Title: As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
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Author: William Shakespeare
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As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
William Shakespeare
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Table of Contents
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida .....................................1
William Shakespeare...............................................................................................................................1
As You Like It.....................................................................................................................................................2
Act 1, Scene 1..........................................................................................................................................2
Act 1, Scene 2..........................................................................................................................................8
Act 1, Scene 3........................................................................................................................................21
Act 2, Scene 1........................................................................................................................................28
Act 2, Scene 2........................................................................................................................................30
Act 2, Scene 3........................................................................................................................................31
Act 2, Scene 4........................................................................................................................................33
Act 2, Scene 5........................................................................................................................................38
Act 2, Scene 6........................................................................................................................................41
Act 2, Scene 7........................................................................................................................................41
Act 3, Scene 1........................................................................................................................................48
Act 3, Scene 2........................................................................................................................................49
Act 3, Scene 3........................................................................................................................................68
Act 3, Scene 4........................................................................................................................................72
Act 3, Scene 5........................................................................................................................................75
Act 4, Scene 1........................................................................................................................................80
Act 4, Scene 2........................................................................................................................................89
Act 4, Scene 3........................................................................................................................................90
Act 5, Scene 1........................................................................................................................................98
Act 5, Scene 2......................................................................................................................................101
Act 5, Scene 3......................................................................................................................................107
Act 5, Scene 4......................................................................................................................................109
Cymbeline........................................................................................................................................................119
Act 1, Scene 1......................................................................................................................................119
Act 1, Scene 2......................................................................................................................................128
Act 1, Scene 3......................................................................................................................................130
Act 1, Scene 4......................................................................................................................................132
Act 1, Scene 5......................................................................................................................................140
Act 1, Scene 6......................................................................................................................................143
Act 2, Scene 1......................................................................................................................................152
Act 2, Scene 2......................................................................................................................................156
Act 2, Scene 4......................................................................................................................................166
Act 2, Scene 5......................................................................................................................................174
Act 3, Scene 1......................................................................................................................................175
Act 3, Scene 2......................................................................................................................................178
Act 3, Scene 3......................................................................................................................................181
Act 3, Scene 4......................................................................................................................................184
Act 3, Scene 5......................................................................................................................................191
Act 3, Scene 6......................................................................................................................................199
Act 3, Scene 7......................................................................................................................................204
Act 4, Scene 1......................................................................................................................................205
Act 4, Scene 2......................................................................................................................................206
Act 4, Scene 3......................................................................................................................................226
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
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Act 4, Scene 4......................................................................................................................................228
Act 5, Scene 1......................................................................................................................................228
Act 5, Scene 2......................................................................................................................................229
Act 5, Scene 3......................................................................................................................................231
Act 5, Scene 4......................................................................................................................................234
Act 5, Scene 5......................................................................................................................................242
Measure for Measure ......................................................................................................................................265
Act 1, Scene 1......................................................................................................................................265
Act 1, Scene 2......................................................................................................................................268
Act 1, Scene 3......................................................................................................................................277
Act 1, Scene 4......................................................................................................................................279
Act 2, Scene 1......................................................................................................................................284
Act 2, Scene 2......................................................................................................................................297
Act 2, Scene 3......................................................................................................................................307
Act 2, Scene 4......................................................................................................................................310
Act 3, Scene 1......................................................................................................................................317
Act 3, Scene 2......................................................................................................................................329
Act 4, Scene 1......................................................................................................................................340
Act 4, Scene 2......................................................................................................................................344
Act 4, Scene 3......................................................................................................................................354
Act 4, Scene 4......................................................................................................................................363
Act 4, Scene 5......................................................................................................................................364
Act 4, Scene 6......................................................................................................................................365
Act 5, Scene 1......................................................................................................................................366
Pericles: Prince of Tyre..................................................................................................................................392
Act 1, Scene 1......................................................................................................................................392
Act 1, Scene 2......................................................................................................................................398
Act 1, Scene 3......................................................................................................................................402
Act 1, Scene 4......................................................................................................................................404
Act 2, Scene 1......................................................................................................................................409
Act 2, Scene 2......................................................................................................................................416
Act 2, Scene 3......................................................................................................................................420
Act 2, Scene 4......................................................................................................................................425
Act 2, Scene 5......................................................................................................................................428
Act 3, Scene 2......................................................................................................................................443
Act 3, Scene 3......................................................................................................................................448
Act 3, Scene 4......................................................................................................................................450
Act 4, Scene 1......................................................................................................................................452
Act 4, Scene 2......................................................................................................................................457
Act 4, Scene 3......................................................................................................................................465
Act 4, Scene 5......................................................................................................................................468
Act 4, Scene 6......................................................................................................................................469
Act 5, Scene 1......................................................................................................................................479
Act 5, Scene 3......................................................................................................................................493
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
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Table of Contents
orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the
ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the
Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose
strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the
quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike
fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave
pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And
Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy.
Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on
hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's
voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play
Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away
To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad,
'tis but the chance of war.Troilus and CressidaAct 1, Scene 1...................................................................499
Act 1, Scene 2......................................................................................................................................505
Act 1, Scene 3......................................................................................................................................521
Act 2, Scene 1......................................................................................................................................533
Act 2, Scene 2......................................................................................................................................540
Act 2, Scene 3......................................................................................................................................547
Act 3, Scene 1......................................................................................................................................559
Act 3, Scene 2......................................................................................................................................568
Act 3, Scene 3......................................................................................................................................576
Act 4, Scene 1......................................................................................................................................588
Act 4, Scene 2......................................................................................................................................591
Act 4, Scene 3......................................................................................................................................597
Act 4, Scene 4......................................................................................................................................598
Act 4, Scene 5......................................................................................................................................605
Act 5, Scene 1......................................................................................................................................619
Act 5, Scene 2......................................................................................................................................625
Act 5, Scene 3......................................................................................................................................637
Act 5, Scene 4......................................................................................................................................643
Act 5, Scene 5......................................................................................................................................645
Act 5, Scene 6......................................................................................................................................647
Act 5, Scene 7......................................................................................................................................649
Act 5, Scene 8......................................................................................................................................650
Act 5, Scene 9......................................................................................................................................652
Act 5, Scene 10....................................................................................................................................653
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
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As You Like It, Cymbeline, Measure for Measure,
Perciles, Troilus and Cressida
William Shakespeare
As You Like It
Act I
Act II
Act III
Act IV
Act V
Cymbeline
Act I
Act II
Act III
Act IV
Act V
Measure for Measure
Act I
Act II
Act III
Act IV
Act V
Perciles
Act I
Act II
Act III
Act IV
Act V
Troilus and Cressida
Act I
Act II
Act III
Act IV
Act V
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida 1
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As You Like It
Act 1, Scene 1
Orchard of Oliver's house.
Enter ORLANDO and ADAM
ORLANDO
As I remember, Adam, it was upon this fashion
bequeathed me by will but poor a thousand crowns,
and, as thou sayest, charged my brother, on his
blessing, to breed me well: and there begins my
sadness. My brother Jaques he keeps at school, and
report speaks goldenly of his profit: for my part,
he keeps me rustically at home, or, to speak more
properly, stays me here at home unkept; for call you
that keeping for a gentleman of my birth, that
differs not from the stalling of an ox? His horses
are bred better; for, besides that they are fair
with their feeding, they are taught their manage,
and to that end riders dearly hired: but I, his
brother, gain nothing under him but growth; for the
which his animals on his dunghills are as much
bound to him as I. Besides this nothing that he so
plentifully gives me, the something that nature gave
me his countenance seems to take from me: he lets
me feed with his hinds, bars me the place of a
brother, and, as much as in him lies, mines my
gentility with my education. This is it, Adam, that
grieves me; and the spirit of my father, which I
think is within me, begins to mutiny against this
servitude: I will no longer endure it, though yet I
know no wise remedy how to avoid it.
ADAM
Yonder comes my master, your brother.
ORLANDO
Go apart, Adam, and thou shalt hear how he will
shake me up.
Enter OLIVER
OLIVER
As You Like It 2
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Now, sir! what make you here?
ORLANDO
Nothing: I am not taught to make any thing.
OLIVER
What mar you then, sir?
ORLANDO
Marry, sir, I am helping you to mar that which God
made, a poor unworthy brother of yours, with idleness.
OLIVER
Marry, sir, be better employed, and be naught awhile.
ORLANDO
Shall I keep your hogs and eat husks with them?
What prodigal portion have I spent, that I should
come to such penury?
OLIVER
Know you where your are, sir?
ORLANDO
O, sir, very well; here in your orchard.
OLIVER
Know you before whom, sir?
ORLANDO
Ay, better than him I am before knows me. I know
you are my eldest brother; and, in the gentle
condition of blood, you should so know me. The
courtesy of nations allows you my better, in that
you are the firstborn; but the same tradition
takes not away my blood, were there twenty brothers
betwixt us: I have as much of my father in me as
you; albeit, I confess, your coming before me is
nearer to his reverence.
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OLIVER
What, boy!
ORLANDO
Come, come, elder brother, you are too young in this.
OLIVER
Wilt thou lay hands on me, villain?
ORLANDO
I am no villain; I am the youngest son of Sir
Rowland de Boys; he was my father, and he is thrice
a villain that says such a father begot villains.
Wert thou not my brother, I would not take this hand
from thy throat till this other had pulled out thy
tongue for saying so: thou hast railed on thyself.
ADAM
Sweet masters, be patient: for your father's
remembrance, be at accord.
OLIVER
Let me go, I say.
ORLANDO
I will not, till I please: you shall hear me. My
father charged you in his will to give me good
education: you have trained me like a peasant,
obscuring and hiding from me all gentlemanlike
qualities. The spirit of my father grows strong in
me, and I will no longer endure it: therefore allow
me such exercises as may become a gentleman, or
give me the poor allottery my father left me by
testament; with that I will go buy my fortunes.
OLIVER
And what wilt thou do? beg, when that is spent?
Well, sir, get you in: I will not long be troubled
with you; you shall have some part of your will: I
pray you, leave me.
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ORLANDO
I will no further offend you than becomes me for my good.
OLIVER
Get you with him, you old dog.
ADAM
Is 'old dog' my reward? Most true, I have lost my
teeth in your service. God be with my old master!
he would not have spoke such a word.
Exeunt ORLANDO and ADAM
OLIVER
Is it even so? begin you to grow upon me? I will
physic your rankness, and yet give no thousand
crowns neither. Holla, Dennis!
Enter DENNIS
DENNIS
Calls your worship?
OLIVER
Was not Charles, the duke's wrestler, here to speak with me?
DENNIS
So please you, he is here at the door and importunes
access to you.
OLIVER
Call him in.
Exit DENNIS
'Twill be a good way; and tomorrow the wrestling is.
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As You Like It 5
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Enter CHARLES
CHARLES
Good morrow to your worship.
OLIVER
Good Monsieur Charles, what's the new news at the
new court?
CHARLES
There's no news at the court, sir, but the old news:
that is, the old duke is banished by his younger
brother the new duke; and three or four loving lords
have put themselves into voluntary exile with him,
whose lands and revenues enrich the new duke;
therefore he gives them good leave to wander.
OLIVER
Can you tell if Rosalind, the duke's daughter, be
banished with her father?
CHARLES
O, no; for the duke's daughter, her cousin, so loves
her, being ever from their cradles bred together,
that she would have followed her exile, or have died
to stay behind her. She is at the court, and no
less beloved of her uncle than his own daughter; and
never two ladies loved as they do.
OLIVER
Where will the old duke live?
CHARLES
They say he is already in the forest of Arden, and
a many merry men with him; and there they live like
the old Robin Hood of England: they say many young
gentlemen flock to him every day, and fleet the time
carelessly, as they did in the golden world.
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As You Like It 6
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OLIVER
What, you wrestle tomorrow before the new duke?
CHARLES
Marry, do I, sir; and I came to acquaint you with a
matter. I am given, sir, secretly to understand
that your younger brother Orlando hath a disposition
to come in disguised against me to try a fall.
Tomorrow, sir, I wrestle for my credit; and he that
escapes me without some broken limb shall acquit him
well. Your brother is but young and tender; and,
for your love, I would be loath to foil him, as I
must, for my own honour, if he come in: therefore,
out of my love to you, I came hither to acquaint you
withal, that either you might stay him from his
intendment or brook such disgrace well as he shall
run into, in that it is a thing of his own search
and altogether against my will.
OLIVER
Charles, I thank thee for thy love to me, which
thou shalt find I will most kindly requite. I had
myself notice of my brother's purpose herein and
have by underhand means laboured to dissuade him from
it, but he is resolute. I'll tell thee, Charles:
it is the stubbornest young fellow of France, full
of ambition, an envious emulator of every man's
good parts, a secret and villanous contriver against
me his natural brother: therefore use thy
discretion; I had as lief thou didst break his neck
as his finger. And thou wert best look to't; for if
thou dost him any slight disgrace or if he do not
mightily grace himself on thee, he will practise
against thee by poison, entrap thee by some
treacherous device and never leave thee till he
hath ta'en thy life by some indirect means or other;
for, I assure thee, and almost with tears I speak
it, there is not one so young and so villanous this
day living. I speak but brotherly of him; but
should I anatomize him to thee as he is, I must
blush and weep and thou must look pale and wonder.
CHARLES
I am heartily glad I came hither to you. If he come
tomorrow, I'll give him his payment: if ever he go
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
As You Like It 7
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alone again, I'll never wrestle for prize more: and
so God keep your worship!
OLIVER
Farewell, good Charles.
Exit CHARLES
Now will I stir this gamester: I hope I shall see
an end of him; for my soul, yet I know not why,
hates nothing more than he. Yet he's gentle, never
schooled and yet learned, full of noble device, of
all sorts enchantingly beloved, and indeed so much
in the heart of the world, and especially of my own
people, who best know him, that I am altogether
misprised: but it shall not be so long; this
wrestler shall clear all: nothing remains but that
I kindle the boy thither; which now I'll go about.
Exit
Act 1, Scene 2
Lawn before the Duke's palace.
Enter CELIA and ROSALIND
CELIA
I pray thee, Rosalind, sweet my coz, be merry.
ROSALIND
Dear Celia, I show more mirth than I am mistress of;
and would you yet I were merrier? Unless you could
teach me to forget a banished father, you must not
learn me how to remember any extraordinary pleasure.
CELIA
Herein I see thou lovest me not with the full weight
that I love thee. If my uncle, thy banished father,
had banished thy uncle, the duke my father, so thou
hadst been still with me, I could have taught my
love to take thy father for mine: so wouldst thou,
if the truth of thy love to me were so righteously
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Act 1, Scene 2 8
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tempered as mine is to thee.
ROSALIND
Well, I will forget the condition of my estate, to
rejoice in yours.
CELIA
You know my father hath no child but I, nor none is
like to have: and, truly, when he dies, thou shalt
be his heir, for what he hath taken away from thy
father perforce, I will render thee again in
affection; by mine honour, I will; and when I break
that oath, let me turn monster: therefore, my
sweet Rose, my dear Rose, be merry.
ROSALIND
From henceforth I will, coz, and devise sports. Let
me see; what think you of falling in love?
CELIA
Marry, I prithee, do, to make sport withal: but
love no man in good earnest; nor no further in sport
neither than with safety of a pure blush thou mayst
in honour come off again.
ROSALIND
What shall be our sport, then?
CELIA
Let us sit and mock the good housewife Fortune from
her wheel, that her gifts may henceforth be bestowed equally.
ROSALIND
I would we could do so, for her benefits are
mightily misplaced, and the bountiful blind woman
doth most mistake in her gifts to women.
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Act 1, Scene 2 9
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CELIA
'Tis true; for those that she makes fair she scarce
makes honest, and those that she makes honest she
makes very illfavouredly.
ROSALIND
Nay, now thou goest from Fortune's office to
Nature's: Fortune reigns in gifts of the world,
not in the lineaments of Nature.
Enter TOUCHSTONE
CELIA
No? when Nature hath made a fair creature, may she
not by Fortune fall into the fire? Though Nature
hath given us wit to flout at Fortune, hath not
Fortune sent in this fool to cut off the argument?
ROSALIND
Indeed, there is Fortune too hard for Nature, when
Fortune makes Nature's natural the cutteroff of
Nature's wit.
CELIA
Peradventure this is not Fortune's work neither, but
Nature's; who perceiveth our natural wits too dull
to reason of such goddesses and hath sent this
natural for our whetstone; for always the dulness of
the fool is the whetstone of the wits. How now,
wit! whither wander you?
TOUCHSTONE
Mistress, you must come away to your father.
CELIA
Were you made the messenger?
TOUCHSTONE
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Act 1, Scene 2 10
Page No 15
No, by mine honour, but I was bid to come for you.
ROSALIND
Where learned you that oath, fool?
TOUCHSTONE
Of a certain knight that swore by his honour they
were good pancakes and swore by his honour the
mustard was naught: now I'll stand to it, the
pancakes were naught and the mustard was good, and
yet was not the knight forsworn.
CELIA
How prove you that, in the great heap of your
knowledge?
ROSALIND
Ay, marry, now unmuzzle your wisdom.
TOUCHSTONE
Stand you both forth now: stroke your chins, and
swear by your beards that I am a knave.
CELIA
By our beards, if we had them, thou art.
TOUCHSTONE
By my knavery, if I had it, then I were; but if you
swear by that that is not, you are not forsworn: no
more was this knight swearing by his honour, for he
never had any; or if he had, he had sworn it away
before ever he saw those pancakes or that mustard.
CELIA
Prithee, who is't that thou meanest?
TOUCHSTONE
One that old Frederick, your father, loves.
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Act 1, Scene 2 11
Page No 16
CELIA
My father's love is enough to honour him: enough!
speak no more of him; you'll be whipped for taxation
one of these days.
TOUCHSTONE
The more pity, that fools may not speak wisely what
wise men do foolishly.
CELIA
By my troth, thou sayest true; for since the little
wit that fools have was silenced, the little foolery
that wise men have makes a great show. Here comes
Monsieur Le Beau.
ROSALIND
With his mouth full of news.
CELIA
Which he will put on us, as pigeons feed their young.
ROSALIND
Then shall we be newscrammed.
CELIA
All the better; we shall be the more marketable.
Enter LE BEAU
Bon jour, Monsieur Le Beau: what's the news?
LE BEAU
Fair princess, you have lost much good sport.
CELIA
Sport! of what colour?
LE BEAU
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Act 1, Scene 2 12
Page No 17
What colour, madam! how shall I answer you?
ROSALIND
As wit and fortune will.
TOUCHSTONE
Or as the Destinies decree.
CELIA
Well said: that was laid on with a trowel.
TOUCHSTONE
Nay, if I keep not my rank,
ROSALIND
Thou losest thy old smell.
LE BEAU
You amaze me, ladies: I would have told you of good
wrestling, which you have lost the sight of.
ROSALIND
You tell us the manner of the wrestling.
LE BEAU
I will tell you the beginning; and, if it please
your ladyships, you may see the end; for the best is
yet to do; and here, where you are, they are coming
to perform it.
CELIA
Well, the beginning, that is dead and buried.
LE BEAU
There comes an old man and his three sons,
CELIA
I could match this beginning with an old tale.
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Act 1, Scene 2 13
Page No 18
LE BEAU
Three proper young men, of excellent growth and presence.
ROSALIND
With bills on their necks, 'Be it known unto all men
by these presents.'
LE BEAU
The eldest of the three wrestled with Charles, the
duke's wrestler; which Charles in a moment threw him
and broke three of his ribs, that there is little
hope of life in him: so he served the second, and
so the third. Yonder they lie; the poor old man,
their father, making such pitiful dole over them
that all the beholders take his part with weeping.
ROSALIND
Alas!
TOUCHSTONE
But what is the sport, monsieur, that the ladies
have lost?
LE BEAU
Why, this that I speak of.
TOUCHSTONE
Thus men may grow wiser every day: it is the first
time that ever I heard breaking of ribs was sport
for ladies.
CELIA
Or I, I promise thee.
ROSALIND
But is there any else longs to see this broken music
in his sides? is there yet another dotes upon
ribbreaking? Shall we see this wrestling, cousin?
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Act 1, Scene 2 14
Page No 19
LE BEAU
You must, if you stay here; for here is the place
appointed for the wrestling, and they are ready to
perform it.
CELIA
Yonder, sure, they are coming: let us now stay and see it.
Flourish. Enter DUKE FREDERICK, Lords, ORLANDO, CHARLES, and Attendants
DUKE FREDERICK
Come on: since the youth will not be entreated, his
own peril on his forwardness.
ROSALIND
Is yonder the man?
LE BEAU
Even he, madam.
CELIA
Alas, he is too young! yet he looks successfully.
DUKE FREDERICK
How now, daughter and cousin! are you crept hither
to see the wrestling?
ROSALIND
Ay, my liege, so please you give us leave.
DUKE FREDERICK
You will take little delight in it, I can tell you;
there is such odds in the man. In pity of the
challenger's youth I would fain dissuade him, but he
will not be entreated. Speak to him, ladies; see if
you can move him.
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Act 1, Scene 2 15
Page No 20
CELIA
Call him hither, good Monsieur Le Beau.
DUKE FREDERICK
Do so: I'll not be by.
LE BEAU
Monsieur the challenger, the princesses call for you.
ORLANDO
I attend them with all respect and duty.
ROSALIND
Young man, have you challenged Charles the wrestler?
ORLANDO
No, fair princess; he is the general challenger: I
come but in, as others do, to try with him the
strength of my youth.
CELIA
Young gentleman, your spirits are too bold for your
years. You have seen cruel proof of this man's
strength: if you saw yourself with your eyes or
knew yourself with your judgment, the fear of your
adventure would counsel you to a more equal
enterprise. We pray you, for your own sake, to
embrace your own safety and give over this attempt.
ROSALIND
Do, young sir; your reputation shall not therefore
be misprised: we will make it our suit to the duke
that the wrestling might not go forward.
ORLANDO
I beseech you, punish me not with your hard
thoughts; wherein I confess me much guilty, to deny
so fair and excellent ladies any thing. But let
your fair eyes and gentle wishes go with me to my
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Act 1, Scene 2 16
Page No 21
trial: wherein if I be foiled, there is but one
shamed that was never gracious; if killed, but one
dead that was willing to be so: I shall do my
friends no wrong, for I have none to lament me, the
world no injury, for in it I have nothing; only in
the world I fill up a place, which may be better
supplied when I have made it empty.
ROSALIND
The little strength that I have, I would it were with you.
CELIA
And mine, to eke out hers.
ROSALIND
Fare you well: pray heaven I be deceived in you!
CELIA
Your heart's desires be with you!
CHARLES
Come, where is this young gallant that is so
desirous to lie with his mother earth?
ORLANDO
Ready, sir; but his will hath in it a more modest working.
DUKE FREDERICK
You shall try but one fall.
CHARLES
No, I warrant your grace, you shall not entreat him
to a second, that have so mightily persuaded him
from a first.
ORLANDO
An you mean to mock me after, you should not have
mocked me before: but come your ways.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 17
Page No 22
ROSALIND
Now Hercules be thy speed, young man!
CELIA
I would I were invisible, to catch the strong
fellow by the leg.
They wrestle
ROSALIND
O excellent young man!
CELIA
If I had a thunderbolt in mine eye, I can tell who
should down.
Shout. CHARLES is thrown
DUKE FREDERICK
No more, no more.
ORLANDO
Yes, I beseech your grace: I am not yet well breathed.
DUKE FREDERICK
How dost thou, Charles?
LE BEAU
He cannot speak, my lord.
DUKE FREDERICK
Bear him away. What is thy name, young man?
ORLANDO
Orlando, my liege; the youngest son of Sir Rowland de Boys.
DUKE FREDERICK
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Act 1, Scene 2 18
Page No 23
I would thou hadst been son to some man else:
The world esteem'd thy father honourable,
But I did find him still mine enemy:
Thou shouldst have better pleased me with this deed,
Hadst thou descended from another house.
But fare thee well; thou art a gallant youth:
I would thou hadst told me of another father.
Exeunt DUKE FREDERICK, train, and LE BEAU
CELIA
Were I my father, coz, would I do this?
ORLANDO
I am more proud to be Sir Rowland's son,
His youngest son; and would not change that calling,
To be adopted heir to Frederick.
ROSALIND
My father loved Sir Rowland as his soul,
And all the world was of my father's mind:
Had I before known this young man his son,
I should have given him tears unto entreaties,
Ere he should thus have ventured.
CELIA
Gentle cousin,
Let us go thank him and encourage him:
My father's rough and envious disposition
Sticks me at heart. Sir, you have well deserved:
If you do keep your promises in love
But justly, as you have exceeded all promise,
Your mistress shall be happy.
ROSALIND
Gentleman,
Giving him a chain from her neck
Wear this for me, one out of suits with fortune,
That could give more, but that her hand lacks means.
Shall we go, coz?
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Act 1, Scene 2 19
Page No 24
CELIA
Ay. Fare you well, fair gentleman.
ORLANDO
Can I not say, I thank you? My better parts
Are all thrown down, and that which here stands up
Is but a quintain, a mere lifeless block.
ROSALIND
He calls us back: my pride fell with my fortunes;
I'll ask him what he would. Did you call, sir?
Sir, you have wrestled well and overthrown
More than your enemies.
CELIA
Will you go, coz?
ROSALIND
Have with you. Fare you well.
Exeunt ROSALIND and CELIA
ORLANDO
What passion hangs these weights upon my tongue?
I cannot speak to her, yet she urged conference.
O poor Orlando, thou art overthrown!
Or Charles or something weaker masters thee.
Reenter LE BEAU
LE BEAU
Good sir, I do in friendship counsel you
To leave this place. Albeit you have deserved
High commendation, true applause and love,
Yet such is now the duke's condition
That he misconstrues all that you have done.
The duke is humorous; what he is indeed,
More suits you to conceive than I to speak of.
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Act 1, Scene 2 20
Page No 25
ORLANDO
I thank you, sir: and, pray you, tell me this:
Which of the two was daughter of the duke
That here was at the wrestling?
LE BEAU
Neither his daughter, if we judge by manners;
But yet indeed the lesser is his daughter
The other is daughter to the banish'd duke,
And here detain'd by her usurping uncle,
To keep his daughter company; whose loves
Are dearer than the natural bond of sisters.
But I can tell you that of late this duke
Hath ta'en displeasure 'gainst his gentle niece,
Grounded upon no other argument
But that the people praise her for her virtues
And pity her for her good father's sake;
And, on my life, his malice 'gainst the lady
Will suddenly break forth. Sir, fare you well:
Hereafter, in a better world than this,
I shall desire more love and knowledge of you.
ORLANDO
I rest much bounden to you: fare you well.
Exit LE BEAU
Thus must I from the smoke into the smother;
From tyrant duke unto a tyrant brother:
But heavenly Rosalind!
Exit
Act 1, Scene 3
A room in the palace.
Enter CELIA and ROSALIND
CELIA
Why, cousin! why, Rosalind! Cupid have mercy! not a word?
ROSALIND
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Act 1, Scene 3 21
Page No 26
Not one to throw at a dog.
CELIA
No, thy words are too precious to be cast away upon
curs; throw some of them at me; come, lame me with reasons.
ROSALIND
Then there were two cousins laid up; when the one
should be lamed with reasons and the other mad
without any.
CELIA
But is all this for your father?
ROSALIND
No, some of it is for my child's father. O, how
full of briers is this workingday world!
CELIA
They are but burs, cousin, thrown upon thee in
holiday foolery: if we walk not in the trodden
paths our very petticoats will catch them.
ROSALIND
I could shake them off my coat: these burs are in my heart.
CELIA
Hem them away.
ROSALIND
I would try, if I could cry 'hem' and have him.
CELIA
Come, come, wrestle with thy affections.
ROSALIND
O, they take the part of a better wrestler than myself!
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Act 1, Scene 3 22
Page No 27
CELIA
O, a good wish upon you! you will try in time, in
despite of a fall. But, turning these jests out of
service, let us talk in good earnest: is it
possible, on such a sudden, you should fall into so
strong a liking with old Sir Rowland's youngest son?
ROSALIND
The duke my father loved his father dearly.
CELIA
Doth it therefore ensue that you should love his son
dearly? By this kind of chase, I should hate him,
for my father hated his father dearly; yet I hate
not Orlando.
ROSALIND
No, faith, hate him not, for my sake.
CELIA
Why should I not? doth he not deserve well?
ROSALIND
Let me love him for that, and do you love him
because I do. Look, here comes the duke.
CELIA
With his eyes full of anger.
Enter DUKE FREDERICK, with Lords
DUKE FREDERICK
Mistress, dispatch you with your safest haste
And get you from our court.
ROSALIND
Me, uncle?
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Act 1, Scene 3 23
Page No 28
DUKE FREDERICK
You, cousin
Within these ten days if that thou be'st found
So near our public court as twenty miles,
Thou diest for it.
ROSALIND
I do beseech your grace,
Let me the knowledge of my fault bear with me:
If with myself I hold intelligence
Or have acquaintance with mine own desires,
If that I do not dream or be not frantic,
As I do trust I am notthen, dear uncle,
Never so much as in a thought unborn
Did I offend your highness.
DUKE FREDERICK
Thus do all traitors:
If their purgation did consist in words,
They are as innocent as grace itself:
Let it suffice thee that I trust thee not.
ROSALIND
Yet your mistrust cannot make me a traitor:
Tell me whereon the likelihood depends.
DUKE FREDERICK
Thou art thy father's daughter; there's enough.
ROSALIND
So was I when your highness took his dukedom;
So was I when your highness banish'd him:
Treason is not inherited, my lord;
Or, if we did derive it from our friends,
What's that to me? my father was no traitor:
Then, good my liege, mistake me not so much
To think my poverty is treacherous.
CELIA
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Act 1, Scene 3 24
Page No 29
Dear sovereign, hear me speak.
DUKE FREDERICK
Ay, Celia; we stay'd her for your sake,
Else had she with her father ranged along.
CELIA
I did not then entreat to have her stay;
It was your pleasure and your own remorse:
I was too young that time to value her;
But now I know her: if she be a traitor,
Why so am I; we still have slept together,
Rose at an instant, learn'd, play'd, eat together,
And wheresoever we went, like Juno's swans,
Still we went coupled and inseparable.
DUKE FREDERICK
She is too subtle for thee; and her smoothness,
Her very silence and her patience
Speak to the people, and they pity her.
Thou art a fool: she robs thee of thy name;
And thou wilt show more bright and seem more virtuous
When she is gone. Then open not thy lips:
Firm and irrevocable is my doom
Which I have pass'd upon her; she is banish'd.
CELIA
Pronounce that sentence then on me, my liege:
I cannot live out of her company.
DUKE FREDERICK
You are a fool. You, niece, provide yourself:
If you outstay the time, upon mine honour,
And in the greatness of my word, you die.
Exeunt DUKE FREDERICK and Lords
CELIA
O my poor Rosalind, whither wilt thou go?
Wilt thou change fathers? I will give thee mine.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 3 25
Page No 30
I charge thee, be not thou more grieved than I am.
ROSALIND
I have more cause.
CELIA
Thou hast not, cousin;
Prithee be cheerful: know'st thou not, the duke
Hath banish'd me, his daughter?
ROSALIND
That he hath not.
CELIA
No, hath not? Rosalind lacks then the love
Which teacheth thee that thou and I am one:
Shall we be sunder'd? shall we part, sweet girl?
No: let my father seek another heir.
Therefore devise with me how we may fly,
Whither to go and what to bear with us;
And do not seek to take your change upon you,
To bear your griefs yourself and leave me out;
For, by this heaven, now at our sorrows pale,
Say what thou canst, I'll go along with thee.
ROSALIND
Why, whither shall we go?
CELIA
To seek my uncle in the forest of Arden.
ROSALIND
Alas, what danger will it be to us,
Maids as we are, to travel forth so far!
Beauty provoketh thieves sooner than gold.
CELIA
I'll put myself in poor and mean attire
And with a kind of umber smirch my face;
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Act 1, Scene 3 26
Page No 31
The like do you: so shall we pass along
And never stir assailants.
ROSALIND
Were it not better,
Because that I am more than common tall,
That I did suit me all points like a man?
A gallant curtleaxe upon my thigh,
A boarspear in my hand; andin my heart
Lie there what hidden woman's fear there will
We'll have a swashing and a martial outside,
As many other mannish cowards have
That do outface it with their semblances.
CELIA
What shall I call thee when thou art a man?
ROSALIND
I'll have no worse a name than Jove's own page;
And therefore look you call me Ganymede.
But what will you be call'd?
CELIA
Something that hath a reference to my state
No longer Celia, but Aliena.
ROSALIND
But, cousin, what if we assay'd to steal
The clownish fool out of your father's court?
Would he not be a comfort to our travel?
CELIA
He'll go along o'er the wide world with me;
Leave me alone to woo him. Let's away,
And get our jewels and our wealth together,
Devise the fittest time and safest way
To hide us from pursuit that will be made
After my flight. Now go we in content
To liberty and not to banishment.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 3 27
Page No 32
Exeunt
Act 2, Scene 1
The Forest of Arden.
Enter DUKE SENIOR, AMIENS, and two or three Lords, like foresters
DUKE SENIOR
Now, my comates and brothers in exile,
Hath not old custom made this life more sweet
Than that of painted pomp? Are not these woods
More free from peril than the envious court?
Here feel we but the penalty of Adam,
The seasons' difference, as the icy fang
And churlish chiding of the winter's wind,
Which, when it bites and blows upon my body,
Even till I shrink with cold, I smile and say
'This is no flattery: these are counsellors
That feelingly persuade me what I am.'
Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life exempt from public haunt
Finds tongues in trees, books in the running brooks,
Sermons in stones and good in every thing.
I would not change it.
AMIENS
Happy is your grace,
That can translate the stubbornness of fortune
Into so quiet and so sweet a style.
DUKE SENIOR
Come, shall we go and kill us venison?
And yet it irks me the poor dappled fools,
Being native burghers of this desert city,
Should in their own confines with forked heads
Have their round haunches gored.
First Lord
Indeed, my lord,
The melancholy Jaques grieves at that,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 1 28
Page No 33
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
Today my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood:
To the which place a poor sequester'd stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish, and indeed, my lord,
The wretched animal heaved forth such groans
That their discharge did stretch his leathern coat
Almost to bursting, and the big round tears
Coursed one another down his innocent nose
In piteous chase; and thus the hairy fool
Much marked of the melancholy Jaques,
Stood on the extremest verge of the swift brook,
Augmenting it with tears.
DUKE SENIOR
But what said Jaques?
Did he not moralize this spectacle?
First Lord
O, yes, into a thousand similes.
First, for his weeping into the needless stream;
'Poor deer,' quoth he, 'thou makest a testament
As worldlings do, giving thy sum of more
To that which had too much:' then, being there alone,
Left and abandon'd of his velvet friends,
''Tis right:' quoth he; 'thus misery doth part
The flux of company:' anon a careless herd,
Full of the pasture, jumps along by him
And never stays to greet him; 'Ay' quoth Jaques,
'Sweep on, you fat and greasy citizens;
'Tis just the fashion: wherefore do you look
Upon that poor and broken bankrupt there?'
Thus most invectively he pierceth through
The body of the country, city, court,
Yea, and of this our life, swearing that we
Are mere usurpers, tyrants and what's worse,
To fright the animals and to kill them up
In their assign'd and native dwellingplace.
DUKE SENIOR
And did you leave him in this contemplation?
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Act 2, Scene 1 29
Page No 34
Second Lord
We did, my lord, weeping and commenting
Upon the sobbing deer.
DUKE SENIOR
Show me the place:
I love to cope him in these sullen fits,
For then he's full of matter.
First Lord
I'll bring you to him straight.
Exeunt
Act 2, Scene 2
A room in the palace.
Enter DUKE FREDERICK, with Lords
DUKE FREDERICK
Can it be possible that no man saw them?
It cannot be: some villains of my court
Are of consent and sufferance in this.
First Lord
I cannot hear of any that did see her.
The ladies, her attendants of her chamber,
Saw her abed, and in the morning early
They found the bed untreasured of their mistress.
Second Lord
My lord, the roynish clown, at whom so oft
Your grace was wont to laugh, is also missing.
Hisperia, the princess' gentlewoman,
Confesses that she secretly o'erheard
Your daughter and her cousin much commend
The parts and graces of the wrestler
That did but lately foil the sinewy Charles;
And she believes, wherever they are gone,
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Act 2, Scene 2 30
Page No 35
That youth is surely in their company.
DUKE FREDERICK
Send to his brother; fetch that gallant hither;
If he be absent, bring his brother to me;
I'll make him find him: do this suddenly,
And let not search and inquisition quail
To bring again these foolish runaways.
Exeunt
Act 2, Scene 3
Before OLIVER'S house.
Enter ORLANDO and ADAM, meeting
ORLANDO
Who's there?
ADAM
What, my young master? O, my gentle master!
O my sweet master! O you memory
Of old Sir Rowland! why, what make you here?
Why are you virtuous? why do people love you?
And wherefore are you gentle, strong and valiant?
Why would you be so fond to overcome
The bonny priser of the humorous duke?
Your praise is come too swiftly home before you.
Know you not, master, to some kind of men
Their graces serve them but as enemies?
No more do yours: your virtues, gentle master,
Are sanctified and holy traitors to you.
O, what a world is this, when what is comely
Envenoms him that bears it!
ORLANDO
Why, what's the matter?
ADAM
O unhappy youth!
Come not within these doors; within this roof
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Act 2, Scene 3 31
Page No 36
The enemy of all your graces lives:
Your brotherno, no brother; yet the son
Yet not the son, I will not call him son
Of him I was about to call his father
Hath heard your praises, and this night he means
To burn the lodging where you use to lie
And you within it: if he fail of that,
He will have other means to cut you off.
I overheard him and his practises.
This is no place; this house is but a butchery:
Abhor it, fear it, do not enter it.
ORLANDO
Why, whither, Adam, wouldst thou have me go?
ADAM
No matter whither, so you come not here.
ORLANDO
What, wouldst thou have me go and beg my food?
Or with a base and boisterous sword enforce
A thievish living on the common road?
This I must do, or know not what to do:
Yet this I will not do, do how I can;
I rather will subject me to the malice
Of a diverted blood and bloody brother.
ADAM
But do not so. I have five hundred crowns,
The thrifty hire I saved under your father,
Which I did store to be my fosternurse
When service should in my old limbs lie lame
And unregarded age in corners thrown:
Take that, and He that doth the ravens feed,
Yea, providently caters for the sparrow,
Be comfort to my age! Here is the gold;
And all this I give you. Let me be your servant:
Though I look old, yet I am strong and lusty;
For in my youth I never did apply
Hot and rebellious liquors in my blood,
Nor did not with unbashful forehead woo
The means of weakness and debility;
Therefore my age is as a lusty winter,
Frosty, but kindly: let me go with you;
I'll do the service of a younger man
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Act 2, Scene 3 32
Page No 37
In all your business and necessities.
ORLANDO
O good old man, how well in thee appears
The constant service of the antique world,
When service sweat for duty, not for meed!
Thou art not for the fashion of these times,
Where none will sweat but for promotion,
And having that, do choke their service up
Even with the having: it is not so with thee.
But, poor old man, thou prunest a rotten tree,
That cannot so much as a blossom yield
In lieu of all thy pains and husbandry
But come thy ways; well go along together,
And ere we have thy youthful wages spent,
We'll light upon some settled low content.
ADAM
Master, go on, and I will follow thee,
To the last gasp, with truth and loyalty.
From seventeen years till now almost fourscore
Here lived I, but now live here no more.
At seventeen years many their fortunes seek;
But at fourscore it is too late a week:
Yet fortune cannot recompense me better
Than to die well and not my master's debtor.
Exeunt
Act 2, Scene 4
The Forest of Arden.
Enter ROSALIND for Ganymede, CELIA for Aliena, and TOUCHSTONE
ROSALIND
O Jupiter, how weary are my spirits!
TOUCHSTONE
I care not for my spirits, if my legs were not weary.
ROSALIND
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Act 2, Scene 4 33
Page No 38
I could find in my heart to disgrace my man's
apparel and to cry like a woman; but I must comfort
the weaker vessel, as doublet and hose ought to show
itself courageous to petticoat: therefore courage,
good Aliena!
CELIA
I pray you, bear with me; I cannot go no further.
TOUCHSTONE
For my part, I had rather bear with you than bear
you; yet I should bear no cross if I did bear you,
for I think you have no money in your purse.
ROSALIND
Well, this is the forest of Arden.
TOUCHSTONE
Ay, now am I in Arden; the more fool I; when I was
at home, I was in a better place: but travellers
must be content.
ROSALIND
Ay, be so, good Touchstone.
Enter CORIN and SILVIUS
Look you, who comes here; a young man and an old in
solemn talk.
CORIN
That is the way to make her scorn you still.
SILVIUS
O Corin, that thou knew'st how I do love her!
CORIN
I partly guess; for I have loved ere now.
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Act 2, Scene 4 34
Page No 39
SILVIUS
No, Corin, being old, thou canst not guess,
Though in thy youth thou wast as true a lover
As ever sigh'd upon a midnight pillow:
But if thy love were ever like to mine
As sure I think did never man love so
How many actions most ridiculous
Hast thou been drawn to by thy fantasy?
CORIN
Into a thousand that I have forgotten.
SILVIUS
O, thou didst then ne'er love so heartily!
If thou remember'st not the slightest folly
That ever love did make thee run into,
Thou hast not loved:
Or if thou hast not sat as I do now,
Wearying thy hearer in thy mistress' praise,
Thou hast not loved:
Or if thou hast not broke from company
Abruptly, as my passion now makes me,
Thou hast not loved.
O Phebe, Phebe, Phebe!
Exit
ROSALIND
Alas, poor shepherd! searching of thy wound,
I have by hard adventure found mine own.
TOUCHSTONE
And I mine. I remember, when I was in love I broke
my sword upon a stone and bid him take that for
coming anight to Jane Smile; and I remember the
kissing of her batlet and the cow's dugs that her
pretty chopt hands had milked; and I remember the
wooing of a peascod instead of her, from whom I took
two cods and, giving her them again, said with
weeping tears 'Wear these for my sake.' We that are
true lovers run into strange capers; but as all is
mortal in nature, so is all nature in love mortal in folly.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 4 35
Page No 40
ROSALIND
Thou speakest wiser than thou art ware of.
TOUCHSTONE
Nay, I shall ne'er be ware of mine own wit till I
break my shins against it.
ROSALIND
Jove, Jove! this shepherd's passion
Is much upon my fashion.
TOUCHSTONE
And mine; but it grows something stale with me.
CELIA
I pray you, one of you question yond man
If he for gold will give us any food:
I faint almost to death.
TOUCHSTONE
Holla, you clown!
ROSALIND
Peace, fool: he's not thy kinsman.
CORIN
Who calls?
TOUCHSTONE
Your betters, sir.
CORIN
Else are they very wretched.
ROSALIND
Peace, I say. Good even to you, friend.
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Act 2, Scene 4 36
Page No 41
CORIN
And to you, gentle sir, and to you all.
ROSALIND
I prithee, shepherd, if that love or gold
Can in this desert place buy entertainment,
Bring us where we may rest ourselves and feed:
Here's a young maid with travel much oppress'd
And faints for succor.
CORIN
Fair sir, I pity her
And wish, for her sake more than for mine own,
My fortunes were more able to relieve her;
But I am shepherd to another man
And do not shear the fleeces that I graze:
My master is of churlish disposition
And little recks to find the way to heaven
By doing deeds of hospitality:
Besides, his cote, his flocks and bounds of feed
Are now on sale, and at our sheepcote now,
By reason of his absence, there is nothing
That you will feed on; but what is, come see.
And in my voice most welcome shall you be.
ROSALIND
What is he that shall buy his flock and pasture?
CORIN
That young swain that you saw here but erewhile,
That little cares for buying any thing.
ROSALIND
I pray thee, if it stand with honesty,
Buy thou the cottage, pasture and the flock,
And thou shalt have to pay for it of us.
CELIA
And we will mend thy wages. I like this place.
And willingly could waste my time in it.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 4 37
Page No 42
CORIN
Assuredly the thing is to be sold:
Go with me: if you like upon report
The soil, the profit and this kind of life,
I will your very faithful feeder be
And buy it with your gold right suddenly.
Exeunt
Act 2, Scene 5
The Forest.
Enter AMIENS, JAQUES, and others
SONG.
AMIENS
Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
JAQUES
More, more, I prithee, more.
AMIENS
It will make you melancholy, Monsieur Jaques.
JAQUES
I thank it. More, I prithee, more. I can suck
melancholy out of a song, as a weasel sucks eggs.
More, I prithee, more.
AMIENS
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Act 2, Scene 5 38
Page No 43
My voice is ragged: I know I cannot please you.
JAQUES
I do not desire you to please me; I do desire you to
sing. Come, more; another stanzo: call you 'em stanzos?
AMIENS
What you will, Monsieur Jaques.
JAQUES
Nay, I care not for their names; they owe me
nothing. Will you sing?
AMIENS
More at your request than to please myself.
JAQUES
Well then, if ever I thank any man, I'll thank you;
but that they call compliment is like the encounter
of two dogapes, and when a man thanks me heartily,
methinks I have given him a penny and he renders me
the beggarly thanks. Come, sing; and you that will
not, hold your tongues.
AMIENS
Well, I'll end the song. Sirs, cover the while; the
duke will drink under this tree. He hath been all
this day to look you.
JAQUES
And I have been all this day to avoid him. He is
too disputable for my company: I think of as many
matters as he, but I give heaven thanks and make no
boast of them. Come, warble, come.
SONG.
Who doth ambition shun
All together here
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 39
Page No 44
And loves to live i' the sun,
Seeking the food he eats
And pleased with what he gets,
Come hither, come hither, come hither:
Here shall he see No enemy
But winter and rough weather.
JAQUES
I'll give you a verse to this note that I made
yesterday in despite of my invention.
AMIENS
And I'll sing it.
JAQUES
Thus it goes:
If it do come to pass
That any man turn ass,
Leaving his wealth and ease,
A stubborn will to please,
Ducdame, ducdame, ducdame:
Here shall he see
Gross fools as he,
An if he will come to me.
AMIENS
What's that 'ducdame'?
JAQUES
'Tis a Greek invocation, to call fools into a
circle. I'll go sleep, if I can; if I cannot, I'll
rail against all the firstborn of Egypt.
AMIENS
And I'll go seek the duke: his banquet is prepared.
Exeunt severally
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 40
Page No 45
Act 2, Scene 6
The forest.
Enter ORLANDO and ADAM
ADAM
Dear master, I can go no further. O, I die for food!
Here lie I down, and measure out my grave. Farewell,
kind master.
ORLANDO
Why, how now, Adam! no greater heart in thee? Live
a little; comfort a little; cheer thyself a little.
If this uncouth forest yield any thing savage, I
will either be food for it or bring it for food to
thee. Thy conceit is nearer death than thy powers.
For my sake be comfortable; hold death awhile at
the arm's end: I will here be with thee presently;
and if I bring thee not something to eat, I will
give thee leave to die: but if thou diest before I
come, thou art a mocker of my labour. Well said!
thou lookest cheerly, and I'll be with thee quickly.
Yet thou liest in the bleak air: come, I will bear
thee to some shelter; and thou shalt not die for
lack of a dinner, if there live any thing in this
desert. Cheerly, good Adam!
Exeunt
Act 2, Scene 7
The forest.
A table set out. Enter DUKE SENIOR, AMIENS, and Lords like outlaws
DUKE SENIOR
I think he be transform'd into a beast;
For I can no where find him like a man.
First Lord
My lord, he is but even now gone hence:
Here was he merry, hearing of a song.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 41
Page No 46
DUKE SENIOR
If he, compact of jars, grow musical,
We shall have shortly discord in the spheres.
Go, seek him: tell him I would speak with him.
Enter JAQUES
First Lord
He saves my labour by his own approach.
DUKE SENIOR
Why, how now, monsieur! what a life is this,
That your poor friends must woo your company?
What, you look merrily!
JAQUES
A fool, a fool! I met a fool i' the forest,
A motley fool; a miserable world!
As I do live by food, I met a fool
Who laid him down and bask'd him in the sun,
And rail'd on Lady Fortune in good terms,
In good set terms and yet a motley fool.
'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
'Call me not fool till heaven hath sent me fortune:'
And then he drew a dial from his poke,
And, looking on it with lacklustre eye,
Says very wisely, 'It is ten o'clock:
Thus we may see,' quoth he, 'how the world wags:
'Tis but an hour ago since it was nine,
And after one hour more 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot and rot;
And thereby hangs a tale.' When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deepcontemplative,
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley's the only wear.
DUKE SENIOR
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 42
Page No 47
What fool is this?
JAQUES
O worthy fool! One that hath been a courtier,
And says, if ladies be but young and fair,
They have the gift to know it: and in his brain,
Which is as dry as the remainder biscuit
After a voyage, he hath strange places cramm'd
With observation, the which he vents
In mangled forms. O that I were a fool!
I am ambitious for a motley coat.
DUKE SENIOR
Thou shalt have one.
JAQUES
It is my only suit;
Provided that you weed your better judgments
Of all opinion that grows rank in them
That I am wise. I must have liberty
Withal, as large a charter as the wind,
To blow on whom I please; for so fools have;
And they that are most galled with my folly,
They most must laugh. And why, sir, must they so?
The 'why' is plain as way to parish church:
He that a fool doth very wisely hit
Doth very foolishly, although he smart,
Not to seem senseless of the bob: if not,
The wise man's folly is anatomized
Even by the squandering glances of the fool.
Invest me in my motley; give me leave
To speak my mind, and I will through and through
Cleanse the foul body of the infected world,
If they will patiently receive my medicine.
DUKE SENIOR
Fie on thee! I can tell what thou wouldst do.
JAQUES
What, for a counter, would I do but good?
DUKE SENIOR
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 43
Page No 48
Most mischievous foul sin, in chiding sin:
For thou thyself hast been a libertine,
As sensual as the brutish sting itself;
And all the embossed sores and headed evils,
That thou with licence of free foot hast caught,
Wouldst thou disgorge into the general world.
JAQUES
Why, who cries out on pride,
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the weary very means do ebb?
What woman in the city do I name,
When that I say the citywoman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she such is her neighbour?
Or what is he of basest function
That says his bravery is not of my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then; how then? what then? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then my taxing like a wildgoose flies,
Unclaim'd of any man. But who comes here?
Enter ORLANDO, with his sword drawn
ORLANDO
Forbear, and eat no more.
JAQUES
Why, I have eat none yet.
ORLANDO
Nor shalt not, till necessity be served.
JAQUES
Of what kind should this cock come of?
DUKE SENIOR
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 44
Page No 49
Art thou thus bolden'd, man, by thy distress,
Or else a rude despiser of good manners,
That in civility thou seem'st so empty?
ORLANDO
You touch'd my vein at first: the thorny point
Of bare distress hath ta'en from me the show
Of smooth civility: yet am I inland bred
And know some nurture. But forbear, I say:
He dies that touches any of this fruit
Till I and my affairs are answered.
JAQUES
An you will not be answered with reason, I must die.
DUKE SENIOR
What would you have? Your gentleness shall force
More than your force move us to gentleness.
ORLANDO
I almost die for food; and let me have it.
DUKE SENIOR
Sit down and feed, and welcome to our table.
ORLANDO
Speak you so gently? Pardon me, I pray you:
I thought that all things had been savage here;
And therefore put I on the countenance
Of stern commandment. But whate'er you are
That in this desert inaccessible,
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time
If ever you have look'd on better days,
If ever been where bells have knoll'd to church,
If ever sat at any good man's feast,
If ever from your eyelids wiped a tear
And know what 'tis to pity and be pitied,
Let gentleness my strong enforcement be:
In the which hope I blush, and hide my sword.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 45
Page No 50
DUKE SENIOR
True is it that we have seen better days,
And have with holy bell been knoll'd to church
And sat at good men's feasts and wiped our eyes
Of drops that sacred pity hath engender'd:
And therefore sit you down in gentleness
And take upon command what help we have
That to your wanting may be minister'd.
ORLANDO
Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn
And give it food. There is an old poor man,
Who after me hath many a weary step
Limp'd in pure love: till he be first sufficed,
Oppress'd with two weak evils, age and hunger,
I will not touch a bit.
DUKE SENIOR
Go find him out,
And we will nothing waste till you return.
ORLANDO
I thank ye; and be blest for your good comfort!
Exit
DUKE SENIOR
Thou seest we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.
JAQUES
All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining schoolboy, with his satchel
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 46
Page No 51
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
Reenter ORLANDO, with ADAM
DUKE SENIOR
Welcome. Set down your venerable burthen,
And let him feed.
ORLANDO
I thank you most for him.
ADAM
So had you need:
I scarce can speak to thank you for myself.
DUKE SENIOR
Welcome; fall to: I will not trouble you
As yet, to question you about your fortunes.
Give us some music; and, good cousin, sing.
SONG.
AMIENS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 6 47
Page No 52
Blow, blow, thou winter wind.
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heighho! sing, heighho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heighho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heighho! sing,
DUKE SENIOR
If that you were the good Sir Rowland's son,
As you have whisper'd faithfully you were,
And as mine eye doth his effigies witness
Most truly limn'd and living in your face,
Be truly welcome hither: I am the duke
That loved your father: the residue of your fortune,
Go to my cave and tell me. Good old man,
Thou art right welcome as thy master is.
Support him by the arm. Give me your hand,
And let me all your fortunes understand.
Exeunt
Act 3, Scene 1
A room in the palace.
Enter DUKE FREDERICK, Lords, and OLIVER
DUKE FREDERICK
Not see him since? Sir, sir, that cannot be:
But were I not the better part made mercy,
I should not seek an absent argument
Of my revenge, thou present. But look to it:
Find out thy brother, wheresoe'er he is;
Seek him with candle; bring him dead or living
Within this twelvemonth, or turn thou no more
To seek a living in our territory.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 48
Page No 53
Thy lands and all things that thou dost call thine
Worth seizure do we seize into our hands,
Till thou canst quit thee by thy brothers mouth
Of what we think against thee.
OLIVER
O that your highness knew my heart in this!
I never loved my brother in my life.
DUKE FREDERICK
More villain thou. Well, push him out of doors;
And let my officers of such a nature
Make an extent upon his house and lands:
Do this expediently and turn him going.
Exeunt
Act 3, Scene 2
The forest.
Enter ORLANDO, with a paper
ORLANDO
Hang there, my verse, in witness of my love:
And thou, thricecrowned queen of night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress' name that my full life doth sway.
O Rosalind! these trees shall be my books
And in their barks my thoughts I'll character;
That every eye which in this forest looks
Shall see thy virtue witness'd every where.
Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she.
Exit
Enter CORIN and TOUCHSTONE
CORIN
And how like you this shepherd's life, Master Touchstone?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 49
Page No 54
TOUCHSTONE
Truly, shepherd, in respect of itself, it is a good
life, but in respect that it is a shepherd's life,
it is naught. In respect that it is solitary, I
like it very well; but in respect that it is
private, it is a very vile life. Now, in respect it
is in the fields, it pleaseth me well; but in
respect it is not in the court, it is tedious. As
is it a spare life, look you, it fits my humour well;
but as there is no more plenty in it, it goes much
against my stomach. Hast any philosophy in thee, shepherd?
CORIN
No more but that I know the more one sickens the
worse at ease he is; and that he that wants money,
means and content is without three good friends;
that the property of rain is to wet and fire to
burn; that good pasture makes fat sheep, and that a
great cause of the night is lack of the sun; that
he that hath learned no wit by nature nor art may
complain of good breeding or comes of a very dull kindred.
TOUCHSTONE
Such a one is a natural philosopher. Wast ever in
court, shepherd?
CORIN
No, truly.
TOUCHSTONE
Then thou art damned.
CORIN
Nay, I hope.
TOUCHSTONE
Truly, thou art damned like an illroasted egg, all
on one side.
CORIN
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 50
Page No 55
For not being at court? Your reason.
TOUCHSTONE
Why, if thou never wast at court, thou never sawest
good manners; if thou never sawest good manners,
then thy manners must be wicked; and wickedness is
sin, and sin is damnation. Thou art in a parlous
state, shepherd.
CORIN
Not a whit, Touchstone: those that are good manners
at the court are as ridiculous in the country as the
behavior of the country is most mockable at the
court. You told me you salute not at the court, but
you kiss your hands: that courtesy would be
uncleanly, if courtiers were shepherds.
TOUCHSTONE
Instance, briefly; come, instance.
CORIN
Why, we are still handling our ewes, and their
fells, you know, are greasy.
TOUCHSTONE
Why, do not your courtier's hands sweat? and is not
the grease of a mutton as wholesome as the sweat of
a man? Shallow, shallow. A better instance, I say; come.
CORIN
Besides, our hands are hard.
TOUCHSTONE
Your lips will feel them the sooner. Shallow again.
A more sounder instance, come.
CORIN
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 51
Page No 56
And they are often tarred over with the surgery of
our sheep: and would you have us kiss tar? The
courtier's hands are perfumed with civet.
TOUCHSTONE
Most shallow man! thou wormsmeat, in respect of a
good piece of flesh indeed! Learn of the wise, and
perpend: civet is of a baser birth than tar, the
very uncleanly flux of a cat. Mend the instance, shepherd.
CORIN
You have too courtly a wit for me: I'll rest.
TOUCHSTONE
Wilt thou rest damned? God help thee, shallow man!
God make incision in thee! thou art raw.
CORIN
Sir, I am a true labourer: I earn that I eat, get
that I wear, owe no man hate, envy no man's
happiness, glad of other men's good, content with my
harm, and the greatest of my pride is to see my ewes
graze and my lambs suck.
TOUCHSTONE
That is another simple sin in you, to bring the ewes
and the rams together and to offer to get your
living by the copulation of cattle; to be bawd to a
bellwether, and to betray a shelamb of a
twelvemonth to a crookedpated, old, cuckoldly ram,
out of all reasonable match. If thou beest not
damned for this, the devil himself will have no
shepherds; I cannot see else how thou shouldst
'scape.
CORIN
Here comes young Master Ganymede, my new mistress's brother.
Enter ROSALIND, with a paper, reading
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 52
Page No 57
ROSALIND
From the east to western Ind,
No jewel is like Rosalind.
Her worth, being mounted on the wind,
Through all the world bears Rosalind.
All the pictures fairest lined
Are but black to Rosalind.
Let no fair be kept in mind
But the fair of Rosalind.
TOUCHSTONE
I'll rhyme you so eight years together, dinners and
suppers and sleepinghours excepted: it is the
right butterwomen's rank to market.
ROSALIND
Out, fool!
TOUCHSTONE
For a taste:
If a hart do lack a hind,
Let him seek out Rosalind.
If the cat will after kind,
So be sure will Rosalind.
Winter garments must be lined,
So must slender Rosalind.
They that reap must sheaf and bind;
Then to cart with Rosalind.
Sweetest nut hath sourest rind,
Such a nut is Rosalind.
He that sweetest rose will find
Must find love's prick and Rosalind.
This is the very false gallop of verses: why do you
infect yourself with them?
ROSALIND
Peace, you dull fool! I found them on a tree.
TOUCHSTONE
Truly, the tree yields bad fruit.
ROSALIND
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 53
Page No 58
I'll graff it with you, and then I shall graff it
with a medlar: then it will be the earliest fruit
i' the country; for you'll be rotten ere you be half
ripe, and that's the right virtue of the medlar.
TOUCHSTONE
You have said; but whether wisely or no, let the
forest judge.
Enter CELIA, with a writing
ROSALIND
Peace! Here comes my sister, reading: stand aside.
CELIA
[Reads]
Why should this a desert be?
For it is unpeopled? No:
Tongues I'll hang on every tree,
That shall civil sayings show:
Some, how brief the life of man
Runs his erring pilgrimage,
That the stretching of a span
Buckles in his sum of age;
Some, of violated vows
'Twixt the souls of friend and friend:
But upon the fairest boughs,
Or at every sentence end,
Will I Rosalinda write,
Teaching all that read to know
The quintessence of every sprite
Heaven would in little show.
Therefore Heaven Nature charged
That one body should be fill'd
With all graces wideenlarged:
Nature presently distill'd
Helen's cheek, but not her heart,
Cleopatra's majesty,
Atalanta's better part,
Sad Lucretia's modesty.
Thus Rosalind of many parts
By heavenly synod was devised,
Of many faces, eyes and hearts,
To have the touches dearest prized.
Heaven would that she these gifts should have,
And I to live and die her slave.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 54
Page No 59
ROSALIND
O most gentle pulpiter! what tedious homily of love
have you wearied your parishioners withal, and never
cried 'Have patience, good people!'
CELIA
How now! back, friends! Shepherd, go off a little.
Go with him, sirrah.
TOUCHSTONE
Come, shepherd, let us make an honourable retreat;
though not with bag and baggage, yet with scrip and scrippage.
Exeunt CORIN and TOUCHSTONE
CELIA
Didst thou hear these verses?
ROSALIND
O, yes, I heard them all, and more too; for some of
them had in them more feet than the verses would bear.
CELIA
That's no matter: the feet might bear the verses.
ROSALIND
Ay, but the feet were lame and could not bear
themselves without the verse and therefore stood
lamely in the verse.
CELIA
But didst thou hear without wondering how thy name
should be hanged and carved upon these trees?
ROSALIND
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 55
Page No 60
I was seven of the nine days out of the wonder
before you came; for look here what I found on a
palmtree. I was never so berhymed since
Pythagoras' time, that I was an Irish rat, which I
can hardly remember.
CELIA
Trow you who hath done this?
ROSALIND
Is it a man?
CELIA
And a chain, that you once wore, about his neck.
Change you colour?
ROSALIND
I prithee, who?
CELIA
O Lord, Lord! it is a hard matter for friends to
meet; but mountains may be removed with earthquakes
and so encounter.
ROSALIND
Nay, but who is it?
CELIA
Is it possible?
ROSALIND
Nay, I prithee now with most petitionary vehemence,
tell me who it is.
CELIA
O wonderful, wonderful, and most wonderful
wonderful! and yet again wonderful, and after that,
out of all hooping!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 56
Page No 61
ROSALIND
Good my complexion! dost thou think, though I am
caparisoned like a man, I have a doublet and hose in
my disposition? One inch of delay more is a
Southsea of discovery; I prithee, tell me who is it
quickly, and speak apace. I would thou couldst
stammer, that thou mightst pour this concealed man
out of thy mouth, as wine comes out of a narrow
mouthed bottle, either too much at once, or none at
all. I prithee, take the cork out of thy mouth that
may drink thy tidings.
CELIA
So you may put a man in your belly.
ROSALIND
Is he of God's making? What manner of man? Is his
head worth a hat, or his chin worth a beard?
CELIA
Nay, he hath but a little beard.
ROSALIND
Why, God will send more, if the man will be
thankful: let me stay the growth of his beard, if
thou delay me not the knowledge of his chin.
CELIA
It is young Orlando, that tripped up the wrestler's
heels and your heart both in an instant.
ROSALIND
Nay, but the devil take mocking: speak, sad brow and
true maid.
CELIA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 57
Page No 62
I' faith, coz, 'tis he.
ROSALIND
Orlando?
CELIA
Orlando.
ROSALIND
Alas the day! what shall I do with my doublet and
hose? What did he when thou sawest him? What said
he? How looked he? Wherein went he? What makes
him here? Did he ask for me? Where remains he?
How parted he with thee? and when shalt thou see
him again? Answer me in one word.
CELIA
You must borrow me Gargantua's mouth first: 'tis a
word too great for any mouth of this age's size. To
say ay and no to these particulars is more than to
answer in a catechism.
ROSALIND
But doth he know that I am in this forest and in
man's apparel? Looks he as freshly as he did the
day he wrestled?
CELIA
It is as easy to count atomies as to resolve the
propositions of a lover; but take a taste of my
finding him, and relish it with good observance.
I found him under a tree, like a dropped acorn.
ROSALIND
It may well be called Jove's tree, when it drops
forth such fruit.
CELIA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 58
Page No 63
Give me audience, good madam.
ROSALIND
Proceed.
CELIA
There lay he, stretched along, like a wounded knight.
ROSALIND
Though it be pity to see such a sight, it well
becomes the ground.
CELIA
Cry 'holla' to thy tongue, I prithee; it curvets
unseasonably. He was furnished like a hunter.
ROSALIND
O, ominous! he comes to kill my heart.
CELIA
I would sing my song without a burden: thou bringest
me out of tune.
ROSALIND
Do you not know I am a woman? when I think, I must
speak. Sweet, say on.
CELIA
You bring me out. Soft! comes he not here?
Enter ORLANDO and JAQUES
ROSALIND
'Tis he: slink by, and note him.
JAQUES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 59
Page No 64
I thank you for your company; but, good faith, I had
as lief have been myself alone.
ORLANDO
And so had I; but yet, for fashion sake, I thank you
too for your society.
JAQUES
God be wi' you: let's meet as little as we can.
ORLANDO
I do desire we may be better strangers.
JAQUES
I pray you, mar no more trees with writing
lovesongs in their barks.
ORLANDO
I pray you, mar no more of my verses with reading
them illfavouredly.
JAQUES
Rosalind is your love's name?
ORLANDO
Yes, just.
JAQUES
I do not like her name.
ORLANDO
There was no thought of pleasing you when she was
christened.
JAQUES
What stature is she of?
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ORLANDO
Just as high as my heart.
JAQUES
You are full of pretty answers. Have you not been
acquainted with goldsmiths' wives, and conned them
out of rings?
ORLANDO
Not so; but I answer you right painted cloth, from
whence you have studied your questions.
JAQUES
You have a nimble wit: I think 'twas made of
Atalanta's heels. Will you sit down with me? and
we two will rail against our mistress the world and
all our misery.
ORLANDO
I will chide no breather in the world but myself,
against whom I know most faults.
JAQUES
The worst fault you have is to be in love.
ORLANDO
'Tis a fault I will not change for your best virtue.
I am weary of you.
JAQUES
By my troth, I was seeking for a fool when I found
you.
ORLANDO
He is drowned in the brook: look but in, and you
shall see him.
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JAQUES
There I shall see mine own figure.
ORLANDO
Which I take to be either a fool or a cipher.
JAQUES
I'll tarry no longer with you: farewell, good
Signior Love.
ORLANDO
I am glad of your departure: adieu, good Monsieur
Melancholy.
Exit JAQUES
ROSALIND
[Aside to CELIA] I will speak to him, like a saucy
lackey and under that habit play the knave with him.
Do you hear, forester?
ORLANDO
Very well: what would you?
ROSALIND
I pray you, what is't o'clock?
ORLANDO
You should ask me what time o' day: there's no clock
in the forest.
ROSALIND
Then there is no true lover in the forest; else
sighing every minute and groaning every hour would
detect the lazy foot of Time as well as a clock.
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Act 3, Scene 2 62
Page No 67
ORLANDO
And why not the swift foot of Time? had not that
been as proper?
ROSALIND
By no means, sir: Time travels in divers paces with
divers persons. I'll tell you who Time ambles
withal, who Time trots withal, who Time gallops
withal and who he stands still withal.
ORLANDO
I prithee, who doth he trot withal?
ROSALIND
Marry, he trots hard with a young maid between the
contract of her marriage and the day it is
solemnized: if the interim be but a se'nnight,
Time's pace is so hard that it seems the length of
seven year.
ORLANDO
Who ambles Time withal?
ROSALIND
With a priest that lacks Latin and a rich man that
hath not the gout, for the one sleeps easily because
he cannot study, and the other lives merrily because
he feels no pain, the one lacking the burden of lean
and wasteful learning, the other knowing no burden
of heavy tedious penury; these Time ambles withal.
ORLANDO
Who doth he gallop withal?
ROSALIND
With a thief to the gallows, for though he go as
softly as foot can fall, he thinks himself too soon there.
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ORLANDO
Who stays it still withal?
ROSALIND
With lawyers in the vacation, for they sleep between
term and term and then they perceive not how Time moves.
ORLANDO
Where dwell you, pretty youth?
ROSALIND
With this shepherdess, my sister; here in the
skirts of the forest, like fringe upon a petticoat.
ORLANDO
Are you native of this place?
ROSALIND
As the cony that you see dwell where she is kindled.
ORLANDO
Your accent is something finer than you could
purchase in so removed a dwelling.
ROSALIND
I have been told so of many: but indeed an old
religious uncle of mine taught me to speak, who was
in his youth an inland man; one that knew courtship
too well, for there he fell in love. I have heard
him read many lectures against it, and I thank God
I am not a woman, to be touched with so many
giddy offences as he hath generally taxed their
whole sex withal.
ORLANDO
Can you remember any of the principal evils that he
laid to the charge of women?
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Act 3, Scene 2 64
Page No 69
ROSALIND
There were none principal; they were all like one
another as halfpence are, every one fault seeming
monstrous till his fellow fault came to match it.
ORLANDO
I prithee, recount some of them.
ROSALIND
No, I will not cast away my physic but on those that
are sick. There is a man haunts the forest, that
abuses our young plants with carving 'Rosalind' on
their barks; hangs odes upon hawthorns and elegies
on brambles, all, forsooth, deifying the name of
Rosalind: if I could meet that fancymonger I would
give him some good counsel, for he seems to have the
quotidian of love upon him.
ORLANDO
I am he that is so loveshaked: I pray you tell me
your remedy.
ROSALIND
There is none of my uncle's marks upon you: he
taught me how to know a man in love; in which cage
of rushes I am sure you are not prisoner.
ORLANDO
What were his marks?
ROSALIND
A lean cheek, which you have not, a blue eye and
sunken, which you have not, an unquestionable
spirit, which you have not, a beard neglected,
which you have not; but I pardon you for that, for
simply your having in beard is a younger brother's
revenue: then your hose should be ungartered, your
bonnet unbanded, your sleeve unbuttoned, your shoe
untied and every thing about you demonstrating a
careless desolation; but you are no such man; you
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Act 3, Scene 2 65
Page No 70
are rather pointdevice in your accoutrements as
loving yourself than seeming the lover of any other.
ORLANDO
Fair youth, I would I could make thee believe I love.
ROSALIND
Me believe it! you may as soon make her that you
love believe it; which, I warrant, she is apter to
do than to confess she does: that is one of the
points in the which women still give the lie to
their consciences. But, in good sooth, are you he
that hangs the verses on the trees, wherein Rosalind
is so admired?
ORLANDO
I swear to thee, youth, by the white hand of
Rosalind, I am that he, that unfortunate he.
ROSALIND
But are you so much in love as your rhymes speak?
ORLANDO
Neither rhyme nor reason can express how much.
ROSALIND
Love is merely a madness, and, I tell you, deserves
as well a dark house and a whip as madmen do: and
the reason why they are not so punished and cured
is, that the lunacy is so ordinary that the whippers
are in love too. Yet I profess curing it by counsel.
ORLANDO
Did you ever cure any so?
ROSALIND
Yes, one, and in this manner. He was to imagine me
his love, his mistress; and I set him every day to
woo me: at which time would I, being but a moonish
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Act 3, Scene 2 66
Page No 71
youth, grieve, be effeminate, changeable, longing
and liking, proud, fantastical, apish, shallow,
inconstant, full of tears, full of smiles, for every
passion something and for no passion truly any
thing, as boys and women are for the most part
cattle of this colour; would now like him, now loathe
him; then entertain him, then forswear him; now weep
for him, then spit at him; that I drave my suitor
from his mad humour of love to a living humour of
madness; which was, to forswear the full stream of
the world, and to live in a nook merely monastic.
And thus I cured him; and this way will I take upon
me to wash your liver as clean as a sound sheep's
heart, that there shall not be one spot of love in't.
ORLANDO
I would not be cured, youth.
ROSALIND
I would cure you, if you would but call me Rosalind
and come every day to my cote and woo me.
ORLANDO
Now, by the faith of my love, I will: tell me
where it is.
ROSALIND
Go with me to it and I'll show it you and by the way
you shall tell me where in the forest you live.
Will you go?
ORLANDO
With all my heart, good youth.
ROSALIND
Nay you must call me Rosalind. Come, sister, will you go?
Exeunt
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Act 3, Scene 2 67
Page No 72
Act 3, Scene 3
The forest.
Enter TOUCHSTONE and AUDREY; JAQUES behind
TOUCHSTONE
Come apace, good Audrey: I will fetch up your
goats, Audrey. And how, Audrey? am I the man yet?
doth my simple feature content you?
AUDREY
Your features! Lord warrant us! what features!
TOUCHSTONE
I am here with thee and thy goats, as the most
capricious poet, honest Ovid, was among the Goths.
JAQUES
[Aside] O knowledge illinhabited, worse than Jove
in a thatched house!
TOUCHSTONE
When a man's verses cannot be understood, nor a
man's good wit seconded with the forward child
Understanding, it strikes a man more dead than a
great reckoning in a little room. Truly, I would
the gods had made thee poetical.
AUDREY
I do not know what 'poetical' is: is it honest in
deed and word? is it a true thing?
TOUCHSTONE
No, truly; for the truest poetry is the most
feigning; and lovers are given to poetry, and what
they swear in poetry may be said as lovers they do feign.
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Act 3, Scene 3 68
Page No 73
AUDREY
Do you wish then that the gods had made me poetical?
TOUCHSTONE
I do, truly; for thou swearest to me thou art
honest: now, if thou wert a poet, I might have some
hope thou didst feign.
AUDREY
Would you not have me honest?
TOUCHSTONE
No, truly, unless thou wert hardfavoured; for
honesty coupled to beauty is to have honey a sauce to sugar.
JAQUES
[Aside] A material fool!
AUDREY
Well, I am not fair; and therefore I pray the gods
make me honest.
TOUCHSTONE
Truly, and to cast away honesty upon a foul slut
were to put good meat into an unclean dish.
AUDREY
I am not a slut, though I thank the gods I am foul.
TOUCHSTONE
Well, praised be the gods for thy foulness!
sluttishness may come hereafter. But be it as it may
be, I will marry thee, and to that end I have been
with Sir Oliver Martext, the vicar of the next
village, who hath promised to meet me in this place
of the forest and to couple us.
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Page No 74
JAQUES
[Aside] I would fain see this meeting.
AUDREY
Well, the gods give us joy!
TOUCHSTONE
Amen. A man may, if he were of a fearful heart,
stagger in this attempt; for here we have no temple
but the wood, no assembly but hornbeasts. But what
though? Courage! As horns are odious, they are
necessary. It is said, 'many a man knows no end of
his goods:' right; many a man has good horns, and
knows no end of them. Well, that is the dowry of
his wife; 'tis none of his own getting. Horns?
Even so. Poor men alone? No, no; the noblest deer
hath them as huge as the rascal. Is the single man
therefore blessed? No: as a walled town is more
worthier than a village, so is the forehead of a
married man more honourable than the bare brow of a
bachelor; and by how much defence is better than no
skill, by so much is a horn more precious than to
want. Here comes Sir Oliver.
Enter SIR OLIVER MARTEXT
Sir Oliver Martext, you are well met: will you
dispatch us here under this tree, or shall we go
with you to your chapel?
SIR OLIVER MARTEXT
Is there none here to give the woman?
TOUCHSTONE
I will not take her on gift of any man.
SIR OLIVER MARTEXT
Truly, she must be given, or the marriage is not lawful.
JAQUES
[Advancing]
Proceed, proceed I'll give her.
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Page No 75
TOUCHSTONE
Good even, good Master Whatyecall't: how do you,
sir? You are very well met: God 'ild you for your
last company: I am very glad to see you: even a
toy in hand here, sir: nay, pray be covered.
JAQUES
Will you be married, motley?
TOUCHSTONE
As the ox hath his bow, sir, the horse his curb and
the falcon her bells, so man hath his desires; and
as pigeons bill, so wedlock would be nibbling.
JAQUES
And will you, being a man of your breeding, be
married under a bush like a beggar? Get you to
church, and have a good priest that can tell you
what marriage is: this fellow will but join you
together as they join wainscot; then one of you will
prove a shrunk panel and, like green timber, warp, warp.
TOUCHSTONE
[Aside] I am not in the mind but I were better to be
married of him than of another: for he is not like
to marry me well; and not being well married, it
will be a good excuse for me hereafter to leave my wife.
JAQUES
Go thou with me, and let me counsel thee.
TOUCHSTONE
'Come, sweet Audrey:
We must be married, or we must live in bawdry.
Farewell, good Master Oliver: not,
O sweet Oliver,
O brave Oliver,
Leave me not behind thee: but,
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Page No 76
Wind away,
Begone, I say,
I will not to wedding with thee.
Exeunt JAQUES, TOUCHSTONE and AUDREY
SIR OLIVER MARTEXT
'Tis no matter: ne'er a fantastical knave of them
all shall flout me out of my calling.
Exit
Act 3, Scene 4
The forest.
Enter ROSALIND and CELIA
ROSALIND
Never talk to me; I will weep.
CELIA
Do, I prithee; but yet have the grace to consider
that tears do not become a man.
ROSALIND
But have I not cause to weep?
CELIA
As good cause as one would desire; therefore weep.
ROSALIND
His very hair is of the dissembling colour.
CELIA
Something browner than Judas's marry, his kisses are
Judas's own children.
ROSALIND
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I' faith, his hair is of a good colour.
CELIA
An excellent colour: your chestnut was ever the only colour.
ROSALIND
And his kissing is as full of sanctity as the touch
of holy bread.
CELIA
He hath bought a pair of cast lips of Diana: a nun
of winter's sisterhood kisses not more religiously;
the very ice of chastity is in them.
ROSALIND
But why did he swear he would come this morning, and
comes not?
CELIA
Nay, certainly, there is no truth in him.
ROSALIND
Do you think so?
CELIA
Yes; I think he is not a pickpurse nor a
horsestealer, but for his verity in love, I do
think him as concave as a covered goblet or a
wormeaten nut.
ROSALIND
Not true in love?
CELIA
Yes, when he is in; but I think he is not in.
ROSALIND
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Page No 78
You have heard him swear downright he was.
CELIA
'Was' is not 'is:' besides, the oath of a lover is
no stronger than the word of a tapster; they are
both the confirmer of false reckonings. He attends
here in the forest on the duke your father.
ROSALIND
I met the duke yesterday and had much question with
him: he asked me of what parentage I was; I told
him, of as good as he; so he laughed and let me go.
But what talk we of fathers, when there is such a
man as Orlando?
CELIA
O, that's a brave man! he writes brave verses,
speaks brave words, swears brave oaths and breaks
them bravely, quite traverse, athwart the heart of
his lover; as a puisny tilter, that spurs his horse
but on one side, breaks his staff like a noble
goose: but all's brave that youth mounts and folly
guides. Who comes here?
Enter CORIN
CORIN
Mistress and master, you have oft inquired
After the shepherd that complain'd of love,
Who you saw sitting by me on the turf,
Praising the proud disdainful shepherdess
That was his mistress.
CELIA
Well, and what of him?
CORIN
If you will see a pageant truly play'd,
Between the pale complexion of true love
And the red glow of scorn and proud disdain,
Go hence a little and I shall conduct you,
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Act 3, Scene 4 74
Page No 79
If you will mark it.
ROSALIND
O, come, let us remove:
The sight of lovers feedeth those in love.
Bring us to this sight, and you shall say
I'll prove a busy actor in their play.
Exeunt
Act 3, Scene 5
Another part of the forest.
Enter SILVIUS and PHEBE
SILVIUS
Sweet Phebe, do not scorn me; do not, Phebe;
Say that you love me not, but say not so
In bitterness. The common executioner,
Whose heart the accustom'd sight of death makes hard,
Falls not the axe upon the humbled neck
But first begs pardon: will you sterner be
Than he that dies and lives by bloody drops?
Enter ROSALIND, CELIA, and CORIN, behind
PHEBE
I would not be thy executioner:
I fly thee, for I would not injure thee.
Thou tell'st me there is murder in mine eye:
'Tis pretty, sure, and very probable,
That eyes, that are the frail'st and softest things,
Who shut their coward gates on atomies,
Should be call'd tyrants, butchers, murderers!
Now I do frown on thee with all my heart;
And if mine eyes can wound, now let them kill thee:
Now counterfeit to swoon; why now fall down;
Or if thou canst not, O, for shame, for shame,
Lie not, to say mine eyes are murderers!
Now show the wound mine eye hath made in thee:
Scratch thee but with a pin, and there remains
Some scar of it; lean but upon a rush,
The cicatrice and capable impressure
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Act 3, Scene 5 75
Page No 80
Thy palm some moment keeps; but now mine eyes,
Which I have darted at thee, hurt thee not,
Nor, I am sure, there is no force in eyes
That can do hurt.
SILVIUS
O dear Phebe,
If ever,as that ever may be near,
You meet in some fresh cheek the power of fancy,
Then shall you know the wounds invisible
That love's keen arrows make.
PHEBE
But till that time
Come not thou near me: and when that time comes,
Afflict me with thy mocks, pity me not;
As till that time I shall not pity thee.
ROSALIND
And why, I pray you? Who might be your mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty,
As, by my faith, I see no more in you
Than without candle may go dark to bed
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's salework. 'Od's my little life,
I think she means to tangle my eyes too!
No, faith, proud mistress, hope not after it:
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south puffing with wind and rain?
You are a thousand times a properer man
Than she a woman: 'tis such fools as you
That makes the world full of illfavour'd children:
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself: down on your knees,
And thank heaven, fasting, for a good man's love:
For I must tell you friendly in your ear,
Sell when you can: you are not for all markets:
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Act 3, Scene 5 76
Page No 81
Cry the man mercy; love him; take his offer:
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd: fare you well.
PHEBE
Sweet youth, I pray you, chide a year together:
I had rather hear you chide than this man woo.
ROSALIND
He's fallen in love with your foulness and she'll
fall in love with my anger. If it be so, as fast as
she answers thee with frowning looks, I'll sauce her
with bitter words. Why look you so upon me?
PHEBE
For no ill will I bear you.
ROSALIND
I pray you, do not fall in love with me,
For I am falser than vows made in wine:
Besides, I like you not. If you will know my house,
'Tis at the tuft of olives here hard by.
Will you go, sister? Shepherd, ply her hard.
Come, sister. Shepherdess, look on him better,
And be not proud: though all the world could see,
None could be so abused in sight as he.
Come, to our flock.
Exeunt ROSALIND, CELIA and CORIN
PHEBE
Dead Shepherd, now I find thy saw of might,
'Who ever loved that loved not at first sight?'
SILVIUS
Sweet Phebe,
PHEBE
Ha, what say'st thou, Silvius?
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Act 3, Scene 5 77
Page No 82
SILVIUS
Sweet Phebe, pity me.
PHEBE
Why, I am sorry for thee, gentle Silvius.
SILVIUS
Wherever sorrow is, relief would be:
If you do sorrow at my grief in love,
By giving love your sorrow and my grief
Were both extermined.
PHEBE
Thou hast my love: is not that neighbourly?
SILVIUS
I would have you.
PHEBE
Why, that were covetousness.
Silvius, the time was that I hated thee,
And yet it is not that I bear thee love;
But since that thou canst talk of love so well,
Thy company, which erst was irksome to me,
I will endure, and I'll employ thee too:
But do not look for further recompense
Than thine own gladness that thou art employ'd.
SILVIUS
So holy and so perfect is my love,
And I in such a poverty of grace,
That I shall think it a most plenteous crop
To glean the broken ears after the man
That the main harvest reaps: loose now and then
A scatter'd smile, and that I'll live upon.
PHEBE
Know'st now the youth that spoke to me erewhile?
SILVIUS
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Act 3, Scene 5 78
Page No 83
Not very well, but I have met him oft;
And he hath bought the cottage and the bounds
That the old carlot once was master of.
PHEBE
Think not I love him, though I ask for him:
'Tis but a peevish boy; yet he talks well;
But what care I for words? yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth: not very pretty:
But, sure, he's proud, and yet his pride becomes him:
He'll make a proper man: the best thing in him
Is his complexion; and faster than his tongue
Did make offence his eye did heal it up.
He is not very tall; yet for his years he's tall:
His leg is but so so; and yet 'tis well:
There was a pretty redness in his lip,
A little riper and more lusty red
Than that mix'd in his cheek; 'twas just the difference
Between the constant red and mingled damask.
There be some women, Silvius, had they mark'd him
In parcels as I did, would have gone near
To fall in love with him; but, for my part,
I love him not nor hate him not; and yet
I have more cause to hate him than to love him:
For what had he to do to chide at me?
He said mine eyes were black and my hair black:
And, now I am remember'd, scorn'd at me:
I marvel why I answer'd not again:
But that's all one; omittance is no quittance.
I'll write to him a very taunting letter,
And thou shalt bear it: wilt thou, Silvius?
SILVIUS
Phebe, with all my heart.
PHEBE
I'll write it straight;
The matter's in my head and in my heart:
I will be bitter with him and passing short.
