Title: The Haunted Hotel
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Author: Wilkie Collins
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The Haunted Hotel
Wilkie Collins
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Table of Contents
THE HAUNTED HOTEL ..................................................................................................................................1
A Mystery of Modern Venice ..................................................................................................................1
Wilkie Collins.......................................................................................................................................................1
The Haunted Hotel
i
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THE HAUNTED HOTEL
A Mystery of Modern Venice
Wilkie Collins
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
Chapter XXII
Chapter XXIII
Chapter XXIV
Chapter XXV
Chapter XXVI
Chapter XXVII
Chapter XXVIII
Postscript
THE FIRST PART
CHAPTER I
In the year 1860, the reputation of Doctor Wybrow as a London physician reached its highest point. It was
reported on good authority that he was in receipt of one of the largest incomes derived from the practice of
medicine in modern times.
One afternoon, towards the close of the London season, the Doctor had just taken his luncheon after a
specially hard morning's work in his consultingroom, and with a formidable list of visits to patients at their
own houses to fill up the rest of his day when the servant announced that a lady wished to speak to him.
'Who is she?' the Doctor asked. 'A stranger?'
'Yes, sir.'
'I see no strangers out of consultinghours. Tell her what the hours are, and send her away.'
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'I have told her, sir.'
'Well?'
'And she won't go.'
'Won't go?' The Doctor smiled as he repeated the words. He was a humourist in his way; and there was an
absurd side to the situation which rather amused him. 'Has this obstinate lady given you her name?' he
inquired.
'No, sir. She refused to give any nameshe said she wouldn't keep you five minutes, and the matter was too
important to wait till tomorrow. There she is in the consultingroom; and how to get her out again is more
than I know.'
Doctor Wybrow considered for a moment. His knowledge of women (professionally speaking) rested on the
ripe experience of more than thirty years; he had met with them in all their varieties especially the variety
which knows nothing of the value of time, and never hesitates at sheltering itself behind the privileges of its
sex. A glance at his watch informed him that he must soon begin his rounds among the patients who were
waiting for him at their own houses. He decided forthwith on taking the only wise course that was open under
the circumstances. In other words, he decided on taking to flight.
'Is the carriage at the door?' he asked.
'Yes, sir.'
'Very well. Open the housedoor for me without making any noise, and leave the lady in undisturbed
possession of the consultingroom. When she gets tired of waiting, you know what to tell her. If she asks
when I am expected to return, say that I dine at my club, and spend the evening at the theatre. Now then,
softly, Thomas! If your shoes creak, I am a lost man.'
He noiselessly led the way into the hall, followed by the servant on tiptoe.
Did the lady in the consultingroom suspect him? or did Thomas's shoes creak, and was her sense of hearing
unusually keen? Whatever the explanation may be, the event that actually happened was beyond all doubt.
Exactly as Doctor Wybrow passed his consultingroom, the door openedthe lady appeared on the
threshold and laid her hand on his arm.
'I entreat you, sir, not to go away without letting me speak to you first.'
The accent was foreign; the tone was low and firm. Her fingers closed gently, and yet resolutely, on the
Doctor's arm.
Neither her language nor her action had the slightest effect in inclining him to grant her request. The
influence that instantly stopped him, on the way to his carriage, was the silent influence of her face. The
startling contrast between the corpselike pallor of her complexion and the overpowering life and light, the
glittering metallic brightness in her large black eyes, held him literally spellbound. She was dressed in dark
colours, with perfect taste; she was of middle height, and (apparently) of middle agesay a year or two over
thirty. Her lower featuresthe nose, mouth, and chin possessed the fineness and delicacy of form which is
oftener seen among women of foreign races than among women of English birth. She was unquestionably a
handsome personwith the one serious drawback of her ghastly complexion, and with the less noticeable
defect of a total want of tenderness in the expression of her eyes. Apart from his first emotion of surprise, the
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feeling she produced in the Doctor may be described as an overpowering feeling of professional curiosity.
The case might prove to be something entirely new in his professional experience. 'It looks like it,' he
thought; 'and it's worth waiting for.'
She perceived that she she had produced a strong impression of some kind upon him, and dropped her hold
on his arm.
'You have comforted many miserable women in your time,' she said. 'Comfort one more, today.'
Without waiting to be answered, she led the way back into the room.
The Doctor followed her, and closed the door. He placed her in the patients' chair, opposite the windows.
Even in London the sun, on that summer afternoon, was dazzlingly bright. The radiant light flowed in on her.
Her eyes met it unflinchingly, with the steely steadiness of the eyes of an eagle. The smooth pallor of her
unwrinkled skin looked more fearfully white than ever. For the first time, for many a long year past, the
Doctor felt his pulse quicken its beat in the presence of a patient.
Having possessed herself of his attention, she appeared, strangely enough, to have nothing to say to him. A
curious apathy seemed to have taken possession of this resolute woman. Forced to speak first, the Doctor
merely inquired, in the conventional phrase, what he could do for her.
The sound of his voice seemed to rouse her. Still looking straight at the light, she said abruptly: 'I have a
painful question to ask.'
'What is it?'
Her eyes travelled slowly from the window to the Doctor's face. Without the slightest outward appearance of
agitation, she put the 'painful question' in these extraordinary words:
'I want to know, if you please, whether I am in danger of going mad?'
Some men might have been amused, and some might have been alarmed. Doctor Wybrow was only
conscious of a sense of disappointment. Was this the rare case that he had anticipated, judging rashly by
appearances? Was the new patient only a hypochondriacal woman, whose malady was a disordered stomach
and whose misfortune was a weak brain? 'Why do you come to me?' he asked sharply. 'Why don't you consult
a doctor whose special employment is the treatment of the insane?'
She had her answer ready on the instant.
'I don't go to a doctor of that sort,' she said, 'for the very reason that he is a specialist: he has the fatal habit of
judging everybody by lines and rules of his own laying down. I come to you, because my case is outside of
all lines and rules, and because you are famous in your profession for the discovery of mysteries in disease.
Are you satisfied?'
He was more than satisfiedhis first idea had been the right idea, after all. Besides, she was correctly
informed as to his professional position. The capacity which had raised him to fame and fortune was his
capacity (unrivalled among his brethren) for the discovery of remote disease.
'I am at your disposal,' he answered. 'Let me try if I can find out what is the matter with you.'
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He put his medical questions. They were promptly and plainly answered; and they led to no other conclusion
than that the strange lady was, mentally and physically, in excellent health. Not satisfied with questions, he
carefully examined the great organs of life. Neither his hand nor his stethoscope could discover anything that
was amiss. With the admirable patience and devotion to his art which had distinguished him from the time
when he was a student, he still subjected her to one test after another. The result was always the same. Not
only was there no tendency to brain disease there was not even a perceptible derangement of the nervous
system. 'I can find nothing the matter with you,' he said. 'I can't even account for the extraordinary pallor of
your complexion. You completely puzzle me.'
'The pallor of my complexion is nothing,' she answered a little impatiently. 'In my early life I had a narrow
escape from death by poisoning. I have never had a complexion sinceand my skin is so delicate, I cannot
paint without producing a hideous rash. But that is of no importance. I wanted your opinion given positively.
I believed in you, and you have disappointed me.' Her head dropped on her breast. 'And so it ends!' she said
to herself bitterly.
The Doctor's sympathies were touched. Perhaps it might be more correct to say that his professional pride
was a little hurt. 'It may end in the right way yet,' he remarked, 'if you choose to help me.'
She looked up again with flashing eyes, 'Speak plainly,' she said. 'How can I help you?'
'Plainly, madam, you come to me as an enigma, and you leave me to make the right guess by the unaided
efforts of my art. My art will do much, but not all. For example, something must have occurred something
quite unconnected with the state of your bodily health to frighten you about yourself, or you would never
have come here to consult me. Is that true?'
She clasped her hands in her lap. 'That is true!' she said eagerly. 'I begin to believe in you again.'
'Very well. You can't expect me to find out the moral cause which has alarmed you. I can positively discover
that there is no physical cause of alarm; and (unless you admit me to your confidence) I can do no more.'
She rose, and took a turn in the room. 'Suppose I tell you?' she said. 'But, mind, I shall mention no names!'
'There is no need to mention names. The facts are all I want.'
'The facts are nothing,' she rejoined. 'I have only my own impressions to confessand you will very likely
think me a fanciful fool when you hear what they are. No matter. I will do my best to content you I will
begin with the facts that you want. Take my word for it, they won't do much to help you.'
She sat down again. In the plainest possible words, she began the strangest and wildest confession that had
ever reached the Doctor's ears.
CHAPTER II
'It is one fact, sir, that I am a widow,' she said. 'It is another fact, that I am going to be married again.'
There she paused, and smiled at some thought that occurred to her. Doctor Wybrow was not favourably
impressed by her smile there was something at once sad and cruel in it. It came slowly, and it went away
suddenly. He began to doubt whether he had been wise in acting on his first impression. His mind reverted to
the commonplace patients and the discoverable maladies that were waiting for him, with a certain tender
regret.
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The lady went on.
'My approaching marriage,' she said, 'has one embarrassing circumstance connected with it. The gentleman
whose wife I am to be, was engaged to another lady when he happened to meet with me, abroad: that lady,
mind, being of his own blood and family, related to him as his cousin. I have innocently robbed her of her
lover, and destroyed her prospects in life. Innocently, I saybecause he told me nothing of his engagement
until after I had accepted him. When we next met in Englandand when there was danger, no doubt, of the
affair coming to my knowledgehe told me the truth. I was naturally indignant. He had his excuse ready; he
showed me a letter from the lady herself, releasing him from his engagement. A more noble, a more
highminded letter, I never read in my life. I cried over itI who have no tears in me for sorrows of my
own! If the letter had left him any hope of being forgiven, I would have positively refused to marry him. But
the firmness of it without anger, without a word of reproach, with heartfelt wishes even for his
happinessthe firmness of it, I say, left him no hope. He appealed to my compassion; he appealed to his
love for me. You know what women are. I too was softheartedI said, Very well: yes! In a week more (I
tremble as I think of it) we are to be married.'
She did really trembleshe was obliged to pause and compose herself, before she could go on. The Doctor,
waiting for more facts, began to fear that he stood committed to a long story. 'Forgive me for reminding you
that I have suffering persons waiting to see me,' he said. 'The sooner you can come to the point, the better for
my patients and for me.'
The strange smileat once so sad and so cruelshowed itself again on the lady's lips. 'Every word I have
said is to the point,' she answered. 'You will see it yourself in a moment more.'
She resumed her narrative.
'Yesterdayyou need fear no long story, sir; only yesterday I was among the visitors at one of your
English luncheon parties. A lady, a perfect stranger to me, came in lateafter we had left the table, and had
retired to the drawingroom. She happened to take a chair near me; and we were presented to each other. I
knew her by name, as she knew me. It was the woman whom I had robbed of her lover, the woman who had
written the noble letter. Now listen! You were impatient with me for not interesting you in what I said just
now. I said it to satisfy your mind that I had no enmity of feeling towards the lady, on my side. I admired her,
I felt for herI had no cause to reproach myself. This is very important, as you will presently see. On her
side, I have reason to be assured that the circumstances had been truly explained to her, and that she
understood I was in no way to blame. Now, knowing all these necessary things as you do, explain to me, if
you can, why, when I rose and met that woman's eyes looking at me, I turned cold from head to foot, and
shuddered, and shivered, and knew what a deadly panic of fear was, for the first time in my life.'
The Doctor began to feel interested at last.
'Was there anything remarkable in the lady's personal appearance?' he asked.
'Nothing whatever!' was the vehement reply. 'Here is the true description of her:The ordinary English lady;
the clear cold blue eyes, the fine rosy complexion, the inanimately polite manner, the large goodhumoured
mouth, the too plump cheeks and chin: these, and nothing more.'
'Was there anything in her expression, when you first looked at her, that took you by surprise?'
