected as The Shadow's  agent. Cliff Marsland, a helpless

prisoner, was marked for death when  he reached the crime crypt! 

CHAPTER XVIII. DEATH AWAITS

"WHO'VE you got there?" 

The question came to Brodie Brodan's ears as Cliff Marsland was  shoved through the opening of the crime

crypt. The man who asked it was  Fingers Keefel. The safecracker had opened the barrier in response to

Brodie's signal. 

"A doublecrosser," jeered Brodie, as he glowered at Cliff  Marsland. "A rat that's working for The Shadow." 

"Yeah?" Fingers matched Brodie's growl. "Well, he'll get his as  soon as the word is given. What you going to

do? Wait for Duke Larrin?" 

"Sure. Maybe we can pump this guy first. Say  this crypt is going  to mean a lot to us. The first job we've got

ahead is to give The  Shadow the bump he's been waiting for. This is the place to work it  from." 

"And starting with one of his stools is the best way to get at  him," derided Fingers, in reply. 

"You said it. Shove him over in the corner, Bozo. You frisk him,  Fritz." 

Brodie's henchmen obeyed. The gang leader nudged his thumb in their  direction as they forced Cliff to a

seated position against the wall. 

"Here's two birds that'll count," he asserted. "Bozo Griffin and  Fritz Fursch. They're in on the lay. I've got

another guy outside   Sinker Hargun  and his mob. They're the boys that gabbed the gravy  tonight. They'll

be good workers for the de luxe mob that Duke told me  to bring up. None of those bum gorillas of mine will

be in this new  outfit." 

Brodie paused. He was staring past Fingers Keefel to a huge object  that stood in front of the farther door. It

was the mummy case of  Senwosri. The painted face and its golden inlay showed dimly in the low  light of the

crypt. 

"Old Nebuchadnezzar himself," exclaimed Brodie, with a grin. "Say   the boys did a neat job lugging that

down here. Where's the box they  put it in?" 

"They carried that back to the storeroom," explained Fingers. "Duke  Larrin was down here. He had them

stand it up. He's waiting until  everybody's here  then he'll knock it open." 

Brodie nodded. 

THE mummy case was encircled with the broad straps that had been  put about it in the museum. These kept

the case from coming open. The  gangsters had delivered the case intact. 


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"Where's Croaker Mannick?" questioned Brodie, turning to Fingers  Keefel. 

"Not here yet," responded the safecracker. "He slid away like I  did, after we raided Brisbane Calbot's place.

Say  I'll bet you can't  figure what we did with Calbot." 

"Give me the lowdown, Fingers. The bulls didn't make much fuss  about Calbot. I had a hunch that you and

Croaker carted the old boy  away with you." 

"Not a bit of it. Calbot had a vault down in his cellar. Took me  about a half hour to open it. So we shoved him

in that and left him  there. Croaker didn't want to shoot until he got upstairs." 

"Now you're telling me something, Fingers. That's how you and  Croaker got away in such a hurry. You were

lucky  as I figure it. You  know who we think was there?" 

"The Shadow." Fingers was sober. "Duke told me tonight. He must  have come up after he heard Croaker's

shot. That's how he was in time  to start a fight. It's lucky that your gorillas piled in as quick as  they did  if it

hadn't been for them The Shadow might have had a  chance to trail after me and Croaker." 

Bozo Griffin heard Fingers Keefel's comment. The toughfaced  lieutenant swelled. This was a justification of

the promptness with  which he had ordered the raid. Brodie Brodan saw Bozo's face light. 

"That squares you, Bozo," declared Brodie. "You did a good job  tonight, too, covering Marsland the way you

did." Brodie turned to  glare at The Shadow's agent, who was under the muzzle of Fritz Fursch's  gun. "Say,

Marsland  you rat  I'd like to give you the works in a  hurry. But we're holding you, see? Holding you so

you can squawk. Wait  until Duke Larrin gets here. Did you ever hear of him?" 

Cliff gave no response. He faced Brodie with unflinching eyes. 

But Cliff was thinking plenty. He had heard of Duke Larrin; in  fact, he had informed The Shadow of the

rumor that the international  crook was in New York. In the past ten minutes, Cliff had learned a lot  about

Duke Larrin. This underground crypt was the famous crook's lair! 

Cliff had much to tell The Shadow. But that opportunity was ended.  A prisoner, Cliff could only hope that

The Shadow might find another  trail to the crime crypt. But Cliff realized the difficulty. Brodie  Brodan had

been left for Cliff to follow while The Shadow was otherwise  engaged. Cliff had failed. A captive, he was

helpless. He held the key  to crime and could not use it! 

"CROAKER MANNICK is coming through," declared Fingers Keefel, again  speaking to Brodie Brodan;

"and Duke Larrin says he'll show up before  midnight. Not long to wait. The payoff comes tonight, Brodie 

and from  what Duke tells me, this is just going to be the beginning. We're all  in for a cut on the swag in that

coffin." 

"You telling me?" Brodie grinned. "Say, Fingers, I can talk now.  When Duke passed me my instructions, he

told me more than he told you.  That was just because I had the mobs to look out for, see? 

"I picked the real guys to grab off old Nebuchadnezzar's casket  here so that they would be ready for what's

coming next. We're going to  raise hob after the swag is unloaded. Say  if The Shadow pokes his  nose around

this crypt, he'll be in for trouble. You  me  Croaker   and the rest of us, all working with Duke Larrin!" 

"Out of sight," agreed Fingers. "Dumb dicks like Joe Cardona will  go goofy." 


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"Cardona? He's goofy already. Where do you think he is now? Up at  the Egyptian Museum. He pulled out

from the Club Madrid and gave me a  clean alibi for a starter. Match that, Fingers  match it is the best  you

can do; you can't beat it, that's a cinch." 

Fingers Keefel joined Brodie in raucous mirth. Laughter echoed  through the crime crypt. Men of evil had

gained their way. They were  awaiting the arrival of their comrade in crime, Croaker Mannick and  their chief,

Duke Larrin. 

Cliff Marsland, under the cover of Fritz Fursch's gun, felt a  hopeless weakening as he listened to the

merriment of his captors. He  felt that he had failed The Shadow. He knew that the police had been

eliminated. 

Of the two, Cliff trusted The Shadow most. He had seen the master  fighter spring into being almost out of

nowhere. But in this forgotten  crypt, its corridor entrance guarded by Sinker Hargun and a band of  thugs, The

Shadow, even if he fought through, would be forced to make  his presence known. 

Cliff groaned as he realized the extent of his failure. The fact  that his own rescue seemed impossible was bad;

but the thought that  crooks might triumph was worse. 

Death in The Shadow's service was something that Cliff Marsland was  glad to face. The inability to be of

service to his chief was what hurt  him. 

CHAPTER XIX. CARDONA'S CLEW

WHILE Brodie Brodan was chuckling over Joe Cardona's dash to the  Egyptian Museum, the ace detective

had arrived at his destination. The  museum was lighted; the front door was open. Joe Cardona entered and a

policeman showed him to the room at the end of the corridor. 

Cardona found two men in charge. One was Inspector Timothy Klein;  the other, a leanfaced individual who

the inspector introduced as  Handley Matson; the curator. Klein led Cardona to the rifled tomb of  Senwosri. 

"Look it over, Joe," ordered the inspector. "This is where they  made the biggest haul. They took a lot of other

stuff, too." 

"Out of there?" questioned the detective, with a perplexed stare,  as he surveyed the stone sarcophagus, which

still bore its padlocked  bands. 

"That is the sarcophagus," explained Matson, nervously. "It used to  contain the mummy case of Senwosri. It

is empty at present. The thieves  must have known that. They took the mummy case, but did not bother to

touch the empty sarcophagus." 

"Where was the mummy case?" 

"Standing right here." The curator looked like a mummified king as  he took his position to indicate the spot.