Go with me, Silvius.
Exeunt
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 5 79
Page No 84
Act 4, Scene 1
The forest.
Enter ROSALIND, CELIA, and JAQUES
JAQUES
I prithee, pretty youth, let me be better acquainted
with thee.
ROSALIND
They say you are a melancholy fellow.
JAQUES
I am so; I do love it better than laughing.
ROSALIND
Those that are in extremity of either are abominable
fellows and betray themselves to every modern
censure worse than drunkards.
JAQUES
Why, 'tis good to be sad and say nothing.
ROSALIND
Why then, 'tis good to be a post.
JAQUES
I have neither the scholar's melancholy, which is
emulation, nor the musician's, which is fantastical,
nor the courtier's, which is proud, nor the
soldier's, which is ambitious, nor the lawyer's,
which is politic, nor the lady's, which is nice, nor
the lover's, which is all these: but it is a
melancholy of mine own, compounded of many simples,
extracted from many objects, and indeed the sundry's
contemplation of my travels, in which my often
rumination wraps me m a most humorous sadness.
ROSALIND
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Act 4, Scene 1 80
Page No 85
A traveller! By my faith, you have great reason to
be sad: I fear you have sold your own lands to see
other men's; then, to have seen much and to have
nothing, is to have rich eyes and poor hands.
JAQUES
Yes, I have gained my experience.
ROSALIND
And your experience makes you sad: I had rather have
a fool to make me merry than experience to make me
sad; and to travel for it too!
Enter ORLANDO
ORLANDO
Good day and happiness, dear Rosalind!
JAQUES
Nay, then, God be wi' you, an you talk in blank verse.
Exit
ROSALIND
Farewell, Monsieur Traveller: look you lisp and
wear strange suits, disable all the benefits of your
own country, be out of love with your nativity and
almost chide God for making you that countenance you
are, or I will scarce think you have swam in a
gondola. Why, how now, Orlando! where have you been
all this while? You a lover! An you serve me such
another trick, never come in my sight more.
ORLANDO
My fair Rosalind, I come within an hour of my promise.
ROSALIND
Break an hour's promise in love! He that will
divide a minute into a thousand parts and break but
a part of the thousandth part of a minute in the
affairs of love, it may be said of him that Cupid
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Act 4, Scene 1 81
Page No 86
hath clapped him o' the shoulder, but I'll warrant
him heartwhole.
ORLANDO
Pardon me, dear Rosalind.
ROSALIND
Nay, an you be so tardy, come no more in my sight: I
had as lief be wooed of a snail.
ORLANDO
Of a snail?
ROSALIND
Ay, of a snail; for though he comes slowly, he
carries his house on his head; a better jointure,
I think, than you make a woman: besides he brings
his destiny with him.
ORLANDO
What's that?
ROSALIND
Why, horns, which such as you are fain to be
beholding to your wives for: but he comes armed in
his fortune and prevents the slander of his wife.
ORLANDO
Virtue is no hornmaker; and my Rosalind is virtuous.
ROSALIND
And I am your Rosalind.
CELIA
It pleases him to call you so; but he hath a
Rosalind of a better leer than you.
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ROSALIND
Come, woo me, woo me, for now I am in a holiday
humour and like enough to consent. What would you
say to me now, an I were your very very Rosalind?
ORLANDO
I would kiss before I spoke.
ROSALIND
Nay, you were better speak first, and when you were
gravelled for lack of matter, you might take
occasion to kiss. Very good orators, when they are
out, they will spit; and for lovers lackingGod
warn us!matter, the cleanliest shift is to kiss.
ORLANDO
How if the kiss be denied?
ROSALIND
Then she puts you to entreaty, and there begins new matter.
ORLANDO
Who could be out, being before his beloved mistress?
ROSALIND
Marry, that should you, if I were your mistress, or
I should think my honesty ranker than my wit.
ORLANDO
What, of my suit?
ROSALIND
Not out of your apparel, and yet out of your suit.
Am not I your Rosalind?
ORLANDO
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I take some joy to say you are, because I would be
talking of her.
ROSALIND
Well in her person I say I will not have you.
ORLANDO
Then in mine own person I die.
ROSALIND
No, faith, die by attorney. The poor world is
almost six thousand years old, and in all this time
there was not any man died in his own person,
videlicit, in a lovecause. Troilus had his brains
dashed out with a Grecian club; yet he did what he
could to die before, and he is one of the patterns
of love. Leander, he would have lived many a fair
year, though Hero had turned nun, if it had not been
for a hot midsummer night; for, good youth, he went
but forth to wash him in the Hellespont and being
taken with the cramp was drowned and the foolish
coroners of that age found it was 'Hero of Sestos.'
But these are all lies: men have died from time to
time and worms have eaten them, but not for love.
ORLANDO
I would not have my right Rosalind of this mind,
for, I protest, her frown might kill me.
ROSALIND
By this hand, it will not kill a fly. But come, now
I will be your Rosalind in a more comingon
disposition, and ask me what you will. I will grant
it.
ORLANDO
Then love me, Rosalind.
ROSALIND
Yes, faith, will I, Fridays and Saturdays and all.
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ORLANDO
And wilt thou have me?
ROSALIND
Ay, and twenty such.
ORLANDO
What sayest thou?
ROSALIND
Are you not good?
ORLANDO
I hope so.
ROSALIND
Why then, can one desire too much of a good thing?
Come, sister, you shall be the priest and marry us.
Give me your hand, Orlando. What do you say, sister?
ORLANDO
Pray thee, marry us.
CELIA
I cannot say the words.
ROSALIND
You must begin, 'Will you, Orlando'
CELIA
Go to. Will you, Orlando, have to wife this Rosalind?
ORLANDO
I will.
ROSALIND
Ay, but when?
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ORLANDO
Why now; as fast as she can marry us.
ROSALIND
Then you must say 'I take thee, Rosalind, for wife.'
ORLANDO
I take thee, Rosalind, for wife.
ROSALIND
I might ask you for your commission; but I do take
thee, Orlando, for my husband: there's a girl goes
before the priest; and certainly a woman's thought
runs before her actions.
ORLANDO
So do all thoughts; they are winged.
ROSALIND
Now tell me how long you would have her after you
have possessed her.
ORLANDO
For ever and a day.
ROSALIND
Say 'a day,' without the 'ever.' No, no, Orlando;
men are April when they woo, December when they wed:
maids are May when they are maids, but the sky
changes when they are wives. I will be more jealous
of thee than a Barbary cockpigeon over his hen,
more clamorous than a parrot against rain, more
newfangled than an ape, more giddy in my desires
than a monkey: I will weep for nothing, like Diana
in the fountain, and I will do that when you are
disposed to be merry; I will laugh like a hyen, and
that when thou art inclined to sleep.
ORLANDO
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Page No 91
But will my Rosalind do so?
ROSALIND
By my life, she will do as I do.
ORLANDO
O, but she is wise.
ROSALIND
Or else she could not have the wit to do this: the
wiser, the waywarder: make the doors upon a woman's
wit and it will out at the casement; shut that and
'twill out at the keyhole; stop that, 'twill fly
with the smoke out at the chimney.
ORLANDO
A man that had a wife with such a wit, he might say
'Wit, whither wilt?'
ROSALIND
Nay, you might keep that cheque for it till you met
your wife's wit going to your neighbour's bed.
ORLANDO
And what wit could wit have to excuse that?
ROSALIND
Marry, to say she came to seek you there. You shall
never take her without her answer, unless you take
her without her tongue. O, that woman that cannot
make her fault her husband's occasion, let her
never nurse her child herself, for she will breed
it like a fool!
ORLANDO
For these two hours, Rosalind, I will leave thee.
ROSALIND
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Alas! dear love, I cannot lack thee two hours.
ORLANDO
I must attend the duke at dinner: by two o'clock I
will be with thee again.
ROSALIND
Ay, go your ways, go your ways; I knew what you
would prove: my friends told me as much, and I
thought no less: that flattering tongue of yours
won me: 'tis but one cast away, and so, come,
death! Two o'clock is your hour?
ORLANDO
Ay, sweet Rosalind.
ROSALIND
By my troth, and in good earnest, and so God mend
me, and by all pretty oaths that are not dangerous,
if you break one jot of your promise or come one
minute behind your hour, I will think you the most
pathetical breakpromise and the most hollow lover
and the most unworthy of her you call Rosalind that
may be chosen out of the gross band of the
unfaithful: therefore beware my censure and keep
your promise.
ORLANDO
With no less religion than if thou wert indeed my
Rosalind: so adieu.
ROSALIND
Well, Time is the old justice that examines all such
offenders, and let Time try: adieu.
Exit ORLANDO
CELIA
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Page No 93
You have simply misused our sex in your loveprate:
we must have your doublet and hose plucked over your
head, and show the world what the bird hath done to
her own nest.
ROSALIND
O coz, coz, coz, my pretty little coz, that thou
didst know how many fathom deep I am in love! But
it cannot be sounded: my affection hath an unknown
bottom, like the bay of Portugal.
CELIA
Or rather, bottomless, that as fast as you pour
affection in, it runs out.
ROSALIND
No, that same wicked bastard of Venus that was begot
of thought, conceived of spleen and born of madness,
that blind rascally boy that abuses every one's eyes
because his own are out, let him be judge how deep I
am in love. I'll tell thee, Aliena, I cannot be out
of the sight of Orlando: I'll go find a shadow and
sigh till he come.
CELIA
And I'll sleep.
Exeunt
Act 4, Scene 2
The forest.
Enter JAQUES, Lords, and Foresters
JAQUES
Which is he that killed the deer?
A Lord
Sir, it was I.
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Page No 94
JAQUES
Let's present him to the duke, like a Roman
conqueror; and it would do well to set the deer's
horns upon his head, for a branch of victory. Have
you no song, forester, for this purpose?
Forester
Yes, sir.
JAQUES
Sing it: 'tis no matter how it be in tune, so it
make noise enough.
SONG.
Forester
What shall he have that kill'd the deer?
His leather skin and horns to wear.
Then sing him home;
The rest shall bear this burden
Take thou no scorn to wear the horn;
It was a crest ere thou wast born:
Thy father's father wore it,
And thy father bore it:
The horn, the horn, the lusty horn
Is not a thing to laugh to scorn.
Exeunt
Act 4, Scene 3
The forest.
Enter ROSALIND and CELIA
ROSALIND
How say you now? Is it not past two o'clock? and
here much Orlando!
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CELIA
I warrant you, with pure love and troubled brain, he
hath ta'en his bow and arrows and is gone forth to
sleep. Look, who comes here.
Enter SILVIUS
SILVIUS
My errand is to you, fair youth;
My gentle Phebe bid me give you this:
I know not the contents; but, as I guess
By the stern brow and waspish action
Which she did use as she was writing of it,
It bears an angry tenor: pardon me:
I am but as a guiltless messenger.
ROSALIND
Patience herself would startle at this letter
And play the swaggerer; bear this, bear all:
She says I am not fair, that I lack manners;
She calls me proud, and that she could not love me,
Were man as rare as phoenix. 'Od's my will!
Her love is not the hare that I do hunt:
Why writes she so to me? Well, shepherd, well,
This is a letter of your own device.
SILVIUS
No, I protest, I know not the contents:
Phebe did write it.
ROSALIND
Come, come, you are a fool
And turn'd into the extremity of love.
I saw her hand: she has a leathern hand.
A freestonecolour'd hand; I verily did think
That her old gloves were on, but 'twas her hands:
She has a huswife's hand; but that's no matter:
I say she never did invent this letter;
This is a man's invention and his hand.
SILVIUS
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Page No 96
Sure, it is hers.
ROSALIND
Why, 'tis a boisterous and a cruel style.
A style forchallengers; why, she defies me,
Like Turk to Christian: women's gentle brain
Could not drop forth such giantrude invention
Such Ethiope words, blacker in their effect
Than in their countenance. Will you hear the letter?
SILVIUS
So please you, for I never heard it yet;
Yet heard too much of Phebe's cruelty.
ROSALIND
She Phebes me: mark how the tyrant writes.
Reads
Art thou god to shepherd turn'd,
That a maiden's heart hath burn'd?
Can a woman rail thus?
SILVIUS
Call you this railing?
ROSALIND
[Reads]
Why, thy godhead laid apart,
Warr'st thou with a woman's heart?
Did you ever hear such railing?
Whiles the eye of man did woo me,
That could do no vengeance to me.
Meaning me a beast.
If the scorn of your bright eyne
Have power to raise such love in mine,
Alack, in me what strange effect
Would they work in mild aspect!
Whiles you chid me, I did love;
How then might your prayers move!
He that brings this love to thee
Little knows this love in me:
And by him seal up thy mind;
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Whether that thy youth and kind
Will the faithful offer take
Of me and all that I can make;
Or else by him my love deny,
And then I'll study how to die.
SILVIUS
Call you this chiding?
CELIA
Alas, poor shepherd!
ROSALIND
Do you pity him? no, he deserves no pity. Wilt
thou love such a woman? What, to make thee an
instrument and play false strains upon thee! not to
be endured! Well, go your way to her, for I see
love hath made thee a tame snake, and say this to
her: that if she love me, I charge her to love
thee; if she will not, I will never have her unless
thou entreat for her. If you be a true lover,
hence, and not a word; for here comes more company.
Exit SILVIUS
Enter OLIVER
OLIVER
Good morrow, fair ones: pray you, if you know,
Where in the purlieus of this forest stands
A sheepcote fenced about with olive trees?
CELIA
West of this place, down in the neighbour bottom:
The rank of osiers by the murmuring stream
Left on your right hand brings you to the place.
But at this hour the house doth keep itself;
There's none within.
OLIVER
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If that an eye may profit by a tongue,
Then should I know you by description;
Such garments and such years: 'The boy is fair,
Of female favour, and bestows himself
Like a ripe sister: the woman low
And browner than her brother.' Are not you
The owner of the house I did inquire for?
CELIA
It is no boast, being ask'd, to say we are.
OLIVER
Orlando doth commend him to you both,
And to that youth he calls his Rosalind
He sends this bloody napkin. Are you he?
ROSALIND
I am: what must we understand by this?
OLIVER
Some of my shame; if you will know of me
What man I am, and how, and why, and where
This handkercher was stain'd.
CELIA
I pray you, tell it.
OLIVER
When last the young Orlando parted from you
He left a promise to return again
Within an hour, and pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! he threw his eye aside,
And mark what object did present itself:
Under an oak, whose boughs were moss'd with age
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back: about his neck
A green and gilded snake had wreathed itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
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Page No 99
And with indented glides did slip away
Into a bush: under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead:
This seen, Orlando did approach the man
And found it was his brother, his elder brother.
CELIA
O, I have heard him speak of that same brother;
And he did render him the most unnatural
That lived amongst men.
OLIVER
And well he might so do,
For well I know he was unnatural.
ROSALIND
But, to Orlando: did he leave him there,
Food to the suck'd and hungry lioness?
OLIVER
Twice did he turn his back and purposed so;
But kindness, nobler ever than revenge,
And nature, stronger than his just occasion,
Made him give battle to the lioness,
Who quickly fell before him: in which hurtling
From miserable slumber I awaked.
CELIA
Are you his brother?
ROSALIND
Wast you he rescued?
CELIA
Was't you that did so oft contrive to kill him?
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Act 4, Scene 3 95
Page No 100
OLIVER 'Twas I; but 'tis not I
I do not shame
To tell you what I was, since my conversion
So sweetly tastes, being the thing I am.
ROSALIND
But, for the bloody napkin?
OLIVER
By and by.
When from the first to last betwixt us two
Tears our recountments had most kindly bathed,
As how I came into that desert place:
In brief, he led me to the gentle duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound;
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin
Dyed in his blood unto the shepherd youth
That he in sport doth call his Rosalind.
ROSALIND swoons
CELIA
Why, how now, Ganymede! sweet Ganymede!
OLIVER
Many will swoon when they do look on blood.
CELIA
There is more in it. Cousin Ganymede!
OLIVER
Look, he recovers.
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Page No 101
ROSALIND
I would I were at home.
CELIA
We'll lead you thither.
I pray you, will you take him by the arm?
OLIVER
Be of good cheer, youth: you a man! you lack a
man's heart.
ROSALIND
I do so, I confess it. Ah, sirrah, a body would
think this was well counterfeited! I pray you, tell
your brother how well I counterfeited. Heighho!
OLIVER
This was not counterfeit: there is too great
testimony in your complexion that it was a passion
of earnest.
ROSALIND
Counterfeit, I assure you.
OLIVER
Well then, take a good heart and counterfeit to be a man.
ROSALIND
So I do: but, i' faith, I should have been a woman by right.
CELIA
Come, you look paler and paler: pray you, draw
homewards. Good sir, go with us.
OLIVER
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Page No 102
That will I, for I must bear answer back
How you excuse my brother, Rosalind.
ROSALIND
I shall devise something: but, I pray you, commend
my counterfeiting to him. Will you go?
Exeunt
Act 5, Scene 1
The forest.
Enter TOUCHSTONE and AUDREY
TOUCHSTONE
We shall find a time, Audrey; patience, gentle Audrey.
AUDREY
Faith, the priest was good enough, for all the old
gentleman's saying.
TOUCHSTONE
A most wicked Sir Oliver, Audrey, a most vile
Martext. But, Audrey, there is a youth here in the
forest lays claim to you.
AUDREY
Ay, I know who 'tis; he hath no interest in me in
the world: here comes the man you mean.
TOUCHSTONE
It is meat and drink to me to see a clown: by my
troth, we that have good wits have much to answer
for; we shall be flouting; we cannot hold.
Enter WILLIAM
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Page No 103
WILLIAM
Good even, Audrey.
AUDREY
God ye good even, William.
WILLIAM
And good even to you, sir.
TOUCHSTONE
Good even, gentle friend. Cover thy head, cover thy
head; nay, prithee, be covered. How old are you, friend?
WILLIAM
Five and twenty, sir.
TOUCHSTONE
A ripe age. Is thy name William?
WILLIAM
William, sir.
TOUCHSTONE
A fair name. Wast born i' the forest here?
WILLIAM
Ay, sir, I thank God.
TOUCHSTONE
'Thank God;' a good answer. Art rich?
WILLIAM
Faith, sir, so so.
TOUCHSTONE
'So so' is good, very good, very excellent good; and
yet it is not; it is but so so. Art thou wise?
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Page No 104
WILLIAM
Ay, sir, I have a pretty wit.
TOUCHSTONE
Why, thou sayest well. I do now remember a saying,
'The fool doth think he is wise, but the wise man
knows himself to be a fool.' The heathen
philosopher, when he had a desire to eat a grape,
would open his lips when he put it into his mouth;
meaning thereby that grapes were made to eat and
lips to open. You do love this maid?
WILLIAM
I do, sir.
TOUCHSTONE
Give me your hand. Art thou learned?
WILLIAM
No, sir.
TOUCHSTONE
Then learn this of me: to have, is to have; for it
is a figure in rhetoric that drink, being poured out
of a cup into a glass, by filling the one doth empty
the other; for all your writers do consent that ipse
is he: now, you are not ipse, for I am he.
WILLIAM
Which he, sir?
TOUCHSTONE
He, sir, that must marry this woman. Therefore, you
clown, abandon,which is in the vulgar leave,the
society,which in the boorish is company,of this
female,which in the common is woman; which
together is, abandon the society of this female, or,
clown, thou perishest; or, to thy better
understanding, diest; or, to wit I kill thee, make
thee away, translate thy life into death, thy
liberty into bondage: I will deal in poison with
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Act 5, Scene 1 100
Page No 105
thee, or in bastinado, or in steel; I will bandy
with thee in faction; I will o'errun thee with
policy; I will kill thee a hundred and fifty ways:
therefore tremble and depart.
AUDREY
Do, good William.
WILLIAM
God rest you merry, sir.
Exit
Enter CORIN
CORIN
Our master and mistress seeks you; come, away, away!
TOUCHSTONE
Trip, Audrey! trip, Audrey! I attend, I attend.
Exeunt
Act 5, Scene 2
The forest.
Enter ORLANDO and OLIVER
ORLANDO
Is't possible that on so little acquaintance you
should like her? that but seeing you should love
her? and loving woo? and, wooing, she should
grant? and will you persever to enjoy her?
OLIVER
Neither call the giddiness of it in question, the
poverty of her, the small acquaintance, my sudden
wooing, nor her sudden consenting; but say with me,
I love Aliena; say with her that she loves me;
consent with both that we may enjoy each other: it
shall be to your good; for my father's house and all
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Act 5, Scene 2 101
Page No 106
the revenue that was old Sir Rowland's will I
estate upon you, and here live and die a shepherd.
ORLANDO
You have my consent. Let your wedding be tomorrow:
thither will I invite the duke and all's contented
followers. Go you and prepare Aliena; for look
you, here comes my Rosalind.
Enter ROSALIND
ROSALIND
God save you, brother.
OLIVER
And you, fair sister.
Exit
ROSALIND
O, my dear Orlando, how it grieves me to see thee
wear thy heart in a scarf!
ORLANDO
It is my arm.
ROSALIND
I thought thy heart had been wounded with the claws
of a lion.
ORLANDO
Wounded it is, but with the eyes of a lady.
ROSALIND
Did your brother tell you how I counterfeited to
swoon when he showed me your handkerchief?
ORLANDO
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Ay, and greater wonders than that.
ROSALIND
O, I know where you are: nay, 'tis true: there was
never any thing so sudden but the fight of two rams
and Caesar's thrasonical brag of 'I came, saw, and
overcame:' for your brother and my sister no sooner
met but they looked, no sooner looked but they
loved, no sooner loved but they sighed, no sooner
sighed but they asked one another the reason, no
sooner knew the reason but they sought the remedy;
and in these degrees have they made a pair of stairs
to marriage which they will climb incontinent, or
else be incontinent before marriage: they are in
the very wrath of love and they will together; clubs
cannot part them.
ORLANDO
They shall be married tomorrow, and I will bid the
duke to the nuptial. But, O, how bitter a thing it
is to look into happiness through another man's
eyes! By so much the more shall I tomorrow be at
the height of heartheaviness, by how much I shall
think my brother happy in having what he wishes for.
ROSALIND
Why then, tomorrow I cannot serve your turn for Rosalind?
ORLANDO
I can live no longer by thinking.
ROSALIND
I will weary you then no longer with idle talking.
Know of me then, for now I speak to some purpose,
that I know you are a gentleman of good conceit: I
speak not this that you should bear a good opinion
of my knowledge, insomuch I say I know you are;
neither do I labour for a greater esteem than may in
some little measure draw a belief from you, to do
yourself good and not to grace me. Believe then, if
you please, that I can do strange things: I have,
since I was three year old, conversed with a
magician, most profound in his art and yet not
damnable. If you do love Rosalind so near the heart
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Act 5, Scene 2 103
Page No 108
as your gesture cries it out, when your brother
marries Aliena, shall you marry her: I know into
what straits of fortune she is driven; and it is
not impossible to me, if it appear not inconvenient
to you, to set her before your eyes tomorrow human
as she is and without any danger.
ORLANDO
Speakest thou in sober meanings?
ROSALIND
By my life, I do; which I tender dearly, though I
say I am a magician. Therefore, put you in your
best array: bid your friends; for if you will be
married tomorrow, you shall, and to Rosalind, if you will.
Enter SILVIUS and PHEBE
Look, here comes a lover of mine and a lover of hers.
PHEBE
Youth, you have done me much ungentleness,
To show the letter that I writ to you.
ROSALIND
I care not if I have: it is my study
To seem despiteful and ungentle to you:
You are there followed by a faithful shepherd;
Look upon him, love him; he worships you.
PHEBE
Good shepherd, tell this youth what 'tis to love.
SILVIUS
It is to be all made of sighs and tears;
And so am I for Phebe.
PHEBE
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And I for Ganymede.
ORLANDO
And I for Rosalind.
ROSALIND
And I for no woman.
SILVIUS
It is to be all made of faith and service;
And so am I for Phebe.
PHEBE
And I for Ganymede.
ORLANDO
And I for Rosalind.
ROSALIND
And I for no woman.
SILVIUS
It is to be all made of fantasy,
All made of passion and all made of wishes,
All adoration, duty, and observance,
All humbleness, all patience and impatience,
All purity, all trial, all observance;
And so am I for Phebe.
PHEBE
And so am I for Ganymede.
ORLANDO
And so am I for Rosalind.
ROSALIND
And so am I for no woman.
PHEBE
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If this be so, why blame you me to love you?
SILVIUS
If this be so, why blame you me to love you?
ORLANDO
If this be so, why blame you me to love you?
ROSALIND
Who do you speak to, 'Why blame you me to love you?'
ORLANDO
To her that is not here, nor doth not hear.
ROSALIND
Pray you, no more of this; 'tis like the howling
of Irish wolves against the moon.
To SILVIUS
I will help you, if I can:
To PHEBE
I would love you, if I could. Tomorrow meet me all together.
To PHEBE
I will marry you, if ever I marry woman, and I'll be
married tomorrow:
To ORLANDO
I will satisfy you, if ever I satisfied man, and you
shall be married tomorrow:
To SILVIUS
I will content you, if what pleases you contents
you, and you shall be married tomorrow.
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To ORLANDO
As you love Rosalind, meet:
To SILVIUS
as you love Phebe, meet: and as I love no woman,
I'll meet. So fare you well: I have left you commands.
SILVIUS
I'll not fail, if I live.
PHEBE
Nor I.
ORLANDO
Nor I.
Exeunt
Act 5, Scene 3
The forest.
Enter TOUCHSTONE and AUDREY
TOUCHSTONE
Tomorrow is the joyful day, Audrey; tomorrow will
we be married.
AUDREY
I do desire it with all my heart; and I hope it is
no dishonest desire to desire to be a woman of the
world. Here comes two of the banished duke's pages.
Enter two Pages
First Page
Well met, honest gentleman.
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TOUCHSTONE
By my troth, well met. Come, sit, sit, and a song.
Second Page
We are for you: sit i' the middle.
First Page
Shall we clap into't roundly, without hawking or
spitting or saying we are hoarse, which are the only
prologues to a bad voice?
Second Page
I'faith, i'faith; and both in a tune, like two
gipsies on a horse.
SONG.
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green cornfield did pass
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding:
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino
These pretty country folks would lie,
In spring time,
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In spring time,
And therefore take the present time,
With a hey, and a ho, and a hey nonino;
For love is crowned with the prime
In spring time,
TOUCHSTONE
Truly, young gentlemen, though there was no great
matter in the ditty, yet the note was very
untuneable.
First Page
You are deceived, sir: we kept time, we lost not our time.
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Page No 113
TOUCHSTONE
By my troth, yes; I count it but time lost to hear
such a foolish song. God be wi' you; and God mend
your voices! Come, Audrey.
Exeunt
Act 5, Scene 4
The forest.
Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA
DUKE SENIOR
Dost thou believe, Orlando, that the boy
Can do all this that he hath promised?
ORLANDO
I sometimes do believe, and sometimes do not;
As those that fear they hope, and know they fear.
Enter ROSALIND, SILVIUS, and PHEBE
ROSALIND
Patience once more, whiles our compact is urged:
You say, if I bring in your Rosalind,
You will bestow her on Orlando here?
DUKE SENIOR
That would I, had I kingdoms to give with her.
ROSALIND
And you say, you will have her, when I bring her?
ORLANDO
That would I, were I of all kingdoms king.
ROSALIND
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You say, you'll marry me, if I be willing?
PHEBE
That will I, should I die the hour after.
ROSALIND
But if you do refuse to marry me,
You'll give yourself to this most faithful shepherd?
PHEBE
So is the bargain.
ROSALIND
You say, that you'll have Phebe, if she will?
SILVIUS
Though to have her and death were both one thing.
ROSALIND
I have promised to make all this matter even.
Keep you your word, O duke, to give your daughter;
You yours, Orlando, to receive his daughter:
Keep your word, Phebe, that you'll marry me,
Or else refusing me, to wed this shepherd:
Keep your word, Silvius, that you'll marry her.
If she refuse me: and from hence I go,
To make these doubts all even.
Exeunt ROSALIND and CELIA
DUKE SENIOR
I do remember in this shepherd boy
Some lively touches of my daughter's favour.
ORLANDO
My lord, the first time that I ever saw him
Methought he was a brother to your daughter:
But, my good lord, this boy is forestborn,
And hath been tutor'd in the rudiments
Of many desperate studies by his uncle,
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Whom he reports to be a great magician,
Obscured in the circle of this forest.
Enter TOUCHSTONE and AUDREY
JAQUES
There is, sure, another flood toward, and these
couples are coming to the ark. Here comes a pair of
very strange beasts, which in all tongues are called fools.
TOUCHSTONE
Salutation and greeting to you all!
JAQUES
Good my lord, bid him welcome: this is the
motleyminded gentleman that I have so often met in
the forest: he hath been a courtier, he swears.
TOUCHSTONE
If any man doubt that, let him put me to my
purgation. I have trod a measure; I have flattered
a lady; I have been politic with my friend, smooth
with mine enemy; I have undone three tailors; I have
had four quarrels, and like to have fought one.
JAQUES
And how was that ta'en up?
TOUCHSTONE
Faith, we met, and found the quarrel was upon the
seventh cause.
JAQUES
How seventh cause? Good my lord, like this fellow.
DUKE SENIOR
I like him very well.
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TOUCHSTONE
God 'ild you, sir; I desire you of the like. I
press in here, sir, amongst the rest of the country
copulatives, to swear and to forswear: according as
marriage binds and blood breaks: a poor virgin,
sir, an illfavoured thing, sir, but mine own; a poor
humour of mine, sir, to take that that no man else
will: rich honesty dwells like a miser, sir, in a
poor house; as your pearl in your foul oyster.
DUKE SENIOR
By my faith, he is very swift and sententious.
TOUCHSTONE
According to the fool's bolt, sir, and such dulcet diseases.
JAQUES
But, for the seventh cause; how did you find the
quarrel on the seventh cause?
TOUCHSTONE
Upon a lie seven times removed:bear your body more
seeming, Audrey:as thus, sir. I did dislike the
cut of a certain courtier's beard: he sent me word,
if I said his beard was not cut well, he was in the
mind it was: this is called the Retort Courteous.
If I sent him word again 'it was not well cut,' he
would send me word, he cut it to please himself:
this is called the Quip Modest. If again 'it was
not well cut,' he disabled my judgment: this is
called the Reply Churlish. If again 'it was not
well cut,' he would answer, I spake not true: this
is called the Reproof Valiant. If again 'it was not
well cut,' he would say I lied: this is called the
Countercheque Quarrelsome: and so to the Lie
Circumstantial and the Lie Direct.
JAQUES
And how oft did you say his beard was not well cut?
TOUCHSTONE
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I durst go no further than the Lie Circumstantial,
nor he durst not give me the Lie Direct; and so we
measured swords and parted.
JAQUES
Can you nominate in order now the degrees of the lie?
TOUCHSTONE
O sir, we quarrel in print, by the book; as you have
books for good manners: I will name you the degrees.
The first, the Retort Courteous; the second, the
Quip Modest; the third, the Reply Churlish; the
fourth, the Reproof Valiant; the fifth, the
Countercheque Quarrelsome; the sixth, the Lie with
Circumstance; the seventh, the Lie Direct. All
these you may avoid but the Lie Direct; and you may
avoid that too, with an If. I knew when seven
justices could not take up a quarrel, but when the
parties were met themselves, one of them thought but
of an If, as, 'If you said so, then I said so;' and
they shook hands and swore brothers. Your If is the
only peacemaker; much virtue in If.
JAQUES
Is not this a rare fellow, my lord? he's as good at
any thing and yet a fool.
DUKE SENIOR
He uses his folly like a stalkinghorse and under
the presentation of that he shoots his wit.
Enter HYMEN, ROSALIND, and CELIA
Still Music
HYMEN
Then is there mirth in heaven,
When earthly things made even
Atone together.
Good duke, receive thy daughter
Hymen from heaven brought her,
Yea, brought her hither,
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Act 5, Scene 4 113
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That thou mightst join her hand with his
Whose heart within his bosom is.
ROSALIND
[To DUKE SENIOR] To you I give myself, for I am yours.
To ORLANDO
To you I give myself, for I am yours.
DUKE SENIOR
If there be truth in sight, you are my daughter.
ORLANDO
If there be truth in sight, you are my Rosalind.
PHEBE
If sight and shape be true,
Why then, my love adieu!
ROSALIND
I'll have no father, if you be not he:
I'll have no husband, if you be not he:
Nor ne'er wed woman, if you be not she.
HYMEN
Peace, ho! I bar confusion:
'Tis I must make conclusion
Of these most strange events:
Here's eight that must take hands
To join in Hymen's bands,
If truth holds true contents.
You and you no cross shall part:
You and you are heart in heart
You to his love must accord,
Or have a woman to your lord:
You and you are sure together,
As the winter to foul weather.
Whiles a wedlockhymn we sing,
Feed yourselves with questioning;
That reason wonder may diminish,
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How thus we met, and these things finish.
SONG.
Wedding is great Juno's crown:
O blessed bond of board and bed!
'Tis Hymen peoples every town;
High wedlock then be honoured:
Honour, high honour and renown,
To Hymen, god of every town!
DUKE SENIOR
O my dear niece, welcome thou art to me!
Even daughter, welcome, in no less degree.
PHEBE
I will not eat my word, now thou art mine;
Thy faith my fancy to thee doth combine.
Enter JAQUES DE BOYS
JAQUES DE BOYS
Let me have audience for a word or two:
I am the second son of old Sir Rowland,
That bring these tidings to this fair assembly.
Duke Frederick, hearing how that every day
Men of great worth resorted to this forest,
Address'd a mighty power; which were on foot,
In his own conduct, purposely to take
His brother here and put him to the sword:
And to the skirts of this wild wood he came;
Where meeting with an old religious man,
After some question with him, was converted
Both from his enterprise and from the world,
His crown bequeathing to his banish'd brother,
And all their lands restored to them again
That were with him exiled. This to be true,
I do engage my life.
DUKE SENIOR
Welcome, young man;
Thou offer'st fairly to thy brothers' wedding:
To one his lands withheld, and to the other
A land itself at large, a potent dukedom.
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Act 5, Scene 4 115
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First, in this forest, let us do those ends
That here were well begun and well begot:
And after, every of this happy number
That have endured shrewd days and nights with us
Shall share the good of our returned fortune,
According to the measure of their states.
Meantime, forget this newfall'n dignity
And fall into our rustic revelry.
Play, music! And you, brides and bridegrooms all,
With measure heap'd in joy, to the measures fall.
JAQUES
Sir, by your patience. If I heard you rightly,
The duke hath put on a religious life
And thrown into neglect the pompous court?
JAQUES DE BOYS
He hath.
JAQUES
To him will I : out of these convertites
There is much matter to be heard and learn'd.
To DUKE SENIOR
You to your former honour I bequeath;
Your patience and your virtue well deserves it:
To ORLANDO
You to a love that your true faith doth merit:
To OLIVER
You to your land and love and great allies:
To SILVIUS
You to a long and welldeserved bed:
To TOUCHSTONE
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Act 5, Scene 4 116
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And you to wrangling; for thy loving voyage
Is but for two months victuall'd. So, to your pleasures:
I am for other than for dancing measures.
DUKE SENIOR
Stay, Jaques, stay.
JAQUES To see no pastime I
what you would have
I'll stay to know at your abandon'd cave.
Exit
DUKE SENIOR
Proceed, proceed: we will begin these rites,
As we do trust they'll end, in true delights.
A dance
EPILOGUE
ROSALIND
It is not the fashion to see the lady the epilogue;
but it is no more unhandsome than to see the lord
the prologue. If it be true that good wine needs
no bush, 'tis true that a good play needs no
epilogue; yet to good wine they do use good bushes,
and good plays prove the better by the help of good
epilogues. What a case am I in then, that am
neither a good epilogue nor cannot insinuate with
you in the behalf of a good play! I am not
furnished like a beggar, therefore to beg will not
become me: my way is to conjure you; and I'll begin
with the women. I charge you, O women, for the love
you bear to men, to like as much of this play as
please you: and I charge you, O men, for the love
you bear to womenas I perceive by your simpering,
none of you hates themthat between you and the
women the play may please. If I were a woman I
would kiss as many of you as had beards that pleased
me, complexions that liked me and breaths that I
defied not: and, I am sure, as many as have good
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Act 5, Scene 4 117
Page No 122
beards or good faces or sweet breaths will, for my
kind offer, when I make curtsy, bid me farewell.
Exeunt
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Act 5, Scene 4 118
Page No 123
Cymbeline
Act 1, Scene 1
Britain. The garden of Cymbeline's palace.
Enter two Gentlemen
First Gentleman
You do not meet a man but frowns: our bloods
No more obey the heavens than our courtiers
Still seem as does the king.
Second Gentleman
But what's the matter?
First Gentleman
His daughter, and the heir of's kingdom, whom
He purposed to his wife's sole sona widow
That late he marriedhath referr'd herself
Unto a poor but worthy gentleman: she's wedded;
Her husband banish'd; she imprison'd: all
Is outward sorrow; though I think the king
Be touch'd at very heart.
Second Gentleman
None but the king?
First Gentleman
He that hath lost her too; so is the queen,
That most desired the match; but not a courtier,
Although they wear their faces to the bent
Of the king's look's, hath a heart that is not
Glad at the thing they scowl at.
Second Gentleman
And why so?
First Gentleman
Cymbeline 119
Page No 124
He that hath miss'd the princess is a thing
Too bad for bad report: and he that hath her
I mean, that married her, alack, good man!
And therefore banish'dis a creature such
As, to seek through the regions of the earth
For one his like, there would be something failing
In him that should compare. I do not think
So fair an outward and such stuff within
Endows a man but he.
Second Gentleman
You speak him far.
First Gentleman
I do extend him, sir, within himself,
Crush him together rather than unfold
His measure duly.
Second Gentleman
What's his name and birth?
First Gentleman
I cannot delve him to the root: his father
Was call'd Sicilius, who did join his honour
Against the Romans with Cassibelan,
But had his titles by Tenantius whom
He served with glory and admired success,
So gain'd the suraddition Leonatus;
And had, besides this gentleman in question,
Two other sons, who in the wars o' the time
Died with their swords in hand; for which
their father,
Then old and fond of issue, took such sorrow
That he quit being, and his gentle lady,
Big of this gentleman our theme, deceased
As he was born. The king he takes the babe
To his protection, calls him Posthumus Leonatus,
Breeds him and makes him of his bedchamber,
Puts to him all the learnings that his time
Could make him the receiver of; which he took,
As we do air, fast as 'twas minister'd,
And in's spring became a harvest, lived in court
Which rare it is to domost praised, most loved,
A sample to the youngest, to the more mature
A glass that feated them, and to the graver
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A child that guided dotards; to his mistress,
For whom he now is banish'd, her own price
Proclaims how she esteem'd him and his virtue;
By her election may be truly read
What kind of man he is.
Second Gentleman
I honour him
Even out of your report. But, pray you, tell me,
Is she sole child to the king?
First Gentleman
His only child.
He had two sons: if this be worth your hearing,
Mark it: the eldest of them at three years old,
I' the swathingclothes the other, from their nursery
Were stol'n, and to this hour no guess in knowledge
Which way they went.
Second Gentleman
How long is this ago?
First Gentleman
Some twenty years.
Second Gentleman
That a king's children should be so convey'd,
So slackly guarded, and the search so slow,
That could not trace them!
First Gentleman
Howsoe'er 'tis strange,
Or that the negligence may well be laugh'd at,
Yet is it true, sir.
Second Gentleman
I do well believe you.
First Gentleman
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We must forbear: here comes the gentleman,
The queen, and princess.
Exeunt
Enter the QUEEN, POSTHUMUS LEONATUS, and IMOGEN
QUEEN
No, be assured you shall not find me, daughter,
After the slander of most stepmothers,
Evileyed unto you: you're my prisoner, but
Your gaoler shall deliver you the keys
That lock up your restraint. For you, Posthumus,
So soon as I can win the offended king,
I will be known your advocate: marry, yet
The fire of rage is in him, and 'twere good
You lean'd unto his sentence with what patience
Your wisdom may inform you.
POSTHUMUS LEONATUS
Please your highness,
I will from hence today.
QUEEN
You know the peril.
I'll fetch a turn about the garden, pitying
The pangs of barr'd affections, though the king
Hath charged you should not speak together.
Exit
IMOGEN
O
Dissembling courtesy! How fine this tyrant
Can tickle where she wounds! My dearest husband,
I something fear my father's wrath; but nothing
Always reserved my holy dutywhat
His rage can do on me: you must be gone;
And I shall here abide the hourly shot
Of angry eyes, not comforted to live,
But that there is this jewel in the world
That I may see again.
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POSTHUMUS LEONATUS
My queen! my mistress!
O lady, weep no more, lest I give cause
To be suspected of more tenderness
Than doth become a man. I will remain
The loyal'st husband that did e'er plight troth:
My residence in Rome at one Philario's,
Who to my father was a friend, to me
Known but by letter: thither write, my queen,
And with mine eyes I'll drink the words you send,
Though ink be made of gall.
Reenter QUEEN
QUEEN
Be brief, I pray you:
If the king come, I shall incur I know not
How much of his displeasure.
Aside
Yet I'll move him
To walk this way: I never do him wrong,
But he does buy my injuries, to be friends;
Pays dear for my offences.
Exit
POSTHUMUS LEONATUS
Should we be taking leave
As long a term as yet we have to live,
The loathness to depart would grow. Adieu!
IMOGEN
Nay, stay a little:
Were you but riding forth to air yourself,
Such parting were too petty. Look here, love;
This diamond was my mother's: take it, heart;
But keep it till you woo another wife,
When Imogen is dead.
POSTHUMUS LEONATUS
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How, how! another?
You gentle gods, give me but this I have,
And sear up my embracements from a next
With bonds of death!
Putting on the ring
Remain, remain thou here
While sense can keep it on. And, sweetest, fairest,
As I my poor self did exchange for you,
To your so infinite loss, so in our trifles
I still win of you: for my sake wear this;
It is a manacle of love; I'll place it
Upon this fairest prisoner.
Putting a bracelet upon her arm
IMOGEN
O the gods!
When shall we see again?
Enter CYMBELINE and Lords
POSTHUMUS LEONATUS
Alack, the king!
CYMBELINE
Thou basest thing, avoid! hence, from my sight!
If after this command thou fraught the court
With thy unworthiness, thou diest: away!
Thou'rt poison to my blood.
POSTHUMUS LEONATUS
The gods protect you!
And bless the good remainders of the court! I am gone.
Exit
IMOGEN
There cannot be a pinch in death
More sharp than this is.
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CYMBELINE
O disloyal thing,
That shouldst repair my youth, thou heap'st
A year's age on me.
IMOGEN
I beseech you, sir,
Harm not yourself with your vexation
I am senseless of your wrath; a touch more rare
Subdues all pangs, all fears.
CYMBELINE
Past grace? obedience?
IMOGEN
Past hope, and in despair; that way, past grace.
CYMBELINE
That mightst have had the sole son of my queen!
IMOGEN
O blest, that I might not! I chose an eagle,
And did avoid a puttock.
CYMBELINE
Thou took'st a beggar; wouldst have made my throne
A seat for baseness.
IMOGEN
No; I rather added
A lustre to it.
CYMBELINE
O thou vile one!
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Page No 130
IMOGEN
Sir,
It is your fault that I have loved Posthumus:
You bred him as my playfellow, and he is
A man worth any woman, overbuys me
Almost the sum he pays.
CYMBELINE
What, art thou mad?
IMOGEN
Almost, sir: heaven restore me! Would I were
A neatherd's daughter, and my Leonatus
Our neighbour shepherd's son!
CYMBELINE
Thou foolish thing!
Reenter QUEEN
They were again together: you have done
Not after our command. Away with her,
And pen her up.
QUEEN
Beseech your patience. Peace,
Dear lady daughter, peace! Sweet sovereign,
Leave us to ourselves; and make yourself some comfort
Out of your best advice.
CYMBELINE
Nay, let her languish
A drop of blood a day; and, being aged,
Die of this folly!
Exeunt CYMBELINE and Lords
QUEEN
Fie! you must give way.
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Enter PISANIO
Here is your servant. How now, sir! What news?
PISANIO
My lord your son drew on my master.
QUEEN
Ha!
No harm, I trust, is done?
PISANIO
There might have been,
But that my master rather play'd than fought
And had no help of anger: they were parted
By gentlemen at hand.
QUEEN
I am very glad on't.
IMOGEN
Your son's my father's friend; he takes his part.
To draw upon an exile! O brave sir!
I would they were in Afric both together;
Myself by with a needle, that I might prick
The goerback. Why came you from your master?
PISANIO
On his command: he would not suffer me
To bring him to the haven; left these notes
Of what commands I should be subject to,
When 't pleased you to employ me.
QUEEN
This hath been
Your faithful servant: I dare lay mine honour
He will remain so.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Cymbeline 127
Page No 132
PISANIO
I humbly thank your highness.
QUEEN
Pray, walk awhile.
IMOGEN
About some halfhour hence,
I pray you, speak with me: you shall at least
Go see my lord aboard: for this time leave me.
Exeunt
Act 1, Scene 2
The same. A public place.
Enter CLOTEN and two Lords
First Lord
Sir, I would advise you to shift a shirt; the
violence of action hath made you reek as a
sacrifice: where air comes out, air comes in:
there's none abroad so wholesome as that you vent.
CLOTEN
If my shirt were bloody, then to shift it. Have I hurt him?
Second Lord
[Aside] No, 'faith; not so much as his patience.
First Lord
Hurt him! his body's a passable carcass, if he be
not hurt: it is a thoroughfare for steel, if it be not hurt.
Second Lord
[Aside] His steel was in debt; it went o' the
backside the town.
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Act 1, Scene 2 128
Page No 133
CLOTEN
The villain would not stand me.
Second Lord
[Aside] No; but he fled forward still, toward your face.
First Lord
Stand you! You have land enough of your own: but
he added to your having; gave you some ground.
Second Lord
[Aside] As many inches as you have oceans. Puppies!
CLOTEN
I would they had not come between us.
Second Lord
[Aside] So would I, till you had measured how long
a fool you were upon the ground.
CLOTEN
And that she should love this fellow and refuse me!
Second Lord
[Aside] If it be a sin to make a true election, she
is damned.
First Lord
Sir, as I told you always, her beauty and her brain
go not together: she's a good sign, but I have seen
small reflection of her wit.
Second Lord
[Aside] She shines not upon fools, lest the
reflection should hurt her.
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Act 1, Scene 2 129
Page No 134
CLOTEN
Come, I'll to my chamber. Would there had been some
hurt done!
Second Lord
[Aside] I wish not so; unless it had been the fall
of an ass, which is no great hurt.
CLOTEN
You'll go with us?
First Lord
I'll attend your lordship.
CLOTEN
Nay, come, let's go together.
Second Lord
Well, my lord.
Exeunt
Act 1, Scene 3
A room in Cymbeline's palace.
Enter IMOGEN and PISANIO
IMOGEN
I would thou grew'st unto the shores o' the haven,
And question'dst every sail: if he should write
And not have it, 'twere a paper lost,
As offer'd mercy is. What was the last
That he spake to thee?
PISANIO
It was his queen, his queen!
IMOGEN
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Act 1, Scene 3 130
Page No 135
Then waved his handkerchief?
PISANIO
And kiss'd it, madam.
IMOGEN
Senseless Linen! happier therein than I!
And that was all?
PISANIO
No, madam; for so long
As he could make me with this eye or ear
Distinguish him from others, he did keep
The deck, with glove, or hat, or handkerchief,
Still waving, as the fits and stirs of 's mind
Could best express how slow his soul sail'd on,
How swift his ship.
IMOGEN
Thou shouldst have made him
As little as a crow, or less, ere left
To aftereye him.
PISANIO
Madam, so I did.
IMOGEN
I would have broke mine eyestrings; crack'd them, but
To look upon him, till the diminution
Of space had pointed him sharp as my needle,
Nay, follow'd him, till he had melted from
The smallness of a gnat to air, and then
Have turn'd mine eye and wept. But, good Pisanio,
When shall we hear from him?
PISANIO
Be assured, madam,
With his next vantage.
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Act 1, Scene 3 131
Page No 136
IMOGEN
I did not take my leave of him, but had
Most pretty things to say: ere I could tell him
How I would think on him at certain hours
Such thoughts and such, or I could make him swear
The shes of Italy should not betray
Mine interest and his honour, or have charged him,
At the sixth hour of morn, at noon, at midnight,
To encounter me with orisons, for then
I am in heaven for him; or ere I could
Give him that parting kiss which I had set
Betwixt two charming words, comes in my father
And like the tyrannous breathing of the north
Shakes all our buds from growing.
Enter a Lady
Lady
The queen, madam,
Desires your highness' company.
IMOGEN
Those things I bid you do, get them dispatch'd.
I will attend the queen.
PISANIO
Madam, I shall.
Exeunt
Act 1, Scene 4
Rome. Philario's house.
Enter PHILARIO, IACHIMO, a Frenchman, a Dutchman, and a Spaniard
IACHIMO
Believe it, sir, I have seen him in Britain: he was
then of a crescent note, expected to prove so worthy
as since he hath been allowed the name of; but I
could then have looked on him without the help of
admiration, though the catalogue of his endowments
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Act 1, Scene 4 132
Page No 137
had been tabled by his side and I to peruse him by items.
PHILARIO
You speak of him when he was less furnished than now
he is with that which makes him both without and within.
Frenchman
I have seen him in France: we had very many there
could behold the sun with as firm eyes as he.
IACHIMO
This matter of marrying his king's daughter, wherein
he must be weighed rather by her value than his own,
words him, I doubt not, a great deal from the matter.
Frenchman
And then his banishment.
IACHIMO
Ay, and the approbation of those that weep this
lamentable divorce under her colours are wonderfully
to extend him; be it but to fortify her judgment,
which else an easy battery might lay flat, for
taking a beggar without less quality. But how comes
it he is to sojourn with you? How creeps
acquaintance?
PHILARIO
His father and I were soldiers together; to whom I
have been often bound for no less than my life.
Here comes the Briton: let him be so entertained
amongst you as suits, with gentlemen of your
knowing, to a stranger of his quality.
Enter POSTHUMUS LEONATUS
I beseech you all, be better known to this
gentleman; whom I commend to you as a noble friend
of mine: how worthy he is I will leave to appear
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Act 1, Scene 4 133
Page No 138
hereafter, rather than story him in his own hearing.
Frenchman
Sir, we have known together in Orleans.
POSTHUMUS LEONATUS
Since when I have been debtor to you for courtesies,
which I will be ever to pay and yet pay still.
Frenchman
Sir, you o'errate my poor kindness: I was glad I
did atone my countryman and you; it had been pity
you should have been put together with so mortal a
purpose as then each bore, upon importance of so
slight and trivial a nature.
POSTHUMUS LEONATUS
By your pardon, sir, I was then a young traveller;
rather shunned to go even with what I heard than in
my every action to be guided by others' experiences:
but upon my mended judgmentif I offend not to say
it is mendedmy quarrel was not altogether slight.
Frenchman
'Faith, yes, to be put to the arbitrement of swords,
and by such two that would by all likelihood have
confounded one the other, or have fallen both.
IACHIMO
Can we, with manners, ask what was the difference?
Frenchman
Safely, I think: 'twas a contention in public,
which may, without contradiction, suffer the report.
It was much like an argument that fell out last
night, where each of us fell in praise of our
country mistresses; this gentleman at that time
vouchingand upon warrant of bloody
affirmationhis to be more fair, virtuous, wise,
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Act 1, Scene 4 134
Page No 139
chaste, constantqualified and less attemptable
than any the rarest of our ladies in France.
IACHIMO
That lady is not now living, or this gentleman's
opinion by this worn out.
POSTHUMUS LEONATUS
She holds her virtue still and I my mind.
IACHIMO
You must not so far prefer her 'fore ours of Italy.
POSTHUMUS LEONATUS
Being so far provoked as I was in France, I would
abate her nothing, though I profess myself her
adorer, not her friend.
IACHIMO
As fair and as gooda kind of handinhand
comparisonhad been something too fair and too good
for any lady in Britain. If she went before others
I have seen, as that diamond of yours outlustres
many I have beheld. I could not but believe she
excelled many: but I have not seen the most
precious diamond that is, nor you the lady.
POSTHUMUS LEONATUS
I praised her as I rated her: so do I my stone.
IACHIMO
What do you esteem it at?
POSTHUMUS LEONATUS
More than the world enjoys.
IACHIMO
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Act 1, Scene 4 135
Page No 140
Either your unparagoned mistress is dead, or she's
outprized by a trifle.
POSTHUMUS LEONATUS
You are mistaken: the one may be sold, or given, if
there were wealth enough for the purchase, or merit
for the gift: the other is not a thing for sale,
and only the gift of the gods.
IACHIMO
Which the gods have given you?
POSTHUMUS LEONATUS
Which, by their graces, I will keep.
IACHIMO
You may wear her in title yours: but, you know,
strange fowl light upon neighbouring ponds. Your
ring may be stolen too: so your brace of unprizable
estimations; the one is but frail and the other
casual; a cunning thief, or a that way accomplished
courtier, would hazard the winning both of first and last.
POSTHUMUS LEONATUS
Your Italy contains none so accomplished a courtier
to convince the honour of my mistress, if, in the
holding or loss of that, you term her frail. I do
nothing doubt you have store of thieves;
notwithstanding, I fear not my ring.
PHILARIO
Let us leave here, gentlemen.
POSTHUMUS LEONATUS
Sir, with all my heart. This worthy signior, I
thank him, makes no stranger of me; we are familiar at first.
IACHIMO
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Act 1, Scene 4 136
Page No 141
With five times so much conversation, I should get
ground of your fair mistress, make her go back, even
to the yielding, had I admittance and opportunity to friend.
POSTHUMUS LEONATUS
No, no.
IACHIMO
I dare thereupon pawn the moiety of my estate to
your ring; which, in my opinion, o'ervalues it
something: but I make my wager rather against your
confidence than her reputation: and, to bar your
offence herein too, I durst attempt it against any
lady in the world.
POSTHUMUS LEONATUS
You are a great deal abused in too bold a
persuasion; and I doubt not you sustain what you're
worthy of by your attempt.
IACHIMO
What's that?
POSTHUMUS LEONATUS
A repulse: though your attempt, as you call it,
deserve more; a punishment too.
PHILARIO
Gentlemen, enough of this: it came in too suddenly;
let it die as it was born, and, I pray you, be
better acquainted.
IACHIMO
Would I had put my estate and my neighbour's on the
approbation of what I have spoke!
POSTHUMUS LEONATUS
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Act 1, Scene 4 137
Page No 142
What lady would you choose to assail?
IACHIMO
Yours; whom in constancy you think stands so safe.
I will lay you ten thousand ducats to your ring,
that, commend me to the court where your lady is,
with no more advantage than the opportunity of a
second conference, and I will bring from thence
that honour of hers which you imagine so reserved.
POSTHUMUS LEONATUS
I will wage against your gold, gold to it: my ring
I hold dear as my finger; 'tis part of it.
IACHIMO
You are afraid, and therein the wiser. If you buy
ladies' flesh at a million a dram, you cannot
preserve it from tainting: but I see you have some
religion in you, that you fear.
POSTHUMUS LEONATUS
This is but a custom in your tongue; you bear a
graver purpose, I hope.
IACHIMO
I am the master of my speeches, and would undergo
what's spoken, I swear.
POSTHUMUS LEONATUS
Will you? I shall but lend my diamond till your
return: let there be covenants drawn between's: my
mistress exceeds in goodness the hugeness of your
unworthy thinking: I dare you to this match: here's my ring.
PHILARIO
I will have it no lay.
IACHIMO
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Act 1, Scene 4 138
Page No 143
By the gods, it is one. If I bring you no
sufficient testimony that I have enjoyed the dearest
bodily part of your mistress, my ten thousand ducats
are yours; so is your diamond too: if I come off,
and leave her in such honour as you have trust in,
she your jewel, this your jewel, and my gold are
yours: provided I have your commendation for my more
free entertainment.
POSTHUMUS LEONATUS
I embrace these conditions; let us have articles
betwixt us. Only, thus far you shall answer: if
you make your voyage upon her and give me directly
to understand you have prevailed, I am no further
your enemy; she is not worth our debate: if she
remain unseduced, you not making it appear
otherwise, for your ill opinion and the assault you
have made to her chastity you shall answer me with
your sword.
IACHIMO
Your hand; a covenant: we will have these things set
down by lawful counsel, and straight away for
Britain, lest the bargain should catch cold and
starve: I will fetch my gold and have our two
wagers recorded.
POSTHUMUS LEONATUS
Agreed.
Exeunt POSTHUMUS LEONATUS and IACHIMO
Frenchman
Will this hold, think you?
PHILARIO
Signior Iachimo will not from it.
Pray, let us follow 'em.
Exeunt
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 4 139
Page No 144
Act 1, Scene 5
Britain. A room in Cymbeline's palace.
Enter QUEEN, Ladies, and CORNELIUS
QUEEN
Whiles yet the dew's on ground, gather those flowers;
Make haste: who has the note of them?
First Lady
I, madam.
QUEEN
Dispatch.
Exeunt Ladies
Now, master doctor, have you brought those drugs?
CORNELIUS
Pleaseth your highness, ay: here they are, madam:
Presenting a small box
But I beseech your grace, without offence,
My conscience bids me askwherefore you have
Commanded of me those most poisonous compounds,
Which are the movers of a languishing death;
But though slow, deadly?
QUEEN
I wonder, doctor,
Thou ask'st me such a question. Have I not been
Thy pupil long? Hast thou not learn'd me how
To make perfumes? distil? preserve? yea, so
That our great king himself doth woo me oft
For my confections? Having thus far proceeded,
Unless thou think'st me devilishis't not meet
That I did amplify my judgment in
Other conclusions? I will try the forces
Of these thy compounds on such creatures as
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Act 1, Scene 5 140
Page No 145
We count not worth the hanging, but none human,
To try the vigour of them and apply
Allayments to their act, and by them gather
Their several virtues and effects.
CORNELIUS
Your highness
Shall from this practise but make hard your heart:
Besides, the seeing these effects will be
Both noisome and infectious.
QUEEN
O, content thee.
Enter PISANIO
Aside
Here comes a flattering rascal; upon him
Will I first work: he's for his master,
An enemy to my son. How now, Pisanio!
Doctor, your service for this time is ended;
Take your own way.
CORNELIUS
[Aside] I do suspect you, madam;
But you shall do no harm.
QUEEN
[To PISANIO] Hark thee, a word.
CORNELIUS
[Aside] I do not like her. She doth think she has
Strange lingering poisons: I do know her spirit,
And will not trust one of her malice with
A drug of such damn'd nature. Those she has
Will stupefy and dull the sense awhile;
Which first, perchance, she'll prove on
cats and dogs,
Then afterward up higher: but there is
No danger in what show of death it makes,
More than the lockingup the spirits a time,
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Act 1, Scene 5 141
Page No 146
To be more fresh, reviving. She is fool'd
With a most false effect; and I the truer,
So to be false with her.
QUEEN
No further service, doctor,
Until I send for thee.
CORNELIUS
I humbly take my leave.
Exit
QUEEN
Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
The QUEEN drops the box: PISANIO takes it up
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
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Act 1, Scene 5 142
Page No 147
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
Exit PISANIO
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The handfast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
Reenter PISANIO and Ladies
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.
Exeunt QUEEN and Ladies
PISANIO
And shall do:
But when to my good lord I prove untrue,
I'll choke myself: there's all I'll do for you.
Exit
Act 1, Scene 6
The same. Another room in the palace.
Enter IMOGEN
IMOGEN
A father cruel, and a stepdame false;
A foolish suitor to a wedded lady,
That hath her husband banish'd;O, that husband!
My supreme crown of grief! and those repeated
Vexations of it! Had I been thiefstol'n,
As my two brothers, happy! but most miserable
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Act 1, Scene 6 143
Page No 148
Is the desire that's glorious: blest be those,
How mean soe'er, that have their honest wills,
Which seasons comfort. Who may this be? Fie!
Enter PISANIO and IACHIMO
PISANIO
Madam, a noble gentleman of Rome,
Comes from my lord with letters.
IACHIMO
Change you, madam?
The worthy Leonatus is in safety
And greets your highness dearly.
Presents a letter
IMOGEN
Thanks, good sir:
You're kindly welcome.
IACHIMO
[Aside] All of her that is out of door most rich!
If she be furnish'd with a mind so rare,
She is alone the Arabian bird, and I
Have lost the wager. Boldness be my friend!
Arm me, audacity, from head to foot!
Or, like the Parthian, I shall flying fight;
Rather directly fly.
IMOGEN
[Reads] 'He is one of the noblest note, to whose
kindnesses I am most infinitely tied. Reflect upon
him accordingly, as you value your trust
LEONATUS.'
So far I read aloud:
But even the very middle of my heart
Is warm'd by the rest, and takes it thankfully.
You are as welcome, worthy sir, as I
Have words to bid you, and shall find it so
In all that I can do.
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Act 1, Scene 6 144
Page No 149
IACHIMO
Thanks, fairest lady.
What, are men mad? Hath nature given them eyes
To see this vaulted arch, and the rich crop
Of sea and land, which can distinguish 'twixt
The fiery orbs above and the twinn'd stones
Upon the number'd beach? and can we not
Partition make with spectacles so precious
'Twixt fair and foul?
IMOGEN
What makes your admiration?
IACHIMO
It cannot be i' the eye, for apes and monkeys
'Twixt two such shes would chatter this way and
Contemn with mows the other; nor i' the judgment,
For idiots in this case of favour would
Be wisely definite; nor i' the appetite;
Sluttery to such neat excellence opposed
Should make desire vomit emptiness,
Not so allured to feed.
IMOGEN
What is the matter, trow?
IACHIMO
The cloyed will,
That satiate yet unsatisfied desire, that tub
Both fill'd and running, ravening first the lamb
Longs after for the garbage.
IMOGEN
What, dear sir,
Thus raps you? Are you well?
IACHIMO
Thanks, madam; well.
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Act 1, Scene 6 145
Page No 150
To PISANIO
Beseech you, sir, desire
My man's abode where I did leave him: he
Is strange and peevish.
PISANIO
I was going, sir,
To give him welcome.
Exit
IMOGEN
Continues well my lord? His health, beseech you?
IACHIMO
Well, madam.
IMOGEN
Is he disposed to mirth? I hope he is.
IACHIMO
Exceeding pleasant; none a stranger there
So merry and so gamesome: he is call'd
The Briton reveller.
IMOGEN
When he was here,
He did incline to sadness, and ofttimes
Not knowing why.
IACHIMO
I never saw him sad.
There is a Frenchman his companion, one
An eminent monsieur, that, it seems, much loves
A Gallian girl at home; he furnaces
The thick sighs from him, whiles the jolly Briton
Your lord, I meanlaughs from's free lungs, cries 'O,
Can my sides hold, to think that man, who knows
By history, report, or his own proof,
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Act 1, Scene 6 146
Page No 151
What woman is, yea, what she cannot choose
But must be, will his free hours languish for
Assured bondage?'
IMOGEN
Will my lord say so?
IACHIMO
Ay, madam, with his eyes in flood with laughter:
It is a recreation to be by
And hear him mock the Frenchman. But, heavens know,
Some men are much to blame.
IMOGEN
Not he, I hope.
IACHIMO
Not he: but yet heaven's bounty towards him might
Be used more thankfully. In himself, 'tis much;
In you, which I account his beyond all talents,
Whilst I am bound to wonder, I am bound
To pity too.
IMOGEN
What do you pity, sir?
IACHIMO
Two creatures heartily.
IMOGEN
Am I one, sir?
You look on me: what wreck discern you in me
Deserves your pity?
IACHIMO
Lamentable! What,
To hide me from the radiant sun and solace
I' the dungeon by a snuff?
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Act 1, Scene 6 147
Page No 152
IMOGEN
I pray you, sir,
Deliver with more openness your answers
To my demands. Why do you pity me?
IACHIMO
That others do
I was about to sayenjoy yourBut
It is an office of the gods to venge it,
Not mine to speak on 't.
IMOGEN
You do seem to know
Something of me, or what concerns me: pray you,
Since doubling things go ill often hurts more
Than to be sure they do; for certainties
Either are past remedies, or, timely knowing,
The remedy then borndiscover to me
What both you spur and stop.
IACHIMO
Had I this cheek
To bathe my lips upon; this hand, whose touch,
Whose every touch, would force the feeler's soul
To the oath of loyalty; this object, which
Takes prisoner the wild motion of mine eye,
Fixing it only here; should I, damn'd then,
Slaver with lips as common as the stairs
That mount the Capitol; join gripes with hands
Made hard with hourly falsehoodfalsehood, as
With labour; then bypeeping in an eye
Base and unlustrous as the smoky light
That's fed with stinking tallow; it were fit
That all the plagues of hell should at one time
Encounter such revolt.
IMOGEN
My lord, I fear,
Has forgot Britain.
IACHIMO
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Act 1, Scene 6 148
Page No 153
And himself. Not I,
Inclined to this intelligence, pronounce
The beggary of his change; but 'tis your graces
That from pay mutest conscience to my tongue
Charms this report out.
IMOGEN
Let me hear no more.
IACHIMO
O dearest soul! your cause doth strike my heart
With pity, that doth make me sick. A lady
So fair, and fasten'd to an empery,
Would make the great'st king double,to be partner'd
With tomboys hired with that selfexhibition
Which your own coffers yield! with diseased ventures
That play with all infirmities for gold
Which rottenness can lend nature! such boil'd stuff
As well might poison poison! Be revenged;
Or she that bore you was no queen, and you
Recoil from your great stock.
IMOGEN
Revenged!
How should I be revenged? If this be true,
As I have such a heart that both mine ears
Must not in haste abuseif it be true,
How should I be revenged?
IACHIMO
Should he make me
Live, like Diana's priest, betwixt cold sheets,
Whiles he is vaulting variable ramps,
In your despite, upon your purse? Revenge it.
I dedicate myself to your sweet pleasure,
More noble than that runagate to your bed,
And will continue fast to your affection,
Still close as sure.
IMOGEN
What, ho, Pisanio!
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IACHIMO
Let me my service tender on your lips.
IMOGEN
Away! I do condemn mine ears that have
So long attended thee. If thou wert honourable,
Thou wouldst have told this tale for virtue, not
For such an end thou seek'st,as base as strange.
Thou wrong'st a gentleman, who is as far
From thy report as thou from honour, and
Solicit'st here a lady that disdains
Thee and the devil alike. What ho, Pisanio!
The king my father shall be made acquainted
Of thy assault: if he shall think it fit,
A saucy stranger in his court to mart
As in a Romish stew and to expound
His beastly mind to us, he hath a court
He little cares for and a daughter who
He not respects at all. What, ho, Pisanio!
IACHIMO
O happy Leonatus! I may say
The credit that thy lady hath of thee
Deserves thy trust, and thy most perfect goodness
Her assured credit. Blessed live you long!
A lady to the worthiest sir that ever
Country call'd his! and you his mistress, only
For the most worthiest fit! Give me your pardon.
I have spoke this, to know if your affiance
Were deeply rooted; and shall make your lord,
That which he is, new o'er: and he is one
The truest manner'd; such a holy witch
That he enchants societies into him;
Half all men's hearts are his.
IMOGEN
You make amends.
IACHIMO
He sits 'mongst men like a descended god:
He hath a kind of honour sets him off,
More than a mortal seeming. Be not angry,
Most mighty princess, that I have adventured
To try your taking a false report; which hath
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Honour'd with confirmation your great judgment
In the election of a sir so rare,
Which you know cannot err: the love I bear him
Made me to fan you thus, but the gods made you,
Unlike all others, chaffless. Pray, your pardon.
IMOGEN
All's well, sir: take my power i' the court
for yours.
IACHIMO
My humble thanks. I had almost forgot
To entreat your grace but in a small request,
And yet of moment to, for it concerns
Your lord; myself and other noble friends,
Are partners in the business.
IMOGEN
Pray, what is't?
IACHIMO
Some dozen Romans of us and your lord
The best feather of our winghave mingled sums
To buy a present for the emperor
Which I, the factor for the rest, have done
In France: 'tis plate of rare device, and jewels
Of rich and exquisite form; their values great;
And I am something curious, being strange,
To have them in safe stowage: may it please you
To take them in protection?
IMOGEN
Willingly;
And pawn mine honour for their safety: since
My lord hath interest in them, I will keep them
In my bedchamber.
IACHIMO
They are in a trunk,
Attended by my men: I will make bold
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To send them to you, only for this night;
I must aboard tomorrow.
IMOGEN
O, no, no.
IACHIMO
Yes, I beseech; or I shall short my word
By lengthening my return. From Gallia
I cross'd the seas on purpose and on promise
To see your grace.
IMOGEN
I thank you for your pains:
But not away tomorrow!
IACHIMO
O, I must, madam:
Therefore I shall beseech you, if you please
To greet your lord with writing, do't tonight:
I have outstood my time; which is material
To the tender of our present.
IMOGEN
I will write.
Send your trunk to me; it shall safe be kept,
And truly yielded you. You're very welcome.
Exeunt
Act 2, Scene 1
Britain. Before Cymbeline's palace.
Enter CLOTEN and two Lords
CLOTEN
Was there ever man had such luck! when I kissed the
jack, upon an upcast to be hit away! I had a
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hundred pound on't: and then a whoreson jackanapes
must take me up for swearing; as if I borrowed mine
oaths of him and might not spend them at my pleasure.
First Lord
What got he by that? You have broke his pate with
your bowl.
Second Lord
[Aside] If his wit had been like him that broke it,
it would have run all out.
CLOTEN
When a gentleman is disposed to swear, it is not for
any standersby to curtail his oaths, ha?
Second Lord
No my lord;
Aside
nor crop the ears of them.
CLOTEN
Whoreson dog! I give him satisfaction?
Would he had been one of my rank!
Second Lord
[Aside] To have smelt like a fool.
CLOTEN
I am not vexed more at any thing in the earth: a
pox on't! I had rather not be so noble as I am;
they dare not fight with me, because of the queen my
mother: every Jackslave hath his bellyful of
fighting, and I must go up and down like a cock that
nobody can match.
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Second Lord
[Aside] You are cock and capon too; and you crow,
cock, with your comb on.
CLOTEN
Sayest thou?
Second Lord
It is not fit your lordship should undertake every
companion that you give offence to.
CLOTEN
No, I know that: but it is fit I should commit
offence to my inferiors.
Second Lord
Ay, it is fit for your lordship only.
CLOTEN
Why, so I say.
First Lord
Did you hear of a stranger that's come to court tonight?
CLOTEN
A stranger, and I not know on't!
Second Lord
[Aside] He's a strange fellow himself, and knows it
not.
First Lord
There's an Italian come; and, 'tis thought, one of
Leonatus' friends.
CLOTEN
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Leonatus! a banished rascal; and he's another,
whatsoever he be. Who told you of this stranger?
First Lord
One of your lordship's pages.
CLOTEN
Is it fit I went to look upon him? is there no
derogation in't?
Second Lord
You cannot derogate, my lord.
CLOTEN
Not easily, I think.
Second Lord
[Aside] You are a fool granted; therefore your
issues, being foolish, do not derogate.
CLOTEN
Come, I'll go see this Italian: what I have lost
today at bowls I'll win tonight of him. Come, go.
Second Lord
I'll attend your lordship.
Exeunt CLOTEN and First Lord
That such a crafty devil as is his mother
Should yield the world this ass! a woman that
Bears all down with her brain; and this her son
Cannot take two from twenty, for his heart,
And leave eighteen. Alas, poor princess,
Thou divine Imogen, what thou endurest,
Betwixt a father by thy stepdame govern'd,
A mother hourly coining plots, a wooer
More hateful than the foul expulsion is
Of thy dear husband, than that horrid act
Of the divorce he'ld make! The heavens hold firm
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The walls of thy dear honour, keep unshaked
That temple, thy fair mind, that thou mayst stand,
To enjoy thy banish'd lord and this great land!
Exit
Act 2, Scene 2
Imogen's bedchamber in Cymbeline's palace:
a trunk in one corner of it.
IMOGEN in bed, reading; a Lady attending
IMOGEN
Who's there? my woman Helen?
Lady
Please you, madam
IMOGEN
What hour is it?
Lady
Almost midnight, madam.
IMOGEN
I have read three hours then: mine eyes are weak:
Fold down the leaf where I have left: to bed:
Take not away the taper, leave it burning;
And if thou canst awake by four o' the clock,
I prithee, call me. Sleep hath seized me wholly
Exit Lady
To your protection I commend me, gods.
From fairies and the tempters of the night
Guard me, beseech ye.
Sleeps. IACHIMO comes from the trunk
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IACHIMO
The crickets sing, and man's o'erlabour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would underpeep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
Taking off her bracelet
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinquespotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
Clock strikes
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One, two, three: time, time!
Goes into the trunk. The scene closes
Scene III
An antechamber adjoining Imogen's apartments.
Enter CLOTEN and Lords
First Lord
Your lordship is the most patient man in loss, the
most coldest that ever turned up ace.
CLOTEN
It would make any man cold to lose.
First Lord
But not every man patient after the noble temper of
your lordship. You are most hot and furious when you win.
CLOTEN
Winning will put any man into courage. If I could
get this foolish Imogen, I should have gold enough.
It's almost morning, is't not?
First Lord
Day, my lord.
CLOTEN
I would this music would come: I am advised to give
her music o' mornings; they say it will penetrate.
Enter Musicians
Come on; tune: if you can penetrate her with your
fingering, so; we'll try with tongue too: if none
will do, let her remain; but I'll never give o'er.
First, a very excellent goodconceited thing;
after, a wonderful sweet air, with admirable rich
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Page No 163
words to it: and then let her consider.
SONG
Hark, hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Marybuds begin
To ope their golden eyes:
With every thing that pretty is,
My lady sweet, arise:
Arise, arise.
CLOTEN
So, get you gone. If this penetrate, I will
consider your music the better: if it do not, it is
a vice in her ears, which horsehairs and
calves'guts, nor the voice of unpaved eunuch to
boot, can never amend.
Exeunt Musicians
Second Lord
Here comes the king.
CLOTEN
I am glad I was up so late; for that's the reason I
was up so early: he cannot choose but take this
service I have done fatherly.
Enter CYMBELINE and QUEEN
Good morrow to your majesty and to my gracious mother.
CYMBELINE
Attend you here the door of our stern daughter?
Will she not forth?
CLOTEN
I have assailed her with music, but she vouchsafes no notice.
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Page No 164
CYMBELINE
The exile of her minion is too new;
She hath not yet forgot him: some more time
Must wear the print of his remembrance out,
And then she's yours.
QUEEN
You are most bound to the king,
Who lets go by no vantages that may
Prefer you to his daughter. Frame yourself
To orderly soliciting, and be friended
With aptness of the season; make denials
Increase your services; so seem as if
You were inspired to do those duties which
You tender to her; that you in all obey her,
Save when command to your dismission tends,
And therein you are senseless.
CLOTEN
Senseless! not so.
Enter a Messenger
Messenger
So like you, sir, ambassadors from Rome;
The one is Caius Lucius.
CYMBELINE
A worthy fellow,
Albeit he comes on angry purpose now;
But that's no fault of his: we must receive him
According to the honour of his sender;
And towards himself, his goodness forespent on us,
We must extend our notice. Our dear son,
When you have given good morning to your mistress,
Attend the queen and us; we shall have need
To employ you towards this Roman. Come, our queen.
Exeunt all but CLOTEN
CLOTEN
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Act 2, Scene 2 160
Page No 165
If she be up, I'll speak with her; if not,
Let her lie still and dream.
Knocks
By your leave, ho!
I Know her women are about her: what
If I do line one of their hands? 'Tis gold
Which buys admittance; oft it doth; yea, and makes
Diana's rangers false themselves, yield up
Their deer to the stand o' the stealer; and 'tis gold
Which makes the true man kill'd and saves the thief;
Nay, sometime hangs both thief and true man: what
Can it not do and undo? I will make
One of her women lawyer to me, for
I yet not understand the case myself.
Knocks
By your leave.
Enter a Lady
Lady
Who's there that knocks?
CLOTEN
A gentleman.
Lady
No more?
CLOTEN
Yes, and a gentlewoman's son.
Lady
That's more
Than some, whose tailors are as dear as yours,
Can justly boast of. What's your lordship's pleasure?
CLOTEN
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Your lady's person: is she ready?
Lady
Ay,
To keep her chamber.
CLOTEN
There is gold for you;
Sell me your good report.
Lady
How! my good name? or to report of you
What I shall think is good?The princess!
Enter IMOGEN
CLOTEN
Good morrow, fairest: sister, your sweet hand.
Exit Lady
IMOGEN
Good morrow, sir. You lay out too much pains
For purchasing but trouble; the thanks I give
Is telling you that I am poor of thanks
And scarce can spare them.
CLOTEN
Still, I swear I love you.
IMOGEN
If you but said so, 'twere as deep with me:
If you swear still, your recompense is still
That I regard it not.
CLOTEN
This is no answer.
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Page No 167
IMOGEN
But that you shall not say I yield being silent,
I would not speak. I pray you, spare me: 'faith,
I shall unfold equal discourtesy
To your best kindness: one of your great knowing
Should learn, being taught, forbearance.
CLOTEN
To leave you in your madness, 'twere my sin:
I will not.
IMOGEN
Fools are not mad folks.
CLOTEN
Do you call me fool?
IMOGEN
As I am mad, I do:
If you'll be patient, I'll no more be mad;
That cures us both. I am much sorry, sir,
You put me to forget a lady's manners,
By being so verbal: and learn now, for all,
That I, which know my heart, do here pronounce,
By the very truth of it, I care not for you,
And am so near the lack of charity
To accuse myselfI hate you; which I had rather
You felt than make't my boast.
CLOTEN
You sin against
Obedience, which you owe your father. For
The contract you pretend with that base wretch,
One bred of alms and foster'd with cold dishes,
With scraps o' the court, it is no contract, none:
And though it be allow'd in meaner parties
Yet who than he more mean?to knit their souls,
On whom there is no more dependency
But brats and beggary, in selffigured knot;
Yet you are curb'd from that enlargement by
The consequence o' the crown, and must not soil
The precious note of it with a base slave.
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A hilding for a livery, a squire's cloth,
A pantler, not so eminent.
IMOGEN
Profane fellow
Wert thou the son of Jupiter and no more
But what thou art besides, thou wert too base
To be his groom: thou wert dignified enough,
Even to the point of envy, if 'twere made
Comparative for your virtues, to be styled
The underhangman of his kingdom, and hated
For being preferred so well.
CLOTEN
The southfog rot him!
IMOGEN
He never can meet more mischance than come
To be but named of thee. His meanest garment,
That ever hath but clipp'd his body, is dearer
In my respect than all the hairs above thee,
Were they all made such men. How now, Pisanio!
Enter PISANIO
CLOTEN
'His garment!' Now the devil
IMOGEN
To Dorothy my woman hie thee presently
CLOTEN
'His garment!'
IMOGEN
I am sprited with a fool.
Frighted, and anger'd worse: go bid my woman
Search for a jewel that too casually
Hath left mine arm: it was thy master's: 'shrew me,
If I would lose it for a revenue
Of any king's in Europe. I do think
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I saw't this morning: confident I am
Last night 'twas on mine arm; I kiss'd it:
I hope it be not gone to tell my lord
That I kiss aught but he.
PISANIO
'Twill not be lost.
IMOGEN
I hope so: go and search.
Exit PISANIO
CLOTEN
You have abused me:
'His meanest garment!'
IMOGEN
Ay, I said so, sir:
If you will make't an action, call witness to't.
CLOTEN
I will inform your father.
IMOGEN
Your mother too:
She's my good lady, and will conceive, I hope,
But the worst of me. So, I leave you, sir,
To the worst of discontent.
Exit
CLOTEN
I'll be revenged:
'His meanest garment!' Well.
Exit
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Page No 170
Act 2, Scene 4
Rome. Philario's house.
Enter POSTHUMUS and PHILARIO
POSTHUMUS LEONATUS
Fear it not, sir: I would I were so sure
To win the king as I am bold her honour
Will remain hers.
PHILARIO
What means do you make to him?
POSTHUMUS LEONATUS
Not any, but abide the change of time,
Quake in the present winter's state and wish
That warmer days would come: in these sear'd hopes,
I barely gratify your love; they failing,
I must die much your debtor.
PHILARIO
Your very goodness and your company
O'erpays all I can do. By this, your king
Hath heard of great Augustus: Caius Lucius
Will do's commission throughly: and I think
He'll grant the tribute, send the arrearages,
Or look upon our Romans, whose remembrance
Is yet fresh in their grief.
POSTHUMUS LEONATUS
I do believe,
Statist though I am none, nor like to be,
That this will prove a war; and you shall hear
The legions now in Gallia sooner landed
In our notfearing Britain than have tidings
Of any penny tribute paid. Our countrymen
Are men more order'd than when Julius Caesar
Smiled at their lack of skill, but found
their courage
Worthy his frowning at: their discipline,
Now mingled with their courages, will make known
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To their approvers they are people such
That mend upon the world.
Enter IACHIMO
PHILARIO
See! Iachimo!
POSTHUMUS LEONATUS
The swiftest harts have posted you by land;
And winds of all the comers kiss'd your sails,
To make your vessel nimble.
PHILARIO
Welcome, sir.
POSTHUMUS LEONATUS
I hope the briefness of your answer made
The speediness of your return.
IACHIMO
Your lady
Is one of the fairest that I have look'd upon.
POSTHUMUS LEONATUS
And therewithal the best; or let her beauty
Look through a casement to allure false hearts
And be false with them.
IACHIMO
Here are letters for you.
POSTHUMUS LEONATUS
Their tenor good, I trust.
IACHIMO
'Tis very like.
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PHILARIO
Was Caius Lucius in the Britain court
When you were there?
IACHIMO
He was expected then,
But not approach'd.
POSTHUMUS LEONATUS
All is well yet.
Sparkles this stone as it was wont? or is't not
Too dull for your good wearing?
IACHIMO
If I had lost it,
I should have lost the worth of it in gold.
I'll make a journey twice as far, to enjoy
A second night of such sweet shortness which
Was mine in Britain, for the ring is won.
POSTHUMUS LEONATUS
The stone's too hard to come by.
IACHIMO
Not a whit,
Your lady being so easy.
POSTHUMUS LEONATUS
Make not, sir,
Your loss your sport: I hope you know that we
Must not continue friends.
IACHIMO
Good sir, we must,
If you keep covenant. Had I not brought
The knowledge of your mistress home, I grant
We were to question further: but I now
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Page No 173
Profess myself the winner of her honour,
Together with your ring; and not the wronger
Of her or you, having proceeded but
By both your wills.
POSTHUMUS LEONATUS
If you can make't apparent
That you have tasted her in bed, my hand
And ring is yours; if not, the foul opinion
You had of her pure honour gains or loses
Your sword or mine, or masterless leaves both
To who shall find them.
IACHIMO
Sir, my circumstances,
Being so near the truth as I will make them,
Must first induce you to believe: whose strength
I will confirm with oath; which, I doubt not,
You'll give me leave to spare, when you shall find
You need it not.
POSTHUMUS LEONATUS
Proceed.
IACHIMO
First, her bedchamber,
Where, I confess, I slept not, but profess
Had that was well worth watchingit was hang'd
With tapesty of silk and silver; the story
Proud Cleopatra, when she met her Roman,
And Cydnus swell'd above the banks, or for
The press of boats or pride: a piece of work
So bravely done, so rich, that it did strive
In workmanship and value; which I wonder'd
Could be so rarely and exactly wrought,
Since the true life on't was
POSTHUMUS LEONATUS
This is true;
And this you might have heard of here, by me,
Or by some other.
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Page No 174
IACHIMO
More particulars
Must justify my knowledge.
POSTHUMUS LEONATUS
So they must,
Or do your honour injury.
IACHIMO
The chimney
Is south the chamber, and the chimneypiece
Chaste Dian bathing: never saw I figures
So likely to report themselves: the cutter
Was as another nature, dumb; outwent her,
Motion and breath left out.
POSTHUMUS LEONATUS
This is a thing
Which you might from relation likewise reap,
Being, as it is, much spoke of.
IACHIMO
The roof o' the chamber
With golden cherubins is fretted: her andirons
I had forgot themwere two winking Cupids
Of silver, each on one foot standing, nicely
Depending on their brands.
POSTHUMUS LEONATUS
This is her honour!
Let it be granted you have seen all thisand praise
Be given to your remembrancethe description
Of what is in her chamber nothing saves
The wager you have laid.