'There was natural curiosity to see the woman who had been preferred to her; and perhaps some astonishment
also, not to see a more engaging and more beautiful person; both those feelings restrained within the limits of
good breeding, and both not lasting for more than a few momentsso far as I could see. I say, "so far,"
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because the horrible agitation that she communicated to me disturbed my judgment. If I could have got to the
door, I would have run out of the room, she frightened me so! I was not even able to stand up I sank back
in my chair; I stared horrorstruck at the calm blue eyes that were only looking at me with a gentle surprise.
To say they affected me like the eyes of a serpent is to say nothing. I felt her soul in them, looking into
minelooking, if such a thing can be, unconsciously to her own mortal self. I tell you my impression, in all
its horror and in all its folly! That woman is destined (without knowing it herself) to be the evil genius of my
life. Her innocent eyes saw hidden capabilities of wickedness in me that I was not aware of myself, until I felt
them stirring under her look. If I commit faults in my life to comeif I am even guilty of crimes she will
bring the retribution, without (as I firmly believe) any conscious exercise of her own will. In one
indescribable moment I felt all thisand I suppose my face showed it. The good artless creature was inspired
by a sort of gentle alarm for me. "I am afraid the heat of the room is too much for you; will you try my
smelling bottle?" I heard her say those kind words; and I remember nothing elseI fainted. When I
recovered my senses, the company had all gone; only the lady of the house was with me. For the moment I
could say nothing to her; the dreadful impression that I have tried to describe to you came back to me with
the coming back of my life. As soon I could speak, I implored her to tell me the whole truth about the woman
whom I had supplanted. You see, I had a faint hope that her good character might not really be deserved, that
her noble letter was a skilful piece of hypocrisyin short, that she secretly hated me, and was cunning
enough to hide it. No! the lady had been her friend from her girlhood, was as familiar with her as if they had
been sistersknew her positively to be as good, as innocent, as incapable of hating anybody, as the greatest
saint that ever lived. My one last hope, that I had only felt an ordinary forewarning of danger in the presence
of an ordinary enemy, was a hope destroyed for ever. There was one more effort I could make, and I made it.
I went next to the man whom I am to marry. I implored him to release me from my promise. He refused. I
declared I would break my engagement. He showed me letters from his sisters, letters from his brothers, and
his dear friends all entreating him to think again before he made me his wife; all repeating reports of me in
Paris, Vienna, and London, which are so many vile lies. "If you refuse to marry me," he said, "you admit that
these reports are trueyou admit that you are afraid to face society in the character of my wife." What could
I answer? There was no contradicting himhe was plainly right: if I persisted in my refusal, the utter
destruction of my reputation would be the result. I consented to let the wedding take place as we had arranged
it and left him. The night has passed. I am here, with my fixed conviction that innocent woman is
ordained to have a fatal influence over my life. I am here with my one question to put, to the one man who
can answer it. For the last time, sir, what am Ia demon who has seen the avenging angel? or only a poor
mad woman, misled by the delusion of a deranged mind?'
Doctor Wybrow rose from his chair, determined to close the interview.
He was strongly and painfully impressed by what he had heard. The longer he had listened to her, the more
irresistibly the conviction of the woman's wickedness had forced itself on him. He tried vainly to think of her
as a person to be pitieda person with a morbidly sensitive imagination, conscious of the capacities for evil
which lie dormant in us all, and striving earnestly to open her heart to the counterinfluence of her own better
nature; the effort was beyond him. A perverse instinct in him said, as if in words, Beware how you believe in
her!
'I have already given you my opinion,' he said. 'There is no sign of your intellect being deranged, or being
likely to be deranged, that medical science can discoveras I understand it. As for the impressions you have
confided to me, I can only say that yours is a case (as I venture to think) for spiritual rather than for medical
advice. Of one thing be assured: what you have said to me in this room shall not pass out of it. Your
confession is safe in my keeping.'
She heard him, with a certain dogged resignation, to the end.
'Is that all?' she asked.
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'That is all,' he answered.
She put a little paper packet of money on the table. 'Thank you, sir. There is your fee.'
With those words she rose. Her wild black eyes looked upward, with an expression of despair so defiant and
so horrible in its silent agony that the Doctor turned away his head, unable to endure the sight of it. The bare
idea of taking anything from hernot money only, but anything even that she had touchedsuddenly
revolted him. Still without looking at her, he said, 'Take it back; I don't want my fee.'
She neither heeded nor heard him. Still looking upward, she said slowly to herself, 'Let the end come. I have
done with the struggle: I submit.'
She drew her veil over her face, bowed to the Doctor, and left the room.
He rang the bell, and followed her into the hall. As the servant closed the door on her, a sudden impulse of
curiosity utterly unworthy of him, and at the same time utterly irresistible sprang up in the Doctor's
mind. Blushing like a boy, he said to the servant, 'Follow her home, and find out her name.' For one moment
the man looked at his master, doubting if his own ears had not deceived him. Doctor Wybrow looked back at
him in silence. The submissive servant knew what that silence meanthe took his hat and hurried into the
street.
The Doctor went back to the consultingroom. A sudden revulsion of feeling swept over his mind. Had the
woman left an infection of wickedness in the house, and had he caught it? What devil had possessed him to
degrade himself in the eyes of his own servant? He had behaved infamouslyhe had asked an honest man, a
man who had served him faithfully for years, to turn spy! Stung by the bare thought of it, he ran out into the
hall again, and opened the door. The servant had disappeared; it was too late to call him back. But one refuge
from his contempt for himself was now open to him the refuge of work. He got into his carriage and went
his rounds among his patients.
If the famous physician could have shaken his own reputation, he would have done it that afternoon. Never
before had he made himself so little welcome at the bedside. Never before had he put off until tomorrow the
prescription which ought to have been written, the opinion which ought to have been given, today. He went
home earlier than usualunutterably dissatisfied with himself.
The servant had returned. Dr. Wybrow was ashamed to question him. The man reported the result of his
errand, without waiting to be asked.
'The lady's name is the Countess Narona. She lives at'
Without waiting to hear where she lived, the Doctor acknowledged the allimportant discovery of her name
by a silent bend of the head, and entered his consultingroom. The fee that he had vainly refused still lay in
its little white paper covering on the table. He sealed it up in an envelope; addressed it to the 'Poorbox' of
the nearest policecourt; and, calling the servant in, directed him to take it to the magistrate the next morning.
Faithful to his duties, the servant waited to ask the customary question, 'Do you dine at home today, sir?'
After a moment's hesitation he said, 'No: I shall dine at the club.'
The most easily deteriorated of all the moral qualities is the quality called 'conscience.' In one state of a man's
mind, his conscience is the severest judge that can pass sentence on him. In another state, he and his
conscience are on the best possible terms with each other in the comfortable capacity of accomplices. When
Doctor Wybrow left his house for the second time, he did not even attempt to conceal from himself that his
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sole object, in dining at the club, was to hear what the world said of the Countess Narona.
CHAPTER III
There was a time when a man in search of the pleasures of gossip sought the society of ladies. The man
knows better now. He goes to the smokingroom of his club.
Doctor Wybrow lit his cigar, and looked round him at his brethren in social conclave assembled. The room
was well filled; but the flow of talk was still languid. The Doctor innocently applied the stimulant that was
wanted. When he inquired if anybody knew the Countess Narona, he was answered by something like a shout
of astonishment. Never (the conclave agreed) had such an absurd question been asked before! Every human
creature, with the slightest claim to a place in society, knew the Countess Narona. An adventuress with a
European reputation of the blackest possible colour such was the general description of the woman with
the deathlike complexion and the glittering eyes.
Descending to particulars, each member of the club contributed his own little stock of scandal to the memoirs
of the Countess. It was doubtful whether she was really, what she called herself, a Dalmatian lady. It was
doubtful whether she had ever been married to the Count whose widow she assumed to be. It was doubtful
whether the man who accompanied her in her travels (under the name of Baron Rivar, and in the character of
her brother) was her brother at all. Report pointed to the Baron as a gambler at every 'table' on the Continent.
Report whispered that his socalled sister had narrowly escaped being implicated in a famous trial for
poisoning at Viennathat she had been known at Milan as a spy in the interests of Austriathat her
'apartment' in Paris had been denounced to the police as nothing less than a private gamblinghouse and
that her present appearance in England was the natural result of the discovery. Only one member of the
assembly in the smokingroom took the part of this muchabused woman, and declared that her character
had been most cruelly and most unjustly assailed. But as the man was a lawyer, his interference went for
nothing: it was naturally attributed to the spirit of contradiction inherent in his profession. He was asked
derisively what he thought of the circumstances under which the Countess had become engaged to be
married; and he made the characteristic answer, that he thought the circumstances highly creditable to both
parties, and that he looked on the lady's future husband as a most enviable man.
Hearing this, the Doctor raised another shout of astonishment by inquiring the name of the gentleman whom
the Countess was about to marry.
His friends in the smokingroom decided unanimously that the celebrated physician must be a second
'RipvanWinkle,' and that he had just awakened from a supernatural sleep of twenty years. It was all very
well to say that he was devoted to his profession, and that he had neither time nor inclination to pick up
fragments of gossip at dinnerparties and balls. A man who did not know that the Countess Narona had
borrowed money at Homburg of no less a person than Lord Montbarry, and had then deluded him into
making her a proposal of marriage, was a man who had probably never heard of Lord Montbarry himself.
The younger members of the club, humouring the joke, sent a waiter for the 'Peerage'; and read aloud the
memoir of the nobleman in question, for the Doctor's benefit with illustrative morsels of information
interpolated by themselves.
'Herbert John Westwick. First Baron Montbarry, of Montbarry, King's County, Ireland. Created a Peer for
distinguished military services in India. Born, 1812. Fortyeight years old, Doctor, at the present time. Not
married. Will be married next week, Doctor, to the delightful creature we have been talking about. Heir
presumptive, his lordship's next brother, Stephen Robert, married to Ella, youngest daughter of the Reverend
Silas Marden, Rector of Runnigate, and has issue, three daughters. Younger brothers of his lordship, Francis
and Henry, unmarried. Sisters of his lordship, Lady Barville, married to Sir Theodore Barville, Bart.; and
Anne, widow of the late Peter Norbury, Esq., of Norbury Cross. Bear his lordship's relations well in mind,
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Doctor. Three brothers Westwick, Stephen, Francis, and Henry; and two sisters, Lady Barville and Mrs.
Norbury. Not one of the five will be present at the marriage; and not one of the five will leave a stone
unturned to stop it, if the Countess will only give them a chance. Add to these hostile members of the family
another offended relative not mentioned in the 'Peerage,' a young lady'
A sudden outburst of protest in more than one part of the room stopped the coming disclosure, and released
the Doctor from further persecution.
'Don't mention the poor girl's name; it's too bad to make a joke of that part of the business; she has behaved
nobly under shameful provocation; there is but one excuse for Montbarryhe is either a madman or a fool.'
In these terms the protest expressed itself on all sides. Speaking confidentially to his next neighbour, the
Doctor discovered that the lady referred to was already known to him (through the Countess's confession) as
the lady deserted by Lord Montbarry. Her name was Agnes Lockwood. She was described as being the
superior of the Countess in personal attraction, and as being also by some years the younger woman of the
two. Making all allowance for the follies that men committed every day in their relations with women,
Montbarry's delusion was still the most monstrous delusion on record. In this expression of opinion every
man present agreedthe lawyer even included. Not one of them could call to mind the innumerable
instances in which the sexual influence has proved irresistible in the persons of women without even the
pretension to beauty. The very members of the club whom the Countess (in spite of her personal
disadvantages) could have most easily fascinated, if she had thought it worth her while, were the members
who wondered most loudly at Montbarry's choice of a wife.
While the topic of the Countess's marriage was still the one topic of conversation, a member of the club
entered the smokingroom whose appearance instantly produced a dead silence. Doctor Wybrow's next
neighbour whispered to him, 'Montbarry's brother Henry Westwick!'
The newcomer looked round him slowly, with a bitter smile.
'You are all talking of my brother,'he said. 'Don't mind me. Not one of you can despise him more heartily than
I do. Go on, gentlemengo on!'
But one man present took the speaker at his word. That man was the lawyer who had already undertaken the
defence of the Countess.