"The case contained the  embalmed body of Senwosri, the son of Amenemhe. He was the builder of  the

obelisk at Heliopolis and the temple at Wadi Halfa " 

"All right," interposed Cardona. "What was the value of the stuff  in the mummy case?" 

"Thousands of dollars," stated the curator, in an awed tone. "The  golden mask; the jeweled boat that was to


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carry the soul  the ka  of  Senwosri " 

Cardona was nodding as he turned to look at the outer room. He saw  the rifled cases. He waved his hand

toward them. 

"These?" 

"Very valuable," declared the curator. "Antiquities from the  collection of Cecil Armsbury. The purchase price

was in excess of sixty  thousand dollars. Examples of early Egyptian sculpture; clay tablets  with hieroglyphic

inscriptions which " 

"Those?" 

Cardona was pointing to the farther wall. The row of opened mummy  cases had attracted his attention. The

curator added another  explanation. 

"The thieves rifled those cases," he stated. "They carried away the  mummies, which were not of high value.

We had not inspected the mummy  cases, I must admit, but I have a list here of their contents  all  articles of

but little value, even as antiquities " 

"You mean those cases had not been opened here?" 

"They were brought in only this afternoon. We intended to open them  in the morning." 

"I see." Cardona turned to Inspector Klein with an inquiring air. 

KLEIN smiled slightly. He had listened to the curator's long  harangue before the detective had arrived. 

"Here's the story, Joe," explained Klein. "At about eight fifty  this evening, there was a muffled explosion

heard on the street. About  five minutes later came the second blast. The patrol arrived just after  nine. 

"They found that the burglars had blown open the rear doors of the  museum. They came in here and blew

open the door to the mummy's tomb   where the empty scarab is located." 

"The sarcophagus," interposed Handley Matson. "A scarab, inspector,  is a beetle  about so large"  he

showed the size with thumb and  finger  "which was regarded as sacred by the Egyptians. I have a  specimen

in my office. Wait! I shall obtain it." 

"Scarab or sarcophagus," laughed Klein, as the curator hurried  away. "I mean that stone box that has the locks

on it. The crooks got  in the room and carried away a mummy case  the one that had King Says  Who's This

in it. 

"They also rifled this exhibit. Took the stuff from the cases and  yanked the new mummies out of their

wooden boxes. They must have gotten  away in a truck. There must have been a crowd of them, too, to make

such a quick cleanup. The king's mummy case was a heavy one, the  curator says." 

"Is that all?" asked Cardona. 

"The watchman," added Klein. "They landed on him in the basement,  while he was making his rounds. Tied

him up and gagged him. I quizzed  the watchman. We're holding him for further questioning." 


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"Clews?" 

"I don't see any, Joe," admitted Klein, ruefully. "You're the man  to find them, if they're here. I'm going down

to headquarters. If you  can get the curator to calm down, maybe you can get some information  out of him. I

can't." 

"Leave it to me." Cardona strolled away and went to the curator's  office. He found Matson digging through

desk drawers in search of his  golden beetle. 

"I had it here in my desk," began the curator. "It's made of gold   about so large " 

"Never mind the scab," interposed Cardona, gruffly. "The crooks  wouldn't have had time to take it. You'll

find it later. Come along  with me, Mr. Matson. I want to see that rear door the crooks blew  open." 

The curator complied. He led Cardona to the rear of the museum. 

JOE surveyed the blasted door. Beckoning to the curator, he led the  way through the corridor to the rifled

exhibit room. 

"Let's get things straight," suggested the detective, as he stood  alone with Matson. "When was the last time

you opened that door to the  king's tomb?" 

"This afternoon." 

"Was the mummy case there?" 

"Yes. I locked the door myself. I showed the mummy case to a  visitor  a Professor Sturgis Dilling." 

"What did he look like?" 

"An old gentleman with stooped shoulders. Thin gray hair. A scholar   one acquainted with the history of

Senwosri. He was sorry that I  could not open the mummy case for him." 

"Did he want you to open any of these?" asked Cardona, pointing to  the emptied mummy cases. 

"They had not come in," explained the curator. "They arrived after  the museum had been closed. We opened

the rear door and my attendants  carried them into this room." 

"Hmm." Cardona was thoughtful. He paced about the room. Like  Inspector Klein, Joe Cardona could see no

clew. Handley Matson watched  him anxiously. 

Cardona half shut his eyes and rested his chin in his right hand.  He was thinking over everything that Klein

had told him. A practical  sleuth, Cardona made no claim to deductive reasoning. He relied upon  his hunches.

Often, however, his hunches were deductions. He was  gaining one now. 

"Listen, Mr. Matson," said the detective, slowly. "You're an  intelligent man and you know the layout of this

museum. Forget your  golden beetle and hear what I've got to say. Tell me whether I'm right  or wrong." 

"Very well," agreed the curator. 


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"First of all, it's a long way from that back door here. It takes a  few minutes to blow a door. I figure that the

crooks would have needed  a regiment to pile in here, blow the door to the tomb, grab off these  exhibits,

empty out the mummies and carry away the old king with his  coffin. That is, they would have needed a

regiment to do the whole job  in about seven or eight minutes. Am I right?" 

"Absolutely!" exclaimed the curator. "Especially with the watchman  here. It must have taken them some time

to find him. He was bound and  gagged  and they knocked him out when they took him. He said he did  not

hear the explosions." 

"Hmm. Of course he was down in the cellar. Still, the explosions  were heard on the avenue. We're getting

somewhere, Mr. Matson. Getting  somewhere! I've got it!" 

Cardona stared across the exhibit room and pointed at the emptied  mummy cases. He clutched the astonished

curator by the arm and put a  quick question. 

"Why did the crooks take those mummies out of the cases?" demanded  the detective. "Can you tell me why?" 

"Perhaps they thought the mummies were of value " 

"Like the old king's? Well why didn't they yank the old boy out of  his casket, too? Why did they want to lug

away the box and all?" 

"The mummy case of Senwosri had some value," declared the curator.  "Nevertheless, its contents were the

actual prize. These other mummies   well, to be valuable, it would have been wise to take their cases  also. It

took time, unquestionably, to get those mummy cases open " 

"You're right," decided Cardona. "Listen. You didn't open those  cases when they came in. Suppose, Mr.

Matson, that those mummy cases  had each held a living man " 

"Living mummies?" 

"No. Living crooks! In there instead of the mummies. There's the  answer! That's how the crooks got in here.

They came out of the mummy  cases. They grabbed the watchmen. They swiped all these exhibits that  are

missing. 

"They fixed two charges  one for the door to the tomb; one for the  rear door of the museum. They let off the

first blast in here  after  they had dragged out the exhibits. The mummy case went out as fast as  they could

take it. They blew the rear door when they made their  getaway. Am I right?" 

CARDONA looked at Matson. The curator was standing openmouthed. He  was nodding in emphasis.

Cardona needed no more encouragement. 

"Wait until the inspector hears this!" he exclaimed. "I'm going to  follow this up, Mr. Matson. Tell me. Where

did those mummy cases come  from?" 

"I do not know," admitted Matson. "They were in some storage house   delivered at the order of the man who

presented them to the museum." 

"Who is he?" 

"Cecil Armsbury. The famous collector of Egyptian antiquities." 


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"Is he here in New York?" 

"I believe so. I have his address in my desk." 

"Let's have it." 

Cardona accompanied the curator to the office. The detective was  talking on the way. 

"The crooks knew those mummies were coming in here," he declared.  "They must have gotten into the

warehouse and chucked the mummies. If  we can locate the warehouse, through this man Armsbury " 

Cardona paused. They were in the office. The curator was looking  for the file which contained Armsbury's

address. He emitted a cry of  satisfaction as he brought his hand from a desk drawer. 

"You've got the address?" questioned Cardona. 

"No," returned Matson, excitedly, "I've found the scarab. See? Here  it is. I must keep it to show to Inspector

Klein if he returns." 