IACHIMO
Then, if you can,
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Showing the bracelet
Be pale: I beg but leave to air this jewel; see!
And now 'tis up again: it must be married
To that your diamond; I'll keep them.
POSTHUMUS LEONATUS
Jove!
Once more let me behold it: is it that
Which I left with her?
IACHIMO
SirI thank herthat:
She stripp'd it from her arm; I see her yet;
Her pretty action did outsell her gift,
And yet enrich'd it too: she gave it me, and said
She prized it once.
POSTHUMUS LEONATUS
May be she pluck'd it off
To send it me.
IACHIMO
She writes so to you, doth she?
POSTHUMUS LEONATUS
O, no, no, no! 'tis true. Here, take this too;
Gives the ring
It is a basilisk unto mine eye,
Kills me to look on't. Let there be no honour
Where there is beauty; truth, where semblance; love,
Where there's another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!
PHILARIO
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Page No 176
Have patience, sir,
And take your ring again; 'tis not yet won:
It may be probable she lost it; or
Who knows if one of her women, being corrupted,
Hath stol'n it from her?
POSTHUMUS LEONATUS
Very true;
And so, I hope, he came by't. Back my ring:
Render to me some corporal sign about her,
More evident than this; for this was stolen.
IACHIMO
By Jupiter, I had it from her arm.
POSTHUMUS LEONATUS
Hark you, he swears; by Jupiter he swears.
'Tis true:nay, keep the ring'tis true: I am sure
She would not lose it: her attendants are
All sworn and honourable:they induced to steal it!
And by a stranger!No, he hath enjoyed her:
The cognizance of her incontinency
Is this: she hath bought the name of whore
thus dearly.
There, take thy hire; and all the fiends of hell
Divide themselves between you!
PHILARIO
Sir, be patient:
This is not strong enough to be believed
Of one persuaded well of
POSTHUMUS LEONATUS
Never talk on't;
She hath been colted by him.
IACHIMO
If you seek
For further satisfying, under her breast
Worthy the pressinglies a mole, right proud
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Of that most delicate lodging: by my life,
I kiss'd it; and it gave me present hunger
To feed again, though full. You do remember
This stain upon her?
POSTHUMUS LEONATUS
Ay, and it doth confirm
Another stain, as big as hell can hold,
Were there no more but it.
IACHIMO
Will you hear more?
POSTHUMUS LEONATUS
Spare your arithmetic: never count the turns;
Once, and a million!
IACHIMO
I'll be sworn
POSTHUMUS LEONATUS
No swearing.
If you will swear you have not done't, you lie;
And I will kill thee, if thou dost deny
Thou'st made me cuckold.
IACHIMO
I'll deny nothing.
POSTHUMUS LEONATUS
O, that I had her here, to tear her limbmeal!
I will go there and do't, i' the court, before
Her father. I'll do something
Exit
PHILARIO
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Act 2, Scene 4 173
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Quite besides
The government of patience! You have won:
Let's follow him, and pervert the present wrath
He hath against himself.
IACHIMO
With an my heart.
Exeunt
Act 2, Scene 5
Another room in Philario's house.
Enter POSTHUMUS LEONATUS
POSTHUMUS LEONATUS
Is there no way for men to be but women
Must be halfworkers? We are all bastards;
And that most venerable man which I
Did call my father, was I know not where
When I was stamp'd; some coiner with his tools
Made me a counterfeit: yet my mother seem'd
The Dian of that time so doth my wife
The nonpareil of this. O, vengeance, vengeance!
Me of my lawful pleasure she restrain'd
And pray'd me oft forbearance; did it with
A pudency so rosy the sweet view on't
Might well have warm'd old Saturn; that I thought her
As chaste as unsunn'd snow. O, all the devils!
This yellow Iachimo, in an hour,wast not?
Or less,at first?perchance he spoke not, but,
Like a fullacorn'd boar, a German one,
Cried 'O!' and mounted; found no opposition
But what he look'd for should oppose and she
Should from encounter guard. Could I find out
The woman's part in me! For there's no motion
That tends to vice in man, but I affirm
It is the woman's part: be it lying, note it,
The woman's; flattering, hers; deceiving, hers;
Lust and rank thoughts, hers, hers; revenges, hers;
Ambitions, covetings, change of prides, disdain,
Nice longing, slanders, mutability,
All faults that may be named, nay, that hell knows,
Why, hers, in part or all; but rather, all;
For even to vice
They are not constant but are changing still
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One vice, but of a minute old, for one
Not half so old as that. I'll write against them,
Detest them, curse them: yet 'tis greater skill
In a true hate, to pray they have their will:
The very devils cannot plague them better.
Exit
Act 3, Scene 1
Britain. A hall in Cymbeline's palace.
Enter in state, CYMBELINE, QUEEN, CLOTEN, and Lords at one door, and at another,
CAIUS LUCIUS and Attendants
CYMBELINE
Now say, what would Augustus Caesar with us?
CAIUS LUCIUS
When Julius Caesar, whose remembrance yet
Lives in men's eyes and will to ears and tongues
Be theme and hearing ever, was in this Britain
And conquer'd it, Cassibelan, thine uncle,
Famous in Caesar's praises, no whit less
Than in his feats deserving itfor him
And his succession granted Rome a tribute,
Yearly three thousand pounds, which by thee lately
Is left untender'd.
QUEEN
And, to kill the marvel,
Shall be so ever.
CLOTEN
There be many Caesars,
Ere such another Julius. Britain is
A world by itself; and we will nothing pay
For wearing our own noses.
QUEEN
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That opportunity
Which then they had to take from 's, to resume
We have again. Remember, sir, my liege,
The kings your ancestors, together with
The natural bravery of your isle, which stands
As Neptune's park, ribbed and paled in
With rocks unscalable and roaring waters,
With sands that will not bear your enemies' boats,
But suck them up to the topmast. A kind of conquest
Caesar made here; but made not here his brag
Of 'Came' and 'saw' and 'overcame: ' with shame
That first that ever touch'd himhe was carried
From off our coast, twice beaten; and his shipping
Poor ignorant baubles! upon our terrible seas,
Like eggshells moved upon their surges, crack'd
As easily 'gainst our rocks: for joy whereof
The famed Cassibelan, who was once at point
O giglot fortune!to master Caesar's sword,
Made Lud's town with rejoicing fires bright
And Britons strut with courage.
CLOTEN
Come, there's no more tribute to be paid: our
kingdom is stronger than it was at that time; and,
as I said, there is no moe such Caesars: other of
them may have crook'd noses, but to owe such
straight arms, none.
CYMBELINE
Son, let your mother end.
CLOTEN
We have yet many among us can gripe as hard as
Cassibelan: I do not say I am one; but I have a
hand. Why tribute? why should we pay tribute? If
Caesar can hide the sun from us with a blanket, or
put the moon in his pocket, we will pay him tribute
for light; else, sir, no more tribute, pray you now.
CYMBELINE
You must know,
Till the injurious Romans did extort
This tribute from us, we were free:
Caesar's ambition,
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Which swell'd so much that it did almost stretch
The sides o' the world, against all colour here
Did put the yoke upon 's; which to shake off
Becomes a warlike people, whom we reckon
Ourselves to be.
CLOTEN
|
| We do.
Lords
|
CYMBELINE
Say, then, to Caesar,
Our ancestor was that Mulmutius which
Ordain'd our laws, whose use the sword of Caesar
Hath too much mangled; whose repair and franchise
Shall, by the power we hold, be our good deed,
Though Rome be therefore angry: Mulmutius made our laws,
Who was the first of Britain which did put
His brows within a golden crown and call'd
Himself a king.
CAIUS LUCIUS
I am sorry, Cymbeline,
That I am to pronounce Augustus Caesar
Caesar, that hath more kings his servants than
Thyself domestic officersthine enemy:
Receive it from me, then: war and confusion
In Caesar's name pronounce I 'gainst thee: look
For fury not to be resisted. Thus defied,
I thank thee for myself.
CYMBELINE
Thou art welcome, Caius.
Thy Caesar knighted me; my youth I spent
Much under him; of him I gather'd honour;
Which he to seek of me again, perforce,
Behoves me keep at utterance. I am perfect
That the Pannonians and Dalmatians for
Their liberties are now in arms; a precedent
Which not to read would show the Britons cold:
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So Caesar shall not find them.
CAIUS LUCIUS
Let proof speak.
CLOTEN
His majesty bids you welcome. Make
pastime with us a day or two, or longer: if
you seek us afterwards in other terms, you
shall find us in our saltwater girdle: if you
beat us out of it, it is yours; if you fall in
the adventure, our crows shall fare the better
for you; and there's an end.
CAIUS LUCIUS
So, sir.
CYMBELINE
I know your master's pleasure and he mine:
All the remain is 'Welcome!'
Exeunt
Act 3, Scene 2
Another room in the palace.
Enter PISANIO, with a letter
PISANIO
How? of adultery? Wherefore write you not
What monster's her accuser? Leonatus,
O master! what a strange infection
Is fall'n into thy ear! What false Italian,
As poisonoustongued as handed, hath prevail'd
On thy too ready hearing? Disloyal! No:
She's punish'd for her truth, and undergoes,
More goddesslike than wifelike, such assaults
As would take in some virtue. O my master!
Thy mind to her is now as low as were
Thy fortunes. How! that I should murder her?
Upon the love and truth and vows which I
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Have made to thy command? I, her? her blood?
If it be so to do good service, never
Let me be counted serviceable. How look I,
That I should seem to lack humanity
so much as this fact comes to?
Reading
'Do't: the letter
that I have sent her, by her own command
Shall give thee opportunity.' O damn'd paper!
Black as the ink that's on thee! Senseless bauble,
Art thou a feodary for this act, and look'st
So virginlike without? Lo, here she comes.
I am ignorant in what I am commanded.
Enter IMOGEN
IMOGEN
How now, Pisanio!
PISANIO
Madam, here is a letter from my lord.
IMOGEN
Who? thy lord? that is my lord, Leonatus!
O, learn'd indeed were that astronomer
That knew the stars as I his characters;
He'ld lay the future open. You good gods,
Let what is here contain'd relish of love,
Of my lord's health, of his content, yet not
That we two are asunder; let that grieve him:
Some griefs are med'cinable; that is one of them,
For it doth physic love: of his content,
All but in that! Good wax, thy leave. Blest be
You bees that make these locks of counsel! Lovers
And men in dangerous bonds pray not alike:
Though forfeiters you cast in prison, yet
You clasp young Cupid's tables. Good news, gods!
Reads
'Justice, and your father's wrath, should he take me
in his dominion, could not be so cruel to me, as
you, O the dearest of creatures, would even renew me
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with your eyes. Take notice that I am in Cambria,
at MilfordHaven: what your own love will out of
this advise you, follow. So he wishes you all
happiness, that remains loyal to his vow, and your,
increasing in love,
LEONATUS POSTHUMUS.'
O, for a horse with wings! Hear'st thou, Pisanio?
He is at MilfordHaven: read, and tell me
How far 'tis thither. If one of mean affairs
May plod it in a week, why may not I
Glide thither in a day? Then, true Pisanio,
Who long'st, like me, to see thy lord; who long'st,
let me bate,but not like meyet long'st,
But in a fainter kind:O, not like me;
For mine's beyond beyondsay, and speak thick;
Love's counsellor should fill the bores of hearing,
To the smothering of the sensehow far it is
To this same blessed Milford: and by the way
Tell me how Wales was made so happy as
To inherit such a haven: but first of all,
How we may steal from hence, and for the gap
That we shall make in time, from our hencegoing
And our return, to excuse: but first, how get hence:
Why should excuse be born or e'er begot?
We'll talk of that hereafter. Prithee, speak,
How many score of miles may we well ride
'Twixt hour and hour?
PISANIO
One score 'twixt sun and sun,
Madam, 's enough for you:
Aside
and too much too.
IMOGEN
Why, one that rode to's execution, man,
Could never go so slow: I have heard of
riding wagers,
Where horses have been nimbler than the sands
That run i' the clock's behalf. But this is foolery:
Go bid my woman feign a sickness; say
She'll home to her father: and provide me presently
A ridingsuit, no costlier than would fit
A franklin's housewife.
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PISANIO
Madam, you're best consider.
IMOGEN
I see before me, man: nor here, nor here,
Nor what ensues, but have a fog in them,
That I cannot look through. Away, I prithee;
Do as I bid thee: there's no more to say,
Accessible is none but Milford way.
Exeunt
Act 3, Scene 3
Wales: a mountainous country with a cave.
Enter, from the cave, BELARIUS; GUIDERIUS, and ARVIRAGUS following
BELARIUS
A goodly day not to keep house, with such
Whose roof's as low as ours! Stoop, boys; this gate
Instructs you how to adore the heavens and bows you
To a morning's holy office: the gates of monarchs
Are arch'd so high that giants may jet through
And keep their impious turbans on, without
Good morrow to the sun. Hail, thou fair heaven!
We house i' the rock, yet use thee not so hardly
As prouder livers do.
GUIDERIUS
Hail, heaven!
ARVIRAGUS
Hail, heaven!
BELARIUS
Now for our mountain sport: up to yond hill;
Your legs are young; I'll tread these flats. Consider,
When you above perceive me like a crow,
That it is place which lessens and sets off;
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And you may then revolve what tales I have told you
Of courts, of princes, of the tricks in war:
This service is not service, so being done,
But being so allow'd: to apprehend thus,
Draws us a profit from all things we see;
And often, to our comfort, shall we find
The sharded beetle in a safer hold
Than is the fullwing'd eagle. O, this life
Is nobler than attending for a cheque,
Richer than doing nothing for a bauble,
Prouder than rustling in unpaidfor silk:
Such gain the cap of him that makes 'em fine,
Yet keeps his book uncross'd: no life to ours.
GUIDERIUS
Out of your proof you speak: we, poor unfledged,
Have never wing'd from view o' the nest, nor know not
What air's from home. Haply this life is best,
If quiet life be best; sweeter to you
That have a sharper known; well corresponding
With your stiff age: but unto us it is
A cell of ignorance; travelling abed;
A prison for a debtor, that not dares
To stride a limit.
ARVIRAGUS
What should we speak of
When we are old as you? when we shall hear
The rain and wind beat dark December, how,
In this our pinching cave, shall we discourse
The freezing hours away? We have seen nothing;
We are beastly, subtle as the fox for prey,
Like warlike as the wolf for what we eat;
Our valour is to chase what flies; our cage
We make a quire, as doth the prison'd bird,
And sing our bondage freely.
BELARIUS
How you speak!
Did you but know the city's usuries
And felt them knowingly; the art o' the court
As hard to leave as keep; whose top to climb
Is certain falling, or so slippery that
The fear's as bad as falling; the toil o' the war,
A pain that only seems to seek out danger
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I' the name of fame and honour; which dies i'
the search,
And hath as oft a slanderous epitaph
As record of fair act; nay, many times,
Doth ill deserve by doing well; what's worse,
Must court'sy at the censure:O boys, this story
The world may read in me: my body's mark'd
With Roman swords, and my report was once
First with the best of note: Cymbeline loved me,
And when a soldier was the theme, my name
Was not far off: then was I as a tree
Whose boughs did bend with fruit: but in one night,
A storm or robbery, call it what you will,
Shook down my mellow hangings, nay, my leaves,
And left me bare to weather.
GUIDERIUS
Uncertain favour!
BELARIUS
My fault being nothingas I have told you oft
But that two villains, whose false oaths prevail'd
Before my perfect honour, swore to Cymbeline
I was confederate with the Romans: so
Follow'd my banishment, and this twenty years
This rock and these demesnes have been my world;
Where I have lived at honest freedom, paid
More pious debts to heaven than in all
The foreend of my time. But up to the mountains!
This is not hunters' language: he that strikes
The venison first shall be the lord o' the feast;
To him the other two shall minister;
And we will fear no poison, which attends
In place of greater state. I'll meet you in the valleys.
Exeunt GUIDERIUS and ARVIRAGUS
How hard it is to hide the sparks of nature!
These boys know little they are sons to the king;
Nor Cymbeline dreams that they are alive.
They think they are mine; and though train'd
up thus meanly
I' the cave wherein they bow, their thoughts do hit
The roofs of palaces, and nature prompts them
In simple and low things to prince it much
Beyond the trick of others. This Polydore,
The heir of Cymbeline and Britain, who
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The king his father call'd Guiderius,Jove!
When on my threefoot stool I sit and tell
The warlike feats I have done, his spirits fly out
Into my story: say 'Thus, mine enemy fell,
And thus I set my foot on 's neck;' even then
The princely blood flows in his cheek, he sweats,
Strains his young nerves and puts himself in posture
That acts my words. The younger brother, Cadwal,
Once Arviragus, in as like a figure,
Strikes life into my speech and shows much more
His own conceiving.Hark, the game is roused!
O Cymbeline! heaven and my conscience knows
Thou didst unjustly banish me: whereon,
At three and two years old, I stole these babes;
Thinking to bar thee of succession, as
Thou reft'st me of my lands. Euriphile,
Thou wast their nurse; they took thee for
their mother,
And every day do honour to her grave:
Myself, Belarius, that am Morgan call'd,
They take for natural father. The game is up.
Exit
Act 3, Scene 4
Country near MilfordHaven.
Enter PISANIO and IMOGEN
IMOGEN
Thou told'st me, when we came from horse, the place
Was near at hand: ne'er long'd my mother so
To see me first, as I have now. Pisanio! man!
Where is Posthumus? What is in thy mind,
That makes thee stare thus? Wherefore breaks that sigh
From the inward of thee? One, but painted thus,
Would be interpreted a thing perplex'd
Beyond selfexplication: put thyself
Into a havior of less fear, ere wildness
Vanquish my staider senses. What's the matter?
Why tender'st thou that paper to me, with
A look untender? If't be summer news,
Smile to't before; if winterly, thou need'st
But keep that countenance still. My husband's hand!
That drugdamn'd Italy hath outcraftied him,
And he's at some hard point. Speak, man: thy tongue
May take off some extremity, which to read
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Would be even mortal to me.
PISANIO
Please you, read;
And you shall find me, wretched man, a thing
The most disdain'd of fortune.
IMOGEN
[Reads] 'Thy mistress, Pisanio, hath played the
strumpet in my bed; the testimonies whereof lie
bleeding in me. I speak not out of weak surmises,
but from proof as strong as my grief and as certain
as I expect my revenge. That part thou, Pisanio,
must act for me, if thy faith be not tainted with
the breach of hers. Let thine own hands take away
her life: I shall give thee opportunity at
MilfordHaven. She hath my letter for the purpose
where, if thou fear to strike and to make me certain
it is done, thou art the pandar to her dishonour and
equally to me disloyal.'
PISANIO
What shall I need to draw my sword? the paper
Hath cut her throat already. No, 'tis slander,
Whose edge is sharper than the sword, whose tongue
Outvenoms all the worms of Nile, whose breath
Rides on the posting winds and doth belie
All corners of the world: kings, queens and states,
Maids, matrons, nay, the secrets of the grave
This viperous slander enters. What cheer, madam?
IMOGEN
False to his bed! What is it to be false?
To lie in watch there and to think on him?
To weep 'twixt clock and clock? if sleep
charge nature,
To break it with a fearful dream of him
And cry myself awake? that's false to's bed, is it?
PISANIO
Alas, good lady!
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IMOGEN
I false! Thy conscience witness: Iachimo,
Thou didst accuse him of incontinency;
Thou then look'dst like a villain; now methinks
Thy favour's good enough. Some jay of Italy
Whose mother was her painting, hath betray'd him:
Poor I am stale, a garment out of fashion;
And, for I am richer than to hang by the walls,
I must be ripp'd:to pieces with me!O,
Men's vows are women's traitors! All good seeming,
By thy revolt, O husband, shall be thought
Put on for villany; not born where't grows,
But worn a bait for ladies.
PISANIO
Good madam, hear me.
IMOGEN
True honest men being heard, like false Aeneas,
Were in his time thought false, and Sinon's weeping
Did scandal many a holy tear, took pity
From most true wretchedness: so thou, Posthumus,
Wilt lay the leaven on all proper men;
Goodly and gallant shall be false and perjured
From thy great fall. Come, fellow, be thou honest:
Do thou thy master's bidding: when thou see'st him,
A little witness my obedience: look!
I draw the sword myself: take it, and hit
The innocent mansion of my love, my heart;
Fear not; 'tis empty of all things but grief;
Thy master is not there, who was indeed
The riches of it: do his bidding; strike
Thou mayst be valiant in a better cause;
But now thou seem'st a coward.
PISANIO
Hence, vile instrument!
Thou shalt not damn my hand.
IMOGEN
Why, I must die;
And if I do not by thy hand, thou art
No servant of thy master's. Against selfslaughter
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There is a prohibition so divine
That cravens my weak hand. Come, here's my heart.
Something's afore't. Soft, soft! we'll no defence;
Obedient as the scabbard. What is here?
The scriptures of the loyal Leonatus,
All turn'd to heresy? Away, away,
Corrupters of my faith! you shall no more
Be stomachers to my heart. Thus may poor fools
Believe false teachers: though those that
are betray'd
Do feel the treason sharply, yet the traitor
Stands in worse case of woe.
And thou, Posthumus, thou that didst set up
My disobedience 'gainst the king my father
And make me put into contempt the suits
Of princely fellows, shalt hereafter find
It is no act of common passage, but
A strain of rareness: and I grieve myself
To think, when thou shalt be disedged by her
That now thou tirest on, how thy memory
Will then be pang'd by me. Prithee, dispatch:
The lamb entreats the butcher: where's thy knife?
Thou art too slow to do thy master's bidding,
When I desire it too.
PISANIO
O gracious lady,
Since I received command to do this business
I have not slept one wink.
IMOGEN
Do't, and to bed then.
PISANIO
I'll wake mine eyeballs blind first.
IMOGEN
Wherefore then
Didst undertake it? Why hast thou abused
So many miles with a pretence? this place?
Mine action and thine own? our horses' labour?
The time inviting thee? the perturb'd court,
For my being absent? whereunto I never
Purpose return. Why hast thou gone so far,
To be unbent when thou hast ta'en thy stand,
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The elected deer before thee?
PISANIO
But to win time
To lose so bad employment; in the which
I have consider'd of a course. Good lady,
Hear me with patience.
IMOGEN
Talk thy tongue weary; speak
I have heard I am a strumpet; and mine ear
Therein false struck, can take no greater wound,
Nor tent to bottom that. But speak.
PISANIO
Then, madam,
I thought you would not back again.
IMOGEN
Most like;
Bringing me here to kill me.
PISANIO
Not so, neither:
But if I were as wise as honest, then
My purpose would prove well. It cannot be
But that my master is abused:
Some villain, ay, and singular in his art.
Hath done you both this cursed injury.
IMOGEN
Some Roman courtezan.
PISANIO
No, on my life.
I'll give but notice you are dead and send him
Some bloody sign of it; for 'tis commanded
I should do so: you shall be miss'd at court,
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And that will well confirm it.
IMOGEN
Why good fellow,
What shall I do the where? where bide? how live?
Or in my life what comfort, when I am
Dead to my husband?
PISANIO
If you'll back to the court
IMOGEN
No court, no father; nor no more ado
With that harsh, noble, simple nothing,
That Cloten, whose lovesuit hath been to me
As fearful as a siege.
PISANIO
If not at court,
Then not in Britain must you bide.
IMOGEN
Where then
Hath Britain all the sun that shines? Day, night,
Are they not but in Britain? I' the world's volume
Our Britain seems as of it, but not in 't;
In a great pool a swan's nest: prithee, think
There's livers out of Britain.
PISANIO
I am most glad
You think of other place. The ambassador,
Lucius the Roman, comes to MilfordHaven
Tomorrow: now, if you could wear a mind
Dark as your fortune is, and but disguise
That which, to appear itself, must not yet be
But by selfdanger, you should tread a course
Pretty and full of view; yea, haply, near
The residence of Posthumus; so nigh at least
That though his actions were not visible, yet
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Report should render him hourly to your ear
As truly as he moves.
IMOGEN
O, for such means!
Though peril to my modesty, not death on't,
I would adventure.
PISANIO
Well, then, here's the point:
You must forget to be a woman; change
Command into obedience: fear and niceness
The handmaids of all women, or, more truly,
Woman its pretty selfinto a waggish courage:
Ready in gibes, quickanswer'd, saucy and
As quarrelous as the weasel; nay, you must
Forget that rarest treasure of your cheek,
Exposing itbut, O, the harder heart!
Alack, no remedy!to the greedy touch
Of commonkissing Titan, and forget
Your laboursome and dainty trims, wherein
You made great Juno angry.
IMOGEN
Nay, be brief
I see into thy end, and am almost
A man already.
PISANIO
First, make yourself but like one.
Forethinking this, I have already fit
'Tis in my cloakbagdoublet, hat, hose, all
That answer to them: would you in their serving,
And with what imitation you can borrow
From youth of such a season, 'fore noble Lucius
Present yourself, desire his service, tell him
wherein you're happy,which you'll make him know,
If that his head have ear in music,doubtless
With joy he will embrace you, for he's honourable
And doubling that, most holy. Your means abroad,
You have me, rich; and I will never fail
Beginning nor supplyment.
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Page No 195
IMOGEN
Thou art all the comfort
The gods will diet me with. Prithee, away:
There's more to be consider'd; but we'll even
All that good time will give us: this attempt
I am soldier to, and will abide it with
A prince's courage. Away, I prithee.
PISANIO
Well, madam, we must take a short farewell,
Lest, being miss'd, I be suspected of
Your carriage from the court. My noble mistress,
Here is a box; I had it from the queen:
What's in't is precious; if you are sick at sea,
Or stomachqualm'd at land, a dram of this
Will drive away distemper. To some shade,
And fit you to your manhood. May the gods
Direct you to the best!
IMOGEN
Amen: I thank thee.
Exeunt, severally
Act 3, Scene 5
A room in Cymbeline's palace.
Enter CYMBELINE, QUEEN, CLOTEN, LUCIUS, Lords, and Attendants
CYMBELINE
Thus far; and so farewell.
CAIUS LUCIUS
Thanks, royal sir.
My emperor hath wrote, I must from hence;
And am right sorry that I must report ye
My master's enemy.
CYMBELINE
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Act 3, Scene 5 191
Page No 196
Our subjects, sir,
Will not endure his yoke; and for ourself
To show less sovereignty than they, must needs
Appear unkinglike.
CAIUS LUCIUS
So, sir: I desire of you
A conduct overland to MilfordHaven.
Madam, all joy befal your grace!
QUEEN
And you!
CYMBELINE
My lords, you are appointed for that office;
The due of honour in no point omit.
So farewell, noble Lucius.
CAIUS LUCIUS
Your hand, my lord.
CLOTEN
Receive it friendly; but from this time forth
I wear it as your enemy.
CAIUS LUCIUS
Sir, the event
Is yet to name the winner: fare you well.
CYMBELINE
Leave not the worthy Lucius, good my lords,
Till he have cross'd the Severn. Happiness!
Exeunt LUCIUS and Lords
QUEEN
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Act 3, Scene 5 192
Page No 197
He goes hence frowning: but it honours us
That we have given him cause.
CLOTEN
'Tis all the better;
Your valiant Britons have their wishes in it.
CYMBELINE
Lucius hath wrote already to the emperor
How it goes here. It fits us therefore ripely
Our chariots and our horsemen be in readiness:
The powers that he already hath in Gallia
Will soon be drawn to head, from whence he moves
His war for Britain.
QUEEN
'Tis not sleepy business;
But must be look'd to speedily and strongly.
CYMBELINE
Our expectation that it would be thus
Hath made us forward. But, my gentle queen,
Where is our daughter? She hath not appear'd
Before the Roman, nor to us hath tender'd
The duty of the day: she looks us like
A thing more made of malice than of duty:
We have noted it. Call her before us; for
We have been too slight in sufferance.
Exit an Attendant
QUEEN
Royal sir,
Since the exile of Posthumus, most retired
Hath her life been; the cure whereof, my lord,
'Tis time must do. Beseech your majesty,
Forbear sharp speeches to her: she's a lady
So tender of rebukes that words are strokes
And strokes death to her.
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Act 3, Scene 5 193
Page No 198
Reenter Attendant
CYMBELINE
Where is she, sir? How
Can her contempt be answer'd?
Attendant
Please you, sir,
Her chambers are all lock'd; and there's no answer
That will be given to the loudest noise we make.
QUEEN
My lord, when last I went to visit her,
She pray'd me to excuse her keeping close,
Whereto constrain'd by her infirmity,
She should that duty leave unpaid to you,
Which daily she was bound to proffer: this
She wish'd me to make known; but our great court
Made me to blame in memory.
CYMBELINE
Her doors lock'd?
Not seen of late? Grant, heavens, that which I fear
Prove false!
Exit
QUEEN
Son, I say, follow the king.
CLOTEN
That man of hers, Pisanio, her old servant,
have not seen these two days.
QUEEN
Go, look after.
Exit CLOTEN
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Act 3, Scene 5 194
Page No 199
Pisanio, thou that stand'st so for Posthumus!
He hath a drug of mine; I pray his absence
Proceed by swallowing that, for he believes
It is a thing most precious. But for her,
Where is she gone? Haply, despair hath seized her,
Or, wing'd with fervor of her love, she's flown
To her desired Posthumus: gone she is
To death or to dishonour; and my end
Can make good use of either: she being down,
I have the placing of the British crown.
Reenter CLOTEN
How now, my son!
CLOTEN
'Tis certain she is fled.
Go in and cheer the king: he rages; none
Dare come about him.
QUEEN
[Aside] All the better: may
This night forestall him of the coming day!
Exit
CLOTEN
I love and hate her: for she's fair and royal,
And that she hath all courtly parts more exquisite
Than lady, ladies, woman; from every one
The best she hath, and she, of all compounded,
Outsells them all; I love her therefore: but
Disdaining me and throwing favours on
The low Posthumus slanders so her judgment
That what's else rare is choked; and in that point
I will conclude to hate her, nay, indeed,
To be revenged upon her. For when fools Shall
Enter PISANIO
Who is here? What, are you packing, sirrah?
Come hither: ah, you precious pander! Villain,
Where is thy lady? In a word; or else
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Act 3, Scene 5 195
Page No 200
Thou art straightway with the fiends.
PISANIO
O, good my lord!
CLOTEN
Where is thy lady? Or, by Jupiter,
I will not ask again. Close villain,
I'll have this secret from thy heart, or rip
Thy heart to find it. Is she with Posthumus?
From whose so many weights of baseness cannot
A dram of worth be drawn.
PISANIO
Alas, my lord,
How can she be with him? When was she missed?
He is in Rome.
CLOTEN
Where is she, sir? Come nearer;
No further halting: satisfy me home
What is become of her.
PISANIO
O, my allworthy lord!
CLOTEN
Allworthy villain!
Discover where thy mistress is at once,
At the next word: no more of 'worthy lord!'
Speak, or thy silence on the instant is
Thy condemnation and thy death.
PISANIO
Then, sir,
This paper is the history of my knowledge
Touching her flight.
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Act 3, Scene 5 196
Page No 201
Presenting a letter
CLOTEN
Let's see't. I will pursue her
Even to Augustus' throne.
PISANIO
[Aside] Or this, or perish.
She's far enough; and what he learns by this
May prove his travel, not her danger.
CLOTEN
Hum!
PISANIO
[Aside] I'll write to my lord she's dead. O Imogen,
Safe mayst thou wander, safe return again!
CLOTEN
Sirrah, is this letter true?
PISANIO
Sir, as I think.
CLOTEN
It is Posthumus' hand; I know't. Sirrah, if thou
wouldst not be a villain, but do me true service,
undergo those employments wherein I should have
cause to use thee with a serious industry, that is,
what villany soe'er I bid thee do, to perform it
directly and truly, I would think thee an honest
man: thou shouldst neither want my means for thy
relief nor my voice for thy preferment.
PISANIO
Well, my good lord.
CLOTEN
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Act 3, Scene 5 197
Page No 202
Wilt thou serve me? for since patiently and
constantly thou hast stuck to the bare fortune of
that beggar Posthumus, thou canst not, in the
course of gratitude, but be a diligent follower of
mine: wilt thou serve me?
PISANIO
Sir, I will.
CLOTEN
Give me thy hand; here's my purse. Hast any of thy
late master's garments in thy possession?
PISANIO
I have, my lord, at my lodging, the same suit he
wore when he took leave of my lady and mistress.
CLOTEN
The first service thou dost me, fetch that suit
hither: let it be thy lint service; go.
PISANIO
I shall, my lord.
Exit
CLOTEN
Meet thee at MilfordHaven!I forgot to ask him one
thing; I'll remember't anon:even there, thou
villain Posthumus, will I kill thee. I would these
garments were come. She said upon a timethe
bitterness of it I now belch from my heartthat she
held the very garment of Posthumus in more respect
than my noble and natural person together with the
adornment of my qualities. With that suit upon my
back, will I ravish her: first kill him, and in her
eyes; there shall she see my valour, which will then
be a torment to her contempt. He on the ground, my
speech of insultment ended on his dead body, and
when my lust hath dined,which, as I say, to vex
her I will execute in the clothes that she so
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Act 3, Scene 5 198
Page No 203
praised,to the court I'll knock her back, foot
her home again. She hath despised me rejoicingly,
and I'll be merry in my revenge.
Reenter PISANIO, with the clothes
Be those the garments?
PISANIO
Ay, my noble lord.
CLOTEN
How long is't since she went to MilfordHaven?
PISANIO
She can scarce be there yet.
CLOTEN
Bring this apparel to my chamber; that is the second
thing that I have commanded thee: the third is,
that thou wilt be a voluntary mute to my design. Be
but duteous, and true preferment shall tender itself
to thee. My revenge is now at Milford: would I had
wings to follow it! Come, and be true.
Exit
PISANIO
Thou bid'st me to my loss: for true to thee
Were to prove false, which I will never be,
To him that is most true. To Milford go,
And find not her whom thou pursuest. Flow, flow,
You heavenly blessings, on her! This fool's speed
Be cross'd with slowness; labour be his meed!
Exit
Act 3, Scene 6
Wales. Before the cave of Belarius.
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Act 3, Scene 6 199
Page No 204
Enter IMOGEN, in boy's clothes
IMOGEN
I see a man's life is a tedious one:
I have tired myself, and for two nights together
Have made the ground my bed. I should be sick,
But that my resolution helps me. Milford,
When from the mountaintop Pisanio show'd thee,
Thou wast within a ken: O Jove! I think
Foundations fly the wretched; such, I mean,
Where they should be relieved. Two beggars told me
I could not miss my way: will poor folks lie,
That have afflictions on them, knowing 'tis
A punishment or trial? Yes; no wonder,
When rich ones scarce tell true. To lapse in fulness
Is sorer than to lie for need, and falsehood
Is worse in kings than beggars. My dear lord!
Thou art one o' the false ones. Now I think on thee,
My hunger's gone; but even before, I was
At point to sink for food. But what is this?
Here is a path to't: 'tis some savage hold:
I were best not to call; I dare not call:
yet famine,
Ere clean it o'erthrow nature, makes it valiant,
Plenty and peace breeds cowards: hardness ever
Of hardiness is mother. Ho! who's here?
If any thing that's civil, speak; if savage,
Take or lend. Ho! No answer? Then I'll enter.
Best draw my sword: and if mine enemy
But fear the sword like me, he'll scarcely look on't.
Such a foe, good heavens!
Exit, to the cave
Enter BELARIUS, GUIDERIUS, and ARVIRAGUS
BELARIUS
You, Polydote, have proved best woodman and
Are master of the feast: Cadwal and I
Will play the cook and servant; 'tis our match:
The sweat of industry would dry and die,
But for the end it works to. Come; our stomachs
Will make what's homely savoury: weariness
Can snore upon the flint, when resty sloth
Finds the down pillow hard. Now peace be here,
Poor house, that keep'st thyself!
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Act 3, Scene 6 200
Page No 205
GUIDERIUS
I am thoroughly weary.
ARVIRAGUS
I am weak with toil, yet strong in appetite.
GUIDERIUS
There is cold meat i' the cave; we'll browse on that,
Whilst what we have kill'd be cook'd.
BELARIUS
[Looking into the cave]
Stay; come not in.
But that it eats our victuals, I should think
Here were a fairy.
GUIDERIUS
What's the matter, sir?
BELARIUS
By Jupiter, an angel! or, if not,
An earthly paragon! Behold divineness
No elder than a boy!
Reenter IMOGEN
IMOGEN
Good masters, harm me not:
Before I enter'd here, I call'd; and thought
To have begg'd or bought what I have took:
good troth,
I have stol'n nought, nor would not, though I had found
Gold strew'd i' the floor. Here's money for my meat:
I would have left it on the board so soon
As I had made my meal, and parted
With prayers for the provider.
GUIDERIUS
Money, youth?
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Act 3, Scene 6 201
Page No 206
ARVIRAGUS
All gold and silver rather turn to dirt!
As 'tis no better reckon'd, but of those
Who worship dirty gods.
IMOGEN
I see you're angry:
Know, if you kill me for my fault, I should
Have died had I not made it.
BELARIUS
Whither bound?
IMOGEN
To MilfordHaven.
BELARIUS
What's your name?
IMOGEN
Fidele, sir. I have a kinsman who
Is bound for Italy; he embark'd at Milford;
To whom being going, almost spent with hunger,
I am fall'n in this offence.
BELARIUS
Prithee, fair youth,
Think us no churls, nor measure our good minds
By this rude place we live in. Well encounter'd!
'Tis almost night: you shall have better cheer
Ere you depart: and thanks to stay and eat it.
Boys, bid him welcome.
GUIDERIUS
Were you a woman, youth,
I should woo hard but be your groom. In honesty,
I bid for you as I'd buy.
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Page No 207
ARVIRAGUS
I'll make't my comfort
He is a man; I'll love him as my brother:
And such a welcome as I'd give to him
After long absence, such is yours: most welcome!
Be sprightly, for you fall 'mongst friends.
IMOGEN
'Mongst friends,
If brothers.
Aside
Would it had been so, that they
Had been my father's sons! then had my prize
Been less, and so more equal ballasting
To thee, Posthumus.
BELARIUS
He wrings at some distress.
GUIDERIUS
Would I could free't!
ARVIRAGUS
Or I, whate'er it be,
What pain it cost, what danger. God's!
BELARIUS
Hark, boys.
Whispering
IMOGEN
Great men,
That had a court no bigger than this cave,
That did attend themselves and had the virtue
Which their own conscience seal'd themlaying by
That nothinggift of differing multitudes
Could not outpeer these twain. Pardon me, gods!
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Page No 208
I'd change my sex to be companion with them,
Since Leonatus's false.
BELARIUS
It shall be so.
Boys, we'll go dress our hunt. Fair youth, come in:
Discourse is heavy, fasting; when we have supp'd,
We'll mannerly demand thee of thy story,
So far as thou wilt speak it.
GUIDERIUS
Pray, draw near.
ARVIRAGUS
The night to the owl and morn to the lark
less welcome.
IMOGEN
Thanks, sir.
ARVIRAGUS
I pray, draw near.
Exeunt
Act 3, Scene 7
Rome. A public place.
Enter two Senators and Tribunes
First Senator
This is the tenor of the emperor's writ:
That since the common men are now in action
'Gainst the Pannonians and Dalmatians,
And that the legions now in Gallia are
Full weak to undertake our wars against
The fall'noff Britons, that we do incite
The gentry to this business. He creates
Lucius preconsul: and to you the tribunes,
For this immediate levy, he commends
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Page No 209
His absolute commission. Long live Caesar!
First Tribune
Is Lucius general of the forces?
Second Senator
Ay.
First Tribune
Remaining now in Gallia?
First Senator
With those legions
Which I have spoke of, whereunto your levy
Must be supplyant: the words of your commission
Will tie you to the numbers and the time
Of their dispatch.
First Tribune
We will discharge our duty.
Exeunt
Act 4, Scene 1
Wales: near the cave of Belarius.
Enter CLOTEN
CLOTEN
I am near to the place where they should meet, if
Pisanio have mapped it truly. How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rathersaving reverence of the wordfor 'tis said
a woman's fitness comes by fits. Therein I must
play the workman. I dare speak it to myselffor it
is not vainglory for a man and his glass to confer
in his own chamberI mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
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Act 4, Scene 1 205
Page No 210
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations. My
horse is tied up safe: out, sword, and to a sore
purpose! Fortune, put them into my hand! This is
the very description of their meetingplace; and
the fellow dares not deceive me.
Exit
Act 4, Scene 2
Before the cave of Belarius.
Enter, from the cave, BELARIUS, GUIDERIUS, ARVIRAGUS, and IMOGEN
BELARIUS
[To IMOGEN] You are not well: remain here in the cave;
We'll come to you after hunting.
ARVIRAGUS [To IMOGEN]
Brother, stay here
Are we not brothers?
IMOGEN
So man and man should be;
But clay and clay differs in dignity,
Whose dust is both alike. I am very sick.
GUIDERIUS
Go you to hunting; I'll abide with him.
IMOGEN
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Page No 211
So sick I am not, yet I am not well;
But not so citizen a wanton as
To seem to die ere sick: so please you, leave me;
Stick to your journal course: the breach of custom
Is breach of all. I am ill, but your being by me
Cannot amend me; society is no comfort
To one not sociable: I am not very sick,
Since I can reason of it. Pray you, trust me here:
I'll rob none but myself; and let me die,
Stealing so poorly.
GUIDERIUS
I love thee; I have spoke it
How much the quantity, the weight as much,
As I do love my father.
BELARIUS
What! how! how!
ARVIRAGUS
If it be sin to say so, I yoke me
In my good brother's fault: I know not why
I love this youth; and I have heard you say,
Love's reason's without reason: the bier at door,
And a demand who is't shall die, I'd say
'My father, not this youth.'
BELARIUS [Aside]
O noble strain!
O worthiness of nature! breed of greatness!
Cowards father cowards and base things sire base:
Nature hath meal and bran, contempt and grace.
I'm not their father; yet who this should be,
Doth miracle itself, loved before me.
'Tis the ninth hour o' the morn.
ARVIRAGUS
Brother, farewell.
IMOGEN
I wish ye sport.
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Act 4, Scene 2 207
Page No 212
ARVIRAGUS
You health. So please you, sir.
IMOGEN
[Aside] These are kind creatures. Gods, what lies
I have heard!
Our courtiers say all's savage but at court:
Experience, O, thou disprovest report!
The imperious seas breed monsters, for the dish
Poor tributary rivers as sweet fish.
I am sick still; heartsick. Pisanio,
I'll now taste of thy drug.
Swallows some
GUIDERIUS
I could not stir him:
He said he was gentle, but unfortunate;
Dishonestly afflicted, but yet honest.
ARVIRAGUS
Thus did he answer me: yet said, hereafter
I might know more.
BELARIUS
To the field, to the field!
We'll leave you for this time: go in and rest.
ARVIRAGUS
We'll not be long away.
BELARIUS
Pray, be not sick,
For you must be our housewife.
IMOGEN
Well or ill,
I am bound to you.
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Act 4, Scene 2 208
Page No 213
BELARIUS
And shalt be ever.
Exit IMOGEN, to the cave
This youth, how'er distress'd, appears he hath had
Good ancestors.
ARVIRAGUS
How angellike he sings!
GUIDERIUS
But his neat cookery! he cut our roots
In characters,
And sauced our broths, as Juno had been sick
And he her dieter.
ARVIRAGUS
Nobly he yokes
A smiling with a sigh, as if the sigh
Was that it was, for not being such a smile;
The smile mocking the sigh, that it would fly
From so divine a temple, to commix
With winds that sailors rail at.
GUIDERIUS
I do note
That grief and patience, rooted in him both,
Mingle their spurs together.
ARVIRAGUS
Grow, patience!
And let the stinking elder, grief, untwine
His perishing root with the increasing vine!
BELARIUS
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Page No 214
It is great morning. Come, away!
Who's there?
Enter CLOTEN
CLOTEN
I cannot find those runagates; that villain
Hath mock'd me. I am faint.
BELARIUS
'Those runagates!'
Means he not us? I partly know him: 'tis
Cloten, the son o' the queen. I fear some ambush.
I saw him not these many years, and yet
I know 'tis he. We are held as outlaws: hence!
GUIDERIUS
He is but one: you and my brother search
What companies are near: pray you, away;
Let me alone with him.
Exeunt BELARIUS and ARVIRAGUS
CLOTEN
Soft! What are you
That fly me thus? some villain mountaineers?
I have heard of such. What slave art thou?
GUIDERIUS
A thing
More slavish did I ne'er than answering
A slave without a knock.
CLOTEN
Thou art a robber,
A lawbreaker, a villain: yield thee, thief.
GUIDERIUS
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Act 4, Scene 2 210
Page No 215
To who? to thee? What art thou? Have not I
An arm as big as thine? a heart as big?
Thy words, I grant, are bigger, for I wear not
My dagger in my mouth. Say what thou art,
Why I should yield to thee?
CLOTEN
Thou villain base,
Know'st me not by my clothes?
GUIDERIUS
No, nor thy tailor, rascal,
Who is thy grandfather: he made those clothes,
Which, as it seems, make thee.
CLOTEN
Thou precious varlet,
My tailor made them not.
GUIDERIUS
Hence, then, and thank
The man that gave them thee. Thou art some fool;
I am loath to beat thee.
CLOTEN
Thou injurious thief,
Hear but my name, and tremble.
GUIDERIUS
What's thy name?
CLOTEN
Cloten, thou villain.
GUIDERIUS
Cloten, thou double villain, be thy name,
I cannot tremble at it: were it Toad, or
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Adder, Spider,
'Twould move me sooner.
CLOTEN
To thy further fear,
Nay, to thy mere confusion, thou shalt know
I am son to the queen.
GUIDERIUS
I am sorry for 't; not seeming
So worthy as thy birth.
CLOTEN
Art not afeard?
GUIDERIUS
Those that I reverence those I fear, the wise:
At fools I laugh, not fear them.
CLOTEN
Die the death:
When I have slain thee with my proper hand,
I'll follow those that even now fled hence,
And on the gates of Lud'stown set your heads:
Yield, rustic mountaineer.
Exeunt, fighting
Reenter BELARIUS and ARVIRAGUS
BELARIUS
No companies abroad?
ARVIRAGUS
None in the world: you did mistake him, sure.
BELARIUS
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Act 4, Scene 2 212
Page No 217
I cannot tell: long is it since I saw him,
But time hath nothing blurr'd those lines of favour
Which then he wore; the snatches in his voice,
And burst of speaking, were as his: I am absolute
'Twas very Cloten.
ARVIRAGUS
In this place we left them:
I wish my brother make good time with him,
You say he is so fell.
BELARIUS
Being scarce made up,
I mean, to man, he had not apprehension
Of roaring terrors; for the effect of judgment
Is oft the cause of fear. But, see, thy brother.
Reenter GUIDERIUS, with CLOTEN'S head
GUIDERIUS
This Cloten was a fool, an empty purse;
There was no money in't: not Hercules
Could have knock'd out his brains, for he had none:
Yet I not doing this, the fool had borne
My head as I do his.
BELARIUS
What hast thou done?
GUIDERIUS
I am perfect what: cut off one Cloten's head,
Son to the queen, after his own report;
Who call'd me traitor, mountaineer, and swore
With his own single hand he'ld take us in
Displace our heads wherethank the gods!they grow,
And set them on Lud'stown.
BELARIUS
We are all undone.
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Act 4, Scene 2 213
Page No 218
GUIDERIUS
Why, worthy father, what have we to lose,
But that he swore to take, our lives? The law
Protects not us: then why should we be tender
To let an arrogant piece of flesh threat us,
Play judge and executioner all himself,
For we do fear the law? What company
Discover you abroad?
BELARIUS
No single soul
Can we set eye on; but in all safe reason
He must have some attendants. Though his humour
Was nothing but mutation, ay, and that
From one bad thing to worse; not frenzy, not
Absolute madness could so far have raved
To bring him here alone; although perhaps
It may be heard at court that such as we
Cave here, hunt here, are outlaws, and in time
May make some stronger head; the which he hearing
As it is like himmight break out, and swear
He'ld fetch us in; yet is't not probable
To come alone, either he so undertaking,
Or they so suffering: then on good ground we fear,
If we do fear this body hath a tail
More perilous than the head.
ARVIRAGUS
Let ordinance
Come as the gods foresay it: howsoe'er,
My brother hath done well.
BELARIUS
I had no mind
To hunt this day: the boy Fidele's sickness
Did make my way long forth.
GUIDERIUS
With his own sword,
Which he did wave against my throat, I have ta'en
His head from him: I'll throw't into the creek
Behind our rock; and let it to the sea,
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Act 4, Scene 2 214
Page No 219
And tell the fishes he's the queen's son, Cloten:
That's all I reck.
Exit
BELARIUS
I fear 'twill be revenged:
Would, Polydote, thou hadst not done't! though valour
Becomes thee well enough.
ARVIRAGUS
Would I had done't
So the revenge alone pursued me! Polydore,
I love thee brotherly, but envy much
Thou hast robb'd me of this deed: I would revenges,
That possible strength might meet, would seek us through
And put us to our answer.
BELARIUS
Well, 'tis done:
We'll hunt no more today, nor seek for danger
Where there's no profit. I prithee, to our rock;
You and Fidele play the cooks: I'll stay
Till hasty Polydote return, and bring him
To dinner presently.
ARVIRAGUS
Poor sick Fidele!
I'll weringly to him: to gain his colour
I'ld let a parish of such Clotens' blood,
And praise myself for charity.
Exit
BELARIUS
O thou goddess,
Thou divine Nature, how thyself thou blazon'st
In these two princely boys! They are as gentle
As zephyrs blowing below the violet,
Not wagging his sweet head; and yet as rough,
Their royal blood enchafed, as the rudest wind,
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Act 4, Scene 2 215
Page No 220
That by the top doth take the mountain pine,
And make him stoop to the vale. 'Tis wonder
That an invisible instinct should frame them
To royalty unlearn'd, honour untaught,
Civility not seen from other, valour
That wildly grows in them, but yields a crop
As if it had been sow'd. Yet still it's strange
What Cloten's being here to us portends,
Or what his death will bring us.
Reenter GUIDERIUS
GUIDERIUS
Where's my brother?
I have sent Cloten's clotpoll down the stream,
In embassy to his mother: his body's hostage
For his return.
Solemn music
BELARIUS
My ingenious instrument!
Hark, Polydore, it sounds! But what occasion
Hath Cadwal now to give it motion? Hark!
GUIDERIUS
Is he at home?
BELARIUS
He went hence even now.
GUIDERIUS
What does he mean? since death of my dear'st mother
it did not speak before. All solemn things
Should answer solemn accidents. The matter?
Triumphs for nothing and lamenting toys
Is jollity for apes and grief for boys.
Is Cadwal mad?
BELARIUS
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Act 4, Scene 2 216
Page No 221
Look, here he comes,
And brings the dire occasion in his arms
Of what we blame him for.
Reenter ARVIRAGUS, with IMOGEN, as dead, bearing her in his arms
ARVIRAGUS
The bird is dead
That we have made so much on. I had rather
Have skipp'd from sixteen years of age to sixty,
To have turn'd my leapingtime into a crutch,
Than have seen this.
GUIDERIUS
O sweetest, fairest lily!
My brother wears thee not the one half so well
As when thou grew'st thyself.
BELARIUS
O melancholy!
Who ever yet could sound thy bottom? find
The ooze, to show what coast thy sluggish crare
Might easiliest harbour in? Thou blessed thing!
Jove knows what man thou mightst have made; but I,
Thou diedst, a most rare boy, of melancholy.
How found you him?
ARVIRAGUS
Stark, as you see:
Thus smiling, as some fly hid tickled slumber,
Not as death's dart, being laugh'd at; his
right cheek
Reposing on a cushion.
GUIDERIUS
Where?
ARVIRAGUS
O' the floor;
His arms thus leagued: I thought he slept, and put
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Act 4, Scene 2 217
Page No 222
My clouted brogues from off my feet, whose rudeness
Answer'd my steps too loud.
GUIDERIUS
Why, he but sleeps:
If he be gone, he'll make his grave a bed;
With female fairies will his tomb be haunted,
And worms will not come to thee.
ARVIRAGUS
With fairest flowers
Whilst summer lasts and I live here, Fidele,
I'll sweeten thy sad grave: thou shalt not lack
The flower that's like thy face, pale primrose, nor
The azured harebell, like thy veins, no, nor
The leaf of eglantine, whom not to slander,
Outsweeten'd not thy breath: the ruddock would,
With charitable bill,O bill, soreshaming
Those richleft heirs that let their fathers lie
Without a monument!bring thee all this;
Yea, and furr'd moss besides, when flowers are none,
To winterground thy corse.
GUIDERIUS
Prithee, have done;
And do not play in wenchlike words with that
Which is so serious. Let us bury him,
And not protract with admiration what
Is now due debt. To the grave!
ARVIRAGUS
Say, where shall's lay him?
GUIDERIUS
By good Euriphile, our mother.
ARVIRAGUS
Be't so:
And let us, Polydore, though now our voices
Have got the mannish crack, sing him to the ground,
As once our mother; use like note and words,
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Act 4, Scene 2 218
Page No 223
Save that Euriphile must be Fidele.
GUIDERIUS
Cadwal,
I cannot sing: I'll weep, and word it with thee;
For notes of sorrow out of tune are worse
Than priests and fanes that lie.
ARVIRAGUS
We'll speak it, then.
BELARIUS
Great griefs, I see, medicine the less; for Cloten
Is quite forgot. He was a queen's son, boys;
And though he came our enemy, remember
He was paid for that: though mean and
mighty, rotting
Together, have one dust, yet reverence,
That angel of the world, doth make distinction
Of place 'tween high and low. Our foe was princely
And though you took his life, as being our foe,
Yet bury him as a prince.
GUIDERIUS
Pray You, fetch him hither.
Thersites' body is as good as Ajax',
When neither are alive.
ARVIRAGUS
If you'll go fetch him,
We'll say our song the whilst. Brother, begin.
Exit BELARIUS
GUIDERIUS
Nay, Cadwal, we must lay his head to the east;
My father hath a reason for't.
ARVIRAGUS
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Act 4, Scene 2 219
Page No 224
'Tis true.
GUIDERIUS
Come on then, and remove him.
ARVIRAGUS
So. Begin.
SONG
GUIDERIUS
Fear no more the heat o' the sun,
Nor the furious winter's rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages:
Golden lads and girls all must,
As chimneysweepers, come to dust.
ARVIRAGUS
Fear no more the frown o' the great;
Thou art past the tyrant's stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.
GUIDERIUS
Fear no more the lightning flash,
ARVIRAGUS
Nor the alldreaded thunderstone;
GUIDERIUS
Fear not slander, censure rash;
ARVIRAGUS
Thou hast finish'd joy and moan:
GUIDERIUS
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Act 4, Scene 2 220
Page No 225
|
| All lovers young, all lovers must
ARVIRAGUS
| Consign to thee, and come to dust.
GUIDERIUS
No exorciser harm thee!
ARVIRAGUS
Nor no witchcraft charm thee!
GUIDERIUS
Ghost unlaid forbear thee!
ARVIRAGUS
Nothing ill come near thee!
GUIDERIUS
|
| Quiet consummation have;
ARVIRAGUS
| And renowned be thy grave!
Reenter BELARIUS, with the body of CLOTEN
GUIDERIUS
We have done our obsequies: come, lay him down.
BELARIUS
Here's a few flowers; but 'bout midnight, more:
The herbs that have on them cold dew o' the night
Are strewings fitt'st for graves. Upon their faces.
You were as flowers, now wither'd: even so
These herblets shall, which we upon you strew.
Come on, away: apart upon our knees.
The ground that gave them first has them again:
Their pleasures here are past, so is their pain.
Exeunt BELARIUS, GUIDERIUS, and ARVIRAGUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 221
Page No 226
IMOGEN
[Awaking] Yes, sir, to MilfordHaven; which is
the way?
I thank you.By yond bush?Pray, how far thither?
'Ods pittikins! can it be six mile yet?
I have gone all night. 'Faith, I'll lie down and sleep.
But, soft! no bedfellow!O gods and goddesses!
Seeing the body of CLOTEN
These flowers are like the pleasures of the world;
This bloody man, the care on't. I hope I dream;
For so I thought I was a cavekeeper,
And cook to honest creatures: but 'tis not so;
'Twas but a bolt of nothing, shot at nothing,
Which the brain makes of fumes: our very eyes
Are sometimes like our judgments, blind. Good faith,
I tremble stiff with fear: but if there be
Yet left in heaven as small a drop of pity
As a wren's eye, fear'd gods, a part of it!
The dream's here still: even when I wake, it is
Without me, as within me; not imagined, felt.
A headless man! The garments of Posthumus!
I know the shape of's leg: this is his hand;
His foot Mercurial; his Martial thigh;
The brawns of Hercules: but his Jovial face
Murder in heaven?How!'Tis gone. Pisanio,
All curses madded Hecuba gave the Greeks,
And mine to boot, be darted on thee! Thou,
Conspired with that irregulous devil, Cloten,
Hast here cut off my lord. To write and read
Be henceforth treacherous! Damn'd Pisanio
Hath with his forged letters,damn'd Pisanio
From this most bravest vessel of the world
Struck the maintop! O Posthumus! alas,
Where is thy head? where's that? Ay me!
where's that?
Pisanio might have kill'd thee at the heart,
And left this head on. How should this be? Pisanio?
'Tis he and Cloten: malice and lucre in them
Have laid this woe here. O, 'tis pregnant, pregnant!
The drug he gave me, which he said was precious
And cordial to me, have I not found it
Murderous to the senses? That confirms it home:
This is Pisanio's deed, and Cloten's: O!
Give colour to my pale cheek with thy blood,
That we the horrider may seem to those
Which chance to find us: O, my lord, my lord!
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Act 4, Scene 2 222
Page No 227
Falls on the body
Enter LUCIUS, a Captain and other Officers, and a Soothsayer
Captain
To them the legions garrison'd in Gailia,
After your will, have cross'd the sea, attending
You here at MilfordHaven with your ships:
They are in readiness.
CAIUS LUCIUS
But what from Rome?
Captain
The senate hath stirr'd up the confiners
And gentlemen of Italy, most willing spirits,
That promise noble service: and they come
Under the conduct of bold Iachimo,
Syenna's brother.
CAIUS LUCIUS
When expect you them?
Captain
With the next benefit o' the wind.
CAIUS LUCIUS
This forwardness
Makes our hopes fair. Command our present numbers
Be muster'd; bid the captains look to't. Now, sir,
What have you dream'd of late of this war's purpose?
Soothsayer
Last night the very gods show'd me a vision
I fast and pray'd for their intelligencethus:
I saw Jove's bird, the Roman eagle, wing'd
From the spongy south to this part of the west,
There vanish'd in the sunbeams: which portends
Unless my sins abuse my divination
Success to the Roman host.
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Act 4, Scene 2 223
Page No 228
CAIUS LUCIUS
Dream often so,
And never false. Soft, ho! what trunk is here
Without his top? The ruin speaks that sometime
It was a worthy building. How! a page!
Or dead, or sleeping on him? But dead rather;
For nature doth abhor to make his bed
With the defunct, or sleep upon the dead.
Let's see the boy's face.
Captain
He's alive, my lord.
CAIUS LUCIUS
He'll then instruct us of this body. Young one,
Inform us of thy fortunes, for it seems
They crave to be demanded. Who is this
Thou makest thy bloody pillow? Or who was he
That, otherwise than noble nature did,
Hath alter'd that good picture? What's thy interest
In this sad wreck? How came it? Who is it?
What art thou?
IMOGEN
I am nothing: or if not,
Nothing to be were better. This was my master,
A very valiant Briton and a good,
That here by mountaineers lies slain. Alas!
There is no more such masters: I may wander
From east to occident, cry out for service,
Try many, all good, serve truly, never
Find such another master.
CAIUS LUCIUS
'Lack, good youth!
Thou movest no less with thy complaining than
Thy master in bleeding: say his name, good friend.
IMOGEN
Richard du Champ.
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Act 4, Scene 2 224
Page No 229
Aside
If I do lie and do
No harm by it, though the gods hear, I hope
They'll pardon it.Say you, sir?
CAIUS LUCIUS
Thy name?
IMOGEN
Fidele, sir.
CAIUS LUCIUS
Thou dost approve thyself the very same:
Thy name well fits thy faith, thy faith thy name.
Wilt take thy chance with me? I will not say
Thou shalt be so well master'd, but, be sure,
No less beloved. The Roman emperor's letters,
Sent by a consul to me, should not sooner
Than thine own worth prefer thee: go with me.
IMOGEN
I'll follow, sir. But first, an't please the gods,
I'll hide my master from the flies, as deep
As these poor pickaxes can dig; and when
With wild woodleaves and weeds I ha' strew'd his grave,
And on it said a century of prayers,
Such as I can, twice o'er, I'll weep and sigh;
And leaving so his service, follow you,
So please you entertain me.
CAIUS LUCIUS
Ay, good youth!
And rather father thee than master thee.
My friends,
The boy hath taught us manly duties: let us
Find out the prettiest daisied plot we can,
And make him with our pikes and partisans
A grave: come, arm him. Boy, he is preferr'd
By thee to us, and he shall be interr'd
As soldiers can. Be cheerful; wipe thine eyes
Some falls are means the happier to arise.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 225
Page No 230
Exeunt
Act 4, Scene 3
A room in Cymbeline's palace.
Enter CYMBELINE, Lords, PISANIO, and Attendants
CYMBELINE
Again; and bring me word how 'tis with her.
Exit an Attendant
A fever with the absence of her son,
A madness, of which her life's in danger. Heavens,
How deeply you at once do touch me! Imogen,
The great part of my comfort, gone; my queen
Upon a desperate bed, and in a time
When fearful wars point at me; her son gone,
So needful for this present: it strikes me, past
The hope of comfort. But for thee, fellow,
Who needs must know of her departure and
Dost seem so ignorant, we'll enforce it from thee
By a sharp torture.
PISANIO
Sir, my life is yours;
I humbly set it at your will; but, for my mistress,
I nothing know where she remains, why gone,
Nor when she purposes return. Beseech your highness,
Hold me your loyal servant.
First Lord
Good my liege,
The day that she was missing he was here:
I dare be bound he's true and shall perform
All parts of his subjection loyally. For Cloten,
There wants no diligence in seeking him,
And will, no doubt, be found.
CYMBELINE
The time is troublesome.
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Act 4, Scene 3 226
Page No 231
To PISANIO
We'll slip you for a season; but our jealousy
Does yet depend.
First Lord
So please your majesty,
The Roman legions, all from Gallia drawn,
Are landed on your coast, with a supply
Of Roman gentlemen, by the senate sent.
CYMBELINE
Now for the counsel of my son and queen!
I am amazed with matter.
First Lord
Good my liege,
Your preparation can affront no less
Than what you hear of: come more, for more
you're ready:
The want is but to put those powers in motion
That long to move.
CYMBELINE
I thank you. Let's withdraw;
And meet the time as it seeks us. We fear not
What can from Italy annoy us; but
We grieve at chances here. Away!
Exeunt all but PISANIO
PISANIO
I heard no letter from my master since
I wrote him Imogen was slain: 'tis strange:
Nor hear I from my mistress who did promise
To yield me often tidings: neither know I
What is betid to Cloten; but remain
Perplex'd in all. The heavens still must work.
Wherein I am false I am honest; not true, to be true.
These present wars shall find I love my country,
Even to the note o' the king, or I'll fall in them.
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Act 4, Scene 3 227
Page No 232
All other doubts, by time let them be clear'd:
Fortune brings in some boats that are not steer'd.
Exit
Act 4, Scene 4
Wales: before the cave of Belarius.
Enter BELARIUS, GUIDERIUS, and ARVIRAGUS.GUIDERIUS The noise is round about
us.BELARIUS Let us from it.ARVIRAGUS What pleasure, sir, find we in life, to lock it From
action and adventure?GUIDERIUS Nay, what hope Have we in hiding us? This way, the
Romans Must or for Britons slay us, or receive us For barbarous and unnatural revolts
During their use, and slay us after.BELARIUS Sons, We'll higher to the mountains; there
secure us. To the king's party there's no going: newness Of Cloten's deathwe being not
known, not muster'd Among the bandsmay drive us to a render Where we have lived, and
so extort from's that Which we have done, whose answer would be death Drawn on with
torture.GUIDERIUS This is, sir, a doubt In such a time nothing becoming you, Nor satisfying
us.ARVIRAGUS It is not likely That when they hear the Roman horses neigh, Behold their
quarter'd fires, have both their eyes And ears so cloy'd importantly as now, That they will
waste their time upon our note, To know from whence we are.BELARIUS O, I am known Of
many in the army: many years, Though Cloten then but young, you see, not wore him From
my remembrance. And, besides, the king Hath not deserved my service nor your loves; Who
find in my exile the want of breeding, The certainty of this hard life; aye hopeless To have the
courtesy your cradle promised, But to be still hot summer's tamings and The shrinking slaves
of winter.GUIDERIUS Than be so Better to cease to be. Pray, sir, to the army: I and my
brother are not known; yourself So out of thought, and thereto so o'ergrown, Cannot be
question'd.ARVIRAGUS By this sun that shines, I'll thither: what thing is it that I never Did
see man die! scarce ever look'd on blood, But that of coward hares, hot goats, and venison!
Never bestrid a horse, save one that had A rider like myself, who ne'er wore rowel Nor iron
on his heel! I am ashamed To look upon the holy sun, to have The benefit of his blest beams,
remaining So long a poor unknown.GUIDERIUS By heavens, I'll go: If you will bless me, sir,
and give me leave, I'll take the better care, but if you will not, The hazard therefore due fall
on me by The hands of Romans!ARVIRAGUS So say I amen.BELARIUS No reason I, since of
your lives you set So slight a valuation, should reserve My crack'd one to more care. Have
with you, boys! If in your country wars you chance to die, That is my bed too, lads, an there
I'll lie: Lead, lead. [Aside
The time seems long; their blood
thinks scorn,
Till it fly out and show them princes born.
Exeunt
Act 5, Scene 1
Britain. The Roman camp.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 4 228
Page No 233
Enter POSTHUMUS, with a bloody handkerchief
POSTHUMUS LEONATUS
Yea, bloody cloth, I'll keep thee, for I wish'd
Thou shouldst be colour'd thus. You married ones,
If each of you should take this course, how many
Must murder wives much better than themselves
For wrying but a little! O Pisanio!
Every good servant does not all commands:
No bond but to do just ones. Gods! if you
Should have ta'en vengeance on my faults, I never
Had lived to put on this: so had you saved
The noble Imogen to repent, and struck
Me, wretch more worth your vengeance. But, alack,
You snatch some hence for little faults; that's love,
To have them fall no more: you some permit
To second ills with ills, each elder worse,
And make them dread it, to the doers' thrift.
But Imogen is your own: do your best wills,
And make me blest to obey! I am brought hither
Among the Italian gentry, and to fight
Against my lady's kingdom: 'tis enough
That, Britain, I have kill'd thy mistress; peace!
I'll give no wound to thee. Therefore, good heavens,
Hear patiently my purpose: I'll disrobe me
Of these Italian weeds and suit myself
As does a Briton peasant: so I'll fight
Against the part I come with; so I'll die
For thee, O Imogen, even for whom my life
Is every breath a death; and thus, unknown,
Pitied nor hated, to the face of peril
Myself I'll dedicate. Let me make men know
More valour in me than my habits show.
Gods, put the strength o' the Leonati in me!
To shame the guise o' the world, I will begin
The fashion, less without and more within.
Exit
Act 5, Scene 2
Field of battle between the British and Roman camps.
Enter, from one side, LUCIUS, IACHIMO, and the Roman Army: from the other side, the
British Army; POSTHUMUS LEONATUS following, like a poor soldier. They march over
and go out. Then enter again, in skirmish, IACHIMO and POSTHUMUS LEONATUS he
vanquisheth and disarmeth IACHIMO, and then leaves him
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 229
Page No 234
IACHIMO
The heaviness and guilt within my bosom
Takes off my manhood: I have belied a lady,
The princess of this country, and the air on't
Revengingly enfeebles me; or could this carl,
A very drudge of nature's, have subdued me
In my profession? Knighthoods and honours, borne
As I wear mine, are titles but of scorn.
If that thy gentry, Britain, go before
This lout as he exceeds our lords, the odds
Is that we scarce are men and you are gods.
Exit
The battle continues; the Britons fly; CYMBELINE is taken: then enter, to his rescue,
BELARIUS, GUIDERIUS, and ARVIRAGUS
BELARIUS
Stand, stand! We have the advantage of the ground;
The lane is guarded: nothing routs us but
The villany of our fears.
GUIDERIUS
|
| Stand, stand, and fight!
ARVIRAGUS
|
Reenter POSTHUMUS LEONATUS, and seconds the Britons: they rescue CYMBELINE,
and exeunt. Then reenter LUCIUS, and IACHIMO, with IMOGEN
CAIUS LUCIUS
Away, boy, from the troops, and save thyself;
For friends kill friends, and the disorder's such
As war were hoodwink'd.
IACHIMO
'Tis their fresh supplies.
CAIUS LUCIUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 230
Page No 235
It is a day turn'd strangely: or betimes
Let's reinforce, or fly.
Exeunt
Act 5, Scene 3
Another part of the field.
Enter POSTHUMUS LEONATUS and a British Lord
Lord
Camest thou from where they made the stand?
POSTHUMUS LEONATUS
I did.
Though you, it seems, come from the fliers.
Lord
I did.
POSTHUMUS LEONATUS
No blame be to you, sir; for all was lost,
But that the heavens fought: the king himself
Of his wings destitute, the army broken,
And but the backs of Britons seen, all flying
Through a straight lane; the enemy fullhearted,
Lolling the tongue with slaughtering, having work
More plentiful than tools to do't, struck down
Some mortally, some slightly touch'd, some falling
Merely through fear; that the straight pass was damm'd
With dead men hurt behind, and cowards living
To die with lengthen'd shame.
Lord
Where was this lane?
POSTHUMUS LEONATUS
Close by the battle, ditch'd, and wall'd with turf;
Which gave advantage to an ancient soldier,
An honest one, I warrant; who deserved
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So long a breeding as his white beard came to,
In doing this for's country: athwart the lane,
He, with two striplingslads more like to run
The country base than to commit such slaughter
With faces fit for masks, or rather fairer
Than those for preservation cased, or shame
Made good the passage; cried to those that fled,
'Our Britain s harts die flying, not our men:
To darkness fleet souls that fly backwards. Stand;
Or we are Romans and will give you that
Like beasts which you shun beastly, and may save,
But to look back in frown: stand, stand.'
These three,
Three thousand confident, in act as many
For three performers are the file when all
The rest do nothingwith this word 'Stand, stand,'
Accommodated by the place, more charming
With their own nobleness, which could have turn'd
A distaff to a lance, gilded pale looks,
Part shame, part spirit renew'd; that some,
turn'd coward
But by exampleO, a sin in war,
Damn'd in the first beginners!gan to look
The way that they did, and to grin like lions
Upon the pikes o' the hunters. Then began
A stop i' the chaser, a retire, anon
A rout, confusion thick; forthwith they fly
Chickens, the way which they stoop'd eagles; slaves,
The strides they victors made: and now our cowards,
Like fragments in hard voyages, became
The life o' the need: having found the backdoor open
Of the unguarded hearts, heavens, how they wound!
Some slain before; some dying; some their friends
O'er borne i' the former wave: ten, chased by one,
Are now each one the slaughterman of twenty:
Those that would die or ere resist are grown
The mortal bugs o' the field.
Lord
This was strange chance
A narrow lane, an old man, and two boys.
POSTHUMUS LEONATUS
Nay, do not wonder at it: you are made
Rather to wonder at the things you hear
Than to work any. Will you rhyme upon't,
And vent it for a mockery? Here is one:
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'Two boys, an old man twice a boy, a lane,
Preserved the Britons, was the Romans' bane.'
Lord
Nay, be not angry, sir.
POSTHUMUS LEONATUS
'Lack, to what end?
Who dares not stand his foe, I'll be his friend;
For if he'll do as he is made to do,
I know he'll quickly fly my friendship too.
You have put me into rhyme.
Lord
Farewell; you're angry.
POSTHUMUS LEONATUS
Still going?
Exit Lord
This is a lord! O noble misery,
To be i' the field, and ask 'what news?' of me!
Today how many would have given their honours
To have saved their carcasses! took heel to do't,
And yet died too! I, in mine own woe charm'd,
Could not find death where I did hear him groan,
Nor feel him where he struck: being an ugly monster,
'Tis strange he hides him in fresh cups, soft beds,
Sweet words; or hath more ministers than we
That draw his knives i' the war. Well, I will find him
For being now a favourer to the Briton,
No more a Briton, I have resumed again
The part I came in: fight I will no more,
But yield me to the veriest hind that shall
Once touch my shoulder. Great the slaughter is
Here made by the Roman; great the answer be
Britons must take. For me, my ransom's death;
On either side I come to spend my breath;
Which neither here I'll keep nor bear again,
But end it by some means for Imogen.
Enter two British Captains and Soldiers
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First Captain
Great Jupiter be praised! Lucius is taken.
'Tis thought the old man and his sons were angels.
Second Captain
There was a fourth man, in a silly habit,
That gave the affront with them.
First Captain
So 'tis reported:
But none of 'em can be found. Stand! who's there?
POSTHUMUS LEONATUS
A Roman,
Who had not now been drooping here, if seconds
Had answer'd him.
Second Captain
Lay hands on him; a dog!
A leg of Rome shall not return to tell
What crows have peck'd them here. He brags
his service
As if he were of note: bring him to the king.
Enter CYMBELINE, BELARIUS, GUIDERIUS, ARVIRAGUS, PISANIO, Soldiers,
Attendants, and Roman Captives. The Captains present POSTHUMUS LEONATUS to
CYMBELINE, who delivers him over to a Gaoler: then exeunt omnes
Act 5, Scene 4
A British prison.
Enter POSTHUMUS LEONATUS and two Gaolers
First Gaoler
You shall not now be stol'n, you have locks upon you;
So graze as you find pasture.
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Second Gaoler
Ay, or a stomach.
Exeunt Gaolers
POSTHUMUS LEONATUS
Most welcome, bondage! for thou art away,
think, to liberty: yet am I better
Than one that's sick o' the gout; since he had rather
Groan so in perpetuity than be cured
By the sure physician, death, who is the key
To unbar these locks. My conscience, thou art fetter'd
More than my shanks and wrists: you good gods, give me
The penitent instrument to pick that bolt,
Then, free for ever! Is't enough I am sorry?
So children temporal fathers do appease;
Gods are more full of mercy. Must I repent?
I cannot do it better than in gyves,
Desired more than constrain'd: to satisfy,
If of my freedom 'tis the main part, take
No stricter render of me than my all.
I know you are more clement than vile men,
Who of their broken debtors take a third,
A sixth, a tenth, letting them thrive again
On their abatement: that's not my desire:
For Imogen's dear life take mine; and though
'Tis not so dear, yet 'tis a life; you coin'd it:
'Tween man and man they weigh not every stamp;
Though light, take pieces for the figure's sake:
You rather mine, being yours: and so, great powers,
If you will take this audit, take this life,
And cancel these cold bonds. O Imogen!
I'll speak to thee in silence.
Sleeps
Solemn music. Enter, as in an apparition, SICILIUS LEONATUS, father to Posthumus
Leonatus, an old man, attired like a warrior; leading in his hand an ancient matron, his wife,
and mother to Posthumus Leonatus, with music before them: then, after other music, follow
the two young Leonati, brothers to Posthumus Leonatus, with wounds as they died in the
wars. They circle Posthumus Leonatus round, as he lies sleeping
Sicilius Leonatus
No more, thou thundermaster, show
Thy spite on mortal flies:
With Mars fall out, with Juno chide,
That thy adulteries
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Rates and revenges.
Hath my poor boy done aught but well,
Whose face I never saw?
I died whilst in the womb he stay'd
Attending nature's law:
Whose father then, as men report
Thou orphans' father art,
Thou shouldst have been, and shielded him
From this earthvexing smart.
Mother
Lucina lent not me her aid,
But took me in my throes;
That from me was Posthumus ript,
Came crying 'mongst his foes,
A thing of pity!
Sicilius Leonatus
Great nature, like his ancestry,
Moulded the stuff so fair,
That he deserved the praise o' the world,
As great Sicilius' heir.
First Brother
When once he was mature for man,
In Britain where was he
That could stand up his parallel;
Or fruitful object be
In eye of Imogen, that best
Could deem his dignity?
Mother
With marriage wherefore was he mock'd,
To be exiled, and thrown
From Leonati seat, and cast
From her his dearest one,
Sweet Imogen?
Sicilius Leonatus
Why did you suffer Iachimo,
Slight thing of Italy,
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To taint his nobler heart and brain
With needless jealosy;
And to become the geck and scorn
O' th' other's villany?
Second Brother
For this from stiller seats we came,
Our parents and us twain,
That striking in our country's cause
Fell bravely and were slain,
Our fealty and Tenantius' right
With honour to maintain.
First Brother
Like hardiment Posthumus hath
To Cymbeline perform'd:
Then, Jupiter, thou king of gods,
Why hast thou thus adjourn'd
The graces for his merits due,
Being all to dolours turn'd?
Sicilius Leonatus
Thy crystal window ope; look out;
No longer exercise
Upon a valiant race thy harsh
And potent injuries.
Mother
Since, Jupiter, our son is good,
Take off his miseries.
Sicilius Leonatus
Peep through thy marble mansion; help;
Or we poor ghosts will cry
To the shining synod of the rest
Against thy deity.
First Brother
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| Help, Jupiter; or we appeal,
| And from thy justice fly.
Second Brother
|
Jupiter descends in thunder and lightning, sitting upon an eagle: he throws a thunderbolt.
The Apparitions fall on their knees
Jupiter
No more, you petty spirits of region low,
Offend our hearing; hush! How dare you ghosts
Accuse the thunderer, whose bolt, you know,
Skyplanted batters all rebelling coasts?
Poor shadows of Elysium, hence, and rest
Upon your neverwithering banks of flowers:
Be not with mortal accidents opprest;
No care of yours it is; you know 'tis ours.
Whom best I love I cross; to make my gift,
The more delay'd, delighted. Be content;
Your lowlaid son our godhead will uplift:
His comforts thrive, his trials well are spent.
Our Jovial star reign'd at his birth, and in
Our temple was he married. Rise, and fade.
He shall be lord of lady Imogen,
And happier much by his affliction made.
This tablet lay upon his breast, wherein
Our pleasure his full fortune doth confine:
and so, away: no further with your din
Express impatience, lest you stir up mine.
Mount, eagle, to my palace crystalline.
Ascends
Sicilius Leonatus
He came in thunder; his celestial breath
Was sulphurous to smell: the holy eagle
Stoop'd as to foot us: his ascension is
More sweet than our blest fields: his royal bird
Prunes the immortal wing and cloys his beak,
As when his god is pleased.
All
Thanks, Jupiter!
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Sicilius Leonatus
The marble pavement closes, he is enter'd
His radiant root. Away! and, to be blest,
Let us with care perform his great behest.
The Apparitions vanish
Posthumus Leonatus
[Waking] Sleep, thou hast been a grandsire, and begot
A father to me; and thou hast created
A mother and two brothers: but, O scorn!
Gone! they went hence so soon as they were born:
And so I am awake. Poor wretches that depend
On greatness' favour dream as I have done,
Wake and find nothing. But, alas, I swerve:
Many dream not to find, neither deserve,
And yet are steep'd in favours: so am I,
That have this golden chance and know not why.
What fairies haunt this ground? A book? O rare one!
Be not, as is our fangled world, a garment
Nobler than that it covers: let thy effects
So follow, to be most unlike our courtiers,
As good as promise.
Reads
'When as a lion's whelp shall, to himself unknown,
without seeking find, and be embraced by a piece of
tender air; and when from a stately cedar shall be
lopped branches, which, being dead many years,
shall after revive, be jointed to the old stock and
freshly grow; then shall Posthumus end his miseries,
Britain be fortunate and flourish in peace and plenty.'
'Tis still a dream, or else such stuff as madmen
Tongue and brain not; either both or nothing;
Or senseless speaking or a speaking such
As sense cannot untie. Be what it is,
The action of my life is like it, which
I'll keep, if but for sympathy.
Reenter First Gaoler
First Gaoler
Come, sir, are you ready for death?
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POSTHUMUS LEONATUS
Overroasted rather; ready long ago.
First Gaoler
Hanging is the word, sir: if
you be ready for that, you are well cooked.
POSTHUMUS LEONATUS
So, if I prove a good repast to the
spectators, the dish pays the shot.
First Gaoler
A heavy reckoning for you, sir. But the comfort is,
you shall be called to no more payments, fear no
more tavernbills; which are often the sadness of
parting, as the procuring of mirth: you come in
flint for want of meat, depart reeling with too
much drink; sorry that you have paid too much, and
sorry that you are paid too much; purse and brain
both empty; the brain the heavier for being too
light, the purse too light, being drawn of
heaviness: of this contradiction you shall now be
quit. O, the charity of a penny cord! It sums up
thousands in a trice: you have no true debitor and
creditor but it; of what's past, is, and to come,
the discharge: your neck, sir, is pen, book and
counters; so the acquittance follows.
POSTHUMUS LEONATUS
I am merrier to die than thou art to live.
First Gaoler
Indeed, sir, he that sleeps feels not the
toothache: but a man that were to sleep your
sleep, and a hangman to help him to bed, I think he
would change places with his officer; for, look you,
sir, you know not which way you shall go.
POSTHUMUS LEONATUS
Yes, indeed do I, fellow.
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First Gaoler
Your death has eyes in 's head then; I have not seen
him so pictured: you must either be directed by
some that take upon them to know, or do take upon
yourself that which I am sure you do not know, or
jump the after inquiry on your own peril: and how
you shall speed in your journey's end, I think you'll
never return to tell one.
POSTHUMUS LEONATUS
I tell thee, fellow, there are none want eyes to
direct them the way I am going, but such as wink and
will not use them.
First Gaoler
What an infinite mock is this, that a man should
have the best use of eyes to see the way of
blindness! I am sure hanging's the way of winking.
Enter a Messenger
Messenger
Knock off his manacles; bring your prisoner to the king.
POSTHUMUS LEONATUS
Thou bring'st good news; I am called to be made free.
First Gaoler
I'll be hang'd then.
POSTHUMUS LEONATUS
Thou shalt be then freer than a gaoler; no bolts for the dead.
Exeunt POSTHUMUS LEONATUS and Messenger
First Gaoler
Unless a man would marry a gallows and beget young
gibbets, I never saw one so prone. Yet, on my
conscience, there are verier knaves desire to live,
for all he be a Roman: and there be some of them
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too that die against their wills; so should I, if I
were one. I would we were all of one mind, and one
mind good; O, there were desolation of gaolers and
gallowses! I speak against my present profit, but
my wish hath a preferment in 't.
Exeunt
Act 5, Scene 5
Cymbeline's tent.
Enter CYMBELINE, BELARIUS, GUIDERIUS, ARVIRAGUS, PISANIO, Lords, Officers, and
Attendants
CYMBELINE
Stand by my side, you whom the gods have made
Preservers of my throne. Woe is my heart
That the poor soldier that so richly fought,
Whose rags shamed gilded arms, whose naked breast
Stepp'd before larges of proof, cannot be found:
He shall be happy that can find him, if
Our grace can make him so.
BELARIUS
I never saw
Such noble fury in so poor a thing;
Such precious deeds in one that promises nought
But beggary and poor looks.
CYMBELINE
No tidings of him?
PISANIO
He hath been search'd among the dead and living,
But no trace of him.
CYMBELINE
To my grief, I am
The heir of his reward;
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To BELARIUS, GUIDERIUS, and ARVIRAGUS
which I will add
To you, the liver, heart and brain of Britain,
By whom I grant she lives. 'Tis now the time
To ask of whence you are. Report it.
BELARIUS
Sir,
In Cambria are we born, and gentlemen:
Further to boast were neither true nor modest,
Unless I add, we are honest.
CYMBELINE
Bow your knees.
Arise my knights o' the battle: I create you
Companions to our person and will fit you
With dignities becoming your estates.
Enter CORNELIUS and Ladies
There's business in these faces. Why so sadly
Greet you our victory? you look like Romans,
And not o' the court of Britain.
CORNELIUS
Hail, great king!
To sour your happiness, I must report
The queen is dead.
CYMBELINE
Who worse than a physician
Would this report become? But I consider,
By medicine life may be prolong'd, yet death
Will seize the doctor too. How ended she?
CORNELIUS
With horror, madly dying, like her life,
Which, being cruel to the world, concluded
Most cruel to herself. What she confess'd
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I will report, so please you: these her women
Can trip me, if I err; who with wet cheeks
Were present when she finish'd.