'I stand alone in my opinion,' he said, 'and I am not ashamed of repeating it in anybody's hearing. I consider
the Countess Narona to be a cruellytreated woman. Why shouldn't she be Lord Montbarry's wife? Who can
say she has a mercenary motive in marrying him?'
Montbarry's brother turned sharply on the speaker. 'I say it!' he answered.
The reply might have shaken some men. The lawyer stood on his ground as firmly as ever.
'I believe I am right,' he rejoined, 'in stating that his lordship's income is not more than sufficient to support
his station in life; also that it is an income derived almost entirely from landed property in Ireland, every acre
of which is entailed.'
Montbarry's brother made a sign, admitting that he had no objection to offer so far.
'If his lordship dies first,' the lawyer proceeded, 'I have been informed that the only provision he can make for
his widow consists in a rentcharge on the property of no more than four hundred a year. His retiring pension
and allowances, it is well known, die with him. Four hundred a year is therefore all that he can leave to the
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Countess, if he leaves her a widow.'
'Four hundred a year is not all,' was the reply to this. 'My brother has insured his life for ten thousand pounds;
and he has settled the whole of it on the Countess, in the event of his death.'
This announcement produced a strong sensation. Men looked at each other, and repeated the three startling
words, 'Ten thousand pounds!' Driven fairly to the wall, the lawyer made a last effort to defend his position.
'May I ask who made that settlement a condition of the marriage?' he said. 'Surely it was not the Countess
herself?.'
Henry Westwick answered, 'it was the Countess's brother'; and added, 'which comes to the same thing.'
After that, there was no more to be saidso long, at least, as Montbarry's brother was present. The talk
flowed into other channels; and the Doctor went home.
But his morbid curiosity about the Countess was not set at rest yet. In his leisure moments he found himself
wondering whether Lord Montbarry's family would succeed in stopping the marriage after all. And more than
this, he was conscious of a growing desire to see the infatuated man himself. Every day during the brief
interval before the wedding, he looked in at the club, on the chance of hearing some news. Nothing had
happened, so far as the club knew. The Countess's position was secure; Montbarry's resolution to be her
husband was unshaken. They were both Roman Catholics, and they were to be married at the chapel in
Spanish Place. So much the Doctor discovered about them and no more.
On the day of the wedding, after a feeble struggle with himself, he actually sacrificed his patients and their
guineas, and slipped away secretly to see the marriage. To the end of his life, he was angry with anybody who
reminded him of what he had done on that day!
The wedding was strictly private. A close carriage stood at the church door; a few people, mostly of the lower
class, and mostly old women, were scattered about the interior of the building. Here and there Doctor
Wybrow detected the faces of some of his brethren of the club, attracted by curiosity, like himself. Four
persons only stood before the altarthe bride and bridegroom and their two witnesses. One of these last was
an elderly woman, who might have been the Countess's companion or maid; the other was undoubtedly her
brother, Baron Rivar. The bridal party (the bride herself included) wore their ordinary morning costume. Lord
Montbarry, personally viewed, was a middleaged military man of the ordinary type: nothing in the least
remarkable distinguished him either in face or figure. Baron Rivar, again, in his way was another
conventional representative of another wellknown type. One sees his finelypointed moustache, his bold
eyes, his crisplycurling hair, and his dashing carriage of the head, repeated hundreds of times over on the
Boulevards of Paris. The only noteworthy point about him was of the negative sort he was not in the least
like his sister. Even the officiating priest was only a harmless, humblelooking old man, who went through
his duties resignedly, and felt visible rheumatic difficulties every time he bent his knees. The one remarkable
person, the Countess herself, only raised her veil at the beginning of the ceremony, and presented nothing in
her plain dress that was worth a second look. Never, on the face of it, was there a less interesting and less
romantic marriage than this. From time to time the Doctor glanced round at the door or up at the galleries,
vaguely anticipating the appearance of some protesting stranger, in possession of some terrible secret,
commissioned to forbid the progress of the service. Nothing in the shape of an event occurred nothing
extraordinary, nothing dramatic. Bound fast together as man and wife, the two disappeared, followed by their
witnesses, to sign the registers; and still Doctor Wybrow waited, and still he cherished the obstinate hope that
something worth seeing must certainly happen yet.
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The interval passed, and the married couple, returning to the church, walked together down the nave to the
door. Doctor Wybrow drew back as they approached. To his confusion and surprise, the Countess discovered
him. He heard her say to her husband, 'One moment; I see a friend.' Lord Montbarry bowed and waited. She
stepped up to the Doctor, took his hand, and wrung it hard. He felt her overpowering black eyes looking at
him through her veil. 'One step more, you see, on the way to the end!' She whispered those strange words,
and returned to her husband. Before the Doctor could recover himself and follow her, Lord and Lady
Montbarry had stepped into their carriage, and had driven away.
Outside the church door stood the three or four members of the club who, like Doctor Wybrow, had watched
the ceremony out of curiosity. Near them was the bride's brother, waiting alone. He was evidently bent on
seeing the man whom his sister had spoken to, in broad daylight. His bold eyes rested on the Doctor's face,
with a momentary flash of suspicion in them. The cloud suddenly cleared away; the Baron smiled with
charming courtesy, lifted his hat to his sister's friend, and walked off.
The members constituted themselves into a club conclave on the church steps. They began with the Baron.
'Damned illlooking rascal!' They went on with Montbarry. 'Is he going to take that horrid woman with him
to Ireland?' 'Not he! he can't face the tenantry; they know about Agnes Lockwood.' 'Well, but where is he
going?' 'To Scotland.' 'Does she like that?' 'It's only for a fortnight; they come back to London, and go
abroad.' 'And they will never return to England, eh?' 'Who can tell? Did you see how she looked at
Montbarry, when she had to lift her veil at the beginning of the service? In his place, I should have bolted.
Did you see her, Doctor?' By this time, Doctor Wybrow had remembered his patients, and had heard enough
of the club gossip. He followed the example of Baron Rivar, and walked off.
'One step more, you see, on the way to the end,' he repeated to himself, on his way home. 'What end?'
CHAPTER IV
On the day of the marriage Agnes Lockwood sat alone in the little drawingroom of her London lodgings,
burning the letters which had been written to her by Montbarry in the bygone time.
The Countess's maliciously smart description of her, addressed to Doctor Wybrow, had not even hinted at the
charm that most distinguished Agnesthe artless expression of goodness and purity which instantly attracted
everyone who approached her. She looked by many years younger than she really was. With her fair
complexion and her shy manner, it seemed only natural to speak of her as 'a girl,' although she was now really
advancing towards thirty years of age. She lived alone with an old nurse devoted to her, on a modest little
income which was just enough to support the two. There were none of the ordinary signs of grief in her face,
as she slowly tore the letters of her false lover in two, and threw the pieces into the small fire which had been
lit to consume them. Unhappily for herself, she was one of those women who feel too deeply to find relief in
tears. Pale and quiet, with cold trembling fingers, she destroyed the letters one by one without daring to read
them again. She had torn the last of the series, and was still shrinking from throwing it after the rest into the
swiftly destroying flame, when the old nurse came in, and asked if she would see 'Master Henry,' meaning
that youngest member of the Westwick family, who had publicly declared his contempt for his brother in the
smokingroom of the club.
Agnes hesitated. A faint tinge of colour stole over her face.
There had been a long past time when Henry Westwick had owned that he loved her. She had made her
confession to him, acknowledging that her heart was given to his eldest brother. He had submitted to his
disappointment; and they had met thenceforth as cousins and friends. Never before had she associated the
idea of him with embarrassing recollections. But now, on the very day when his brother's marriage to another
woman had consummated his brother's treason towards her, there was something vaguely repellent in the
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prospect of seeing him. The old nurse (who remembered them both in their cradles) observed her hesitation;
and sympathising of course with the man, put in a timely word for Henry. 'He says, he's going away, my dear;
and he only wants to shake hands, and say goodbye.' This plain statement of the case had its effect. Agnes
decided on receiving her cousin.
He entered the room so rapidly that he surprised her in the act of throwing the fragments of Montbarry's last
letter into the fire. She hurriedly spoke first.
'You are leaving London very suddenly, Henry. Is it business? or pleasure?'
Instead of answering her, he pointed to the flaming letter, and to some black ashes of burnt paper lying lightly
in the lower part of the fireplace.
'Are you burning letters?'
'Yes.'
'His letters?'
'Yes.'
He took her hand gently. 'I had no idea I was intruding on you, at a time when you must wish to be alone.
Forgive me, AgnesI shall see you when I return.'
She signed to him, with a faint smile, to take a chair.
'We have known one another since we were children,' she said. 'Why should I feel a foolish pride about
myself in your presence? why should I have any secrets from you? I sent back all your brother's gifts to me
some time ago. I have been advised to do more, to keep nothing that can remind me of himin short, to burn
his letters. I have taken the advice; but I own I shrank a little from destroying the last of the letters. Nonot
because it was the last, but because it had this in it.' She opened her hand, and showed him a lock of
Montbarry's hair, tied with a morsel of golden cord. 'Well! well! let it go with the rest.'
She dropped it into the flame. For a while, she stood with her back to Henry, leaning on the mantelpiece,
and looking into the fire. He took the chair to which she had pointed, with a strange contradiction of
expression in his face: the tears were in his eyes, while the brows above were knit close in an angry frown.
He muttered to himself, 'Damn him!'
She rallied her courage, and looked at him again when she spoke. 'Well, Henry, and why are you going
away?'
'I am out of spirits, Agnes, and I want a change.'
She paused before she spoke again. His face told her plainly that he was thinking of her when he made that
reply. She was grateful to him, but her mind was not with him: her mind was still with the man who had
deserted her. She turned round again to the fire.
'Is it true,' she asked, after a long silence, 'that they have been married today?'
He answered ungraciously in the one necessary word:'Yes.'
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'Did you go to the church?'
He resented the question with an expression of indignant surprise. 'Go to the church?' he repeated. 'I would as
soon go to' He checked himself there. 'How can you ask?' he added in lower tones. 'I have never spoken to
Montbarry, I have not even seen him, since he treated you like the scoundrel and the fool that he is.'
She looked at him suddenly, without saying a word. He understood her, and begged her pardon. But he was
still angry. 'The reckoning comes to some men,' he said, 'even in this world. He will live to rue the day when
he married that woman!'
Agnes took a chair by his side, and looked at him with a gentle surprise.
'Is it quite reasonable to be so angry with her, because your brother preferred her to me?' she asked.
Henry turned on her sharply. 'Do you defend the Countess, of all the people in the world?'
'Why not?' Agnes answered. 'I know nothing against her. On the only occasion when we met, she appeared to
be a singularly timid, nervous person, looking dreadfully ill; and being indeed so ill that she fainted under the
heat of my room. Why should we not do her justice? We know that she was innocent of any intention to
wrong me; we know that she was not aware of my engagement'
Henry lifted his hand impatiently, and stopped her. 'There is such a thing as being too just and too forgiving!'
he interposed. 'I can't bear to hear you talk in that patient way, after the scandalously cruel manner in which
you have been treated. Try to forget them both, Agnes. I wish to God I could help you to do it!'
Agnes laid her hand on his arm. 'You are very good to me, Henry; but you don't quite understand me. I was
thinking of myself and my trouble in quite a different way, when you came in. I was wondering whether
anything which has so entirely filled my heart, and so absorbed all that is best and truest in me, as my feeling
for your brother, can really pass away as if it had never existed. I have destroyed the last visible things that
remind me of him. In this world I shall see him no more. But is the tie that once bound us, completely
broken? Am I as entirely parted from the good and evil fortune of his life as if we had never met and never
loved? What do you think, Henry? I can hardly believe it.'
'If you could bring the retribution on him that he has deserved,' Henry Westwick answered sternly, 'I might be
inclined to agree with you.'
As that reply passed his lips, the old nurse appeared again at the door, announcing another visitor.
'I'm sorry to disturb you, my dear. But here is little Mrs. Ferrari wanting to know when she may say a few
words to you.'