"Let me have it," growled Cardona, seizing the golden beetle from  the curator's hand. "Get that address.

Forget this yellow bug." 

Nodding, Matson delved through files. He finally produced a card  and showed it to Cardona. It bore the name

and address of Cecil  Armsbury. 

"You know this man?" questioned the detective. 

"I have met him," returned the curator. 

Cardona seized the telephone. He called headquarters. He asked for  Inspector Klein and was told that the

official had not returned. 

"I'll call him later," declared Cardona. "This is Joe Cardona." He  hung up the receiver. Then, to Matson:

"Come on; we're taking a taxi to  Armsbury's house." 

The curator nodded and picked up his coat and hat. Joe Cardona,  tapping his clenched fist against the table,

suddenly realized its  weight. He opened his hand and laughed as he saw that he was still  holding the golden

scarab. 

Cardona chucked the metal beetle into the desk drawer from which  Matson had taken it. He grabbed the

curator's arm and hurried the man  out to the front door. Policemen were still in charge. Cardona told  them to

expect him back. 

Three minutes later, the ace detective and the curator of the  Egyptian Museum were whirling in a taxicab

toward the home of Cecil  Armsbury. 

CHAPTER XX. THE SNARE

"READY?" 


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The question came from Martin Havelock. He was standing by the  fireplace in his uncle's living room, about

to press the switch that  would open the hidden elevator. 

"One moment, Martin," returned Cecil Armsbury. The old man was  seated in his favorite chair. "I think I

heard the door bell. Calhoun  will answer it." 

Havelock showed momentary alarm. Then he strolled from the  fireplace and lighted a cigarette. There was a

knock at the door.  Armsbury motioned to Havelock. The young man went over and unlocked the  door. He

opened it to admit Calhoun. 

"Two gentlemen to see you, sir," explained the servant. "One is Mr.  Matson, the curator of the Egyptian

Museum. The other is a detective  from headquarters." 

"Matson?" quizzed Armsbury, in a pleased tone. "Ah! I shall be glad  to see him. You say a detective also? I

hope nothing has gone amiss.  Usher them in, Calhoun. Then you may retire. I shall not need you  later." 

"Thank you, sir." 

With a warning glance toward his nephew, Cecil Armsbury arose to  his feet. He was all smiles as he stepped

forward to greet the two men  who entered. He knew Matson. The curator introduced him to Cardona. 

"My nephew," remarked Armsbury, turning to Martin Havelock. "He is  my only nephew  Martin Havelock.

Sit down, gentlemen. Tell me the  reason for this unexpected visit. I hope that nothing serious has  occurred." 

"Something very serious," explained Matson, solemnly. "The Egyptian  Museum has been rifled by thieves.

Your entire collection of  antiquities has been stolen." 

Cecil Armsbury sank back in his chair. His whole attitude was one  of a man who had experienced a terrific

shock. Martin Havelock looked  on in admiration. 

"More than that," added Matson, "the thieves also took the mummy  case of Senwosri, the son of Amenemhe

"With its priceless treasure?" 

"They carried away the case intact." 

CECIL ARMSBURY was gripping the arms of his chair. His air showed  that he regarded this daring theft as

a terrific outrage. Joe Cardona  motioned to Handley Matson to say no more. 

"We want to recover these stolen articles, Mr. Armsbury," he  explained. "We have come here because we

believe that you can help us." 

"How? I shall do all in my power." 

"Give us some information, then, regarding the mummy cases that you  donated to the Egyptian Museum." 

Armsbury stared with wild eyes. A sudden thought had occurred to  him. 

"My collection of mummies?" he questioned. "I remember! I had  ordered them to be delivered today. You do

not mean that they were  stolen also!" 


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"Yes," returned Cardona, "but not from the museum. Tell me, Mr.  Armsbury, where did you have them

stored?" 

"This is bewildering!" exclaimed Armsbury. "Let me think. Indeed,  Mr. Cardona, I do not remember for the

moment. I shall have to call my  attorney, Jason Thunig. He arranges all my business affairs." 

"Thunig is out of town," interposed Martin Havelock. 

"So he is," recalled Armsbury. "You do not recall my mentioning the  name of the warehouse, do you,

Martin?" 

"No." 

"I may be able to remember it. But tell me"  Armsbury's tone was  quizzical  "have there been two

robberies? One at the museum  the  other at the warehouse?" 

"No." Cardona furnished the explanation. "I have a theory, Mr.  Armsbury, that may aid us. The manner of the

robbery makes me believe  that crooks were smuggled into the museum in mummy cases. 

"That granted, they must have entered the warehouse first; there to  remove the mummies from the cases. Do

you understand?" 

"I see. A remarkable deduction, Mr. Cardona. Tell me, has this been  established as a certainty?" 

"No. But it is the only plausible theory. I struck upon it while I  was in the museum, after Inspector Klein had

left." 

"Ah! And did you corroborate it, Matson?" 

"I did," said the curator. 

"I suppose," remarked Armsbury, in an innocuous tone, "that you  have informed Inspector Klein." 

"Not yet," declared Cardona. "I want to give him the whole dope,  Mr. Armsbury. I told my theory to Mr.

Matson. He and I were alone at  the time. So we came down here at once. When I make my report, I want  it to

be a clincher. I wish you could remember the name of that  warehouse." 

"I have it!" Armsbury sprang to his feet with agility. "Do you  remember it now, Martin? I marked that name

in my memoranda book  the  one in the table drawer " 

The old man pointed as he spoke. His face was turned toward Martin  Havelock. Cardona and Matson were

following the direction of the old  man's finger. They did not see the motion of Armsbury's lips. Havelock

alone caught that. He understood. Nonchalantly, the young man dropped  his hands into his coat pockets. 

CECIL ARMSBURY strode across the room. Cardona and Matson followed  him. The old man yanked open

a desk drawer. He reached in and glanced  over his shoulder, smiling. 

"Here it is"  Armsbury was looking at Joe Cardona. His gaze turned  to Havelock  "the very thing we want

to " 


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As he broke the sentence, Armsbury turned. In his hand was a  shortbarreled revolver. He swung the weapon

directly at Joe Cardona's  breast. At the same time, Martin Havelock made a sidewise spring. His  hand, too,

had drawn a gun. He had his finger on the trigger. 

"Up with them!" snarled Havelock. 

Joe Cardona was too stupefied to do other than obey. Handley Matson  followed the detective's action.

Bowing, old Cecil Armsbury pointed to  his nephew. 

"This gentleman will take charge of you," he said. "As a man of  crime, I am a mere tyro. Perhaps you have

heard of my nephew, Mr.  Cardona. Under another name than that of Martin Havelock " 

Cardona was staring at the young man with the gun. He saw the  fiendish sneer that had grown on Havelock's

lips. Yet he could not  place the crook until Armsbury's next words brought astonishment. 

"Better known," smirked the old villain, "as Duke Larrin." 

"Duke Larrin!" exclaimed Cardona. 

"Yes," snarled Havelock. "That's who I am  Duke Larrin. I've been  working this town of yours and you've

been too dumb to know it. So  you're Joe Cardona, eh? Well  there's a bunch of friends of mine  who'll be

glad to meet you." 

Cecil Armsbury was depriving Joe Cardona of his revolver. The old  swindler was chuckling. He urged

Cardona and Matson toward the  fireplace; Havelock accompanied the movement with a gesture of his

revolver. Armsbury, carrying Cardona's revolver, leaped ahead. 

"As Duke Larrin's uncle," chortled the old fiend, "I am worthy of  my nephew. It was for him that I provided a

very excellent headquarters  which has failed to attract your notice, friend Cardona. 

"Allow me"  Armsbury was pressing the switch  "to conduct you to  our lair. It is the resting place of

Senwosri, the son of Amenemhe. He  is dead  poor Senwosri  but he shall have company. He came dead

from  the Egyptian Museum; you have come living from that same place. Let the  living join the dead!" 