CYMBELINE
Prithee, say.
CORNELIUS
First, she confess'd she never loved you, only
Affected greatness got by you, not you:
Married your royalty, was wife to your place;
Abhorr'd your person.
CYMBELINE
She alone knew this;
And, but she spoke it dying, I would not
Believe her lips in opening it. Proceed.
CORNELIUS
Your daughter, whom she bore in hand to love
With such integrity, she did confess
Was as a scorpion to her sight; whose life,
But that her flight prevented it, she had
Ta'en off by poison.
CYMBELINE
O most delicate fiend!
Who is 't can read a woman? Is there more?
CORNELIUS
More, sir, and worse. She did confess she had
For you a mortal mineral; which, being took,
Should by the minute feed on life and lingering
By inches waste you: in which time she purposed,
By watching, weeping, tendance, kissing, to
O'ercome you with her show, and in time,
When she had fitted you with her craft, to work
Her son into the adoption of the crown:
But, failing of her end by his strange absence,
Grew shamelessdesperate; open'd, in despite
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Of heaven and men, her purposes; repented
The evils she hatch'd were not effected; so
Despairing died.
CYMBELINE
Heard you all this, her women?
First Lady
We did, so please your highness.
CYMBELINE
Mine eyes
Were not in fault, for she was beautiful;
Mine ears, that heard her flattery; nor my heart,
That thought her like her seeming; it had
been vicious
To have mistrusted her: yet, O my daughter!
That it was folly in me, thou mayst say,
And prove it in thy feeling. Heaven mend all!
Enter LUCIUS, IACHIMO, the Soothsayer, and other Roman Prisoners, guarded;
POSTHUMUS LEONATUS behind, and IMOGEN
Thou comest not, Caius, now for tribute that
The Britons have razed out, though with the loss
Of many a bold one; whose kinsmen have made suit
That their good souls may be appeased with slaughter
Of you their captives, which ourself have granted:
So think of your estate.
CAIUS LUCIUS
Consider, sir, the chance of war: the day
Was yours by accident; had it gone with us,
We should not, when the blood was cool,
have threaten'd
Our prisoners with the sword. But since the gods
Will have it thus, that nothing but our lives
May be call'd ransom, let it come: sufficeth
A Roman with a Roman's heart can suffer:
Augustus lives to think on't: and so much
For my peculiar care. This one thing only
I will entreat; my boy, a Briton born,
Let him be ransom'd: never master had
A page so kind, so duteous, diligent,
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So tender over his occasions, true,
So feat, so nurselike: let his virtue join
With my request, which I make bold your highness
Cannot deny; he hath done no Briton harm,
Though he have served a Roman: save him, sir,
And spare no blood beside.
CYMBELINE
I have surely seen him:
His favour is familiar to me. Boy,
Thou hast look'd thyself into my grace,
And art mine own. I know not why, wherefore,
To say 'live, boy:' ne'er thank thy master; live:
And ask of Cymbeline what boon thou wilt,
Fitting my bounty and thy state, I'll give it;
Yea, though thou do demand a prisoner,
The noblest ta'en.
IMOGEN
I humbly thank your highness.
CAIUS LUCIUS
I do not bid thee beg my life, good lad;
And yet I know thou wilt.
IMOGEN
No, no: alack,
There's other work in hand: I see a thing
Bitter to me as death: your life, good master,
Must shuffle for itself.
CAIUS LUCIUS
The boy disdains me,
He leaves me, scorns me: briefly die their joys
That place them on the truth of girls and boys.
Why stands he so perplex'd?
CYMBELINE
What wouldst thou, boy?
I love thee more and more: think more and more
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What's best to ask. Know'st him thou look'st on? speak,
Wilt have him live? Is he thy kin? thy friend?
IMOGEN
He is a Roman; no more kin to me
Than I to your highness; who, being born your vassal,
Am something nearer.
CYMBELINE
Wherefore eyest him so?
IMOGEN
I'll tell you, sir, in private, if you please
To give me hearing.
CYMBELINE
Ay, with all my heart,
And lend my best attention. What's thy name?
IMOGEN
Fidele, sir.
CYMBELINE
Thou'rt my good youth, my page;
I'll be thy master: walk with me; speak freely.
CYMBELINE and IMOGEN converse apart
BELARIUS
Is not this boy revived from death?
ARVIRAGUS
One sand another
Not more resembles that sweet rosy lad
Who died, and was Fidele. What think you?
GUIDERIUS
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The same dead thing alive.
BELARIUS
Peace, peace! see further; he eyes us not; forbear;
Creatures may be alike: were 't he, I am sure
He would have spoke to us.
GUIDERIUS
But we saw him dead.
BELARIUS
Be silent; let's see further.
PISANIO [Aside]
It is my mistress:
Since she is living, let the time run on
To good or bad.
CYMBELINE and IMOGEN come forward
CYMBELINE
Come, stand thou by our side;
Make thy demand aloud.
To IACHIMO
Sir, step you forth;
Give answer to this boy, and do it freely;
Or, by our greatness and the grace of it,
Which is our honour, bitter torture shall
Winnow the truth from falsehood. On, speak to him.
IMOGEN
My boon is, that this gentleman may render
Of whom he had this ring.
POSTHUMUS LEONATUS
[Aside] What's that to him?
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CYMBELINE
That diamond upon your finger, say
How came it yours?
IACHIMO
Thou'lt torture me to leave unspoken that
Which, to be spoke, would torture thee.
CYMBELINE
How! me?
IACHIMO
I am glad to be constrain'd to utter that
Which torments me to conceal. By villany
I got this ring: 'twas Leonatus' jewel;
Whom thou didst banish; andwhich more may
grieve thee,
As it doth mea nobler sir ne'er lived
'Twixt sky and ground. Wilt thou hear more, my lord?
CYMBELINE
All that belongs to this.
IACHIMO
That paragon, thy daughter,
For whom my heart drops blood, and my false spirits
Quail to rememberGive me leave; I faint.
CYMBELINE
My daughter! what of her? Renew thy strength:
I had rather thou shouldst live while nature will
Than die ere I hear more: strive, man, and speak.
IACHIMO
Upon a time,unhappy was the clock
That struck the hour!it was in Rome,accursed
The mansion where!'twas at a feast,O, would
Our viands had been poison'd, or at least
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Those which I heaved to head!the good Posthumus
What should I say? he was too good to be
Where ill men were; and was the best of all
Amongst the rarest of good ones,sitting sadly,
Hearing us praise our loves of Italy
For beauty that made barren the swell'd boast
Of him that best could speak, for feature, laming
The shrine of Venus, or straightpight Minerva.
Postures beyond brief nature, for condition,
A shop of all the qualities that man
Loves woman for, besides that hook of wiving,
Fairness which strikes the eye
CYMBELINE
I stand on fire:
Come to the matter.
IACHIMO
All too soon I shall,
Unless thou wouldst grieve quickly. This Posthumus,
Most like a noble lord in love and one
That had a royal lover, took his hint;
And, not dispraising whom we praised,therein
He was as calm as virtuehe began
His mistress' picture; which by his tongue
being made,
And then a mind put in't, either our brags
Were crack'd of kitchentrolls, or his description
Proved us unspeaking sots.
CYMBELINE
Nay, nay, to the purpose.
IACHIMO
Your daughter's chastitythere it begins.
He spake of her, as Dian had hot dreams,
And she alone were cold: whereat I, wretch,
Made scruple of his praise; and wager'd with him
Pieces of gold 'gainst this which then he wore
Upon his honour'd finger, to attain
In suit the place of's bed and win this ring
By hers and mine adultery. He, true knight,
No lesser of her honour confident
Than I did truly find her, stakes this ring;
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Act 5, Scene 5 250
Page No 255
And would so, had it been a carbuncle
Of Phoebus' wheel, and might so safely, had it
Been all the worth of's car. Away to Britain
Post I in this design: well may you, sir,
Remember me at court; where I was taught
Of your chaste daughter the wide difference
'Twixt amorous and villanous. Being thus quench'd
Of hope, not longing, mine Italian brain
'Gan in your duller Britain operate
Most vilely; for my vantage, excellent:
And, to be brief, my practise so prevail'd,
That I return'd with simular proof enough
To make the noble Leonatus mad,
By wounding his belief in her renown
With tokens thus, and thus; averting notes
Of chamberhanging, pictures, this her bracelet,
O cunning, how I got it!nay, some marks
Of secret on her person, that he could not
But think her bond of chastity quite crack'd,
I having ta'en the forfeit. Whereupon
Methinks, I see him now
POSTHUMUS LEONATUS
[Advancing] Ay, so thou dost,
Italian fiend! Ay me, most credulous fool,
Egregious murderer, thief, any thing
That's due to all the villains past, in being,
To come! O, give me cord, or knife, or poison,
Some upright justicer! Thou, king, send out
For torturers ingenious: it is I
That all the abhorred things o' the earth amend
By being worse than they. I am Posthumus,
That kill'd thy daughter:villainlike, I lie
That caused a lesser villain than myself,
A sacrilegious thief, to do't: the temple
Of virtue was she; yea, and she herself.
Spit, and throw stones, cast mire upon me, set
The dogs o' the street to bay me: every villain
Be call'd Posthumus Leonitus; and
Be villany less than 'twas! O Imogen!
My queen, my life, my wife! O Imogen,
Imogen, Imogen!
IMOGEN
Peace, my lord; hear, hear
POSTHUMUS LEONATUS
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Act 5, Scene 5 251
Page No 256
Shall's have a play of this? Thou scornful page,
There lie thy part.
Striking her: she falls
PISANIO
O, gentlemen, help!
Mine and your mistress! O, my lord Posthumus!
You ne'er kill'd Imogen til now. Help, help!
Mine honour'd lady!
CYMBELINE
Does the world go round?
POSTHUMUS LEONATUS
How come these staggers on me?
PISANIO
Wake, my mistress!
CYMBELINE
If this be so, the gods do mean to strike me
To death with mortal joy.
PISANIO
How fares thy mistress?
IMOGEN
O, get thee from my sight;
Thou gavest me poison: dangerous fellow, hence!
Breathe not where princes are.
CYMBELINE
The tune of Imogen!
PISANIO
Lady,
The gods throw stones of sulphur on me, if
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That box I gave you was not thought by me
A precious thing: I had it from the queen.
CYMBELINE
New matter still?
IMOGEN
It poison'd me.
CORNELIUS
O gods!
I left out one thing which the queen confess'd.
Which must approve thee honest: 'If Pisanio
Have,' said she, 'given his mistress that confection
Which I gave him for cordial, she is served
As I would serve a rat.'
CYMBELINE
What's this, Comelius?
CORNELIUS
The queen, sir, very oft importuned me
To temper poisons for her, still pretending
The satisfaction of her knowledge only
In killing creatures vile, as cats and dogs,
Of no esteem: I, dreading that her purpose
Was of more danger, did compound for her
A certain stuff, which, being ta'en, would cease
The present power of life, but in short time
All offices of nature should again
Do their due functions. Have you ta'en of it?
IMOGEN
Most like I did, for I was dead.
BELARIUS
My boys,
There was our error.
GUIDERIUS
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Act 5, Scene 5 253
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This is, sure, Fidele.
IMOGEN
Why did you throw your wedded lady from you?
Think that you are upon a rock; and now
Throw me again.
Embracing him
POSTHUMUS LEONATUS
Hang there like a fruit, my soul,
Till the tree die!
CYMBELINE
How now, my flesh, my child!
What, makest thou me a dullard in this act?
Wilt thou not speak to me?
IMOGEN
[Kneeling] Your blessing, sir.
BELARIUS
[To GUIDERIUS and ARVIRAGUS] Though you did love
this youth, I blame ye not:
You had a motive for't.
CYMBELINE
My tears that fall
Prove holy water on thee! Imogen,
Thy mother's dead.
IMOGEN
I am sorry for't, my lord.
CYMBELINE
O, she was nought; and long of her it was
That we meet here so strangely: but her son
Is gone, we know not how nor where.
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Act 5, Scene 5 254
Page No 259
PISANIO
My lord,
Now fear is from me, I'll speak troth. Lord Cloten,
Upon my lady's missing, came to me
With his sword drawn; foam'd at the mouth, and swore,
If I discover'd not which way she was gone,
It was my instant death. By accident,
had a feigned letter of my master's
Then in my pocket; which directed him
To seek her on the mountains near to Milford;
Where, in a frenzy, in my master's garments,
Which he enforced from me, away he posts
With unchaste purpose and with oath to violate
My lady's honour: what became of him
I further know not.
GUIDERIUS
Let me end the story:
I slew him there.
CYMBELINE
Marry, the gods forfend!
I would not thy good deeds should from my lips
Pluck a bard sentence: prithee, valiant youth,
Deny't again.
GUIDERIUS
I have spoke it, and I did it.
CYMBELINE
He was a prince.
GUIDERIUS
A most incivil one: the wrongs he did me
Were nothing princelike; for he did provoke me
With language that would make me spurn the sea,
If it could so roar to me: I cut off's head;
And am right glad he is not standing here
To tell this tale of mine.
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Page No 260
CYMBELINE
I am sorry for thee:
By thine own tongue thou art condemn'd, and must
Endure our law: thou'rt dead.
IMOGEN
That headless man
I thought had been my lord.
CYMBELINE
Bind the offender,
And take him from our presence.
BELARIUS
Stay, sir king:
This man is better than the man he slew,
As well descended as thyself; and hath
More of thee merited than a band of Clotens
Had ever scar for.
To the Guard
Let his arms alone;
They were not born for bondage.
CYMBELINE
Why, old soldier,
Wilt thou undo the worth thou art unpaid for,
By tasting of our wrath? How of descent
As good as we?
ARVIRAGUS
In that he spake too far.
CYMBELINE
And thou shalt die for't.
BELARIUS
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Act 5, Scene 5 256
Page No 261
We will die all three:
But I will prove that two on's are as good
As I have given out him. My sons, I must,
For mine own part, unfold a dangerous speech,
Though, haply, well for you.
ARVIRAGUS
Your danger's ours.
GUIDERIUS
And our good his.
BELARIUS
Have at it then, by leave.
Thou hadst, great king, a subject who
Was call'd Belarius.
CYMBELINE
What of him? he is
A banish'd traitor.
BELARIUS
He it is that hath
Assumed this age; indeed a banish'd man;
I know not how a traitor.
CYMBELINE
Take him hence:
The whole world shall not save him.
BELARIUS
Not too hot:
First pay me for the nursing of thy sons;
And let it be confiscate all, so soon
As I have received it.
CYMBELINE
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Page No 262
Nursing of my sons!
BELARIUS
I am too blunt and saucy: here's my knee:
Ere I arise, I will prefer my sons;
Then spare not the old father. Mighty sir,
These two young gentlemen, that call me father
And think they are my sons, are none of mine;
They are the issue of your loins, my liege,
And blood of your begetting.
CYMBELINE
How! my issue!
BELARIUS
So sure as you your father's. I, old Morgan,
Am that Belarius whom you sometime banish'd:
Your pleasure was my mere offence, my punishment
Itself, and all my treason; that I suffer'd
Was all the harm I did. These gentle princes
For such and so they arethese twenty years
Have I train'd up: those arts they have as I
Could put into them; my breeding was, sir, as
Your highness knows. Their nurse, Euriphile,
Whom for the theft I wedded, stole these children
Upon my banishment: I moved her to't,
Having received the punishment before,
For that which I did then: beaten for loyalty
Excited me to treason: their dear loss,
The more of you 'twas felt, the more it shaped
Unto my end of stealing them. But, gracious sir,
Here are your sons again; and I must lose
Two of the sweet'st companions in the world.
The benediction of these covering heavens
Fall on their heads like dew! for they are worthy
To inlay heaven with stars.
CYMBELINE
Thou weep'st, and speak'st.
The service that you three have done is more
Unlike than this thou tell'st. I lost my children:
If these be they, I know not how to wish
A pair of worthier sons.
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BELARIUS
Be pleased awhile.
This gentleman, whom I call Polydore,
Most worthy prince, as yours, is true Guiderius:
This gentleman, my Cadwal, Arviragus,
Your younger princely son; he, sir, was lapp'd
In a most curious mantle, wrought by the hand
Of his queen mother, which for more probation
I can with ease produce.
CYMBELINE
Guiderius had
Upon his neck a mole, a sanguine star;
It was a mark of wonder.
BELARIUS
This is he;
Who hath upon him still that natural stamp:
It was wise nature's end in the donation,
To be his evidence now.
CYMBELINE
O, what, am I
A mother to the birth of three? Ne'er mother
Rejoiced deliverance more. Blest pray you be,
That, after this strange starting from your orbs,
may reign in them now! O Imogen,
Thou hast lost by this a kingdom.
IMOGEN
No, my lord;
I have got two worlds by 't. O my gentle brothers,
Have we thus met? O, never say hereafter
But I am truest speaker you call'd me brother,
When I was but your sister; I you brothers,
When ye were so indeed.
CYMBELINE
Did you e'er meet?
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Page No 264
ARVIRAGUS
Ay, my good lord.
GUIDERIUS
And at first meeting loved;
Continued so, until we thought he died.
CORNELIUS
By the queen's dram she swallow'd.
CYMBELINE
O rare instinct!
When shall I hear all through? This fierce
abridgement
Hath to it circumstantial branches, which
Distinction should be rich in. Where? how lived You?
And when came you to serve our Roman captive?
How parted with your brothers? how first met them?
Why fled you from the court? and whither? These,
And your three motives to the battle, with
I know not how much more, should be demanded;
And all the other bydependencies,
From chance to chance: but nor the time nor place
Will serve our long inter'gatories. See,
Posthumus anchors upon Imogen,
And she, like harmless lightning, throws her eye
On him, her brother, me, her master, hitting
Each object with a joy: the counterchange
Is severally in all. Let's quit this ground,
And smoke the temple with our sacrifices.
To BELARIUS
Thou art my brother; so we'll hold thee ever.
IMOGEN
You are my father too, and did relieve me,
To see this gracious season.
CYMBELINE
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Act 5, Scene 5 260
Page No 265
All o'erjoy'd,
Save these in bonds: let them be joyful too,
For they shall taste our comfort.
IMOGEN
My good master,
I will yet do you service.
CAIUS LUCIUS
Happy be you!
CYMBELINE
The forlorn soldier, that so nobly fought,
He would have well becomed this place, and graced
The thankings of a king.
POSTHUMUS LEONATUS
I am, sir,
The soldier that did company these three
In poor beseeming; 'twas a fitment for
The purpose I then follow'd. That I was he,
Speak, Iachimo: I had you down and might
Have made you finish.
IACHIMO
[Kneeling] I am down again:
But now my heavy conscience sinks my knee,
As then your force did. Take that life, beseech you,
Which I so often owe: but your ring first;
And here the bracelet of the truest princess
That ever swore her faith.
POSTHUMUS LEONATUS
Kneel not to me:
The power that I have on you is, to spare you;
The malice towards you to forgive you: live,
And deal with others better.
CYMBELINE
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Act 5, Scene 5 261
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Nobly doom'd!
We'll learn our freeness of a soninlaw;
Pardon's the word to all.
ARVIRAGUS
You holp us, sir,
As you did mean indeed to be our brother;
Joy'd are we that you are.
POSTHUMUS LEONATUS
Your servant, princes. Good my lord of Rome,
Call forth your soothsayer: as I slept, methought
Great Jupiter, upon his eagle back'd,
Appear'd to me, with other spritely shows
Of mine own kindred: when I waked, I found
This label on my bosom; whose containing
Is so from sense in hardness, that I can
Make no collection of it: let him show
His skill in the construction.
CAIUS LUCIUS
Philarmonus!
Soothsayer
Here, my good lord.
CAIUS LUCIUS
Read, and declare the meaning.
Soothsayer
[Reads] 'When as a lion's whelp shall, to himself
unknown, without seeking find, and be embraced by a
piece of tender air; and when from a stately cedar
shall be lopped branches, which, being dead many
years, shall after revive, be jointed to the old
stock, and freshly grow; then shall Posthumus end
his miseries, Britain be fortunate and flourish in
peace and plenty.'
Thou, Leonatus, art the lion's whelp;
The fit and apt construction of thy name,
Being Leonatus, doth import so much.
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Act 5, Scene 5 262
Page No 267
To CYMBELINE
The piece of tender air, thy virtuous daughter,
Which we call 'mollis aer;' and 'mollis aer'
We term it 'mulier:' which 'mulier' I divine
Is this most constant wife; who, even now,
Answering the letter of the oracle,
Unknown to you, unsought, were clipp'd about
With this most tender air.
CYMBELINE
This hath some seeming.
Soothsayer
The lofty cedar, royal Cymbeline,
Personates thee: and thy lopp'd branches point
Thy two sons forth; who, by Belarius stol'n,
For many years thought dead, are now revived,
To the majestic cedar join'd, whose issue
Promises Britain peace and plenty.
CYMBELINE
Well
My peace we will begin. And, Caius Lucius,
Although the victor, we submit to Caesar,
And to the Roman empire; promising
To pay our wonted tribute, from the which
We were dissuaded by our wicked queen;
Whom heavens, in justice, both on her and hers,
Have laid most heavy hand.
Soothsayer
The fingers of the powers above do tune
The harmony of this peace. The vision
Which I made known to Lucius, ere the stroke
Of this yet scarcecold battle, at this instant
Is full accomplish'd; for the Roman eagle,
From south to west on wing soaring aloft,
Lessen'd herself, and in the beams o' the sun
So vanish'd: which foreshow'd our princely eagle,
The imperial Caesar, should again unite
His favour with the radiant Cymbeline,
Which shines here in the west.
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Act 5, Scene 5 263
Page No 268
CYMBELINE
Laud we the gods;
And let our crooked smokes climb to their nostrils
From our blest altars. Publish we this peace
To all our subjects. Set we forward: let
A Roman and a British ensign wave
Friendly together: so through Lud'stown march:
And in the temple of great Jupiter
Our peace we'll ratify; seal it with feasts.
Set on there! Never was a war did cease,
Ere bloody hands were wash'd, with such a peace.
Exeunt
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Act 5, Scene 5 264
Page No 269
Measure for Measure
Act 1, Scene 1
An apartment in the DUKE'S palace.
Enter DUKE VINCENTIO, ESCALUS, Lords and Attendants
DUKE VINCENTIO
Escalus.
ESCALUS
My lord.
DUKE VINCENTIO
Of government the properties to unfold,
Would seem in me to affect speech and discourse;
Since I am put to know that your own science
Exceeds, in that, the lists of all advice
My strength can give you: then no more remains,
But that to your sufficiency [ ]
[ ] as your Worth is able,
And let them work. The nature of our people,
Our city's institutions, and the terms
For common justice, you're as pregnant in
As art and practise hath enriched any
That we remember. There is our commission,
From which we would not have you warp. Call hither,
I say, bid come before us Angelo.
Exit an Attendant
What figure of us think you he will bear?
For you must know, we have with special soul
Elected him our absence to supply,
Lent him our terror, dress'd him with our love,
And given his deputation all the organs
Of our own power: what think you of it?
ESCALUS
If any in Vienna be of worth
To undergo such ample grace and honour,
It is Lord Angelo.
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Page No 270
DUKE VINCENTIO
Look where he comes.
Enter ANGELO
ANGELO
Always obedient to your grace's will,
I come to know your pleasure.
DUKE VINCENTIO
Angelo,
There is a kind of character in thy life,
That to the observer doth thy history
Fully unfold. Thyself and thy belongings
Are not thine own so proper as to waste
Thyself upon thy virtues, they on thee.
Heaven doth with us as we with torches do,
Not light them for themselves; for if our virtues
Did not go forth of us, 'twere all alike
As if we had them not. Spirits are not finely touch'd
But to fine issues, nor Nature never lends
The smallest scruple of her excellence
But, like a thrifty goddess, she determines
Herself the glory of a creditor,
Both thanks and use. But I do bend my speech
To one that can my part in him advertise;
Hold therefore, Angelo:
In our remove be thou at full ourself;
Mortality and mercy in Vienna
Live in thy tongue and heart: old Escalus,
Though first in question, is thy secondary.
Take thy commission.
ANGELO
Now, good my lord,
Let there be some more test made of my metal,
Before so noble and so great a figure
Be stamp'd upon it.
DUKE VINCENTIO
No more evasion:
We have with a leaven'd and prepared choice
Proceeded to you; therefore take your honours.
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Measure for Measure 266
Page No 271
Our haste from hence is of so quick condition
That it prefers itself and leaves unquestion'd
Matters of needful value. We shall write to you,
As time and our concernings shall importune,
How it goes with us, and do look to know
What doth befall you here. So, fare you well;
To the hopeful execution do I leave you
Of your commissions.
ANGELO
Yet give leave, my lord,
That we may bring you something on the way.
DUKE VINCENTIO
My haste may not admit it;
Nor need you, on mine honour, have to do
With any scruple; your scope is as mine own
So to enforce or qualify the laws
As to your soul seems good. Give me your hand:
I'll privily away. I love the people,
But do not like to stage me to their eyes:
Through it do well, I do not relish well
Their loud applause and Aves vehement;
Nor do I think the man of safe discretion
That does affect it. Once more, fare you well.
ANGELO
The heavens give safety to your purposes!
ESCALUS
Lead forth and bring you back in happiness!
DUKE
I thank you. Fare you well.
Exit
ESCALUS
I shall desire you, sir, to give me leave
To have free speech with you; and it concerns me
To look into the bottom of my place:
A power I have, but of what strength and nature
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Measure for Measure 267
Page No 272
I am not yet instructed.
ANGELO
'Tis so with me. Let us withdraw together,
And we may soon our satisfaction have
Touching that point.
ESCALUS
I'll wait upon your honour.
Exeunt
Act 1, Scene 2
A Street.
Enter LUCIO and two Gentlemen
LUCIO
If the duke with the other dukes come not to
composition with the King of Hungary, why then all
the dukes fall upon the king.
First Gentleman
Heaven grant us its peace, but not the King of
Hungary's!
Second Gentleman
Amen.
LUCIO
Thou concludest like the sanctimonious pirate, that
went to sea with the Ten Commandments, but scraped
one out of the table.
Second Gentleman
'Thou shalt not steal'?
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Act 1, Scene 2 268
Page No 273
LUCIO
Ay, that he razed.
First Gentleman
Why, 'twas a commandment to command the captain and
all the rest from their functions: they put forth
to steal. There's not a soldier of us all, that, in
the thanksgiving before meat, do relish the petition
well that prays for peace.
Second Gentleman
I never heard any soldier dislike it.
LUCIO
I believe thee; for I think thou never wast where
grace was said.
Second Gentleman
No? a dozen times at least.
First Gentleman
What, in metre?
LUCIO
In any proportion or in any language.
First Gentleman
I think, or in any religion.
LUCIO
Ay, why not? Grace is grace, despite of all
controversy: as, for example, thou thyself art a
wicked villain, despite of all grace.
First Gentleman
Well, there went but a pair of shears between us.
LUCIO
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I grant; as there may between the lists and the
velvet. Thou art the list.
First Gentleman
And thou the velvet: thou art good velvet; thou'rt
a threepiled piece, I warrant thee: I had as lief
be a list of an English kersey as be piled, as thou
art piled, for a French velvet. Do I speak
feelingly now?
LUCIO
I think thou dost; and, indeed, with most painful
feeling of thy speech: I will, out of thine own
confession, learn to begin thy health; but, whilst I
live, forget to drink after thee.
First Gentleman
I think I have done myself wrong, have I not?
Second Gentleman
Yes, that thou hast, whether thou art tainted or free.
LUCIO
Behold, behold. where Madam Mitigation comes! I
have purchased as many diseases under her roof as come to
Second Gentleman
To what, I pray?
LUCIO
Judge.
Second Gentleman
To three thousand dolours a year.
First Gentleman
Ay, and more.
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Act 1, Scene 2 270
Page No 275
LUCIO
A French crown more.
First Gentleman
Thou art always figuring diseases in me; but thou
art full of error; I am sound.
LUCIO
Nay, not as one would say, healthy; but so sound as
things that are hollow: thy bones are hollow;
impiety has made a feast of thee.
Enter MISTRESS OVERDONE
First Gentleman
How now! which of your hips has the most profound sciatica?
MISTRESS OVERDONE
Well, well; there's one yonder arrested and carried
to prison was worth five thousand of you all.
Second Gentleman
Who's that, I pray thee?
MISTRESS OVERDONE
Marry, sir, that's Claudio, Signior Claudio.
First Gentleman
Claudio to prison? 'tis not so.
MISTRESS OVERDONE
Nay, but I know 'tis so: I saw him arrested, saw
him carried away; and, which is more, within these
three days his head to be chopped off.
LUCIO
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Page No 276
But, after all this fooling, I would not have it so.
Art thou sure of this?
MISTRESS OVERDONE
I am too sure of it: and it is for getting Madam
Julietta with child.
LUCIO
Believe me, this may be: he promised to meet me two
hours since, and he was ever precise in
promisekeeping.
Second Gentleman
Besides, you know, it draws something near to the
speech we had to such a purpose.
First Gentleman
But, most of all, agreeing with the proclamation.
LUCIO
Away! let's go learn the truth of it.
Exeunt LUCIO and Gentlemen
MISTRESS OVERDONE
Thus, what with the war, what with the sweat, what
with the gallows and what with poverty, I am
customshrunk.
Enter POMPEY
How now! what's the news with you?
POMPEY
Yonder man is carried to prison.
MISTRESS OVERDONE
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Act 1, Scene 2 272
Page No 277
Well; what has he done?
POMPEY
A woman.
MISTRESS OVERDONE
But what's his offence?
POMPEY
Groping for trouts in a peculiar river.
MISTRESS OVERDONE
What, is there a maid with child by him?
POMPEY
No, but there's a woman with maid by him. You have
not heard of the proclamation, have you?
MISTRESS OVERDONE
What proclamation, man?
POMPEY
All houses in the suburbs of Vienna must be plucked down.
MISTRESS OVERDONE
And what shall become of those in the city?
POMPEY
They shall stand for seed: they had gone down too,
but that a wise burgher put in for them.
MISTRESS OVERDONE
But shall all our houses of resort in the suburbs be
pulled down?
POMPEY
To the ground, mistress.
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MISTRESS OVERDONE
Why, here's a change indeed in the commonwealth!
What shall become of me?
POMPEY
Come; fear you not: good counsellors lack no
clients: though you change your place, you need not
change your trade; I'll be your tapster still.
Courage! there will be pity taken on you: you that
have worn your eyes almost out in the service, you
will be considered.
MISTRESS OVERDONE
What's to do here, Thomas tapster? let's withdraw.
POMPEY
Here comes Signior Claudio, led by the provost to
prison; and there's Madam Juliet.
Exeunt
Enter Provost, CLAUDIO, JULIET, and Officers
CLAUDIO
Fellow, why dost thou show me thus to the world?
Bear me to prison, where I am committed.
Provost
I do it not in evil disposition,
But from Lord Angelo by special charge.
CLAUDIO
Thus can the demigod Authority
Make us pay down for our offence by weight
The words of heaven; on whom it will, it will;
On whom it will not, so; yet still 'tis just.
Reenter LUCIO and two Gentlemen
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Act 1, Scene 2 274
Page No 279
LUCIO
Why, how now, Claudio! whence comes this restraint?
CLAUDIO
From too much liberty, my Lucio, liberty:
As surfeit is the father of much fast,
So every scope by the immoderate use
Turns to restraint. Our natures do pursue,
Like rats that ravin down their proper bane,
A thirsty evil; and when we drink we die.
LUCIO
If could speak so wisely under an arrest, I would
send for certain of my creditors: and yet, to say
the truth, I had as lief have the foppery of freedom
as the morality of imprisonment. What's thy
offence, Claudio?
CLAUDIO
What but to speak of would offend again.
LUCIO
What, is't murder?
CLAUDIO
No.
LUCIO
Lechery?
CLAUDIO
Call it so.
Provost
Away, sir! you must go.
CLAUDIO
One word, good friend. Lucio, a word with you.
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LUCIO
A hundred, if they'll do you any good.
Is lechery so look'd after?
CLAUDIO
Thus stands it with me: upon a true contract
I got possession of Julietta's bed:
You know the lady; she is fast my wife,
Save that we do the denunciation lack
Of outward order: this we came not to,
Only for propagation of a dower
Remaining in the coffer of her friends,
From whom we thought it meet to hide our love
Till time had made them for us. But it chances
The stealth of our most mutual entertainment
With character too gross is writ on Juliet.
LUCIO
With child, perhaps?
CLAUDIO
Unhappily, even so.
And the new deputy now for the duke
Whether it be the fault and glimpse of newness,
Or whether that the body public be
A horse whereon the governor doth ride,
Who, newly in the seat, that it may know
He can command, lets it straight feel the spur;
Whether the tyranny be in his place,
Or in his emmence that fills it up,
I stagger in:but this new governor
Awakes me all the enrolled penalties
Which have, like unscour'd armour, hung by the wall
So long that nineteen zodiacs have gone round
And none of them been worn; and, for a name,
Now puts the drowsy and neglected act
Freshly on me: 'tis surely for a name.
LUCIO
I warrant it is: and thy head stands so tickle on
thy shoulders that a milkmaid, if she be in love,
may sigh it off. Send after the duke and appeal to
him.
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Page No 281
CLAUDIO
I have done so, but he's not to be found.
I prithee, Lucio, do me this kind service:
This day my sister should the cloister enter
And there receive her approbation:
Acquaint her with the danger of my state:
Implore her, in my voice, that she make friends
To the strict deputy; bid herself assay him:
I have great hope in that; for in her youth
There is a prone and speechless dialect,
Such as move men; beside, she hath prosperous art
When she will play with reason and discourse,
And well she can persuade.
LUCIO
I pray she may; as well for the encouragement of the
like, which else would stand under grievous
imposition, as for the enjoying of thy life, who I
would be sorry should be thus foolishly lost at a
game of ticktack. I'll to her.
CLAUDIO
I thank you, good friend Lucio.
LUCIO
Within two hours.
CLAUDIO
Come, officer, away!
Exeunt
Act 1, Scene 3
A monastery.
Enter DUKE VINCENTIO and FRIAR THOMAS
DUKE VINCENTIO
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Act 1, Scene 3 277
Page No 282
No, holy father; throw away that thought;
Believe not that the dribbling dart of love
Can pierce a complete bosom. Why I desire thee
To give me secret harbour, hath a purpose
More grave and wrinkled than the aims and ends
Of burning youth.
FRIAR THOMAS
May your grace speak of it?
DUKE VINCENTIO
My holy sir, none better knows than you
How I have ever loved the life removed
And held in idle price to haunt assemblies
Where youth, and cost, and witless bravery keeps.
I have deliver'd to Lord Angelo,
A man of stricture and firm abstinence,
My absolute power and place here in Vienna,
And he supposes me travell'd to Poland;
For so I have strew'd it in the common ear,
And so it is received. Now, pious sir,
You will demand of me why I do this?
FRIAR THOMAS
Gladly, my lord.
DUKE VINCENTIO
We have strict statutes and most biting laws.
The needful bits and curbs to headstrong weeds,
Which for this nineteen years we have let slip;
Even like an o'ergrown lion in a cave,
That goes not out to prey. Now, as fond fathers,
Having bound up the threatening twigs of birch,
Only to stick it in their children's sight
For terror, not to use, in time the rod
Becomes more mock'd than fear'd; so our decrees,
Dead to infliction, to themselves are dead;
And liberty plucks justice by the nose;
The baby beats the nurse, and quite athwart
Goes all decorum.
FRIAR THOMAS
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It rested in your grace
To unloose this tiedup justice when you pleased:
And it in you more dreadful would have seem'd
Than in Lord Angelo.
DUKE VINCENTIO
I do fear, too dreadful:
Sith 'twas my fault to give the people scope,
'Twould be my tyranny to strike and gall them
For what I bid them do: for we bid this be done,
When evil deeds have their permissive pass
And not the punishment. Therefore indeed, my father,
I have on Angelo imposed the office;
Who may, in the ambush of my name, strike home,
And yet my nature never in the fight
To do in slander. And to behold his sway,
I will, as 'twere a brother of your order,
Visit both prince and people: therefore, I prithee,
Supply me with the habit and instruct me
How I may formally in person bear me
Like a true friar. More reasons for this action
At our more leisure shall I render you;
Only, this one: Lord Angelo is precise;
Stands at a guard with envy; scarce confesses
That his blood flows, or that his appetite
Is more to bread than stone: hence shall we see,
If power change purpose, what our seemers be.
Exeunt
Act 1, Scene 4
A nunnery.
Enter ISABELLA and FRANCISCA
ISABELLA
And have you nuns no farther privileges?
FRANCISCA
Are not these large enough?
ISABELLA
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Page No 284
Yes, truly; I speak not as desiring more;
But rather wishing a more strict restraint
Upon the sisterhood, the votarists of Saint Clare.
LUCIO
[Within] Ho! Peace be in this place!
ISABELLA
Who's that which calls?
FRANCISCA
It is a man's voice. Gentle Isabella,
Turn you the key, and know his business of him;
You may, I may not; you are yet unsworn.
When you have vow'd, you must not speak with men
But in the presence of the prioress:
Then, if you speak, you must not show your face,
Or, if you show your face, you must not speak.
He calls again; I pray you, answer him.
Exit
ISABELLA
Peace and prosperity! Who is't that calls
Enter LUCIO
LUCIO
Hail, virgin, if you be, as those cheekroses
Proclaim you are no less! Can you so stead me
As bring me to the sight of Isabella,
A novice of this place and the fair sister
To her unhappy brother Claudio?
ISABELLA
Why 'her unhappy brother'? let me ask,
The rather for I now must make you know
I am that Isabella and his sister.
LUCIO
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Gentle and fair, your brother kindly greets you:
Not to be weary with you, he's in prison.
ISABELLA
Woe me! for what?
LUCIO
For that which, if myself might be his judge,
He should receive his punishment in thanks:
He hath got his friend with child.
ISABELLA
Sir, make me not your story.
LUCIO
It is true.
I would notthough 'tis my familiar sin
With maids to seem the lapwing and to jest,
Tongue far from heartplay with all virgins so:
I hold you as a thing ensky'd and sainted.
By your renouncement an immortal spirit,
And to be talk'd with in sincerity,
As with a saint.
ISABELLA
You do blaspheme the good in mocking me.
LUCIO
Do not believe it. Fewness and truth, 'tis thus:
Your brother and his lover have embraced:
As those that feed grow full, as blossoming time
That from the seedness the bare fallow brings
To teeming foison, even so her plenteous womb
Expresseth his full tilth and husbandry.
ISABELLA
Some one with child by him? My cousin Juliet?
LUCIO
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Is she your cousin?
ISABELLA
Adoptedly; as schoolmaids change their names
By vain though apt affection.
LUCIO
She it is.
ISABELLA
O, let him marry her.
LUCIO
This is the point.
The duke is very strangely gone from hence;
Bore many gentlemen, myself being one,
In hand and hope of action: but we do learn
By those that know the very nerves of state,
His givingsout were of an infinite distance
From his truemeant design. Upon his place,
And with full line of his authority,
Governs Lord Angelo; a man whose blood
Is very snowbroth; one who never feels
The wanton stings and motions of the sense,
But doth rebate and blunt his natural edge
With profits of the mind, study and fast.
Heto give fear to use and liberty,
Which have for long run by the hideous law,
As mice by lionshath pick'd out an act,
Under whose heavy sense your brother's life
Falls into forfeit: he arrests him on it;
And follows close the rigour of the statute,
To make him an example. All hope is gone,
Unless you have the grace by your fair prayer
To soften Angelo: and that's my pith of business
'Twixt you and your poor brother.
ISABELLA
Doth he so seek his life?
LUCIO
Has censured him
Already; and, as I hear, the provost hath
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A warrant for his execution.
ISABELLA
Alas! what poor ability's in me
To do him good?
LUCIO
Assay the power you have.
ISABELLA
My power? Alas, I doubt
LUCIO
Our doubts are traitors
And make us lose the good we oft might win
By fearing to attempt. Go to Lord Angelo,
And let him learn to know, when maidens sue,
Men give like gods; but when they weep and kneel,
All their petitions are as freely theirs
As they themselves would owe them.
ISABELLA
I'll see what I can do.
LUCIO
But speedily.
ISABELLA
I will about it straight;
No longer staying but to give the mother
Notice of my affair. I humbly thank you:
Commend me to my brother: soon at night
I'll send him certain word of my success.
LUCIO
I take my leave of you.
ISABELLA
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Page No 288
Good sir, adieu.
Exeunt
Act 2, Scene 1
A hall In ANGELO's house.
Enter ANGELO, ESCALUS, and a Justice, Provost, Officers, and other Attendants, behind
ANGELO
We must not make a scarecrow of the law,
Setting it up to fear the birds of prey,
And let it keep one shape, till custom make it
Their perch and not their terror.
ESCALUS
Ay, but yet
Let us be keen, and rather cut a little,
Than fall, and bruise to death. Alas, this gentleman
Whom I would save, had a most noble father!
Let but your honour know,
Whom I believe to be most strait in virtue,
That, in the working of your own affections,
Had time cohered with place or place with wishing,
Or that the resolute acting of your blood
Could have attain'd the effect of your own purpose,
Whether you had not sometime in your life
Err'd in this point which now you censure him,
And pull'd the law upon you.
ANGELO
'Tis one thing to be tempted, Escalus,
Another thing to fall. I not deny,
The jury, passing on the prisoner's life,
May in the sworn twelve have a thief or two
Guiltier than him they try. What's open made to justice,
That justice seizes: what know the laws
That thieves do pass on thieves? 'Tis very pregnant,
The jewel that we find, we stoop and take't
Because we see it; but what we do not see
We tread upon, and never think of it.
You may not so extenuate his offence
For I have had such faults; but rather tell me,
When I, that censure him, do so offend,
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Let mine own judgment pattern out my death,
And nothing come in partial. Sir, he must die.
ESCALUS
Be it as your wisdom will.
ANGELO
Where is the provost?
Provost
Here, if it like your honour.
ANGELO
See that Claudio
Be executed by nine tomorrow morning:
Bring him his confessor, let him be prepared;
For that's the utmost of his pilgrimage.
Exit Provost
ESCALUS
[Aside] Well, heaven forgive him! and forgive us all!
Some rise by sin, and some by virtue fall:
Some run from brakes of ice, and answer none:
And some condemned for a fault alone.
Enter ELBOW, and Officers with FROTH and POMPEY
ELBOW
Come, bring them away: if these be good people in
a commonweal that do nothing but use their abuses in
common houses, I know no law: bring them away.
ANGELO
How now, sir! What's your name? and what's the matter?
ELBOW
If it Please your honour, I am the poor duke's
constable, and my name is Elbow: I do lean upon
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Act 2, Scene 1 285
Page No 290
justice, sir, and do bring in here before your good
honour two notorious benefactors.
ANGELO
Benefactors? Well; what benefactors are they? are
they not malefactors?
ELBOW
If it? please your honour, I know not well what they
are: but precise villains they are, that I am sure
of; and void of all profanation in the world that
good Christians ought to have.
ESCALUS
This comes off well; here's a wise officer.
ANGELO
Go to: what quality are they of? Elbow is your
name? why dost thou not speak, Elbow?
POMPEY
He cannot, sir; he's out at elbow.
ANGELO
What are you, sir?
ELBOW
He, sir! a tapster, sir; parcelbawd; one that
serves a bad woman; whose house, sir, was, as they
say, plucked down in the suburbs; and now she
professes a hothouse, which, I think, is a very ill house too.
ESCALUS
How know you that?
ELBOW
My wife, sir, whom I detest before heaven and your honour,
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Page No 291
ESCALUS
How? thy wife?
ELBOW
Ay, sir; whom, I thank heaven, is an honest woman,
ESCALUS
Dost thou detest her therefore?
ELBOW
I say, sir, I will detest myself also, as well as
she, that this house, if it be not a bawd's house,
it is pity of her life, for it is a naughty house.
ESCALUS
How dost thou know that, constable?
ELBOW
Marry, sir, by my wife; who, if she had been a woman
cardinally given, might have been accused in
fornication, adultery, and all uncleanliness there.
ESCALUS
By the woman's means?
ELBOW
Ay, sir, by Mistress Overdone's means: but as she
spit in his face, so she defied him.
POMPEY
Sir, if it please your honour, this is not so.
ELBOW
Prove it before these varlets here, thou honourable
man; prove it.
ESCALUS
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Do you hear how he misplaces?
POMPEY
Sir, she came in great with child; and longing,
saving your honour's reverence, for stewed prunes;
sir, we had but two in the house, which at that very
distant time stood, as it were, in a fruitdish, a
dish of some threepence; your honours have seen
such dishes; they are not China dishes, but very
good dishes,
ESCALUS
Go to, go to: no matter for the dish, sir.
POMPEY
No, indeed, sir, not of a pin; you are therein in
the right: but to the point. As I say, this
Mistress Elbow, being, as I say, with child, and
being greatbellied, and longing, as I said, for
prunes; and having but two in the dish, as I said,
Master Froth here, this very man, having eaten the
rest, as I said, and, as I say, paying for them very
honestly; for, as you know, Master Froth, I could
not give you threepence again.
FROTH
No, indeed.
POMPEY
Very well: you being then, if you be remembered,
cracking the stones of the foresaid prunes,
FROTH
Ay, so I did indeed.
POMPEY
Why, very well; I telling you then, if you be
remembered, that such a one and such a one were past
cure of the thing you wot of, unless they kept very
good diet, as I told you,
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FROTH
All this is true.
POMPEY
Why, very well, then,
ESCALUS
Come, you are a tedious fool: to the purpose. What
was done to Elbow's wife, that he hath cause to
complain of? Come me to what was done to her.
POMPEY
Sir, your honour cannot come to that yet.
ESCALUS
No, sir, nor I mean it not.
POMPEY
Sir, but you shall come to it, by your honour's
leave. And, I beseech you, look into Master Froth
here, sir; a man of fourscore pound a year; whose
father died at Hallowmas: was't not at Hallowmas,
Master Froth?
FROTH
Allhallond eve.
POMPEY
Why, very well; I hope here be truths. He, sir,
sitting, as I say, in a lower chair, sir; 'twas in
the Bunch of Grapes, where indeed you have a delight
to sit, have you not?
FROTH
I have so; because it is an open room and good for winter.
POMPEY
Why, very well, then; I hope here be truths.
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ANGELO
This will last out a night in Russia,
When nights are longest there: I'll take my leave.
And leave you to the hearing of the cause;
Hoping you'll find good cause to whip them all.
ESCALUS
I think no less. Good morrow to your lordship.
Exit ANGELO
Now, sir, come on: what was done to Elbow's wife, once more?
POMPEY
Once, sir? there was nothing done to her once.
ELBOW
I beseech you, sir, ask him what this man did to my wife.
POMPEY
I beseech your honour, ask me.
ESCALUS
Well, sir; what did this gentleman to her?
POMPEY
I beseech you, sir, look in this gentleman's face.
Good Master Froth, look upon his honour; 'tis for a
good purpose. Doth your honour mark his face?
ESCALUS
Ay, sir, very well.
POMPEY
Nay; I beseech you, mark it well.
ESCALUS
Well, I do so.
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Act 2, Scene 1 290
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POMPEY
Doth your honour see any harm in his face?
ESCALUS
Why, no.
POMPEY
I'll be supposed upon a book, his face is the worst
thing about him. Good, then; if his face be the
worst thing about him, how could Master Froth do the
constable's wife any harm? I would know that of
your honour.
ESCALUS
He's in the right. Constable, what say you to it?
ELBOW
First, an it like you, the house is a respected
house; next, this is a respected fellow; and his
mistress is a respected woman.
POMPEY
By this hand, sir, his wife is a more respected
person than any of us all.
ELBOW
Varlet, thou liest; thou liest, wicked varlet! the
time has yet to come that she was ever respected
with man, woman, or child.
POMPEY
Sir, she was respected with him before he married with her.
ESCALUS
Which is the wiser here? Justice or Iniquity? Is
this true?
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Act 2, Scene 1 291
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ELBOW
O thou caitiff! O thou varlet! O thou wicked
Hannibal! I respected with her before I was married
to her! If ever I was respected with her, or she
with me, let not your worship think me the poor
duke's officer. Prove this, thou wicked Hannibal, or
I'll have mine action of battery on thee.
ESCALUS
If he took you a box o' the ear, you might have your
action of slander too.
ELBOW
Marry, I thank your good worship for it. What is't
your worship's pleasure I shall do with this wicked caitiff?
ESCALUS
Truly, officer, because he hath some offences in him
that thou wouldst discover if thou couldst, let him
continue in his courses till thou knowest what they
are.
ELBOW
Marry, I thank your worship for it. Thou seest, thou
wicked varlet, now, what's come upon thee: thou art
to continue now, thou varlet; thou art to continue.
ESCALUS
Where were you born, friend?
FROTH
Here in Vienna, sir.
ESCALUS
Are you of fourscore pounds a year?
FROTH
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Yes, an't please you, sir.
ESCALUS
So. What trade are you of, sir?
POMPHEY
Tapster; a poor widow's tapster.
ESCALUS
Your mistress' name?
POMPHEY
Mistress Overdone.
ESCALUS
Hath she had any more than one husband?
POMPEY
Nine, sir; Overdone by the last.
ESCALUS
Nine! Come hither to me, Master Froth. Master
Froth, I would not have you acquainted with
tapsters: they will draw you, Master Froth, and you
will hang them. Get you gone, and let me hear no
more of you.
FROTH
I thank your worship. For mine own part, I never
come into any room in a taphouse, but I am drawn
in.
ESCALUS
Well, no more of it, Master Froth: farewell.
Exit FROTH
Come you hither to me, Master tapster. What's your
name, Master tapster?
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Act 2, Scene 1 293
Page No 298
POMPEY
Pompey.
ESCALUS
What else?
POMPEY
Bum, sir.
ESCALUS
Troth, and your bum is the greatest thing about you;
so that in the beastliest sense you are Pompey the
Great. Pompey, you are partly a bawd, Pompey,
howsoever you colour it in being a tapster, are you
not? come, tell me true: it shall be the better for you.
POMPEY
Truly, sir, I am a poor fellow that would live.
ESCALUS
How would you live, Pompey? by being a bawd? What
do you think of the trade, Pompey? is it a lawful trade?
POMPEY
If the law would allow it, sir.
ESCALUS
But the law will not allow it, Pompey; nor it shall
not be allowed in Vienna.
POMPEY
Does your worship mean to geld and splay all the
youth of the city?
ESCALUS
No, Pompey.
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POMPEY
Truly, sir, in my poor opinion, they will to't then.
If your worship will take order for the drabs and
the knaves, you need not to fear the bawds.
ESCALUS
There are pretty orders beginning, I can tell you:
it is but heading and hanging.
POMPEY
If you head and hang all that offend that way but
for ten year together, you'll be glad to give out a
commission for more heads: if this law hold in
Vienna ten year, I'll rent the fairest house in it
after threepence a bay: if you live to see this
come to pass, say Pompey told you so.
ESCALUS
Thank you, good Pompey; and, in requital of your
prophecy, hark you: I advise you, let me not find
you before me again upon any complaint whatsoever;
no, not for dwelling where you do: if I do, Pompey,
I shall beat you to your tent, and prove a shrewd
Caesar to you; in plain dealing, Pompey, I shall
have you whipt: so, for this time, Pompey, fare you well.
POMPEY
I thank your worship for your good counsel:
Aside
but I shall follow it as the flesh and fortune shall
better determine.
Whip me? No, no; let carman whip his jade:
The valiant heart is not whipt out of his trade.
Exit
ESCALUS
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Act 2, Scene 1 295
Page No 300
Come hither to me, Master Elbow; come hither, Master
constable. How long have you been in this place of constable?
ELBOW
Seven year and a half, sir.
ESCALUS
I thought, by your readiness in the office, you had
continued in it some time. You say, seven years together?
ELBOW
And a half, sir.
ESCALUS
Alas, it hath been great pains to you. They do you
wrong to put you so oft upon 't: are there not men
in your ward sufficient to serve it?
ELBOW
Faith, sir, few of any wit in such matters: as they
are chosen, they are glad to choose me for them; I
do it for some piece of money, and go through with
all.
ESCALUS
Look you bring me in the names of some six or seven,
the most sufficient of your parish.
ELBOW
To your worship's house, sir?
ESCALUS
To my house. Fare you well.
Exit ELBOW
What's o'clock, think you?
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Act 2, Scene 1 296
Page No 301
Justice
Eleven, sir.
ESCALUS
I pray you home to dinner with me.
Justice
I humbly thank you.
ESCALUS
It grieves me for the death of Claudio;
But there's no remedy.
Justice
Lord Angelo is severe.
ESCALUS
It is but needful:
Mercy is not itself, that oft looks so;
Pardon is still the nurse of second woe:
But yet,poor Claudio! There is no remedy.
Come, sir.
Exeunt
Act 2, Scene 2
Another room in the same.
Enter Provost and a Servant
Servant
He's hearing of a cause; he will come straight
I'll tell him of you.
Provost
Pray you, do.
Exit Servant
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 2 297
Page No 302
I'll know
His pleasure; may be he will relent. Alas,
He hath but as offended in a dream!
All sects, all ages smack of this vice; and he
To die for't!
Enter ANGELO
ANGELO
Now, what's the matter. Provost?
Provost
Is it your will Claudio shall die tomorrow?
ANGELO
Did not I tell thee yea? hadst thou not order?
Why dost thou ask again?
Provost
Lest I might be too rash:
Under your good correction, I have seen,
When, after execution, judgment hath
Repented o'er his doom.
ANGELO
Go to; let that be mine:
Do you your office, or give up your place,
And you shall well be spared.
Provost
I crave your honour's pardon.
What shall be done, sir, with the groaning Juliet?
She's very near her hour.
ANGELO
Dispose of her
To some more fitter place, and that with speed.
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Act 2, Scene 2 298
Page No 303
Reenter Servant
Servant
Here is the sister of the man condemn'd
Desires access to you.
ANGELO
Hath he a sister?
Provost
Ay, my good lord; a very virtuous maid,
And to be shortly of a sisterhood,
If not already.
ANGELO
Well, let her be admitted.
Exit Servant
See you the fornicatress be removed:
Let have needful, but not lavish, means;
There shall be order for't.
Enter ISABELLA and LUCIO
Provost
God save your honour!
ANGELO
Stay a little while.
To ISABELLA
You're welcome: what's your will?
ISABELLA
I am a woeful suitor to your honour,
Please but your honour hear me.
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Act 2, Scene 2 299
Page No 304
ANGELO
Well; what's your suit?
ISABELLA
There is a vice that most I do abhor,
And most desire should meet the blow of justice;
For which I would not plead, but that I must;
For which I must not plead, but that I am
At war 'twixt will and will not.
ANGELO
Well; the matter?
ISABELLA
I have a brother is condemn'd to die:
I do beseech you, let it be his fault,
And not my brother.
Provost
[Aside] Heaven give thee moving graces!
ANGELO
Condemn the fault and not the actor of it?
Why, every fault's condemn'd ere it be done:
Mine were the very cipher of a function,
To fine the faults whose fine stands in record,
And let go by the actor.
ISABELLA
O just but severe law!
I had a brother, then. Heaven keep your honour!
LUCIO
[Aside to ISABELLA] Give't not o'er so: to him
again, entreat him;
Kneel down before him, hang upon his gown:
You are too cold; if you should need a pin,
You could not with more tame a tongue desire it:
To him, I say!
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Act 2, Scene 2 300
Page No 305
ISABELLA
Must he needs die?
ANGELO
Maiden, no remedy.
ISABELLA
Yes; I do think that you might pardon him,
And neither heaven nor man grieve at the mercy.
ANGELO
I will not do't.
ISABELLA
But can you, if you would?
ANGELO
Look, what I will not, that I cannot do.
ISABELLA
But might you do't, and do the world no wrong,
If so your heart were touch'd with that remorse
As mine is to him?
ANGELO
He's sentenced; 'tis too late.
LUCIO
[Aside to ISABELLA] You are too cold.
ISABELLA
Too late? why, no; I, that do speak a word.
May call it back again. Well, believe this,
No ceremony that to great ones 'longs,
Not the king's crown, nor the deputed sword,
The marshal's truncheon, nor the judge's robe,
Become them with one half so good a grace
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Act 2, Scene 2 301
Page No 306
As mercy does.
If he had been as you and you as he,
You would have slipt like him; but he, like you,
Would not have been so stern.
ANGELO
Pray you, be gone.
ISABELLA
I would to heaven I had your potency,
And you were Isabel! should it then be thus?
No; I would tell what 'twere to be a judge,
And what a prisoner.
LUCIO
[Aside to ISABELLA]
Ay, touch him; there's the vein.
ANGELO
Your brother is a forfeit of the law,
And you but waste your words.
ISABELLA
Alas, alas!
Why, all the souls that were were forfeit once;
And He that might the vantage best have took
Found out the remedy. How would you be,
If He, which is the top of judgment, should
But judge you as you are? O, think on that;
And mercy then will breathe within your lips,
Like man new made.
ANGELO
Be you content, fair maid;
It is the law, not I condemn your brother:
Were he my kinsman, brother, or my son,
It should be thus with him: he must die tomorrow.
ISABELLA
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Act 2, Scene 2 302
Page No 307
Tomorrow! O, that's sudden! Spare him, spare him!
He's not prepared for death. Even for our kitchens
We kill the fowl of season: shall we serve heaven
With less respect than we do minister
To our gross selves? Good, good my lord, bethink you;
Who is it that hath died for this offence?
There's many have committed it.
LUCIO
[Aside to ISABELLA] Ay, well said.
ANGELO
The law hath not been dead, though it hath slept:
Those many had not dared to do that evil,
If the first that did the edict infringe
Had answer'd for his deed: now 'tis awake
Takes note of what is done; and, like a prophet,
Looks in a glass, that shows what future evils,
Either new, or by remissness newconceived,
And so in progress to be hatch'd and born,
Are now to have no successive degrees,
But, ere they live, to end.
ISABELLA
Yet show some pity.
ANGELO
I show it most of all when I show justice;
For then I pity those I do not know,
Which a dismiss'd offence would after gall;
And do him right that, answering one foul wrong,
Lives not to act another. Be satisfied;
Your brother dies tomorrow; be content.
ISABELLA
So you must be the first that gives this sentence,
And he, that suffer's. O, it is excellent
To have a giant's strength; but it is tyrannous
To use it like a giant.
LUCIO
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Act 2, Scene 2 303
Page No 308
[Aside to ISABELLA] That's well said.
ISABELLA
Could great men thunder
As Jove himself does, Jove would ne'er be quiet,
For every pelting, petty officer
Would use his heaven for thunder;
Nothing but thunder! Merciful Heaven,
Thou rather with thy sharp and sulphurous bolt
Split'st the unwedgeable and gnarled oak
Than the soft myrtle: but man, proud man,
Drest in a little brief authority,
Most ignorant of what he's most assured,
His glassy essence, like an angry ape,
Plays such fantastic tricks before high heaven
As make the angels weep; who, with our spleens,
Would all themselves laugh mortal.
LUCIO
[Aside to ISABELLA] O, to him, to him, wench! he
will relent;
He's coming; I perceive 't.
Provost
[Aside] Pray heaven she win him!
ISABELLA
We cannot weigh our brother with ourself:
Great men may jest with saints; 'tis wit in them,
But in the less foul profanation.
LUCIO
Thou'rt i' the right, girl; more o, that.
ISABELLA
That in the captain's but a choleric word,
Which in the soldier is flat blasphemy.
LUCIO
[Aside to ISABELLA] Art avised o' that? more on 't.
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Act 2, Scene 2 304
Page No 309
ANGELO
Why do you put these sayings upon me?
ISABELLA
Because authority, though it err like others,
Hath yet a kind of medicine in itself,
That skins the vice o' the top. Go to your bosom;
Knock there, and ask your heart what it doth know
That's like my brother's fault: if it confess
A natural guiltiness such as is his,
Let it not sound a thought upon your tongue
Against my brother's life.
ANGELO
[Aside] She speaks, and 'tis
Such sense, that my sense breeds with it. Fare you well.
ISABELLA
Gentle my lord, turn back.
ANGELO
I will bethink me: come again tomorrow.
ISABELLA
Hark how I'll bribe you: good my lord, turn back.
ANGELO
How! bribe me?
ISABELLA
Ay, with such gifts that heaven shall share with you.
LUCIO
[Aside to ISABELLA] You had marr'd all else.
ISABELLA
Not with fond shekels of the tested gold,
Or stones whose rates are either rich or poor
As fancy values them; but with true prayers
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Act 2, Scene 2 305
Page No 310
That shall be up at heaven and enter there
Ere sunrise, prayers from preserved souls,
From fasting maids whose minds are dedicate
To nothing temporal.
ANGELO
Well; come to me tomorrow.
LUCIO
[Aside to ISABELLA] Go to; 'tis well; away!
ISABELLA
Heaven keep your honour safe!
ANGELO [Aside]
Amen:
For I am that way going to temptation,
Where prayers cross.
ISABELLA
At what hour tomorrow
Shall I attend your lordship?
ANGELO
At any time 'fore noon.
ISABELLA
'Save your honour!
Exeunt ISABELLA, LUCIO, and Provost
ANGELO
From thee, even from thy virtue!
What's this, what's this? Is this her fault or mine?
The tempter or the tempted, who sins most?
Ha!
Not she: nor doth she tempt: but it is I
That, lying by the violet in the sun,
Do as the carrion does, not as the flower,
Corrupt with virtuous season. Can it be
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Act 2, Scene 2 306
Page No 311
That modesty may more betray our sense
Than woman's lightness? Having waste ground enough,
Shall we desire to raze the sanctuary
And pitch our evils there? O, fie, fie, fie!
What dost thou, or what art thou, Angelo?
Dost thou desire her foully for those things
That make her good? O, let her brother live!
Thieves for their robbery have authority
When judges steal themselves. What, do I love her,
That I desire to hear her speak again,
And feast upon her eyes? What is't I dream on?
O cunning enemy, that, to catch a saint,
With saints dost bait thy hook! Most dangerous
Is that temptation that doth goad us on
To sin in loving virtue: never could the strumpet,
With all her double vigour, art and nature,
Once stir my temper; but this virtuous maid
Subdues me quite. Even till now,
When men were fond, I smiled and wonder'd how.
Exit
Act 2, Scene 3
A room in a prison.
Enter, severally, DUKE VINCENTIO disguised as a friar, and Provost
DUKE VINCENTIO
Hail to you, provost! so I think you are.
Provost
I am the provost. What's your will, good friar?
DUKE VINCENTIO
Bound by my charity and my blest order,
I come to visit the afflicted spirits
Here in the prison. Do me the common right
To let me see them and to make me know
The nature of their crimes, that I may minister
To them accordingly.
Provost
I would do more than that, if more were needful.
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Act 2, Scene 3 307
Page No 312
Enter JULIET
Look, here comes one: a gentlewoman of mine,
Who, falling in the flaws of her own youth,
Hath blister'd her report: she is with child;
And he that got it, sentenced; a young man
More fit to do another such offence
Than die for this.
DUKE VINCENTIO
When must he die?
Provost
As I do think, tomorrow.
I have provided for you: stay awhile,
To JULIET
And you shall be conducted.
DUKE VINCENTIO
Repent you, fair one, of the sin you carry?
JULIET
I do; and bear the shame most patiently.
DUKE VINCENTIO
I'll teach you how you shall arraign your conscience,
And try your penitence, if it be sound,
Or hollowly put on.
JULIET
I'll gladly learn.
DUKE VINCENTIO
Love you the man that wrong'd you?
JULIET
Yes, as I love the woman that wrong'd him.
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Act 2, Scene 3 308
Page No 313
DUKE VINCENTIO
So then it seems your most offenceful act
Was mutually committed?
JULIET
Mutually.
DUKE VINCENTIO
Then was your sin of heavier kind than his.
JULIET
I do confess it, and repent it, father.
DUKE VINCENTIO
'Tis meet so, daughter: but lest you do repent,
As that the sin hath brought you to this shame,
Which sorrow is always towards ourselves, not heaven,
Showing we would not spare heaven as we love it,
But as we stand in fear,
JULIET
I do repent me, as it is an evil,
And take the shame with joy.
DUKE VINCENTIO
There rest.
Your partner, as I hear, must die tomorrow,
And I am going with instruction to him.
Grace go with you, Benedicite!
Exit
JULIET
Must die tomorrow! O injurious love,
That respites me a life, whose very comfort
Is still a dying horror!
Provost
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Act 2, Scene 3 309
Page No 314
'Tis pity of him.
Exeunt
Act 2, Scene 4
A room in ANGELO's house.
Enter ANGELO
ANGELO
When I would pray and think, I think and pray
To several subjects. Heaven hath my empty words;
Whilst my invention, hearing not my tongue,
Anchors on Isabel: Heaven in my mouth,
As if I did but only chew his name;
And in my heart the strong and swelling evil
Of my conception. The state, whereon I studied
Is like a good thing, being often read,
Grown fear'd and tedious; yea, my gravity,
Whereinlet no man hear meI take pride,
Could I with boot change for an idle plume,
Which the air beats for vain. O place, O form,
How often dost thou with thy case, thy habit,
Wrench awe from fools and tie the wiser souls
To thy false seeming! Blood, thou art blood:
Let's write good angel on the devil's horn:
'Tis not the devil's crest.
Enter a Servant
How now! who's there?
Servant
One Isabel, a sister, desires access to you.
ANGELO
Teach her the way.
Exit Servant
O heavens!
Why does my blood thus muster to my heart,
Making both it unable for itself,
And dispossessing all my other parts
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Act 2, Scene 4 310
Page No 315
Of necessary fitness?
So play the foolish throngs with one that swoons;
Come all to help him, and so stop the air
By which he should revive: and even so
The general, subject to a wellwish'd king,
Quit their own part, and in obsequious fondness
Crowd to his presence, where their untaught love
Must needs appear offence.
Enter ISABELLA
How now, fair maid?
ISABELLA
I am come to know your pleasure.
ANGELO
That you might know it, would much better please me
Than to demand what 'tis. Your brother cannot live.
ISABELLA
Even so. Heaven keep your honour!
ANGELO
Yet may he live awhile; and, it may be,
As long as you or I yet he must die.
ISABELLA
Under your sentence?
ANGELO
Yea.
ISABELLA
When, I beseech you? that in his reprieve,
Longer or shorter, he may be so fitted
That his soul sicken not.
ANGELO
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Act 2, Scene 4 311
Page No 316
Ha! fie, these filthy vices! It were as good
To pardon him that hath from nature stolen
A man already made, as to remit
Their saucy sweetness that do coin heaven's image
In stamps that are forbid: 'tis all as easy
Falsely to take away a life true made
As to put metal in restrained means
To make a false one.
ISABELLA
'Tis set down so in heaven, but not in earth.
ANGELO
Say you so? then I shall pose you quickly.
Which had you rather, that the most just law
Now took your brother's life; or, to redeem him,
Give up your body to such sweet uncleanness
As she that he hath stain'd?
ISABELLA
Sir, believe this,
I had rather give my body than my soul.
ANGELO
I talk not of your soul: our compell'd sins
Stand more for number than for accompt.
ISABELLA
How say you?
ANGELO
Nay, I'll not warrant that; for I can speak
Against the thing I say. Answer to this:
I, now the voice of the recorded law,
Pronounce a sentence on your brother's life:
Might there not be a charity in sin
To save this brother's life?
ISABELLA
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Act 2, Scene 4 312
Page No 317
Please you to do't,
I'll take it as a peril to my soul,
It is no sin at all, but charity.
ANGELO
Pleased you to do't at peril of your soul,
Were equal poise of sin and charity.
ISABELLA
That I do beg his life, if it be sin,
Heaven let me bear it! you granting of my suit,
If that be sin, I'll make it my morn prayer
To have it added to the faults of mine,
And nothing of your answer.
ANGELO
Nay, but hear me.
Your sense pursues not mine: either you are ignorant,
Or seem so craftily; and that's not good.
ISABELLA
Let me be ignorant, and in nothing good,
But graciously to know I am no better.
ANGELO
Thus wisdom wishes to appear most bright
When it doth tax itself; as these black masks
Proclaim an enshield beauty ten times louder
Than beauty could, display'd. But mark me;
To be received plain, I'll speak more gross:
Your brother is to die.
ISABELLA
So.
ANGELO
And his offence is so, as it appears,
Accountant to the law upon that pain.
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Act 2, Scene 4 313
Page No 318
ISABELLA
True.
ANGELO
Admit no other way to save his life,
As I subscribe not that, nor any other,
But in the loss of question,that you, his sister,
Finding yourself desired of such a person,
Whose credit with the judge, or own great place,
Could fetch your brother from the manacles
Of the allbuilding law; and that there were
No earthly mean to save him, but that either
You must lay down the treasures of your body
To this supposed, or else to let him suffer;
What would you do?
ISABELLA
As much for my poor brother as myself:
That is, were I under the terms of death,
The impression of keen whips I'ld wear as rubies,
And strip myself to death, as to a bed
That longing have been sick for, ere I'ld yield
My body up to shame.
ANGELO
Then must your brother die.
ISABELLA
And 'twere the cheaper way:
Better it were a brother died at once,
Than that a sister, by redeeming him,
Should die for ever.
ANGELO
Were not you then as cruel as the sentence
That you have slander'd so?
ISABELLA
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Act 2, Scene 4 314
Page No 319
Ignomy in ransom and free pardon
Are of two houses: lawful mercy
Is nothing kin to foul redemption.
ANGELO
You seem'd of late to make the law a tyrant;
And rather proved the sliding of your brother
A merriment than a vice.
ISABELLA
O, pardon me, my lord; it oft falls out,
To have what we would have, we speak not what we mean:
I something do excuse the thing I hate,
For his advantage that I dearly love.
ANGELO
We are all frail.
ISABELLA
Else let my brother die,
If not a feodary, but only he
Owe and succeed thy weakness.
ANGELO
Nay, women are frail too.
ISABELLA
Ay, as the glasses where they view themselves;
Which are as easy broke as they make forms.
Women! Help Heaven! men their creation mar
In profiting by them. Nay, call us ten times frail;
For we are soft as our complexions are,
And credulous to false prints.
ANGELO
I think it well:
And from this testimony of your own sex,
Since I suppose we are made to be no stronger
Than faults may shake our frames,let me be bold;
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Act 2, Scene 4 315
Page No 320
I do arrest your words. Be that you are,
That is, a woman; if you be more, you're none;
If you be one, as you are well express'd
By all external warrants, show it now,
By putting on the destined livery.
ISABELLA
I have no tongue but one: gentle my lord,
Let me entreat you speak the former language.
ANGELO
Plainly conceive, I love you.
ISABELLA
My brother did love Juliet,
And you tell me that he shall die for it.
ANGELO
He shall not, Isabel, if you give me love.
ISABELLA
I know your virtue hath a licence in't,
Which seems a little fouler than it is,
To pluck on others.
ANGELO
Believe me, on mine honour,
My words express my purpose.
ISABELLA
Ha! little honour to be much believed,
And most pernicious purpose! Seeming, seeming!
I will proclaim thee, Angelo; look for't:
Sign me a present pardon for my brother,
Or with an outstretch'd throat I'll tell the world aloud
What man thou art.
ANGELO
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Act 2, Scene 4 316
Page No 321
Who will believe thee, Isabel?
My unsoil'd name, the austereness of my life,
My vouch against you, and my place i' the state,
Will so your accusation overweigh,
That you shall stifle in your own report
And smell of calumny. I have begun,
And now I give my sensual race the rein:
Fit thy consent to my sharp appetite;
Lay by all nicety and prolixious blushes,
That banish what they sue for; redeem thy brother
By yielding up thy body to my will;
Or else he must not only die the death,
But thy unkindness shall his death draw out
To lingering sufferance. Answer me tomorrow,
Or, by the affection that now guides me most,
I'll prove a tyrant to him. As for you,
Say what you can, my false o'erweighs your true.
Exit
ISABELLA
To whom should I complain? Did I tell this,
Who would believe me? O perilous mouths,
That bear in them one and the selfsame tongue,
Either of condemnation or approof;
Bidding the law make court'sy to their will:
Hooking both right and wrong to the appetite,
To follow as it draws! I'll to my brother:
Though he hath fallen by prompture of the blood,
Yet hath he in him such a mind of honour.
That, had he twenty heads to tender down
On twenty bloody blocks, he'ld yield them up,
Before his sister should her body stoop
To such abhorr'd pollution.
Then, Isabel, live chaste, and, brother, die:
More than our brother is our chastity.
I'll tell him yet of Angelo's request,
And fit his mind to death, for his soul's rest.
Exit
Act 3, Scene 1
A room in the prison.
Enter DUKE VINCENTIO disguised as before, CLAUDIO, and Provost
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 317
Page No 322
DUKE VINCENTIO
So then you hope of pardon from Lord Angelo?
CLAUDIO
The miserable have no other medicine
But only hope:
I've hope to live, and am prepared to die.
DUKE VINCENTIO
Be absolute for death; either death or life
Shall thereby be the sweeter. Reason thus with life:
If I do lose thee, I do lose a thing
That none but fools would keep: a breath thou art,
Servile to all the skyey influences,
That dost this habitation, where thou keep'st,
Hourly afflict: merely, thou art death's fool;
For him thou labour'st by thy flight to shun
And yet runn'st toward him still. Thou art not noble;
For all the accommodations that thou bear'st
Are nursed by baseness. Thou'rt by no means valiant;
For thou dost fear the soft and tender fork
Of a poor worm. Thy best of rest is sleep,
And that thou oft provokest; yet grossly fear'st
Thy death, which is no more. Thou art not thyself;
For thou exist'st on many a thousand grains
That issue out of dust. Happy thou art not;
For what thou hast not, still thou strivest to get,
And what thou hast, forget'st. Thou art not certain;
For thy complexion shifts to strange effects,
After the moon. If thou art rich, thou'rt poor;
For, like an ass whose back with ingots bows,
Thou bear's thy heavy riches but a journey,
And death unloads thee. Friend hast thou none;
For thine own bowels, which do call thee sire,
The mere effusion of thy proper loins,
Do curse the gout, serpigo, and the rheum,
For ending thee no sooner. Thou hast nor youth nor age,
But, as it were, an afterdinner's sleep,
Dreaming on both; for all thy blessed youth
Becomes as aged, and doth beg the alms
Of palsied eld; and when thou art old and rich,
Thou hast neither heat, affection, limb, nor beauty,
To make thy riches pleasant. What's yet in this
That bears the name of life? Yet in this life
Lie hid moe thousand deaths: yet death we fear,
That makes these odds all even.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 318
Page No 323
CLAUDIO
I humbly thank you.
To sue to live, I find I seek to die;
And, seeking death, find life: let it come on.
ISABELLA
[Within] What, ho! Peace here; grace and good company!
Provost
Who's there? come in: the wish deserves a welcome.
DUKE VINCENTIO
Dear sir, ere long I'll visit you again.
CLAUDIO
Most holy sir, I thank you.
Enter ISABELLA
ISABELLA
My business is a word or two with Claudio.
Provost
And very welcome. Look, signior, here's your sister.
DUKE VINCENTIO
Provost, a word with you.
Provost
As many as you please.
DUKE VINCENTIO
Bring me to hear them speak, where I may be concealed.
Exeunt DUKE VINCENTIO and Provost
CLAUDIO
Now, sister, what's the comfort?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 319
Page No 324
ISABELLA
Why,
As all comforts are; most good, most good indeed.
Lord Angelo, having affairs to heaven,
Intends you for his swift ambassador,
Where you shall be an everlasting leiger:
Therefore your best appointment make with speed;
Tomorrow you set on.
CLAUDIO
Is there no remedy?
ISABELLA
None, but such remedy as, to save a head,
To cleave a heart in twain.
CLAUDIO
But is there any?
ISABELLA
Yes, brother, you may live:
There is a devilish mercy in the judge,
If you'll implore it, that will free your life,
But fetter you till death.
CLAUDIO
Perpetual durance?
ISABELLA
Ay, just; perpetual durance, a restraint,
Though all the world's vastidity you had,
To a determined scope.
CLAUDIO
But in what nature?
ISABELLA
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Act 3, Scene 1 320
Page No 325
In such a one as, you consenting to't,
Would bark your honour from that trunk you bear,
And leave you naked.
CLAUDIO
Let me know the point.
ISABELLA
O, I do fear thee, Claudio; and I quake,
Lest thou a feverous life shouldst entertain,
And six or seven winters more respect
Than a perpetual honour. Darest thou die?
The sense of death is most in apprehension;
And the poor beetle, that we tread upon,
In corporal sufferance finds a pang as great
As when a giant dies.
CLAUDIO
Why give you me this shame?
Think you I can a resolution fetch
From flowery tenderness? If I must die,
I will encounter darkness as a bride,
And hug it in mine arms.
ISABELLA
There spake my brother; there my father's grave
Did utter forth a voice. Yes, thou must die:
Thou art too noble to conserve a life
In base appliances. This outwardsainted deputy,
Whose settled visage and deliberate word
Nips youth i' the head and follies doth emmew
As falcon doth the fowl, is yet a devil
His filth within being cast, he would appear
A pond as deep as hell.
CLAUDIO
The prenzie Angelo!
ISABELLA
O, 'tis the cunning livery of hell,
The damned'st body to invest and cover
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 321
Page No 326
In prenzie guards! Dost thou think, Claudio?
If I would yield him my virginity,
Thou mightst be freed.
CLAUDIO
O heavens! it cannot be.
ISABELLA
Yes, he would give't thee, from this rank offence,
So to offend him still. This night's the time
That I should do what I abhor to name,
Or else thou diest tomorrow.
CLAUDIO
Thou shalt not do't.
ISABELLA
O, were it but my life,
I'ld throw it down for your deliverance
As frankly as a pin.
CLAUDIO
Thanks, dear Isabel.
ISABELLA
Be ready, Claudio, for your death tomorrow.
CLAUDIO
Yes. Has he affections in him,
That thus can make him bite the law by the nose,
When he would force it? Sure, it is no sin,
Or of the deadly seven, it is the least.
ISABELLA
Which is the least?
CLAUDIO
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Act 3, Scene 1 322
Page No 327
If it were damnable, he being so wise,
Why would he for the momentary trick
Be perdurably fined? O Isabel!
ISABELLA
What says my brother?
CLAUDIO
Death is a fearful thing.
ISABELLA
And shamed life a hateful.
CLAUDIO
Ay, but to die, and go we know not where;
To lie in cold obstruction and to rot;
This sensible warm motion to become
A kneaded clod; and the delighted spirit
To bathe in fiery floods, or to reside
In thrilling region of thickribbed ice;
To be imprison'd in the viewless winds,
And blown with restless violence round about
The pendent world; or to be worse than worst
Of those that lawless and incertain thought
Imagine howling: 'tis too horrible!
The weariest and most loathed worldly life
That age, ache, penury and imprisonment
Can lay on nature is a paradise
To what we fear of death.
ISABELLA
Alas, alas!
CLAUDIO
Sweet sister, let me live:
What sin you do to save a brother's life,
Nature dispenses with the deed so far
That it becomes a virtue.
ISABELLA
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Act 3, Scene 1 323
Page No 328
O you beast!
O faithless coward! O dishonest wretch!
Wilt thou be made a man out of my vice?
Is't not a kind of incest, to take life
From thine own sister's shame? What should I think?
Heaven shield my mother play'd my father fair!
For such a warped slip of wilderness
Ne'er issued from his blood. Take my defiance!
Die, perish! Might but my bending down
Reprieve thee from thy fate, it should proceed:
I'll pray a thousand prayers for thy death,
No word to save thee.
CLAUDIO
Nay, hear me, Isabel.
ISABELLA
O, fie, fie, fie!
Thy sin's not accidental, but a trade.
Mercy to thee would prove itself a bawd:
'Tis best thou diest quickly.
CLAUDIO
O hear me, Isabella!
Reenter DUKE VINCENTIO
DUKE VINCENTIO
Vouchsafe a word, young sister, but one word.
ISABELLA
What is your will?
DUKE VINCENTIO
Might you dispense with your leisure, I would by and
by have some speech with you: the satisfaction I
would require is likewise your own benefit.
ISABELLA
I have no superfluous leisure; my stay must be
stolen out of other affairs; but I will attend you awhile.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 324
Page No 329
Walks apart
DUKE VINCENTIO
Son, I have overheard what hath passed between you
and your sister. Angelo had never the purpose to
corrupt her; only he hath made an essay of her
virtue to practise his judgment with the disposition
of natures: she, having the truth of honour in her,
hath made him that gracious denial which he is most
glad to receive. I am confessor to Angelo, and I
know this to be true; therefore prepare yourself to
death: do not satisfy your resolution with hopes
that are fallible: tomorrow you must die; go to
your knees and make ready.
CLAUDIO
Let me ask my sister pardon. I am so out of love
with life that I will sue to be rid of it.
DUKE VINCENTIO
Hold you there: farewell.
Exit CLAUDIO
Provost, a word with you!
Reenter Provost
Provost
What's your will, father
DUKE VINCENTIO
That now you are come, you will be gone. Leave me
awhile with the maid: my mind promises with my
habit no loss shall touch her by my company.
Provost
In good time.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 325
Page No 330
Exit Provost. ISABELLA comes forward
DUKE VINCENTIO
The hand that hath made you fair hath made you good:
the goodness that is cheap in beauty makes beauty
brief in goodness; but grace, being the soul of
your complexion, shall keep the body of it ever
fair. The assault that Angelo hath made to you,
fortune hath conveyed to my understanding; and, but
that frailty hath examples for his falling, I should
wonder at Angelo. How will you do to content this
substitute, and to save your brother?
ISABELLA
I am now going to resolve him: I had rather my
brother die by the law than my son should be
unlawfully born. But, O, how much is the good duke
deceived in Angelo! If ever he return and I can
speak to him, I will open my lips in vain, or
discover his government.
DUKE VINCENTIO
That shall not be much amiss: Yet, as the matter
now stands, he will avoid your accusation; he made
trial of you only. Therefore fasten your ear on my
advisings: to the love I have in doing good a
remedy presents itself. I do make myself believe
that you may most uprighteously do a poor wronged
lady a merited benefit; redeem your brother from
the angry law; do no stain to your own gracious
person; and much please the absent duke, if
peradventure he shall ever return to have hearing of
this business.
ISABELLA
Let me hear you speak farther. I have spirit to do
anything that appears not foul in the truth of my spirit.
DUKE VINCENTIO
Virtue is bold, and goodness never fearful. Have
you not heard speak of Mariana, the sister of
Frederick the great soldier who miscarried at sea?
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Act 3, Scene 1 326
Page No 331
ISABELLA
I have heard of the lady, and good words went with her name.
DUKE VINCENTIO
She should this Angelo have married; was affianced
to her by oath, and the nuptial appointed: between
which time of the contract and limit of the
solemnity, her brother Frederick was wrecked at sea,
having in that perished vessel the dowry of his
sister. But mark how heavily this befell to the
poor gentlewoman: there she lost a noble and
renowned brother, in his love toward her ever most
kind and natural; with him, the portion and sinew of
her fortune, her marriagedowry; with both, her
combinate husband, this wellseeming Angelo.
ISABELLA
Can this be so? did Angelo so leave her?
DUKE VINCENTIO
Left her in her tears, and dried not one of them
with his comfort; swallowed his vows whole,
pretending in her discoveries of dishonour: in few,
bestowed her on her own lamentation, which she yet
wears for his sake; and he, a marble to her tears,
is washed with them, but relents not.
ISABELLA
What a merit were it in death to take this poor maid
from the world! What corruption in this life, that
it will let this man live! But how out of this can she avail?
DUKE VINCENTIO
It is a rupture that you may easily heal: and the
cure of it not only saves your brother, but keeps
you from dishonour in doing it.
ISABELLA
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Act 3, Scene 1 327
Page No 332
Show me how, good father.
DUKE VINCENTIO
This forenamed maid hath yet in her the continuance
of her first affection: his unjust unkindness, that
in all reason should have quenched her love, hath,
like an impediment in the current, made it more
violent and unruly. Go you to Angelo; answer his
requiring with a plausible obedience; agree with
his demands to the point; only refer yourself to
this advantage, first, that your stay with him may
not be long; that the time may have all shadow and
silence in it; and the place answer to convenience.
This being granted in course,and now follows
all,we shall advise this wronged maid to stead up
your appointment, go in your place; if the encounter
acknowledge itself hereafter, it may compel him to
her recompense: and here, by this, is your brother
saved, your honour untainted, the poor Mariana
advantaged, and the corrupt deputy scaled. The maid
will I frame and make fit for his attempt. If you
think well to carry this as you may, the doubleness
of the benefit defends the deceit from reproof.