Agnes turned to Henry, before she replied. 'You remember Emily Bidwell, my favourite pupil years ago at
the village school, and afterwards my maid? She left me, to marry an Italian courier, named Ferrariand I
am afraid it has not turned out very well. Do you mind my having her in here for a minute or two?'
Henry rose to take his leave. 'I should be glad to see Emily again at any other time,' he said. 'But it is best that
I should go now. My mind is disturbed, Agnes; I might say things to you, if I stayed here any longer,
whichwhich are better not said now. I shall cross the Channel by the mail tonight, and see how a few
weeks' change will help me.' He took her hand. 'Is there anything in the world that I can do for you?' he asked
very earnestly. She thanked him, and tried to release her hand. He held it with a tremulous lingering grasp.
'God bless you, Agnes!' he said in faltering tones, with his eyes on the ground. Her face flushed again, and the
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next instant turned paler than ever; she knew his heart as well as he knew it himself she was too distressed
to speak. He lifted her hand to his lips, kissed it fervently, and, without looking at her again, left the room.
The nurse hobbled after him to the head of the stairs: she had not forgotten the time when the younger brother
had been the unsuccessful rival of the elder for the hand of Agnes. 'Don't be downhearted, Master Henry,'
whispered the old woman, with the unscrupulous common sense of persons in the lower rank of life. 'Try her
again, when you come back!'
Left alone for a few moments, Agnes took a turn in the room, trying to compose herself. She paused before a
little watercolour drawing on the wall, which had belonged to her mother: it was her own portrait when she
was a child. 'How much happier we should be,' she thought to herself sadly, 'if we never grew up!'
The courier's wife was shown ina little meek melancholy woman, with white eyelashes, and watery eyes,
who curtseyed deferentially and was troubled with a small chronic cough. Agnes shook hands with her
kindly. 'Well, Emily, what can I do for you?'
The courier's wife made rather a strange answer: 'I'm afraid to tell you, Miss.'
'Is it such a very difficult favour to grant? Sit down, and let me hear how you are going on. Perhaps the
petition will slip out while we are talking. How does your husband behave to you?'
Emily's light grey eyes looked more watery than ever. She shook her head and sighed resignedly. 'I have no
positive complaint to make against him, Miss. But I'm afraid he doesn't care about me; and he seems to take
no interest in his home I may almost say he's tired of his home. It might be better for both of us, Miss, if he
went travelling for a while not to mention the money, which is beginning to be wanted sadly.' She put her
handkerchief to her eyes, and sighed again more resignedly than ever.
'I don't quite understand,' said Agnes. 'I thought your husband had an engagement to take some ladies to
Switzerland and Italy?'
'That was his illluck, Miss. One of the ladies fell ill and the others wouldn't go without her. They paid
him a month's salary as compensation. But they had engaged him for the autumn and winter and the loss is
serious.'
'I am sorry to hear it, Emily. Let us hope he will soon have another chance.'
'It's not his turn, Miss, to be recommended when the next applications come to the couriers' office. You see,
there are so many of them out of employment just now. If he could be privately recommended' She
stopped, and left the unfinished sentence to speak for itself.
Agnes understood her directly. 'You want my recommendation,' she rejoined. 'Why couldn't you say so at
once?'
Emily blushed. 'It would be such a chance for my husband,' she answered confusedly. 'A letter, inquiring for
a good courier (a six months' engagement, Miss!) came to the office this morning. It's another man's turn to
be chosenand the secretary will recommend him. If my husband could only send his testimonials by the
same postwith just a word in your name, Missit might turn the scale, as they say. A private
recommendation between gentlefolks goes so far.' She stopped again, and sighed again, and looked down at
the carpet, as if she had some private reason for feeling a little ashamed of herself.
Agnes began to be rather weary of the persistent tone of mystery in which her visitor spoke. 'If you want my
interest with any friend of mine,' she said, 'why can't you tell me the name?'
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The courier's wife began to cry. 'I'm ashamed to tell you, Miss.'
For the first time, Agnes spoke sharply. 'Nonsense, Emily! Tell me the name directlyor drop the
subjectwhichever you like best.'
Emily made a last desperate effort. She wrung her handkerchief hard in her lap, and let off the name as if she
had been letting off a loaded gun:'Lord Montbarry!'
Agnes rose and looked at her.
'You have disappointed me,' she said very quietly, but with a look which the courier's wife had never seen in
her face before. 'Knowing what you know, you ought to be aware that it is impossible for me to communicate
with Lord Montbarry. I always supposed you had some delicacy of feeling. I am sorry to find that I have been
mistaken.'
Weak as she was, Emily had spirit enough to feel the reproof. She walked in her meek noiseless way to the
door. 'I beg your pardon, Miss. I am not quite so bad as you think me. But I beg your pardon, all the same.'
She opened the door. Agnes called her back. There was something in the woman's apology that appealed
irresistibly to her just and generous nature. 'Come,' she said; 'we must not part in this way. Let me not
misunderstand you. What is it that you expected me to do?'
Emily was wise enough to answer this time without any reserve. 'My husband will send his testimonials,
Miss, to Lord Montbarry in Scotland. I only wanted you to let him say in his letter that his wife has been
known to you since she was a child, and that you feel some little interest in his welfare on that account. I
don't ask it now, Miss. You have made me understand that I was wrong.'
Had she really been wrong? Past remembrances, as well as present troubles, pleaded powerfully with Agnes
for the courier's wife. 'It seems only a small favour to ask,' she said, speaking under the impulse of kindness
which was the strongest impulse in her nature. 'But I am not sure that I ought to allow my name to be
mentioned in your husband's letter. Let me hear again exactly what he wishes to say.' Emily repeated the
wordsand then offered one of those suggestions, which have a special value of their own to persons
unaccustomed to the use of their pens. 'Suppose you try, Miss, how it looks in writing?' Childish as the idea
was, Agnes tried the experiment. 'If I let you mention me,' she said, 'we must at least decide what you are to
say.' She wrote the words in the briefest and plainest form:'I venture to state that my wife has been known
from her childhood to Miss Agnes Lockwood, who feels some little interest in my welfare on that account.'
Reduced to this one sentence, there was surely nothing in the reference to her name which implied that Agnes
had permitted it, or that she was even aware of it. After a last struggle with herself, she handed the written
paper to Emily. 'Your husband must copy it exactly, without altering anything,' she stipulated. 'On that
condition, I grant your request.' Emily was not only thankfulshe was really touched. Agnes hurried the
little woman out of the room. 'Don't give me time to repent and take it back again,' she said. Emily vanished.
'Is the tie that once bound us completely broken? Am I as entirely parted from the good and evil fortune of
his life as if we had never met and never loved?' Agnes looked at the clock on the mantelpiece. Not ten
minutes since, those serious questions had been on her lips. It almost shocked her to think of the
commonplace manner in which they had already met with their reply. The mail of that night would appeal
once more to Montbarry's remembrance of her in the choice of a servant.
Two days later, the post brought a few grateful lines from Emily. Her husband had got the place. Ferrari was
engaged, for six months certain, as Lord Montbarry's courier.
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THE SECOND PART
CHAPTER V
After only one week of travelling in Scotland, my lord and my lady returned unexpectedly to London.
Introduced to the mountains and lakes of the Highlands, her ladyship positively declined to improve her
acquaintance with them. When she was asked for her reason, she answered with a Roman brevity, 'I have
seen Switzerland.'
For a week more, the newlymarried couple remained in London, in the strictest retirement. On one day in
that week the nurse returned in a state of most uncustomary excitement from an errand on which Agnes had
sent her. Passing the door of a fashionable dentist, she had met Lord Montbarry himself just leaving the
house. The good woman's report described him, with malicious pleasure, as looking wretchedly ill. 'His
cheeks are getting hollow, my dear, and his beard is turning grey. I hope the dentist hurt him!'
Knowing how heartily her faithful old servant hated the man who had deserted her, Agnes made due
allowance for a large infusion of exaggeration in the picture presented to her. The main impression produced
on her mind was an impression of nervous uneasiness. If she trusted herself in the streets by daylight while
Lord Montbarry remained in London, how could she be sure that his next chancemeeting might not be a
meeting with herself? She waited at home, privately ashamed of her own undignified conduct, for the next
two days. On the third day the fashionable intelligence of the newspapers announced the departure of Lord
and Lady Montbarry for Paris, on their way to Italy.
Mrs. Ferrari, calling the same evening, informed Agnes that her husband had left her with all reasonable
expression of conjugal kindness; his temper being improved by the prospect of going abroad. But one other
servant accompanied the travellersLady Montbarry's maid, rather a silent, unsociable woman, so far as
Emily had heard. Her ladyship's brother, Baron Rivar, was already on the Continent. It had been arranged that
he was to meet his sister and her husband at Rome.
One by one the dull weeks succeeded each other in the life of Agnes. She faced her position with admirable
courage, seeing her friends, keeping herself occupied in her leisure hours with reading and drawing, leaving
no means untried of diverting her mind from the melancholy remembrance of the past. But she had loved too
faithfully, she had been wounded too deeply, to feel in any adequate degree the influence of the moral
remedies which she employed. Persons who met with her in the ordinary relations of life, deceived by her
outward serenity of manner, agreed that 'Miss Lockwood seemed to be getting over her disappointment.' But
an old friend and school companion who happened to see her during a brief visit to London, was
inexpressibly distressed by the change that she detected in Agnes. This lady was Mrs. Westwick, the wife of
that brother of Lord Montbarry who came next to him in age, and who was described in the 'Peerage' as
presumptive heir to the title. He was then away, looking after his interests in some mining property which he
possessed in America. Mrs. Westwick insisted on taking Agnes back with her to her home in Ireland. 'Come
and keep me company while my husband is away. My three little girls will make you their playfellow, and
the only stranger you will meet is the governess, whom I answer for your liking beforehand. Pack up your
things, and I will call for you tomorrow on my way to the train.' In those hearty terms the invitation was
given. Agnes thankfully accepted it. For three happy months she lived under the roof of her friend. The girls
hung round her in tears at her departure; the youngest of them wanted to go back with Agnes to London. Half
in jest, half in earnest, she said to her old friend at parting, 'If your governess leaves you, keep the place open
for me.' Mrs. Westwick laughed. The wiser children took it seriously, and promised to let Agnes know.
On the very day when Miss Lockwood returned to London, she was recalled to those associations with the
past which she was most anxious to forget. After the first kissings and greetings were over, the old nurse
(who had been left in charge at the lodgings) had some startling information to communicate, derived from
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the courier's wife.
'Here has been little Mrs. Ferrari, my dear, in a dreadful state of mind, inquiring when you would be back.
Her husband has left Lord Montbarry, without a word of warningand nobody knows what has become of
him.'
Agnes looked at her in astonishment. 'Are you sure of what you are saying?' she asked.
The nurse was quite sure. 'Why, Lord bless you! the news comes from the couriers' office in Golden
Squarefrom the secretary, Miss Agnes, the secretary himself!' Hearing this, Agnes began to feel alarmed as
well as surprised. It was still early in the evening. She at once sent a message to Mrs. Ferrari, to say that she
had returned.
In an hour more the courier's wife appeared, in a state of agitation which it was not easy to control. Her
narrative, when she was at last able to speak connectedly, entirely confirmed the nurse's report of it.
After hearing from her husband with tolerable regularity from Paris, Rome, and Venice, Emily had twice
written to him afterwards and had received no reply. Feeling uneasy, she had gone to the office in Golden
Square, to inquire if he had been heard of there. The post of the morning had brought a letter to the secretary
from a courier then at Venice. It contained startling news of Ferrari. His wife had been allowed to take a copy
of it, which she now handed to Agnes to read.
The writer stated that he had recently arrived in Venice. He had previously heard that Ferrari was with Lord
and Lady Montbarry, at one of the old Venetian palaces which they had hired for a term. Being a friend of
Ferrari, he had gone to pay him a visit. Ringing at the door that opened on the canal, and failing to make
anyone hear him, he had gone round to a side entrance opening on one of the narrow lanes of Venice. Here,
standing at the door (as if she was waiting for him to try that way next), he found a pale woman with
magnificent dark eyes, who proved to be no other than Lady Montbarry herself.