Armsbury cackled gleefully. Martin Havelock stepped aboard the  elevator and descended. Cecil Armsbury

remained alone; but he and the  gun he held were a sufficient threat. The elevator came up empty.  Armsbury

forced Cardona and Matson aboard. The lift began to descend. 

"My nephew will be awaiting you," cackled Armsbury. "He will take  charge until I join you!" 

Cardona and Matson, staring upward, saw the gloating face of the  fiend. Then came darkness as the

descending elevator carried its  prisoners to the crypt below. 

CHAPTER XXI. LIVING AND DEAD

MIDNIGHT. Duke Larrin sat in the center of the crime crypt. Grouped  about him were the privileged crooks

who had come to this underground  vault. 

Brodie Brodan sat with gloating face and bristling eyebrows.  Fingers Keefel wore a malicious smile upon his

crafty face. Bozo  Griffin and Fritz Fursch were standing in a corner of the crypt. Seated  on the floor between


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this pair of thugs were the three prisoners, their  hands bound behind their backs. 

Joe Cardona  Handley Matson  Cliff Marsland. The trio found no  pleasure in their company. Each knew

that he was facing doom and that  two others were due to perish with him. 

The crime crypt harbored another person: Cecil Armsbury. He was  standing behind his nephew, grinning as

sponsor of insidious crime. To  him, this crypt was a legacy which he had given to a deserving heir.  Cecil

Armsbury was proud of the power which Martin Havelock, alias Duke  Larrin, had come to wield. 

"Where is Croaker?" 

This was the question with which Havelock opened the proceedings. 

"Not here yet," asserted Fingers Mannick. "He'll be through. No  reason why he should be on time tonight." 

Brodie Brodan chuckled at the jest. 

"Shall I bring in Sinker Hargun?" he questioned. 

"Yes," affirmed Havelock. "He is one of us. Let the mob remain on  guard. We shall talk with them later.

They are to play their part in  future crime." 

Brodie Brodan went to the door to the corridor. He opened it and  summoned Sinker Hargun. The gang

lieutenant joined the criminal  assemblage. 

"You all know me," announced Martin Havelock, his voice resounding  through the crypt. "I'm Duke Larrin.

That's the name I go under. This  crypt is my headquarters. From here we have put through successful  crime.

There is more to be done. 

"No dumb dicks are going to cross us. Neither are any stools that  work for The Shadow. We're going to blot

out the ones we've already got   and a third man with them. That's settled. When Croaker Mannick  arrives,

we'll let him do the wiping, like he did with three others." 

Havelock turned toward Cardona as he spoke. His lips snarled the  names of the three men whom the fiends of

the crime crypt had marked  for death. 

"Perry Trappe. Tyler Bogart. Brisbane Calbot." Havelock laughed.  "They're the ones we blotted out  and

you three are due to follow." 

He turned and faced his henchmen. Rising, Havelock waved his arm  toward his uncle. Cecil Armsbury's

countenance was a gloating one. 

"This," stated Havelock, "is the silent partner. Cecil Armsbury.  The man who built this crypt. The one who

planned our crimes. He has  reclaimed articles which might have exposed his past. Through his  cunning, we

have also gained fabulous wealth. He is the man who showed  the way to obtain the mummy case of

Senwosri, which is worth " 

Havelock paused. Armsbury's chuckle took up the tale. 

"A quarter of a million," was the old man's statement. 


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Eager gasps came from the crooks as they heard these astounding  words. Duke Larrin's aids were beginning

to realize the mammoth  proportions of this crime ring. Martin Havelock, however, maintained a  calm

demeanor. He knew the truth. Cecil Armsbury had not told one half  the reputed value contained within the

mummy case of Senwosri. 

"The jeweled Vishnu from Hyderabad." Cecil Armsbury was checking as  he spoke to Fingers Keefel. "The

golden panel from the Temple of  Heaven. The sacred scroll from the Kaaba in Mecca. Those were fakes

which needed to be destroyed. You performed that work, I am told. You  have my thanks. 

"With the mummy case of Senwosri came the antiquities which I once  sold to the Egyptian Museum. That

was your work"  Armsbury had turned  to Brodie Brodan and Sinker Hargun  "and it was well done. Those

antiquities were fakes  clever ones, but liable to detection. They are  to be destroyed." 

"I placed them in the treasure room," reminded Martin Havelock, in  an undertone. He meant the compartment

at the end of the crypt. 

Cecil Armsbury nodded. The old man was gloating as he looked toward  Handley Matson. The curator of the

Egyptian Museum was aghast at the  news which he had just heard. 

"Living men have obstructed our path," resumed Armsbury. "Some of  them have died. Others still live. Three

of them are here before us."  He pointed to the prisoners. "They shall die  all three. Living shall  be dead!" 

THE old man's chuckle resounded in hollow tones through the vault.  It was a fiendish sign of an evildoer.

The prisoners who heard it knew  that they could expect no mercy from this cruel captor. 

"Living men have brought us trouble," continued Armsbury, in a  dramatic voice. "Therefore they shall die.

The dead mean more to us  than the living. The dead can bring us wealth!" 

He turned to approach the huge mummy case. While the others  watched, Armsbury clawed away the loose

straps which bound the huge  Egyptian casket. 

"Wealth from the dead!" exclaimed Armsbury, turning to face his  listeners. "Senwosri, the son of Amenemhe,

brings us his gifts! The  living have deserved to die. The dead deserve to live. Had I the power,  I would

restore life to Senwosri. 

"That cannot be." The old man's tone seemed regretful. "So we must  accept Senwosri as dead. Let us look

upon his wealth. Feast your eyes,  my friends, upon the splendor that will glitter from within this  casket!" 

As he completed his statement, Cecil Armsbury seized the front of  the mummy case and pulled it open. The

powerful wrench brought him  alongside the casket, facing the men who thronged the crime crypt. That  was as

Cecil Armsbury had intended. A showman in his ways of crime, he  wanted to see the effect upon the

members of Duke Larrin's band. 

Cecil Armsbury stared at faces that showed grotesquely in the crime  crypt. He had noted eager eyes; he

expected to hear gasps of elation.  Instead, he was amazed by the sight of frozen faces. 

Brodie Brodan's eyes were bulging. Fingers Keefel was sinking as  his legs trembled beneath him. Bozo

Griffin  Fritz Fursch  Sinker  Hargun  these redoubtable lieutenants were wavering. Armsbury stared  at

Martin Havelock. 


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The crook who called himself Duke Larrin was as rigid as a statue.  A look of horror showed upon his

whitened face. His gaze was centered  upon the opened mummy case. Something within it had petrified the

international crook. 

With a snarl, Cecil Armsbury sprang forward. He wheeled and gazed  in the same direction of the others 

toward the opened front of the  mummy case. His snarl died. He, too, stood astounded. 

The figure that loomed within the mummy case was not the dead body  of Senwosri, son of Amenemhe.

Instead of a whitewrapped mummy, Cecil  Armsbury gazed upon a living form in black. A tall, spectral

being was  surveying the crime crypt crooks with burning eyes. That penetrating  gaze brought terror. 

Black from head to foot. Eyes, alone, of the features that were  hidden beneath the projecting brim of a slouch

hat. A form shrouded  with a cloak of sable hue. Such was the terrible figure that Cecil  Armsbury and the

others saw. They also viewed the threats that this  living creature carried  a pair of mammoth automatics that

bulged from  blackgloved fists! 

"The Shadow!" 

Cecil Armsbury gasped the name that others dared not utter. In  answer came a token from the opened

mummy case of Senwosri. It was a  strange, weird burst of whispered mirth that rose to a crescendo within  the

hollowness of the crypt; then faded to leave taunting echoes that  seemed voiced by a myriad of invisible,

impish tongues! 