What think you of it?
ISABELLA
The image of it gives me content already; and I
trust it will grow to a most prosperous perfection.
DUKE VINCENTIO
It lies much in your holding up. Haste you speedily
to Angelo: if for this night he entreat you to his
bed, give him promise of satisfaction. I will
presently to Saint Luke's: there, at the moated
grange, resides this dejected Mariana. At that
place call upon me; and dispatch with Angelo, that
it may be quickly.
ISABELLA
I thank you for this comfort. Fare you well, good father.
Exeunt severally
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 1 328
Page No 333
Act 3, Scene 2
The street before the prison.
Enter, on one side, DUKE VINCENTIO disguised as before; on the other, ELBOW, and
Officers with POMPEY
ELBOW
Nay, if there be no remedy for it, but that you will
needs buy and sell men and women like beasts, we
shall have all the world drink brown and white bastard.
DUKE VINCENTIO
O heavens! what stuff is here
POMPEY
'Twas never merry world since, of two usuries, the
merriest was put down, and the worser allowed by
order of law a furred gown to keep him warm; and
furred with fox and lambskins too, to signify, that
craft, being richer than innocency, stands for the facing.
ELBOW
Come your way, sir. 'Bless you, good father friar.
DUKE VINCENTIO
And you, good brother father. What offence hath
this man made you, sir?
ELBOW
Marry, sir, he hath offended the law: and, sir, we
take him to be a thief too, sir; for we have found
upon him, sir, a strange picklock, which we have
sent to the deputy.
DUKE VINCENTIO
Fie, sirrah! a bawd, a wicked bawd!
The evil that thou causest to be done,
That is thy means to live. Do thou but think
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Act 3, Scene 2 329
Page No 334
What 'tis to cram a maw or clothe a back
From such a filthy vice: say to thyself,
From their abominable and beastly touches
I drink, I eat, array myself, and live.
Canst thou believe thy living is a life,
So stinkingly depending? Go mend, go mend.
POMPEY
Indeed, it does stink in some sort, sir; but yet,
sir, I would prove
DUKE VINCENTIO
Nay, if the devil have given thee proofs for sin,
Thou wilt prove his. Take him to prison, officer:
Correction and instruction must both work
Ere this rude beast will profit.
ELBOW
He must before the deputy, sir; he has given him
warning: the deputy cannot abide a whoremaster: if
he be a whoremonger, and comes before him, he were
as good go a mile on his errand.
DUKE VINCENTIO
That we were all, as some would seem to be,
From our faults, as faults from seeming, free!
ELBOW
His neck will come to your waist,a cord, sir.
POMPEY
I spy comfort; I cry bail. Here's a gentleman and a
friend of mine.
Enter LUCIO
LUCIO
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 330
Page No 335
How now, noble Pompey! What, at the wheels of
Caesar? art thou led in triumph? What, is there
none of Pygmalion's images, newly made woman, to be
had now, for putting the hand in the pocket and
extracting it clutch'd? What reply, ha? What
sayest thou to this tune, matter and method? Is't
not drowned i' the last rain, ha? What sayest
thou, Trot? Is the world as it was, man? Which is
the way? Is it sad, and few words? or how? The
trick of it?
DUKE VINCENTIO
Still thus, and thus; still worse!
LUCIO
How doth my dear morsel, thy mistress? Procures she
still, ha?
POMPEY
Troth, sir, she hath eaten up all her beef, and she
is herself in the tub.
LUCIO
Why, 'tis good; it is the right of it; it must be
so: ever your fresh whore and your powdered bawd:
an unshunned consequence; it must be so. Art going
to prison, Pompey?
POMPEY
Yes, faith, sir.
LUCIO
Why, 'tis not amiss, Pompey. Farewell: go, say I
sent thee thither. For debt, Pompey? or how?
ELBOW
For being a bawd, for being a bawd.
LUCIO
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Act 3, Scene 2 331
Page No 336
Well, then, imprison him: if imprisonment be the
due of a bawd, why, 'tis his right: bawd is he
doubtless, and of antiquity too; bawdborn.
Farewell, good Pompey. Commend me to the prison,
Pompey: you will turn good husband now, Pompey; you
will keep the house.
POMPEY
I hope, sir, your good worship will be my bail.
LUCIO
No, indeed, will I not, Pompey; it is not the wear.
I will pray, Pompey, to increase your bondage: If
you take it not patiently, why, your mettle is the
more. Adieu, trusty Pompey. 'Bless you, friar.
DUKE VINCENTIO
And you.
LUCIO
Does Bridget paint still, Pompey, ha?
ELBOW
Come your ways, sir; come.
POMPEY
You will not bail me, then, sir?
LUCIO
Then, Pompey, nor now. What news abroad, friar?
what news?
ELBOW
Come your ways, sir; come.
LUCIO
Go to kennel, Pompey; go.
Exeunt ELBOW, POMPEY and Officers
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 332
Page No 337
What news, friar, of the duke?
DUKE VINCENTIO
I know none. Can you tell me of any?
LUCIO
Some say he is with the Emperor of Russia; other
some, he is in Rome: but where is he, think you?
DUKE VINCENTIO
I know not where; but wheresoever, I wish him well.
LUCIO
It was a mad fantastical trick of him to steal from
the state, and usurp the beggary he was never born
to. Lord Angelo dukes it well in his absence; he
puts transgression to 't.
DUKE VINCENTIO
He does well in 't.
LUCIO
A little more lenity to lechery would do no harm in
him: something too crabbed that way, friar.
DUKE VINCENTIO
It is too general a vice, and severity must cure it.
LUCIO
Yes, in good sooth, the vice is of a great kindred;
it is well allied: but it is impossible to extirp
it quite, friar, till eating and drinking be put
down. They say this Angelo was not made by man and
woman after this downright way of creation: is it
true, think you?
DUKE VINCENTIO
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 333
Page No 338
How should he be made, then?
LUCIO
Some report a seamaid spawned him; some, that he
was begot between two stockfishes. But it is
certain that when he makes water his urine is
congealed ice; that I know to be true: and he is a
motion generative; that's infallible.
DUKE VINCENTIO
You are pleasant, sir, and speak apace.
LUCIO
Why, what a ruthless thing is this in him, for the
rebellion of a codpiece to take away the life of a
man! Would the duke that is absent have done this?
Ere he would have hanged a man for the getting a
hundred bastards, he would have paid for the nursing
a thousand: he had some feeling of the sport: he
knew the service, and that instructed him to mercy.
DUKE VINCENTIO
I never heard the absent duke much detected for
women; he was not inclined that way.
LUCIO
O, sir, you are deceived.
DUKE VINCENTIO
'Tis not possible.
LUCIO
Who, not the duke? yes, your beggar of fifty; and
his use was to put a ducat in her clackdish: the
duke had crotchets in him. He would be drunk too;
that let me inform you.
DUKE VINCENTIO
You do him wrong, surely.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 334
Page No 339
LUCIO
Sir, I was an inward of his. A shy fellow was the
duke: and I believe I know the cause of his
withdrawing.
DUKE VINCENTIO
What, I prithee, might be the cause?
LUCIO
No, pardon; 'tis a secret must be locked within the
teeth and the lips: but this I can let you
understand, the greater file of the subject held the
duke to be wise.
DUKE VINCENTIO
Wise! why, no question but he was.
LUCIO
A very superficial, ignorant, unweighing fellow.
DUKE VINCENTIO
Either this is the envy in you, folly, or mistaking:
the very stream of his life and the business he hath
helmed must upon a warranted need give him a better
proclamation. Let him be but testimonied in his own
bringingsforth, and he shall appear to the
envious a scholar, a statesman and a soldier.
Therefore you speak unskilfully: or if your
knowledge be more it is much darkened in your malice.
LUCIO
Sir, I know him, and I love him.
DUKE VINCENTIO
Love talks with better knowledge, and knowledge with
dearer love.
LUCIO
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Act 3, Scene 2 335
Page No 340
Come, sir, I know what I know.
DUKE VINCENTIO
I can hardly believe that, since you know not what
you speak. But, if ever the duke return, as our
prayers are he may, let me desire you to make your
answer before him. If it be honest you have spoke,
you have courage to maintain it: I am bound to call
upon you; and, I pray you, your name?
LUCIO
Sir, my name is Lucio; well known to the duke.
DUKE VINCENTIO
He shall know you better, sir, if I may live to
report you.
LUCIO
I fear you not.
DUKE VINCENTIO
O, you hope the duke will return no more; or you
imagine me too unhurtful an opposite. But indeed I
can do you little harm; you'll forswear this again.
LUCIO
I'll be hanged first: thou art deceived in me,
friar. But no more of this. Canst thou tell if
Claudio die tomorrow or no?
DUKE VINCENTIO
Why should he die, sir?
LUCIO
Why? For filling a bottle with a tundish. I would
the duke we talk of were returned again: the
ungenitured agent will unpeople the province with
continency; sparrows must not build in his
houseeaves, because they are lecherous. The duke
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 336
Page No 341
yet would have dark deeds darkly answered; he would
never bring them to light: would he were returned!
Marry, this Claudio is condemned for untrussing.
Farewell, good friar: I prithee, pray for me. The
duke, I say to thee again, would eat mutton on
Fridays. He's not past it yet, and I say to thee,
he would mouth with a beggar, though she smelt brown
bread and garlic: say that I said so. Farewell.
Exit
DUKE VINCENTIO
No might nor greatness in mortality
Can censure 'scape; backwounding calumny
The whitest virtue strikes. What king so strong
Can tie the gall up in the slanderous tongue?
But who comes here?
Enter ESCALUS, Provost, and Officers with MISTRESS OVERDONE
ESCALUS
Go; away with her to prison!
MISTRESS OVERDONE
Good my lord, be good to me; your honour is accounted
a merciful man; good my lord.
ESCALUS
Double and treble admonition, and still forfeit in
the same kind! This would make mercy swear and play
the tyrant.
Provost
A bawd of eleven years' continuance, may it please
your honour.
MISTRESS OVERDONE
My lord, this is one Lucio's information against me.
Mistress Kate Keepdown was with child by him in the
duke's time; he promised her marriage: his child
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 337
Page No 342
is a year and a quarter old, come Philip and Jacob:
I have kept it myself; and see how he goes about to abuse me!
ESCALUS
That fellow is a fellow of much licence: let him be
called before us. Away with her to prison! Go to;
no more words.
Exeunt Officers with MISTRESS OVERDONE
Provost, my brother Angelo will not be altered;
Claudio must die tomorrow: let him be furnished
with divines, and have all charitable preparation.
if my brother wrought by my pity, it should not be
so with him.
Provost
So please you, this friar hath been with him, and
advised him for the entertainment of death.
ESCALUS
Good even, good father.
DUKE VINCENTIO
Bliss and goodness on you!
ESCALUS
Of whence are you?
DUKE VINCENTIO
Not of this country, though my chance is now
To use it for my time: I am a brother
Of gracious order, late come from the See
In special business from his holiness.
ESCALUS
What news abroad i' the world?
DUKE VINCENTIO
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 338
Page No 343
None, but that there is so great a fever on
goodness, that the dissolution of it must cure it:
novelty is only in request; and it is as dangerous
to be aged in any kind of course, as it is virtuous
to be constant in any undertaking. There is scarce
truth enough alive to make societies secure; but
security enough to make fellowships accurst: much
upon this riddle runs the wisdom of the world. This
news is old enough, yet it is every day's news. I
pray you, sir, of what disposition was the duke?
ESCALUS
One that, above all other strifes, contended
especially to know himself.
DUKE VINCENTIO
What pleasure was he given to?
ESCALUS
Rather rejoicing to see another merry, than merry at
any thing which professed to make him rejoice: a
gentleman of all temperance. But leave we him to
his events, with a prayer they may prove prosperous;
and let me desire to know how you find Claudio
prepared. I am made to understand that you have
lent him visitation.
DUKE VINCENTIO
He professes to have received no sinister measure
from his judge, but most willingly humbles himself
to the determination of justice: yet had he framed
to himself, by the instruction of his frailty, many
deceiving promises of life; which I by my good
leisure have discredited to him, and now is he
resolved to die.
ESCALUS
You have paid the heavens your function, and the
prisoner the very debt of your calling. I have
laboured for the poor gentleman to the extremest
shore of my modesty: but my brother justice have I
found so severe, that he hath forced me to tell him
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Act 3, Scene 2 339
Page No 344
he is indeed Justice.
DUKE VINCENTIO
If his own life answer the straitness of his
proceeding, it shall become him well; wherein if he
chance to fail, he hath sentenced himself.
ESCALUS
I am going to visit the prisoner. Fare you well.
DUKE VINCENTIO
Peace be with you!
Exeunt ESCALUS and Provost
He who the sword of heaven will bear
Should be as holy as severe;
Pattern in himself to know,
Grace to stand, and virtue go;
More nor less to others paying
Than by selfoffences weighing.
Shame to him whose cruel striking
Kills for faults of his own liking!
Twice treble shame on Angelo,
To weed my vice and let his grow!
O, what may man within him hide,
Though angel on the outward side!
How may likeness made in crimes,
Making practise on the times,
To draw with idle spiders' strings
Most ponderous and substantial things!
Craft against vice I must apply:
With Angelo tonight shall lie
His old betrothed but despised;
So disguise shall, by the disguised,
Pay with falsehood false exacting,
And perform an old contracting.
Exit
Act 4, Scene 1
The moated grange at ST. LUKE's.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 1 340
Page No 345
Enter MARIANA and a Boy
Boy sings
Take, O, take those lips away,
That so sweetly were forsworn;
And those eyes, the break of day,
Lights that do mislead the morn:
But my kisses bring again, bring again;
Seals of love, but sealed in vain, sealed in vain.
MARIANA
Break off thy song, and haste thee quick away:
Here comes a man of comfort, whose advice
Hath often still'd my brawling discontent.
Exit Boy
Enter DUKE VINCENTIO disguised as before
I cry you mercy, sir; and well could wish
You had not found me here so musical:
Let me excuse me, and believe me so,
My mirth it much displeased, but pleased my woe.
DUKE VINCENTIO
'Tis good; though music oft hath such a charm
To make bad good, and good provoke to harm.
I pray, you, tell me, hath any body inquired
for me here today? much upon this time have
I promised here to meet.
MARIANA
You have not been inquired after:
I have sat here all day.
Enter ISABELLA
DUKE VINCENTIO
I do constantly believe you. The time is come even
now. I shall crave your forbearance a little: may
be I will call upon you anon, for some advantage to yourself.
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Act 4, Scene 1 341
Page No 346
MARIANA
I am always bound to you.
Exit
DUKE VINCENTIO
Very well met, and well come.
What is the news from this good deputy?
ISABELLA
He hath a garden circummured with brick,
Whose western side is with a vineyard back'd;
And to that vineyard is a planched gate,
That makes his opening with this bigger key:
This other doth command a little door
Which from the vineyard to the garden leads;
There have I made my promise
Upon the heavy middle of the night
To call upon him.
DUKE VINCENTIO
But shall you on your knowledge find this way?
ISABELLA
I have ta'en a due and wary note upon't:
With whispering and most guilty diligence,
In action all of precept, he did show me
The way twice o'er.
DUKE VINCENTIO
Are there no other tokens
Between you 'greed concerning her observance?
ISABELLA
No, none, but only a repair i' the dark;
And that I have possess'd him my most stay
Can be but brief; for I have made him know
I have a servant comes with me along,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 1 342
Page No 347
That stays upon me, whose persuasion is
I come about my brother.
DUKE VINCENTIO
'Tis well borne up.
I have not yet made known to Mariana
A word of this. What, ho! within! come forth!
Reenter MARIANA
I pray you, be acquainted with this maid;
She comes to do you good.
ISABELLA
I do desire the like.
DUKE VINCENTIO
Do you persuade yourself that I respect you?
MARIANA
Good friar, I know you do, and have found it.
DUKE VINCENTIO
Take, then, this your companion by the hand,
Who hath a story ready for your ear.
I shall attend your leisure: but make haste;
The vaporous night approaches.
MARIANA
Will't please you walk aside?
Exeunt MARIANA and ISABELLA
DUKE VINCENTIO
O place and greatness! millions of false eyes
Are stuck upon thee: volumes of report
Run with these false and most contrarious quests
Upon thy doings: thousand escapes of wit
Make thee the father of their idle dreams
And rack thee in their fancies.
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Act 4, Scene 1 343
Page No 348
Reenter MARIANA and ISABELLA
Welcome, how agreed?
ISABELLA
She'll take the enterprise upon her, father,
If you advise it.
DUKE VINCENTIO
It is not my consent,
But my entreaty too.
ISABELLA
Little have you to say
When you depart from him, but, soft and low,
'Remember now my brother.'
MARIANA
Fear me not.
DUKE VINCENTIO
Nor, gentle daughter, fear you not at all.
He is your husband on a precontract:
To bring you thus together, 'tis no sin,
Sith that the justice of your title to him
Doth flourish the deceit. Come, let us go:
Our corn's to reap, for yet our tithe's to sow.
Exeunt
Act 4, Scene 2
A room in the prison.
Enter Provost and POMPEY
Provost
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Act 4, Scene 2 344
Page No 349
Come hither, sirrah. Can you cut off a man's head?
POMPEY
If the man be a bachelor, sir, I can; but if he be a
married man, he's his wife's head, and I can never
cut off a woman's head.
Provost
Come, sir, leave me your snatches, and yield me a
direct answer. Tomorrow morning are to die Claudio
and Barnardine. Here is in our prison a common
executioner, who in his office lacks a helper: if
you will take it on you to assist him, it shall
redeem you from your gyves; if not, you shall have
your full time of imprisonment and your deliverance
with an unpitied whipping, for you have been a
notorious bawd.
POMPEY
Sir, I have been an unlawful bawd time out of mind;
but yet I will be content to be a lawful hangman. I
would be glad to receive some instruction from my
fellow partner.
Provost
What, ho! Abhorson! Where's Abhorson, there?
Enter ABHORSON
ABHORSON
Do you call, sir?
Provost
Sirrah, here's a fellow will help you tomorrow in
your execution. If you think it meet, compound with
him by the year, and let him abide here with you; if
not, use him for the present and dismiss him. He
cannot plead his estimation with you; he hath been a bawd.
ABHORSON
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Act 4, Scene 2 345
Page No 350
A bawd, sir? fie upon him! he will discredit our mystery.
Provost
Go to, sir; you weigh equally; a feather will turn
the scale.
Exit
POMPEY
Pray, sir, by your good favour,for surely, sir, a
good favour you have, but that you have a hanging
look,do you call, sir, your occupation a mystery?
ABHORSON
Ay, sir; a mystery
POMPEY
Painting, sir, I have heard say, is a mystery; and
your whores, sir, being members of my occupation,
using painting, do prove my occupation a mystery:
but what mystery there should be in hanging, if I
should be hanged, I cannot imagine.
ABHORSON
Sir, it is a mystery.
POMPEY
Proof?
ABHORSON
Every true man's apparel fits your thief: if it be
too little for your thief, your true man thinks it
big enough; if it be too big for your thief, your
thief thinks it little enough: so every true man's
apparel fits your thief.
Reenter Provost
Provost
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 346
Page No 351
Are you agreed?
POMPEY
Sir, I will serve him; for I do find your hangman is
a more penitent trade than your bawd; he doth
oftener ask forgiveness.
Provost
You, sirrah, provide your block and your axe
tomorrow four o'clock.
ABHORSON
Come on, bawd; I will instruct thee in my trade; follow.
POMPEY
I do desire to learn, sir: and I hope, if you have
occasion to use me for your own turn, you shall find
me yare; for truly, sir, for your kindness I owe you
a good turn.
Provost
Call hither Barnardine and Claudio:
Exeunt POMPEY and ABHORSON
The one has my pity; not a jot the other,
Being a murderer, though he were my brother.
Enter CLAUDIO
Look, here's the warrant, Claudio, for thy death:
'Tis now dead midnight, and by eight tomorrow
Thou must be made immortal. Where's Barnardine?
CLAUDIO
As fast lock'd up in sleep as guiltless labour
When it lies starkly in the traveller's bones:
He will not wake.
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Act 4, Scene 2 347
Page No 352
Provost
Who can do good on him?
Well, go, prepare yourself.
Knocking within
But, hark, what noise?
Heaven give your spirits comfort!
Exit CLAUDIO
By and by.
I hope it is some pardon or reprieve
For the most gentle Claudio.
Enter DUKE VINCENTIO disguised as before
Welcome father.
DUKE VINCENTIO
The best and wholesomest spirts of the night
Envelope you, good Provost! Who call'd here of late?
Provost
None, since the curfew rung.
DUKE VINCENTIO
Not Isabel?
Provost
No.
DUKE VINCENTIO
They will, then, ere't be long.
Provost
What comfort is for Claudio?
DUKE VINCENTIO
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 348
Page No 353
There's some in hope.
Provost
It is a bitter deputy.
DUKE VINCENTIO
Not so, not so; his life is parallel'd
Even with the stroke and line of his great justice:
He doth with holy abstinence subdue
That in himself which he spurs on his power
To qualify in others: were he meal'd with that
Which he corrects, then were he tyrannous;
But this being so, he's just.
Knocking within
Now are they come.
Exit Provost
This is a gentle provost: seldom when
The steeled gaoler is the friend of men.
Knocking within
How now! what noise? That spirit's possessed with haste
That wounds the unsisting postern with these strokes.
Reenter Provost
Provost
There he must stay until the officer
Arise to let him in: he is call'd up.
DUKE VINCENTIO
Have you no countermand for Claudio yet,
But he must die tomorrow?
Provost
None, sir, none.
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Act 4, Scene 2 349
Page No 354
DUKE VINCENTIO
As near the dawning, provost, as it is,
You shall hear more ere morning.
Provost
Happily
You something know; yet I believe there comes
No countermand; no such example have we:
Besides, upon the very siege of justice
Lord Angelo hath to the public ear
Profess'd the contrary.
Enter a Messenger
This is his lordship's man.
DUKE VINCENTIO
And here comes Claudio's pardon.
Messenger
[Giving a paper]
My lord hath sent you this note; and by me this
further charge, that you swerve not from the
smallest article of it, neither in time, matter, or
other circumstance. Good morrow; for, as I take it,
it is almost day.
Provost
I shall obey him.
Exit Messenger
DUKE VINCENTIO
[Aside] This is his pardon, purchased by such sin
For which the pardoner himself is in.
Hence hath offence his quick celerity,
When it is born in high authority:
When vice makes mercy, mercy's so extended,
That for the fault's love is the offender friended.
Now, sir, what news?
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Act 4, Scene 2 350
Page No 355
Provost
I told you. Lord Angelo, belike thinking me remiss
in mine office, awakens me with this unwonted
puttingon; methinks strangely, for he hath not used it before.
DUKE VINCENTIO
Pray you, let's hear.
Provost
[Reads]
'Whatsoever you may hear to the contrary, let
Claudio be executed by four of the clock; and in the
afternoon Barnardine: for my better satisfaction,
let me have Claudio's head sent me by five. Let
this be duly performed; with a thought that more
depends on it than we must yet deliver. Thus fail
not to do your office, as you will answer it at your peril.'
What say you to this, sir?
DUKE VINCENTIO
What is that Barnardine who is to be executed in the
afternoon?
Provost
A Bohemian born, but here nursed un and bred; one
that is a prisoner nine years old.
DUKE VINCENTIO
How came it that the absent duke had not either
delivered him to his liberty or executed him? I
have heard it was ever his manner to do so.
Provost
His friends still wrought reprieves for him: and,
indeed, his fact, till now in the government of Lord
Angelo, came not to an undoubtful proof.
DUKE VINCENTIO
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Act 4, Scene 2 351
Page No 356
It is now apparent?
Provost
Most manifest, and not denied by himself.
DUKE VINCENTIO
Hath he born himself penitently in prison? how
seems he to be touched?
Provost
A man that apprehends death no more dreadfully but
as a drunken sleep; careless, reckless, and fearless
of what's past, present, or to come; insensible of
mortality, and desperately mortal.
DUKE VINCENTIO
He wants advice.
Provost
He will hear none: he hath evermore had the liberty
of the prison; give him leave to escape hence, he
would not: drunk many times a day, if not many days
entirely drunk. We have very oft awaked him, as if
to carry him to execution, and showed him a seeming
warrant for it: it hath not moved him at all.
DUKE VINCENTIO
More of him anon. There is written in your brow,
provost, honesty and constancy: if I read it not
truly, my ancient skill beguiles me; but, in the
boldness of my cunning, I will lay myself in hazard.
Claudio, whom here you have warrant to execute, is
no greater forfeit to the law than Angelo who hath
sentenced him. To make you understand this in a
manifested effect, I crave but four days' respite;
for the which you are to do me both a present and a
dangerous courtesy.
Provost
Pray, sir, in what?
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Act 4, Scene 2 352
Page No 357
DUKE VINCENTIO
In the delaying death.
Provost
A lack, how may I do it, having the hour limited,
and an express command, under penalty, to deliver
his head in the view of Angelo? I may make my case
as Claudio's, to cross this in the smallest.
DUKE VINCENTIO
By the vow of mine order I warrant you, if my
instructions may be your guide. Let this Barnardine
be this morning executed, and his head born to Angelo.
Provost
Angelo hath seen them both, and will discover the favour.
DUKE VINCENTIO
O, death's a great disguiser; and you may add to it.
Shave the head, and tie the beard; and say it was
the desire of the penitent to be so bared before his
death: you know the course is common. If any thing
fall to you upon this, more than thanks and good
fortune, by the saint whom I profess, I will plead
against it with my life.
Provost
Pardon me, good father; it is against my oath.
DUKE VINCENTIO
Were you sworn to the duke, or to the deputy?
Provost
To him, and to his substitutes.
DUKE VINCENTIO
You will think you have made no offence, if the duke
avouch the justice of your dealing?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 353
Page No 358
Provost
But what likelihood is in that?
DUKE VINCENTIO
Not a resemblance, but a certainty. Yet since I see
you fearful, that neither my coat, integrity, nor
persuasion can with ease attempt you, I will go
further than I meant, to pluck all fears out of you.
Look you, sir, here is the hand and seal of the
duke: you know the character, I doubt not; and the
signet is not strange to you.
Provost
I know them both.
DUKE VINCENTIO
The contents of this is the return of the duke: you
shall anon overread it at your pleasure; where you
shall find, within these two days he will be here.
This is a thing that Angelo knows not; for he this
very day receives letters of strange tenor;
perchance of the duke's death; perchance entering
into some monastery; but, by chance, nothing of what
is writ. Look, the unfolding star calls up the
shepherd. Put not yourself into amazement how these
things should be: all difficulties are but easy
when they are known. Call your executioner, and off
with Barnardine's head: I will give him a present
shrift and advise him for a better place. Yet you
are amazed; but this shall absolutely resolve you.
Come away; it is almost clear dawn.
Exeunt
Act 4, Scene 3
Another room in the same.
Enter POMPEY
POMPEY
I am as well acquainted here as I was in our house
of profession: one would think it were Mistress
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 3 354
Page No 359
Overdone's own house, for here be many of her old
customers. First, here's young Master Rash; he's in
for a commodity of brown paper and old ginger,
ninescore and seventeen pounds; of which he made
five marks, ready money: marry, then ginger was not
much in request, for the old women were all dead.
Then is there here one Master Caper, at the suit of
Master Threepile the mercer, for some four suits of
peachcoloured satin, which now peaches him a
beggar. Then have we here young Dizy, and young
Master Deepvow, and Master Copperspur, and Master
Starvelackey the rapier and dagger man, and young
Dropheir that killed lusty Pudding, and Master
Forthlight the tilter, and brave Master Shooty the
great traveller, and wild Halfcan that stabbed
Pots, and, I think, forty more; all great doers in
our trade, and are now 'for the Lord's sake.'
Enter ABHORSON
ABHORSON
Sirrah, bring Barnardine hither.
POMPEY
Master Barnardine! you must rise and be hanged.
Master Barnardine!
ABHORSON
What, ho, Barnardine!
BARNARDINE
[Within] A pox o' your throats! Who makes that
noise there? What are you?
POMPEY
Your friends, sir; the hangman. You must be so
good, sir, to rise and be put to death.
BARNARDINE
[Within] Away, you rogue, away! I am sleepy.
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Act 4, Scene 3 355
Page No 360
ABHORSON
Tell him he must awake, and that quickly too.
POMPEY
Pray, Master Barnardine, awake till you are
executed, and sleep afterwards.
ABHORSON
Go in to him, and fetch him out.
POMPEY
He is coming, sir, he is coming; I hear his straw rustle.
ABHORSON
Is the axe upon the block, sirrah?
POMPEY
Very ready, sir.
Enter BARNARDINE
BARNARDINE
How now, Abhorson? what's the news with you?
ABHORSON
Truly, sir, I would desire you to clap into your
prayers; for, look you, the warrant's come.
BARNARDINE
You rogue, I have been drinking all night; I am not
fitted for 't.
POMPEY
O, the better, sir; for he that drinks all night,
and is hanged betimes in the morning, may sleep the
sounder all the next day.
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Act 4, Scene 3 356
Page No 361
ABHORSON
Look you, sir; here comes your ghostly father: do
we jest now, think you?
Enter DUKE VINCENTIO disguised as before
DUKE VINCENTIO
Sir, induced by my charity, and hearing how hastily
you are to depart, I am come to advise you, comfort
you and pray with you.
BARNARDINE Friar, not I
I have been drinking hard all night,
and I will have more time to prepare me, or they
shall beat out my brains with billets: I will not
consent to die this day, that's certain.
DUKE VINCENTIO
O, sir, you must: and therefore I beseech you
Look forward on the journey you shall go.
BARNARDINE
I swear I will not die today for any man's
persuasion.
DUKE VINCENTIO
But hear you.
BARNARDINE
Not a word: if you have any thing to say to me,
come to my ward; for thence will not I today.
Exit
DUKE VINCENTIO
Unfit to live or die: O gravel heart!
After him, fellows; bring him to the block.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 3 357
Page No 362
Exeunt ABHORSON and POMPEY
Reenter Provost
Provost
Now, sir, how do you find the prisoner?
DUKE VINCENTIO
A creature unprepared, unmeet for death;
And to transport him in the mind he is
Were damnable.
Provost
Here in the prison, father,
There died this morning of a cruel fever
One Ragozine, a most notorious pirate,
A man of Claudio's years; his beard and head
Just of his colour. What if we do omit
This reprobate till he were well inclined;
And satisfy the deputy with the visage
Of Ragozine, more like to Claudio?
DUKE VINCENTIO
O, 'tis an accident that heaven provides!
Dispatch it presently; the hour draws on
Prefix'd by Angelo: see this be done,
And sent according to command; whiles I
Persuade this rude wretch willingly to die.
Provost
This shall be done, good father, presently.
But Barnardine must die this afternoon:
And how shall we continue Claudio,
To save me from the danger that might come
If he were known alive?
DUKE VINCENTIO
Let this be done.
Put them in secret holds, both Barnardine and Claudio:
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Act 4, Scene 3 358
Page No 363
Ere twice the sun hath made his journal greeting
To the under generation, you shall find
Your safety manifested.
Provost
I am your free dependant.
DUKE VINCENTIO
Quick, dispatch, and send the head to Angelo.
Exit Provost
Now will I write letters to Angelo,
The provost, he shall bear them, whose contents
Shall witness to him I am near at home,
And that, by great injunctions, I am bound
To enter publicly: him I'll desire
To meet me at the consecrated fount
A league below the city; and from thence,
By cold gradation and wellbalanced form,
We shall proceed with Angelo.
Reenter Provost
Provost
Here is the head; I'll carry it myself.
DUKE VINCENTIO
Convenient is it. Make a swift return;
For I would commune with you of such things
That want no ear but yours.
Provost
I'll make all speed.
Exit
ISABELLA
[Within] Peace, ho, be here!
DUKE VINCENTIO
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Act 4, Scene 3 359
Page No 364
The tongue of Isabel. She's come to know
If yet her brother's pardon be come hither:
But I will keep her ignorant of her good,
To make her heavenly comforts of despair,
When it is least expected.
Enter ISABELLA
ISABELLA
Ho, by your leave!
DUKE VINCENTIO
Good morning to you, fair and gracious daughter.
ISABELLA
The better, given me by so holy a man.
Hath yet the deputy sent my brother's pardon?
DUKE VINCENTIO
He hath released him, Isabel, from the world:
His head is off and sent to Angelo.
ISABELLA
Nay, but it is not so.
DUKE VINCENTIO
It is no other: show your wisdom, daughter,
In your close patience.
ISABELLA
O, I will to him and pluck out his eyes!
DUKE VINCENTIO
You shall not be admitted to his sight.
ISABELLA
Unhappy Claudio! wretched Isabel!
Injurious world! most damned Angelo!
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Act 4, Scene 3 360
Page No 365
DUKE VINCENTIO
This nor hurts him nor profits you a jot;
Forbear it therefore; give your cause to heaven.
Mark what I say, which you shall find
By every syllable a faithful verity:
The duke comes home tomorrow; nay, dry your eyes;
One of our convent, and his confessor,
Gives me this instance: already he hath carried
Notice to Escalus and Angelo,
Who do prepare to meet him at the gates,
There to give up their power. If you can, pace your wisdom
In that good path that I would wish it go,
And you shall have your bosom on this wretch,
Grace of the duke, revenges to your heart,
And general honour.
ISABELLA
I am directed by you.
DUKE VINCENTIO
This letter, then, to Friar Peter give;
'Tis that he sent me of the duke's return:
Say, by this token, I desire his company
At Mariana's house tonight. Her cause and yours
I'll perfect him withal, and he shall bring you
Before the duke, and to the head of Angelo
Accuse him home and home. For my poor self,
I am combined by a sacred vow
And shall be absent. Wend you with this letter:
Command these fretting waters from your eyes
With a light heart; trust not my holy order,
If I pervert your course. Who's here?
Enter LUCIO
LUCIO
Good even. Friar, where's the provost?
DUKE VINCENTIO
Not within, sir.
LUCIO
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Act 4, Scene 3 361
Page No 366
O pretty Isabella, I am pale at mine heart to see
thine eyes so red: thou must be patient. I am fain
to dine and sup with water and bran; I dare not for
my head fill my belly; one fruitful meal would set
me to 't. But they say the duke will be here
tomorrow. By my troth, Isabel, I loved thy brother:
if the old fantastical duke of dark corners had been
at home, he had lived.
Exit ISABELLA
DUKE VINCENTIO
Sir, the duke is marvellous little beholding to your
reports; but the best is, he lives not in them.
LUCIO
Friar, thou knowest not the duke so well as I do:
he's a better woodman than thou takest him for.
DUKE VINCENTIO
Well, you'll answer this one day. Fare ye well.
LUCIO
Nay, tarry; I'll go along with thee
I can tell thee pretty tales of the duke.
DUKE VINCENTIO
You have told me too many of him already, sir, if
they be true; if not true, none were enough.
LUCIO
I was once before him for getting a wench with child.
DUKE VINCENTIO
Did you such a thing?
LUCIO Yes, marry, did I
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Act 4, Scene 3 362
Page No 367
but I was fain to forswear it;
they would else have married me to the rotten medlar.
DUKE VINCENTIO
Sir, your company is fairer than honest. Rest you well.
LUCIO
By my troth, I'll go with thee to the lane's end:
if bawdy talk offend you, we'll have very little of
it. Nay, friar, I am a kind of burr; I shall stick.
Exeunt
Act 4, Scene 4
A room in ANGELO's house.
Enter ANGELO and ESCALUS
ESCALUS
Every letter he hath writ hath disvouched other.
ANGELO
In most uneven and distracted manner. His actions
show much like to madness: pray heaven his wisdom be
not tainted! And why meet him at the gates, and
redeliver our authorities there
ESCALUS
I guess not.
ANGELO
And why should we proclaim it in an hour before his
entering, that if any crave redress of injustice,
they should exhibit their petitions in the street?
ESCALUS
He shows his reason for that: to have a dispatch of
complaints, and to deliver us from devices
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Act 4, Scene 4 363
Page No 368
hereafter, which shall then have no power to stand
against us.
ANGELO
Well, I beseech you, let it be proclaimed betimes
i' the morn; I'll call you at your house: give
notice to such men of sort and suit as are to meet
him.
ESCALUS
I shall, sir. Fare you well.
ANGELO
Good night.
Exit ESCALUS
This deed unshapes me quite, makes me unpregnant
And dull to all proceedings. A deflower'd maid!
And by an eminent body that enforced
The law against it! But that her tender shame
Will not proclaim against her maiden loss,
How might she tongue me! Yet reason dares her no;
For my authority bears of a credent bulk,
That no particular scandal once can touch
But it confounds the breather. He should have lived,
Save that riotous youth, with dangerous sense,
Might in the times to come have ta'en revenge,
By so receiving a dishonour'd life
With ransom of such shame. Would yet he had lived!
A lack, when once our grace we have forgot,
Nothing goes right: we would, and we would not.
Exit
Act 4, Scene 5
Fields without the town.
Enter DUKE VINCENTIO in his own habit, and FRIAR PETER
DUKE VINCENTIO
These letters at fit time deliver me
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Act 4, Scene 5 364
Page No 369
Giving letters
The provost knows our purpose and our plot.
The matter being afoot, keep your instruction,
And hold you ever to our special drift;
Though sometimes you do blench from this to that,
As cause doth minister. Go call at Flavius' house,
And tell him where I stay: give the like notice
To Valentinus, Rowland, and to Crassus,
And bid them bring the trumpets to the gate;
But send me Flavius first.
FRIAR PETER
It shall be speeded well.
Exit
Enter VARRIUS
DUKE VINCENTIO
I thank thee, Varrius; thou hast made good haste:
Come, we will walk. There's other of our friends
Will greet us here anon, my gentle Varrius.
Exeunt
Act 4, Scene 6
Street near the city gate.
Enter ISABELLA and MARIANA
ISABELLA
To speak so indirectly I am loath:
I would say the truth; but to accuse him so,
That is your part: yet I am advised to do it;
He says, to veil full purpose.
MARIANA
Be ruled by him.
ISABELLA
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Act 4, Scene 6 365
Page No 370
Besides, he tells me that, if peradventure
He speak against me on the adverse side,
I should not think it strange; for 'tis a physic
That's bitter to sweet end.
MARIANA
I would Friar Peter
ISABELLA
O, peace! the friar is come.
Enter FRIAR PETER
FRIAR PETER
Come, I have found you out a stand most fit,
Where you may have such vantage on the duke,
He shall not pass you. Twice have the trumpets sounded;
The generous and gravest citizens
Have hent the gates, and very near upon
The duke is entering: therefore, hence, away!
Exeunt
Act 5, Scene 1
The city gate.
MARIANA veiled, ISABELLA, and FRIAR PETER, at their stand. Enter DUKE VINCENTIO,
VARRIUS, Lords, ANGELO, ESCALUS, LUCIO, Provost, Officers, and Citizens, at several
doors
DUKE VINCENTIO
My very worthy cousin, fairly met!
Our old and faithful friend, we are glad to see you.
ANGELO
|
| Happy return be to your royal grace!
ESCALUS
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Act 5, Scene 1 366
Page No 371
|
DUKE VINCENTIO
Many and hearty thankings to you both.
We have made inquiry of you; and we hear
Such goodness of your justice, that our soul
Cannot but yield you forth to public thanks,
Forerunning more requital.
ANGELO
You make my bonds still greater.
DUKE VINCENTIO
O, your desert speaks loud; and I should wrong it,
To lock it in the wards of covert bosom,
When it deserves, with characters of brass,
A forted residence 'gainst the tooth of time
And razure of oblivion. Give me your hand,
And let the subject see, to make them know
That outward courtesies would fain proclaim
Favours that keep within. Come, Escalus,
You must walk by us on our other hand;
And good supporters are you.
FRIAR PETER and ISABELLA come forward
FRIAR PETER
Now is your time: speak loud and kneel before him.
ISABELLA
Justice, O royal duke! Vail your regard
Upon a wrong'd, I would fain have said, a maid!
O worthy prince, dishonour not your eye
By throwing it on any other object
Till you have heard me in my true complaint
And given me justice, justice, justice, justice!
DUKE VINCENTIO
Relate your wrongs; in what? by whom? be brief.
Here is Lord Angelo shall give you justice:
Reveal yourself to him.
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Act 5, Scene 1 367
Page No 372
ISABELLA
O worthy duke,
You bid me seek redemption of the devil:
Hear me yourself; for that which I must speak
Must either punish me, not being believed,
Or wring redress from you. Hear me, O hear me, here!
ANGELO
My lord, her wits, I fear me, are not firm:
She hath been a suitor to me for her brother
Cut off by course of justice,
ISABELLA
By course of justice!
ANGELO
And she will speak most bitterly and strange.
ISABELLA
Most strange, but yet most truly, will I speak:
That Angelo's forsworn; is it not strange?
That Angelo's a murderer; is 't not strange?
That Angelo is an adulterous thief,
An hypocrite, a virginviolator;
Is it not strange and strange?
DUKE VINCENTIO
Nay, it is ten times strange.
ISABELLA
It is not truer he is Angelo
Than this is all as true as it is strange:
Nay, it is ten times true; for truth is truth
To the end of reckoning.
DUKE VINCENTIO
Away with her! Poor soul,
She speaks this in the infirmity of sense.
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Act 5, Scene 1 368
Page No 373
ISABELLA
O prince, I conjure thee, as thou believest
There is another comfort than this world,
That thou neglect me not, with that opinion
That I am touch'd with madness! Make not impossible
That which but seems unlike: 'tis not impossible
But one, the wicked'st caitiff on the ground,
May seem as shy, as grave, as just, as absolute
As Angelo; even so may Angelo,
In all his dressings, characts, titles, forms,
Be an archvillain; believe it, royal prince:
If he be less, he's nothing; but he's more,
Had I more name for badness.
DUKE VINCENTIO
By mine honesty,
If she be mad,as I believe no other,
Her madness hath the oddest frame of sense,
Such a dependency of thing on thing,
As e'er I heard in madness.
ISABELLA
O gracious duke,
Harp not on that, nor do not banish reason
For inequality; but let your reason serve
To make the truth appear where it seems hid,
And hide the false seems true.
DUKE VINCENTIO
Many that are not mad
Have, sure, more lack of reason. What would you say?
ISABELLA
I am the sister of one Claudio,
Condemn'd upon the act of fornication
To lose his head; condemn'd by Angelo:
I, in probation of a sisterhood,
Was sent to by my brother; one Lucio
As then the messenger,
LUCIO
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Act 5, Scene 1 369
Page No 374
That's I, an't like your grace:
I came to her from Claudio, and desired her
To try her gracious fortune with Lord Angelo
For her poor brother's pardon.
ISABELLA
That's he indeed.
DUKE VINCENTIO
You were not bid to speak.
LUCIO
No, my good lord;
Nor wish'd to hold my peace.
DUKE VINCENTIO
I wish you now, then;
Pray you, take note of it: and when you have
A business for yourself, pray heaven you then
Be perfect.
LUCIO
I warrant your honour.
DUKE VINCENTIO
The warrants for yourself; take heed to't.
ISABELLA
This gentleman told somewhat of my tale,
LUCIO
Right.
DUKE VINCENTIO
It may be right; but you are i' the wrong
To speak before your time. Proceed.
ISABELLA
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Act 5, Scene 1 370
Page No 375
I went
To this pernicious caitiff deputy,
DUKE VINCENTIO
That's somewhat madly spoken.
ISABELLA
Pardon it;
The phrase is to the matter.
DUKE VINCENTIO
Mended again. The matter; proceed.
ISABELLA
In brief, to set the needless process by,
How I persuaded, how I pray'd, and kneel'd,
How he refell'd me, and how I replied,
For this was of much length,the vile conclusion
I now begin with grief and shame to utter:
He would not, but by gift of my chaste body
To his concupiscible intemperate lust,
Release my brother; and, after much debatement,
My sisterly remorse confutes mine honour,
And I did yield to him: but the next morn betimes,
His purpose surfeiting, he sends a warrant
For my poor brother's head.
DUKE VINCENTIO
This is most likely!
ISABELLA
O, that it were as like as it is true!
DUKE VINCENTIO
By heaven, fond wretch, thou knowist not what thou speak'st,
Or else thou art suborn'd against his honour
In hateful practise. First, his integrity
Stands without blemish. Next, it imports no reason
That with such vehemency he should pursue
Faults proper to himself: if he had so offended,
He would have weigh'd thy brother by himself
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Act 5, Scene 1 371
Page No 376
And not have cut him off. Some one hath set you on:
Confess the truth, and say by whose advice
Thou camest here to complain.
ISABELLA
And is this all?
Then, O you blessed ministers above,
Keep me in patience, and with ripen'd time
Unfold the evil which is here wrapt up
In countenance! Heaven shield your grace from woe,
As I, thus wrong'd, hence unbelieved go!
DUKE VINCENTIO
I know you'ld fain be gone. An officer!
To prison with her! Shall we thus permit
A blasting and a scandalous breath to fall
On him so near us? This needs must be a practise.
Who knew of Your intent and coming hither?
ISABELLA
One that I would were here, Friar Lodowick.
DUKE VINCENTIO
A ghostly father, belike. Who knows that Lodowick?
LUCIO
My lord, I know him; 'tis a meddling friar;
I do not like the man: had he been lay, my lord
For certain words he spake against your grace
In your retirement, I had swinged him soundly.
DUKE VINCENTIO
Words against me? this is a good friar, belike!
And to set on this wretched woman here
Against our substitute! Let this friar be found.
LUCIO
But yesternight, my lord, she and that friar,
I saw them at the prison: a saucy friar,
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Act 5, Scene 1 372
Page No 377
A very scurvy fellow.
FRIAR PETER
Blessed be your royal grace!
I have stood by, my lord, and I have heard
Your royal ear abused. First, hath this woman
Most wrongfully accused your substitute,
Who is as free from touch or soil with her
As she from one ungot.
DUKE VINCENTIO
We did believe no less.
Know you that Friar Lodowick that she speaks of?
FRIAR PETER
I know him for a man divine and holy;
Not scurvy, nor a temporary meddler,
As he's reported by this gentleman;
And, on my trust, a man that never yet
Did, as he vouches, misreport your grace.
LUCIO
My lord, most villanously; believe it.
FRIAR PETER
Well, he in time may come to clear himself;
But at this instant he is sick my lord,
Of a strange fever. Upon his mere request,
Being come to knowledge that there was complaint
Intended 'gainst Lord Angelo, came I hither,
To speak, as from his mouth, what he doth know
Is true and false; and what he with his oath
And all probation will make up full clear,
Whensoever he's convented. First, for this woman.
To justify this worthy nobleman,
So vulgarly and personally accused,
Her shall you hear disproved to her eyes,
Till she herself confess it.
DUKE VINCENTIO
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Act 5, Scene 1 373
Page No 378
Good friar, let's hear it.
ISABELLA is carried off guarded; and MARIANA comes forward
Do you not smile at this, Lord Angelo?
O heaven, the vanity of wretched fools!
Give us some seats. Come, cousin Angelo;
In this I'll be impartial; be you judge
Of your own cause. Is this the witness, friar?
First, let her show her face, and after speak.
MARIANA
Pardon, my lord; I will not show my face
Until my husband bid me.
DUKE VINCENTIO
What, are you married?
MARIANA
No, my lord.
DUKE VINCENTIO
Are you a maid?
MARIANA
No, my lord.
DUKE VINCENTIO
A widow, then?
MARIANA
Neither, my lord.
DUKE VINCENTIO
Why, you are nothing then: neither maid, widow, nor wife?
LUCIO
My lord, she may be a punk; for many of them are
neither maid, widow, nor wife.
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Act 5, Scene 1 374
Page No 379
DUKE VINCENTIO
Silence that fellow: I would he had some cause
To prattle for himself.
LUCIO
Well, my lord.
MARIANA
My lord; I do confess I ne'er was married;
And I confess besides I am no maid:
I have known my husband; yet my husband
Knows not that ever he knew me.
LUCIO
He was drunk then, my lord: it can be no better.
DUKE VINCENTIO
For the benefit of silence, would thou wert so too!
LUCIO
Well, my lord.
DUKE VINCENTIO
This is no witness for Lord Angelo.
MARIANA
Now I come to't my lord
She that accuses him of fornication,
In selfsame manner doth accuse my husband,
And charges him my lord, with such a time
When I'll depose I had him in mine arms
With all the effect of love.
ANGELO
Charges she more than me?
MARIANA
Not that I know.
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Act 5, Scene 1 375
Page No 380
DUKE VINCENTIO
No? you say your husband.
MARIANA
Why, just, my lord, and that is Angelo,
Who thinks he knows that he ne'er knew my body,
But knows he thinks that he knows Isabel's.
ANGELO
This is a strange abuse. Let's see thy face.
MARIANA
My husband bids me; now I will unmask.
Unveiling
This is that face, thou cruel Angelo,
Which once thou sworest was worth the looking on;
This is the hand which, with a vow'd contract,
Was fast belock'd in thine; this is the body
That took away the match from Isabel,
And did supply thee at thy gardenhouse
In her imagined person.
DUKE VINCENTIO
Know you this woman?
LUCIO
Carnally, she says.
DUKE VINCENTIO
Sirrah, no more!
LUCIO
Enough, my lord.
ANGELO
My lord, I must confess I know this woman:
And five years since there was some speech of marriage
Betwixt myself and her; which was broke off,
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Act 5, Scene 1 376
Page No 381
Partly for that her promised proportions
Came short of composition, but in chief
For that her reputation was disvalued
In levity: since which time of five years
I never spake with her, saw her, nor heard from her,
Upon my faith and honour.
MARIANA
Noble prince,
As there comes light from heaven and words from breath,
As there is sense in truth and truth in virtue,
I am affianced this man's wife as strongly
As words could make up vows: and, my good lord,
But Tuesday night last gone in's gardenhouse
He knew me as a wife. As this is true,
Let me in safety raise me from my knees
Or else for ever be confixed here,
A marble monument!
ANGELO
I did but smile till now:
Now, good my lord, give me the scope of justice
My patience here is touch'd. I do perceive
These poor informal women are no more
But instruments of some more mightier member
That sets them on: let me have way, my lord,
To find this practise out.
DUKE VINCENTIO
Ay, with my heart
And punish them to your height of pleasure.
Thou foolish friar, and thou pernicious woman,
Compact with her that's gone, think'st thou thy oaths,
Though they would swear down each particular saint,
Were testimonies against his worth and credit
That's seal'd in approbation? You, Lord Escalus,
Sit with my cousin; lend him your kind pains
To find out this abuse, whence 'tis derived.
There is another friar that set them on;
Let him be sent for.
FRIAR PETER
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Act 5, Scene 1 377
Page No 382
Would he were here, my lord! for he indeed
Hath set the women on to this complaint:
Your provost knows the place where he abides
And he may fetch him.
DUKE VINCENTIO
Go do it instantly.
Exit Provost
And you, my noble and wellwarranted cousin,
Whom it concerns to hear this matter forth,
Do with your injuries as seems you best,
In any chastisement: I for a while will leave you;
But stir not you till you have well determined
Upon these slanderers.
ESCALUS
My lord, we'll do it throughly.
Exit DUKE
Signior Lucio, did not you say you knew that
Friar Lodowick to be a dishonest person?
LUCIO
'Cucullus non facit monachum:' honest in nothing
but in his clothes; and one that hath spoke most
villanous speeches of the duke.
ESCALUS
We shall entreat you to abide here till he come and
enforce them against him: we shall find this friar a
notable fellow.
LUCIO
As any in Vienna, on my word.
ESCALUS
Call that same Isabel here once again; I would speak with her.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 378
Page No 383
Exit an Attendant
Pray you, my lord, give me leave to question; you
shall see how I'll handle her.
LUCIO
Not better than he, by her own report.
ESCALUS
Say you?
LUCIO
Marry, sir, I think, if you handled her privately,
she would sooner confess: perchance, publicly,
she'll be ashamed.
ESCALUS
I will go darkly to work with her.
LUCIO
That's the way; for women are light at midnight.
Reenter Officers with ISABELLA; and Provost with the DUKE VINCENTIO in his friar's
habit
ESCALUS
Come on, mistress: here's a gentlewoman denies all
that you have said.
LUCIO
My lord, here comes the rascal I spoke of; here with
the provost.
ESCALUS
In very good time: speak not you to him till we
call upon you.
LUCIO
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Act 5, Scene 1 379
Page No 384
Mum.
ESCALUS
Come, sir: did you set these women on to slander
Lord Angelo? they have confessed you did.
DUKE VINCENTIO
'Tis false.
ESCALUS
How! know you where you are?
DUKE VINCENTIO
Respect to your great place! and let the devil
Be sometime honour'd for his burning throne!
Where is the duke? 'tis he should hear me speak.
ESCALUS
The duke's in us; and we will hear you speak:
Look you speak justly.
DUKE VINCENTIO
Boldly, at least. But, O, poor souls,
Come you to seek the lamb here of the fox?
Good night to your redress! Is the duke gone?
Then is your cause gone too. The duke's unjust,
Thus to retort your manifest appeal,
And put your trial in the villain's mouth
Which here you come to accuse.
LUCIO
This is the rascal; this is he I spoke of.
ESCALUS
Why, thou unreverend and unhallow'd friar,
Is't not enough thou hast suborn'd these women
To accuse this worthy man, but, in foul mouth
And in the witness of his proper ear,
To call him villain? and then to glance from him
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Act 5, Scene 1 380
Page No 385
To the duke himself, to tax him with injustice?
Take him hence; to the rack with him! We'll touse you
Joint by joint, but we will know his purpose.
What 'unjust'!
DUKE VINCENTIO
Be not so hot; the duke
Dare no more stretch this finger of mine than he
Dare rack his own: his subject am I not,
Nor here provincial. My business in this state
Made me a looker on here in Vienna,
Where I have seen corruption boil and bubble
Till it o'errun the stew; laws for all faults,
But faults so countenanced, that the strong statutes
Stand like the forfeits in a barber's shop,
As much in mock as mark.
ESCALUS
Slander to the state! Away with him to prison!
ANGELO
What can you vouch against him, Signior Lucio?
Is this the man that you did tell us of?
LUCIO
'Tis he, my lord. Come hither, goodman baldpate:
do you know me?
DUKE VINCENTIO
I remember you, sir, by the sound of your voice: I
met you at the prison, in the absence of the duke.
LUCIO
O, did you so? And do you remember what you said of the duke?
DUKE VINCENTIO
Most notedly, sir.
LUCIO
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Act 5, Scene 1 381
Page No 386
Do you so, sir? And was the duke a fleshmonger, a
fool, and a coward, as you then reported him to be?
DUKE VINCENTIO
You must, sir, change persons with me, ere you make
that my report: you, indeed, spoke so of him; and
much more, much worse.
LUCIO
O thou damnable fellow! Did not I pluck thee by the
nose for thy speeches?
DUKE VINCENTIO
I protest I love the duke as I love myself.
ANGELO
Hark, how the villain would close now, after his
treasonable abuses!
ESCALUS
Such a fellow is not to be talked withal. Away with
him to prison! Where is the provost? Away with him
to prison! lay bolts enough upon him: let him
speak no more. Away with those giglots too, and
with the other confederate companion!
DUKE VINCENTIO
[To Provost] Stay, sir; stay awhile.
ANGELO
What, resists he? Help him, Lucio.
LUCIO
Come, sir; come, sir; come, sir; foh, sir! Why, you
baldpated, lying rascal, you must be hooded, must
you? Show your knave's visage, with a pox to you!
show your sheepbiting face, and be hanged an hour!
Will't not off?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 382
Page No 387
Pulls off the friar's hood, and discovers DUKE VINCENTIO
DUKE VINCENTIO
Thou art the first knave that e'er madest a duke.
First, provost, let me bail these gentle three.
To LUCIO
Sneak not away, sir; for the friar and you
Must have a word anon. Lay hold on him.
LUCIO
This may prove worse than hanging.
DUKE VINCENTIO
[To ESCALUS] What you have spoke I pardon: sit you down:
We'll borrow place of him.
To ANGELO
Sir, by your leave.
Hast thou or word, or wit, or impudence,
That yet can do thee office? If thou hast,
Rely upon it till my tale be heard,
And hold no longer out.
ANGELO
O my dread lord,
I should be guiltier than my guiltiness,
To think I can be undiscernible,
When I perceive your grace, like power divine,
Hath look'd upon my passes. Then, good prince,
No longer session hold upon my shame,
But let my trial be mine own confession:
Immediate sentence then and sequent death
Is all the grace I beg.
DUKE VINCENTIO
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Act 5, Scene 1 383
Page No 388
Come hither, Mariana.
Say, wast thou e'er contracted to this woman?
ANGELO
I was, my lord.
DUKE VINCENTIO
Go take her hence, and marry her instantly.
Do you the office, friar; which consummate,
Return him here again. Go with him, provost.
Exeunt ANGELO, MARIANA, FRIAR PETER and Provost
ESCALUS
My lord, I am more amazed at his dishonour
Than at the strangeness of it.
DUKE VINCENTIO
Come hither, Isabel.
Your friar is now your prince: as I was then
Advertising and holy to your business,
Not changing heart with habit, I am still
Attorney'd at your service.
ISABELLA
O, give me pardon,
That I, your vassal, have employ'd and pain'd
Your unknown sovereignty!
DUKE VINCENTIO
You are pardon'd, Isabel:
And now, dear maid, be you as free to us.
Your brother's death, I know, sits at your heart;
And you may marvel why I obscured myself,
Labouring to save his life, and would not rather
Make rash remonstrance of my hidden power
Than let him so be lost. O most kind maid,
It was the swift celerity of his death,
Which I did think with slower foot came on,
That brain'd my purpose. But, peace be with him!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 384
Page No 389
That life is better life, past fearing death,
Than that which lives to fear: make it your comfort,
So happy is your brother.
ISABELLA
I do, my lord.
Reenter ANGELO, MARIANA, FRIAR PETER, and Provost
DUKE VINCENTIO
For this newmarried man approaching here,
Whose salt imagination yet hath wrong'd
Your well defended honour, you must pardon
For Mariana's sake: but as he adjudged your brother,
Being criminal, in double violation
Of sacred chastity and of promisebreach
Thereon dependent, for your brother's life,
The very mercy of the law cries out
Most audible, even from his proper tongue,
'An Angelo for Claudio, death for death!'
Haste still pays haste, and leisure answers leisure;
Like doth quit like, and MEASURE">MEASURE still FOR MEASURE.
Then, Angelo, thy fault's thus manifested;
Which, though thou wouldst deny, denies thee vantage.
We do condemn thee to the very block
Where Claudio stoop'd to death, and with like haste.
Away with him!
MARIANA
O my most gracious lord,
I hope you will not mock me with a husband.
DUKE VINCENTIO
It is your husband mock'd you with a husband.
Consenting to the safeguard of your honour,
I thought your marriage fit; else imputation,
For that he knew you, might reproach your life
And choke your good to come; for his possessions,
Although by confiscation they are ours,
We do instate and widow you withal,
To buy you a better husband.
MARIANA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 385
Page No 390
O my dear lord,
I crave no other, nor no better man.
DUKE VINCENTIO
Never crave him; we are definitive.
MARIANA
Gentle my liege,
Kneeling
DUKE VINCENTIO
You do but lose your labour.
Away with him to death!
To LUCIO
Now, sir, to you.
MARIANA
O my good lord! Sweet Isabel, take my part;
Lend me your knees, and all my life to come
I'll lend you all my life to do you service.
DUKE VINCENTIO
Against all sense you do importune her:
Should she kneel down in mercy of this fact,
Her brother's ghost his paved bed would break,
And take her hence in horror.
MARIANA
Isabel,
Sweet Isabel, do yet but kneel by me;
Hold up your hands, say nothing; I'll speak all.
They say, best men are moulded out of faults;
And, for the most, become much more the better
For being a little bad: so may my husband.
O Isabel, will you not lend a knee?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 386
Page No 391
DUKE VINCENTIO
He dies for Claudio's death.
ISABELLA
Most bounteous sir,
Kneeling
Look, if it please you, on this man condemn'd,
As if my brother lived: I partly think
A due sincerity govern'd his deeds,
Till he did look on me: since it is so,
Let him not die. My brother had but justice,
In that he did the thing for which he died:
For Angelo,
His act did not o'ertake his bad intent,
And must be buried but as an intent
That perish'd by the way: thoughts are no subjects;
Intents but merely thoughts.
MARIANA
Merely, my lord.
DUKE VINCENTIO
Your suit's unprofitable; stand up, I say.
I have bethought me of another fault.
Provost, how came it Claudio was beheaded
At an unusual hour?
Provost
It was commanded so.
DUKE VINCENTIO
Had you a special warrant for the deed?
Provost
No, my good lord; it was by private message.
DUKE VINCENTIO
For which I do discharge you of your office:
Give up your keys.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 387
Page No 392
Provost
Pardon me, noble lord:
I thought it was a fault, but knew it not;
Yet did repent me, after more advice;
For testimony whereof, one in the prison,
That should by private order else have died,
I have reserved alive.
DUKE VINCENTIO
What's he?
Provost
His name is Barnardine.
DUKE VINCENTIO
I would thou hadst done so by Claudio.
Go fetch him hither; let me look upon him.
Exit Provost
ESCALUS
I am sorry, one so learned and so wise
As you, Lord Angelo, have still appear'd,
Should slip so grossly, both in the heat of blood.
And lack of temper'd judgment afterward.
ANGELO
I am sorry that such sorrow I procure:
And so deep sticks it in my penitent heart
That I crave death more willingly than mercy;
'Tis my deserving, and I do entreat it.
Reenter Provost, with BARNARDINE, CLAUDIO muffled, and JULIET
DUKE VINCENTIO
Which is that Barnardine?
Provost
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 388
Page No 393
This, my lord.
DUKE VINCENTIO
There was a friar told me of this man.
Sirrah, thou art said to have a stubborn soul.
That apprehends no further than this world,
And squarest thy life according. Thou'rt condemn'd:
But, for those earthly faults, I quit them all;
And pray thee take this mercy to provide
For better times to come. Friar, advise him;
I leave him to your hand. What muffled fellow's that?
Provost
This is another prisoner that I saved.
Who should have died when Claudio lost his head;
As like almost to Claudio as himself.
Unmuffles CLAUDIO
DUKE VINCENTIO
[To ISABELLA] If he be like your brother, for his sake
Is he pardon'd; and, for your lovely sake,
Give me your hand and say you will be mine.
He is my brother too: but fitter time for that.
By this Lord Angelo perceives he's safe;
Methinks I see a quickening in his eye.
Well, Angelo, your evil quits you well:
Look that you love your wife; her worth worth yours.
I find an apt remission in myself;
And yet here's one in place I cannot pardon.
To LUCIO
You, sirrah, that knew me for a fool, a coward,
One all of luxury, an ass, a madman;
Wherein have I so deserved of you,
That you extol me thus?
LUCIO
'Faith, my lord. I spoke it but according to the
trick. If you will hang me for it, you may; but I
had rather it would please you I might be whipt.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 389
Page No 394
DUKE VINCENTIO
Whipt first, sir, and hanged after.
Proclaim it, provost, round about the city.
Is any woman wrong'd by this lewd fellow,
As I have heard him swear himself there's one
Whom he begot with child, let her appear,
And he shall marry her: the nuptial finish'd,
Let him be whipt and hang'd.
LUCIO
I beseech your highness, do not marry me to a whore.
Your highness said even now, I made you a duke:
good my lord, do not recompense me in making me a cuckold.
DUKE VINCENTIO
Upon mine honour, thou shalt marry her.
Thy slanders I forgive; and therewithal
Remit thy other forfeits. Take him to prison;
And see our pleasure herein executed.
LUCIO
Marrying a punk, my lord, is pressing to death,
whipping, and hanging.
DUKE VINCENTIO
Slandering a prince deserves it.
Exit Officers with LUCIO
She, Claudio, that you wrong'd, look you restore.
Joy to you, Mariana! Love her, Angelo:
I have confess'd her and I know her virtue.
Thanks, good friend Escalus, for thy much goodness:
There's more behind that is more gratulate.
Thanks, provost, for thy care and secrecy:
We shill employ thee in a worthier place.
Forgive him, Angelo, that brought you home
The head of Ragozine for Claudio's:
The offence pardons itself. Dear Isabel,
I have a motion much imports your good;
Whereto if you'll a willing ear incline,
What's mine is yours and what is yours is mine.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 390
Page No 395
So, bring us to our palace; where we'll show
What's yet behind, that's meet you all should know.
Exeunt
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 391
Page No 396
Pericles: Prince of Tyre
Act 1, Scene 1
Antioch. A room in the palace.
Enter ANTIOCHUS, Prince PERICLES, and followers
ANTIOCHUS
Young prince of Tyre, you have at large received
The danger of the task you undertake.
PERICLES
I have, Antiochus, and, with a soul
Embolden'd with the glory of her praise,
Think death no hazard in this enterprise.
ANTIOCHUS
Bring in our daughter, clothed like a bride,
For the embracements even of Jove himself;
At whose conception, till Lucina reign'd,
Nature this dowry gave, to glad her presence,
The senatehouse of planets all did sit,
To knit in her their best perfections.
Music. Enter the Daughter of ANTIOCHUS
PERICLES
See where she comes, apparell'd like the spring,
Graces her subjects, and her thoughts the king
Of every virtue gives renown to men!
Her face the book of praises, where is read
Nothing but curious pleasures, as from thence
Sorrow were ever razed and testy wrath
Could never be her mild companion.
You gods that made me man, and sway in love,
That have inflamed desire in my breast
To taste the fruit of yon celestial tree,
Or die in the adventure, be my helps,
As I am son and servant to your will,
To compass such a boundless happiness!
Pericles: Prince of Tyre 392
Page No 397
ANTIOCHUS
Prince Pericles,
PERICLES
That would be son to great Antiochus.
ANTIOCHUS
Before thee stands this fair Hesperides,
With golden fruit, but dangerous to be touch'd;
For deathlike dragons here affright thee hard:
Her face, like heaven, enticeth thee to view
Her countless glory, which desert must gain;
And which, without desert, because thine eye
Presumes to reach, all thy whole heap must die.
Yon sometimes famous princes, like thyself,
Drawn by report, adventurous by desire,
Tell thee, with speechless tongues and semblance pale,
That without covering, save yon field of stars,
Here they stand martyrs, slain in Cupid's wars;
And with dead cheeks advise thee to desist
For going on death's net, whom none resist.
PERICLES
Antiochus, I thank thee, who hath taught
My frail mortality to know itself,
And by those fearful objects to prepare
This body, like to them, to what I must;
For death remember'd should be like a mirror,
Who tells us life's but breath, to trust it error.
I'll make my will then, and, as sick men do
Who know the world, see heaven, but, feeling woe,
Gripe not at earthly joys as erst they did;
So I bequeath a happy peace to you
And all good men, as every prince should do;
My riches to the earth from whence they came;
But my unspotted fire of love to you.
To the Daughter of ANTIOCHUS
Thus ready for the way of life or death,
I wait the sharpest blow, Antiochus.
ANTIOCHUS
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Pericles: Prince of Tyre 393
Page No 398
Scorning advice, read the conclusion then:
Which read and not expounded, 'tis decreed,
As these before thee thou thyself shalt bleed.
Daughter
Of all say'd yet, mayst thou prove prosperous!
Of all say'd yet, I wish thee happiness!
PERICLES
Like a bold champion, I assume the lists,
Nor ask advice of any other thought
But faithfulness and courage.
He reads the riddle
I am no viper, yet I feed
On mother's flesh which did me breed.
I sought a husband, in which labour
I found that kindness in a father:
He's father, son, and husband mild;
I mother, wife, and yet his child.
How they may be, and yet in two,
As you will live, resolve it you.
Sharp physic is the last: but, O you powers
That give heaven countless eyes to view men's acts,
Why cloud they not their sights perpetually,
If this be true, which makes me pale to read it?
Fair glass of light, I loved you, and could still,
Takes hold of the hand of the Daughter of ANTIOCHUS
Were not this glorious casket stored with ill:
But I must tell you, now my thoughts revolt
For he's no man on whom perfections wait
That, knowing sin within, will touch the gate.
You are a fair viol, and your sense the strings;
Who, finger'd to make man his lawful music,
Would draw heaven down, and all the gods, to hearken:
But being play'd upon before your time,
Hell only danceth at so harsh a chime.
Good sooth, I care not for you.
ANTIOCHUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Pericles: Prince of Tyre 394
Page No 399
Prince Pericles, touch not, upon thy life.
For that's an article within our law,
As dangerous as the rest. Your time's expired:
Either expound now, or receive your sentence.
PERICLES
Great king,
Few love to hear the sins they love to act;
'Twould braid yourself too near for me to tell it.
Who has a book of all that monarchs do,
He's more secure to keep it shut than shown:
For vice repeated is like the wandering wind.
Blows dust in other's eyes, to spread itself;
And yet the end of all is bought thus dear,
The breath is gone, and the sore eyes see clear:
To stop the air would hurt them. The blind mole casts
Copp'd hills towards heaven, to tell the earth is throng'd
By man's oppression; and the poor worm doth die for't.
Kings are earth's gods; in vice their law's
their will;
And if Jove stray, who dares say Jove doth ill?
It is enough you know; and it is fit,
What being more known grows worse, to smother it.
All love the womb that their first being bred,
Then give my tongue like leave to love my head.
ANTIOCHUS
[Aside] Heaven, that I had thy head! he has found
the meaning:
But I will gloze with him.Young prince of Tyre,
Though by the tenor of our strict edict,
Your exposition misinterpreting,
We might proceed to cancel of your days;
Yet hope, succeeding from so fair a tree
As your fair self, doth tune us otherwise:
Forty days longer we do respite you;
If by which time our secret be undone,
This mercy shows we'll joy in such a son:
And until then your entertain shall be
As doth befit our honour and your worth.
Exeunt all but PERICLES
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Pericles: Prince of Tyre 395
Page No 400
How courtesy would seem to cover sin,
When what is done is like an hypocrite,
The which is good in nothing but in sight!
If it be true that I interpret false,
Then were it certain you were not so bad
As with foul incest to abuse your soul;
Where now you're both a father and a son,
By your untimely claspings with your child,
Which pleasure fits an husband, not a father;
And she an eater of her mother's flesh,
By the defiling of her parent's bed;
And both like serpents are, who though they feed
On sweetest flowers, yet they poison breed.
Antioch, farewell! for wisdom sees, those men
Blush not in actions blacker than the night,
Will shun no course to keep them from the light.
One sin, I know, another doth provoke;
Murder's as near to lust as flame to smoke:
Poison and treason are the hands of sin,
Ay, and the targets, to put off the shame:
Then, lest my lie be cropp'd to keep you clear,
By flight I'll shun the danger which I fear.
Exit
Reenter ANTIOCHUS
ANTIOCHUS
He hath found the meaning, for which we mean
To have his head.
He must not live to trumpet forth my infamy,
Nor tell the world Antiochus doth sin
In such a loathed manner;
And therefore instantly this prince must die:
For by his fall my honour must keep high.
Who attends us there?
Enter THALIARD
THALIARD
Doth your highness call?
ANTIOCHUS
Thaliard,
You are of our chamber, and our mind partakes
Her private actions to your secrecy;
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Pericles: Prince of Tyre 396
Page No 401
And for your faithfulness we will advance you.
Thaliard, behold, here's poison, and here's gold;
We hate the prince of Tyre, and thou must kill him:
It fits thee not to ask the reason why,
Because we bid it. Say, is it done?
THALIARD
My lord,
'Tis done.
ANTIOCHUS
Enough.
Enter a Messenger
Let your breath cool yourself, telling your haste.
Messenger
My lord, prince Pericles is fled.
Exit
ANTIOCHUS
As thou
Wilt live, fly after: and like an arrow shot
From a wellexperienced archer hits the mark
His eye doth level at, so thou ne'er return
Unless thou say 'Prince Pericles is dead.'
THALIARD
My lord,
If I can get him within my pistol's length,
I'll make him sure enough: so, farewell to your highness.
ANTIOCHUS
Thaliard, adieu!
Exit THALIARD
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Pericles: Prince of Tyre 397
Page No 402
Till Pericles be dead,
My heart can lend no succor to my head.
Exit
Act 1, Scene 2
Tyre. A room in the palace.
Enter PERICLES
PERICLES
[To Lords without] Let none disturb us.Why should
this change of thoughts,
The sad companion, dulleyed melancholy,
Be my so used a guest as not an hour,
In the day's glorious walk, or peaceful night,
The tomb where grief should sleep, can breed me quiet?
Here pleasures court mine eyes, and mine eyes shun them,
And danger, which I fear'd, is at Antioch,
Whose aim seems far too short to hit me here:
Yet neither pleasure's art can joy my spirits,
Nor yet the other's distance comfort me.
Then it is thus: the passions of the mind,
That have their first conception by misdread,
Have afternourishment and life by care;
And what was first but fear what might be done,
Grows elder now and cares it be not done.
And so with me: the great Antiochus,
'Gainst whom I am too little to contend,
Since he's so great can make his will his act,
Will think me speaking, though I swear to silence;
Nor boots it me to say I honour him.
If he suspect I may dishonour him:
And what may make him blush in being known,
He'll stop the course by which it might be known;
With hostile forces he'll o'erspread the land,
And with the ostent of war will look so huge,
Amazement shall drive courage from the state;
Our men be vanquish'd ere they do resist,
And subjects punish'd that ne'er thought offence:
Which care of them, not pity of myself,
Who am no more but as the tops of trees,
Which fence the roots they grow by and defend them,
Makes both my body pine and soul to languish,
And punish that before that he would punish.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 398
Page No 403
Enter HELICANUS, with other Lords
First Lord
Joy and all comfort in your sacred breast!
Second Lord
And keep your mind, till you return to us,
Peaceful and comfortable!
HELICANUS
Peace, peace, and give experience tongue.
They do abuse the king that flatter him:
For flattery is the bellows blows up sin;
The thing which is flatter'd, but a spark,
To which that blast gives heat and stronger glowing;
Whereas reproof, obedient and in order,
Fits kings, as they are men, for they may err.
When Signior Sooth here does proclaim a peace,
He flatters you, makes war upon your life.
Prince, pardon me, or strike me, if you please;
I cannot be much lower than my knees.
PERICLES
All leave us else; but let your cares o'erlook
What shipping and what lading's in our haven,
And then return to us.
Exeunt Lords
Helicanus, thou
Hast moved us: what seest thou in our looks?
HELICANUS
An angry brow, dread lord.
PERICLES
If there be such a dart in princes' frowns,
How durst thy tongue move anger to our face?
HELICANUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 399
Page No 404
How dare the plants look up to heaven, from whence
They have their nourishment?
PERICLES
Thou know'st I have power
To take thy life from thee.
HELICANUS
[Kneeling]
I have ground the axe myself;
Do you but strike the blow.
PERICLES
Rise, prithee, rise.
Sit down: thou art no flatterer:
I thank thee for it; and heaven forbid
That kings should let their ears hear their
faults hid!
Fit counsellor and servant for a prince,
Who by thy wisdom makest a prince thy servant,
What wouldst thou have me do?
HELICANUS
To bear with patience
Such griefs as you yourself do lay upon yourself.
PERICLES
Thou speak'st like a physician, Helicanus,
That minister'st a potion unto me
That thou wouldst tremble to receive thyself.
Attend me, then: I went to Antioch,
Where as thou know'st, against the face of death,
I sought the purchase of a glorious beauty.
From whence an issue I might propagate,
Are arms to princes, and bring joys to subjects.
Her face was to mine eye beyond all wonder;
The resthark in thine earas black as incest:
Which by my knowledge found, the sinful father
Seem'd not to strike, but smooth: but thou
know'st this,
'Tis time to fear when tyrants seem to kiss.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 400
Page No 405
Such fear so grew in me, I hither fled,
Under the covering of a careful night,
Who seem'd my good protector; and, being here,
Bethought me what was past, what might succeed.
I knew him tyrannous; and tyrants' fears
Decrease not, but grow faster than the years:
And should he doubt it, as no doubt he doth,
That I should open to the listening air
How many worthy princes' bloods were shed,
To keep his bed of blackness unlaid ope,
To lop that doubt, he'll fill this land with arms,
And make pretence of wrong that I have done him:
When all, for mine, if I may call offence,
Must feel war's blow, who spares not innocence:
Which love to all, of which thyself art one,
Who now reprovest me for it,
HELICANUS
Alas, sir!
PERICLES
Drew sleep out of mine eyes, blood from my cheeks,
Musings into my mind, with thousand doubts
How I might stop this tempest ere it came;
And finding little comfort to relieve them,
I thought it princely charity to grieve them.
HELICANUS
Well, my lord, since you have given me leave to speak.
Freely will I speak. Antiochus you fear,
And justly too, I think, you fear the tyrant,
Who either by public war or private treason
Will take away your life.
Therefore, my lord, go travel for a while,
Till that his rage and anger be forgot,
Or till the Destinies do cut his thread of life.
Your rule direct to any; if to me.
Day serves not light more faithful than I'll be.
PERICLES
I do not doubt thy faith;
But should he wrong my liberties in my absence?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 401
Page No 406
HELICANUS
We'll mingle our bloods together in the earth,
From whence we had our being and our birth.
PERICLES
Tyre, I now look from thee then, and to Tarsus
Intend my travel, where I'll hear from thee;
And by whose letters I'll dispose myself.
The care I had and have of subjects' good
On thee I lay whose wisdom's strength can bear it.
I'll take thy word for faith, not ask thine oath:
Who shuns not to break one will sure crack both:
But in our orbs we'll live so round and safe,
That time of both this truth shall ne'er convince,
Thou show'dst a subject's shine, I a true prince.
Exeunt
Act 1, Scene 3
Tyre. An antechamber in the palace.
Enter THALIARD
THALIARD
So, this is Tyre, and this the court. Here must I
kill King Pericles; and if I do it not, I am sure to
be hanged at home: 'tis dangerous. Well, I perceive
he was a wise fellow, and had good discretion, that,
being bid to ask what he would of the king, desired
he might know none of his secrets: now do I see he
had some reason for't; for if a king bid a man be a
villain, he's bound by the indenture of his oath to
be one! Hush! here come the lords of Tyre.
Enter HELICANUS and ESCANES, with other Lords of Tyre
HELICANUS
You shall not need, my fellow peers of Tyre,
Further to question me of your king's departure:
His seal'd commission, left in trust with me,
Doth speak sufficiently he's gone to travel.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 3 402
Page No 407
THALIARD
[Aside] How! the king gone!
HELICANUS
If further yet you will be satisfied,
Why, as it were unlicensed of your loves,
He would depart, I'll give some light unto you.
Being at Antioch
THALIARD
[Aside] What from Antioch?
HELICANUS
Royal Antiochuson what cause I know not
Took some displeasure at him; at least he judged so:
And doubting lest that he had err'd or sinn'd,
To show his sorrow, he'ld correct himself;
So puts himself unto the shipman's toil,
With whom each minute threatens life or death.
THALIARD
[Aside] Well, I perceive
I shall not be hang'd now, although I would;
But since he's gone, the king's seas must please:
He 'scaped the land, to perish at the sea.
I'll present myself. Peace to the lords of Tyre!
HELICANUS
Lord Thaliard from Antiochus is welcome.
THALIARD
From him I come
With message unto princely Pericles;
But since my landing I have understood
Your lord has betook himself to unknown travels,
My message must return from whence it came.
HELICANUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 3 403
Page No 408
We have no reason to desire it,
Commended to our master, not to us:
Yet, ere you shall depart, this we desire,
As friends to Antioch, we may feast in Tyre.
Exeunt
Act 1, Scene 4
Tarsus. A room in the Governor's house.
Enter CLEON, the governor of Tarsus, with DIONYZA, and others
CLEON
My Dionyza, shall we rest us here,
And by relating tales of others' griefs,
See if 'twill teach us to forget our own?
DIONYZA
That were to blow at fire in hope to quench it;
For who digs hills because they do aspire
Throws down one mountain to cast up a higher.
O my distressed lord, even such our griefs are;
Here they're but felt, and seen with mischief's eyes,
But like to groves, being topp'd, they higher rise.
CLEON
O Dionyza,
Who wanteth food, and will not say he wants it,
Or can conceal his hunger till he famish?
Our tongues and sorrows do sound deep
Our woes into the air; our eyes do weep,
Till tongues fetch breath that may proclaim them louder;
That, if heaven slumber while their creatures want,
They may awake their helps to comfort them.
I'll then discourse our woes, felt several years,
And wanting breath to speak help me with tears.
DIONYZA
I'll do my best, sir.
CLEON
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This Tarsus, o'er which I have the government,
A city on whom plenty held full hand,
For riches strew'd herself even in the streets;
Whose towers bore heads so high they kiss'd the clouds,
And strangers ne'er beheld but wondered at;
Whose men and dames so jetted and adorn'd,
Like one another's glass to trim them by:
Their tables were stored full, to glad the sight,
And not so much to feed on as delight;
All poverty was scorn'd, and pride so great,
The name of help grew odious to repeat.
DIONYZA
O, 'tis too true.
CLEON
But see what heaven can do! By this our change,
These mouths, who but of late, earth, sea, and air,
Were all too little to content and please,
Although they gave their creatures in abundance,
As houses are defiled for want of use,
They are now starved for want of exercise:
Those palates who, not yet two summers younger,
Must have inventions to delight the taste,
Would now be glad of bread, and beg for it:
Those mothers who, to nousle up their babes,
Thought nought too curious, are ready now
To eat those little darlings whom they loved.
So sharp are hunger's teeth, that man and wife
Draw lots who first shall die to lengthen life:
Here stands a lord, and there a lady weeping;
Here many sink, yet those which see them fall
Have scarce strength left to give them burial.
Is not this true?
DIONYZA
Our cheeks and hollow eyes do witness it.
CLEON
O, let those cities that of plenty's cup
And her prosperities so largely taste,
With their superfluous riots, hear these tears!
The misery of Tarsus may be theirs.
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Enter a Lord
Lord
Where's the lord governor?
CLEON
Here.
Speak out thy sorrows which thou bring'st in haste,
For comfort is too far for us to expect.
Lord
We have descried, upon our neighbouring shore,
A portly sail of ships make hitherward.
CLEON
I thought as much.
One sorrow never comes but brings an heir,
That may succeed as his inheritor;
And so in ours: some neighbouring nation,
Taking advantage of our misery,
Hath stuff'd these hollow vessels with their power,
To beat us down, the which are down already;
And make a conquest of unhappy me,
Whereas no glory's got to overcome.
Lord
That's the least fear; for, by the semblance
Of their white flags display'd, they bring us peace,
And come to us as favourers, not as foes.
CLEON
Thou speak'st like him's untutor'd to repeat:
Who makes the fairest show means most deceit.
But bring they what they will and what they can,
What need we fear?
The ground's the lowest, and we are half way there.
Go tell their general we attend him here,
To know for what he comes, and whence he comes,
And what he craves.
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Lord
I go, my lord.
Exit
CLEON
Welcome is peace, if he on peace consist;
If wars, we are unable to resist.
Enter PERICLES with Attendants
PERICLES
Lord governor, for so we hear you are,
Let not our ships and number of our men
Be like a beacon fired to amaze your eyes.
We have heard your miseries as far as Tyre,
And seen the desolation of your streets:
Nor come we to add sorrow to your tears,
But to relieve them of their heavy load;
And these our ships, you happily may think
Are like the Trojan horse was stuff'd within
With bloody veins, expecting overthrow,
Are stored with corn to make your needy bread,
And give them life whom hunger starved half dead.
All
The gods of Greece protect you!
And we'll pray for you.
PERICLES
Arise, I pray you, rise:
We do not look for reverence, but to love,
And harbourage for ourself, our ships, and men.
CLEON
The which when any shall not gratify,
Or pay you with unthankfulness in thought,
Be it our wives, our children, or ourselves,
The curse of heaven and men succeed their evils!
Till when,the which I hope shall ne'er be seen,
Your grace is welcome to our town and us.
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PERICLES
Which welcome we'll accept; feast here awhile,
Until our stars that frown lend us a smile.
Exeunt
Enter GOWER
GOWER
Here have you seen a mighty king
His child, I wis, to incest bring;
A better prince and benign lord,
That will prove awful both in deed and word.
Be quiet then as men should be,
Till he hath pass'd necessity.
I'll show you those in troubles reign,
Losing a mite, a mountain gain.
The good in conversation,
To whom I give my benison,
Is still at Tarsus, where each man
Thinks all is writ he speken can;
And, to remember what he does,
Build his statue to make him glorious:
But tidings to the contrary
Are brought your eyes; what need speak I?
DUMB SHOW.