She asked, in Italian, what he wanted. He answered that he wanted to see the courier Ferrari, if it was quite
convenient. She at once informed him that Ferrari had left the palace, without assigning any reason, and
without even leaving an address at which his monthly salary (then due to him) could be paid. Amazed at this
reply, the courier inquired if any person had offended Ferrari, or quarrelled with him. The lady answered, 'To
my knowledge, certainly not. I am Lady Montbarry; and I can positively assure you that Ferrari was treated
with the greatest kindness in this house. We are as much astonished as you are at his extraordinary
disappearance. If you should hear of him, pray let us know, so that we may at least pay him the money which
is due.'
After one or two more questions (quite readily answered) relating to the date and the time of day at which
Ferrari had left the palace, the courier took his leave.
He at once entered on the necessary investigationswithout the slightest result so far as Ferrari was
concerned. Nobody had seen him. Nobody appeared to have been taken into his confidence. Nobody knew
anything (that is to say, anything of the slightest importance) even about persons so distinguished as Lord and
Lady Montbarry. It was reported that her ladyship's English maid had left her, before the disappearance of
Ferrari, to return to her relatives in her own country, and that Lady Montbarry had taken no steps to supply
her place. His lordship was described as being in delicate health. He lived in the strictest retirementnobody
was admitted to him, not even his own countrymen. A stupid old woman was discovered who did the
housework at the palace, arriving in the morning and going away again at night. She had never seen the lost
courier she had never even seen Lord Montbarry, who was then confined to his room. Her ladyship, 'a
most gracious and adorable mistress,' was in constant attendance on her noble husband. There was no other
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servant then in the house (so far as the old woman knew) but herself. The meals were sent in from a
restaurant. My lord, it was said, disliked strangers. My lord's brotherinlaw, the Baron, was generally shut
up in a remote part of the palace, occupied (the gracious mistress said) with experiments in chemistry. The
experiments sometimes made a nasty smell. A doctor had latterly been called in to his lordshipan Italian
doctor, long resident in Venice. Inquiries being addressed to this gentleman (a physician of undoubted
capacity and respectability), it turned out that he also had never seen Ferrari, having been summoned to the
palace (as his memorandum book showed) at a date subsequent to the courier's disappearance. The doctor
described Lord Montbarry's malady as bronchitis. So far, there was no reason to feel any anxiety, though the
attack was a sharp one. If alarming symptoms should appear, he had arranged with her ladyship to call in
another physician. For the rest, it was impossible to speak too highly of my lady; night and day, she was at
her lord's bedside.
With these particulars began and ended the discoveries made by Ferrari's courierfriend. The police were on
the lookout for the lost man and that was the only hope which could be held forth for the present, to
Ferrari's wife.
'What do you think of it, Miss?' the poor woman asked eagerly. 'What would you advise me to do?'
Agnes was at a loss how to answer her; it was an effort even to listen to what Emily was saying. The
references in the courier's letter to Montbarrythe report of his illness, the melancholy picture of his
secluded lifehad reopened the old wound. She was not even thinking of the lost Ferrari; her mind was at
Venice, by the sick man's bedside.
'I hardly know what to say,' she answered. 'I have had no experience in serious matters of this kind.'
'Do you think it would help you, Miss, if you read my husband's letters to me? There are only three of
themthey won't take long to read.'
Agnes compassionately read the letters.
They were not written in a very tender tone. 'Dear Emily,' and 'Yours affectionately'these conventional
phrases, were the only phrases of endearment which they contained. In the first letter, Lord Montbarry was
not very favourably spoken of:'We leave Paris tomorrow. I don't much like my lord. He is proud and
cold, and, between ourselves, stingy in money matters. I have had to dispute such trifles as a few centimes in
the hotel bill; and twice already, some sharp remarks have passed between the newlymarried couple, in
consequence of her ladyship's freedom in purchasing pretty tempting things at the shops in Paris. "I can't
afford it; you must keep to your allowance." She has had to hear those words already. For my part, I like her.
She has the nice, easy foreign mannersshe talks to me as if I was a human being like herself.'
The second letter was dated from Rome.
'My lord's caprices' (Ferrari wrote) 'have kept us perpetually on the move. He is becoming incurably restless.
I suspect he is uneasy in his mind. Painful recollections, I should sayI find him constantly reading old
letters, when her ladyship is not present. We were to have stopped at Genoa, but he hurried us on. The same
thing at Florence. Here, at Rome, my lady insists on resting. Her brother has met us at this place. There has
been a quarrel already (the lady's maid tells me) between my lord and the Baron. The latter wanted to borrow
money of the former. His lordship refused in language which offended Baron Rivar. My lady pacified them,
and made them shake hands.'
The third, and last letter, was from Venice.
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'More of my lord's economy! Instead of staying at the hotel, we have hired a damp, mouldy, rambling old
palace. My lady insists on having the best suites of rooms wherever we goand the palace comes cheaper
for a two months' term. My lord tried to get it for longer; he says the quiet of Venice is good for his nerves.
But a foreign speculator has secured the palace, and is going to turn it into an hotel. The Baron is still with us,
and there have been more disagreements about money matters. I don't like the Baron and I don't find the
attractions of my lady grow on me. She was much nicer before the Baron joined us. My lord is a punctual
paymaster; it's a matter of honour with him; he hates parting with his money, but he does it because he has
given his word. I receive my salary regularly at the end of each monthnot a franc extra, though I have done
many things which are not part of a courier's proper work. Fancy the Baron trying to borrow money of me! he
is an inveterate gambler. I didn't believe it when my lady's maid first told me so but I have seen enough
since to satisfy me that she was right. I have seen other things besides, whichwell! which don't increase my
respect for my lady and the Baron. The maid says she means to give warning to leave. She is a respectable
British female, and doesn't take things quite so easily as I do. It is a dull life here. No going into
companyno company at homenot a creature sees my lord not even the consul, or the banker. When he
goes out, he goes alone, and generally towards nightfall. Indoors, he shuts himself up in his own room with
his books, and sees as little of his wife and the Baron as possible. I fancy things are coming to a crisis here. If
my lord's suspicions are once awakened, the consequences will be terrible. Under certain provocations, the
noble Montbarry is a man who would stick at nothing. However, the pay is good and I can't afford to talk
of leaving the place, like my lady's maid.'
Agnes handed back the lettersso suggestive of the penalty paid already for his own infatuation by the man
who had deserted her! with feelings of shame and distress, which made her no fit counsellor for the
helpless woman who depended on her advice.
'The one thing I can suggest,' she said, after first speaking some kind words of comfort and hope, 'is that we
should consult a person of greater experience than ours. Suppose I write and ask my lawyer (who is also my
friend and trustee) to come and advise us tomorrow after his business hours?'
Emily eagerly and gratefully accepted the suggestion. An hour was arranged for the meeting on the next day;
the correspondence was left under the care of Agnes; and the courier's wife took her leave.
Weary and heartsick, Agnes lay down on the sofa, to rest and compose herself. The careful nurse brought in a
reviving cup of tea. Her quaint gossip about herself and her occupations while Agnes had been away, acted as
a relief to her mistress's overburdened mind. They were still talking quietly, when they were startled by a
loud knock at the house door. Hurried footsteps ascended the stairs. The door of the sittingroom was thrown
open violently; the courier's wife rushed in like a mad woman. 'He's dead! They've murdered him!' Those
wild words were all she could say. She dropped on her knees at the foot of the sofaheld out her hand with
something clasped in itand fell back in a swoon.
The nurse, signing to Agnes to open the window, took the necessary measures to restore the fainting woman.
'What's this?' she exclaimed. 'Here's a letter in her hand. See what it is, Miss.'
The open envelope was addressed (evidently in a feigned handwriting) to 'Mrs. Ferrari.' The postmark was
'Venice.' The contents of the envelope were a sheet of foreign notepaper, and a folded enclosure.
On the notepaper, one line only was written. It was again in a feigned handwriting, and it contained these
words:
'To console you for the loss of your husband'
Agnes opened the enclosure next.
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It was a Bank of England note for a thousand pounds.
CHAPTER VI
The next day, the friend and legal adviser of Agnes Lockwood, Mr. Troy, called on her by appointment in the
evening.
Mrs. Ferraristill persisting in the conviction of her husband's death had sufficiently recovered to be
present at the consultation. Assisted by Agnes, she told the lawyer the little that was known relating to
Ferrari's disappearance, and then produced the correspondence connected with that event. Mr. Troy read
(first) the three letters addressed by Ferrari to his wife; (secondly) the letter written by Ferrari's
courierfriend, describing his visit to the palace and his interview with Lady Montbarry; and (thirdly) the one
line of anonymous writing which had accompanied the extraordinary gift of a thousand pounds to Ferrari's
wife.
Well known, at a later period, as the lawyer who acted for Lady Lydiard, in the case of theft, generally
described as the case of 'My Lady's Money,' Mr. Troy was not only a man of learning and experience in his
profession he was also a man who had seen something of society at home and abroad. He possessed a keen
eye for character, a quaint humour, and a kindly nature which had not been deteriorated even by a lawyer's
professional experience of mankind. With all these personal advantages, it is a question, nevertheless,
whether he was the fittest adviser whom Agnes could have chosen under the circumstances. Little Mrs.
Ferrari, with many domestic merits, was an essentially commonplace woman. Mr. Troy was the last person
living who was likely to attract her sympathieshe was the exact opposite of a commonplace man.
'She looks very ill, poor thing!' In these words the lawyer opened the business of the evening, referring to
Mrs. Ferrari as unceremoniously as if she had been out of the room.
'She has suffered a terrible shock,' Agnes answered.
Mr. Troy turned to Mrs. Ferrari, and looked at her again, with the interest due to the victim of a shock. He
drummed absently with his fingers on the table. At last he spoke to her.
'My good lady, you don't really believe that your husband is dead?'
Mrs. Ferrari put her handkerchief to her eyes. The word 'dead' was ineffectual to express her feelings.
'Murdered!' she said sternly, behind her handkerchief.
'Why? And by whom?' Mr. Troy asked.
Mrs. Ferrari seemed to have some difficulty in answering. 'You have read my husband's letters, sir,' she
began. 'I believe he discovered' She got as far as that, and there she stopped.
'What did he discover?'
There are limits to human patienceeven the patience of a bereaved wife. This cool question irritated Mrs.
Ferrari into expressing herself plainly at last.
'He discovered Lady Montbarry and the Baron!' she answered, with a burst of hysterical vehemence. 'The
Baron is no more that vile woman's brother than I am. The wickedness of those two wretches came to my
poor dear husband's knowledge. The lady's maid left her place on account of it. If Ferrari had gone away too,
he would have been alive at this moment. They have killed him. I say they have killed him, to prevent it from
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getting to Lord Montbarry's ears.' So, in short sharp sentences, and in louder and louder accents, Mrs. Ferrari
stated her opinion of the case.
Still keeping his own view in reserve, Mr. Troy listened with an expression of satirical approval.
'Very strongly stated, Mrs. Ferrari,' he said. 'You build up your sentences well; you clinch your conclusions in
a workmanlike manner. If you had been a man, you would have made a good lawyer you would have
taken juries by the scruff of their necks. Complete the case, my good ladycomplete the case. Tell us next
who sent you this letter, enclosing the banknote. The "two wretches" who murdered Mr. Ferrari would
hardly put their hands in their pockets and send you a thousand pounds. Who is iteh? I see the postmark
on the letter is "Venice." Have you any friend in that interesting city, with a large heart, and a purse to
correspond, who has been let into the secret and who wishes to console you anonymously?'
It was not easy to reply to this. Mrs. Ferrari began to feel the first inward approaches of something like hatred
towards Mr. Troy. 'I don't understand you, sir,' she answered. 'I don't think this is a joking matter.'
Agnes interfered, for the first time. She drew her chair a little nearer to her legal counsellor and friend.
'What is the most probable explanation, in your opinion?' she asked.
'I shall offend Mrs. Ferrari if I tell you,' Mr. Troy answered.