The laugh of The Shadow! To the startled crooks who heard it, that  strident mockery came as a prophecy of

doom! 

CHAPTER XXII. WORDS OF THE SHADOW

NOT one crook dared make a move. Silence reigned within the crime  crypt, but the memory of The Shadow's

laugh prevailed. The Shadow had  caught these fiends at a moment when they thought their safety  complete.

Not a gun was ready to challenge the threat of his mammoth  automatics. 

Cliff Marsland uttered an inaudible sigh of relief. He had  forgotten that his own life was at stake. He had

been chiding himself  for the failure which had brought two others  Joe Cardona and Handley  Matson  to

share his fate. 

The presence of The Shadow had ended all thoughts of doom. That  spectral visitant in black, his ready guns

looming before the terrified  crooks, had the situation completely within his control. One against  six; but The

Shadow dominated the halfdozen! 

Moments seemed to linger within the crime crypt. Bulging eyes  stared as The Shadow's weird shape moved

forward. With a slow, gliding  motion, The Shadow issued from the mummy case of Senwosri. 

His tall figure in plain view, the master who battled crime  whispered forth a laugh more terrifying than the

first. It was a  shuddering laugh that seemed to come from everywhere. Sinister mirth  pounded the eardrums

of the listening fiends. All trembled. Even Cliff  and the two prisoners beside him felt the horror of that

mockery. 

"Living shall be dead." The Shadow's pronouncement came in a  sibilant tone. "The dead has come to life to

deal judgment. Your crimes  are ended." 


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The blazing eyes were focused upon the cringing crooks. Again an  echo of The Shadow's laugh; then the

hissing voice spoke: 

"You are murderers. Perry Trappe died through your conniving. So  did Tyler Bogart. One man  Croaker

Mannick  was the instrument  through whom death was dealt. 

"Croaker Mannick met his fate. He challenged my might. He fought me  amid darkness  at Tyler Bogart's

home." A pause; The Shadow's  whispered laugh was throbbing at the recollection. "A fight in the  darkness.

The Shadow dwells in dark! Croaker Mannick did not escape The  Shadow. Croaker Mannick, man of murder,

died as he fled!" 

A gesture of one automatic added emphasis to The Shadow's  statement. Fingers Keefel stared, bewildered.

He remembered shots that  Croaker had fired, back in Bogart's strongroom. Croaker had fought with  The

Shadow  and had lost! 

"Croaker Mannick left Bogart's." The Shadow's voice was a creepy  sneer. "I carried him from the spot where

he had died. His body will  never be found. But I retained his famous revolver. It was I who  visited the home

of Brisbane Calbot  to play the part of Croaker  Mannick!" 

THE truth broke upon Fingers Keefel. He realized now the oddities  of that meeting in Calbot's curio room.

He had seen Croaker Mannick  there  but Croaker had seemed different. Fingers recalled the pale  face of the

murderer; Croaker's unusual suggestion. 

Fingers had attributed them to nervousness on Croaker's part. He  knew now that The Shadow had feigned

such expressions so that Fingers  would not detect the imposition! 

"Croaker Mannick placed Brisbane Calbot in the vault." The Shadow's  whisper was a sibilant throb. "I was

Croaker Mannick. It was I who  released Calbot  I, The Shadow  to carry him to safety. Brisbane  Calbot

lives! Living, he provided the clew to crime!" 

The whole truth was dawning upon all. Cecil Armsbury, a snarl  frozen on his lips, was facing The Shadow

with eyes that still showed  the glower of a fiend. 

"Cecil Armsbury!" The Shadow's scoffing tone marked the crook who  had backed the schemes of crime.

"Purveyor of false treasures. I  learned your game; but I, The Shadow, waited. I foresaw the culmination  of

crime. I sought a way to reach this crypt and take you and your  minions unaware. 

"I visited the Egyptian Museum! I saw your collection of  antiquities. I knew them to be spurious. I learned of

the mummy cases  that were coming in. I divined that they would carry living henchmen." 

A gasp from the corner of the room. It came from Handley Matson.  The curator of the Egyptian Museum had

gained a sudden inkling. He  realized the identity of the old visitor who had called during the  afternoon to see

the tomb of Senwosri. 

The Shadow! He had played the part of Professor Sturgis Dilling.  His package  his briefcase  these had

contained his black garments  and his huge automatics. The Shadow, with masterful craft, had opened  the

door to Senwosri's tomb. He had entered  to close the door behind  him. 

"I took the part of Senwosri." The Shadow delivered a low, ominous  laugh. "The mummy and all its treasure

is safe  within the locked  sarcophagus where I placed it. That container  supposedly empty  was  not

touched." 


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It was Joe Cardona who uttered an amazed exclamation. He realized  the subtlety of The Shadow's work. The

crooks had ignored the relocked  sarcophagus. So had the police. Both had passed by the real treasure.

Unstolen, the mummy of Senwosri and its fabulous accompaniment of gems  and gold had never left the

Egyptian Museum. 

The Shadow had tricked the crooks of the crime crypt with their own  game! Minions of crime had been

carried into the Egyptian Museum within  closed mummy cases. The Shadow, foreseeing that move, had

countered  with the same scheme. Brodie Brodan's picked henchmen had served as  carriers to bring The

Shadow, himself, to the crime crypt! 

TENSE silence reigned. The Shadow held the crooks at bay. They knew  that their crimes were learned. Cecil

Armsbury's past swindles were  uncovered. Murder had been exposed. The secret of the crypt was known.

The ways of fiends were ended. 

Cliff Marsland, yanking one hand loose from the cord that bound his  wrists, was preparing to give The

Shadow aid. Cliff had served The  Shadow in situations that had held this weird intensity. 

He knew the ways of cornered crooks when they faced The Shadow.  First terrified; then cowed; they

invariably leaped to desperate  measures when they realized that The Shadow knew all the evil which  they had

committed. 

Cliff's hand was free. The Shadow's agent was reaching to aid Joe  Cardona. This action was unnoticed by the

crooks. Their staring eyes  were all upon The Shadow. Six fiends were waiting, all with common  thought.

Their hope was a way to thwart this master who held them  helpless. A single spark alone was needed to

explode them. 

It came. Martin Havelock  the redoubtable Duke Larrin  was the  one who led the challenge to The

Shadow's might. Facing the looming  automatics, the snarling international crook was seized with sudden

wildness. 

A cry echoed through the crypt as Martin Havelock gave the word for  mass attack. Nearest to The Shadow,

Havelock leaped forward, hurling  his reckless body into the path of both The Shadow's guns! 

CHAPTER XXIII. THE SHADOW'S MIGHT

A TERRIFIC roar exploded within the crime crypt. It was the burst  of an automatic wielded by The Shadow.

Its report, caught by the  vaulted room, sounded like the outburst of a mighty cannon. 

The shot was fired just as Martin Havelock precipitated himself  upon The Shadow. The crook sprawled as he

reached his objective. The  Shadow, whirling aside, let Havelock plunge on. The crook dove head  first into the

bottom of the mummy case of Senwosri. His clawing  fingers only grazed the swishing cloak of The Shadow. 

The Shadow never turned to gaze at Havelock's body. His shot had  marked the end of Duke Larrin's career of

crime. Havelock, dead from a  single bullet in his heart, offered no new threat. There were others  who needed

a taste of The Shadow's blistering lead. 

They were coming to the fight. The roar of the automatic had  brought them to swift action. Brodie Brodan 

his three lieutenants   all were yanking shining revolvers to fight the common foe. The delay  of Martin

Havelock's plunge; The Shadow's sidestep  these were factors  which gave the crooks an opportunity. 


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Brodie Brodan, leveling his revolver, was the first to make a  forward lunge. Ahead of the others, Brodie

sought to fire. The Shadow's  second automatic spoke. The gang leader crumpled. The automatics  continued

like the roar of musketry. Their thunder was accompanied by  tongues of flame. 