Enter at one door PERICLES talking with CLEON; all the train with them. Enter at another
door a Gentleman, with a letter to PERICLES; PERICLES shows the letter to CLEON; gives
the Messenger a reward, and knights him. Exit PERICLES at one door, and CLEON at
another
Good Helicane, that stay'd at home,
Not to eat honey like a drone
From others' labours; for though he strive
To killen bad, keep good alive;
And to fulfil his prince' desire,
Sends word of all that haps in Tyre:
How Thaliard came full bent with sin
And had intent to murder him;
And that in Tarsus was not best
Longer for him to make his rest.
He, doing so, put forth to seas,
Where when men been, there's seldom ease;
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For now the wind begins to blow;
Thunder above and deeps below
Make such unquiet, that the ship
Should house him safe is wreck'd and split;
And he, good prince, having all lost,
By waves from coast to coast is tost:
All perishen of man, of pelf,
Ne aught escapen but himself;
Till fortune, tired with doing bad,
Threw him ashore, to give him glad:
And here he comes. What shall be next,
Pardon old Gower,this longs the text.
Exit
Act 2, Scene 1
Pentapolis. An open place by the seaside.
Enter PERICLES, wet
PERICLES
Yet cease your ire, you angry stars of heaven!
Wind, rain, and thunder, remember, earthly man
Is but a substance that must yield to you;
And I, as fits my nature, do obey you:
Alas, the sea hath cast me on the rocks,
Wash'd me from shore to shore, and left me breath
Nothing to think on but ensuing death:
Let it suffice the greatness of your powers
To have bereft a prince of all his fortunes;
And having thrown him from your watery grave,
Here to have death in peace is all he'll crave.
Enter three FISHERMEN
First Fisherman
What, ho, Pilch!
Second Fisherman
Ha, come and bring away the nets!
First Fisherman
What, Patchbreech, I say!
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Third Fisherman
What say you, master?
First Fisherman
Look how thou stirrest now! come away, or I'll
fetch thee with a wanion.
Third Fisherman
Faith, master, I am thinking of the poor men that
were cast away before us even now.
First Fisherman
Alas, poor souls, it grieved my heart to hear what
pitiful cries they made to us to help them, when,
welladay, we could scarce help ourselves.
Third Fisherman
Nay, master, said not I as much when I saw the
porpus how he bounced and tumbled? they say
they're half fish, half flesh: a plague on them,
they ne'er come but I look to be washed. Master, I
marvel how the fishes live in the sea.
First Fisherman
Why, as men do aland; the great ones eat up the
little ones: I can compare our rich misers to
nothing so fitly as to a whale; a' plays and
tumbles, driving the poor fry before him, and at
last devours them all at a mouthful: such whales
have I heard on o' the land, who never leave gaping
till they've swallowed the whole parish, church,
steeple, bells, and all.
PERICLES
[Aside] A pretty moral.
Third Fisherman
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But, master, if I had been the sexton, I would have
been that day in the belfry.
Second Fisherman
Why, man?
Third Fisherman
Because he should have swallowed me too: and when I
had been in his belly, I would have kept such a
jangling of the bells, that he should never have
left, till he cast bells, steeple, church, and
parish up again. But if the good King Simonides
were of my mind,
PERICLES
[Aside] Simonides!
Third Fisherman
We would purge the land of these drones, that rob
the bee of her honey.
PERICLES
[Aside] How from the finny subject of the sea
These fishers tell the infirmities of men;
And from their watery empire recollect
All that may men approve or men detect!
Peace be at your labour, honest fishermen.
Second Fisherman
Honest! good fellow, what's that? If it be a day
fits you, search out of the calendar, and nobody
look after it.
PERICLES
May see the sea hath cast upon your coast.
Second Fisherman
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What a drunken knave was the sea to cast thee in our
way!
PERICLES
A man whom both the waters and the wind,
In that vast tenniscourt, have made the ball
For them to play upon, entreats you pity him:
He asks of you, that never used to beg.
First Fisherman
No, friend, cannot you beg? Here's them in our
country Greece gets more with begging than we can do
with working.
Second Fisherman
Canst thou catch any fishes, then?
PERICLES
I never practised it.
Second Fisherman
Nay, then thou wilt starve, sure; for here's nothing
to be got nowadays, unless thou canst fish for't.
PERICLES
What I have been I have forgot to know;
But what I am, want teaches me to think on:
A man throng'd up with cold: my veins are chill,
And have no more of life than may suffice
To give my tongue that heat to ask your help;
Which if you shall refuse, when I am dead,
For that I am a man, pray see me buried.
First Fisherman
Die quotha? Now gods forbid! I have a gown here;
come, put it on; keep thee warm. Now, afore me, a
handsome fellow! Come, thou shalt go home, and
we'll have flesh for holidays, fish for
fastingdays, and moreo'er puddings and flapjacks,
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Page No 417
and thou shalt be welcome.
PERICLES
I thank you, sir.
Second Fisherman
Hark you, my friend; you said you could not beg.
PERICLES
I did but crave.
Second Fisherman
But crave! Then I'll turn craver too, and so I
shall 'scape whipping.
PERICLES
Why, are all your beggars whipped, then?
Second Fisherman
O, not all, my friend, not all; for if all your
beggars were whipped, I would wish no better office
than to be beadle. But, master, I'll go draw up the
net.
Exit with Third Fisherman
PERICLES
[Aside] How well this honest mirth becomes their labour!
First Fisherman
Hark you, sir, do you know where ye are?
PERICLES
Not well.
First Fisherman
Why, I'll tell you: this is called Pentapolis, and
our king the good Simonides.
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Page No 418
PERICLES
The good King Simonides, do you call him.
First Fisherman
Ay, sir; and he deserves so to be called for his
peaceable reign and good government.
PERICLES
He is a happy king, since he gains from his subjects
the name of good by his government. How far is his
court distant from this shore?
First Fisherman
Marry, sir, half a day's journey: and I'll tell
you, he hath a fair daughter, and tomorrow is her
birthday; and there are princes and knights come
from all parts of the world to just and tourney for her love.
PERICLES
Were my fortunes equal to my desires, I could wish
to make one there.
First Fisherman
O, sir, things must be as they may; and what a man
cannot get, he may lawfully deal forhis wife's soul.
Reenter Second and Third Fishermen, drawing up a net
Second Fisherman
Help, master, help! here's a fish hangs in the net,
like a poor man's right in the law; 'twill hardly
come out. Ha! bots on't, 'tis come at last, and
'tis turned to a rusty armour.
PERICLES
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Page No 419
An armour, friends! I pray you, let me see it.
Thanks, fortune, yet, that, after all my crosses,
Thou givest me somewhat to repair myself;
And though it was mine own, part of my heritage,
Which my dead father did bequeath to me.
With this strict charge, even as he left his life,
'Keep it, my Pericles; it hath been a shield
Twixt me and death;'and pointed to this brace;
'For that it saved me, keep it; in like necessity
The which the gods protect thee from!may
defend thee.'
It kept where I kept, I so dearly loved it;
Till the rough seas, that spare not any man,
Took it in rage, though calm'd have given't again:
I thank thee for't: my shipwreck now's no ill,
Since I have here my father's gift in's will.
First Fisherman
What mean you, sir?
PERICLES
To beg of you, kind friends, this coat of worth,
For it was sometime target to a king;
I know it by this mark. He loved me dearly,
And for his sake I wish the having of it;
And that you'ld guide me to your sovereign's court,
Where with it I may appear a gentleman;
And if that ever my low fortune's better,
I'll pay your bounties; till then rest your debtor.
First Fisherman
Why, wilt thou tourney for the lady?
PERICLES
I'll show the virtue I have borne in arms.
First Fisherman
Why, do 'e take it, and the gods give thee good on't!
Second Fisherman
Ay, but hark you, my friend; 'twas we that made up
this garment through the rough seams of the waters:
there are certain condolements, certain vails. I
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Page No 420
hope, sir, if you thrive, you'll remember from
whence you had it.
PERICLES
Believe 't, I will.
By your furtherance I am clothed in steel;
And, spite of all the rapture of the sea,
This jewel holds his building on my arm:
Unto thy value I will mount myself
Upon a courser, whose delightful steps
Shall make the gazer joy to see him tread.
Only, my friend, I yet am unprovided
Of a pair of bases.
Second Fisherman
We'll sure provide: thou shalt have my best gown to
make thee a pair; and I'll bring thee to the court myself.
PERICLES
Then honour be but a goal to my will,
This day I'll rise, or else add ill to ill.
Exeunt
Act 2, Scene 2
The same. A public way or platform leading to the
lists. A pavilion by the side of it for the
reception of King, Princess, Lords,
Enter SIMONIDES, THAISA, Lords, and Attendants
SIMONIDES
Are the knights ready to begin the triumph?
First Lord
They are, my liege;
And stay your coming to present themselves.
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SIMONIDES
Return them, we are ready; and our daughter,
In honour of whose birth these triumphs are,
Sits here, like beauty's child, whom nature gat
For men to see, and seeing wonder at.
Exit a Lord
THAISA
It pleaseth you, my royal father, to express
My commendations great, whose merit's less.
SIMONIDES
It's fit it should be so; for princes are
A model which heaven makes like to itself:
As jewels lose their glory if neglected,
So princes their renowns if not respected.
'Tis now your honour, daughter, to explain
The labour of each knight in his device.
THAISA
Which, to preserve mine honour, I'll perform.
Enter a Knight; he passes over, and his Squire presents his shield to the Princess
SIMONIDES
Who is the first that doth prefer himself?
THAISA
A knight of Sparta, my renowned father;
And the device he bears upon his shield
Is a black Ethiope reaching at the sun
The word, 'Lux tua vita mihi.'
SIMONIDES
He loves you well that holds his life of you.
The Second Knight passes over
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Who is the second that presents himself?
THAISA
A prince of Macedon, my royal father;
And the device he bears upon his shield
Is an arm'd knight that's conquer'd by a lady;
The motto thus, in Spanish, 'Piu por dulzura que por fuerza.'
The Third Knight passes over
SIMONIDES
And what's the third?
THAISA
The third of Antioch;
And his device, a wreath of chivalry;
The word, 'Me pompae provexit apex.'
The Fourth Knight passes over
SIMONIDES
What is the fourth?
THAISA
A burning torch that's turned upside down;
The word, 'Quod me alit, me extinguit.'
SIMONIDES
Which shows that beauty hath his power and will,
Which can as well inflame as it can kill.
The Fifth Knight passes over
THAISA
The fifth, an hand environed with clouds,
Holding out gold that's by the touchstone tried;
The motto thus, 'Sic spectanda fides.'
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The Sixth Knight, PERICLES, passes over
SIMONIDES
And what's
The sixth and last, the which the knight himself
With such a graceful courtesy deliver'd?
THAISA
He seems to be a stranger; but his present is
A wither'd branch, that's only green at top;
The motto, 'In hac spe vivo.'
SIMONIDES
A pretty moral;
From the dejected state wherein he is,
He hopes by you his fortunes yet may flourish.
First Lord
He had need mean better than his outward show
Can any way speak in his just commend;
For by his rusty outside he appears
To have practised more the whipstock than the lance.
Second Lord
He well may be a stranger, for he comes
To an honour'd triumph strangely furnished.
Third Lord
And on set purpose let his armour rust
Until this day, to scour it in the dust.
SIMONIDES
Opinion's but a fool, that makes us scan
The outward habit by the inward man.
But stay, the knights are coming: we will withdraw
Into the gallery.
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Exeunt
Great shouts within and all cry 'The mean knight!'
Act 2, Scene 3
The same. A hall of state: a banquet prepared.
Enter SIMONIDES, THAISA, Lords, Attendants, and Knights, from tilting
SIMONIDES
Knights,
To say you're welcome were superfluous.
To place upon the volume of your deeds,
As in a titlepage, your worth in arms,
Were more than you expect, or more than's fit,
Since every worth in show commends itself.
Prepare for mirth, for mirth becomes a feast:
You are princes and my guests.
THAISA
But you, my knight and guest;
To whom this wreath of victory I give,
And crown you king of this day's happiness.
PERICLES
'Tis more by fortune, lady, than by merit.
SIMONIDES
Call it by what you will, the day is yours;
And here, I hope, is none that envies it.
In framing an artist, art hath thus decreed,
To make some good, but others to exceed;
And you are her labour'd scholar. Come, queen o'
the feast,
For, daughter, so you are,here take your place:
Marshal the rest, as they deserve their grace.
KNIGHTS
We are honour'd much by good Simonides.
SIMONIDES
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Your presence glads our days: honour we love;
For who hates honour hates the gods above.
Marshal
Sir, yonder is your place.
PERICLES
Some other is more fit.
First Knight
Contend not, sir; for we are gentlemen
That neither in our hearts nor outward eyes
Envy the great nor do the low despise.
PERICLES
You are right courteous knights.
SIMONIDES
Sit, sir, sit.
PERICLES
By Jove, I wonder, that is king of thoughts,
These cates resist me, she but thought upon.
THAISA
By Juno, that is queen of marriage,
All viands that I eat do seem unsavoury.
Wishing him my meat. Sure, he's a gallant gentleman.
SIMONIDES
He's but a country gentleman;
Has done no more than other knights have done;
Has broken a staff or so; so let it pass.
THAISA
To me he seems like diamond to glass.
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Page No 426
PERICLES
Yon king's to me like to my father's picture,
Which tells me in that glory once he was;
Had princes sit, like stars, about his throne,
And he the sun, for them to reverence;
None that beheld him, but, like lesser lights,
Did vail their crowns to his supremacy:
Where now his son's like a glowworm in the night,
The which hath fire in darkness, none in light:
Whereby I see that Time's the king of men,
He's both their parent, and he is their grave,
And gives them what he will, not what they crave.
SIMONIDES
What, are you merry, knights?
Knights
Who can be other in this royal presence?
SIMONIDES
Here, with a cup that's stored unto the brim,
As you do love, fill to your mistress' lips,
We drink this health to you.
KNIGHTS
We thank your grace.
SIMONIDES
Yet pause awhile:
Yon knight doth sit too melancholy,
As if the entertainment in our court
Had not a show might countervail his worth.
Note it not you, Thaisa?
THAISA
What is it
To me, my father?
SIMONIDES
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Act 2, Scene 3 422
Page No 427
O, attend, my daughter:
Princes in this should live like gods above,
Who freely give to every one that comes
To honour them:
And princes not doing so are like to gnats,
Which make a sound, but kill'd are wonder'd at.
Therefore to make his entrance more sweet,
Here, say we drink this standingbowl of wine to him.
THAISA
Alas, my father, it befits not me
Unto a stranger knight to be so bold:
He may my proffer take for an offence,
Since men take women's gifts for impudence.
SIMONIDES
How!
Do as I bid you, or you'll move me else.
THAISA
[Aside] Now, by the gods, he could not please me better.
SIMONIDES
And furthermore tell him, we desire to know of him,
Of whence he is, his name and parentage.
THAISA
The king my father, sir, has drunk to you.
PERICLES
I thank him.
THAISA
Wishing it so much blood unto your life.
PERICLES
I thank both him and you, and pledge him freely.
THAISA
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And further he desires to know of you,
Of whence you are, your name and parentage.
PERICLES
A gentleman of Tyre; my name, Pericles;
My education been in arts and arms;
Who, looking for adventures in the world,
Was by the rough seas reft of ships and men,
And after shipwreck driven upon this shore.
THAISA
He thanks your grace; names himself Pericles,
A gentleman of Tyre,
Who only by misfortune of the seas
Bereft of ships and men, cast on this shore.
SIMONIDES
Now, by the gods, I pity his misfortune,
And will awake him from his melancholy.
Come, gentlemen, we sit too long on trifles,
And waste the time, which looks for other revels.
Even in your armours, as you are address'd,
Will very well become a soldier's dance.
I will not have excuse, with saying this
Loud music is too harsh for ladies' heads,
Since they love men in arms as well as beds.
The Knights dance
So, this was well ask'd,'twas so well perform'd.
Come, sir;
Here is a lady that wants breathing too:
And I have heard, you knights of Tyre
Are excellent in making ladies trip;
And that their measures are as excellent.
PERICLES
In those that practise them they are, my lord.
SIMONIDES
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O, that's as much as you would be denied
Of your fair courtesy.
The Knights and Ladies dance
Unclasp, unclasp:
Thanks, gentlemen, to all; all have done well.
To PERICLES
But you the best. Pages and lights, to conduct
These knights unto their several lodgings!
To PERICLES
Yours, sir,
We have given order to be next our own.
PERICLES
I am at your grace's pleasure.
SIMONIDES
Princes, it is too late to talk of love;
And that's the mark I know you level at:
Therefore each one betake him to his rest;
Tomorrow all for speeding do their best.
Exeunt
Act 2, Scene 4
Tyre. A room in the Governor's house.
Enter HELICANUS and ESCANES
HELICANUS
No, Escanes, know this of me,
Antiochus from incest lived not free:
For which, the most high gods not minding longer
To withhold the vengeance that they had in store,
Due to this heinous capital offence,
Even in the height and pride of all his glory,
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Page No 430
When he was seated in a chariot
Of an inestimable value, and his daughter with him,
A fire from heaven came and shrivell'd up
Their bodies, even to loathing; for they so stunk,
That all those eyes adored them ere their fall
Scorn now their hand should give them burial.
ESCANES
'Twas very strange.
HELICANUS
And yet but justice; for though
This king were great, his greatness was no guard
To bar heaven's shaft, but sin had his reward.
ESCANES
'Tis very true.
Enter two or three Lords
First Lord
See, not a man in private conference
Or council has respect with him but he.
Second Lord
It shall no longer grieve without reproof.
Third Lord
And cursed be he that will not second it.
First Lord
Follow me, then. Lord Helicane, a word.
HELICANUS
With me? and welcome: happy day, my lords.
First Lord
Know that our griefs are risen to the top,
And now at length they overflow their banks.
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Act 2, Scene 4 426
Page No 431
HELICANUS
Your griefs! for what? wrong not your prince you love.
First Lord
Wrong not yourself, then, noble Helicane;
But if the prince do live, let us salute him,
Or know what ground's made happy by his breath.
If in the world he live, we'll seek him out;
If in his grave he rest, we'll find him there;
And be resolved he lives to govern us,
Or dead, give's cause to mourn his funeral,
And leave us to our free election.
Second Lord
Whose death indeed's the strongest in our censure:
And knowing this kingdom is without a head,
Like goodly buildings left without a roof
Soon fall to ruin,your noble self,
That best know how to rule and how to reign,
We thus submit unto,our sovereign.
All
Live, noble Helicane!
HELICANUS
For honour's cause, forbear your suffrages:
If that you love Prince Pericles, forbear.
Take I your wish, I leap into the seas,
Where's hourly trouble for a minute's ease.
A twelvemonth longer, let me entreat you to
Forbear the absence of your king:
If in which time expired, he not return,
I shall with aged patience bear your yoke.
But if I cannot win you to this love,
Go search like nobles, like noble subjects,
And in your search spend your adventurous worth;
Whom if you find, and win unto return,
You shall like diamonds sit about his crown.
First Lord
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Act 2, Scene 4 427
Page No 432
To wisdom he's a fool that will not yield;
And since Lord Helicane enjoineth us,
We with our travels will endeavour us.
HELICANUS
Then you love us, we you, and we'll clasp hands:
When peers thus knit, a kingdom ever stands.
Exeunt
Act 2, Scene 5
Pentapolis. A room in the palace.
Enter SIMONIDES, reading a letter, at one door: the Knights meet him
First Knight
Good morrow to the good Simonides.
SIMONIDES
Knights, from my daughter this I let you know,
That for this twelvemonth she'll not undertake
A married life.
Her reason to herself is only known,
Which yet from her by no means can I get.
Second Knight
May we not get access to her, my lord?
SIMONIDES
'Faith, by no means; she has so strictly tied
Her to her chamber, that 'tis impossible.
One twelve moons more she'll wear Diana's livery;
This by the eye of Cynthia hath she vow'd
And on her virgin honour will not break it.
Third Knight
Loath to bid farewell, we take our leaves.
Exeunt Knights
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 428
Page No 433
SIMONIDES
So,
They are well dispatch'd; now to my daughter's letter:
She tells me here, she'd wed the stranger knight,
Or never more to view nor day nor light.
'Tis well, mistress; your choice agrees with mine;
I like that well: nay, how absolute she's in't,
Not minding whether I dislike or no!
Well, I do commend her choice;
And will no longer have it be delay'd.
Soft! here he comes: I must dissemble it.
Enter PERICLES
PERICLES
All fortune to the good Simonides!
SIMONIDES
To you as much, sir! I am beholding to you
For your sweet music this last night: I do
Protest my ears were never better fed
With such delightful pleasing harmony.
PERICLES
It is your grace's pleasure to commend;
Not my desert.
SIMONIDES
Sir, you are music's master.
PERICLES
The worst of all her scholars, my good lord.
SIMONIDES
Let me ask you one thing:
What do you think of my daughter, sir?
PERICLES
A most virtuous princess.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 429
Page No 434
SIMONIDES
And she is fair too, is she not?
PERICLES
As a fair day in summer, wondrous fair.
SIMONIDES
Sir, my daughter thinks very well of you;
Ay, so well, that you must be her master,
And she will be your scholar: therefore look to it.
PERICLES
I am unworthy for her schoolmaster.
SIMONIDES
She thinks not so; peruse this writing else.
PERICLES
[Aside] What's here?
A letter, that she loves the knight of Tyre!
'Tis the king's subtlety to have my life.
O, seek not to entrap me, gracious lord,
A stranger and distressed gentleman,
That never aim'd so high to love your daughter,
But bent all offices to honour her.
SIMONIDES
Thou hast bewitch'd my daughter, and thou art
A villain.
PERICLES
By the gods, I have not:
Never did thought of mine levy offence;
Nor never did my actions yet commence
A deed might gain her love or your displeasure.
SIMONIDES
Traitor, thou liest.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 430
Page No 435
PERICLES
Traitor!
SIMONIDES
Ay, traitor.
PERICLES
Even in his throatunless it be the king
That calls me traitor, I return the lie.
SIMONIDES
[Aside] Now, by the gods, I do applaud his courage.
PERICLES
My actions are as noble as my thoughts,
That never relish'd of a base descent.
I came unto your court for honour's cause,
And not to be a rebel to her state;
And he that otherwise accounts of me,
This sword shall prove he's honour's enemy.
SIMONIDES
No?
Here comes my daughter, she can witness it.
Enter THAISA
PERICLES
Then, as you are as virtuous as fair,
Resolve your angry father, if my tongue
Did ere solicit, or my hand subscribe
To any syllable that made love to you.
THAISA
Why, sir, say if you had,
Who takes offence at that would make me glad?
SIMONIDES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 431
Page No 436
Yea, mistress, are you so peremptory?
Aside
I am glad on't with all my heart.
I'll tame you; I'll bring you in subjection.
Will you, not having my consent,
Bestow your love and your affections
Upon a stranger?
Aside
who, for aught I know,
May be, nor can I think the contrary,
As great in blood as I myself.
Therefore hear you, mistress; either frame
Your will to mine,and you, sir, hear you,
Either be ruled by me, or I will make you
Man and wife:
Nay, come, your hands and lips must seal it too:
And being join'd, I'll thus your hopes destroy;
And for a further grief,God give you joy!
What, are you both pleased?
THAISA
Yes, if you love me, sir.
PERICLES
Even as my life, or blood that fosters it.
SIMONIDES
What, are you both agreed?
BOTH
Yes, if it please your majesty.
SIMONIDES
It pleaseth me so well, that I will see you wed;
And then with what haste you can get you to bed.
Exeunt
Enter GOWER
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 432
Page No 437
GOWER
Now sleep yslaked hath the rout;
No din but snores the house about,
Made louder by the o'erfed breast
Of this most pompous marriagefeast.
The cat, with eyne of burning coal,
Now crouches fore the mouse's hole;
And crickets sing at the oven's mouth,
E'er the blither for their drouth.
Hymen hath brought the bride to bed.
Where, by the loss of maidenhead,
A babe is moulded. Be attent,
And time that is so briefly spent
With your fine fancies quaintly eche:
What's dumb in show I'll plain with speech.
DUMB SHOW.
Enter, PERICLES and SIMONIDES at one door, with Attendants; a Messenger meets them,
kneels, and gives PERICLES a letter: PERICLES shows it SIMONIDES; the Lords kneel to
him. Then enter THAISA with child, with LYCHORIDA a nurse. The KING shows her the
letter; she rejoices: she and PERICLES takes leave of her father, and depart with
LYCHORIDA and their Attendants. Then exeunt SIMONIDES and the rest
By many a dern and painful perch
Of Pericles the careful search,
By the four opposing coigns
Which the world together joins,
Is made with all due diligence
That horse and sail and high expense
Can stead the quest. At last from Tyre,
Fame answering the most strange inquire,
To the court of King Simonides
Are letters brought, the tenor these:
Antiochus and his daughter dead;
The men of Tyrus on the head
Of Helicanus would set on
The crown of Tyre, but he will none:
The mutiny he there hastes t' oppress;
Says to 'em, if King Pericles
Come not home in twice six moons,
He, obedient to their dooms,
Will take the crown. The sum of this,
Brought hither to Pentapolis,
Yravished the regions round,
And every one with claps can sound,
'Our heirapparent is a king!
Who dream'd, who thought of such a thing?'
Brief, he must hence depart to Tyre:
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 433
Page No 438
His queen with child makes her desire
Which who shall cross?along to go:
Omit we all their dole and woe:
Lychorida, her nurse, she takes,
And so to sea. Their vessel shakes
On Neptune's billow; half the flood
Hath their keel cut: but fortune's mood
Varies again; the grisly north
Disgorges such a tempest forth,
That, as a duck for life that dives,
So up and down the poor ship drives:
The lady shrieks, and wellanear
Does fall in travail with her fear:
And what ensues in this fell storm
Shall for itself itself perform.
I nill relate, action may
Conveniently the rest convey;
Which might not what by me is told.
In your imagination hold
This stage the ship, upon whose deck
The seatost Pericles appears to speak.
Exit
Enter PERICLES, on shipboard
PERICLES
Thou god of this great vast, rebuke these surges,
Which wash both heaven and hell; and thou, that hast
Upon the winds command, bind them in brass,
Having call'd them from the deep! O, still
Thy deafening, dreadful thunders; gently quench
Thy nimble, sulphurous flashes! O, how, Lychorida,
How does my queen? Thou stormest venomously;
Wilt thou spit all thyself? The seaman's whistle
Is as a whisper in the ears of death,
Unheard. Lychorida!Lucina, O
Divinest patroness, and midwife gentle
To those that cry by night, convey thy deity
Aboard our dancing boat; make swift the pangs
Of my queen's travails!
Enter LYCHORIDA, with an Infant
Now, Lychorida!
LYCHORIDA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 434
Page No 439
Here is a thing too young for such a place,
Who, if it had conceit, would die, as I
Am like to do: take in your arms this piece
Of your dead queen.
PERICLES
How, how, Lychorida!
LYCHORIDA
Patience, good sir; do not assist the storm.
Here's all that is left living of your queen,
A little daughter: for the sake of it,
Be manly, and take comfort.
PERICLES
O you gods!
Why do you make us love your goodly gifts,
And snatch them straight away? We here below
Recall not what we give, and therein may
Use honour with you.
LYCHORIDA
Patience, good sir,
Even for this charge.
PERICLES
Now, mild may be thy life!
For a more blustrous birth had never babe:
Quiet and gentle thy conditions! for
Thou art the rudeliest welcome to this world
That ever was prince's child. Happy what follows!
Thou hast as chiding a nativity
As fire, air, water, earth, and heaven can make,
To herald thee from the womb: even at the first
Thy loss is more than can thy portage quit,
With all thou canst find here. Now, the good gods
Throw their best eyes upon't!
Enter two Sailors
First Sailor
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 435
Page No 440
What courage, sir? God save you!
PERICLES
Courage enough: I do not fear the flaw;
It hath done to me the worst. Yet, for the love
Of this poor infant, this freshnew seafarer,
I would it would be quiet.
First Sailor
Slack the bolins there! Thou wilt not, wilt thou?
Blow, and split thyself.
Second Sailor
But searoom, an the brine and cloudy billow kiss
the moon, I care not.
First Sailor
Sir, your queen must overboard: the sea works high,
the wind is loud, and will not lie till the ship be
cleared of the dead.
PERICLES
That's your superstition.
First Sailor
Pardon us, sir; with us at sea it hath been still
observed: and we are strong in custom. Therefore
briefly yield her; for she must overboard straight.
PERICLES
As you think meet. Most wretched queen!
LYCHORIDA
Here she lies, sir.
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 436
Page No 441
A terrible childbed hast thou had, my dear;
No light, no fire: the unfriendly elements
Forgot thee utterly: nor have I time
To give thee hallow'd to thy grave, but straight
Must cast thee, scarcely coffin'd, in the ooze;
Where, for a monument upon thy bones,
And e'erremaining lamps, the belching whale
And humming water must o'erwhelm thy corpse,
Lying with simple shells. O Lychorida,
Bid Nestor bring me spices, ink and paper,
My casket and my jewels; and bid Nicander
Bring me the satin coffer: lay the babe
Upon the pillow: hie thee, whiles I say
A priestly farewell to her: suddenly, woman.
Exit LYCHORIDA
Second Sailor
Sir, we have a chest beneath the hatches, caulked
and bitumed ready.
PERICLES
I thank thee. Mariner, say what coast is this?
Second Sailor
We are near Tarsus.
PERICLES
Thither, gentle mariner.
Alter thy course for Tyre. When canst thou reach it?
Second Sailor
By break of day, if the wind cease.
PERICLES
O, make for Tarsus!
There will I visit Cleon, for the babe
Cannot hold out to Tyrus: there I'll leave it
At careful nursing. Go thy ways, good mariner:
I'll bring the body presently.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 437
Page No 442
Exeunt
ACT III.
GOWER.
Now sleep yslaked hath the rout;
No din but snores the house about,
Made louder by the o'erfed breast
Of this most pompous marriagefeast.
The cat, with eyne of burning coal,
Now couches fore the mouse's hole;
And crickets sing at the oven's mouth,
E'er the blither for their drouth.
Hymen hath brought the bride to bed,
Where, by the loss of maidenhead,
A babe is moulded. Be attent,
And time that is so briefly spent
With your fine fancies quaintly eche:
What's dumb in show I'll plain with speech.
[Dumb Show.]
[Enter, Pericles and Simonides, at one door, with Attendants; a
Messenger meets them, kneels, and gives Pericles a letter:
Pericles shows it Simonides; the Lords kneel to him. Then enter
Thaisa with child, with Lychorida a nurse. The King shows her
the letter; she rejoices: she and Pericles take leave of her
father, and depart, with Lychorida and their Attendants.
Then exeunt Simonides and the rest.]
By many a dern and painful perch
Of Pericles the careful search,
By the four opposing coigns
Which the world together joins,
Is made with all due diligence
That horse and sail and high expense
Can stead the quest. At last from Tyre,
Fame answering the most strange inquire,
To the court of King Simonides
Are letters brought, the tenour these:
Antiochus and his daughter dead;
The men of Tyrus on the head
Of Helicanus would set on
The crown of Tyre, but he will none:
The mutiny he there hastes t' oppress;
Says to 'em, if King Pericles
Come not home in twice six moons,
He, obedient to their dooms,
Will take the crown. The sum of this,
Brought hither to Pentapolis
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 438
Page No 443
Yravished the regions round,
And every one with claps can sound,
'Our heirapparent is a king!
Who dream'd, who thought of such a thing?'
Brief, he must hence depart to Tyre:
His queen with child makes her desire
Which who shall cross? along to go:
Omit we all their dole and woe:
Lychorida, her nurse, she takes,
And so to sea. Their vessel shakes
On Neptune's billow; half the flood
Hath their keel cut: but fortune's mood
Varies again; the grisled north
Disgorges such a tempest forth,
That, as a duck for life that dives,
So up and down the poor ship drives:
The lady shrieks, and wellanear
Does fall in travail with her fear:
And what ensues in this fell storm
Shall for itself itself perform.
I nill relate, action may
Conveniently the rest convey;
Which might not what by me is told.
In your imagination hold
This stage the ship, upon whose deck
The seatost Pericles appears to speak.
[Exit.]
SCENE I.
[Enter Pericles, on shipboard.]
PERICLES.
Thou god of this great vast, rebuke these surges,
Which wash forth both heaven and hell; and thou that hast
Upon the winds command, bind them in brass,
Having call'd them from the deep! O, still
Thy deafening, dreadful thunders; gently quench
Thy nimble, sulphurous flashes! O, how, Lychorida,
How does my queen? Thou stormest venomously;
Wilt thou spit all thyself? The seaman's whistle
Is as a whisper in the ears of death,
Unheard. Lychorida! Lucina, O
Divinest patroness, and midwife gentle
To those that cry by night, convey thy deity
Aboard our dancing boat; make swift the pangs
Of my queen's travails!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 439
Page No 444
[Enter Lychorida, with an Infant.]
Now, Lychorida!
LYCHORIDA.
Here is a thing too young for such a place,
Who, if it had conceit, would die, as I
Am like to do: take in your aims this piece
Of your dead queen.
PERICLES.
How, how, Lychorida!
LYCHORIDA.
Patience, good sir; do not assist the storm.
Here's all that is left living of your queen,
A little daughter: for the sake of it,
Be manly, and take comfort.
PERICLES.
O you gods!
Why do you make us love your goodly gifts,
And snatch them straight away? We here below
Recall not what we give, and therein may
Use honour with you.
LYCHORIDA.
Patience, good sir.
Even for this charge.
PERICLES.
Now, mild may be thy life!
For a more blustrous birth had never babe:
Quiet and gentle thy conditions! for
Thou art the rudliest welcome to this world
That ever was prince's child. Happy what follows!
Thiou hast as chiding a nativity
As fire, air, water, earth, and heaven can make,
To herald thee from the womb: even at the first
Thy loss is more than can thy portage quit,
With all thou canst find here, Now, the good gods
Throw their best eyes upon't!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 440
Page No 445
[Enter two Sailors.]
FIRST SAILOR.
What courage, sir? God save you!
PERICLES.
Courage enough: I do not fear the flaw;
It hath done to me the worst. Yet, for the love
Of ths poor infant, this freshnew seafarer,
I would it would be quiet.
FIRST SAILOR.
Slack the bolins there! Thou wilt not, wilt thou? Blow, and
split thyself.
SECOND SAILOR.
But searoom, an the brine and cloudy billow kiss the moon, I
care not.
FIRST SAILOR.
Sir, your queen must overboard: the sea works high, the wind is
loud and will not lie till the ship be cleared of the dead.
PERICLES.
That's your superstition.
FIRST SAILOR.
Pardon us, sir; with us at sea it has been still observed; and we
are strong in custom. Therefore briefly yield her; for she must
overboard straight.
PERICLES.
As you think meet. Most wretched queen!
LYCHORIDA.
Here she lies, sir.
PERICLES.
A terrible childben hast thou had, my dear;
No light, no fire: the unfriendly elements
Forgot thee utterly; nor have I time
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 441
Page No 446
To give thee hallow'd to thy grave, but straight
Must cast thee, scarcely coffin'd, in the ooze;
Where, for a monument upon thy bones,
And e'erremaining lamps, the belching whale
And humming water must o'erwhelm thy corpse,
Lying with simple shells. O Lychorida.
Bid Nestor bring me spices, ink and paper,
My casket and my jewels; and bid Nicander
Bring me the satin coffer: lay the babe
Upon the pillow: hie thee, whiles I say
A priestly farewell to her: suddenly, woman.
[Exit Lychorida.]
SECOND SAILOR.
Sir, we have a chest beneath the hatches, caulked and bitumed
ready.
PERICLES.
I thank thee. Mariner, say what coast is this?
SECOND SAILOR.
We are near Tarsus.
PERICLES.
Thither, gentle mariner,
Alter thy course for Tyre. When, canst thou reach it?
SECOND SAILOR.
By break of day, if the wind cease.
PERICLES.
O, make for Tarsus!
There will I visit Cleon, for the babe
Cannot hold out to Tyrus there I'll leave it
At careful nursing. Go thy ways, good mariner:
I'll bring the body presently.
[Exeunt.]
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 2, Scene 5 442
Page No 447
Act 3, Scene 2
Ephesus. A room in CERIMON's house.
Philemon, ho!
Enter PHILEMON
PHILEMON
Doth my lord call?
CERIMON
Get fire and meat for these poor men:
'T has been a turbulent and stormy night.
Servant
I have been in many; but such a night as this,
Till now, I ne'er endured.
CERIMON
Your master will be dead ere you return;
There's nothing can be minister'd to nature
That can recover him.
To PHILEMON
Give this to the 'pothecary,
And tell me how it works.
Exeunt all but CERIMON
Enter two Gentlemen
First Gentleman
Good morrow.
Second Gentleman
Good morrow to your lordship.
CERIMON
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Act 3, Scene 2 443
Page No 448
Gentlemen,
Why do you stir so early?
First Gentleman
Sir,
Our lodgings, standing bleak upon the sea,
Shook as the earth did quake;
The very principals did seem to rend,
And allto topple: pure surprise and fear
Made me to quit the house.
Second Gentleman
That is the cause we trouble you so early;
'Tis not our husbandry.
CERIMON
O, you say well.
First Gentleman
But I much marvel that your lordship, having
Rich tire about you, should at these early hours
Shake off the golden slumber of repose.
'Tis most strange,
Nature should be so conversant with pain,
Being thereto not compell'd.
CERIMON
I hold it ever,
Virtue and cunning were endowments greater
Than nobleness and riches: careless heirs
May the two latter darken and expend;
But immortality attends the former.
Making a man a god. 'Tis known, I ever
Have studied physic, through which secret art,
By turning o'er authorities, I have,
Together with my practise, made familiar
To me and to my aid the blest infusions
That dwell in vegetives, in metals, stones;
And I can speak of the disturbances
That nature works, and of her cures; which doth give me
A more content in course of true delight
Than to be thirsty after tottering honour,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 444
Page No 449
Or tie my treasure up in silken bags,
To please the fool and death.
Second Gentleman
Your honour has through Ephesus pour'd forth
Your charity, and hundreds call themselves
Your creatures, who by you have been restored:
And not your knowledge, your personal pain, but even
Your purse, still open, hath built Lord Cerimon
Such strong renown as time shall ne'er decay.
Enter two or three Servants with a chest
First Servant
So; lift there.
CERIMON
What is that?
First Servant
Sir, even now
Did the sea toss upon our shore this chest:
'Tis of some wreck.
CERIMON
Set 't down, let's look upon't.
Second Gentleman
'Tis like a coffin, sir.
CERIMON
Whate'er it be,
'Tis wondrous heavy. Wrench it open straight:
If the sea's stomach be o'ercharged with gold,
'Tis a good constraint of fortune it belches upon us.
Second Gentleman
'Tis so, my lord.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 445
Page No 450
CERIMON
How close 'tis caulk'd and bitumed!
Did the sea cast it up?
First Servant
I never saw so huge a billow, sir,
As toss'd it upon shore.
CERIMON
Wrench it open;
Soft! it smells most sweetly in my sense.
Second Gentleman
A delicate odour.
CERIMON
As ever hit my nostril. So, up with it.
O you most potent gods! what's here? a corse!
First Gentleman
Most strange!
CERIMON
Shrouded in cloth of state; balm'd and entreasured
With full bags of spices! A passport too!
Apollo, perfect me in the characters!
Reads from a scroll
'Here I give to understand,
If e'er this coffin drive aland,
I, King Pericles, have lost
This queen, worth all our mundane cost.
Who finds her, give her burying;
She was the daughter of a king:
Besides this treasure for a fee,
The gods requite his charity!'
If thou livest, Pericles, thou hast a heart
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 2 446
Page No 451
That even cracks for woe! This chanced tonight.
Second Gentleman
Most likely, sir.
CERIMON
Nay, certainly tonight;
For look how fresh she looks! They were too rough
That threw her in the sea. Make a fire within:
Fetch hither all my boxes in my closet.
Exit a Servant
Death may usurp on nature many hours,
And yet the fire of life kindle again
The o'erpress'd spirits. I heard of an Egyptian
That had nine hours lien dead,
Who was by good appliance recovered.
Reenter a Servant, with boxes, napkins, and fire
Well said, well said; the fire and cloths.
The rough and woeful music that we have,
Cause it to sound, beseech you.
The viol once more: how thou stirr'st, thou block!
The music there!I pray you, give her air.
Gentlemen.
This queen will live: nature awakes; a warmth
Breathes out of her: she hath not been entranced
Above five hours: see how she gins to blow
Into life's flower again!
First Gentleman
The heavens,
Through you, increase our wonder and set up
Your fame forever.
CERIMON
She is alive; behold,
Her eyelids, cases to those heavenly jewels
Which Pericles hath lost,
Begin to part their fringes of bright gold;
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Act 3, Scene 2 447
Page No 452
The diamonds of a most praised water
Do appear, to make the world twice rich. Live,
And make us weep to hear your fate, fair creature,
Rare as you seem to be.
She moves
THAISA
O dear Diana,
Where am I? Where's my lord? What world is this?
Second Gentleman
Is not this strange?
First Gentleman
Most rare.
CERIMON
Hush, my gentle neighbours!
Lend me your hands; to the next chamber bear her.
Get linen: now this matter must be look'd to,
For her relapse is mortal. Come, come;
And AEsculapius guide us!
Exeunt, carrying her away
Act 3, Scene 3
Tarsus. A room in CLEON's house.
Enter PERICLES, CLEON, DIONYZA, and LYCHORIDA with MARINA in her arms
PERICLES
Most honour'd Cleon, I must needs be gone;
My twelve months are expired, and Tyrus stands
In a litigious peace. You, and your lady,
Take from my heart all thankfulness! The gods
Make up the rest upon you!
CLEON
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 3 448
Page No 453
Your shafts of fortune, though they hurt you mortally,
Yet glance full wanderingly on us.
DIONYZA
O your sweet queen!
That the strict fates had pleased you had brought her hither,
To have bless'd mine eyes with her!
PERICLES
We cannot but obey
The powers above us. Could I rage and roar
As doth the sea she lies in, yet the end
Must be as 'tis. My gentle babe Marina, whom,
For she was born at sea, I have named so, here
I charge your charity withal, leaving her
The infant of your care; beseeching you
To give her princely training, that she may be
Manner'd as she is born.
CLEON
Fear not, my lord, but think
Your grace, that fed my country with your corn,
For which the people's prayers still fall upon you,
Must in your child be thought on. If neglection
Should therein make me vile, the common body,
By you relieved, would force me to my duty:
But if to that my nature need a spur,
The gods revenge it upon me and mine,
To the end of generation!
PERICLES
I believe you;
Your honour and your goodness teach me to't,
Without your vows. Till she be married, madam,
By bright Diana, whom we honour, all
Unscissor'd shall this hair of mine remain,
Though I show ill in't. So I take my leave.
Good madam, make me blessed in your care
In bringing up my child.
DIONYZA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 3 449
Page No 454
I have one myself,
Who shall not be more dear to my respect
Than yours, my lord.
PERICLES
Madam, my thanks and prayers.
CLEON
We'll bring your grace e'en to the edge o' the shore,
Then give you up to the mask'd Neptune and
The gentlest winds of heaven.
PERICLES
I will embrace
Your offer. Come, dearest madam. O, no tears,
Lychorida, no tears:
Look to your little mistress, on whose grace
You may depend hereafter. Come, my lord.
Exeunt
Act 3, Scene 4
Ephesus. A room in CERIMON's house.
Enter CERIMON and THAISA
CERIMON
Madam, this letter, and some certain jewels,
Lay with you in your coffer: which are now
At your command. Know you the character?
THAISA
It is my lord's.
That I was shipp'd at sea, I well remember,
Even on my eaning time; but whether there
Deliver'd, by the holy gods,
I cannot rightly say. But since King Pericles,
My wedded lord, I ne'er shall see again,
A vestal livery will I take me to,
And never more have joy.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 4 450
Page No 455
CERIMON
Madam, if this you purpose as ye speak,
Diana's temple is not distant far,
Where you may abide till your date expire.
Moreover, if you please, a niece of mine
Shall there attend you.
THAISA
My recompense is thanks, that's all;
Yet my good will is great, though the gift small.
Exeunt
Enter GOWER
GOWER
Imagine Pericles arrived at Tyre,
Welcomed and settled to his own desire.
His woeful queen we leave at Ephesus,
Unto Diana there a votaress.
Now to Marina bend your mind,
Whom our fastgrowing scene must find
At Tarsus, and by Cleon train'd
In music, letters; who hath gain'd
Of education all the grace,
Which makes her both the heart and place
Of general wonder. But, alack,
That monster envy, oft the wrack
Of earned praise, Marina's life
Seeks to take off by treason's knife.
And in this kind hath our Cleon
One daughter, and a wench full grown,
Even ripe for marriagerite; this maid
Hight Philoten: and it is said
For certain in our story, she
Would ever with Marina be:
Be't when she weaved the sleided silk
With fingers long, small, white as milk;
Or when she would with sharp needle wound
The cambric, which she made more sound
By hurting it; or when to the lute
She sung, and made the nightbird mute,
That still records with moan; or when
She would with rich and constant pen
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Act 3, Scene 4 451
Page No 456
Vail to her mistress Dian; still
This Philoten contends in skill
With absolute Marina: so
With the dove of Paphos might the crow
Vie feathers white. Marina gets
All praises, which are paid as debts,
And not as given. This so darks
In Philoten all graceful marks,
That Cleon's wife, with envy rare,
A present murderer does prepare
For good Marina, that her daughter
Might stand peerless by this slaughter.
The sooner her vile thoughts to stead,
Lychorida, our nurse, is dead:
And cursed Dionyza hath
The pregnant instrument of wrath
Prest for this blow. The unborn event
I do commend to your content:
Only I carry winged time
Post on the lame feet of my rhyme;
Which never could I so convey,
Unless your thoughts went on my way.
Dionyza does appear,
With Leonine, a murderer.
Exit
Act 4, Scene 1
Tarsus. An open place near the seashore.
Enter DIONYZA and LEONINE
DIONYZA
Thy oath remember; thou hast sworn to do't:
'Tis but a blow, which never shall be known.
Thou canst not do a thing in the world so soon,
To yield thee so much profit. Let not conscience,
Which is but cold, inflaming love i' thy bosom,
Inflame too nicely; nor let pity, which
Even women have cast off, melt thee, but be
A soldier to thy purpose.
LEONINE
I will do't; but yet she is a goodly creature.
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Act 4, Scene 1 452
Page No 457
DIONYZA
The fitter, then, the gods should have her. Here
she comes weeping for her only mistress' death.
Thou art resolved?
LEONINE
I am resolved.
Enter MARINA, with a basket of flowers
MARINA
No, I will rob Tellus of her weed,
To strew thy green with flowers: the yellows, blues,
The purple violets, and marigolds,
Shall as a carpet hang upon thy grave,
While summerdays do last. Ay me! poor maid,
Born in a tempest, when my mother died,
This world to me is like a lasting storm,
Whirring me from my friends.
DIONYZA
How now, Marina! why do you keep alone?
How chance my daughter is not with you? Do not
Consume your blood with sorrowing: you have
A nurse of me. Lord, how your favour's changed
With this unprofitable woe!
Come, give me your flowers, ere the sea mar it.
Walk with Leonine; the air is quick there,
And it pierces and sharpens the stomach. Come,
Leonine, take her by the arm, walk with her.
MARINA
No, I pray you;
I'll not bereave you of your servant.
DIONYZA
Come, come;
I love the king your father, and yourself,
With more than foreign heart. We every day
Expect him here: when he shall come and find
Our paragon to all reports thus blasted,
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Act 4, Scene 1 453
Page No 458
He will repent the breadth of his great voyage;
Blame both my lord and me, that we have taken
No care to your best courses. Go, I pray you,
Walk, and be cheerful once again; reserve
That excellent complexion, which did steal
The eyes of young and old. Care not for me
I can go home alone.
MARINA
Well, I will go;
But yet I have no desire to it.
DIONYZA
Come, come, I know 'tis good for you.
Walk half an hour, Leonine, at the least:
Remember what I have said.
LEONINE
I warrant you, madam.
DIONYZA
I'll leave you, my sweet lady, for a while:
Pray, walk softly, do not heat your blood:
What! I must have a care of you.
MARINA
My thanks, sweet madam.
Exit DIONYZA
Is this wind westerly that blows?
LEONINE
Southwest.
MARINA
When I was born, the wind was north.
LEONINE
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Act 4, Scene 1 454
Page No 459
Was't so?
MARINA
My father, as nurse said, did never fear,
But cried 'Good seaman!' to the sailors, galling
His kingly hands, haling ropes;
And, clasping to the mast, endured a sea
That almost burst the deck.
LEONINE
When was this?
MARINA
When I was born:
Never was waves nor wind more violent;
And from the laddertackle washes off
A canvasclimber. 'Ha!' says one, 'wilt out?'
And with a dropping industry they skip
From stem to stern: the boatswain whistles, and
The master calls, and trebles their confusion.
LEONINE
Come, say your prayers.
MARINA
What mean you?
LEONINE
If you require a little space for prayer,
I grant it: pray; but be not tedious,
For the gods are quick of ear, and I am sworn
To do my work with haste.
MARINA
Why will you kill me?
LEONINE
To satisfy my lady.
MARINA
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Act 4, Scene 1 455
Page No 460
Why would she have me kill'd?
Now, as I can remember, by my troth,
I never did her hurt in all my life:
I never spake bad word, nor did ill turn
To any living creature: believe me, la,
I never kill'd a mouse, nor hurt a fly:
I trod upon a worm against my will,
But I wept for it. How have I offended,
Wherein my death might yield her any profit,
Or my life imply her any danger?
LEONINE
My commission
Is not to reason of the deed, but do it.
MARINA
You will not do't for all the world, I hope.
You are well favour'd, and your looks foreshow
You have a gentle heart. I saw you lately,
When you caught hurt in parting two that fought:
Good sooth, it show'd well in you: do so now:
Your lady seeks my life; come you between,
And save poor me, the weaker.
LEONINE
I am sworn,
And will dispatch.
He seizes her
Enter Pirates
First Pirate
Hold, villain!
LEONINE runs away
Second Pirate
A prize! a prize!
Third Pirate
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 1 456
Page No 461
Halfpart, mates, halfpart.
Come, let's have her aboard suddenly.
Exeunt Pirates with MARINA
Reenter LEONINE
LEONINE
These roguing thieves serve the great pirate Valdes;
And they have seized Marina. Let her go:
There's no hope she will return. I'll swear
she's dead,
And thrown into the sea. But I'll see further:
Perhaps they will but please themselves upon her,
Not carry her aboard. If she remain,
Whom they have ravish'd must by me be slain.
Exit
Act 4, Scene 2
Mytilene. A room in a brothel.
Enter Pandar, Bawd, and BOULT
Pandar
Boult!
BOULT
Sir?
Pandar
Search the market narrowly; Mytilene is full of
gallants. We lost too much money this mart by being
too wenchless.
Bawd
We were never so much out of creatures. We have but
poor three, and they can do no more than they can
do; and they with continual action are even as good as rotten.
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Act 4, Scene 2 457
Page No 462
Pandar
Therefore let's have fresh ones, whate'er we pay for
them. If there be not a conscience to be used in
every trade, we shall never prosper.
Bawd
Thou sayest true: 'tis not our bringing up of poor
bastards,as, I think, I have brought up some eleven
BOULT
Ay, to eleven; and brought them down again. But
shall I search the market?
Bawd
What else, man? The stuff we have, a strong wind
will blow it to pieces, they are so pitifully sodden.
Pandar
Thou sayest true; they're too unwholesome, o'
conscience. The poor Transylvanian is dead, that
lay with the little baggage.
BOULT
Ay, she quickly pooped him; she made him roastmeat
for worms. But I'll go search the market.
Exit
Pandar
Three or four thousand chequins were as pretty a
proportion to live quietly, and so give over.
Bawd
Why to give over, I pray you? is it a shame to get
when we are old?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 458
Page No 463
Pandar
O, our credit comes not in like the commodity, nor
the commodity wages not with the danger: therefore,
if in our youths we could pick up some pretty
estate, 'twere not amiss to keep our door hatched.
Besides, the sore terms we stand upon with the gods
will be strong with us for giving over.
Bawd
Come, other sorts offend as well as we.
Pandar
As well as we! ay, and better too; we offend worse.
Neither is our profession any trade; it's no
calling. But here comes Boult.
Reenter BOULT, with the Pirates and MARINA
BOULT
[To MARINA] Come your ways. My masters, you say
she's a virgin?
First Pirate
O, sir, we doubt it not.
BOULT
Master, I have gone through for this piece, you see:
if you like her, so; if not, I have lost my earnest.
Bawd
Boult, has she any qualities?
BOULT
She has a good face, speaks well, and has excellent
good clothes: there's no further necessity of
qualities can make her be refused.
Bawd
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Act 4, Scene 2 459
Page No 464
What's her price, Boult?
BOULT
I cannot be bated one doit of a thousand pieces.
Pandar
Well, follow me, my masters, you shall have your
money presently. Wife, take her in; instruct her
what she has to do, that she may not be raw in her
entertainment.
Exeunt Pandar and Pirates
Bawd
Boult, take you the marks of her, the colour of her
hair, complexion, height, age, with warrant of her
virginity; and cry 'He that will give most shall
have her first.' Such a maidenhead were no cheap
thing, if men were as they have been. Get this done
as I command you.
BOULT
Performance shall follow.
Exit
MARINA
Alack that Leonine was so slack, so slow!
He should have struck, not spoke; or that these pirates,
Not enough barbarous, had not o'erboard thrown me
For to seek my mother!
Bawd
Why lament you, pretty one?
MARINA
That I am pretty.
Bawd
Come, the gods have done their part in you.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 460
Page No 465
MARINA
I accuse them not.
Bawd
You are light into my hands, where you are like to live.
MARINA
The more my fault
To scape his hands where I was like to die.
Bawd
Ay, and you shall live in pleasure.
MARINA
No.
Bawd
Yes, indeed shall you, and taste gentlemen of all
fashions: you shall fare well; you shall have the
difference of all complexions. What! do you stop your ears?
MARINA
Are you a woman?
Bawd
What would you have me be, an I be not a woman?
MARINA
An honest woman, or not a woman.
Bawd
Marry, whip thee, gosling: I think I shall have
something to do with you. Come, you're a young
foolish sapling, and must be bowed as I would have
you.
MARINA
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Act 4, Scene 2 461
Page No 466
The gods defend me!
Bawd
If it please the gods to defend you by men, then men
must comfort you, men must feed you, men must stir
you up. Boult's returned.
Reenter BOULT
Now, sir, hast thou cried her through the market?
BOULT
I have cried her almost to the number of her hairs;
I have drawn her picture with my voice.
Bawd
And I prithee tell me, how dost thou find the
inclination of the people, especially of the younger sort?
BOULT
'Faith, they listened to me as they would have
hearkened to their father's testament. There was a
Spaniard's mouth so watered, that he went to bed to
her very description.
Bawd
We shall have him here tomorrow with his best ruff on.
BOULT
Tonight, tonight. But, mistress, do you know the
French knight that cowers i' the hams?
Bawd
Who, Monsieur Veroles?
BOULT
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Act 4, Scene 2 462
Page No 467
Ay, he: he offered to cut a caper at the
proclamation; but he made a groan at it, and swore
he would see her tomorrow.
Bawd
Well, well; as for him, he brought his disease
hither: here he does but repair it. I know he will
come in our shadow, to scatter his crowns in the
sun.
BOULT
Well, if we had of every nation a traveller, we
should lodge them with this sign.
Bawd
[To MARINA] Pray you, come hither awhile. You
have fortunes coming upon you. Mark me: you must
seem to do that fearfully which you commit
willingly, despise profit where you have most gain.
To weep that you live as ye do makes pity in your
lovers: seldom but that pity begets you a good
opinion, and that opinion a mere profit.
MARINA
I understand you not.
BOULT
O, take her home, mistress, take her home: these
blushes of hers must be quenched with some present practise.
Bawd
Thou sayest true, i' faith, so they must; for your
bride goes to that with shame which is her way to go
with warrant.
BOULT
'Faith, some do, and some do not. But, mistress, if
I have bargained for the joint,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 463
Page No 468
Bawd
Thou mayst cut a morsel off the spit.
BOULT
I may so.
Bawd
Who should deny it? Come, young one, I like the
manner of your garments well.
BOULT
Ay, by my faith, they shall not be changed yet.
Bawd
Boult, spend thou that in the town: report what a
sojourner we have; you'll lose nothing by custom.
When nature flamed this piece, she meant thee a good
turn; therefore say what a paragon she is, and thou
hast the harvest out of thine own report.
BOULT
I warrant you, mistress, thunder shall not so awake
the beds of eels as my giving out her beauty stir up
the lewdlyinclined. I'll bring home some tonight.
Bawd
Come your ways; follow me.
MARINA
If fires be hot, knives sharp, or waters deep,
Untied I still my virgin knot will keep.
Diana, aid my purpose!
Bawd
What have we to do with Diana? Pray you, will you go with us?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 464
Page No 469
Exeunt
Act 4, Scene 3
Tarsus. A room in CLEON's house.
Enter CLEON and DIONYZA
DIONYZA
Why, are you foolish? Can it be undone?
CLEON
O Dionyza, such a piece of slaughter
The sun and moon ne'er look'd upon!
DIONYZA
I think
You'll turn a child again.
CLEON
Were I chief lord of all this spacious world,
I'ld give it to undo the deed. O lady,
Much less in blood than virtue, yet a princess
To equal any single crown o' the earth
I' the justice of compare! O villain Leonine!
Whom thou hast poison'd too:
If thou hadst drunk to him, 't had been a kindness
Becoming well thy fact: what canst thou say
When noble Pericles shall demand his child?
DIONYZA
That she is dead. Nurses are not the fates,
To foster it, nor ever to preserve.
She died at night; I'll say so. Who can cross it?
Unless you play the pious innocent,
And for an honest attribute cry out
'She died by foul play.'
CLEON
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Act 4, Scene 3 465
Page No 470
O, go to. Well, well,
Of all the faults beneath the heavens, the gods
Do like this worst.
DIONYZA
Be one of those that think
The petty wrens of Tarsus will fly hence,
And open this to Pericles. I do shame
To think of what a noble strain you are,
And of how coward a spirit.
CLEON
To such proceeding
Who ever but his approbation added,
Though not his prime consent, he did not flow
From honourable sources.
DIONYZA
Be it so, then:
Yet none does know, but you, how she came dead,
Nor none can know, Leonine being gone.
She did disdain my child, and stood between
Her and her fortunes: none would look on her,
But cast their gazes on Marina's face;
Whilst ours was blurted at and held a malkin
Not worth the time of day. It pierced me through;
And though you call my course unnatural,
You not your child well loving, yet I find
It greets me as an enterprise of kindness
Perform'd to your sole daughter.
CLEON
Heavens forgive it!
DIONYZA
And as for Pericles,
What should he say? We wept after her hearse,
And yet we mourn: her monument
Is almost finish'd, and her epitaphs
In glittering golden characters express
A general praise to her, and care in us
At whose expense 'tis done.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 3 466
Page No 471
CLEON
Thou art like the harpy,
Which, to betray, dost, with thine angel's face,
Seize with thine eagle's talons.
DIONYZA
You are like one that superstitiously
Doth swear to the gods that winter kills the flies:
But yet I know you'll do as I advise.
Exeunt
Enter GOWER, before the monument of MARINA at Tarsus
GOWER
Thus time we waste, and longest leagues make short;
Sail seas in cockles, have an wish but for't;
Making, to take your imagination,
From bourn to bourn, region to region.
By you being pardon'd, we commit no crime
To use one language in each several clime
Where our scenes seem to live. I do beseech you
To learn of me, who stand i' the gaps to teach you,
The stages of our story. Pericles
Is now again thwarting the wayward seas,
Attended on by many a lord and knight.
To see his daughter, all his life's delight.
Old Escanes, whom Helicanus late
Advanced in time to great and high estate,
Is left to govern. Bear you it in mind,
Old Helicanus goes along behind.
Wellsailing ships and bounteous winds have brought
This king to Tarsus,think his pilot thought;
So with his steerage shall your thoughts grow on,
To fetch his daughter home, who first is gone.
Like motes and shadows see them move awhile;
Your ears unto your eyes I'll reconcile.
DUMB SHOW.
Enter PERICLES, at one door, with all his train; CLEON and DIONYZA, at the other.
CLEON shows PERICLES the tomb; whereat PERICLES makes lamentation, puts on
sackcloth, and in a mighty passion departs. Then exeunt CLEON and DIONYZA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 3 467
Page No 472
See how belief may suffer by foul show!
This borrow'd passion stands for true old woe;
And Pericles, in sorrow all devour'd,
With sighs shot through, and biggest tears
o'ershower'd,
Leaves Tarsus and again embarks. He swears
Never to wash his face, nor cut his hairs:
He puts on sackcloth, and to sea. He bears
A tempest, which his mortal vessel tears,
And yet he rides it out. Now please you wit.
The epitaph is for Marina writ
By wicked Dionyza.
Reads the inscription on MARINA's monument
'The fairest, sweet'st, and best lies here,
Who wither'd in her spring of year.
She was of Tyrus the king's daughter,
On whom foul death hath made this slaughter;
Marina was she call'd; and at her birth,
Thetis, being proud, swallow'd some part o' the earth:
Therefore the earth, fearing to be o'erflow'd,
Hath Thetis' birthchild on the heavens bestow'd:
Wherefore she does, and swears she'll never stint,
Make raging battery upon shores of flint.'
No visor does become black villany
So well as soft and tender flattery.
Let Pericles believe his daughter's dead,
And bear his courses to be ordered
By Lady Fortune; while our scene must play
His daughter's woe and heavy welladay
In her unholy service. Patience, then,
And think you now are all in Mytilene.
Exit
Act 4, Scene 5
Mytilene. A street before the brothel.
Enter, from the brothel, two Gentlemen
First Gentleman
Did you ever hear the like?
Second Gentleman
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 5 468
Page No 473
No, nor never shall do in such a place as this, she
being once gone.
First Gentleman
But to have divinity preached there! did you ever
dream of such a thing?
Second Gentleman
No, no. Come, I am for no more bawdyhouses:
shall's go hear the vestals sing?
First Gentleman
I'll do any thing now that is virtuous; but I
am out of the road of rutting for ever.
Exeunt
Act 4, Scene 6
The same. A room in the brothel.
Enter Pandar, Bawd, and BOULT
Pandar
Well, I had rather than twice the worth of her she
had ne'er come here.
Bawd
Fie, fie upon her! she's able to freeze the god
Priapus, and undo a whole generation. We must
either get her ravished, or be rid of her. When she
should do for clients her fitment, and do me the
kindness of our profession, she has me her quirks,
her reasons, her master reasons, her prayers, her
knees; that she would make a puritan of the devil,
if he should cheapen a kiss of her.
BOULT
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 469
Page No 474
'Faith, I must ravish her, or she'll disfurnish us
of all our cavaliers, and make our swearers priests.
Pandar
Now, the pox upon her greensickness for me!
Bawd
'Faith, there's no way to be rid on't but by the
way to the pox. Here comes the Lord Lysimachus disguised.
BOULT
We should have both lord and lown, if the peevish
baggage would but give way to customers.
Enter LYSIMACHUS
LYSIMACHUS
How now! How a dozen of virginities?
Bawd
Now, the gods tobless your honour!
BOULT
I am glad to see your honour in good health.
LYSIMACHUS
You may so; 'tis the better for you that your
resorters stand upon sound legs. How now!
wholesome iniquity have you that a man may deal
withal, and defy the surgeon?
Bawd
We have here one, sir, if she wouldbut there never
came her like in Mytilene.
LYSIMACHUS
If she'ld do the deed of darkness, thou wouldst say.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 470
Page No 475
Bawd
Your honour knows what 'tis to say well enough.
LYSIMACHUS
Well, call forth, call forth.
BOULT
For flesh and blood, sir, white and red, you shall
see a rose; and she were a rose indeed, if she had but
LYSIMACHUS
What, prithee?
BOULT
O, sir, I can be modest.
LYSIMACHUS
That dignifies the renown of a bawd, no less than it
gives a good report to a number to be chaste.
Exit BOULT
Bawd
Here comes that which grows to the stalk; never
plucked yet, I can assure you.
Reenter BOULT with MARINA
Is she not a fair creature?
LYSIMACHUS
'Faith, she would serve after a long voyage at sea.
Well, there's for you: leave us.
Bawd
I beseech your honour, give me leave: a word, and
I'll have done presently.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 471
Page No 476
LYSIMACHUS
I beseech you, do.
Bawd
[To MARINA] First, I would have you note, this is
an honourable man.
MARINA
I desire to find him so, that I may worthily note him.
Bawd
Next, he's the governor of this country, and a man
whom I am bound to.
MARINA
If he govern the country, you are bound to him
indeed; but how honourable he is in that, I know not.
Bawd
Pray you, without any more virginal fencing, will
you use him kindly? He will line your apron with gold.
MARINA
What he will do graciously, I will thankfully receive.
LYSIMACHUS
Ha' you done?
Bawd
My lord, she's not paced yet: you must take some
pains to work her to your manage. Come, we will
leave his honour and her together. Go thy ways.
Exeunt Bawd, Pandar, and BOULT
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 472
Page No 477
LYSIMACHUS
Now, pretty one, how long have you been at this trade?
MARINA
What trade, sir?
LYSIMACHUS
Why, I cannot name't but I shall offend.
MARINA
I cannot be offended with my trade. Please you to name it.
LYSIMACHUS
How long have you been of this profession?
MARINA
E'er since I can remember.
LYSIMACHUS
Did you go to 't so young? Were you a gamester at
five or at seven?
MARINA
Earlier too, sir, if now I be one.
LYSIMACHUS
Why, the house you dwell in proclaims you to be a
creature of sale.
MARINA
Do you know this house to be a place of such resort,
and will come into 't? I hear say you are of
honourable parts, and are the governor of this place.
LYSIMACHUS
Why, hath your principal made known unto you who I am?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 473
Page No 478
MARINA
Who is my principal?
LYSIMACHUS
Why, your herbwoman; she that sets seeds and roots
of shame and iniquity. O, you have heard something
of my power, and so stand aloof for more serious
wooing. But I protest to thee, pretty one, my
authority shall not see thee, or else look friendly
upon thee. Come, bring me to some private place:
come, come.
MARINA
If you were born to honour, show it now;
If put upon you, make the judgment good
That thought you worthy of it.
LYSIMACHUS
How's this? how's this? Some more; be sage.
MARINA
For me,
That am a maid, though most ungentle fortune
Have placed me in this sty, where, since I came,
Diseases have been sold dearer than physic,
O, that the gods
Would set me free from this unhallow'd place,
Though they did change me to the meanest bird
That flies i' the purer air!
LYSIMACHUS
I did not think
Thou couldst have spoke so well; ne'er dream'd thou couldst.
Had I brought hither a corrupted mind,
Thy speech had alter'd it. Hold, here's gold for thee:
Persever in that clear way thou goest,
And the gods strengthen thee!
MARINA
The good gods preserve you!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 474
Page No 479
LYSIMACHUS
For me, be you thoughten
That I came with no ill intent; for to me
The very doors and windows savour vilely.
Fare thee well. Thou art a piece of virtue, and
I doubt not but thy training hath been noble.
Hold, here's more gold for thee.
A curse upon him, die he like a thief,
That robs thee of thy goodness! If thou dost
Hear from me, it shall be for thy good.
Reenter BOULT
BOULT
I beseech your honour, one piece for me.
LYSIMACHUS
Avaunt, thou damned doorkeeper!
Your house, but for this virgin that doth prop it,
Would sink and overwhelm you. Away!
Exit
BOULT
How's this? We must take another course with you.
If your peevish chastity, which is not worth a
breakfast in the cheapest country under the cope,
shall undo a whole household, let me be gelded like
a spaniel. Come your ways.
MARINA
Whither would you have me?
BOULT
I must have your maidenhead taken off, or the common
hangman shall execute it. Come your ways. We'll
have no more gentlemen driven away. Come your ways, I say.
Reenter Bawd
Bawd
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 475
Page No 480
How now! what's the matter?
BOULT
Worse and worse, mistress; she has here spoken holy
words to the Lord Lysimachus.
Bawd
O abominable!
BOULT
She makes our profession as it were to stink afore
the face of the gods.
Bawd
Marry, hang her up for ever!
BOULT
The nobleman would have dealt with her like a
nobleman, and she sent him away as cold as a
snowball; saying his prayers too.
Bawd
Boult, take her away; use her at thy pleasure:
crack the glass of her virginity, and make the rest malleable.
BOULT
An if she were a thornier piece of ground than she
is, she shall be ploughed.
MARINA
Hark, hark, you gods!
Bawd
She conjures: away with her! Would she had never
come within my doors! Marry, hang you! She's born
to undo us. Will you not go the way of womenkind?
Marry, come up, my dish of chastity with rosemary and bays!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 476
Page No 481
Exit
BOULT
Come, mistress; come your ways with me.
MARINA
Whither wilt thou have me?
BOULT
To take from you the jewel you hold so dear.
MARINA
Prithee, tell me one thing first.
BOULT
Come now, your one thing.
MARINA
What canst thou wish thine enemy to be?
BOULT
Why, I could wish him to be my master, or rather, my mistress.
MARINA
Neither of these are so bad as thou art,
Since they do better thee in their command.
Thou hold'st a place, for which the pained'st fiend
Of hell would not in reputation change:
Thou art the damned doorkeeper to every
Coistrel that comes inquiring for his Tib;
To the choleric fisting of every rogue
Thy ear is liable; thy food is such
As hath been belch'd on by infected lungs.
BOULT
What would you have me do? go to the wars, would
you? where a man may serve seven years for the loss
of a leg, and have not money enough in the end to
buy him a wooden one?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 477
Page No 482
MARINA
Do any thing but this thou doest. Empty
OLD receptacles, or common shores, of filth;
Serve by indenture to the common hangman:
Any of these ways are yet better than this;
For what thou professest, a baboon, could he speak,
Would own a name too dear. O, that the gods
Would safely deliver me from this place!
Here, here's gold for thee.
If that thy master would gain by thee,
Proclaim that I can sing, weave, sew, and dance,
With other virtues, which I'll keep from boast:
And I will undertake all these to teach.
I doubt not but this populous city will
Yield many scholars.
BOULT
But can you teach all this you speak of?
MARINA
Prove that I cannot, take me home again,
And prostitute me to the basest groom
That doth frequent your house.
BOULT
Well, I will see what I can do for thee: if I can
place thee, I will.
MARINA
But amongst honest women.
BOULT
'Faith, my acquaintance lies little amongst them.
But since my master and mistress have bought you,
there's no going but by their consent: therefore I
will make them acquainted with your purpose, and I
doubt not but I shall find them tractable enough.
Come, I'll do for thee what I can; come your ways.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 6 478
Page No 483
Exeunt
Enter GOWER
GOWER
Marina thus the brothel 'scapes, and chances
Into an honest house, our story says.
She sings like one immortal, and she dances
As goddesslike to her admired lays;
Deep clerks she dumbs; and with her needle composes
Nature's own shape, of bud, bird, branch, or berry,
That even her art sisters the natural roses;
Her inkle, silk, twin with the rubied cherry:
That pupils lacks she none of noble race,
Who pour their bounty on her; and her gain
She gives the cursed bawd. Here we her place;
And to her father turn our thoughts again,
Where we left him, on the sea. We there him lost;
Whence, driven before the winds, he is arrived
Here where his daughter dwells; and on this coast
Suppose him now at anchor. The city strived
God Neptune's annual feast to keep: from whence
Lysimachus our Tyrian ship espies,
His banners sable, trimm'd with rich expense;
And to him in his barge with fervor hies.
In your supposing once more put your sight
Of heavy Pericles; think this his bark:
Where what is done in action, more, if might,
Shall be discover'd; please you, sit and hark.
Exit
Act 5, Scene 1
On board PERICLES' ship, off Mytilene. A close
pavilion on deck, with a curtain before it; PERICLES
within it, reclined on a couch. A barge lying
beside the Tyrian vessel.
Enter two Sailors, one belonging to the Tyrian vessel, the other to the barge; to them
HELICANUS
Tyrian Sailor
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 479
Page No 484
[To the Sailor of Mytilene] Where is lord Helicanus?
he can resolve you.
O, here he is.
Sir, there's a barge put off from Mytilene,
And in it is Lysimachus the governor,
Who craves to come aboard. What is your will?
HELICANUS
That he have his. Call up some gentlemen.
Tyrian Sailor
Ho, gentlemen! my lord calls.
Enter two or three Gentlemen
First Gentleman
Doth your lordship call?
HELICANUS
Gentlemen, there's some of worth would come aboard;
I pray ye, greet them fairly.
The Gentlemen and the two Sailors descend, and go on board the barge
Enter, from thence, LYSIMACHUS and Lords; with the Gentlemen and the two Sailors
Tyrian Sailor
Sir,
This is the man that can, in aught you would,
Resolve you.
LYSIMACHUS
Hail, reverend sir! the gods preserve you!
HELICANUS
And you, sir, to outlive the age I am,
And die as I would do.
LYSIMACHUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 480
Page No 485
You wish me well.
Being on shore, honouring of Neptune's triumphs,
Seeing this goodly vessel ride before us,
I made to it, to know of whence you are.
HELICANUS
First, what is your place?
LYSIMACHUS
I am the governor of this place you lie before.
HELICANUS
Sir,
Our vessel is of Tyre, in it the king;
A man who for this three months hath not spoken
To any one, nor taken sustenance
But to prorogue his grief.
LYSIMACHUS
Upon what ground is his distemperature?
HELICANUS
'Twould be too tedious to repeat;
But the main grief springs from the loss
Of a beloved daughter and a wife.
LYSIMACHUS
May we not see him?
HELICANUS
You may;
But bootless is your sight: he will not speak To any.
LYSIMACHUS
Yet let me obtain my wish.
HELICANUS
Behold him.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 481
Page No 486
PERICLES discovered
This was a goodly person,
Till the disaster that, one mortal night,
Drove him to this.
LYSIMACHUS
Sir king, all hail! the gods preserve you!
Hail, royal sir!
HELICANUS
It is in vain; he will not speak to you.
First Lord
Sir,
We have a maid in Mytilene, I durst wager,
Would win some words of him.
LYSIMACHUS
'Tis well bethought.
She questionless with her sweet harmony
And other chosen attractions, would allure,
And make a battery through his deafen'd parts,
Which now are midway stopp'd:
She is all happy as the fairest of all,
And, with her fellow maids is now upon
The leafy shelter that abuts against
The island's side.
Whispers a Lord, who goes off in the barge of LYSIMACHUS
HELICANUS
Sure, all's effectless; yet nothing we'll omit
That bears recovery's name. But, since your kindness
We have stretch'd thus far, let us beseech you
That for our gold we may provision have,
Wherein we are not destitute for want,
But weary for the staleness.
LYSIMACHUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 482
Page No 487
O, sir, a courtesy
Which if we should deny, the most just gods
For every graff would send a caterpillar,
And so afflict our province. Yet once more
Let me entreat to know at large the cause
Of your king's sorrow.
HELICANUS
Sit, sir, I will recount it to you:
But, see, I am prevented.
Reenter, from the barge, Lord, with MARINA, and a young Lady
LYSIMACHUS
O, here is
The lady that I sent for. Welcome, fair one!
Is't not a goodly presence?
HELICANUS
She's a gallant lady.
LYSIMACHUS
She's such a one, that, were I well assured
Came of a gentle kind and noble stock,
I'ld wish no better choice, and think me rarely wed.
Fair one, all goodness that consists in bounty
Expect even here, where is a kingly patient:
If that thy prosperous and artificial feat
Can draw him but to answer thee in aught,
Thy sacred physic shall receive such pay
As thy desires can wish.
MARINA
Sir, I will use
My utmost skill in his recovery, Provided
That none but I and my companion maid
Be suffer'd to come near him.
LYSIMACHUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 483
Page No 488
Come, let us leave her;
And the gods make her prosperous!
MARINA sings
LYSIMACHUS
Mark'd he your music?
MARINA
No, nor look'd on us.
LYSIMACHUS
See, she will speak to him.
MARINA
Hail, sir! my lord, lend ear.
PERICLES
Hum, ha!
MARINA
I am a maid,
My lord, that ne'er before invited eyes,
But have been gazed on like a comet: she speaks,
My lord, that, may be, hath endured a grief
Might equal yours, if both were justly weigh'd.
Though wayward fortune did malign my state,
My derivation was from ancestors
Who stood equivalent with mighty kings:
But time hath rooted out my parentage,
And to the world and awkward casualties
Bound me in servitude.
Aside
I will desist;
But there is something glows upon my cheek,
And whispers in mine ear, 'Go not till he speak.'
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 484
Page No 489
My fortunesparentagegood parentage
To equal mine!was it not thus? what say you?
MARINA
I said, my lord, if you did know my parentage,
You would not do me violence.
PERICLES
I do think so. Pray you, turn your eyes upon me.
You are like something thatWhat countrywoman?
Here of these shores?
MARINA
No, nor of any shores:
Yet I was mortally brought forth, and am
No other than I appear.
PERICLES
I am great with woe, and shall deliver weeping.
My dearest wife was like this maid, and such a one
My daughter might have been: my queen's square brows;
Her stature to an inch; as wandlike straight;
As silvervoiced; her eyes as jewellike
And cased as richly; in pace another Juno;
Who starves the ears she feeds, and makes them hungry,
The more she gives them speech. Where do you live?
MARINA
Where I am but a stranger: from the deck
You may discern the place.
PERICLES
Where were you bred?
And how achieved you these endowments, which
You make more rich to owe?
MARINA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 485
Page No 490
If I should tell my history, it would seem
Like lies disdain'd in the reporting.
PERICLES
Prithee, speak:
Falseness cannot come from thee; for thou look'st
Modest as Justice, and thou seem'st a palace
For the crown'd Truth to dwell in: I will
believe thee,
And make my senses credit thy relation
To points that seem impossible; for thou look'st
Like one I loved indeed. What were thy friends?
Didst thou not say, when I did push thee back
Which was when I perceived theethat thou camest
From good descending?
MARINA
So indeed I did.
PERICLES
Report thy parentage. I think thou said'st
Thou hadst been toss'd from wrong to injury,
And that thou thought'st thy griefs might equal mine,
If both were open'd.
MARINA
Some such thing
I said, and said no more but what my thoughts
Did warrant me was likely.
PERICLES
Tell thy story;
If thine consider'd prove the thousandth part
Of my endurance, thou art a man, and I
Have suffer'd like a girl: yet thou dost look
Like Patience gazing on kings' graves, and smiling
Extremity out of act. What were thy friends?
How lost thou them? Thy name, my most kind virgin?
Recount, I do beseech thee: come, sit by me.
MARINA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 486
Page No 491
My name is Marina.
PERICLES
O, I am mock'd,
And thou by some incensed god sent hither
To make the world to laugh at me.
MARINA
Patience, good sir,
Or here I'll cease.
PERICLES
Nay, I'll be patient.
Thou little know'st how thou dost startle me,
To call thyself Marina.
MARINA
The name
Was given me by one that had some power,
My father, and a king.
PERICLES
How! a king's daughter?
And call'd Marina?
MARINA
You said you would believe me;
But, not to be a troubler of your peace,
I will end here.
PERICLES
But are you flesh and blood?
Have you a working pulse? and are no fairy?
Motion! Well; speak on. Where were you born?
And wherefore call'd Marina?
MARINA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 487
Page No 492
Call'd Marina
For I was born at sea.
PERICLES
At sea! what mother?
MARINA
My mother was the daughter of a king;
Who died the minute I was born,
As my good nurse Lychorida hath oft
Deliver'd weeping.
PERICLES
O, stop there a little!
Aside
This is the rarest dream that e'er dull sleep
Did mock sad fools withal: this cannot be:
My daughter's buried. Well: where were you bred?
I'll hear you more, to the bottom of your story,
And never interrupt you.
MARINA
You scorn: believe me, 'twere best I did give o'er.
PERICLES
I will believe you by the syllable
Of what you shall deliver. Yet, give me leave:
How came you in these parts? where were you bred?
MARINA
The king my father did in Tarsus leave me;
Till cruel Cleon, with his wicked wife,
Did seek to murder me: and having woo'd
A villain to attempt it, who having drawn to do't,
A crew of pirates came and rescued me;
Brought me to Mytilene. But, good sir,
Whither will you have me? Why do you weep?
It may be,
You think me an impostor: no, good faith;
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 488
Page No 493
I am the daughter to King Pericles,
If good King Pericles be.
PERICLES
Ho, Helicanus!
HELICANUS
Calls my lord?
PERICLES
Thou art a grave and noble counsellor,
Most wise in general: tell me, if thou canst,
What this maid is, or what is like to be,
That thus hath made me weep?
HELICANUS
I know not; but
Here is the regent, sir, of Mytilene
Speaks nobly of her.
LYSIMACHUS
She would never tell
Her parentage; being demanded that,
She would sit still and weep.
PERICLES
O Helicanus, strike me, honour'd sir;
Give me a gash, put me to present pain;
Lest this great sea of joys rushing upon me
O'erbear the shores of my mortality,
And drown me with their sweetness. O, come hither,
Thou that beget'st him that did thee beget;
Thou that wast born at sea, buried at Tarsus,
And found at sea again! O Helicanus,
Down on thy knees, thank the holy gods as loud
As thunder threatens us: this is Marina.
What was thy mother's name? tell me but that,
For truth can never be confirm'd enough,
Though doubts did ever sleep.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 489
Page No 494
MARINA
First, sir, I pray,
What is your title?
PERICLES
I am Pericles of Tyre: but tell me now
My drown'd queen's name, as in the rest you said
Thou hast been godlike perfect,
The heir of kingdoms and another like
To Pericles thy father.
MARINA
Is it no more to be your daughter than
To say my mother's name was Thaisa?
Thaisa was my mother, who did end
The minute I began.
PERICLES
Now, blessing on thee! rise; thou art my child.
Give me fresh garments. Mine own, Helicanus;
She is not dead at Tarsus, as she should have been,
By savage Cleon: she shall tell thee all;
When thou shalt kneel, and justify in knowledge
She is thy very princess. Who is this?
HELICANUS
Sir, 'tis the governor of Mytilene,
Who, hearing of your melancholy state,
Did come to see you.
PERICLES
I embrace you.
Give me my robes. I am wild in my beholding.
O heavens bless my girl! But, hark, what music?
Tell Helicanus, my Marina, tell him
O'er, point by point, for yet he seems to doubt,
How sure you are my daughter. But, what music?
HELICANUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 490
Page No 495
My lord, I hear none.
PERICLES
None!
The music of the spheres! List, my Marina.
LYSIMACHUS
It is not good to cross him; give him way.
PERICLES
Rarest sounds! Do ye not hear?
LYSIMACHUS
My lord, I hear.
Music
PERICLES
Most heavenly music!
It nips me unto listening, and thick slumber
Hangs upon mine eyes: let me rest.
Sleeps
LYSIMACHUS
A pillow for his head:
So, leave him all. Well, my companion friends,
If this but answer to my just belief,
I'll well remember you.
Exeunt all but PERICLES
DIANA appears to PERICLES as in a vision
DIANA
My temple stands in Ephesus: hie thee thither,
And do upon mine altar sacrifice.
There, when my maiden priests are met together,
Before the people all,
Reveal how thou at sea didst lose thy wife:
To mourn thy crosses, with thy daughter's, call
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 491
Page No 496
And give them repetition to the life.
Or perform my bidding, or thou livest in woe;
Do it, and happy; by my silver bow!
Awake, and tell thy dream.
Disappears
PERICLES
Celestial Dian, goddess argentine,
I will obey thee. Helicanus!
Reenter HELICANUS, LYSIMACHUS, and MARINA
HELICANUS
Sir?
PERICLES
My purpose was for Tarsus, there to strike
The inhospitable Cleon; but I am
For other service first: toward Ephesus
Turn our blown sails; eftsoons I'll tell thee why.
To LYSIMACHUS
Shall we refresh us, sir, upon your shore,
And give you gold for such provision
As our intents will need?
LYSIMACHUS
Sir,
With all my heart; and, when you come ashore,
I have another suit.
PERICLES
You shall prevail,
Were it to woo my daughter; for it seems
You have been noble towards her.
LYSIMACHUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 492
Page No 497
Sir, lend me your arm.
PERICLES
Come, my Marina.
Exeunt
Enter GOWER, before the temple of DIANA at Ephesus
GOWER
Now our sands are almost run;
More a little, and then dumb.