'No, sir, you won't!' cried Mrs. Ferrari, hating Mr. Troy undisguisedly by this time.
The lawyer leaned back in his chair. 'Very well,' he said, in his most goodhumoured manner. 'Let's have it
out. Observe, madam, I don't dispute your view of the position of affairs at the palace in Venice. You have
your husband's letters to justify you; and you have also the significant fact that Lady Montbarry's maid did
really leave the house. We will say, then, that Lord Montbarry has presumably been made the victim of a foul
wrong that Mr. Ferrari was the first to find it outand that the guilty persons had reason to fear, not only
that he would acquaint Lord Montbarry with his discovery, but that he would be a principal witness against
them if the scandal was made public in a court of law. Now mark! Admitting all this, I draw a totally different
conclusion from the conclusion at which you have arrived. Here is your husband left in this miserable
household of three, under very awkward circumstances for him. What does he do? But for the banknote and
the written message sent to you with it, I should say that he had wisely withdrawn himself from association
with a disgraceful discovery and exposure, by taking secretly to flight. The money modifies this
viewunfavourably so far as Mr. Ferrari is concerned. I still believe he is keeping out of the way. But I now
say he is paid for keeping out of the wayand that banknote there on the table is the price of his absence,
sent by the guilty persons to his wife.'
Mrs. Ferrari's watery grey eyes brightened suddenly; Mrs. Ferrari's dull drabcoloured complexion became
enlivened by a glow of brilliant red.
'It's false!' she cried. 'It's a burning shame to speak of my husband in that way!'
'I told you I should offend you!' said Mr. Troy.
Agnes interposed once morein the interests of peace. She took the offended wife's hand; she appealed to
the lawyer to reconsider that side of his theory which reflected harshly on Ferrari. While she was still
speaking, the servant interrupted her by entering the room with a visitingcard. It was the card of Henry
Westwick; and there was an ominous request written on it in pencil. 'I bring bad news. Let me see you for a
minute downstairs.' Agnes immediately left the room.
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Alone with Mrs. Ferrari, Mr. Troy permitted his natural kindness of heart to show itself on the surface at last.
He tried to make his peace with the courier's wife.
'You have every claim, my good soul, to resent a reflection cast upon your husband,' he began. 'I may even
say that I respect you for speaking so warmly in his defence. At the same time, remember, that I am bound, in
such a serious matter as this, to tell you what is really in my mind. I can have no intention of offending you,
seeing that I am a total stranger to you and to Mr. Ferrari. A thousand pounds is a large sum of money; and a
poor man may excusably be tempted by it to do nothing worse than to keep out of the way for a while. My
only interest, acting on your behalf, is to get at the truth. If you will give me time, I see no reason to despair
of finding your husband yet.'
Ferrari's wife listened, without being convinced: her narrow little mind, filled to its extreme capacity by her
unfavourable opinion of Mr. Troy, had no room left for the process of correcting its first impression. 'I am
much obliged to you, sir,' was all she said. Her eyes were more communicativeher eyes added, in their
language, 'You may say what you please; I will never forgive you to my dying day.'
Mr. Troy gave it up. He composedly wheeled his chair around, put his hands in his pockets, and looked out of
window.
After an interval of silence, the drawingroom door was opened.
Mr. Troy wheeled round again briskly to the table, expecting to see Agnes. To his surprise there appeared, in
her place, a perfect stranger to him a gentleman, in the prime of life, with a marked expression of pain and
embarrassment on his handsome face. He looked at Mr. Troy, and bowed gravely.
'I am so unfortunate as to have brought news to Miss Agnes Lockwood which has greatly distressed her,' he
said. 'She has retired to her room. I am requested to make her excuses, and to speak to you in her place.'
Having introduced himself in those terms, he noticed Mrs. Ferrari, and held out his hand to her kindly. 'It is
some years since we last met, Emily,' he said. 'I am afraid you have almost forgotten the "Master Henry" of
old times.' Emily, in some little confusion, made her acknowledgments, and begged to know if she could be
of any use to Miss Lockwood. 'The old nurse is with her,' Henry answered; 'they will be better left together.'
He turned once more to Mr. Troy. 'I ought to tell you,' he said, 'that my name is Henry Westwick. I am the
younger brother of the late Lord Montbarry.'
'The late Lord Montbarry!' Mr. Troy exclaimed.
'My brother died at Venice yesterday evening. There is the telegram.' With that startling answer, he handed
the paper to Mr. Troy.
The message was in these words:
'Lady Montbarry, Venice. To Stephen Robert Westwick, Newbury's Hotel, London. It is useless to take the
journey. Lord Montbarry died of bronchitis, at 8.40 this evening. All needful details by post.'
'Was this expected, sir?' the lawyer asked.
'I cannot say that it has taken us entirely by surprise, Henry answered. 'My brother Stephen (who is now the
head of the family) received a telegram three days since, informing him that alarming symptoms had declared
themselves, and that a second physician had been called in. He telegraphed back to say that he had left
Ireland for London, on his way to Venice, and to direct that any further message might be sent to his hotel.
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The reply came in a second telegram. It announced that Lord Montbarry was in a state of insensibility, and
that, in his brief intervals of consciousness, he recognised nobody. My brother was advised to wait in London
for later information. The third telegram is now in your hands. That is all I know, up to the present time.'
Happening to look at the courier's wife, Mr. Troy was struck by the expression of blank fear which showed
itself in the woman's face.
'Mrs. Ferrari,' he said, 'have you heard what Mr. Westwick has just told me?'
'Every word of it, sir.'
'Have you any questions to ask?'
'No, sir.'
'You seem to be alarmed,' the lawyer persisted. 'Is it still about your husband?'
'I shall never see my husband again, sir. I have thought so all along, as you know. I feel sure of it now.'
'Sure of it, after what you have just heard?'
'Yes, sir.'
'Can you tell me why?'
'No, sir. It's a feeling I have. I can't tell why.'
'Oh, a feeling?' Mr. Troy repeated, in a tone of compassionate contempt. 'When it comes to feelings, my good
soul!' He left the sentence unfinished, and rose to take his leave of Mr. Westwick. The truth is, he began to
feel puzzled himself, and he did not choose to let Mrs. Ferrari see it. 'Accept the expression of my sympathy,
sir,' he said to Mr. Westwick politely. 'I wish you good evening.'
Henry turned to Mrs. Ferrari as the lawyer closed the door. 'I have heard of your trouble, Emily, from Miss
Lockwood. Is there anything I can do to help you?'
'Nothing, sir, thank you. Perhaps, I had better go home after what has happened? I will call tomorrow, and
see if I can be of any use to Miss Agnes. I am very sorry for her.' She stole away, with her formal curtsey, her
noiseless step, and her obstinate resolution to take the gloomiest view of her husband's case.
Henry Westwick looked round him in the solitude of the little drawingroom. There was nothing to keep him
in the house, and yet he lingered in it. It was something to be even near Agnesto see the things belonging
to her that were scattered about the room. There, in the corner, was her chair, with her embroidery on the
worktable by its side. On the little easel near the window was her last drawing, not quite finished yet. The
book she had been reading lay on the sofa, with her tiny pencilcase in it to mark the place at which she had
left off. One after another, he looked at the objects that reminded him of the woman whom he lovedtook
them up tenderly and laid them down again with a sigh. Ah, how far, how unattainably far from him, she
was still! 'She will never forget Montbarry,' he thought to himself as he took up his hat to go. 'Not one of us
feels his death as she feels it. Miserable, miserable wretchhow she loved him!'
In the street, as Henry closed the housedoor, he was stopped by a passing acquaintancea wearisome
inquisitive man doubly unwelcome to him, at that moment. 'Sad news, Westwick, this about your brother.
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Rather an unexpected death, wasn't it? We never heard at the club that Montbarry's lungs were weak. What
will the insurance offices do?'
Henry started; he had never thought of his brother's life insurance. What could the offices do but pay? A
death by bronchitis, certified by two physicians, was surely the least disputable of all deaths. 'I wish you
hadn't put that question into my head!' he broke out irritably. 'Ah!' said his friend, 'you think the widow will
get the money? So do I! so do I!'
CHAPTER VII
Some days later, the insurance offices (two in number) received the formal announcement of Lord
Montbarry's death, from her ladyship's London solicitors. The sum insured in each office was five thousand
poundson which one year's premium only had been paid. In the face of such a pecuniary emergency as
this, the Directors thought it desirable to consider their position. The medical advisers of the two offices, who
had recommended the insurance of Lord Montbarry's life, were called into council over their own reports.
The result excited some interest among persons connected with the business of life insurance. Without
absolutely declining to pay the money, the two offices (acting in concert) decided on sending a commission
of inquiry to Venice, 'for the purpose of obtaining further information.'
Mr. Troy received the earliest intelligence of what was going on. He wrote at once to communicate his news
to Agnes; adding, what he considered to be a valuable hint, in these words:
'You are intimately acquainted, I know, with Lady Barville, the late Lord Montbarry's eldest sister. The
solicitors employed by her husband are also the solicitors to one of the two insurance offices. There may
possibly be something in the report of the commission of inquiry touching on Ferrari's disappearance.
Ordinary persons would not be permitted, of course, to see such a document. But a sister of the late lord is so
near a relative as to be an exception to general rules. If Sir Theodore Barville puts it on that footing, the
lawyers, even if they do not allow his wife to look at the report, will at least answer any discreet questions she
may ask referring to it. Let me hear what you think of this suggestion, at your earliest convenience.'
The reply was received by return of post. Agnes declined to avail herself of Mr. Troy's proposal.
'My interference, innocent as it was,' she wrote, 'has already been productive of such deplorable results, that I
cannot and dare not stir any further in the case of Ferrari. If I had not consented to let that unfortunate man
refer to me by name, the late Lord Montbarry would never have engaged him, and his wife would have been
spared the misery and suspense from which she is suffering now. I would not even look at the report to which
you allude if it was placed in my handsI have heard more than enough already of that hideous life in the
palace at Venice. If Mrs. Ferrari chooses to address herself to Lady Barville (with your assistance), that is of
course quite another thing. But, even in this case, I must make it a positive condition that my name shall not
be mentioned. Forgive me, dear Mr. Troy! I am very unhappy, and very unreasonablebut I am only a
woman, and you must not expect too much from me.'
Foiled in this direction, the lawyer next advised making the attempt to discover the present address of Lady
Montbarry's English maid. This excellent suggestion had one drawback: it could only be carried out by
spending moneyand there was no money to spend. Mrs. Ferrari shrank from the bare idea of making any
use of the thousandpound note. It had been deposited in the safe keeping of a bank. If it was even mentioned
in her hearing, she shuddered and referred to it, with melodramatic fervour, as 'my husband's bloodmoney!'
So, under stress of circumstances, the attempt to solve the mystery of Ferrari's disappearance was suspended
for a while.
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It was the last month of the year 1860. The commission of inquiry was already at work; having begun its
investigations on December 6. On the 10th, the term for which the late Lord Montbarry had hired the
Venetian palace, expired. News by telegram reached the insurance offices that Lady Montbarry had been
advised by her lawyers to leave for London with as little delay as possible. Baron Rivar, it was believed,
would accompany her to England, but would not remain in that country, unless his services were absolutely
required by her ladyship. The Baron, 'well known as an enthusiastic student of chemistry,' had heard of
certain recent discoveries in connection with that science in the United States, and was anxious to investigate
them personally.
These items of news, collected by Mr. Troy, were duly communicated to Mrs. Ferrari, whose anxiety about
her husband made her a frequent, a too frequent, visitor at the lawyer's office. She attempted to relate what
she had heard to her good friend and protectress. Agnes steadily refused to listen, and positively forbade any
further conversation relating to Lord Montbarry's wife, now that Lord Montbarry was no more. 'You have
Mr. Troy to advise you,' she said; 'and you are welcome to what little money I can spare, if money is wanted.
All I ask in return is that you will not distress me. I am trying to separate myself from remembrances'her
voice faltered; she paused to control herself'from remembrances,' she resumed, 'which are sadder than ever
since I have heard of Lord Montbarry's death. Help me by your silence to recover my spirits, if I can. Let me
hear nothing more, until I can rejoice with you that your husband is found.'