Bozo Griffin staggered, wounded. Vainly, the hardfaced gang  lieutenant tried to fire as he backed against

the wall. A new bullet  laid him low. 

Fritz Fursch, dropping to the floor, got away one shot. His hasty  aim was wide. As he steadied for a second

shot, a tongue of flame spat  toward him. Fritz crumpled with a stifled groan. 

Sinker Hargun, slowest on the draw, was the coolest in his aim.  Backing toward the side door of the crypt, the

fiercest of Brodie  Brodan's henchmen aimed a shot to kill. The Shadow had taken the others  first, in

consequence of Sinker's slowness. Apparently, Sinker was set  to beat him to this shot. 

Finger on trigger, Sinker pressed. As he did, the report of his  revolver was accompanied by sight of The

Shadow's dropping form. Sinker  aimed again, in wild elation. 

He never fired. The Shadow's fall had been designed. Coming a split  second ahead of Sinker's shot, it had

enabled the blackgarbed master  to escape the steady gangster's fire. While Sinker, thinking that he  had

felled his enemy, was pointing for new delivery, another blast from  an automatic sponsored new echoes

through the crime crypt. 

The Shadow, shooting as he crouched, was perfect in his rapid aim.  Sinker Hargun slumped. His left hand

went to his body. His right arm  lowered. His revolver loosened from spreading fingers. It clattered on  the

stone floor of the crypt. Sinker folded; his body cracked the floor  with a thud. The gangster rolled on his back

and lay motionless. 

Cecil Armsbury! The chief plotter of this band of crooks had chosen  different tactics than the others. His aim

was escape. Plunging across  the crypt, he had taken advantage of The Shadow's activity. He had made  his

objective the elevator that led to his living room above. 

A man blocked his path. Armsbury, gun in hand, found himself  wrestling with an unexpected foeman who

had risen to meet him. It was  Cliff Marsland. The Shadow's agent strove to hold the master plotter. 

Armsbury fought with savage fury. His strength was surprising.  Cliff could not wrest the revolver away from

him; but he did manage to  hold Armsbury on equal footing. Together, the two struggled while The  Shadow

performed execution upon snarling crooks. 

Joe Cardona was struggling with the bonds which Cliff had partially  released. The detective broke free. He

paid no heed to Handley Matson's  cries for release. He could aid the curator later. Joe launched himself  upon

Cecil Armsbury, in an effort to aid Cliff Marsland. 

Amazingly, the old man increased his power as his adversaries  doubled. He wrenched himself free and

leveled his revolver squarely at  Joe Cardona. Cliff Marsland, hurled against the wall, flung his arm  upward

and hit the old man's wrist. Armsbury's shot ricocheted from the  ceiling. 

Cardona and Cliff leaped forward, just as Armsbury yanked open the  door to the elevator shaft. A cry came

from Cardona. 

"Stop him! He's going up to his house above!" 


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Armsbury broke away as the two men seized him. His swinging hand  delivered a side clip to Cardona's head.

The detective slumped from the  glancing blow of the revolver. Springing clear, Armsbury leveled his  gun at

Cliff. The Shadow's agent made a futile spring to stop the shot. 

ARMSBURY'S gloating cackle ended as a burst of flame was  accompanied by a roar from the crypt. The old

man's arm dropped. The  Shadow, picking the only opening past Cliff Marsland's intervening  body, had

clipped the archcrook in the shoulder. 

Cliff seized Armsbury's gun. He dragged the old crook forward into  the crypt. Joe Cardona, rising dazed, saw

that Armsbury was helpless.  Joe picked up a revolver that was lying on the floor beside the body of  Fingers

Keefel. 

Cliff Marsland, standing by the door toward the elevator shaft,  heard a warning hiss beside him. He turned to

find himself staring into  the eyes of The Shadow. Before Cliff could nod in reply, he was drawn  through the

door toward the elevator. Thrust aboard, he found himself  riding up through blackness. 

The Shadow had withdrawn his henchman. He knew that Cliff's status  might be questioned, even though Cliff

had aided Joe Cardona. With his  agent, The Shadow was departing. Death reigned in the crime crypt. 

The Shadow had played his part. He had ended the reign of crime. He  had saved wealth that crooks had

marked for theft. The crime crypt had  been uncovered. Joe Cardona, representative of the law, was in

possession! 

The Shadow had picked the exit through Armsbury's, learning of it  from Joe Cardona's cry. Standing in

Armsbury's living room, he pointed  Cliff Marsland toward the door. The agent nodded and hurried from the

house. It was his part to vacate this vicinity. 

Cliff, as he reached the corner of the nearest avenue, paused for a  long breath. It was then that he heard the

whispered echo of a weird  laugh  a sound that seemed to come from in back of Armsbury's home. 

The laugh of The Shadow! It was sinister mockery that denoted  triumph. Yet to Cliff, it carried a strange note

that presaged  impending action! 

CHAPTER XXIV. FROM THE CRYPT

DETECTIVE JOE CARDONA stared about him. He was in possession of the  crime crypt. He realized for the

first time that The Shadow had  departed; then he discovered that the prisoner who had aided him was  also

gone. 

Cardona had not recognized Cliff Marsland in the dim light of the  crypt. He suspected that his fellow prisoner

had been a former member  of the crooked gang. That was all. 

Cecil Armsbury, alone of all the crooks, still lived. The old man,  sprawled helplessly against the wall, was

weaponless. He was clutching  his wounded shoulder, whimpering as though in pain. 

Gasps for aid attracted Cardona's attention. The detective was  forced to smile as he noted Handley Matson.

The museum curator was  weakly endeavoring to release himself from the bonds which held him. 

Cardona approached and aided. Handley Matson, freed, staggered to  his feet. He was unsteady; his

cadaverous face showed pallor. Cardona  thrust a gun into his hand. 


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"Look after Armsbury," ordered the detective. "Keep him covered.  I'm going to see what's in here." 

Cardona motioned toward the door beyond the mummy case of Senwosri.  Picking up loose revolvers from

the floor, the detective approached and  hacked at the lock of Armsbury's treasure room. He finally used a

revolver to blast away the lock. 

The sight of glittering objects opened Cardona's eyes. Here was  pelf of tremendous value  stolen wealth

which Armsbury had stored away  during his long career. It captured the detective's entire attention  until a

sharp cry made Cardona turn back to the crypt. 

Cecil Armsbury had risen weakly to his feet. Handley Matson,  nervous, had made no attempt to stop him.

Now, with a renewal of his  old vigor, Armsbury had leaped upon the curator! 

Cardona saw Matson go down. His revolver clattered on the floor.  Armsbury scooped it up with his left hand

and sprang to the side of the  crypt as Joe Cardona blazed a revolver shot. 

The bullet missed its mark. Armsbury, with fiendish strength,  yanked open the side door. Cardona, firing,

sprang forward. Armsbury  seemed to possess a charm against the detective's bullets. Cardona saw  him

disappear beyond the door. 

"Come on!" Cardona thrust a new gun into Matson's hand as the  curator rose from the floor. 

THEN, with prompt pursuit, the detective yanked open the door and  revealed the long passage which

Armsbury had taken. The old crook was  fleeing toward a spot of safety which Cardona had not known was in

existence. 

Joe fired down the passage. His bullets ricocheted from the walls,  too late to stop Armsbury's flight. The old

man had gained the other  end. He was going through the panel. Cardona dashed after him and  reached the

barrier. He yanked it open. 

"Hurry! Hurry!" he heard Armsbury calling. "We must get away or all  is lost!" 

Scuffling feet sounded on stairs. Armsbury had called to Sinker  Hargun's henchmen. These gangsters had not

heard the firing in which  their leader had been slain. The buried crypt was soundproof. 

Cardona delivered wild shots as he dashed through the storeroom,  with Matson at his heels. His flashlight

showed the stairs that led  above. He blazed in that direction. Return shots resounded. Then a door  slammed

shut. Cardona clambered up the steps and tried to crash the  barrier. It resisted. 