This, my last boon, give me,
For such kindness must relieve me,
That you aptly will suppose
What pageantry, what feats, what shows,
What minstrelsy, and pretty din,
The regent made in Mytilene
To greet the king. So he thrived,
That he is promised to be wived
To fair Marina; but in no wise
Till he had done his sacrifice,
As Dian bade: whereto being bound,
The interim, pray you, all confound.
In feather'd briefness sails are fill'd,
And wishes fall out as they're will'd.
At Ephesus, the temple see,
Our king and all his company.
That he can hither come so soon,
Is by your fancy's thankful doom.
Exit
Act 5, Scene 3
The temple of Diana at Ephesus; THAISA standing
near the altar, as high priestess; a number of
Virgins on each side; CERIMON and other Inhabitants
of Ephesus attending.
Enter PERICLES, with his train; LYSIMACHUS, HELICANUS, MARINA, and a Lady
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 493
Page No 498
Hail, Dian! to perform thy just command,
I here confess myself the king of Tyre;
Who, frighted from my country, did wed
At Pentapolis the fair Thaisa.
At sea in childbed died she, but brought forth
A maidchild call'd Marina; who, O goddess,
Wears yet thy silver livery. She at Tarsus
Was nursed with Cleon; who at fourteen years
He sought to murder: but her better stars
Brought her to Mytilene; 'gainst whose shore
Riding, her fortunes brought the maid aboard us,
Where, by her own most clear remembrance, she
Made known herself my daughter.
THAISA
Voice and favour!
You are, you areO royal Pericles!
Faints
PERICLES
What means the nun? she dies! help, gentlemen!
CERIMON
Noble sir,
If you have told Diana's altar true,
This is your wife.
PERICLES
Reverend appearer, no;
I threw her overboard with these very arms.
CERIMON
Upon this coast, I warrant you.
PERICLES
'Tis most certain.
CERIMON
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 494
Page No 499
Look to the lady; O, she's but o'erjoy'd.
Early in blustering morn this lady was
Thrown upon this shore. I oped the coffin,
Found there rich jewels; recover'd her, and placed her
Here in Diana's temple.
PERICLES
May we see them?
CERIMON
Great sir, they shall be brought you to my house,
Whither I invite you. Look, Thaisa is recovered.
THAISA
O, let me look!
If he be none of mine, my sanctity
Will to my sense bend no licentious ear,
But curb it, spite of seeing. O, my lord,
Are you not Pericles? Like him you spake,
Like him you are: did you not name a tempest,
A birth, and death?
PERICLES
The voice of dead Thaisa!
THAISA
That Thaisa am I, supposed dead
And drown'd.
PERICLES
Immortal Dian!
THAISA
Now I know you better.
When we with tears parted Pentapolis,
The king my father gave you such a ring.
Shows a ring
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 495
Page No 500
PERICLES
This, this: no more, you gods! your present kindness
Makes my past miseries sports: you shall do well,
That on the touching of her lips I may
Melt and no more be seen. O, come, be buried
A second time within these arms.
MARINA
My heart
Leaps to be gone into my mother's bosom.
Kneels to THAISA
PERICLES
Look, who kneels here! Flesh of thy flesh, Thaisa;
Thy burden at the sea, and call'd Marina
For she was yielded there.
THAISA
Blest, and mine own!
HELICANUS
Hail, madam, and my queen!
THAISA
I know you not.
PERICLES
You have heard me say, when I did fly from Tyre,
I left behind an ancient substitute:
Can you remember what I call'd the man?
I have named him oft.
THAISA
'Twas Helicanus then.
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 496
Page No 501
Still confirmation:
Embrace him, dear Thaisa; this is he.
Now do I long to hear how you were found;
How possibly preserved; and who to thank,
Besides the gods, for this great miracle.
THAISA
Lord Cerimon, my lord; this man,
Through whom the gods have shown their power; that can
From first to last resolve you.
PERICLES
Reverend sir,
The gods can have no mortal officer
More like a god than you. Will you deliver
How this dead queen relives?
CERIMON
I will, my lord.
Beseech you, first go with me to my house,
Where shall be shown you all was found with her;
How she came placed here in the temple;
No needful thing omitted.
PERICLES
Pure Dian, bless thee for thy vision! I
Will offer nightoblations to thee. Thaisa,
This prince, the fairbetrothed of your daughter,
Shall marry her at Pentapolis. And now,
This ornament
Makes me look dismal will I clip to form;
And what this fourteen years no razor touch'd,
To grace thy marriageday, I'll beautify.
THAISA
Lord Cerimon hath letters of good credit, sir,
My father's dead.
PERICLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 497
Page No 502
Heavens make a star of him! Yet there, my queen,
We'll celebrate their nuptials, and ourselves
Will in that kingdom spend our following days:
Our son and daughter shall in Tyrus reign.
Lord Cerimon, we do our longing stay
To hear the rest untold: sir, lead's the way.
Exeunt
Enter GOWER
GOWER
In Antiochus and his daughter you have heard
Of monstrous lust the due and just reward:
In Pericles, his queen and daughter, seen,
Although assail'd with fortune fierce and keen,
Virtue preserved from fell destruction's blast,
Led on by heaven, and crown'd with joy at last:
In Helicanus may you well descry
A figure of truth, of faith, of loyalty:
In reverend Cerimon there well appears
The worth that learned charity aye wears:
For wicked Cleon and his wife, when fame
Had spread their cursed deed, and honour'd name
Of Pericles, to rage the city turn,
That him and his they in his palace burn;
The gods for murder seemed so content
To punish them; although not done, but meant.
So, on your patience evermore attending,
New joy wait on you! Here our play has ending.
Exit
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 498
Page No 503
Troilus and Cressida
Prologue In Troy, there lies the scene. From isles of
Greece
The princes orgulous, their high blood chafed,
Have to the port of Athens sent their ships,
Fraught with the ministers and instruments
Of cruel war: sixty and nine, that wore
Their crownets regal, from the Athenian bay
Put forth toward Phrygia; and their vow is made
To ransack Troy, within whose strong immures
The ravish'd Helen, Menelaus' queen,
With wanton Paris sleeps; and that's the quarrel.
To Tenedos they come;
And the deepdrawing barks do there disgorge
Their warlike fraughtage: now on Dardan plains
The fresh and yet unbruised Greeks do pitch
Their brave pavilions: Priam's sixgated city,
Dardan, and Tymbria, Helias, Chetas, Troien,
And Antenorides, with massy staples
And corresponsive and fulfilling bolts,
Sperr up the sons of Troy.
Now expectation, tickling skittish spirits,
On one and other side, Trojan and Greek,
Sets all on hazard: and hither am I come
A prologue arm'd, but not in confidence
Of author's pen or actor's voice, but suited
In like conditions as our argument,
To tell you, fair beholders, that our play
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 499
Page No 504
Leaps o'er the vaunt and firstlings of those broils,
Beginning in the middle, starting thence away
To what may be digested in a play.
Like or find fault; do as your pleasures are:
Now good or bad, 'tis but the chance of war.
Troilus and Cressida
Act 1, Scene 1
Troy. Before Priam's palace.
Enter TROILUS armed, and PANDARUS
TROILUS
Call here my varlet; I'll unarm again:
Why should I war without the walls of Troy,
That find such cruel battle here within?
Each Trojan that is master of his heart,
Let him to field; Troilus, alas! hath none.
PANDARUS
Will this gear ne'er be mended?
TROILUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 500
Page No 505
The Greeks are strong and skilful to their strength,
Fierce to their skill and to their fierceness valiant;
But I am weaker than a woman's tear,
Tamer than sleep, fonder than ignorance,
Less valiant than the virgin in the night
And skilless as unpractised infancy.
PANDARUS
Well, I have told you enough of this: for my part,
I'll not meddle nor make no further. He that will
have a cake out of the wheat must needs tarry the grinding.
TROILUS
Have I not tarried?
PANDARUS
Ay, the grinding; but you must tarry
the bolting.
TROILUS
Have I not tarried?
PANDARUS
Ay, the bolting, but you must tarry the leavening.
TROILUS
Still have I tarried.
PANDARUS
Ay, to the leavening; but here's yet in the word
'hereafter' the kneading, the making of the cake, the
heating of the oven and the baking; nay, you must
stay the cooling too, or you may chance to burn your lips.
TROILUS
Patience herself, what goddess e'er she be,
Doth lesser blench at sufferance than I do.
At Priam's royal table do I sit;
And when fair Cressid comes into my thoughts,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 501
Page No 506
So, traitor! 'When she comes!' When is she thence?
PANDARUS
Well, she looked yesternight fairer than ever I saw
her look, or any woman else.
TROILUS
I was about to tell thee:when my heart,
As wedged with a sigh, would rive in twain,
Lest Hector or my father should perceive me,
I have, as when the sun doth light a storm,
Buried this sigh in wrinkle of a smile:
But sorrow, that is couch'd in seeming gladness,
Is like that mirth fate turns to sudden sadness.
PANDARUS
An her hair were not somewhat darker than Helen's
well, go tothere were no more comparison between
the women: but, for my part, she is my kinswoman; I
would not, as they term it, praise her: but I would
somebody had heard her talk yesterday, as I did. I
will not dispraise your sister Cassandra's wit, but
TROILUS
O Pandarus! I tell thee, Pandarus,
When I do tell thee, there my hopes lie drown'd,
Reply not in how many fathoms deep
They lie indrench'd. I tell thee I am mad
In Cressid's love: thou answer'st 'she is fair;'
Pour'st in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice,
Handlest in thy discourse, O, that her hand,
In whose comparison all whites are ink,
Writing their own reproach, to whose soft seizure
The cygnet's down is harsh and spirit of sense
Hard as the palm of ploughman: this thou tell'st me,
As true thou tell'st me, when I say I love her;
But, saying thus, instead of oil and balm,
Thou lay'st in every gash that love hath given me
The knife that made it.
PANDARUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 502
Page No 507
I speak no more than truth.
TROILUS
Thou dost not speak so much.
PANDARUS
Faith, I'll not meddle in't. Let her be as she is:
if she be fair, 'tis the better for her; an she be
not, she has the mends in her own hands.
TROILUS
Good Pandarus, how now, Pandarus!
PANDARUS
I have had my labour for my travail; illthought on of
her and illthought on of you; gone between and
between, but small thanks for my labour.
TROILUS
What, art thou angry, Pandarus? what, with me?
PANDARUS
Because she's kin to me, therefore she's not so fair
as Helen: an she were not kin to me, she would be as
fair on Friday as Helen is on Sunday. But what care
I? I care not an she were a blackamoor; 'tis all one to me.
TROILUS
Say I she is not fair?
PANDARUS
I do not care whether you do or no. She's a fool to
stay behind her father; let her to the Greeks; and so
I'll tell her the next time I see her: for my part,
I'll meddle nor make no more i' the matter.
TROILUS
Pandarus,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 503
Page No 508
PANDARUS
Not I.
TROILUS
Sweet Pandarus,
PANDARUS
Pray you, speak no more to me: I will leave all as I
found it, and there an end.
Exit PANDARUS. An alarum
TROILUS
Peace, you ungracious clamours! peace, rude sounds!
Fools on both sides! Helen must needs be fair,
When with your blood you daily paint her thus.
I cannot fight upon this argument;
It is too starved a subject for my sword.
But Pandarus,O gods, how do you plague me!
I cannot come to Cressid but by Pandar;
And he's as tetchy to be woo'd to woo.
As she is stubbornchaste against all suit.
Tell me, Apollo, for thy Daphne's love,
What Cressid is, what Pandar, and what we?
Her bed is India; there she lies, a pearl:
Between our Ilium and where she resides,
Let it be call'd the wild and wandering flood,
Ourself the merchant, and this sailing Pandar
Our doubtful hope, our convoy and our bark.
Alarum. Enter AENEAS
AENEAS
How now, Prince Troilus! wherefore not afield?
TROILUS
Because not there: this woman's answer sorts,
For womanish it is to be from thence.
What news, AEneas, from the field today?
AENEAS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deepdrawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's sixgated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war. Troilus and CressidaAct 1, Scene 1 504
Page No 509
That Paris is returned home and hurt.
TROILUS
By whom, AEneas?
AENEAS
Troilus, by Menelaus.
TROILUS
Let Paris bleed; 'tis but a scar to scorn;
Paris is gored with Menelaus' horn.
Alarum
AENEAS
Hark, what good sport is out of town today!
TROILUS
Better at home, if 'would I might' were 'may.'
But to the sport abroad: are you bound thither?
AENEAS
In all swift haste.
TROILUS
Come, go we then together.
Exeunt
Act 1, Scene 2
The Same. A street.
Enter CRESSIDA and ALEXANDER
CRESSIDA
Who were those went by?
ALEXANDER
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 505
Page No 510
Queen Hecuba and Helen.
CRESSIDA
And whither go they?
ALEXANDER
Up to the eastern tower,
Whose height commands as subject all the vale,
To see the battle. Hector, whose patience
Is, as a virtue, fix'd, today was moved:
He chid Andromache and struck his armourer,
And, like as there were husbandry in war,
Before the sun rose he was harness'd light,
And to the field goes he; where every flower
Did, as a prophet, weep what it foresaw
In Hector's wrath.
CRESSIDA
What was his cause of anger?
ALEXANDER
The noise goes, this: there is among the Greeks
A lord of Trojan blood, nephew to Hector;
They call him Ajax.
CRESSIDA
Good; and what of him?
ALEXANDER
They say he is a very man per se,
And stands alone.
CRESSIDA
So do all men, unless they are drunk, sick, or have no legs.
ALEXANDER
This man, lady, hath robbed many beasts of their
particular additions; he is as valiant as the lion,
churlish as the bear, slow as the elephant: a man
into whom nature hath so crowded humours that his
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 506
Page No 511
valour is crushed into folly, his folly sauced with
discretion: there is no man hath a virtue that he
hath not a glimpse of, nor any man an attaint but he
carries some stain of it: he is melancholy without
cause, and merry against the hair: he hath the
joints of every thing, but everything so out of joint
that he is a gouty Briareus, many hands and no use,
or purblind Argus, all eyes and no sight.
CRESSIDA
But how should this man, that makes
me smile, make Hector angry?
ALEXANDER
They say he yesterday coped Hector in the battle and
struck him down, the disdain and shame whereof hath
ever since kept Hector fasting and waking.
CRESSIDA
Who comes here?
ALEXANDER
Madam, your uncle Pandarus.
Enter PANDARUS
CRESSIDA
Hector's a gallant man.
ALEXANDER
As may be in the world, lady.
PANDARUS
What's that? what's that?
CRESSIDA
Good morrow, uncle Pandarus.
PANDARUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 507
Page No 512
Good morrow, cousin Cressid: what do you talk of?
Good morrow, Alexander. How do you, cousin? When
were you at Ilium?
CRESSIDA
This morning, uncle.
PANDARUS
What were you talking of when I came? Was Hector
armed and gone ere ye came to Ilium? Helen was not
up, was she?
CRESSIDA
Hector was gone, but Helen was not up.
PANDARUS
Even so: Hector was stirring early.
CRESSIDA
That were we talking of, and of his anger.
PANDARUS
Was he angry?
CRESSIDA
So he says here.
PANDARUS
True, he was so: I know the cause too: he'll lay
about him today, I can tell them that: and there's
Troilus will not come far behind him: let them take
heed of Troilus, I can tell them that too.
CRESSIDA
What, is he angry too?
PANDARUS
Who, Troilus? Troilus is the better man of the two.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 1, Scene 2 508
Page No 513
CRESSIDA
O Jupiter! there's no comparison.
PANDARUS
What, not between Troilus and Hector? Do you know a
man if you see him?
CRESSIDA
Ay, if I ever saw him before and knew him.
PANDARUS
Well, I say Troilus is Troilus.
CRESSIDA
Then you say as I say; for, I am sure, he is not Hector.
PANDARUS
No, nor Hector is not Troilus in some degrees.
CRESSIDA
'Tis just to each of them; he is himself.
PANDARUS
Himself! Alas, poor Troilus! I would he were.
CRESSIDA
So he is.
PANDARUS
Condition, I had gone barefoot to India.
CRESSIDA
He is not Hector.
PANDARUS
Himself! no, he's not himself: would a' were
himself! Well, the gods are above; time must friend
or end: well, Troilus, well: I would my heart were
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Page No 514
in her body. No, Hector is not a better man than Troilus.
CRESSIDA
Excuse me.
PANDARUS
He is elder.
CRESSIDA
Pardon me, pardon me.
PANDARUS
Th' other's not come to't; you shall tell me another
tale, when th' other's come to't. Hector shall not
have his wit this year.
CRESSIDA
He shall not need it, if he have his own.
PANDARUS
Nor his qualities.
CRESSIDA
No matter.
PANDARUS
Nor his beauty.
CRESSIDA
'Twould not become him; his own's better.
PANDARUS
You have no judgment, niece: Helen
herself swore th' other day, that Troilus, for
a brown favourfor so 'tis, I must confess,
not brown neither,
CRESSIDA
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No, but brown.
PANDARUS
'Faith, to say truth, brown and not brown.
CRESSIDA
To say the truth, true and not true.
PANDARUS
She praised his complexion above Paris.
CRESSIDA
Why, Paris hath colour enough.
PANDARUS
So he has.
CRESSIDA
Then Troilus should have too much: if she praised
him above, his complexion is higher than his; he
having colour enough, and the other higher, is too
flaming a praise for a good complexion. I had as
lief Helen's golden tongue had commended Troilus for
a copper nose.
PANDARUS
I swear to you. I think Helen loves him better than Paris.
CRESSIDA
Then she's a merry Greek indeed.
PANDARUS
Nay, I am sure she does. She came to him th' other
day into the compassed window,and, you know, he
has not past three or four hairs on his chin,
CRESSIDA
Indeed, a tapster's arithmetic may soon bring his
particulars therein to a total.
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PANDARUS
Why, he is very young: and yet will he, within
three pound, lift as much as his brother Hector.
CRESSIDA
Is he so young a man and so old a lifter?
PANDARUS
But to prove to you that Helen loves him: she came
and puts me her white hand to his cloven chin
CRESSIDA
Juno have mercy! how came it cloven?
PANDARUS
Why, you know 'tis dimpled: I think his smiling
becomes him better than any man in all Phrygia.
CRESSIDA
O, he smiles valiantly.
PANDARUS
Does he not?
CRESSIDA
O yes, an 'twere a cloud in autumn.
PANDARUS
Why, go to, then: but to prove to you that Helen
loves Troilus,
CRESSIDA
Troilus will stand to the proof, if you'll
prove it so.
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PANDARUS
Troilus! why, he esteems her no more than I esteem
an addle egg.
CRESSIDA
If you love an addle egg as well as you love an idle
head, you would eat chickens i' the shell.
PANDARUS
I cannot choose but laugh, to think how she tickled
his chin: indeed, she has a marvellous white hand, I
must needs confess,
CRESSIDA
Without the rack.
PANDARUS
And she takes upon her to spy a white hair on his chin.
CRESSIDA
Alas, poor chin! many a wart is richer.
PANDARUS
But there was such laughing! Queen Hecuba laughed
that her eyes ran o'er.
CRESSIDA
With millstones.
PANDARUS
And Cassandra laughed.
CRESSIDA
But there was more temperate fire under the pot of
her eyes: did her eyes run o'er too?
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PANDARUS
And Hector laughed.
CRESSIDA
At what was all this laughing?
PANDARUS
Marry, at the white hair that Helen spied on Troilus' chin.
CRESSIDA
An't had been a green hair, I should have laughed
too.
PANDARUS
They laughed not so much at the hair as at his pretty answer.
CRESSIDA
What was his answer?
PANDARUS
Quoth she, 'Here's but two and fifty hairs on your
chin, and one of them is white.
CRESSIDA
This is her question.
PANDARUS
That's true; make no question of that. 'Two and
fifty hairs' quoth he, 'and one white: that white
hair is my father, and all the rest are his sons.'
'Jupiter!' quoth she, 'which of these hairs is Paris,
my husband? 'The forked one,' quoth he, 'pluck't
out, and give it him.' But there was such laughing!
and Helen so blushed, an Paris so chafed, and all the
rest so laughed, that it passed.
CRESSIDA
So let it now; for it has been while going by.
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PANDARUS
Well, cousin. I told you a thing yesterday; think on't.
CRESSIDA
So I do.
PANDARUS
I'll be sworn 'tis true; he will weep you, an 'twere
a man born in April.
CRESSIDA
And I'll spring up in his tears, an 'twere a nettle
against May.
A retreat sounded
PANDARUS
Hark! they are coming from the field: shall we
stand up here, and see them as they pass toward
Ilium? good niece, do, sweet niece Cressida.
CRESSIDA
At your pleasure.
PANDARUS
Here, here, here's an excellent place; here we may
see most bravely: I'll tell you them all by their
names as they pass by; but mark Troilus above the rest.
CRESSIDA
Speak not so loud.
AENEAS passes
PANDARUS
That's AEneas: is not that a brave man? he's one of
the flowers of Troy, I can tell you: but mark
Troilus; you shall see anon.
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ANTENOR passes
CRESSIDA
Who's that?
PANDARUS
That's Antenor: he has a shrewd wit, I can tell you;
and he's a man good enough, he's one o' the soundest
judgments in whosoever, and a proper man of person.
When comes Troilus? I'll show you Troilus anon: if
he see me, you shall see him nod at me.
CRESSIDA
Will he give you the nod?
PANDARUS
You shall see.
CRESSIDA
If he do, the rich shall have more.
HECTOR passes
PANDARUS
That's Hector, that, that, look you, that; there's a
fellow! Go thy way, Hector! There's a brave man,
niece. O brave Hector! Look how he looks! there's
a countenance! is't not a brave man?
CRESSIDA
O, a brave man!
PANDARUS
Is a' not? it does a man's heart good. Look you
what hacks are on his helmet! look you yonder, do
you see? look you there: there's no jesting;
there's laying on, take't off who will, as they say:
there be hacks!
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CRESSIDA
Be those with swords?
PANDARUS
Swords! any thing, he cares not; an the devil come
to him, it's all one: by God's lid, it does one's
heart good. Yonder comes Paris, yonder comes Paris.
PARIS passes
Look ye yonder, niece; is't not a gallant man too,
is't not? Why, this is brave now. Who said he came
hurt home today? he's not hurt: why, this will do
Helen's heart good now, ha! Would I could see
Troilus now! You shall see Troilus anon.
HELENUS passes
CRESSIDA
Who's that?
PANDARUS
That's Helenus. I marvel where Troilus is. That's
Helenus. I think he went not forth today. That's Helenus.
CRESSIDA
Can Helenus fight, uncle?
PANDARUS
Helenus? no. Yes, he'll fight indifferent well. I
marvel where Troilus is. Hark! do you not hear the
people cry 'Troilus'? Helenus is a priest.
CRESSIDA
What sneaking fellow comes yonder?
TROILUS passes
PANDARUS
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Where? yonder? that's Deiphobus. 'Tis Troilus!
there's a man, niece! Hem! Brave Troilus! the
prince of chivalry!
CRESSIDA
Peace, for shame, peace!
PANDARUS
Mark him; note him. O brave Troilus! Look well upon
him, niece: look you how his sword is bloodied, and
his helm more hacked than Hector's, and how he looks,
and how he goes! O admirable youth! he ne'er saw
three and twenty. Go thy way, Troilus, go thy way!
Had I a sister were a grace, or a daughter a goddess,
he should take his choice. O admirable man! Paris?
Paris is dirt to him; and, I warrant, Helen, to
change, would give an eye to boot.
CRESSIDA
Here come more.
Forces pass
PANDARUS
Asses, fools, dolts! chaff and bran, chaff and bran!
porridge after meat! I could live and die i' the
eyes of Troilus. Ne'er look, ne'er look: the eagles
are gone: crows and daws, crows and daws! I had
rather be such a man as Troilus than Agamemnon and
all Greece.
CRESSIDA
There is among the Greeks Achilles, a better man than Troilus.
PANDARUS
Achilles! a drayman, a porter, a very camel.
CRESSIDA
Well, well.
PANDARUS
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Page No 523
'Well, well!' why, have you any discretion? have
you any eyes? Do you know what a man is? Is not
birth, beauty, good shape, discourse, manhood,
learning, gentleness, virtue, youth, liberality,
and such like, the spice and salt that season a man?
CRESSIDA
Ay, a minced man: and then to be baked with no date
in the pie, for then the man's date's out.
PANDARUS
You are such a woman! one knows not at what ward you
lie.
CRESSIDA
Upon my back, to defend my belly; upon my wit, to
defend my wiles; upon my secrecy, to defend mine
honesty; my mask, to defend my beauty; and you, to
defend all these: and at all these wards I lie, at a
thousand watches.
PANDARUS
Say one of your watches.
CRESSIDA
Nay, I'll watch you for that; and that's one of the
chiefest of them too: if I cannot ward what I would
not have hit, I can watch you for telling how I took
the blow; unless it swell past hiding, and then it's
past watching.
PANDARUS
You are such another!
Enter Troilus's Boy
Boy
Sir, my lord would instantly speak with you.
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PANDARUS
Where?
Boy
At your own house; there he unarms him.
PANDARUS
Good boy, tell him I come.
Exit boy
I doubt he be hurt. Fare ye well, good niece.
CRESSIDA
Adieu, uncle.
PANDARUS
I'll be with you, niece, by and by.
CRESSIDA
To bring, uncle?
PANDARUS
Ay, a token from Troilus.
CRESSIDA
By the same token, you are a bawd.
Exit PANDARUS
Words, vows, gifts, tears, and love's full sacrifice,
He offers in another's enterprise;
But more in Troilus thousand fold I see
Than in the glass of Pandar's praise may be;
Yet hold I off. Women are angels, wooing:
Things won are done; joy's soul lies in the doing.
That she beloved knows nought that knows not this:
Men prize the thing ungain'd more than it is:
That she was never yet that ever knew
Love got so sweet as when desire did sue.
Therefore this maxim out of love I teach:
Achievement is command; ungain'd, beseech:
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Then though my heart's content firm love doth bear,
Nothing of that shall from mine eyes appear.
Exeunt
Act 1, Scene 3
The Grecian camp. Before Agamemnon's tent.
Sennet. Enter AGAMEMNON, NESTOR, ULYSSES, MENELAUS, and others
AGAMEMNON
Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which metal is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.
NESTOR
With due observance of thy godlike seat,
Great Agamemnon, Nestor shall apply
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Thy latest words. In the reproof of chance
Lies the true proof of men: the sea being smooth,
How many shallow bauble boats dare sail
Upon her patient breast, making their way
With those of nobler bulk!
But let the ruffian Boreas once enrage
The gentle Thetis, and anon behold
The strongribb'd bark through liquid mountains cut,
Bounding between the two moist elements,
Like Perseus' horse: where's then the saucy boat
Whose weak untimber'd sides but even now
Corivall'd greatness? Either to harbour fled,
Or made a toast for Neptune. Even so
Doth valour's show and valour's worth divide
In storms of fortune; for in her ray and brightness
The herd hath more annoyance by the breeze
Than by the tiger; but when the splitting wind
Makes flexible the knees of knotted oaks,
And flies fled under shade, why, then the thing of courage
As roused with rage with rage doth sympathize,
And with an accent tuned in selfsame key
Retorts to chiding fortune.
ULYSSES
Agamemnon,
Thou great commander, nerve and bone of Greece,
Heart of our numbers, soul and only spirit.
In whom the tempers and the minds of all
Should be shut up, hear what Ulysses speaks.
Besides the applause and approbation To which,
To AGAMEMNON
most mighty for thy place and sway,
To NESTOR
And thou most reverend for thy stretch'dout life
I give to both your speeches, which were such
As Agamemnon and the hand of Greece
Should hold up high in brass, and such again
As venerable Nestor, hatch'd in silver,
Should with a bond of air, strong as the axletree
On which heaven rides, knit all the Greekish ears
To his experienced tongue, yet let it please both,
Thou great, and wise, to hear Ulysses speak.
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Page No 527
AGAMEMNON
Speak, prince of Ithaca; and be't of less expect
That matter needless, of importless burden,
Divide thy lips, than we are confident,
When rank Thersites opes his mastic jaws,
We shall hear music, wit and oracle.
ULYSSES
Troy, yet upon his basis, had been down,
And the great Hector's sword had lack'd a master,
But for these instances.
The specialty of rule hath been neglected:
And, look, how many Grecian tents do stand
Hollow upon this plain, so many hollow factions.
When that the general is not like the hive
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
The unworthiest shows as fairly in the mask.
The heavens themselves, the planets and this centre
Observe degree, priority and place,
Insisture, course, proportion, season, form,
Office and custom, in all line of order;
And therefore is the glorious planet Sol
In noble eminence enthroned and sphered
Amidst the other; whose medicinable eye
Corrects the ill aspects of planets evil,
And posts, like the commandment of a king,
Sans cheque to good and bad: but when the planets
In evil mixture to disorder wander,
What plagues and what portents! what mutiny!
What raging of the sea! shaking of earth!
Commotion in the winds! frights, changes, horrors,
Divert and crack, rend and deracinate
The unity and married calm of states
Quite from their fixure! O, when degree is shaked,
Which is the ladder to all high designs,
Then enterprise is sick! How could communities,
Degrees in schools and brotherhoods in cities,
Peaceful commerce from dividable shores,
The primogenitive and due of birth,
Prerogative of age, crowns, sceptres, laurels,
But by degree, stand in authentic place?
Take but degree away, untune that string,
And, hark, what discord follows! each thing meets
In mere oppugnancy: the bounded waters
Should lift their bosoms higher than the shores
And make a sop of all this solid globe:
Strength should be lord of imbecility,
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And the rude son should strike his father dead:
Force should be right; or rather, right and wrong,
Between whose endless jar justice resides,
Should lose their names, and so should justice too.
Then every thing includes itself in power,
Power into will, will into appetite;
And appetite, an universal wolf,
So doubly seconded with will and power,
Must make perforce an universal prey,
And last eat up himself. Great Agamemnon,
This chaos, when degree is suffocate,
Follows the choking.
And this neglection of degree it is
That by a pace goes backward, with a purpose
It hath to climb. The general's disdain'd
By him one step below, he by the next,
That next by him beneath; so every step,
Exampled by the first pace that is sick
Of his superior, grows to an envious fever
Of pale and bloodless emulation:
And 'tis this fever that keeps Troy on foot,
Not her own sinews. To end a tale of length,
Troy in our weakness stands, not in her strength.
NESTOR
Most wisely hath Ulysses here discover'd
The fever whereof all our power is sick.
AGAMEMNON
The nature of the sickness found, Ulysses,
What is the remedy?
ULYSSES
The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
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Page No 529
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,
Such tobepitied and o'erwrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime amending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsyfumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.
NESTOR
And in the imitation of these twain
Who, as Ulysses says, opinion crowns
With an imperial voicemany are infect.
Ajax is grown selfwill'd, and bears his head
In such a rein, in full as proud a place
As broad Achilles; keeps his tent like him;
Makes factious feasts; rails on our state of war,
Bold as an oracle, and sets Thersites,
A slave whose gall coins slanders like a mint,
To match us in comparisons with dirt,
To weaken and discredit our exposure,
How rank soever rounded in with danger.
ULYSSES
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Page No 530
They tax our policy, and call it cowardice,
Count wisdom as no member of the war,
Forestall prescience, and esteem no act
But that of hand: the still and mental parts,
That do contrive how many hands shall strike,
When fitness calls them on, and know by measure
Of their observant toil the enemies' weight,
Why, this hath not a finger's dignity:
They call this bedwork, mappery, closetwar;
So that the ram that batters down the wall,
For the great swing and rudeness of his poise,
They place before his hand that made the engine,
Or those that with the fineness of their souls
By reason guide his execution.
NESTOR
Let this be granted, and Achilles' horse
Makes many Thetis' sons.
A tucket
AGAMEMNON
What trumpet? look, Menelaus.
MENELAUS
From Troy.
Enter AENEAS
AGAMEMNON
What would you 'fore our tent?
AENEAS
Is this great Agamemnon's tent, I pray you?
AGAMEMNON
Even this.
AENEAS
May one, that is a herald and a prince,
Do a fair message to his kingly ears?
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AGAMEMNON
With surety stronger than Achilles' arm
'Fore all the Greekish heads, which with one voice
Call Agamemnon head and general.
AENEAS
Fair leave and large security. How may
A stranger to those most imperial looks
Know them from eyes of other mortals?
AGAMEMNON
How!
AENEAS
Ay;
I ask, that I might waken reverence,
And bid the cheek be ready with a blush
Modest as morning when she coldly eyes
The youthful Phoebus:
Which is that god in office, guiding men?
Which is the high and mighty Agamemnon?
AGAMEMNON
This Trojan scorns us; or the men of Troy
Are ceremonious courtiers.
AENEAS
Courtiers as free, as debonair, unarm'd,
As bending angels; that's their fame in peace:
But when they would seem soldiers, they have galls,
Good arms, strong joints, true swords; and,
Jove's accord,
Nothing so full of heart. But peace, AEneas,
Peace, Trojan; lay thy finger on thy lips!
The worthiness of praise distains his worth,
If that the praised himself bring the praise forth:
But what the repining enemy commends,
That breath fame blows; that praise, sole sure,
transcends.
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Page No 532
AGAMEMNON
Sir, you of Troy, call you yourself AEneas?
AENEAS
Ay, Greek, that is my name.
AGAMEMNON
What's your affair I pray you?
AENEAS
Sir, pardon; 'tis for Agamemnon's ears.
AGAMEMNON
He hears naught privately that comes from Troy.
AENEAS
Nor I from Troy come not to whisper him:
I bring a trumpet to awake his ear,
To set his sense on the attentive bent,
And then to speak.
AGAMEMNON
Speak frankly as the wind;
It is not Agamemnon's sleeping hour:
That thou shalt know. Trojan, he is awake,
He tells thee so himself.
AENEAS
Trumpet, blow loud,
Send thy brass voice through all these lazy tents;
And every Greek of mettle, let him know,
What Troy means fairly shall be spoke aloud.
Trumpet sounds
We have, great Agamemnon, here in Troy
A prince call'd Hector,Priam is his father,
Who in this dull and longcontinued truce
Is rusty grown: he bade me take a trumpet,
And to this purpose speak. Kings, princes, lords!
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Page No 533
If there be one among the fair'st of Greece
That holds his honour higher than his ease,
That seeks his praise more than he fears his peril,
That knows his valour, and knows not his fear,
That loves his mistress more than in confession,
With truant vows to her own lips he loves,
And dare avow her beauty and her worth
In other arms than hers,to him this challenge.
Hector, in view of Trojans and of Greeks,
Shall make it good, or do his best to do it,
He hath a lady, wiser, fairer, truer,
Than ever Greek did compass in his arms,
And will tomorrow with his trumpet call
Midway between your tents and walls of Troy,
To rouse a Grecian that is true in love:
If any come, Hector shall honour him;
If none, he'll say in Troy when he retires,
The Grecian dames are sunburnt and not worth
The splinter of a lance. Even so much.
AGAMEMNON
This shall be told our lovers, Lord AEneas;
If none of them have soul in such a kind,
We left them all at home: but we are soldiers;
And may that soldier a mere recreant prove,
That means not, hath not, or is not in love!
If then one is, or hath, or means to be,
That one meets Hector; if none else, I am he.
NESTOR
Tell him of Nestor, one that was a man
When Hector's grandsire suck'd: he is old now;
But if there be not in our Grecian host
One noble man that hath one spark of fire,
To answer for his love, tell him from me
I'll hide my silver beard in a gold beaver
And in my vantbrace put this wither'd brawn,
And meeting him will tell him that my lady
Was fairer than his grandam and as chaste
As may be in the world: his youth in flood,
I'll prove this truth with my three drops of blood.
AENEAS
Now heavens forbid such scarcity of youth!
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Act 1, Scene 3 529
Page No 534
ULYSSES
Amen.
AGAMEMNON
Fair Lord AEneas, let me touch your hand;
To our pavilion shall I lead you, sir.
Achilles shall have word of this intent;
So shall each lord of Greece, from tent to tent:
Yourself shall feast with us before you go
And find the welcome of a noble foe.
Exeunt all but ULYSSES and NESTOR
ULYSSES
Nestor!
NESTOR
What says Ulysses?
ULYSSES
I have a young conception in my brain;
Be you my time to bring it to some shape.
NESTOR
What is't?
ULYSSES
This 'tis:
Blunt wedges rive hard knots: the seeded pride
That hath to this maturity blown up
In rank Achilles must or now be cropp'd,
Or, shedding, breed a nursery of like evil,
To overbulk us all.
NESTOR
Well, and how?
ULYSSES
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Act 1, Scene 3 530
Page No 535
This challenge that the gallant Hector sends,
However it is spread in general name,
Relates in purpose only to Achilles.
NESTOR
The purpose is perspicuous even as substance,
Whose grossness little characters sum up:
And, in the publication, make no strain,
But that Achilles, were his brain as barren
As banks of Libya,though, Apollo knows,
'Tis dry enough,will, with great speed of judgment,
Ay, with celerity, find Hector's purpose
Pointing on him.
ULYSSES
And wake him to the answer, think you?
NESTOR
Yes, 'tis most meet: whom may you else oppose,
That can from Hector bring his honour off,
If not Achilles? Though't be a sportful combat,
Yet in the trial much opinion dwells;
For here the Trojans taste our dear'st repute
With their finest palate: and trust to me, Ulysses,
Our imputation shall be oddly poised
In this wild action; for the success,
Although particular, shall give a scantling
Of good or bad unto the general;
And in such indexes, although small pricks
To their subsequent volumes, there is seen
The baby figure of the giant mass
Of things to come at large. It is supposed
He that meets Hector issues from our choice
And choice, being mutual act of all our souls,
Makes merit her election, and doth boil,
As 'twere from us all, a man distill'd
Out of our virtues; who miscarrying,
What heart receives from hence the conquering part,
To steel a strong opinion to themselves?
Which entertain'd, limbs are his instruments,
In no less working than are swords and bows
Directive by the limbs.
ULYSSES
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Act 1, Scene 3 531
Page No 536
Give pardon to my speech:
Therefore 'tis meet Achilles meet not Hector.
Let us, like merchants, show our foulest wares,
And think, perchance, they'll sell; if not,
The lustre of the better yet to show,
Shall show the better. Do not consent
That ever Hector and Achilles meet;
For both our honour and our shame in this
Are dogg'd with two strange followers.
NESTOR
I see them not with my old eyes: what are they?
ULYSSES
What glory our Achilles shares from Hector,
Were he not proud, we all should share with him:
But he already is too insolent;
And we were better parch in Afric sun
Than in the pride and salt scorn of his eyes,
Should he 'scape Hector fair: if he were foil'd,
Why then, we did our main opinion crush
In taint of our best man. No, make a lottery;
And, by device, let blockish Ajax draw
The sort to fight with Hector: among ourselves
Give him allowance for the better man;
For that will physic the great Myrmidon
Who broils in loud applause, and make him fall
His crest that prouder than blue Iris bends.
If the dull brainless Ajax come safe off,
We'll dress him up in voices: if he fail,
Yet go we under our opinion still
That we have better men. But, hit or miss,
Our project's life this shape of sense assumes:
Ajax employ'd plucks down Achilles' plumes.
NESTOR
Ulysses,
Now I begin to relish thy advice;
And I will give a taste of it forthwith
To Agamemnon: go we to him straight.
Two curs shall tame each other: pride alone
Must tarre the mastiffs on, as 'twere their bone.
Exeunt
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Act 1, Scene 3 532
Page No 537
Act 2, Scene 1
A part of the Grecian camp.
Enter AJAX and THERSITES
AJAX
Thersites!
THERSITES
Agamemnon, how if he had boils? full, all over,
generally?
AJAX
Thersites!
THERSITES
And those boils did run? say so: did not the
general run then? were not that a botchy core?
AJAX
Dog!
THERSITES
Then would come some matter from him; I see none now.
AJAX
Thou bitchwolf's son, canst thou not hear?
Beating him
Feel, then.
THERSITES
The plague of Greece upon thee, thou mongrel
beefwitted lord!
AJAX
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Act 2, Scene 1 533
Page No 538
Speak then, thou vinewedst leaven, speak: I will
beat thee into handsomeness.
THERSITES
I shall sooner rail thee into wit and holiness: but,
I think, thy horse will sooner con an oration than
thou learn a prayer without book. Thou canst strike,
canst thou? a red murrain o' thy jade's tricks!
AJAX
Toadstool, learn me the proclamation.
THERSITES
Dost thou think I have no sense, thou strikest me thus?
AJAX
The proclamation!
THERSITES
Thou art proclaimed a fool, I think.
AJAX
Do not, porpentine, do not: my fingers itch.
THERSITES
I would thou didst itch from head to foot and I had
the scratching of thee; I would make thee the
loathsomest scab in Greece. When thou art forth in
the incursions, thou strikest as slow as another.
AJAX
I say, the proclamation!
THERSITES
Thou grumblest and railest every hour on Achilles,
and thou art as full of envy at his greatness as
Cerberus is at Proserpine's beauty, ay, that thou
barkest at him.
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Act 2, Scene 1 534
Page No 539
AJAX
Mistress Thersites!
THERSITES
Thou shouldest strike him.
AJAX
Cobloaf!
THERSITES
He would pun thee into shivers with his fist, as a
sailor breaks a biscuit.
AJAX
[Beating him] You whoreson cur!
THERSITES
Do, do.
AJAX
Thou stool for a witch!
THERSITES
Ay, do, do; thou soddenwitted lord! thou hast no
more brain than I have in mine elbows; an assinego
may tutor thee: thou scurvyvaliant ass! thou art
here but to thrash Trojans; and thou art bought and
sold among those of any wit, like a barbarian slave.
If thou use to beat me, I will begin at thy heel, and
tell what thou art by inches, thou thing of no
bowels, thou!
AJAX
You dog!
THERSITES
You scurvy lord!
AJAX
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Act 2, Scene 1 535
Page No 540
[Beating him] You cur!
THERSITES
Mars his idiot! do, rudeness; do, camel; do, do.
Enter ACHILLES and PATROCLUS
ACHILLES
Why, how now, Ajax! wherefore do you thus? How now,
Thersites! what's the matter, man?
THERSITES
You see him there, do you?
ACHILLES
Ay; what's the matter?
THERSITES
Nay, look upon him.
ACHILLES
So I do: what's the matter?
THERSITES
Nay, but regard him well.
ACHILLES
'Well!' why, I do so.
THERSITES
But yet you look not well upon him; for whosoever you
take him to be, he is Ajax.
ACHILLES
I know that, fool.
THERSITES
Ay, but that fool knows not himself.
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Act 2, Scene 1 536
Page No 541
AJAX
Therefore I beat thee.
THERSITES
Lo, lo, lo, lo, what modicums of wit he utters! his
evasions have ears thus long. I have bobbed his
brain more than he has beat my bones: I will buy
nine sparrows for a penny, and his pia mater is not
worth the nineth part of a sparrow. This lord,
Achilles, Ajax, who wears his wit in his belly and
his guts in his head, I'll tell you what I say of
him.
ACHILLES
What?
THERSITES
I say, this Ajax
Ajax offers to beat him
ACHILLES
Nay, good Ajax.
THERSITES
Has not so much wit
ACHILLES
Nay, I must hold you.
THERSITES
As will stop the eye of Helen's needle, for whom he
comes to fight.
ACHILLES
Peace, fool!
THERSITES
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Act 2, Scene 1 537
Page No 542
I would have peace and quietness, but the fool will
not: he there: that he: look you there.
AJAX
O thou damned cur! I shall
ACHILLES
Will you set your wit to a fool's?
THERSITES
No, I warrant you; for a fools will shame it.
PATROCLUS
Good words, Thersites.
ACHILLES
What's the quarrel?
AJAX
I bade the vile owl go learn me the tenor of the
proclamation, and he rails upon me.
THERSITES
I serve thee not.
AJAX
Well, go to, go to.
THERSITES
I serve here voluntarily.
ACHILLES
Your last service was sufferance, 'twas not
voluntary: no man is beaten voluntary: Ajax was
here the voluntary, and you as under an impress.
THERSITES
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Act 2, Scene 1 538
Page No 543
E'en so; a great deal of your wit, too, lies in your
sinews, or else there be liars. Hector have a great
catch, if he knock out either of your brains: a'
were as good crack a fusty nut with no kernel.
ACHILLES
What, with me too, Thersites?
THERSITES
There's Ulysses and old Nestor, whose wit was mouldy
ere your grandsires had nails on their toes, yoke you
like draughtoxen and make you plough up the wars.
ACHILLES
What, what?
THERSITES
Yes, good sooth: to, Achilles! to, Ajax! to!
AJAX
I shall cut out your tongue.
THERSITES
'Tis no matter! I shall speak as much as thou
afterwards.
PATROCLUS
No more words, Thersites; peace!
THERSITES
I will hold my peace when Achilles' brach bids me, shall I?
ACHILLES
There's for you, Patroclus.
THERSITES
I will see you hanged, like clotpoles, ere I come
any more to your tents: I will keep where there is
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Act 2, Scene 1 539
Page No 544
wit stirring and leave the faction of fools.
Exit
PATROCLUS
A good riddance.
ACHILLES
Marry, this, sir, is proclaim'd through all our host:
That Hector, by the fifth hour of the sun,
Will with a trumpet 'twixt our tents and Troy
Tomorrow morning call some knight to arms
That hath a stomach; and such a one that dare
MaintainI know not what: 'tis trash. Farewell.
AJAX
Farewell. Who shall answer him?
ACHILLES
I know not: 'tis put to lottery; otherwise
He knew his man.
AJAX
O, meaning you. I will go learn more of it.
Exeunt
Act 2, Scene 2
Troy. A room in Priam's palace.
Enter PRIAM, HECTOR, TROILUS, PARIS, and HELENUS
PRIAM
After so many hours, lives, speeches spent,
Thus once again says Nestor from the Greeks:
'Deliver Helen, and all damage else
As honour, loss of time, travail, expense,
Wounds, friends, and what else dear that is consumed
In hot digestion of this cormorant war
Shall be struck off.' Hector, what say you to't?
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Act 2, Scene 2 540
Page No 545
HECTOR
Though no man lesser fears the Greeks than I
As far as toucheth my particular,
Yet, dread Priam,
There is no lady of more softer bowels,
More spongy to suck in the sense of fear,
More ready to cry out 'Who knows what follows?'
Than Hector is: the wound of peace is surety,
Surety secure; but modest doubt is call'd
The beacon of the wise, the tent that searches
To the bottom of the worst. Let Helen go:
Since the first sword was drawn about this question,
Every tithe soul, 'mongst many thousand dismes,
Hath been as dear as Helen; I mean, of ours:
If we have lost so many tenths of ours,
To guard a thing not ours nor worth to us,
Had it our name, the value of one ten,
What merit's in that reason which denies
The yielding of her up?
TROILUS
Fie, fie, my brother!
Weigh you the worth and honour of a king
So great as our dread father in a scale
Of common ounces? will you with counters sum
The past proportion of his infinite?
And buckle in a waist most fathomless
With spans and inches so diminutive
As fears and reasons? fie, for godly shame!
HELENUS
No marvel, though you bite so sharp at reasons,
You are so empty of them. Should not our father
Bear the great sway of his affairs with reasons,
Because your speech hath none that tells him so?
TROILUS
You are for dreams and slumbers, brother priest;
You fur your gloves with reason. Here are
your reasons:
You know an enemy intends you harm;
You know a sword employ'd is perilous,
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Act 2, Scene 2 541
Page No 546
And reason flies the object of all harm:
Who marvels then, when Helenus beholds
A Grecian and his sword, if he do set
The very wings of reason to his heels
And fly like chidden Mercury from Jove,
Or like a star disorb'd? Nay, if we talk of reason,
Let's shut our gates and sleep: manhood and honour
Should have harehearts, would they but fat
their thoughts
With this cramm'd reason: reason and respect
Make livers pale and lustihood deject.
HECTOR
Brother, she is not worth what she doth cost
The holding.
TROILUS
What is aught, but as 'tis valued?
HECTOR
But value dwells not in particular will;
It holds his estimate and dignity
As well wherein 'tis precious of itself
As in the prizer: 'tis mad idolatry
To make the service greater than the god
And the will dotes that is attributive
To what infectiously itself affects,
Without some image of the affected merit.
TROILUS
I take today a wife, and my election
Is led on in the conduct of my will;
My will enkindled by mine eyes and ears,
Two traded pilots 'twixt the dangerous shores
Of will and judgment: how may I avoid,
Although my will distaste what it elected,
The wife I chose? there can be no evasion
To blench from this and to stand firm by honour:
We turn not back the silks upon the merchant,
When we have soil'd them, nor the remainder viands
We do not throw in unrespective sieve,
Because we now are full. It was thought meet
Paris should do some vengeance on the Greeks:
Your breath of full consent bellied his sails;
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Act 2, Scene 2 542
Page No 547
The seas and winds, old wranglers, took a truce
And did him service: he touch'd the ports desired,
And for an old aunt whom the Greeks held captive,
He brought a Grecian queen, whose youth and freshness
Wrinkles Apollo's, and makes stale the morning.
Why keep we her? the Grecians keep our aunt:
Is she worth keeping? why, she is a pearl,
Whose price hath launch'd above a thousand ships,
And turn'd crown'd kings to merchants.
If you'll avouch 'twas wisdom Paris went
As you must needs, for you all cried 'Go, go,'
If you'll confess he brought home noble prize
As you must needs, for you all clapp'd your hands
And cried 'Inestimable!'why do you now
The issue of your proper wisdoms rate,
And do a deed that fortune never did,
Beggar the estimation which you prized
Richer than sea and land? O, theft most base,
That we have stol'n what we do fear to keep!
But, thieves, unworthy of a thing so stol'n,
That in their country did them that disgrace,
We fear to warrant in our native place!
CASSANDRA
[Within] Cry, Trojans, cry!
PRIAM
What noise? what shriek is this?
TROILUS
'Tis our mad sister, I do know her voice.
CASSANDRA
[Within] Cry, Trojans!
HECTOR
It is Cassandra.
Enter CASSANDRA, raving
CASSANDRA
Cry, Trojans, cry! lend me ten thousand eyes,
And I will fill them with prophetic tears.
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Act 2, Scene 2 543
Page No 548
HECTOR
Peace, sister, peace!
CASSANDRA
Virgins and boys, midage and wrinkled eld,
Soft infancy, that nothing canst but cry,
Add to my clamours! let us pay betimes
A moiety of that mass of moan to come.
Cry, Trojans, cry! practise your eyes with tears!
Troy must not be, nor goodly Ilion stand;
Our firebrand brother, Paris, burns us all.
Cry, Trojans, cry! a Helen and a woe:
Cry, cry! Troy burns, or else let Helen go.
Exit
HECTOR
Now, youthful Troilus, do not these high strains
Of divination in our sister work
Some touches of remorse? or is your blood
So madly hot that no discourse of reason,
Nor fear of bad success in a bad cause,
Can qualify the same?
TROILUS
Why, brother Hector,
We may not think the justness of each act
Such and no other than event doth form it,
Nor once deject the courage of our minds,
Because Cassandra's mad: her brainsick raptures
Cannot distaste the goodness of a quarrel
Which hath our several honours all engaged
To make it gracious. For my private part,
I am no more touch'd than all Priam's sons:
And Jove forbid there should be done amongst us
Such things as might offend the weakest spleen
To fight for and maintain!
PARIS
Else might the world convince of levity
As well my undertakings as your counsels:
But I attest the gods, your full consent
Gave wings to my propension and cut off
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Act 2, Scene 2 544
Page No 549
All fears attending on so dire a project.
For what, alas, can these my single arms?
What Propugnation is in one man's valour,
To stand the push and enmity of those
This quarrel would excite? Yet, I protest,
Were I alone to pass the difficulties
And had as ample power as I have will,
Paris should ne'er retract what he hath done,
Nor faint in the pursuit.
PRIAM
Paris, you speak
Like one besotted on your sweet delights:
You have the honey still, but these the gall;
So to be valiant is no praise at all.
PARIS
Sir, I propose not merely to myself
The pleasures such a beauty brings with it;
But I would have the soil of her fair rape
Wiped off, in honourable keeping her.
What treason were it to the ransack'd queen,
Disgrace to your great worths and shame to me,
Now to deliver her possession up
On terms of base compulsion! Can it be
That so degenerate a strain as this
Should once set footing in your generous bosoms?
There's not the meanest spirit on our party
Without a heart to dare or sword to draw
When Helen is defended, nor none so noble
Whose life were ill bestow'd or death unfamed
Where Helen is the subject; then, I say,
Well may we fight for her whom, we know well,
The world's large spaces cannot parallel.
HECTOR
Paris and Troilus, you have both said well,
And on the cause and question now in hand
Have glozed, but superficially: not much
Unlike young men, whom Aristotle thought
Unfit to hear moral philosophy:
The reasons you allege do more conduce
To the hot passion of distemper'd blood
Than to make up a free determination
'Twixt right and wrong, for pleasure and revenge
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Act 2, Scene 2 545
Page No 550
Have ears more deaf than adders to the voice
Of any true decision. Nature craves
All dues be render'd to their owners: now,
What nearer debt in all humanity
Than wife is to the husband? If this law
Of nature be corrupted through affection,
And that great minds, of partial indulgence
To their benumbed wills, resist the same,
There is a law in each wellorder'd nation
To curb those raging appetites that are
Most disobedient and refractory.
If Helen then be wife to Sparta's king,
As it is known she is, these moral laws
Of nature and of nations speak aloud
To have her back return'd: thus to persist
In doing wrong extenuates not wrong,
But makes it much more heavy. Hector's opinion
Is this in way of truth; yet ne'ertheless,
My spritely brethren, I propend to you
In resolution to keep Helen still,
For 'tis a cause that hath no mean dependance
Upon our joint and several dignities.
TROILUS
Why, there you touch'd the life of our design:
Were it not glory that we more affected
Than the performance of our heaving spleens,
I would not wish a drop of Trojan blood
Spent more in her defence. But, worthy Hector,
She is a theme of honour and renown,
A spur to valiant and magnanimous deeds,
Whose present courage may beat down our foes,
And fame in time to come canonize us;
For, I presume, brave Hector would not lose
So rich advantage of a promised glory
As smiles upon the forehead of this action
For the wide world's revenue.
HECTOR
I am yours,
You valiant offspring of great Priamus.
I have a roisting challenge sent amongst
The dun and factious nobles of the Greeks
Will strike amazement to their drowsy spirits:
I was advertised their great general slept,
Whilst emulation in the army crept:
This, I presume, will wake him.
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Act 2, Scene 2 546
Page No 551
Exeunt
Act 2, Scene 3
The Grecian camp. Before Achilles' tent.
Enter THERSITES, solus
THERSITES
How now, Thersites! what lost in the labyrinth of
thy fury! Shall the elephant Ajax carry it thus? He
beats me, and I rail at him: O, worthy satisfaction!
would it were otherwise; that I could beat him,
whilst he railed at me. 'Sfoot, I'll learn to
conjure and raise devils, but I'll see some issue of
my spiteful execrations. Then there's Achilles, a
rare enginer! If Troy be not taken till these two
undermine it, the walls will stand till they fall of
themselves. O thou great thunderdarter of Olympus,
forget that thou art Jove, the king of gods and,
Mercury, lose all the serpentine craft of thy
caduceus, if ye take not that little, little less
than little wit from them that they have! which
shortarmed ignorance itself knows is so abundant
scarce, it will not in circumvention deliver a fly
from a spider, without drawing their massy irons and
cutting the web. After this, the vengeance on the
whole camp! or rather, the boneache! for that,
methinks, is the curse dependent on those that war
for a placket. I have said my prayers and devil Envy
say Amen. What ho! my Lord Achilles!
Enter PATROCLUS
PATROCLUS
Who's there? Thersites! Good Thersites, come in and rail.
THERSITES
If I could have remembered a gilt counterfeit, thou
wouldst not have slipped out of my contemplation: but
it is no matter; thyself upon thyself! The common
curse of mankind, folly and ignorance, be thine in
great revenue! heaven bless thee from a tutor, and
discipline come not near thee! Let thy blood be thy
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Act 2, Scene 3 547
Page No 552
direction till thy death! then if she that lays thee
out says thou art a fair corse, I'll be sworn and
sworn upon't she never shrouded any but lazars.
Amen. Where's Achilles?
PATROCLUS
What, art thou devout? wast thou in prayer?
THERSITES
Ay: the heavens hear me!
Enter ACHILLES
ACHILLES
Who's there?
PATROCLUS
Thersites, my lord.
ACHILLES
Where, where? Art thou come? why, my cheese, my
digestion, why hast thou not served thyself in to
my table so many meals? Come, what's Agamemnon?
THERSITES
Thy commander, Achilles. Then tell me, Patroclus,
what's Achilles?
PATROCLUS
Thy lord, Thersites: then tell me, I pray thee,
what's thyself?
THERSITES
Thy knower, Patroclus: then tell me, Patroclus,
what art thou?
PATROCLUS
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Act 2, Scene 3 548
Page No 553
Thou mayst tell that knowest.
ACHILLES
O, tell, tell.
THERSITES
I'll decline the whole question. Agamemnon commands
Achilles; Achilles is my lord; I am Patroclus'
knower, and Patroclus is a fool.
PATROCLUS
You rascal!
THERSITES
Peace, fool! I have not done.
ACHILLES
He is a privileged man. Proceed, Thersites.
THERSITES
Agamemnon is a fool; Achilles is a fool; Thersites
is a fool, and, as aforesaid, Patroclus is a fool.
ACHILLES
Derive this; come.
THERSITES
Agamemnon is a fool to offer to command Achilles;
Achilles is a fool to be commanded of Agamemnon;
Thersites is a fool to serve such a fool, and
Patroclus is a fool positive.
PATROCLUS
Why am I a fool?
THERSITES
Make that demand of the prover. It suffices me thou
art. Look you, who comes here?
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Act 2, Scene 3 549
Page No 554
ACHILLES
Patroclus, I'll speak with nobody.
Come in with me, Thersites.
Exit
THERSITES
Here is such patchery, such juggling and such
knavery! all the argument is a cuckold and a
whore; a good quarrel to draw emulous factions
and bleed to death upon. Now, the dry serpigo on
the subject! and war and lechery confound all!
Exit
Enter AGAMEMNON, ULYSSES, NESTOR, DIOMEDES, and AJAX
AGAMEMNON
Where is Achilles?
PATROCLUS
Within his tent; but ill disposed, my lord.
AGAMEMNON
Let it be known to him that we are here.
He shent our messengers; and we lay by
Our appertainments, visiting of him:
Let him be told so; lest perchance he think
We dare not move the question of our place,
Or know not what we are.
PATROCLUS
I shall say so to him.
Exit
ULYSSES
We saw him at the opening of his tent:
He is not sick.
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Act 2, Scene 3 550
Page No 555
AJAX
Yes, lionsick, sick of proud heart: you may call it
melancholy, if you will favour the man; but, by my
head, 'tis pride: but why, why? let him show us the
cause. A word, my lord.
Takes AGAMEMNON aside
NESTOR
What moves Ajax thus to bay at him?
ULYSSES
Achilles hath inveigled his fool from him.
NESTOR
Who, Thersites?
ULYSSES
He.
NESTOR
Then will Ajax lack matter, if he have lost his argument.
ULYSSES
No, you see, he is his argument that has his
argument, Achilles.
NESTOR
All the better; their fraction is more our wish than
their faction: but it was a strong composure a fool
could disunite.
ULYSSES
The amity that wisdom knits not, folly may easily
untie. Here comes Patroclus.
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Act 2, Scene 3 551
Page No 556
Reenter PATROCLUS
NESTOR
No Achilles with him.
ULYSSES
The elephant hath joints, but none for courtesy:
his legs are legs for necessity, not for flexure.
PATROCLUS
Achilles bids me say, he is much sorry,
If any thing more than your sport and pleasure
Did move your greatness and this noble state
To call upon him; he hopes it is no other
But for your health and your digestion sake,
And afterdinner's breath.
AGAMEMNON
Hear you, Patroclus:
We are too well acquainted with these answers:
But his evasion, wing'd thus swift with scorn,
Cannot outfly our apprehensions.
Much attribute he hath, and much the reason
Why we ascribe it to him; yet all his virtues,
Not virtuously on his own part beheld,
Do in our eyes begin to lose their gloss,
Yea, like fair fruit in an unwholesome dish,
Are like to rot untasted. Go and tell him,
We come to speak with him; and you shall not sin,
If you do say we think him overproud
And underhonest, in selfassumption greater
Than in the note of judgment; and worthier
than himself
Here tend the savage strangeness he puts on,
Disguise the holy strength of their command,
And underwrite in an observing kind
His humorous predominance; yea, watch
His pettish lunes, his ebbs, his flows, as if
The passage and whole carriage of this action
Rode on his tide. Go tell him this, and add,
That if he overhold his price so much,
We'll none of him; but let him, like an engine
Not portable, lie under this report:
'Bring action hither, this cannot go to war:
A stirring dwarf we do allowance give
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Act 2, Scene 3 552
Page No 557
Before a sleeping giant.' Tell him so.
PATROCLUS
I shall; and bring his answer presently.
Exit
AGAMEMNON
In second voice we'll not be satisfied;
We come to speak with him. Ulysses, enter you.
Exit ULYSSES
AJAX
What is he more than another?
AGAMEMNON
No more than what he thinks he is.
AJAX
Is he so much? Do you not think he thinks himself a
better man than I am?
AGAMEMNON
No question.
AJAX
Will you subscribe his thought, and say he is?
AGAMEMNON
No, noble Ajax; you are as strong, as valiant, as
wise, no less noble, much more gentle, and altogether
more tractable.
AJAX
Why should a man be proud? How doth pride grow? I
know not what pride is.
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Act 2, Scene 3 553
Page No 558
AGAMEMNON
Your mind is the clearer, Ajax, and your virtues the
fairer. He that is proud eats up himself: pride is
his own glass, his own trumpet, his own chronicle;
and whatever praises itself but in the deed, devours
the deed in the praise.
AJAX
I do hate a proud man, as I hate the engendering of toads.
NESTOR
Yet he loves himself: is't not strange?
Aside
Reenter ULYSSES
ULYSSES
Achilles will not to the field tomorrow.
AGAMEMNON
What's his excuse?
ULYSSES
He doth rely on none,
But carries on the stream of his dispose
Without observance or respect of any,
In will peculiar and in selfadmission.
AGAMEMNON
Why will he not upon our fair request
Untent his person and share the air with us?
ULYSSES
Things small as nothing, for request's sake only,
He makes important: possess'd he is with greatness,
And speaks not to himself but with a pride
That quarrels at selfbreath: imagined worth
Holds in his blood such swoln and hot discourse
That 'twixt his mental and his active parts
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Act 2, Scene 3 554
Page No 559
Kingdom'd Achilles in commotion rages
And batters down himself: what should I say?
He is so plaguy proud that the deathtokens of it
Cry 'No recovery.'
AGAMEMNON
Let Ajax go to him.
Dear lord, go you and greet him in his tent:
'Tis said he holds you well, and will be led
At your request a little from himself.
ULYSSES
O Agamemnon, let it not be so!
We'll consecrate the steps that Ajax makes
When they go from Achilles: shall the proud lord
That bastes his arrogance with his own seam
And never suffers matter of the world
Enter his thoughts, save such as do revolve
And ruminate himself, shall he be worshipp'd
Of that we hold an idol more than he?
No, this thrice worthy and right valiant lord
Must not so stale his palm, nobly acquired;
Nor, by my will, assubjugate his merit,
As amply titled as Achilles is,
By going to Achilles:
That were to enlard his fat already pride
And add more coals to Cancer when he burns
With entertaining great Hyperion.
This lord go to him! Jupiter forbid,
And say in thunder 'Achilles go to him.'
NESTOR
[Aside to DIOMEDES] O, this is well; he rubs the
vein of him.
DIOMEDES
[Aside to NESTOR] And how his silence drinks up
this applause!
AJAX
If I go to him, with my armed fist I'll pash him o'er the face.
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Act 2, Scene 3 555
Page No 560
AGAMEMNON
O, no, you shall not go.
AJAX
An a' be proud with me, I'll pheeze his pride:
Let me go to him.
ULYSSES
Not for the worth that hangs upon our quarrel.
AJAX
A paltry, insolent fellow!
NESTOR
How he describes himself!
AJAX
Can he not be sociable?
ULYSSES
The raven chides blackness.
AJAX
I'll let his humours blood.
AGAMEMNON
He will be the physician that should be the patient.
AJAX
An all men were o' my mind,
ULYSSES
Wit would be out of fashion.
AJAX
A' should not bear it so, a' should eat swords first:
shall pride carry it?
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Act 2, Scene 3 556
Page No 561
NESTOR
An 'twould, you'ld carry half.
ULYSSES
A' would have ten shares.
AJAX
I will knead him; I'll make him supple.
NESTOR
He's not yet through warm: force him with praises:
pour in, pour in; his ambition is dry.
ULYSSES
[To AGAMEMNON] My lord, you feed too much on this dislike.
NESTOR
Our noble general, do not do so.
DIOMEDES
You must prepare to fight without Achilles.
ULYSSES
Why, 'tis this naming of him does him harm.
Here is a manbut 'tis before his face;
I will be silent.
NESTOR
Wherefore should you so?
He is not emulous, as Achilles is.
ULYSSES
Know the whole world, he is as valiant.
AJAX
A whoreson dog, that shall pelter thus with us!
Would he were a Trojan!
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Act 2, Scene 3 557
Page No 562
NESTOR
What a vice were it in Ajax now,
ULYSSES
If he were proud,
DIOMEDES
Or covetous of praise,
ULYSSES
Ay, or surly borne,
DIOMEDES
Or strange, or selfaffected!
ULYSSES
Thank the heavens, lord, thou art of sweet composure;
Praise him that got thee, she that gave thee suck:
Famed be thy tutor, and thy parts of nature
Thrice famed, beyond all erudition:
But he that disciplined thy arms to fight,
Let Mars divide eternity in twain,
And give him half: and, for thy vigour,
Bullbearing Milo his addition yield
To sinewy Ajax. I will not praise thy wisdom,
Which, like a bourn, a pale, a shore, confines
Thy spacious and dilated parts: here's Nestor;
Instructed by the antiquary times,
He must, he is, he cannot but be wise:
Put pardon, father Nestor, were your days
As green as Ajax' and your brain so temper'd,
You should not have the eminence of him,
But be as Ajax.
AJAX
Shall I call you father?
NESTOR
Ay, my good son.
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Act 2, Scene 3 558
Page No 563
DIOMEDES
Be ruled by him, Lord Ajax.
ULYSSES
There is no tarrying here; the hart Achilles
Keeps thicket. Please it our great general
To call together all his state of war;
Fresh kings are come to Troy: tomorrow
We must with all our main of power stand fast:
And here's a lord,come knights from east to west,
And cull their flower, Ajax shall cope the best.
AGAMEMNON
Go we to council. Let Achilles sleep:
Light boats sail swift, though greater hulks draw deep.
Exeunt
Act 3, Scene 1
Troy. Priam's palace.
Enter a Servant and PANDARUS
PANDARUS
Friend, you! pray you, a word: do not you follow
the young Lord Paris?
Servant
Ay, sir, when he goes before me.
PANDARUS
You depend upon him, I mean?
Servant
Sir, I do depend upon the lord.
PANDARUS
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Act 3, Scene 1 559
Page No 564
You depend upon a noble gentleman; I must needs
praise him.
Servant
The lord be praised!
PANDARUS
You know me, do you not?
Servant
Faith, sir, superficially.
PANDARUS
Friend, know me better; I am the Lord Pandarus.
Servant
I hope I shall know your honour better.
PANDARUS
I do desire it.
Servant
You are in the state of grace.
PANDARUS
Grace! not so, friend: honour and lordship are my titles.
Music within
What music is this?
Servant
I do but partly know, sir: it is music in parts.
PANDARUS
Know you the musicians?
Servant
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Act 3, Scene 1 560
Page No 565
Wholly, sir.
PANDARUS
Who play they to?
Servant
To the hearers, sir.
PANDARUS
At whose pleasure, friend
Servant
At mine, sir, and theirs that love music.
PANDARUS
Command, I mean, friend.
Servant
Who shall I command, sir?
PANDARUS
Friend, we understand not one another: I am too
courtly and thou art too cunning. At whose request
do these men play?
Servant
That's to 't indeed, sir: marry, sir, at the request
of Paris my lord, who's there in person; with him,
the mortal Venus, the heartblood of beauty, love's
invisible soul,
PANDARUS
Who, my cousin Cressida?
Servant
No, sir, Helen: could you not find out that by her
attributes?
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Act 3, Scene 1 561
Page No 566
PANDARUS
It should seem, fellow, that thou hast not seen the
Lady Cressida. I come to speak with Paris from the
Prince Troilus: I will make a complimental assault
upon him, for my business seethes.
Servant
Sodden business! there's a stewed phrase indeed!
Enter PARIS and HELEN, attended
PANDARUS
Fair be to you, my lord, and to all this fair
company! fair desires, in all fair measure,
fairly guide them! especially to you, fair queen!
fair thoughts be your fair pillow!
HELEN
Dear lord, you are full of fair words.
PANDARUS
You speak your fair pleasure, sweet queen. Fair
prince, here is good broken music.
PARIS
You have broke it, cousin: and, by my life, you
shall make it whole again; you shall piece it out
with a piece of your performance. Nell, he is full
of harmony.
PANDARUS
Truly, lady, no.
HELEN
O, sir,
PANDARUS
Rude, in sooth; in good sooth, very rude.
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Act 3, Scene 1 562
Page No 567
PARIS
Well said, my lord! well, you say so in fits.
PANDARUS
I have business to my lord, dear queen. My lord,
will you vouchsafe me a word?
HELEN
Nay, this shall not hedge us out: we'll hear you
sing, certainly.
PANDARUS
Well, sweet queen. you are pleasant with me. But,
marry, thus, my lord: my dear lord and most esteemed
friend, your brother Troilus,
HELEN
My Lord Pandarus; honeysweet lord,
PANDARUS
Go to, sweet queen, to go:commends himself most
affectionately to you,
HELEN
You shall not bob us out of our melody: if you do,
our melancholy upon your head!
PANDARUS
Sweet queen, sweet queen! that's a sweet queen, i' faith.
HELEN
And to make a sweet lady sad is a sour offence.
PANDARUS
Nay, that shall not serve your turn; that shall not,
in truth, la. Nay, I care not for such words; no,
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Act 3, Scene 1 563
Page No 568
no. And, my lord, he desires you, that if the king
call for him at supper, you will make his excuse.
HELEN
My Lord Pandarus,
PANDARUS
What says my sweet queen, my very very sweet queen?
PARIS
What exploit's in hand? where sups he tonight?
HELEN
Nay, but, my lord,
PANDARUS
What says my sweet queen? My cousin will fall out
with you. You must not know where he sups.
PARIS
I'll lay my life, with my disposer Cressida.
PANDARUS
No, no, no such matter; you are wide: come, your
disposer is sick.
PARIS
Well, I'll make excuse.
PANDARUS
Ay, good my lord. Why should you say Cressida? no,
your poor disposer's sick.
PARIS
I spy.
PANDARUS
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Act 3, Scene 1 564
Page No 569
You spy! what do you spy? Come, give me an
instrument. Now, sweet queen.
HELEN
Why, this is kindly done.
PANDARUS
My niece is horribly in love with a thing you have,
sweet queen.
HELEN
She shall have it, my lord, if it be not my lord Paris.
PANDARUS
He! no, she'll none of him; they two are twain.
HELEN
Falling in, after falling out, may make them three.
PANDARUS
Come, come, I'll hear no more of this; I'll sing
you a song now.
HELEN
Ay, ay, prithee now. By my troth, sweet lord, thou
hast a fine forehead.
PANDARUS
Ay, you may, you may.
HELEN
Let thy song be love: this love will undo us all.
O Cupid, Cupid, Cupid!
PANDARUS
Love! ay, that it shall, i' faith.
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Act 3, Scene 1 565
Page No 570
PARIS
Ay, good now, love, love, nothing but love.
PANDARUS
In good troth, it begins so.
Sings
Love, love, nothing but love, still more!
For, O, love's bow
Shoots buck and doe:
The shaft confounds,
Not that it wounds,
But tickles still the sore.
These lovers cry Oh! oh! they die!
Yet that which seems the wound to kill,
Doth turn oh! oh! to ha! ha! he!
So dying love lives still:
Oh! oh! a while, but ha! ha! ha!
Oh! oh! groans out for ha! ha! ha!
Heighho!
HELEN
In love, i' faith, to the very tip of the nose.
PARIS
He eats nothing but doves, love, and that breeds hot
blood, and hot blood begets hot thoughts, and hot
thoughts beget hot deeds, and hot deeds is love.
PANDARUS
Is this the generation of love? hot blood, hot
thoughts, and hot deeds? Why, they are vipers:
is love a generation of vipers? Sweet lord, who's
afield today?
PARIS
Hector, Deiphobus, Helenus, Antenor, and all the
gallantry of Troy: I would fain have armed today,
but my Nell would not have it so. How chance my
brother Troilus went not?
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Act 3, Scene 1 566
Page No 571
HELEN
He hangs the lip at something: you know all, Lord Pandarus.
PANDARUS
Not I, honeysweet queen. I long to hear how they
sped today. You'll remember your brother's excuse?
PARIS
To a hair.
PANDARUS
Farewell, sweet queen.
HELEN
Commend me to your niece.
PANDARUS
I will, sweet queen.
Exit
A retreat sounded
PARIS
They're come from field: let us to Priam's hall,
To greet the warriors. Sweet Helen, I must woo you
To help unarm our Hector: his stubborn buckles,
With these your white enchanting fingers touch'd,
Shall more obey than to the edge of steel
Or force of Greekish sinews; you shall do more
Than all the island kings,disarm great Hector.
HELEN
'Twill make us proud to be his servant, Paris;
Yea, what he shall receive of us in duty
Gives us more palm in beauty than we have,
Yea, overshines ourself.
PARIS
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Act 3, Scene 1 567
Page No 572
Sweet, above thought I love thee.
Exeunt
Act 3, Scene 2
The same. Pandarus' orchard.
Enter PANDARUS and Troilus's Boy, meeting
PANDARUS
How now! where's thy master? at my cousin
Cressida's?
Boy
No, sir; he stays for you to conduct him thither.
PANDARUS
O, here he comes.
Enter TROILUS
How now, how now!
TROILUS
Sirrah, walk off.
Exit Boy
PANDARUS
Have you seen my cousin?
TROILUS
No, Pandarus: I stalk about her door,
Like a strange soul upon the Stygian banks
Staying for waftage. O, be thou my Charon,
And give me swift transportance to those fields
Where I may wallow in the lilybeds
Proposed for the deserver! O gentle Pandarus,
From Cupid's shoulder pluck his painted wings
And fly with me to Cressid!
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Act 3, Scene 2 568
Page No 573
PANDARUS
Walk here i' the orchard, I'll bring her straight.
Exit
TROILUS
I am giddy; expectation whirls me round.
The imaginary relish is so sweet
That it enchants my sense: what will it be,
When that the watery palate tastes indeed
Love's thrice repured nectar? death, I fear me,
Swooning destruction, or some joy too fine,
Too subtlepotent, tuned too sharp in sweetness,
For the capacity of my ruder powers:
I fear it much; and I do fear besides,
That I shall lose distinction in my joys;
As doth a battle, when they charge on heaps
The enemy flying.
Reenter PANDARUS
PANDARUS
She's making her ready, she'll come straight: you
must be witty now. She does so blush, and fetches
her wind so short, as if she were frayed with a
sprite: I'll fetch her. It is the prettiest
villain: she fetches her breath as short as a
newta'en sparrow.
Exit
TROILUS
Even such a passion doth embrace my bosom:
My heart beats thicker than a feverous pulse;
And all my powers do their bestowing lose,
Like vassalage at unawares encountering
The eye of majesty.
Reenter PANDARUS with CRESSIDA
PANDARUS
Come, come, what need you blush? shame's a baby.
Here she is now: swear the oaths now to her that
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Act 3, Scene 2 569
Page No 574
you have sworn to me. What, are you gone again?
you must be watched ere you be made tame, must you?
Come your ways, come your ways; an you draw backward,
we'll put you i' the fills. Why do you not speak to
her? Come, draw this curtain, and let's see your
picture. Alas the day, how loath you are to offend
daylight! an 'twere dark, you'ld close sooner.
So, so; rub on, and kiss the mistress. How now!
a kiss in feefarm! build there, carpenter; the air
is sweet. Nay, you shall fight your hearts out ere
I part you. The falcon as the tercel, for all the
ducks i' the river: go to, go to.
TROILUS
You have bereft me of all words, lady.
PANDARUS
Words pay no debts, give her deeds: but she'll
bereave you o' the deeds too, if she call your
activity in question. What, billing again? Here's
'In witness whereof the parties interchangeably'
Come in, come in: I'll go get a fire.
Exit
CRESSIDA
Will you walk in, my lord?
TROILUS
O Cressida, how often have I wished me thus!
CRESSIDA
Wished, my lord! The gods grant,O my lord!
TROILUS
What should they grant? what makes this pretty
abruption? What too curious dreg espies my sweet
lady in the fountain of our love?
CRESSIDA
More dregs than water, if my fears have eyes.
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Act 3, Scene 2 570
Page No 575
TROILUS
Fears make devils of cherubims; they never see truly.
CRESSIDA
Blind fear, that seeing reason leads, finds safer
footing than blind reason stumbling without fear: to
fear the worst oft cures the worse.
TROILUS
O, let my lady apprehend no fear: in all Cupid's
pageant there is presented no monster.
CRESSIDA
Nor nothing monstrous neither?
TROILUS
Nothing, but our undertakings; when we vow to weep
seas, live in fire, eat rocks, tame tigers; thinking
it harder for our mistress to devise imposition
enough than for us to undergo any difficulty imposed.
This is the monstruosity in love, lady, that the will
is infinite and the execution confined, that the
desire is boundless and the act a slave to limit.
CRESSIDA
They say all lovers swear more performance than they
are able and yet reserve an ability that they never
perform, vowing more than the perfection of ten and
discharging less than the tenth part of one. They
that have the voice of lions and the act of hares,
are they not monsters?
TROILUS
Are there such? such are not we: praise us as we
are tasted, allow us as we prove; our head shall go
bare till merit crown it: no perfection in reversion
shall have a praise in present: we will not name
desert before his birth, and, being born, his addition
shall be humble. Few words to fair faith: Troilus
shall be such to Cressid as what envy can say worst
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Act 3, Scene 2 571
Page No 576
shall be a mock for his truth, and what truth can
speak truest not truer than Troilus.
CRESSIDA
Will you walk in, my lord?
Reenter PANDARUS
PANDARUS
What, blushing still? have you not done talking yet?
CRESSIDA
Well, uncle, what folly I commit, I dedicate to you.
PANDARUS
I thank you for that: if my lord get a boy of you,
you'll give him me. Be true to my lord: if he
flinch, chide me for it.
TROILUS
You know now your hostages; your uncle's word and my
firm faith.
PANDARUS
Nay, I'll give my word for her too: our kindred,
though they be long ere they are wooed, they are
constant being won: they are burs, I can tell you;
they'll stick where they are thrown.
CRESSIDA
Boldness comes to me now, and brings me heart.
Prince Troilus, I have loved you night and day
For many weary months.
TROILUS
Why was my Cressid then so hard to win?
CRESSIDA
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Act 3, Scene 2 572
Page No 577
Hard to seem won: but I was won, my lord,
With the first glance that everpardon me
If I confess much, you will play the tyrant.
I love you now; but not, till now, so much
But I might master it: in faith, I lie;
My thoughts were like unbridled children, grown
Too headstrong for their mother. See, we fools!
Why have I blabb'd? who shall be true to us,
When we are so unsecret to ourselves?
But, though I loved you well, I woo'd you not;
And yet, good faith, I wish'd myself a man,
Or that we women had men's privilege
Of speaking first. Sweet, bid me hold my tongue,
For in this rapture I shall surely speak
The thing I shall repent. See, see, your silence,
Cunning in dumbness, from my weakness draws
My very soul of counsel! stop my mouth.
TROILUS
And shall, albeit sweet music issues thence.
PANDARUS
Pretty, i' faith.
CRESSIDA
My lord, I do beseech you, pardon me;
'Twas not my purpose, thus to beg a kiss:
I am ashamed. O heavens! what have I done?
For this time will I take my leave, my lord.
TROILUS
Your leave, sweet Cressid!
PANDARUS
Leave! an you take leave till tomorrow morning,
CRESSIDA
Pray you, content you.
TROILUS
What offends you, lady?
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Act 3, Scene 2 573
Page No 578
CRESSIDA
Sir, mine own company.
TROILUS
You cannot shun Yourself.
CRESSIDA
Let me go and try:
I have a kind of self resides with you;
But an unkind self, that itself will leave,
To be another's fool. I would be gone:
Where is my wit? I know not what I speak.
TROILUS
Well know they what they speak that speak so wisely.
CRESSIDA
Perchance, my lord, I show more craft than love;
And fell so roundly to a large confession,
To angle for your thoughts: but you are wise,
Or else you love not, for to be wise and love
Exceeds man's might; that dwells with gods above.
TROILUS
O that I thought it could be in a woman
As, if it can, I will presume in you
To feed for aye her ramp and flames of love;
To keep her constancy in plight and youth,
Outliving beauty's outward, with a mind
That doth renew swifter than blood decays!
Or that persuasion could but thus convince me,
That my integrity and truth to you
Might be affronted with the match and weight
Of such a winnow'd purity in love;
How were I then uplifted! but, alas!
I am as true as truth's simplicity
And simpler than the infancy of truth.
CRESSIDA
In that I'll war with you.
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Act 3, Scene 2 574
Page No 579
TROILUS
O virtuous fight,
When right with right wars who shall be most right!
True swains in love shall in the world to come
Approve their truths by Troilus: when their rhymes,
Full of protest, of oath and big compare,
Want similes, truth tired with iteration,
As true as steel, as plantage to the moon,
As sun to day, as turtle to her mate,
As iron to adamant, as earth to the centre,
Yet, after all comparisons of truth,
As truth's authentic author to be cited,
'As true as Troilus' shall crown up the verse,
And sanctify the numbers.
CRESSIDA
Prophet may you be!
If I be false, or swerve a hair from truth,
When time is old and hath forgot itself,
When waterdrops have worn the stones of Troy,
And blind oblivion swallow'd cities up,
And mighty states characterless are grated
To dusty nothing, yet let memory,
From false to false, among false maids in love,
Upbraid my falsehood! when they've said 'as false
As air, as water, wind, or sandy earth,
As fox to lamb, as wolf to heifer's calf,
Pard to the hind, or stepdame to her son,'
'Yea,' let them say, to stick the heart of falsehood,
'As false as Cressid.'
PANDARUS
Go to, a bargain made: seal it, seal it; I'll be the
witness. Here I hold your hand, here my cousin's.
If ever you prove false one to another, since I have
taken such pains to bring you together, let all
pitiful goersbetween be called to the world's end
after my name; call them all Pandars; let all
constant men be Troiluses, all false women Cressids,
and all brokersbetween Pandars! say, amen.
TROILUS
Amen.
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Act 3, Scene 2 575
Page No 580
CRESSIDA
Amen.
PANDARUS
Amen. Whereupon I will show you a chamber with a
bed; which bed, because it shall not speak of your
pretty encounters, press it to death: away!
And Cupid grant all tonguetied maidens here
Bed, chamber, Pandar to provide this gear!
Exeunt
Act 3, Scene 3
The Grecian camp. Before Achilles' tent.
Enter AGAMEMNON, ULYSSES, DIOMEDES, NESTOR, AJAX, MENELAUS, and
CALCHAS
CALCHAS
Now, princes, for the service I have done you,
The advantage of the time prompts me aloud
To call for recompense. Appear it to your mind
That, through the sight I bear in things to love,
I have abandon'd Troy, left my possession,
Incurr'd a traitor's name; exposed myself,
From certain and possess'd conveniences,
To doubtful fortunes; sequestering from me all
That time, acquaintance, custom and condition
Made tame and most familiar to my nature,
And here, to do you service, am become
As new into the world, strange, unacquainted:
I do beseech you, as in way of taste,
To give me now a little benefit,
Out of those many register'd in promise,
Which, you say, live to come in my behalf.
AGAMEMNON
What wouldst thou of us, Trojan? make demand.
CALCHAS
You have a Trojan prisoner, call'd Antenor,
Yesterday took: Troy holds him very dear.