Time advanced to the 13th of the month; and more information of the interesting sort reached Mr. Troy. The
labours of the insurance commission had come to an endthe report had been received from Venice on that
day.
CHAPTER VIII
On the 14th the Directors and their legal advisers met for the reading of the report, with closed doors. These
were the terms in which the Commissioners related the results of their inquiry: 'Private and confidential.
'We have the honour to inform our Directors that we arrived in Venice on December 6, 1860. On the same
day we proceeded to the palace inhabited by Lord Montbarry at the time of his last illness and death.
'We were received with all possible courtesy by Lady Montbarry's brother, Baron Rivar. "My sister was her
husband's only attendant throughout his illness," the Baron informed us. "She is overwhelmed by grief and
fatigueor she would have been here to receive you personally. What are your wishes, gentlemen? and what
can I do for you in her ladyship's place?"
'In accordance with our instructions, we answered that the death and burial of Lord Montbarry abroad made it
desirable to obtain more complete information relating to his illness, and to the circumstances which had
attended it, than could be conveyed in writing. We explained that the law provided for the lapse of a certain
interval of time before the payment of the sum assured, and we expressed our wish to conduct the inquiry
with the most respectful consideration for her ladyship's feelings, and for the convenience of any other
members of the family inhabiting the house.
'To this the Baron replied, "I am the only member of the family living here, and I and the palace are entirely
at your disposal." From first to last we found this gentleman perfectly straighforward, and most amiably
willing to assist us.
'With the one exception of her ladyship's room, we went over the whole of the palace the same day. It is an
immense place only partially furnished. The first floor and part of the second floor were the portions of it that
had been inhabited by Lord Montbarry and the members of the household. We saw the bedchamber, at one
extremity of the palace, in which his lordship died, and the small room communicating with it, which he used
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as a study. Next to this was a large apartment or hall, the doors of which he habitually kept locked, his object
being (as we were informed) to pursue his studies uninterruptedly in perfect solitude. On the other side of the
large hall were the bedchamber occupied by her ladyship, and the dressingroom in which the maid slept
previous to her departure for England. Beyond these were the dining and reception rooms, opening into an
antechamber, which gave access to the grand staircase of the palace.
'The only inhabited rooms on the second floor were the sittingroom and bedroom occupied by Baron Rivar,
and another room at some distance from it, which had been the bedroom of the courier Ferrari.
'The rooms on the third floor and on the basement were completely unfurnished, and in a condition of great
neglect. We inquired if there was anything to be seen below the basement and we were at once informed
that there were vaults beneath, which we were at perfect liberty to visit.
'We went down, so as to leave no part of the palace unexplored. The vaults were, it was believed, used as
dungeons in the old times say, some centuries since. Air and light were only partially admitted to these
dismal places by two long shafts of winding construction, which communicated with the back yard of the
palace, and the openings of which, high above the ground, were protected by iron gratings. The stone stairs
leading down into the vaults could be closed at will by a heavy trapdoor in the back hall, which we found
open. The Baron himself led the way down the stairs. We remarked that it might be awkward if that
trapdoor fell down and closed the opening behind us. The Baron smiled at the idea. "Don't be alarmed,
gentlemen," he said; "the door is safe. I had an interest in seeing to it myself, when we first inhabited the
palace. My favourite study is the study of experimental chemistryand my workshop, since we have been in
Venice, is down here."
'These last words explained a curious smell in the vaults, which we noticed the moment we entered them. We
can only describe the smell by saying that it was of a twofold sortfaintly aromatic, as it were, in its first
effect, but with some afterodour very sickening in our nostrils. The Baron's furnaces and retorts, and other
things, were all there to speak for themselves, together with some packages of chemicals, having the name
and address of the person who had supplied them plainly visible on their labels. "Not a pleasant place for
study," Baron Rivar observed, "but my sister is timid. She has a horror of chemical smells and explosions
and she has banished me to these lower regions, so that my experiments may neither be smelt nor heard." He
held out his hands, on which we had noticed that he wore gloves in the house. "Accidents will happen
sometimes," he said, "no matter how careful a man may be. I burnt my hands severely in trying a new
combination the other day, and they are only recovering now."
'We mention these otherwise unimportant incidents, in order to show that our exploration of the palace was
not impeded by any attempt at concealment. We were even admitted to her ladyship's own room on a
subsequent occasion, when she went out to take the air. Our instructions recommended us to examine his
lordship's residence, because the extreme privacy of his life at Venice, and the remarkable departure of the
only two servants in the house, might have some suspicious connection with the nature of his death. We
found nothing to justify suspicion.
'As to his lordship's retired way of life, we have conversed on the subject with the consul and the
bankerthe only two strangers who held any communication with him. He called once at the bank to obtain
money on his letter of credit, and excused himself from accepting an invitation to visit the banker at his
private residence, on the ground of delicate health. His lordship wrote to the same effect on sending his card
to the consul, to excuse himself from personally returning that gentleman's visit to the palace. We have seen
the letter, and we beg to offer the following copy of it. "Many years passed in India have injured my
constitution. I have ceased to go into society; the one occupation of my life now is the study of Oriental
literature. The air of Italy is better for me than the air of England, or I should never have left home. Pray
accept the apologies of a student and an invalid. The active part of my life is at an end." The selfseclusion of
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his lordship seems to us to be explained in these brief lines. We have not, however, on that account spared
our inquiries in other directions. Nothing to excite a suspicion of anything wrong has come to our knowledge.
'As to the departure of the lady's maid, we have seen the woman's receipt for her wages, in which it is
expressly stated that she left Lady Montbarry's service because she disliked the Continent, and wished to get
back to her own country. This is not an uncommon result of taking English servants to foreign parts. Lady
Montbarry has informed us that she abstained from engaging another maid in consequence of the extreme
dislike which his lordship expressed to having strangers in the house, in the state of his health at that time.
'The disappearance of the courier Ferrari is, in itself, unquestionably a suspicious circumstance. Neither her
ladyship nor the Baron can explain it; and no investigation that we could make has thrown the smallest light
on this event, or has justified us in associating it, directly or indirectly, with the object of our inquiry. We
have even gone the length of examining the portmanteau which Ferrari left behind him. It contains nothing
but clothes and linen no money, and not even a scrap of paper in the pockets of the clothes. The
portmanteau remains in charge of the police.
'We have also found opportunities of speaking privately to the old woman who attends to the rooms occupied
by her ladyship and the Baron. She was recommended to fill this situation by the keeper of the restaurant who
has supplied the meals to the family throughout the period of their residence at the palace. Her character is
most favourably spoken of. Unfortunately, her limited intelligence makes her of no value as a witness. We
were patient and careful in questioning her, and we found her perfectly willing to answer us; but we could
elicit nothing which is worth including in the present report.
'On the second day of our inquiries, we had the honour of an interview with Lady Montbarry. Her ladyship
looked miserably worn and ill, and seemed to be quite at a loss to understand what we wanted with her.
Baron Rivar, who introduced us, explained the nature of our errand in Venice, and took pains to assure her
that it was a purely formal duty on which we were engaged. Having satisfied her ladyship on this point, he
discreetly left the room.
'The questions which we addressed to Lady Montbarry related mainly, of course, to his lordship's illness. The
answers, given with great nervousness of manner, but without the slightest appearance of reserve, informed
us of the facts that follow:
'Lord Montbarry had been out of order for some time past nervous and irritable. He first complained of
having taken cold on November 13 last; he passed a wakeful and feverish night, and remained in bed the next
day. Her ladyship proposed sending for medical advice. He refused to allow her to do this, saying that he
could quite easily be his own doctor in such a trifling matter as a cold. Some hot lemonade was made at his
request, with a view to producing perspiration. Lady Montbarry's maid having left her at that time, the courier
Ferrari (then the only servant in the house) went out to buy the lemons. Her ladyship made the drink with her
own hands. It was successful in producing perspirationand Lord Montbarry had some hours of sleep
afterwards. Later in the day, having need of Ferrari's services, Lady Montbarry rang for him. The bell was not
answered. Baron Rivar searched for the man, in the palace and out of it, in vain. From that time forth not a
trace of Ferrari could be discovered. This happened on November 14.
'On the night of the 14th, the feverish symptoms accompanying his lordship's cold returned. They were in
part perhaps attributable to the annoyance and alarm caused by Ferrari's mysterious disappearance. It had
been impossible to conceal the circumstance, as his lordship rang repeatedly for the courier; insisting that the
man should relieve Lady Montbarry and the Baron by taking their places during the night at his bedside.
'On the 15th (the day on which the old woman first came to do the housework), his lordship complained of
sore throat, and of a feeling of oppression on the chest. On this day, and again on the 16th, her ladyship and
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the Baron entreated him to see a doctor. He still refused. "I don't want strange faces about me; my cold will
run its course, in spite of the doctor," that was his answer. On the 17th he was so much worse that it was
decided to send for medical help whether he liked it or not. Baron Rivar, after inquiry at the consul's, secured
the services of Doctor Bruno, well known as an eminent physician in Venice; with the additional
recommendation of having resided in England, and having made himself acquainted with English forms of
medical practice.
'Thus far our account of his lordship's illness has been derived from statements made by Lady Montbarry.
The narrative will now be most fitly continued in the language of the doctor's own report, herewith subjoined.
'"My medical diary informs me that I first saw the English Lord Montbarry, on November 17. He was
suffering from a sharp attack of bronchitis. Some precious time had been lost, through his obstinate objection
to the presence of a medical man at his bedside. Generally speaking, he appeared to be in a delicate state of
health. His nervous system was out of orderhe was at once timid and contradictory. When I spoke to him
in English, he answered in Italian; and when I tried him in Italian, he went back to English. It mattered
littlethe malady had already made such progress that he could only speak a few words at a time, and those
in a whisper.
'"I at once applied the necessary remedies. Copies of my prescriptions (with translation into English)
accompany the present statement, and are left to speak for themselves.
'"For the next three days I was in constant attendance on my patient. He answered to the remedies
employedimproving slowly, but decidedly. I could conscientiously assure Lady Montbarry that no danger
was to be apprehended thus far. She was indeed a most devoted wife. I vainly endeavoured to induce her to
accept the services of a competent nurse; she would allow nobody to attend on her husband but herself. Night
and day this estimable woman was at his bedside. In her brief intervals of repose, her brother watched the
sick man in her place. This brother was, I must say, very good company, in the intervals when we had time
for a little talk. He dabbled in chemistry, down in the horrid underwater vaults of the palace; and he wanted
to show me some of his experiments. I have enough of chemistry in writing prescriptionsand I declined.
He took it quite goodhumouredly.
'"I am straying away from my subject. Let me return to the sick lord.
'"Up to the 20th, then, things went well enough. I was quite unprepared for the disastrous change that showed
itself, when I paid Lord Montbarry my morning visit on the 21st. He had relapsed, and seriously relapsed.
Examining him to discover the cause, I found symptoms of pneumoniathat is to say, in unmedical
language, inflammation of the substance of the lungs. He breathed with difficulty, and was only partially able
to relieve himself by coughing. I made the strictest inquiries, and was assured that his medicine had been
administered as carefully as usual, and that he had not been exposed to any changes of temperature. It was
with great reluctance that I added to Lady Montbarry's distress; but I felt bound, when she suggested a
consultation with another physician, to own that I too thought there was really need for it.
'"Her ladyship instructed me to spare no expense, and to get the best medical opinion in Italy. The best
opinion was happily within our reach. The first and foremost of Italian physicians is Torello of Padua. I sent a
special messenger for the great man. He arrived on the evening of the 21 st, and confirmed my opinion that
pneumonia had set in, and that our patient's life was in danger. I told him what my treatment of the case had
been, and he approved of it in every particular. He made some valuable suggestions, and (at Lady
Montbarry's express request) he consented to defer his return to Padua until the following morning.
'"We both saw the patient at intervals in the course of the night. The disease, steadily advancing, set our
utmost resistance at defiance. In the morning Doctor Torello took his leave. 'I can be of no further use,' he
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said to me. 'The man is past all helpand he ought to know it.'