Cecil Armsbury was explaining matters to a group of excited gunmen.  He was urging them to flight; and he

pointed out the way. Across the  basement was an elevator shaft. An open car stood there. The operator  and

the janitor were staring at the sound of shots which they had  heard. 

A revolver barked from a mobster's hand. The elevator man and the  janitor fled for cover, leaving the car

deserted. Armsbury waved his  good arm and the mobsters followed him into the lift. The door clanged.  They

rose upward to the lobby floor. 

The door was flung open. The operator of a second elevator looked  out as he saw a gunwielding gangster

spring from the car that had come  from the cellar. He made a leap to stop the armed invader. 


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The gangster, with others at his heels, flung the elevator man  aside and paused to aim at him. Then came a

sharp cry from a second  mobster. The aiming man looked up. Straight ahead, framed in the outer  doorway of

the lobby, was a looming form in black! 

The Shadow! 

A FISTCLENCHED automatic barked. The murderous gangster dropped.  Others raised their guns and

started fire. Automatics thundered in  quick return. The Shadow's shots, aimed at the startled group, found

quick effect. Mobsters sprawled, their hasty shots traveling wide. 

"Back! Back!" Cecil Armsbury was screaming. "Up to the roof!" 

Three gangsters were all who could obey. Diving into the elevator,  they clanged the door. The lift started up.

Armsbury uttered a cry of  satisfaction. Then came a growl from a mobster, peering through the  slatted side of

the elevator. 

"He's after us!" was the man's statement. "In the other elevator!" 

Armsbury peered through the slats. His lips writhed as he realized  the truth. The Shadow had seized the

second elevator and was in  pursuit. 

The shaft was designed for three elevators. The central one was not  in use. Hence there was a space between

the two  the one which  contained Armsbury and his gangsters and the other in which The Shadow  was

following. 

"Out with the light," ordered Armsbury. 

A mobster clicked the switch. The elevator was passing the seventh  floor. Armsbury knew that the old hotel

had twelve stories. 

"Slow it!" he ordered in an undertone. "We can't get out before he  reaches us " 

The command was obeyed. Gangster guns were through the slats, ready  to blaze The Shadow's elevator when

it came alongside. In the vague  gloom of the shaft, the other car was gaining upward impetus. Its solid  top

was a guard against bullets; but its slatted sides were vulnerable,  beginning three feet above the floor. 

Gangster guns blazed. The faster moving elevator was the target. To  return the fire, The Shadow would have

to be at the slats. Bullets  flattened against The Shadow's lift. Others whistled between the bars. 

Growling gangsters stayed their fire as the other elevator shot by.  There had been no reply. They thought that

they had clipped The Shadow! 

"Down!" gasped Armsbury. "Down! Don't take chances " 

A mobster fumbled in the darkness. He stopped the car and started  its course downward. This time they could

fight their way through the  lobby. Sure of safety, the mobsters were grouped against the  openslatted side. 

Then came thunderous roars. From the height above, the second  elevator came dropping, with all control

released. The Shadow had  loosed it from the topmost floor. With terrific speed, he had taken the  downward

pursuit! 


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Freed from the control of the elevator, he was at the slatted  sides, pouring the lead of his loaded automatics

into the car which  held Armsbury and the frightened mobsters. 

NOT one had suspected The Shadow's ruse. They had thought  as  Armsbury had suggested  that The

Shadow might have crouched to cover  to avoid their shots. But to drop  as if from nowhere, on a

twelvestory plunge! This was the stroke that caught them unaware. 

Cecil Armsbury crouched to the floor as cursing mobsters dropped  about him. Of a dozen shots delivered by

The Shadow, seven had passed  between the slats. They had crippled the trio of mobsters in the car  with

Armsbury. 

Alone capable of action, the old crook yanked the control as The  Shadow's car whizzed past. Armsbury's

elevator jammed to a stop between  the fifth floor and the fourth. It started upward at the old man's  action on

the control. 

A whistling sound wailed through the shaft. The Shadow's lift had  struck the aircushion in its confined shaft

below the fourth floor.  Rebounding as though shot upward by a spring, it was in new pursuit.  The Shadow

had regained the control! 

Armsbury's car clicked to a stop at the twelfth floor. The old man  clawed open the door. He dashed along a

short passage, up steps, and  pulled open a barrier. He hurried out to the roof of Ridgelow Court. He  was

ahead of The Shadow. Let the dying gangsters remain in their  useless elevator! 

Reaching a corner post at the rear of the roof, Cecil Armsbury  clung there in the darkness. He was obscured

from the glare of the  city's sky. He steadied his right wrist upon the cornice. Gloating; he  pointed revolver at

the door through which he had come. He waited. 

Though capture might prove inevitable, Cecil Armsbury was  determined to commit one final deed of crime.

He had reached this spot  in time to await The Shadow. The moment that the blackclad avenger  might appear,

Armsbury's hand would press the trigger. 

Sure death  with this steady aim. Armsbury's eyes were keen as  they watched the whitened surface of the

door. Not even The Shadow  could come there undiscovered. Armsbury's only qualm was the  possibility that

The Shadow might avoid this trap. Yet the old fiend,  chuckling, counted on The Shadow's daring. 

The being who had come to the crime crypt in the mummy case of  Senwosri, there to eliminate a band of

fierce ruffians, would certainly  not avoid this challenge. In the crypt, Armsbury had chosen flight.  That

course was ended. The Shadow would learn the perfection of Cecil  Armsbury's calculating aim! 

ON the twelfth floor of Ridgelow Court, The Shadow was standing by  the very exit which Armsbury had

taken. Behind him were the open doors  of two elevators: the one containing the bulletscarred gangsters

whom  Armsbury had abandoned; the other, the car in which The Shadow had  arrived. 

There was one path which Armsbury must have taken. The Shadow knew  it: through that door to the roof.

The Shadow's gloved hand was upon  the door. Then came a solemn, whispered laugh from lips that were

hidden by the upturned collar of the black cloak. 

The Shadow saw the trap. He knew the odds which Armsbury was  playing. His keen eyes spied a window at

the bottom of the steps. The  Shadow took it as his objective. 


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Gloved hands raised the sash. The Shadow's tall form passed through  the opened window. Strong fingers

gripped an ornamental stone above the  window. A long arm was thrust higher; it clutched the base of the

cornice. 

Clinging with one sure hand, The Shadow swung over space. His free  hand joined the gripping one. Both

held the base of the cornice. The  Shadow's body moved upward. A rising hand pressed powerful fingers

against the top of the cornice. 

Both hands gained this objective. The Shadow's body reached the  base. It rested firmly there; a freed hand

reached beneath the black,  enshrouding cloak. 

That hand produced an automatic. Gripping the weapon of vengeance,  The Shadow raised hand and head

above the walled cornice. Clinging to  his precarious perch, he turned his keen eyes in searching gaze across

the roof. 

The Shadow was more than a dozen feet from the door which Cecil  Armsbury was watching. The old man

was hidden in the darkness of the  opposite corner; but the whispered laugh which was almost inaudible  told

The Shadow's divination. 

The one spot which the villainous sponsor of the crime crypt could  have chosen was that opposite corner.

There, The Shadow knew, the fiend  was waiting with his gun trained on the whitened door from the twelfth

floor! 

The Shadow raised head and shoulders. His automatic leveled. Here,  at the front of the roof, the glow was

behind him. His slouch hat and  the upper portion of his cloak formed a spectral silhouette against the  glowing

sky. 

A cry came from across the roof. Cecil Armsbury had spied The  Shadow. Clinging to his vantage post,

Armsbury shifted aim as he  realized that the door could no longer be his target. With his cry,  Armsbury fired. 

THE blaze of the revolver showed the old man's exact location. The  bullet, though aimed in haste, was close.