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Act 3, Scene 3 576
Page No 581
Oft have youoften have you thanks therefore
Desired my Cressid in right great exchange,
Whom Troy hath still denied: but this Antenor,
I know, is such a wrest in their affairs
That their negotiations all must slack,
Wanting his manage; and they will almost
Give us a prince of blood, a son of Priam,
In change of him: let him be sent, great princes,
And he shall buy my daughter; and her presence
Shall quite strike off all service I have done,
In most accepted pain.
AGAMEMNON
Let Diomedes bear him,
And bring us Cressid hither: Calchas shall have
What he requests of us. Good Diomed,
Furnish you fairly for this interchange:
Withal bring word if Hector will tomorrow
Be answer'd in his challenge: Ajax is ready.
DIOMEDES
This shall I undertake; and 'tis a burden
Which I am proud to bear.
Exeunt DIOMEDES and CALCHAS
Enter ACHILLES and PATROCLUS, before their tent
ULYSSES
Achilles stands i' the entrance of his tent:
Please it our general to pass strangely by him,
As if he were forgot; and, princes all,
Lay negligent and loose regard upon him:
I will come last. 'Tis like he'll question me
Why such unplausive eyes are bent on him:
If so, I have derision medicinable,
To use between your strangeness and his pride,
Which his own will shall have desire to drink:
It may be good: pride hath no other glass
To show itself but pride, for supple knees
Feed arrogance and are the proud man's fees.
AGAMEMNON
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Act 3, Scene 3 577
Page No 582
We'll execute your purpose, and put on
A form of strangeness as we pass along:
So do each lord, and either greet him not,
Or else disdainfully, which shall shake him more
Than if not look'd on. I will lead the way.
ACHILLES
What, comes the general to speak with me?
You know my mind, I'll fight no more 'gainst Troy.
AGAMEMNON
What says Achilles? would he aught with us?
NESTOR
Would you, my lord, aught with the general?
ACHILLES
No.
NESTOR
Nothing, my lord.
AGAMEMNON
The better.
Exeunt AGAMEMNON and NESTOR
ACHILLES
Good day, good day.
MENELAUS
How do you? how do you?
Exit
ACHILLES
What, does the cuckold scorn me?
AJAX
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Act 3, Scene 3 578
Page No 583
How now, Patroclus!
ACHILLES
Good morrow, Ajax.
AJAX
Ha?
ACHILLES
Good morrow.
AJAX
Ay, and good next day too.
Exit
ACHILLES
What mean these fellows? Know they not Achilles?
PATROCLUS
They pass by strangely: they were used to bend
To send their smiles before them to Achilles;
To come as humbly as they used to creep
To holy altars.
ACHILLES
What, am I poor of late?
'Tis certain, greatness, once fall'n out with fortune,
Must fall out with men too: what the declined is
He shall as soon read in the eyes of others
As feel in his own fall; for men, like butterflies,
Show not their mealy wings but to the summer,
And not a man, for being simply man,
Hath any honour, but honour for those honours
That are without him, as place, riches, favour,
Prizes of accident as oft as merit:
Which when they fall, as being slippery standers,
The love that lean'd on them as slippery too,
Do one pluck down another and together
Die in the fall. But 'tis not so with me:
Fortune and I are friends: I do enjoy
At ample point all that I did possess,
Save these men's looks; who do, methinks, find out
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Act 3, Scene 3 579
Page No 584
Something not worth in me such rich beholding
As they have often given. Here is Ulysses;
I'll interrupt his reading.
How now Ulysses!
ULYSSES
Now, great Thetis' son!
ACHILLES
What are you reading?
ULYSSES
A strange fellow here
Writes me: 'That man, how dearly ever parted,
How much in having, or without or in,
Cannot make boast to have that which he hath,
Nor feels not what he owes, but by reflection;
As when his virtues shining upon others
Heat them and they retort that heat again
To the first giver.'
ACHILLES
This is not strange, Ulysses.
The beauty that is borne here in the face
The bearer knows not, but commends itself
To others' eyes; nor doth the eye itself,
That most pure spirit of sense, behold itself,
Not going from itself; but eye to eye opposed
Salutes each other with each other's form;
For speculation turns not to itself,
Till it hath travell'd and is mirror'd there
Where it may see itself. This is not strange at all.
ULYSSES
I do not strain at the position,
It is familiar,but at the author's drift;
Who, in his circumstance, expressly proves
That no man is the lord of any thing,
Though in and of him there be much consisting,
Till he communicate his parts to others:
Nor doth he of himself know them for aught
Till he behold them form'd in the applause
Where they're extended; who, like an arch,
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Act 3, Scene 3 580
Page No 585
reverberates
The voice again, or, like a gate of steel
Fronting the sun, receives and renders back
His figure and his heat. I was much wrapt in this;
And apprehended here immediately
The unknown Ajax.
Heavens, what a man is there! a very horse,
That has he knows not what. Nature, what things there are
Most abject in regard and dear in use!
What things again most dear in the esteem
And poor in worth! Now shall we see tomorrow
An act that very chance doth throw upon him
Ajax renown'd. O heavens, what some men do,
While some men leave to do!
How some men creep in skittish fortune's hall,
Whiles others play the idiots in her eyes!
How one man eats into another's pride,
While pride is fasting in his wantonness!
To see these Grecian lords!why, even already
They clap the lubber Ajax on the shoulder,
As if his foot were on brave Hector's breast
And great Troy shrieking.
ACHILLES
I do believe it; for they pass'd by me
As misers do by beggars, neither gave to me
Good word nor look: what, are my deeds forgot?
ULYSSES
Time hath, my lord, a wallet at his back,
Wherein he puts alms for oblivion,
A greatsized monster of ingratitudes:
Those scraps are good deeds past; which are devour'd
As fast as they are made, forgot as soon
As done: perseverance, dear my lord,
Keeps honour bright: to have done is to hang
Quite out of fashion, like a rusty mail
In monumental mockery. Take the instant way;
For honour travels in a strait so narrow,
Where one but goes abreast: keep then the path;
For emulation hath a thousand sons
That one by one pursue: if you give way,
Or hedge aside from the direct forthright,
Like to an enter'd tide, they all rush by
And leave you hindmost;
Or like a gallant horse fall'n in first rank,
Lie there for pavement to the abject rear,
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Act 3, Scene 3 581
Page No 586
O'errun and trampled on: then what they do in present,
Though less than yours in past, must o'ertop yours;
For time is like a fashionable host
That slightly shakes his parting guest by the hand,
And with his arms outstretch'd, as he would fly,
Grasps in the comer: welcome ever smiles,
And farewell goes out sighing. O, let not
virtue seek
Remuneration for the thing it was;
For beauty, wit,
High birth, vigour of bone, desert in service,
Love, friendship, charity, are subjects all
To envious and calumniating time.
One touch of nature makes the whole world kin,
That all with one consent praise newborn gawds,
Though they are made and moulded of things past,
And give to dust that is a little gilt
More laud than gilt o'erdusted.
The present eye praises the present object.
Then marvel not, thou great and complete man,
That all the Greeks begin to worship Ajax;
Since things in motion sooner catch the eye
Than what not stirs. The cry went once on thee,
And still it might, and yet it may again,
If thou wouldst not entomb thyself alive
And case thy reputation in thy tent;
Whose glorious deeds, but in these fields of late,
Made emulous missions 'mongst the gods themselves
And drave great Mars to faction.
ACHILLES
Of this my privacy
I have strong reasons.
ULYSSES
But 'gainst your privacy
The reasons are more potent and heroical:
'Tis known, Achilles, that you are in love
With one of Priam's daughters.
ACHILLES
Ha! known!
ULYSSES
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Act 3, Scene 3 582
Page No 587
Is that a wonder?
The providence that's in a watchful state
Knows almost every grain of Plutus' gold,
Finds bottom in the uncomprehensive deeps,
Keeps place with thought and almost, like the gods,
Does thoughts unveil in their dumb cradles.
There is a mysterywith whom relation
Durst never meddlein the soul of state;
Which hath an operation more divine
Than breath or pen can give expressure to:
All the commerce that you have had with Troy
As perfectly is ours as yours, my lord;
And better would it fit Achilles much
To throw down Hector than Polyxena:
But it must grieve young Pyrrhus now at home,
When fame shall in our islands sound her trump,
And all the Greekish girls shall tripping sing,
'Great Hector's sister did Achilles win,
But our great Ajax bravely beat down him.'
Farewell, my lord: I as your lover speak;
The fool slides o'er the ice that you should break.
Exit
PATROCLUS
To this effect, Achilles, have I moved you:
A woman impudent and mannish grown
Is not more loathed than an effeminate man
In time of action. I stand condemn'd for this;
They think my little stomach to the war
And your great love to me restrains you thus:
Sweet, rouse yourself; and the weak wanton Cupid
Shall from your neck unloose his amorous fold,
And, like a dewdrop from the lion's mane,
Be shook to air.
ACHILLES
Shall Ajax fight with Hector?
PATROCLUS
Ay, and perhaps receive much honour by him.
ACHILLES
I see my reputation is at stake
My fame is shrewdly gored.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 3 583
Page No 588
PATROCLUS
O, then, beware;
Those wounds heal ill that men do give themselves:
Omission to do what is necessary
Seals a commission to a blank of danger;
And danger, like an ague, subtly taints
Even then when we sit idly in the sun.
ACHILLES
Go call Thersites hither, sweet Patroclus:
I'll send the fool to Ajax and desire him
To invite the Trojan lords after the combat
To see us here unarm'd: I have a woman's longing,
An appetite that I am sick withal,
To see great Hector in his weeds of peace,
To talk with him and to behold his visage,
Even to my full of view.
Enter THERSITES
A labour saved!
THERSITES
A wonder!
ACHILLES
What?
THERSITES
Ajax goes up and down the field, asking for himself.
ACHILLES
How so?
THERSITES
He must fight singly tomorrow with Hector, and is so
prophetically proud of an heroical cudgelling that he
raves in saying nothing.
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Act 3, Scene 3 584
Page No 589
ACHILLES
How can that be?
THERSITES
Why, he stalks up and down like a peacock,a stride
and a stand: ruminates like an hostess that hath no
arithmetic but her brain to set down her reckoning:
bites his lip with a politic regard, as who should
say 'There were wit in this head, an 'twould out;'
and so there is, but it lies as coldly in him as fire
in a flint, which will not show without knocking.
The man's undone forever; for if Hector break not his
neck i' the combat, he'll break 't himself in
vainglory. He knows not me: I said 'Good morrow,
Ajax;' and he replies 'Thanks, Agamemnon.' What think
you of this man that takes me for the general? He's
grown a very landfish, languageless, a monster.
A plague of opinion! a man may wear it on both
sides, like a leather jerkin.
ACHILLES
Thou must be my ambassador to him, Thersites.
THERSITES
Who, I? why, he'll answer nobody; he professes not
answering: speaking is for beggars; he wears his
tongue in's arms. I will put on his presence: let
Patroclus make demands to me, you shall see the
pageant of Ajax.
ACHILLES
To him, Patroclus; tell him I humbly desire the
valiant Ajax to invite the most valorous Hector
to come unarmed to my tent, and to procure
safeconduct for his person of the magnanimous
and most illustrious sixorseventimeshonoured
captaingeneral of the Grecian army, Agamemnon,
et cetera. Do this.
PATROCLUS
Jove bless great Ajax!
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Act 3, Scene 3 585
Page No 590
THERSITES
Hum!
PATROCLUS
I come from the worthy Achilles,
THERSITES
Ha!
PATROCLUS
Who most humbly desires you to invite Hector to his tent,
THERSITES
Hum!
PATROCLUS
And to procure safeconduct from Agamemnon.
THERSITES
Agamemnon!
PATROCLUS
Ay, my lord.
THERSITES
Ha!
PATROCLUS
What say you to't?
THERSITES
God b' wi' you, with all my heart.
PATROCLUS
Your answer, sir.
THERSITES
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Act 3, Scene 3 586
Page No 591
If tomorrow be a fair day, by eleven o'clock it will
go one way or other: howsoever, he shall pay for me
ere he has me.
PATROCLUS
Your answer, sir.
THERSITES
Fare you well, with all my heart.
ACHILLES
Why, but he is not in this tune, is he?
THERSITES
No, but he's out o' tune thus. What music will be in
him when Hector has knocked out his brains, I know
not; but, I am sure, none, unless the fiddler Apollo
get his sinews to make catlings on.
ACHILLES
Come, thou shalt bear a letter to him straight.
THERSITES
Let me bear another to his horse; for that's the more
capable creature.
ACHILLES
My mind is troubled, like a fountain stirr'd;
And I myself see not the bottom of it.
Exeunt ACHILLES and PATROCLUS
THERSITES
Would the fountain of your mind were clear again,
that I might water an ass at it! I had rather be a
tick in a sheep than such a valiant ignorance.
Exit
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 3, Scene 3 587
Page No 592
Act 4, Scene 1
Troy. A street.
Enter, from one side, AENEAS, and Servant with a torch; from the other, PARIS,
DEIPHOBUS, ANTENOR, DIOMEDES, and others, with torches
PARIS
See, ho! who is that there?
DEIPHOBUS
It is the Lord AEneas.
AENEAS
Is the prince there in person?
Had I so good occasion to lie long
As you, prince Paris, nothing but heavenly business
Should rob my bedmate of my company.
DIOMEDES
That's my mind too. Good morrow, Lord AEneas.
PARIS
A valiant Greek, AEneas,take his hand,
Witness the process of your speech, wherein
You told how Diomed, a whole week by days,
Did haunt you in the field.
AENEAS
Health to you, valiant sir,
During all question of the gentle truce;
But when I meet you arm'd, as black defiance
As heart can think or courage execute.
DIOMEDES
The one and other Diomed embraces.
Our bloods are now in calm; and, so long, health!
But when contention and occasion meet,
By Jove, I'll play the hunter for thy life
With all my force, pursuit and policy.
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Act 4, Scene 1 588
Page No 593
AENEAS
And thou shalt hunt a lion, that will fly
With his face backward. In humane gentleness,
Welcome to Troy! now, by Anchises' life,
Welcome, indeed! By Venus' hand I swear,
No man alive can love in such a sort
The thing he means to kill more excellently.
DIOMEDES
We sympathize: Jove, let AEneas live,
If to my sword his fate be not the glory,
A thousand complete courses of the sun!
But, in mine emulous honour, let him die,
With every joint a wound, and that tomorrow!
AENEAS
We know each other well.
DIOMEDES
We do; and long to know each other worse.
PARIS
This is the most despiteful gentle greeting,
The noblest hateful love, that e'er I heard of.
What business, lord, so early?
AENEAS
I was sent for to the king; but why, I know not.
PARIS
His purpose meets you: 'twas to bring this Greek
To Calchas' house, and there to render him,
For the enfreed Antenor, the fair Cressid:
Let's have your company, or, if you please,
Haste there before us: I constantly do think
Or rather, call my thought a certain knowledge
My brother Troilus lodges there tonight:
Rouse him and give him note of our approach.
With the whole quality wherefore: I fear
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Act 4, Scene 1 589
Page No 594
We shall be much unwelcome.
AENEAS
That I assure you:
Troilus had rather Troy were borne to Greece
Than Cressid borne from Troy.
PARIS
There is no help;
The bitter disposition of the time
Will have it so. On, lord; we'll follow you.
AENEAS
Good morrow, all.
Exit with Servant
PARIS
And tell me, noble Diomed, faith, tell me true,
Even in the soul of sound goodfellowship,
Who, in your thoughts, merits fair Helen best,
Myself or Menelaus?
DIOMEDES
Both alike:
He merits well to have her, that doth seek her,
Not making any scruple of her soilure,
With such a hell of pain and world of charge,
And you as well to keep her, that defend her,
Not palating the taste of her dishonour,
With such a costly loss of wealth and friends:
He, like a puling cuckold, would drink up
The lees and dregs of a flat tamed piece;
You, like a lecher, out of whorish loins
Are pleased to breed out your inheritors:
Both merits poised, each weighs nor less nor more;
But he as he, the heavier for a whore.
PARIS
You are too bitter to your countrywoman.
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Act 4, Scene 1 590
Page No 595
DIOMEDES
She's bitter to her country: hear me, Paris:
For every false drop in her bawdy veins
A Grecian's life hath sunk; for every scruple
Of her contaminated carrion weight,
A Trojan hath been slain: since she could speak,
She hath not given so many good words breath
As for her Greeks and Trojans suffer'd death.
PARIS
Fair Diomed, you do as chapmen do,
Dispraise the thing that you desire to buy:
But we in silence hold this virtue well,
We'll but commend what we intend to sell.
Here lies our way.
Exeunt
Act 4, Scene 2
The same. Court of Pandarus' house.
Enter TROILUS and CRESSIDA
TROILUS
Dear, trouble not yourself: the morn is cold.
CRESSIDA
Then, sweet my lord, I'll call mine uncle down;
He shall unbolt the gates.
TROILUS
Trouble him not;
To bed, to bed: sleep kill those pretty eyes,
And give as soft attachment to thy senses
As infants' empty of all thought!
CRESSIDA
Good morrow, then.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 591
Page No 596
TROILUS
I prithee now, to bed.
CRESSIDA
Are you aweary of me?
TROILUS
O Cressida! but that the busy day,
Waked by the lark, hath roused the ribald crows,
And dreaming night will hide our joys no longer,
I would not from thee.
CRESSIDA
Night hath been too brief.
TROILUS
Beshrew the witch! with venomous wights she stays
As tediously as hell, but flies the grasps of love
With wings more momentaryswift than thought.
You will catch cold, and curse me.
CRESSIDA
Prithee, tarry:
You men will never tarry.
O foolish Cressid! I might have still held off,
And then you would have tarried. Hark!
there's one up.
PANDARUS
[Within] What, 's all the doors open here?
TROILUS
It is your uncle.
CRESSIDA
A pestilence on him! now will he be mocking:
I shall have such a life!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 592
Page No 597
Enter PANDARUS
PANDARUS
How now, how now! how go maidenheads? Here, you
maid! where's my cousin Cressid?
CRESSIDA
Go hang yourself, you naughty mocking uncle!
You bring me to do, and then you flout me too.
PANDARUS
To do what? to do what? let her say
what: what have I brought you to do?
CRESSIDA
Come, come, beshrew your heart! you'll ne'er be good,
Nor suffer others.
PANDARUS
Ha! ha! Alas, poor wretch! ah, poor capocchia!
hast not slept tonight? would he not, a naughty
man, let it sleep? a bugbear take him!
CRESSIDA
Did not I tell you? Would he were knock'd i' the head!
Knocking within
Who's that at door? good uncle, go and see.
My lord, come you again into my chamber:
You smile and mock me, as if I meant naughtily.
TROILUS
Ha, ha!
CRESSIDA
Come, you are deceived, I think of no such thing.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 593
Page No 598
Knocking within
How earnestly they knock! Pray you, come in:
I would not for half Troy have you seen here.
Exeunt TROILUS and CRESSIDA
PANDARUS
Who's there? what's the matter? will you beat
down the door? How now! what's the matter?
Enter AENEAS
AENEAS
Good morrow, lord, good morrow.
PANDARUS
Who's there? my Lord AEneas! By my troth,
I knew you not: what news with you so early?
AENEAS
Is not Prince Troilus here?
PANDARUS
Here! what should he do here?
AENEAS
Come, he is here, my lord; do not deny him:
It doth import him much to speak with me.
PANDARUS
Is he here, say you? 'tis more than I know, I'll
be sworn: for my own part, I came in late. What
should he do here?
AENEAS
Who!nay, then: come, come, you'll do him wrong
ere you're ware: you'll be so true to him, to be
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 2 594
Page No 599
false to him: do not you know of him, but yet go
fetch him hither; go.
Reenter TROILUS
TROILUS
How now! what's the matter?
AENEAS
My lord, I scarce have leisure to salute you,
My matter is so rash: there is at hand
Paris your brother, and Deiphobus,
The Grecian Diomed, and our Antenor
Deliver'd to us; and for him forthwith,
Ere the first sacrifice, within this hour,
We must give up to Diomedes' hand
The Lady Cressida.
TROILUS
Is it so concluded?
AENEAS
By Priam and the general state of Troy:
They are at hand and ready to effect it.
TROILUS
How my achievements mock me!
I will go meet them: and, my Lord AEneas,
We met by chance; you did not find me here.
AENEAS
Good, good, my lord; the secrets of nature
Have not more gift in taciturnity.
Exeunt TROILUS and AENEAS
PANDARUS
Is't possible? no sooner got but lost? The devil
take Antenor! the young prince will go mad: a
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Act 4, Scene 2 595
Page No 600
plague upon Antenor! I would they had broke 's neck!
Reenter CRESSIDA
CRESSIDA
How now! what's the matter? who was here?
PANDARUS
Ah, ah!
CRESSIDA
Why sigh you so profoundly? where's my lord? gone!
Tell me, sweet uncle, what's the matter?
PANDARUS
Would I were as deep under the earth as I am above!
CRESSIDA
O the gods! what's the matter?
PANDARUS
Prithee, get thee in: would thou hadst ne'er been
born! I knew thou wouldst be his death. O, poor
gentleman! A plague upon Antenor!
CRESSIDA
Good uncle, I beseech you, on my knees! beseech you,
what's the matter?
PANDARUS
Thou must be gone, wench, thou must be gone; thou
art changed for Antenor: thou must to thy father,
and be gone from Troilus: 'twill be his death;
'twill be his bane; he cannot bear it.
CRESSIDA
O you immortal gods! I will not go.
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Act 4, Scene 2 596
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PANDARUS
Thou must.
CRESSIDA
I will not, uncle: I have forgot my father;
I know no touch of consanguinity;
No kin no love, no blood, no soul so near me
As the sweet Troilus. O you gods divine!
Make Cressid's name the very crown of falsehood,
If ever she leave Troilus! Time, force, and death,
Do to this body what extremes you can;
But the strong base and building of my love
Is as the very centre of the earth,
Drawing all things to it. I'll go in and weep,
PANDARUS
Do, do.
CRESSIDA
Tear my bright hair and scratch my praised cheeks,
Crack my clear voice with sobs and break my heart
With sounding Troilus. I will not go from Troy.
Exeunt
Act 4, Scene 3
The same. Street before Pandarus' house.
Enter PARIS, TROILUS, AENEAS, DEIPHOBUS, ANTENOR, and DIOMEDES
PARIS
It is great morning, and the hour prefix'd
Of her delivery to this valiant Greek
Comes fast upon. Good my brother Troilus,
Tell you the lady what she is to do,
And haste her to the purpose.
TROILUS
Walk into her house;
I'll bring her to the Grecian presently:
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Act 4, Scene 3 597
Page No 602
And to his hand when I deliver her,
Think it an altar, and thy brother Troilus
A priest there offering to it his own heart.
Exit
PARIS
I know what 'tis to love;
And would, as I shall pity, I could help!
Please you walk in, my lords.
Exeunt
Act 4, Scene 4
The same. Pandarus' house.
Enter PANDARUS and CRESSIDA
PANDARUS
Be moderate, be moderate.
CRESSIDA
Why tell you me of moderation?
The grief is fine, full, perfect, that I taste,
And violenteth in a sense as strong
As that which causeth it: how can I moderate it?
If I could temporize with my affection,
Or brew it to a weak and colder palate,
The like allayment could I give my grief.
My love admits no qualifying dross;
No more my grief, in such a precious loss.
PANDARUS
Here, here, here he comes.
Enter TROILUS
Ah, sweet ducks!
CRESSIDA
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Act 4, Scene 4 598
Page No 603
O Troilus! Troilus!
Embracing him
PANDARUS
What a pair of spectacles is here!
Let me embrace too. 'O heart,' as the goodly saying is,
'O heart, heavy heart,
Why sigh'st thou without breaking?
where he answers again,
'Because thou canst not ease thy smart
By friendship nor by speaking.'
There was never a truer rhyme. Let us cast away
nothing, for we may live to have need of such a
verse: we see it, we see it. How now, lambs?
TROILUS
Cressid, I love thee in so strain'd a purity,
That the bless'd gods, as angry with my fancy,
More bright in zeal than the devotion which
Cold lips blow to their deities, take thee from me.
CRESSIDA
Have the gods envy?
PANDARUS
Ay, ay, ay, ay; 'tis too plain a case.
CRESSIDA
And is it true that I must go from Troy?
TROILUS
A hateful truth.
CRESSIDA
What, and from Troilus too?
TROILUS
From Troy and Troilus.
CRESSIDA
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Act 4, Scene 4 599
Page No 604
Is it possible?
TROILUS
And suddenly; where injury of chance
Puts back leavetaking, justles roughly by
All time of pause, rudely beguiles our lips
Of all rejoindure, forcibly prevents
Our lock'd embrasures, strangles our dear vows
Even in the birth of our own labouring breath:
We two, that with so many thousand sighs
Did buy each other, must poorly sell ourselves
With the rude brevity and discharge of one.
Injurious time now with a robber's haste
Crams his rich thievery up, he knows not how:
As many farewells as be stars in heaven,
With distinct breath and consign'd kisses to them,
He fumbles up into a lose adieu,
And scants us with a single famish'd kiss,
Distasted with the salt of broken tears.
AENEAS
[Within] My lord, is the lady ready?
TROILUS
Hark! you are call'd: some say the Genius so
Cries 'come' to him that instantly must die.
Bid them have patience; she shall come anon.
PANDARUS
Where are my tears? rain, to lay this wind, or
my heart will be blown up by the root.
Exit
CRESSIDA
I must then to the Grecians?
TROILUS
No remedy.
CRESSIDA
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Act 4, Scene 4 600
Page No 605
A woful Cressid 'mongst the merry Greeks!
When shall we see again?
TROILUS
Hear me, my love: be thou but true of heart,
CRESSIDA
I true! how now! what wicked deem is this?
TROILUS
Nay, we must use expostulation kindly,
For it is parting from us:
I speak not 'be thou true,' as fearing thee,
For I will throw my glove to Death himself,
That there's no maculation in thy heart:
But 'be thou true,' say I, to fashion in
My sequent protestation; be thou true,
And I will see thee.
CRESSIDA
O, you shall be exposed, my lord, to dangers
As infinite as imminent! but I'll be true.
TROILUS
And I'll grow friend with danger. Wear this sleeve.
CRESSIDA
And you this glove. When shall I see you?
TROILUS
I will corrupt the Grecian sentinels,
To give thee nightly visitation.
But yet be true.
CRESSIDA
O heavens! 'be true' again!
TROILUS
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Act 4, Scene 4 601
Page No 606
Hear while I speak it, love:
The Grecian youths are full of quality;
They're loving, well composed with gifts of nature,
Flowing and swelling o'er with arts and exercise:
How novelty may move, and parts with person,
Alas, a kind of godly jealousy
Which, I beseech you, call a virtuous sin
Makes me afeard.
CRESSIDA
O heavens! you love me not.
TROILUS
Die I a villain, then!
In this I do not call your faith in question
So mainly as my merit: I cannot sing,
Nor heel the high lavolt, nor sweeten talk,
Nor play at subtle games; fair virtues all,
To which the Grecians are most prompt and pregnant:
But I can tell that in each grace of these
There lurks a still and dumbdiscoursive devil
That tempts most cunningly: but be not tempted.
CRESSIDA
Do you think I will?
TROILUS
No.
But something may be done that we will not:
And sometimes we are devils to ourselves,
When we will tempt the frailty of our powers,
Presuming on their changeful potency.
AENEAS
[Within] Nay, good my lord,
TROILUS
Come, kiss; and let us part.
PARIS
[Within] Brother Troilus!
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TROILUS
Good brother, come you hither;
And bring AEneas and the Grecian with you.
CRESSIDA
My lord, will you be true?
TROILUS
Who, I? alas, it is my vice, my fault:
Whiles others fish with craft for great opinion,
I with great truth catch mere simplicity;
Whilst some with cunning gild their copper crowns,
With truth and plainness I do wear mine bare.
Fear not my truth: the moral of my wit
Is 'plain and true;' there's all the reach of it.
Enter AENEAS, PARIS, ANTENOR, DEIPHOBUS, and DIOMEDES
Welcome, Sir Diomed! here is the lady
Which for Antenor we deliver you:
At the port, lord, I'll give her to thy hand,
And by the way possess thee what she is.
Entreat her fair; and, by my soul, fair Greek,
If e'er thou stand at mercy of my sword,
Name Cressida and thy life shall be as safe
As Priam is in Ilion.
DIOMEDES
Fair Lady Cressid,
So please you, save the thanks this prince expects:
The lustre in your eye, heaven in your cheek,
Pleads your fair usage; and to Diomed
You shall be mistress, and command him wholly.
TROILUS
Grecian, thou dost not use me courteously,
To shame the zeal of my petition to thee
In praising her: I tell thee, lord of Greece,
She is as far highsoaring o'er thy praises
As thou unworthy to be call'd her servant.
I charge thee use her well, even for my charge;
For, by the dreadful Pluto, if thou dost not,
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Act 4, Scene 4 603
Page No 608
Though the great bulk Achilles be thy guard,
I'll cut thy throat.
DIOMEDES
O, be not moved, Prince Troilus:
Let me be privileged by my place and message,
To be a speaker free; when I am hence
I'll answer to my lust: and know you, lord,
I'll nothing do on charge: to her own worth
She shall be prized; but that you say 'be't so,'
I'll speak it in my spirit and honour, 'no.'
TROILUS
Come, to the port. I'll tell thee, Diomed,
This brave shall oft make thee to hide thy head.
Lady, give me your hand, and, as we walk,
To our own selves bend we our needful talk.
Exeunt TROILUS, CRESSIDA, and DIOMEDES
Trumpet within
PARIS
Hark! Hector's trumpet.
AENEAS
How have we spent this morning!
The prince must think me tardy and remiss,
That sore to ride before him to the field.
PARIS
'Tis Troilus' fault: come, come, to field with him.
DEIPHOBUS
Let us make ready straight.
AENEAS
Yea, with a bridegroom's fresh alacrity,
Let us address to tend on Hector's heels:
The glory of our Troy doth this day lie
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Act 4, Scene 4 604
Page No 609
On his fair worth and single chivalry.
Exeunt
Act 4, Scene 5
The Grecian camp. Lists set out.
Enter AJAX, armed; AGAMEMNON, ACHILLES, PATROCLUS, MENELAUS, ULYSSES,
NESTOR, and others
AGAMEMNON
Here art thou in appointment fresh and fair,
Anticipating time with starting courage.
Give with thy trumpet a loud note to Troy,
Thou dreadful Ajax; that the appalled air
May pierce the head of the great combatant
And hale him hither.
AJAX
Thou, trumpet, there's my purse.
Now crack thy lungs, and split thy brazen pipe:
Blow, villain, till thy sphered bias cheek
Outswell the colic of puff'd Aquilon:
Come, stretch thy chest and let thy eyes spout blood;
Thou blow'st for Hector.
Trumpet sounds
ULYSSES
No trumpet answers.
ACHILLES
'Tis but early days.
AGAMEMNON
Is not yond Diomed, with Calchas' daughter?
ULYSSES
'Tis he, I ken the manner of his gait;
He rises on the toe: that spirit of his
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Page No 610
In aspiration lifts him from the earth.
Enter DIOMEDES, with CRESSIDA
AGAMEMNON
Is this the Lady Cressid?
DIOMEDES
Even she.
AGAMEMNON
Most dearly welcome to the Greeks, sweet lady.
NESTOR
Our general doth salute you with a kiss.
ULYSSES
Yet is the kindness but particular;
'Twere better she were kiss'd in general.
NESTOR
And very courtly counsel: I'll begin.
So much for Nestor.
ACHILLES
I'll take what winter from your lips, fair lady:
Achilles bids you welcome.
MENELAUS
I had good argument for kissing once.
PATROCLUS
But that's no argument for kissing now;
For this popp'd Paris in his hardiment,
And parted thus you and your argument.
ULYSSES
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Act 4, Scene 5 606
Page No 611
O deadly gall, and theme of all our scorns!
For which we lose our heads to gild his horns.
PATROCLUS
The first was Menelaus' kiss; this, mine:
Patroclus kisses you.
MENELAUS
O, this is trim!
PATROCLUS
Paris and I kiss evermore for him.
MENELAUS
I'll have my kiss, sir. Lady, by your leave.
CRESSIDA
In kissing, do you render or receive?
PATROCLUS
Both take and give.
CRESSIDA
I'll make my match to live,
The kiss you take is better than you give;
Therefore no kiss.
MENELAUS
I'll give you boot, I'll give you three for one.
CRESSIDA
You're an odd man; give even or give none.
MENELAUS
An odd man, lady! every man is odd.
CRESSIDA
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Act 4, Scene 5 607
Page No 612
No, Paris is not; for you know 'tis true,
That you are odd, and he is even with you.
MENELAUS
You fillip me o' the head.
CRESSIDA
No, I'll be sworn.
ULYSSES
It were no match, your nail against his horn.
May I, sweet lady, beg a kiss of you?
CRESSIDA
You may.
ULYSSES
I do desire it.
CRESSIDA
Why, beg, then.
ULYSSES
Why then for Venus' sake, give me a kiss,
When Helen is a maid again, and his.
CRESSIDA
I am your debtor, claim it when 'tis due.
ULYSSES
Never's my day, and then a kiss of you.
DIOMEDES
Lady, a word: I'll bring you to your father.
Exit with CRESSIDA
NESTOR
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Act 4, Scene 5 608
Page No 613
A woman of quick sense.
ULYSSES
Fie, fie upon her!
There's language in her eye, her cheek, her lip,
Nay, her foot speaks; her wanton spirits look out
At every joint and motive of her body.
O, these encounterers, so glib of tongue,
That give accosting welcome ere it comes,
And wide unclasp the tables of their thoughts
To every ticklish reader! set them down
For sluttish spoils of opportunity
And daughters of the game.
Trumpet within
ALL
The Trojans' trumpet.
AGAMEMNON
Yonder comes the troop.
Enter HECTOR, armed; AENEAS, TROILUS, and other Trojans, with Attendants
AENEAS
Hail, all you state of Greece! what shall be done
To him that victory commands? or do you purpose
A victor shall be known? will you the knights
Shall to the edge of all extremity
Pursue each other, or shall be divided
By any voice or order of the field?
Hector bade ask.
AGAMEMNON
Which way would Hector have it?
AENEAS
He cares not; he'll obey conditions.
ACHILLES
'Tis done like Hector; but securely done,
A little proudly, and great deal misprizing
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Act 4, Scene 5 609
Page No 614
The knight opposed.
AENEAS
If not Achilles, sir,
What is your name?
ACHILLES
If not Achilles, nothing.
AENEAS
Therefore Achilles: but, whate'er, know this:
In the extremity of great and little,
Valour and pride excel themselves in Hector;
The one almost as infinite as all,
The other blank as nothing. Weigh him well,
And that which looks like pride is courtesy.
This Ajax is half made of Hector's blood:
In love whereof, half Hector stays at home;
Half heart, half hand, half Hector comes to seek
This blended knight, half Trojan and half Greek.
ACHILLES
A maiden battle, then? O, I perceive you.
Reenter DIOMEDES
AGAMEMNON
Here is Sir Diomed. Go, gentle knight,
Stand by our Ajax: as you and Lord AEneas
Consent upon the order of their fight,
So be it; either to the uttermost,
Or else a breath: the combatants being kin
Half stints their strife before their strokes begin.
AJAX and HECTOR enter the lists
ULYSSES
They are opposed already.
AGAMEMNON
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Act 4, Scene 5 610
Page No 615
What Trojan is that same that looks so heavy?
ULYSSES
The youngest son of Priam, a true knight,
Not yet mature, yet matchless, firm of word,
Speaking in deeds and deedless in his tongue;
Not soon provoked nor being provoked soon calm'd:
His heart and hand both open and both free;
For what he has he gives, what thinks he shows;
Yet gives he not till judgment guide his bounty,
Nor dignifies an impure thought with breath;
Manly as Hector, but more dangerous;
For Hector in his blaze of wrath subscribes
To tender objects, but he in heat of action
Is more vindicative than jealous love:
They call him Troilus, and on him erect
A second hope, as fairly built as Hector.
Thus says AEneas; one that knows the youth
Even to his inches, and with private soul
Did in great Ilion thus translate him to me.
Alarum. Hector and Ajax fight
AGAMEMNON
They are in action.
NESTOR
Now, Ajax, hold thine own!
TROILUS
Hector, thou sleep'st;
Awake thee!
AGAMEMNON
His blows are well disposed: there, Ajax!
DIOMEDES
You must no more.
Trumpets cease
AENEAS
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Page No 616
Princes, enough, so please you.
AJAX
I am not warm yet; let us fight again.
DIOMEDES
As Hector pleases.
HECTOR
Why, then will I no more:
Thou art, great lord, my father's sister's son,
A cousingerman to great Priam's seed;
The obligation of our blood forbids
A gory emulation 'twixt us twain:
Were thy commixtion Greek and Trojan so
That thou couldst say 'This hand is Grecian all,
And this is Trojan; the sinews of this leg
All Greek, and this all Troy; my mother's blood
Runs on the dexter cheek, and this sinister
Bounds in my father's;' by Jove multipotent,
Thou shouldst not bear from me a Greekish member
Wherein my sword had not impressure made
Of our rank feud: but the just gods gainsay
That any drop thou borrow'dst from thy mother,
My sacred aunt, should by my mortal sword
Be drain'd! Let me embrace thee, Ajax:
By him that thunders, thou hast lusty arms;
Hector would have them fall upon him thus:
Cousin, all honour to thee!
AJAX
I thank thee, Hector
Thou art too gentle and too free a man:
I came to kill thee, cousin, and bear hence
A great addition earned in thy death.
HECTOR
Not Neoptolemus so mirable,
On whose bright crest Fame with her loud'st Oyes
Cries 'This is he,' could promise to himself
A thought of added honour torn from Hector.
AENEAS
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Page No 617
There is expectance here from both the sides,
What further you will do.
HECTOR
We'll answer it;
The issue is embracement: Ajax, farewell.
AJAX
If I might in entreaties find success
As seld I have the chanceI would desire
My famous cousin to our Grecian tents.
DIOMEDES
'Tis Agamemnon's wish, and great Achilles
Doth long to see unarm'd the valiant Hector.
HECTOR
AEneas, call my brother Troilus to me,
And signify this loving interview
To the expecters of our Trojan part;
Desire them home. Give me thy hand, my cousin;
I will go eat with thee and see your knights.
AJAX
Great Agamemnon comes to meet us here.
HECTOR
The worthiest of them tell me name by name;
But for Achilles, mine own searching eyes
Shall find him by his large and portly size.
AGAMEMNON
Worthy of arms! as welcome as to one
That would be rid of such an enemy;
But that's no welcome: understand more clear,
What's past and what's to come is strew'd with husks
And formless ruin of oblivion;
But in this extant moment, faith and troth,
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Page No 618
Strain'd purely from all hollow biasdrawing,
Bids thee, with most divine integrity,
From heart of very heart, great Hector, welcome.
HECTOR
I thank thee, most imperious Agamemnon.
AGAMEMNON
[To TROILUS] My wellfamed lord of Troy, no
less to you.
MENELAUS
Let me confirm my princely brother's greeting:
You brace of warlike brothers, welcome hither.
HECTOR
Who must we answer?
AENEAS
The noble Menelaus.
HECTOR
O, you, my lord? by Mars his gauntlet, thanks!
Mock not, that I affect the untraded oath;
Your quondam wife swears still by Venus' glove:
She's well, but bade me not commend her to you.
MENELAUS
Name her not now, sir; she's a deadly theme.
HECTOR
O, pardon; I offend.
NESTOR
I have, thou gallant Trojan, seen thee oft
Labouring for destiny make cruel way
Through ranks of Greekish youth, and I have seen thee,
As hot as Perseus, spur thy Phrygian steed,
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Page No 619
Despising many forfeits and subduements,
When thou hast hung thy advanced sword i' the air,
Not letting it decline on the declined,
That I have said to some my standers by
'Lo, Jupiter is yonder, dealing life!'
And I have seen thee pause and take thy breath,
When that a ring of Greeks have hemm'd thee in,
Like an Olympian wrestling: this have I seen;
But this thy countenance, still lock'd in steel,
I never saw till now. I knew thy grandsire,
And once fought with him: he was a soldier good;
But, by great Mars, the captain of us all,
Never saw like thee. Let an old man embrace thee;
And, worthy warrior, welcome to our tents.
AENEAS
'Tis the old Nestor.
HECTOR
Let me embrace thee, good old chronicle,
That hast so long walk'd hand in hand with time:
Most reverend Nestor, I am glad to clasp thee.
NESTOR
I would my arms could match thee in contention,
As they contend with thee in courtesy.
HECTOR
I would they could.
NESTOR
Ha!
By this white beard, I'ld fight with thee tomorrow.
Well, welcome, welcome! I have seen the time.
ULYSSES
I wonder now how yonder city stands
When we have here her base and pillar by us.
HECTOR
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Page No 620
I know your favour, Lord Ulysses, well.
Ah, sir, there's many a Greek and Trojan dead,
Since first I saw yourself and Diomed
In Ilion, on your Greekish embassy.
ULYSSES
Sir, I foretold you then what would ensue:
My prophecy is but half his journey yet;
For yonder walls, that pertly front your town,
Yond towers, whose wanton tops do buss the clouds,
Must kiss their own feet.
HECTOR
I must not believe you:
There they stand yet, and modestly I think,
The fall of every Phrygian stone will cost
A drop of Grecian blood: the end crowns all,
And that old common arbitrator, Time,
Will one day end it.
ULYSSES
So to him we leave it.
Most gentle and most valiant Hector, welcome:
After the general, I beseech you next
To feast with me and see me at my tent.
ACHILLES
I shall forestall thee, Lord Ulysses, thou!
Now, Hector, I have fed mine eyes on thee;
I have with exact view perused thee, Hector,
And quoted joint by joint.
HECTOR
Is this Achilles?
ACHILLES
I am Achilles.
HECTOR
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Page No 621
Stand fair, I pray thee: let me look on thee.
ACHILLES
Behold thy fill.
HECTOR
Nay, I have done already.
ACHILLES
Thou art too brief: I will the second time,
As I would buy thee, view thee limb by limb.
HECTOR
O, like a book of sport thou'lt read me o'er;
But there's more in me than thou understand'st.
Why dost thou so oppress me with thine eye?
ACHILLES
Tell me, you heavens, in which part of his body
Shall I destroy him? whether there, or there, or there?
That I may give the local wound a name
And make distinct the very breach whereout
Hector's great spirit flew: answer me, heavens!
HECTOR
It would discredit the blest gods, proud man,
To answer such a question: stand again:
Think'st thou to catch my life so pleasantly
As to prenominate in nice conjecture
Where thou wilt hit me dead?
ACHILLES
I tell thee, yea.
HECTOR
Wert thou an oracle to tell me so,
I'd not believe thee. Henceforth guard thee well;
For I'll not kill thee there, nor there, nor there;
But, by the forge that stithied Mars his helm,
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I'll kill thee every where, yea, o'er and o'er.
You wisest Grecians, pardon me this brag;
His insolence draws folly from my lips;
But I'll endeavour deeds to match these words,
Or may I never
AJAX
Do not chafe thee, cousin:
And you, Achilles, let these threats alone,
Till accident or purpose bring you to't:
You may have every day enough of Hector
If you have stomach; the general state, I fear,
Can scarce entreat you to be odd with him.
HECTOR
I pray you, let us see you in the field:
We have had pelting wars, since you refused
The Grecians' cause.
ACHILLES
Dost thou entreat me, Hector?
Tomorrow do I meet thee, fell as death;
Tonight all friends.
HECTOR
Thy hand upon that match.
AGAMEMNON
First, all you peers of Greece, go to my tent;
There in the full convive we: afterwards,
As Hector's leisure and your bounties shall
Concur together, severally entreat him.
Beat loud the tabourines, let the trumpets blow,
That this great soldier may his welcome know.
Exeunt all except TROILUS and ULYSSES
TROILUS
My Lord Ulysses, tell me, I beseech you,
In what place of the field doth Calchas keep?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 4, Scene 5 618
Page No 623
ULYSSES
At Menelaus' tent, most princely Troilus:
There Diomed doth feast with him tonight;
Who neither looks upon the heaven nor earth,
But gives all gaze and bent of amorous view
On the fair Cressid.
TROILUS
Shall sweet lord, be bound to you so much,
After we part from Agamemnon's tent,
To bring me thither?
ULYSSES
You shall command me, sir.
As gentle tell me, of what honour was
This Cressida in Troy? Had she no lover there
That wails her absence?
TROILUS
O, sir, to such as boasting show their scars
A mock is due. Will you walk on, my lord?
She was beloved, she loved; she is, and doth:
But still sweet love is food for fortune's tooth.
Exeunt
Act 5, Scene 1
The Grecian camp. Before Achilles' tent.
Enter ACHILLES and PATROCLUS
ACHILLES
I'll heat his blood with Greekish wine tonight,
Which with my scimitar I'll cool tomorrow.
Patroclus, let us feast him to the height.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 619
Page No 624
PATROCLUS
Here comes Thersites.
Enter THERSITES
ACHILLES
How now, thou core of envy!
Thou crusty batch of nature, what's the news?
THERSITES
Why, thou picture of what thou seemest, and idol
of idiot worshippers, here's a letter for thee.
ACHILLES
From whence, fragment?
THERSITES
Why, thou full dish of fool, from Troy.
PATROCLUS
Who keeps the tent now?
THERSITES
The surgeon's box, or the patient's wound.
PATROCLUS
Well said, adversity! and what need these tricks?
THERSITES
Prithee, be silent, boy; I profit not by thy talk:
thou art thought to be Achilles' male varlet.
PATROCLUS
Male varlet, you rogue! what's that?
THERSITES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 620
Page No 625
Why, his masculine whore. Now, the rotten diseases
of the south, the gutsgriping, ruptures, catarrhs,
loads o' gravel i' the back, lethargies, cold
palsies, raw eyes, dirtrotten livers, wheezing
lungs, bladders full of imposthume, sciaticas,
limekilns i' the palm, incurable boneache, and the
rivelled feesimple of the tetter, take and take
again such preposterous discoveries!
PATROCLUS
Why thou damnable box of envy, thou, what meanest
thou to curse thus?
THERSITES
Do I curse thee?
PATROCLUS
Why no, you ruinous butt, you whoreson
indistinguishable cur, no.
THERSITES
No! why art thou then exasperate, thou idle
immaterial skein of sleavesilk, thou green sarcenet
flap for a sore eye, thou tassel of a prodigal's
purse, thou? Ah, how the poor world is pestered
with such waterflies, diminutives of nature!
PATROCLUS
Out, gall!
THERSITES
Finchegg!
ACHILLES
My sweet Patroclus, I am thwarted quite
From my great purpose in tomorrow's battle.
Here is a letter from Queen Hecuba,
A token from her daughter, my fair love,
Both taxing me and gaging me to keep
An oath that I have sworn. I will not break it:
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 621
Page No 626
Fall Greeks; fail fame; honour or go or stay;
My major vow lies here, this I'll obey.
Come, come, Thersites, help to trim my tent:
This night in banqueting must all be spent.
Away, Patroclus!
Exeunt ACHILLES and PATROCLUS
THERSITES
With too much blood and too little brain, these two
may run mad; but, if with too much brain and too
little blood they do, I'll be a curer of madmen.
Here's Agamemnon, an honest fellow enough and one
that loves quails; but he has not so much brain as
earwax: and the goodly transformation of Jupiter
there, his brother, the bull,the primitive statue,
and oblique memorial of cuckolds; a thrifty
shoeinghorn in a chain, hanging at his brother's
leg,to what form but that he is, should wit larded
with malice and malice forced with wit turn him to?
To an ass, were nothing; he is both ass and ox: to
an ox, were nothing; he is both ox and ass. To be a
dog, a mule, a cat, a fitchew, a toad, a lizard, an
owl, a puttock, or a herring without a roe, I would
not care; but to be Menelaus, I would conspire
against destiny. Ask me not, what I would be, if I
were not Thersites; for I care not to be the louse
of a lazar, so I were not Menelaus! Heyday!
spirits and fires!
Enter HECTOR, TROILUS, AJAX, AGAMEMNON, ULYSSES, NESTOR, MENELAUS, and
DIOMEDES, with lights
AGAMEMNON
We go wrong, we go wrong.
AJAX
No, yonder 'tis;
There, where we see the lights.
HECTOR
I trouble you.
AJAX
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 622
Page No 627
No, not a whit.
ULYSSES
Here comes himself to guide you.
Reenter ACHILLES
ACHILLES
Welcome, brave Hector; welcome, princes all.
AGAMEMNON
So now, fair prince of Troy, I bid good night.
Ajax commands the guard to tend on you.
HECTOR
Thanks and good night to the Greeks' general.
MENELAUS
Good night, my lord.
HECTOR
Good night, sweet lord Menelaus.
THERSITES
Sweet draught: 'sweet' quoth 'a! sweet sink,
sweet sewer.
ACHILLES
Good night and welcome, both at once, to those
That go or tarry.
AGAMEMNON
Good night.
Exeunt AGAMEMNON and MENELAUS
ACHILLES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 623
Page No 628
Old Nestor tarries; and you too, Diomed,
Keep Hector company an hour or two.
DIOMEDES
I cannot, lord; I have important business,
The tide whereof is now. Good night, great Hector.
HECTOR
Give me your hand.
ULYSSES
[Aside to TROILUS] Follow his torch; he goes to
Calchas' tent:
I'll keep you company.
TROILUS
Sweet sir, you honour me.
HECTOR
And so, good night.
Exit DIOMEDES; ULYSSES and TROILUS following
ACHILLES
Come, come, enter my tent.
Exeunt ACHILLES, HECTOR, AJAX, and NESTOR
THERSITES
That same Diomed's a falsehearted rogue, a most
unjust knave; I will no more trust him when he leers
than I will a serpent when he hisses: he will spend
his mouth, and promise, like Brabbler the hound:
but when he performs, astronomers foretell it; it
is prodigious, there will come some change; the sun
borrows of the moon, when Diomed keeps his
word. I will rather leave to see Hector, than
not to dog him: they say he keeps a Trojan
drab, and uses the traitor Calchas' tent: I'll
after. Nothing but lechery! all incontinent varlets!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 1 624
Page No 629
Exit
Act 5, Scene 2
The same. Before Calchas' tent.
Enter DIOMEDES
DIOMEDES
What, are you up here, ho? speak.
CALCHAS
[Within] Who calls?
DIOMEDES
Calchas, I think. Where's your daughter?
CALCHAS
[Within] She comes to you.
Enter TROILUS and ULYSSES, at a distance; after them, THERSITES
ULYSSES
Stand where the torch may not discover us.
Enter CRESSIDA
TROILUS
Cressid comes forth to him.
DIOMEDES
How now, my charge!
CRESSIDA
Now, my sweet guardian! Hark, a word with you.
Whispers
TROILUS
Yea, so familiar!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 625
Page No 630
ULYSSES
She will sing any man at first sight.
THERSITES
And any man may sing her, if he can take her cliff;
she's noted.
DIOMEDES
Will you remember?
CRESSIDA
Remember! yes.
DIOMEDES
Nay, but do, then;
And let your mind be coupled with your words.
TROILUS
What should she remember?
ULYSSES
List.
CRESSIDA
Sweet honey Greek, tempt me no more to folly.
THERSITES
Roguery!
DIOMEDES
Nay, then,
CRESSIDA
I'll tell you what,
DIOMEDES
Foh, foh! come, tell a pin: you are forsworn.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 626
Page No 631
CRESSIDA
In faith, I cannot: what would you have me do?
THERSITES
A juggling trick,to be secretly open.
DIOMEDES
What did you swear you would bestow on me?
CRESSIDA
I prithee, do not hold me to mine oath;
Bid me do any thing but that, sweet Greek.
DIOMEDES
Good night.
TROILUS
Hold, patience!
ULYSSES
How now, Trojan!
CRESSIDA
Diomed,
DIOMEDES
No, no, good night: I'll be your fool no more.
TROILUS
Thy better must.
CRESSIDA
Hark, one word in your ear.
TROILUS
O plague and madness!
ULYSSES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 627
Page No 632
You are moved, prince; let us depart, I pray you,
Lest your displeasure should enlarge itself
To wrathful terms: this place is dangerous;
The time right deadly; I beseech you, go.
TROILUS
Behold, I pray you!
ULYSSES
Nay, good my lord, go off:
You flow to great distraction; come, my lord.
TROILUS
I pray thee, stay.
ULYSSES
You have not patience; come.
TROILUS
I pray you, stay; by hell and all hell's torments
I will not speak a word!
DIOMEDES
And so, good night.
CRESSIDA
Nay, but you part in anger.
TROILUS
Doth that grieve thee?
O wither'd truth!
ULYSSES
Why, how now, lord!
TROILUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 628
Page No 633
By Jove,
I will be patient.
CRESSIDA
Guardian!why, Greek!
DIOMEDES
Foh, foh! adieu; you palter.
CRESSIDA
In faith, I do not: come hither once again.
ULYSSES
You shake, my lord, at something: will you go?
You will break out.
TROILUS
She strokes his cheek!
ULYSSES
Come, come.
TROILUS
Nay, stay; by Jove, I will not speak a word:
There is between my will and all offences
A guard of patience: stay a little while.
THERSITES
How the devil Luxury, with his fat rump and
potatofinger, tickles these together! Fry, lechery, fry!
DIOMEDES
But will you, then?
CRESSIDA
In faith, I will, la; never trust me else.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 629
Page No 634
DIOMEDES
Give me some token for the surety of it.
CRESSIDA
I'll fetch you one.
Exit
ULYSSES
You have sworn patience.
TROILUS
Fear me not, sweet lord;
I will not be myself, nor have cognition
Of what I feel: I am all patience.
Reenter CRESSIDA
THERSITES
Now the pledge; now, now, now!
CRESSIDA
Here, Diomed, keep this sleeve.
TROILUS
O beauty! where is thy faith?
ULYSSES
My lord,
TROILUS
I will be patient; outwardly I will.
CRESSIDA
You look upon that sleeve; behold it well.
He loved meO false wench!Give't me again.
DIOMEDES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 630
Page No 635
Whose was't?
CRESSIDA
It is no matter, now I have't again.
I will not meet with you tomorrow night:
I prithee, Diomed, visit me no more.
THERSITES
Now she sharpens: well said, whetstone!
DIOMEDES
I shall have it.
CRESSIDA
What, this?
DIOMEDES
Ay, that.
CRESSIDA
O, all you gods! O pretty, pretty pledge!
Thy master now lies thinking in his bed
Of thee and me, and sighs, and takes my glove,
And gives memorial dainty kisses to it,
As I kiss thee. Nay, do not snatch it from me;
He that takes that doth take my heart withal.
DIOMEDES
I had your heart before, this follows it.
TROILUS
I did swear patience.
CRESSIDA
You shall not have it, Diomed; faith, you shall not;
I'll give you something else.
DIOMEDES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 631
Page No 636
I will have this: whose was it?
CRESSIDA
It is no matter.
DIOMEDES
Come, tell me whose it was.
CRESSIDA
'Twas one's that loved me better than you will.
But, now you have it, take it.
DIOMEDES
Whose was it?
CRESSIDA
By all Diana's waitingwomen yond,
And by herself, I will not tell you whose.
DIOMEDES
Tomorrow will I wear it on my helm,
And grieve his spirit that dares not challenge it.
TROILUS
Wert thou the devil, and worest it on thy horn,
It should be challenged.
CRESSIDA
Well, well, 'tis done, 'tis past: and yet it is not;
I will not keep my word.
DIOMEDES
Why, then, farewell;
Thou never shalt mock Diomed again.
CRESSIDA
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 632
Page No 637
You shall not go: one cannot speak a word,
But it straight starts you.
DIOMEDES
I do not like this fooling.
THERSITES
Nor I, by Pluto: but that that likes not you pleases me best.
DIOMEDES
What, shall I come? the hour?
CRESSIDA
Ay, come:O Jove!do come:I shall be plagued.
DIOMEDES
Farewell till then.
CRESSIDA
Good night: I prithee, come.
Exit DIOMEDES
Troilus, farewell! one eye yet looks on thee
But with my heart the other eye doth see.
Ah, poor our sex! this fault in us I find,
The error of our eye directs our mind:
What error leads must err; O, then conclude
Minds sway'd by eyes are full of turpitude.
Exit
THERSITES
A proof of strength she could not publish more,
Unless she said ' My mind is now turn'd whore.'
ULYSSES
All's done, my lord.
TROILUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 633
Page No 638
It is.
ULYSSES
Why stay we, then?
TROILUS
To make a recordation to my soul
Of every syllable that here was spoke.
But if I tell how these two did coact,
Shall I not lie in publishing a truth?
Sith yet there is a credence in my heart,
An esperance so obstinately strong,
That doth invert the attest of eyes and ears,
As if those organs had deceptious functions,
Created only to calumniate.
Was Cressid here?
ULYSSES
I cannot conjure, Trojan.
TROILUS
She was not, sure.
ULYSSES
Most sure she was.
TROILUS
Why, my negation hath no taste of madness.
ULYSSES
Nor mine, my lord: Cressid was here but now.
TROILUS
Let it not be believed for womanhood!
Think, we had mothers; do not give advantage
To stubborn critics, apt, without a theme,
For depravation, to square the general sex
By Cressid's rule: rather think this not Cressid.
ULYSSES
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 634
Page No 639
What hath she done, prince, that can soil our mothers?
TROILUS
Nothing at all, unless that this were she.
THERSITES
Will he swagger himself out on's own eyes?
TROILUS
This she? no, this is Diomed's Cressida:
If beauty have a soul, this is not she;
If souls guide vows, if vows be sanctimonies,
If sanctimony be the gods' delight,
If there be rule in unity itself,
This is not she. O madness of discourse,
That cause sets up with and against itself!
Bifold authority! where reason can revolt
Without perdition, and loss assume all reason
Without revolt: this is, and is not, Cressid.
Within my soul there doth conduce a fight
Of this strange nature that a thing inseparate
Divides more wider than the sky and earth,
And yet the spacious breadth of this division
Admits no orifex for a point as subtle
As Ariachne's broken woof to enter.
Instance, O instance! strong as Pluto's gates;
Cressid is mine, tied with the bonds of heaven:
Instance, O instance! strong as heaven itself;
The bonds of heaven are slipp'd, dissolved, and loosed;
And with another knot, fivefingertied,
The fractions of her faith, orts of her love,
The fragments, scraps, the bits and greasy relics
Of her o'ereaten faith, are bound to Diomed.
ULYSSES
May worthy Troilus be half attach'd
With that which here his passion doth express?
TROILUS
Ay, Greek; and that shall be divulged well
In characters as red as Mars his heart
Inflamed with Venus: never did young man fancy
With so eternal and so fix'd a soul.
Hark, Greek: as much as I do Cressid love,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 635
Page No 640
So much by weight hate I her Diomed:
That sleeve is mine that he'll bear on his helm;
Were it a casque composed by Vulcan's skill,
My sword should bite it: not the dreadful spout
Which shipmen do the hurricano call,
Constringed in mass by the almighty sun,
Shall dizzy with more clamour Neptune's ear
In his descent than shall my prompted sword
Falling on Diomed.
THERSITES
He'll tickle it for his concupy.
TROILUS
O Cressid! O false Cressid! false, false, false!
Let all untruths stand by thy stained name,
And they'll seem glorious.
ULYSSES
O, contain yourself
Your passion draws ears hither.
Enter AENEAS
AENEAS
I have been seeking you this hour, my lord:
Hector, by this, is arming him in Troy;
Ajax, your guard, stays to conduct you home.
TROILUS
Have with you, prince. My courteous lord, adieu.
Farewell, revolted fair! and, Diomed,
Stand fast, and wear a castle on thy head!
ULYSSES
I'll bring you to the gates.
TROILUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 2 636
Page No 641
Accept distracted thanks.
Exeunt TROILUS, AENEAS, and ULYSSES
THERSITES
Would I could meet that rogue Diomed! I would
croak like a raven; I would bode, I would bode.
Patroclus will give me any thing for the
intelligence of this whore: the parrot will not
do more for an almond than he for a commodious drab.
Lechery, lechery; still, wars and lechery; nothing
else holds fashion: a burning devil take them!
Exit
Act 5, Scene 3
Troy. Before Priam's palace.
Enter HECTOR and ANDROMACHE
ANDROMACHE
When was my lord so much ungently temper'd,
To stop his ears against admonishment?
Unarm, unarm, and do not fight today.
HECTOR
You train me to offend you; get you in:
By all the everlasting gods, I'll go!
ANDROMACHE
My dreams will, sure, prove ominous to the day.
HECTOR
No more, I say.
Enter CASSANDRA
CASSANDRA
Where is my brother Hector?
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 637
Page No 642
ANDROMACHE
Here, sister; arm'd, and bloody in intent.
Consort with me in loud and dear petition,
Pursue we him on knees; for I have dream'd
Of bloody turbulence, and this whole night
Hath nothing been but shapes and forms of slaughter.
CASSANDRA
O, 'tis true.
HECTOR
Ho! bid my trumpet sound!
CASSANDRA
No notes of sally, for the heavens, sweet brother.
HECTOR
Be gone, I say: the gods have heard me swear.
CASSANDRA
The gods are deaf to hot and peevish vows:
They are polluted offerings, more abhorr'd
Than spotted livers in the sacrifice.
ANDROMACHE
O, be persuaded! do not count it holy
To hurt by being just: it is as lawful,
For we would give much, to use violent thefts,
And rob in the behalf of charity.
CASSANDRA
It is the purpose that makes strong the vow;
But vows to every purpose must not hold:
Unarm, sweet Hector.
HECTOR
Hold you still, I say;
Mine honour keeps the weather of my fate:
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 638
Page No 643
Lie every man holds dear; but the brave man
Holds honour far more preciousdear than life.
Enter TROILUS
How now, young man! mean'st thou to fight today?
ANDROMACHE
Cassandra, call my father to persuade.
Exit CASSANDRA
HECTOR
No, faith, young Troilus; doff thy harness, youth;
I am today i' the vein of chivalry:
Let grow thy sinews till their knots be strong,
And tempt not yet the brushes of the war.
Unarm thee, go, and doubt thou not, brave boy,
I'll stand today for thee and me and Troy.
TROILUS
Brother, you have a vice of mercy in you,
Which better fits a lion than a man.
HECTOR
What vice is that, good Troilus? chide me for it.
TROILUS
When many times the captive Grecian falls,
Even in the fan and wind of your fair sword,
You bid them rise, and live.
HECTOR
O,'tis fair play.
TROILUS
Fool's play, by heaven, Hector.
HECTOR
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 639
Page No 644
How now! how now!
TROILUS
For the love of all the gods,
Let's leave the hermit pity with our mothers,
And when we have our armours buckled on,
The venom'd vengeance ride upon our swords,
Spur them to ruthful work, rein them from ruth.
HECTOR
Fie, savage, fie!
TROILUS
Hector, then 'tis wars.
HECTOR
Troilus, I would not have you fight today.
TROILUS
Who should withhold me?
Not fate, obedience, nor the hand of Mars
Beckoning with fiery truncheon my retire;
Not Priamus and Hecuba on knees,
Their eyes o'ergalled with recourse of tears;
Not you, my brother, with your true sword drawn,
Opposed to hinder me, should stop my way,
But by my ruin.
Reenter CASSANDRA, with PRIAM
CASSANDRA
Lay hold upon him, Priam, hold him fast:
He is thy crutch; now if thou lose thy stay,
Thou on him leaning, and all Troy on thee,
Fall all together.
PRIAM
Come, Hector, come, go back:
Thy wife hath dream'd; thy mother hath had visions;
Cassandra doth foresee; and I myself
Am like a prophet suddenly enrapt
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 640
Page No 645
To tell thee that this day is ominous:
Therefore, come back.
HECTOR
AEneas is afield;
And I do stand engaged to many Greeks,
Even in the faith of valour, to appear
This morning to them.
PRIAM
Ay, but thou shalt not go.
HECTOR
I must not break my faith.
You know me dutiful; therefore, dear sir,
Let me not shame respect; but give me leave
To take that course by your consent and voice,
Which you do here forbid me, royal Priam.
CASSANDRA
O Priam, yield not to him!
ANDROMACHE
Do not, dear father.
HECTOR
Andromache, I am offended with you:
Upon the love you bear me, get you in.
Exit ANDROMACHE
TROILUS
This foolish, dreaming, superstitious girl
Makes all these bodements.
CASSANDRA
O, farewell, dear Hector!
Look, how thou diest! look, how thy eye turns pale!
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 641
Page No 646
Look, how thy wounds do bleed at many vents!
Hark, how Troy roars! how Hecuba cries out!
How poor Andromache shrills her dolours forth!
Behold, distraction, frenzy and amazement,
Like witless antics, one another meet,
And all cry, Hector! Hector's dead! O Hector!
TROILUS
Away! away!
CASSANDRA
Farewell: yet, soft! Hector! take my leave:
Thou dost thyself and all our Troy deceive.
Exit
HECTOR
You are amazed, my liege, at her exclaim:
Go in and cheer the town: we'll forth and fight,
Do deeds worth praise and tell you them at night.
PRIAM
Farewell: the gods with safety stand about thee!
Exeunt severally PRIAM and HECTOR. Alarums
TROILUS
They are at it, hark! Proud Diomed, believe,
I come to lose my arm, or win my sleeve.
Enter PANDARUS
PANDARUS
Do you hear, my lord? do you hear?
TROILUS
What now?
PANDARUS
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 3 642
Page No 647
Here's a letter come from yond poor girl.
TROILUS
Let me read.
PANDARUS
A whoreson tisick, a whoreson rascally tisick so
troubles me, and the foolish fortune of this girl;
and what one thing, what another, that I shall
leave you one o' these days: and I have a rheum
in mine eyes too, and such an ache in my bones
that, unless a man were cursed, I cannot tell what
to think on't. What says she there?
TROILUS
Words, words, mere words, no matter from the heart:
The effect doth operate another way.
Tearing the letter
Go, wind, to wind, there turn and change together.
My love with words and errors still she feeds;
But edifies another with her deeds.
Exeunt severally
Act 5, Scene 4
Plains between Troy and the Grecian camp.
Alarums: excursions. Enter THERSITES
THERSITES
Now they are clapperclawing one another; I'll go
look on. That dissembling abominable varlets Diomed,
has got that same scurvy doting foolish young knave's
sleeve of Troy there in his helm: I would fain see
them meet; that that same young Trojan ass, that
loves the whore there, might send that Greekish
whoremasterly villain, with the sleeve, back to the
dissembling luxurious drab, of a sleeveless errand.
O' the t'other side, the policy of those crafty
swearing rascals, that stale old mouseeaten dry
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 4 643
Page No 648
cheese, Nestor, and that same dogfox, Ulysses, is
not proved worthy a blackberry: they set me up, in
policy, that mongrel cur, Ajax, against that dog of
as bad a kind, Achilles: and now is the cur Ajax
prouder than the cur Achilles, and will not arm
today; whereupon the Grecians begin to proclaim
barbarism, and policy grows into an ill opinion.
Soft! here comes sleeve, and t'other.
Enter DIOMEDES, TROILUS following
TROILUS
Fly not; for shouldst thou take the river Styx,
I would swim after.
DIOMEDES
Thou dost miscall retire:
I do not fly, but advantageous care
Withdrew me from the odds of multitude:
Have at thee!
THERSITES
Hold thy whore, Grecian!now for thy whore,
Trojan!now the sleeve, now the sleeve!
Exeunt TROILUS and DIOMEDES, fighting
Enter HECTOR
HECTOR
What art thou, Greek? art thou for Hector's match?
Art thou of blood and honour?
THERSITES
No, no, I am a rascal; a scurvy railing knave:
a very filthy rogue.
HECTOR
I do believe thee: live.
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Act 5, Scene 4 644
Page No 649
Exit
THERSITES
Godamercy, that thou wilt believe me; but a
plague break thy neck for frightening me! What's
become of the wenching rogues? I think they have
swallowed one another: I would laugh at that
miracle: yet, in a sort, lechery eats itself.
I'll seek them.
Exit
Act 5, Scene 5
Another part of the plains.
Enter DIOMEDES and a Servant
DIOMEDES
Go, go, my servant, take thou Troilus' horse;
Present the fair steed to my lady Cressid:
Fellow, commend my service to her beauty;
Tell her I have chastised the amorous Trojan,
And am her knight by proof.
Servant
I go, my lord.
Exit
Enter AGAMEMNON
AGAMEMNON
Renew, renew! The fierce Polydamas
Hath beat down Menon: bastard Margarelon
Hath Doreus prisoner,
And stands colossuswise, waving his beam,
Upon the pashed corses of the kings
Epistrophus and Cedius: Polyxenes is slain,
Amphimachus and Thoas deadly hurt,
Patroclus ta'en or slain, and Palamedes
Sore hurt and bruised: the dreadful Sagittary
Appals our numbers: haste we, Diomed,
To reinforcement, or we perish all.
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Act 5, Scene 5 645
Page No 650
Enter NESTOR
NESTOR
Go, bear Patroclus' body to Achilles;
And bid the snailpaced Ajax arm for shame.
There is a thousand Hectors in the field:
Now here he fights on Galathe his horse,
And there lacks work; anon he's there afoot,
And there they fly or die, like scaled sculls
Before the belching whale; then is he yonder,
And there the strawy Greeks, ripe for his edge,
Fall down before him, like the mower's swath:
Here, there, and every where, he leaves and takes,
Dexterity so obeying appetite
That what he will he does, and does so much
That proof is call'd impossibility.
Enter ULYSSES
ULYSSES
O, courage, courage, princes! great Achilles
Is arming, weeping, cursing, vowing vengeance:
Patroclus' wounds have roused his drowsy blood,
Together with his mangled Myrmidons,
That noseless, handless, hack'd and chipp'd, come to him,
Crying on Hector. Ajax hath lost a friend
And foams at mouth, and he is arm'd and at it,
Roaring for Troilus, who hath done today
Mad and fantastic execution,
Engaging and redeeming of himself
With such a careless force and forceless care
As if that luck, in very spite of cunning,
Bade him win all.
Enter AJAX
AJAX
Troilus! thou coward Troilus!
Exit
DIOMEDES
Ay, there, there.
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Act 5, Scene 5 646
Page No 651
NESTOR
So, so, we draw together.
Enter ACHILLES
ACHILLES
Where is this Hector?
Come, come, thou boyqueller, show thy face;
Know what it is to meet Achilles angry:
Hector? where's Hector? I will none but Hector.
Exeunt
Act 5, Scene 6
Another part of the plains.
Enter AJAX
AJAX
Troilus, thou coward Troilus, show thy head!
Enter DIOMEDES
DIOMEDES
Troilus, I say! where's Troilus?
AJAX
What wouldst thou?
DIOMEDES
I would correct him.
AJAX
Were I the general, thou shouldst have my office
Ere that correction. Troilus, I say! what, Troilus!
Enter TROILUS
TROILUS
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Act 5, Scene 6 647
Page No 652
O traitor Diomed! turn thy false face, thou traitor,
And pay thy life thou owest me for my horse!
DIOMEDES
Ha, art thou there?
AJAX
I'll fight with him alone: stand, Diomed.
DIOMEDES
He is my prize; I will not look upon.
TROILUS
Come, both you cogging Greeks; have at you both!
Exeunt, fighting
Enter HECTOR
HECTOR
Yea, Troilus? O, well fought, my youngest brother!
Enter ACHILLES
ACHILLES
Now do I see thee, ha! have at thee, Hector!
HECTOR
Pause, if thou wilt.
ACHILLES
I do disdain thy courtesy, proud Trojan:
Be happy that my arms are out of use:
My rest and negligence befriends thee now,
But thou anon shalt hear of me again;
Till when, go seek thy fortune.
Exit
HECTOR
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Act 5, Scene 6 648
Page No 653
Fare thee well:
I would have been much more a fresher man,
Had I expected thee. How now, my brother!
Reenter TROILUS
TROILUS
Ajax hath ta'en AEneas: shall it be?
No, by the flame of yonder glorious heaven,
He shall not carry him: I'll be ta'en too,
Or bring him off: fate, hear me what I say!
I reck not though I end my life today.
Exit
Enter one in sumptuous armour
HECTOR
Stand, stand, thou Greek; thou art a goodly mark:
No? wilt thou not? I like thy armour well;
I'll frush it and unlock the rivets all,
But I'll be master of it: wilt thou not,
beast, abide?
Why, then fly on, I'll hunt thee for thy hide.
Exeunt
Act 5, Scene 7
Another part of the plains.
Enter ACHILLES, with Myrmidons
ACHILLES
Come here about me, you my Myrmidons;
Mark what I say. Attend me where I wheel:
Strike not a stroke, but keep yourselves in breath:
And when I have the bloody Hector found,
Empale him with your weapons round about;
In fellest manner execute your aims.
Follow me, sirs, and my proceedings eye:
It is decreed Hector the great must die.
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Act 5, Scene 7 649
Page No 654
Exeunt
Enter MENELAUS and PARIS, fighting: then THERSITES
THERSITES
The cuckold and the cuckoldmaker are at it. Now,
bull! now, dog! 'Loo, Paris, 'loo! now my double
henned sparrow! 'loo, Paris, 'loo! The bull has the
game: ware horns, ho!
Exeunt PARIS and MENELAUS
Enter MARGARELON
MARGARELON
Turn, slave, and fight.
THERSITES
What art thou?
MARGARELON
A bastard son of Priam's.
THERSITES
I am a bastard too; I love bastards: I am a bastard
begot, bastard instructed, bastard in mind, bastard
in valour, in every thing illegitimate. One bear will
not bite another, and wherefore should one bastard?
Take heed, the quarrel's most ominous to us: if the
son of a whore fight for a whore, he tempts judgment:
farewell, bastard.
Exit
MARGARELON
The devil take thee, coward!
Exit
Act 5, Scene 8
Another part of the plains.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 8 650
Page No 655
Enter HECTOR
HECTOR
Most putrefied core, so fair without,
Thy goodly armour thus hath cost thy life.
Now is my day's work done; I'll take good breath:
Rest, sword; thou hast thy fill of blood and death.
Puts off his helmet and hangs his shield behind him
Enter ACHILLES and Myrmidons
ACHILLES
Look, Hector, how the sun begins to set;
How ugly night comes breathing at his heels:
Even with the vail and darking of the sun,
To close the day up, Hector's life is done.
HECTOR
I am unarm'd; forego this vantage, Greek.
ACHILLES
Strike, fellows, strike; this is the man I seek.
HECTOR falls
So, Ilion, fall thou next! now, Troy, sink down!
Here lies thy heart, thy sinews, and thy bone.
On, Myrmidons, and cry you all amain,
'Achilles hath the mighty Hector slain.'
A retreat sounded
Hark! a retire upon our Grecian part.
MYRMIDONS
The Trojan trumpets sound the like, my lord.
ACHILLES
The dragon wing of night o'erspreads the earth,
And, sticklerlike, the armies separates.
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Act 5, Scene 8 651
Page No 656
My halfsupp'd sword, that frankly would have fed,
Pleased with this dainty bait, thus goes to bed.
Sheathes his sword
Come, tie his body to my horse's tail;
Along the field I will the Trojan trail.
Exeunt
Act 5, Scene 9
Another part of the plains.
Enter AGAMEMNON, AJAX, MENELAUS, NESTOR, DIOMEDES, and others, marching.
Shouts within
AGAMEMNON
Hark! hark! what shout is that?
NESTOR
Peace, drums!
Within
Achilles! Achilles! Hector's slain! Achilles.
DIOMEDES
The bruit is, Hector's slain, and by Achilles.
AJAX
If it be so, yet bragless let it be;
Great Hector was a man as good as he.
AGAMEMNON
March patiently along: let one be sent
To pray Achilles see us at our tent.
If in his death the gods have us befriended,
Great Troy is ours, and our sharp wars are ended.
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 9 652
Page No 657
Exeunt, marching
Act 5, Scene 10
Another part of the plains.
Enter AENEAS and Trojans
AENEAS
Stand, ho! yet are we masters of the field:
Never go home; here starve we out the night.
Enter TROILUS
TROILUS
Hector is slain.
ALL
Hector! the gods forbid!
TROILUS
He's dead; and at the murderer's horse's tail,
In beastly sort, dragg'd through the shameful field.
Frown on, you heavens, effect your rage with speed!
Sit, gods, upon your thrones, and smile at Troy!
I say, at once let your brief plagues be mercy,
And linger not our sure destructions on!
AENEAS
My lord, you do discomfort all the host!
TROILUS
You understand me not that tell me so:
I do not speak of flight, of fear, of death,
But dare all imminence that gods and men
Address their dangers in. Hector is gone:
Who shall tell Priam so, or Hecuba?
Let him that will a screechowl aye be call'd,
Go in to Troy, and say there, Hector's dead:
There is a word will Priam turn to stone;
Make wells and Niobes of the maids and wives,
Cold statues of the youth, and, in a word,
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 10 653
Page No 658
Scare Troy out of itself. But, march away:
Hector is dead; there is no more to say.
Stay yet. You vile abominable tents,
Thus proudly pight upon our Phrygian plains,
Let Titan rise as early as he dare,
I'll through and through you! and, thou greatsized coward,
No space of earth shall sunder our two hates:
I'll haunt thee like a wicked conscience still,
That mouldeth goblins swift as frenzy's thoughts.
Strike a free march to Troy! with comfort go:
Hope of revenge shall hide our inward woe.
Exeunt AENEAS and Trojans
As TROILUS is going out, enter, from the other side, PANDARUS
PANDARUS
But hear you, hear you!
TROILUS
Hence, brokerlackey! ignomy and shame
Pursue thy life, and live aye with thy name!
Exit
PANDARUS
A goodly medicine for my aching bones! O world!
world! world! thus is the poor agent despised!
O traitors and bawds, how earnestly are you set
awork, and how ill requited! why should our
endeavour be so loved and the performance so loathed?
what verse for it? what instance for it? Let me see:
Full merrily the humblebee doth sing,
Till he hath lost his honey and his sting;
And being once subdued in armed tail,
Sweet honey and sweet notes together fail.
Good traders in the flesh, set this in your
painted cloths.
As many as be here of pander's hall,
Your eyes, half out, weep out at Pandar's fall;
Or if you cannot weep, yet give some groans,
Though not for me, yet for your aching bones.
Brethren and sisters of the holddoor trade,
Some two months hence my will shall here be made:
It should be now, but that my fear is this,
Some galled goose of Winchester would hiss:
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 10 654
Page No 659
Till then I'll sweat and seek about for eases,
And at that time bequeathe you my diseases.
Exit
As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida
Act 5, Scene 10 655
Bookmarks
1. Table of Contents, page = 3
2. As You Like It, Cymbeline, Measure for Measure, Perciles, Troilus and Cressida, page = 6
3. William Shakespeare, page = 6
4. As You Like It, page = 7
5. Act 1, Scene 1, page = 7
6. Act 1, Scene 2, page = 13
7. Act 1, Scene 3, page = 26
8. Act 2, Scene 1, page = 33
9. Act 2, Scene 2, page = 35
10. Act 2, Scene 3, page = 36
11. Act 2, Scene 4, page = 38
12. Act 2, Scene 5, page = 43
13. Act 2, Scene 6, page = 46
14. Act 2, Scene 7, page = 46
15. Act 3, Scene 1, page = 53
16. Act 3, Scene 2, page = 54
17. Act 3, Scene 3, page = 73
18. Act 3, Scene 4, page = 77
19. Act 3, Scene 5, page = 80
20. Act 4, Scene 1, page = 85
21. Act 4, Scene 2, page = 94
22. Act 4, Scene 3, page = 95
23. Act 5, Scene 1, page = 103
24. Act 5, Scene 2, page = 106
25. Act 5, Scene 3, page = 112
26. Act 5, Scene 4, page = 114
27. Cymbeline, page = 124
28. Act 1, Scene 1, page = 124
29. Act 1, Scene 2, page = 133
30. Act 1, Scene 3, page = 135
31. Act 1, Scene 4, page = 137
32. Act 1, Scene 5, page = 145
33. Act 1, Scene 6, page = 148
34. Act 2, Scene 1, page = 157
35. Act 2, Scene 2, page = 161
36. Act 2, Scene 4, page = 171
37. Act 2, Scene 5, page = 179
38. Act 3, Scene 1, page = 180
39. Act 3, Scene 2, page = 183
40. Act 3, Scene 3, page = 186
41. Act 3, Scene 4, page = 189
42. Act 3, Scene 5, page = 196
43. Act 3, Scene 6, page = 204
44. Act 3, Scene 7, page = 209
45. Act 4, Scene 1, page = 210
46. Act 4, Scene 2, page = 211
47. Act 4, Scene 3, page = 231
48. Act 4, Scene 4, page = 233
49. Act 5, Scene 1, page = 233
50. Act 5, Scene 2, page = 234
51. Act 5, Scene 3, page = 236
52. Act 5, Scene 4, page = 239
53. Act 5, Scene 5, page = 247
54. Measure for Measure, page = 270
55. Act 1, Scene 1, page = 270
56. Act 1, Scene 2, page = 273
57. Act 1, Scene 3, page = 282
58. Act 1, Scene 4, page = 284
59. Act 2, Scene 1, page = 289
60. Act 2, Scene 2, page = 302
61. Act 2, Scene 3, page = 312
62. Act 2, Scene 4, page = 315
63. Act 3, Scene 1, page = 322
64. Act 3, Scene 2, page = 334
65. Act 4, Scene 1, page = 345
66. Act 4, Scene 2, page = 349
67. Act 4, Scene 3, page = 359
68. Act 4, Scene 4, page = 368
69. Act 4, Scene 5, page = 369
70. Act 4, Scene 6, page = 370
71. Act 5, Scene 1, page = 371
72. Pericles: Prince of Tyre, page = 397
73. Act 1, Scene 1, page = 397
74. Act 1, Scene 2, page = 403
75. Act 1, Scene 3, page = 407
76. Act 1, Scene 4, page = 409
77. Act 2, Scene 1, page = 414
78. Act 2, Scene 2, page = 421
79. Act 2, Scene 3, page = 425
80. Act 2, Scene 4, page = 430
81. Act 2, Scene 5, page = 433
82. Act 3, Scene 2, page = 448
83. Act 3, Scene 3, page = 453
84. Act 3, Scene 4, page = 455
85. Act 4, Scene 1, page = 457
86. Act 4, Scene 2, page = 462
87. Act 4, Scene 3, page = 470
88. Act 4, Scene 5, page = 473
89. Act 4, Scene 6, page = 474
90. Act 5, Scene 1, page = 484
91. Act 5, Scene 3, page = 498
92. Troilus and CressidaPrologue In Troy, there lies the scene. From isles of Greece The princes orgulous, their high blood chafed, Have to the port of Athens sent their ships, Fraught with the ministers and instruments Of cruel war: sixty and nine, that wore Their crownets regal, from the Athenian bay Put forth toward Phrygia; and their vow is made To ransack Troy, within whose strong immures The ravish'd Helen, Menelaus' queen, With wanton Paris sleeps; and that's the quarrel. To Tenedos they come; And the deep-drawing barks do there disgorge Their warlike fraughtage: now on Dardan plains The fresh and yet unbruised Greeks do pitch Their brave pavilions: Priam's six-gated city, Dardan, and Tymbria, Helias, Chetas, Troien, And Antenorides, with massy staples And corresponsive and fulfilling bolts, Sperr up the sons of Troy. Now expectation, tickling skittish spirits, On one and other side, Trojan and Greek, Sets all on hazard: and hither am I come A prologue arm'd, but not in confidence Of author's pen or actor's voice, but suited In like conditions as our argument, To tell you, fair beholders, that our play Leaps o'er the vaunt and firstlings of those broils, Beginning in the middle, starting thence away To what may be digested in a play. Like or find fault; do as your pleasures are: Now good or bad, 'tis but the chance of war.Troilus and CressidaAct 1, Scene 1, page = 504
93. Act 1, Scene 2, page = 510
94. Act 1, Scene 3, page = 526
95. Act 2, Scene 1, page = 538
96. Act 2, Scene 2, page = 545
97. Act 2, Scene 3, page = 552
98. Act 3, Scene 1, page = 564
99. Act 3, Scene 2, page = 573
100. Act 3, Scene 3, page = 581
101. Act 4, Scene 1, page = 593
102. Act 4, Scene 2, page = 596
103. Act 4, Scene 3, page = 602
104. Act 4, Scene 4, page = 603
105. Act 4, Scene 5, page = 610
106. Act 5, Scene 1, page = 624
107. Act 5, Scene 2, page = 630
108. Act 5, Scene 3, page = 642
109. Act 5, Scene 4, page = 648
110. Act 5, Scene 5, page = 650
111. Act 5, Scene 6, page = 652
112. Act 5, Scene 7, page = 654
113. Act 5, Scene 8, page = 655
114. Act 5, Scene 9, page = 657
115. Act 5, Scene 10, page = 658