It clipped the brim of The  Shadow's tilted hat as it whistled past to space. Armsbury's frantic  finger was

pressing for a second shot when The Shadow's answer came. 

The automatic barked. The Shadow's aim was perfect. The flash of  the crook's revolver was all that he had

needed. The leaden messenger  found its target. 

A second cry came from Cecil Armsbury. The old man's clinging arm  lost its hold. His revolver dangled,

hanging from his trigger finger.  It clattered to the roof. A wail came from Armsbury's lips as the  master of the

crime crypt toppled backward. 

Headlong over the cornice  thus did Cecil Armsbury plunge. Twelve  stories downward to the courtyard

behind the old hotel; Armsbury's  helpless body formed a circling, puppet figure as it dropped though

darkness. It crashed upon the paving. 

The Shadow crossed the roof. Peering from the rear cornice, his  keen eyes distinguished the contorted form

of the villain who had  perished. Cecil Armsbury was dead; his motionless corpse was lying on  the cement

that covered the passage between Ridgelow Court and the  crime crypt! 

Crime from the crypt was ended. From the crypt had Cecil Armsbury  fled. The Shadow, from the crypt, had

blocked the monster's path of  flight. 


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Minions of crime had perished. Duke Larrin's band of murderers and  raiders were no more. Last to die had

been the master schemer of the  lot: Cecil Armsbury. 

Weird laughter sounded its triumph from atop the old hotel. Its  tones reached the roof of the old mansion

where Cecil Armsbury had  lived. 

Chilling, penetrating mockery! Its echoes faded with eerie irony,  as though creeping through the old secluded

mansion that they might  reach the crime crypt as a token of The Shadow's victory! 

THE END  (NOTE: Here is a description of the main characters in the  story.  They were placed throughout the

story in the original pulp.  They have now been placed at the end of the story, so as not to  interrupt the flow of

the narrative.) 

CECIL ARMSBURY 

Under the guise of adventurer, worldtraveler, collector of various  treasures, Cecil Armsbury has been

successful in accomplishing a  masterful plot of crookedness. The victims of his evil are not aware of  his

treachery  not yet. But there is a time for reckoning, and Cecil  Armsbury plans for such a time. 

From within his own home, he acts as the master mind of this vast  plot. He foresees all contingencies; he

realizes the difficulty of the  task which he undertakes. But his evil mind is equal to all the  situations, and his

cunning sufficient to bring to him aides who carry  out orders to the letter. 

DUKE LARRIN 

A master crook in his own right, Duke Larrin attempts to take  advantage of another master crook  and there

results the most deadly  combination of wickedness possible. One is a schemer beyond reproach;  the other is a

crook of international reputation who is looking for new  territory, new means of crime. 

Duke Larrin and Cecil Armsbury, two of a kind! They pool their  experience, and out of it comes a plot that is

bigger than anything any  single crook could imagine. The idea is perfect; the system they plan  is foolproof.

They account for everything  everything except The  Shadow! 

HARRY VINCENT 

Agent of The Shadow 

Of all The Shadow's agents, Harry Vincent is probably the most  important. It was Harry Vincent who aided

The Living Shadow, long ago,  in his battle against the gang of diamond thieves. But that was only  after The

Shadow had saved Vincent when he was on the brink of death,  and thus won his everlasting loyalty and

subservience. 

Vincent, as the dean of The Shadow's agents, is worthy of his post.  Quickthinking, fastacting,

impressivelooking  that is Harry  Vincent. He follows orders, and when necessary, is able to do his own

thinking, a requirement essential to all agents of The Shadow. 

"FINGERS" KEEFEL 

Another lieutenant of the master crooks. Fingers and Brodie Brodan  are both serving the same purpose 

doing the work "up front" while the  masters do their plotting behind the scenes. 


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"BRODIE" BRODAN 

One of gangland's big shots, is only an incidental lieutenant in  this campaign of great crime. Nevertheless,

upon him rests much of the  success of this crookery. 

JOE CARDONA  Ace detective of the New York force 

Although The Shadow is not an officer of the law, he fights for the  law at all times, and, indirectly, is the

law's most effective agent.  There was a time when the police did not believe in The Shadow, when  the name

was accounted as nothing more than a myth. Even today,  officially, there is no such name on the police rolls.

In all reports,  it is a "person unknown" who does something which brings the police on  the trail. 

But to Joe Cardona, ace detective of the New York force, The Shadow  is real. More than once Cardona's life

has been saved by this master  fighter; more than one baffling case has been "solved" by the police  because

The Shadow set the scene, gave Cardona the tip, and let this  ace detective win new laurels by making a

marvelous "catch." Joe  Cardona knows he owes everything, including his life, to The Shadow. 

CLIFF MARSLAND 

To the underworld, Cliff Marsland is a freelance fighter, a gunman  of high repute. He owes allegiance to no

gang; his nerve, his  gunfighting ability, make him a man in demand when big jobs are  planned; and his

price is high. 

Cliff Marsland has a reputation. He was in the Big House on a  murder charge; he has dozens of crimes

accredited to him. 

But what the underworld does not know is that the murder charge  Cliff took was lifted from the shoulders of

another, and that the  crimes credited to him are all trumped up. And also, that this  freelance fighter who

owes allegiance to no gang is an agent of The  Shadow, enemy of gangdom, and uses his builtup reputation

in order to  maintain contact between the chiefs of the underworld and the king of  crime avengers  The

Shadow! 

CLYDE BURKE 

Newspaperman 

As a newspaperman, Clyde Burke is a wizard. All sources of news are  open to him; his "scoops" have made

him in demand by every paper in the  country. Clyde serves faithfully on the Classic, leaving his occupation

only when duty calls him elsewhere. 

That duty, by the way, is not imposed by his newspaper superiors,  but by someone else  by The Shadow.

For Clyde Burke, who was once  downandout, ready to give up entirely, was rescued by The Shadow. The

master who saved his life now calls it his own, to be offered up if  need be. But The Shadow's agents, though

they risk their lives  continuously, also have the protection of their master, the man who  wastes no lives, but

saves many. 


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Bookmarks



1. Table of Contents, page = 3

2. THE CRIME CRYPT, page = 4

   3. Maxwell Grant, page = 4

   4. CHAPTER I. A MAN OF MURDER, page = 4

   5. CHAPTER II. CROOKS OF A KIND, page = 8

   6. CHAPTER III. THE MEETING, page = 12

   7. CHAPTER IV. CRIME BREAKS, page = 16

   8. CHAPTER V. TWO MEN MEET, page = 20

   9. CHAPTER VI. THE ALIBI, page = 23

   10. CHAPTER VII. MOBSTERS MOVE, page = 27

   11. CHAPTER VIII. WITHIN THE HOUSE, page = 32

   12. CHAPTER IX. GUNS BARK, page = 35

   13. CHAPTER X. CRIME AND COUNTERCRIME, page = 37

   14. CHAPTER XI. THE SHADOW'S PART, page = 41

   15. CHAPTER XII. THE STOLEN SCROLL, page = 44

   16. CHAPTER XIII. THE SHADOW ACTS, page = 49

   17. CHAPTER XIV. CROOKS SUSPECT, page = 53

   18. CHAPTER XV. AT THE MUSEUM, page = 57

   19. CHAPTER XVI. THE PILLAGERS, page = 61

   20. CHAPTER XVII. BRODIE'S MOVE, page = 63

   21. CHAPTER XVIII. DEATH AWAITS, page = 67

   22. CHAPTER XIX. CARDONA'S CLEW, page = 69

   23. CHAPTER XX. THE SNARE, page = 73

   24. CHAPTER XXI. LIVING AND DEAD, page = 76

   25. CHAPTER XXII. WORDS OF THE SHADOW, page = 79

   26. CHAPTER XXIII. THE SHADOW'S MIGHT, page = 81

   27. CHAPTER XXIV. FROM THE CRYPT, page = 83