'"Later in the day I warned my lord, as gently as I could, that his time had come. I am informed that there are
serious reasons for my stating what passed between us on this occasion, in detail, and without any reserve. I
comply with the request.
'"Lord Montbarry received the intelligence of his approaching death with becoming composure, but with a
certain doubt. He signed to me to put my ear to his mouth. He whispered faintly, 'Are you sure?' It was no
time to deceive him; I said, 'Positively sure.' He waited a little, gasping for breath, and then he whispered
again, 'Feel under my pillow.' I found under his pillow a letter, sealed and stamped, ready for the post. His
next words were just audible and no more'Post it yourself.' I answered, of course, that I would do soand
I did post the letter with my own hand. I looked at the address. It was directed to a lady in London. The street
I cannot remember. The name I can perfectly recall: it was an Italian name'Mrs. Ferrari.'
'"That night my lord nearly died of asphyxia. I got him through it for the time; and his eyes showed that he
understood me when I told him, the next morning, that I had posted the letter. This was his last effort of
consciousness. When I saw him again he was sunk in apathy. He lingered in a state of insensibility, supported
by stimulants, until the 25th, and died (unconscious to the last) on the evening of that day.
'"As to the cause of his death, it seems (if I may be excused for saying so) simply absurd to ask the question.
Bronchitis, terminating in pneumoniathere is no more doubt that this, and this only, was the malady of
which he expired, than that two and two make four. Doctor Torello's own note of the case is added here to a
duplicate of my certificate, in order (as I am informed) to satisfy some English offices in which his lordship's
life was insured. The English offices must have been founded by that celebrated saint and doubter, mentioned
in the New Testament, whose name was Thomas!"
'Doctor Bruno's evidence ends here.
'Reverting for a moment to our inquiries addressed to Lady Montbarry, we have to report that she can give us
no information on the subject of the letter which the doctor posted at Lord Montbarry's request. When his
lordship wrote it? what it contained? why he kept it a secret from Lady Montbarry (and from the Baron also);
and why he should write at all to the wife of his courier? these are questions to which we find it simply
impossible to obtain any replies. It seems even useless to say that the matter is open to suspicion. Suspicion
implies conjecture of some kind and the letter under my lord's pillow baffles all conjecture. Application to
Mrs. Ferrari may perhaps clear up the mystery. Her residence in London will be easily discovered at the
Italian Couriers' Office, Golden Square.
'Having arrived at the close of the present report, we have now to draw your attention to the conclusion which
is justified by the results of our investigation.
'The plain question before our Directors and ourselves appears to be this: Has the inquiry revealed any
extraordinary circumstances which render the death of Lord Montbarry open to suspicion? The inquiry has
revealed extraordinary circumstances beyond all doubtsuch as the disappearance of Ferrari, the remarkable
absence of the customary establishment of servants in the house, and the mysterious letter which his lordship
asked the doctor to post. But where is the proof that any one of these circumstances is
associatedsuspiciously and directly associatedwith the only event which concerns us, the event of Lord
Montbarry's death? In the absence of any such proof, and in the face of the evidence of two eminent
physicians, it is impossible to dispute the statement on the certificate that his lordship died a natural death.
We are bound, therefore, to report, that there are no valid grounds for refusing the payment of the sum for
which the late Lord Montbarry's life was assured.
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'We shall send these lines to you by the post of tomorrow, December 10; leaving time to receive your
further instructions (if any), in reply to our telegram of this evening announcing the conclusion of the
inquiry.'
CHAPTER IX
'Now, my good creature, whatever you have to say to me, out with it at once! I don't want to hurry you
needlessly; but these are business hours, and I have other people's affairs to attend to besides yours.'
Addressing Ferrari's wife, with his usual blunt goodhumour, in these terms, Mr. Troy registered the lapse of
time by a glance at the watch on his desk, and then waited to hear what his client had to say to him.
'It's something more, sir, about the letter with the thousandpound note,' Mrs. Ferrari began. 'I have found out
who sent it to me.'
Mr. Troy started. 'This is news indeed!' he said. 'Who sent you the letter?'
'Lord Montbarry sent it, sir.'
It was not easy to take Mr. Troy by surprise. But Mrs. Ferrari threw him completely off his balance. For a
while he could only look at her in silent surprise. 'Nonsense!' he said, as soon as he had recovered himself.
'There is some mistake it can't be!'
'There is no mistake,' Mrs. Ferrari rejoined, in her most positive manner. 'Two gentlemen from the insurance
offices called on me this morning, to see the letter. They were completely puzzledespecially when they
heard of the banknote inside. But they know who sent the letter. His lordship's doctor in Venice posted it at
his lordship's request. Go to the gentlemen yourself, sir, if you don't believe me. They were polite enough to
ask if I could account for Lord Montbarry's writing to me and sending me the money. I gave them my opinion
directly I said it was like his lordship's kindness.'
'Like his lordship's kindness?' Mr. Troy repeated, in blank amazement.
'Yes, sir! Lord Montbarry knew me, like all the other members of his family, when I was at school on the
estate in Ireland. If he could have done it, he would have protected my poor dear husband. But he was
helpless himself in the hands of my lady and the Baron and the only kind thing he could do was to provide
for me in my widowhood, like the true nobleman he was!'
'A very pretty explanation!' said Mr. Troy. 'What did your visitors from the insurance offices think of it?'
'They asked if I had any proof of my husband's death.'
'And what did you say?'
'I said, "I give you better than proof, gentlemen; I give you my positive opinion."'
'That satisfied them, of course?'
'They didn't say so in words, sir. They looked at each other and wished me goodmorning.'
'Well, Mrs. Ferrari, unless you have some more extraordinary news for me, I think I shall wish you
goodmorning too. I can take a note of your information (very startling information, I own); and, in the
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absence of proof, I can do no more.'
'I can provide you with proof, sirif that is all you want,' said Mrs. Ferrari, with great dignity. 'I only wish to
know, first, whether the law justifies me in doing it. You may have seen in the fashionable intelligence of the
newspapers, that Lady Montbarry has arrived in London, at Newbury's Hotel. I propose to go and see her.'
'The deuce you do! May I ask for what purpose?'
Mrs. Ferrari answered in a mysterious whisper. 'For the purpose of catching her in a trap! I shan't send in my
nameI shall announce myself as a person on business, and the first words I say to her will be these: "I
come, my lady, to acknowledge the receipt of the money sent to Ferrari's widow." Ah! you may well start,
Mr. Troy! It almost takes you off your guard, doesn't it? Make your mind easy, sir; I shall find the proof that
everybody asks me for in her guilty face. Let her only change colour by the shadow of a shadelet her eyes
only drop for half an instant I shall discover her! The one thing I want to know is, does the law permit it?'
'The law permits it,' Mr. Troy answered gravely; 'but whether her ladyship will permit it, is quite another
question. Have you really courage enough, Mrs. Ferrari, to carry out this notable scheme of yours? You have
been described to me, by Miss Lockwood, as rather a nervous, timid sort of personand, if I may trust my
own observation, I should say you justify the description.'
'If you had lived in the country, sir, instead of living in London,' Mrs. Ferrari replied, 'you would sometimes
have seen even a sheep turn on a dog. I am far from saying that I am a bold woman quite the reverse. But
when I stand in that wretch's presence, and think of my murdered husband, the one of us two who is likely to
be frightened is not me. I am going there now, sir. You shall hear how it ends. I wish you goodmorning.'
With those brave words the courier's wife gathered her mantle about her, and walked out of the room.
Mr. Troy smilednot satirically, but compassionately. 'The little simpleton!' he thought to himself. 'If half of
what they say of Lady Montbarry is true, Mrs. Ferrari and her trap have but a poor prospect before them. I
wonder how it will end?'
All Mr. Troy's experience failed to forewarn him of how it did end.
CHAPTER X
In the mean time, Mrs. Ferrari held to her resolution. She went straight from Mr. Troy's office to Newbury's
Hotel.
Lady Montbarry was at home, and alone. But the authorities of the hotel hesitated to disturb her when they
found that the visitor declined to mention her name. Her ladyship's new maid happened to cross the hall while
the matter was still in debate. She was a Frenchwoman, and, on being appealed to, she settled the question in
the swift, easy, rational French way. 'Madame's appearance was perfectly respectable. Madame might have
reasons for not mentioning her name which Miladi might approve. In any case, there being no orders
forbidding the introduction of a strange lady, the matter clearly rested between Madame and Miladi. Would
Madame, therefore, be good enough to follow Miladi's maid up the stairs?'
In spite of her resolution, Mrs. Ferrari's heart beat as if it would burst out of her bosom, when her conductress
led her into an anteroom, and knocked at a door opening into a room beyond. But it is remarkable that
persons of sensitivelynervous organisation are the very persons who are capable of forcing themselves
(apparently by the exercise of a spasmodic effort of will) into the performance of acts of the most audacious
courage. A low, grave voice from the inner room said, 'Come in.' The maid, opening the door, announced, 'A
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person to see you, Miladi, on business,' and immediately retired. In the one instant while these events passed,
timid little Mrs. Ferrari mastered her own throbbing heart; stepped over the threshold, conscious of her
clammy hands, dry lips, and burning head; and stood in the presence of Lord Montbarry's widow, to all
outward appearance as supremely selfpossessed as her ladyship herself.
It was still early in the afternoon, but the light in the room was dim. The blinds were drawn down. Lady
Montbarry sat with her back to the windows, as if even the subdued daylight were disagreeable to her. She
had altered sadly for the worse in her personal appearance, since the memorable day when Doctor Wybrow
had seen her in his consultingroom. Her beauty was goneher face had fallen away to mere skin and bone;
the contrast between her ghastly complexion and her steely glittering black eyes was more startling than ever.
Robed in dismal black, relieved only by the brilliant whiteness of her widow's capreclining in a
pantherlike suppleness of attitude on a little green sofashe looked at the stranger who had intruded on her,
with a moment's languid curiosity, then dropped her eyes again to the handscreen which she held between
her face and the fire. 'I don't know you,' she said. 'What do you want with me?'
Mrs. Ferrari tried to answer. Her first burst of courage had already worn itself out. The bold words that she
had determined to speak were living words still in her mind, but they died on her lips.
There was a moment of silence. Lady Montbarry looked round again at the speechless stranger. 'Are you
deaf?' she asked. There was another pause. Lady Montbarry quietly looked back again at the screen, and put
another question. 'Do you want money?'
'Money!' That one word roused the sinking spirit of the courier's wife. She recovered her courage; she found
her voice. 'Look at me, my lady, if you please,' she said, with a sudden outbreak of audacity.
Lady Montbarry looked round for the third time. The fatal words passed Mrs. Ferrari's lips.
'I come, my lady, to acknowledge the receipt of the money sent to Ferrari's widow.'
Lady Montbarry's glittering black eyes rested with steady attention on the woman who had addressed her in
those terms. Not the faintest expression of confusion or alarm, not even a momentary flutter of interest stirred
the deadly stillness of her face. She reposed as quietly, she held the screen as composedly, as ever. The test
had been tried, and had utterly failed.
There was another silence. Lady Montbarry considered with herself. The smile that came slowly and went
away suddenlythe smile at once so sad and so cruelshowed itself on her thin lips. She lifted her screen,
and pointed with it to a seat at the farther end of the room. 'Be so good as to take that chair,' she said.
Helpless under her first bewildering sense of failurenot knowing what to say or what to do nextMrs.
Ferrari mechanically obeyed. Lady Montbarry, rising on the sofa for the first time, watched her with
undisguised scrutiny as she crossed the roomthen sank back into a reclining position once more. 'No,' she
said to herself, 'the woman walks steadily; she is not intoxicatedthe only other possibility is that she may
be mad.'
She had spoken loud enough to be heard. Stung by the insult, Mrs. Ferrari instantly answered her: 'I am no
more drunk or mad than you are!'
'No?' said Lady Montbarry. 'Then you are only insolent? The ignorant English mind (I have observed) is apt
to be insolent in the exercise of unrestrained English liberty. This is very noticeable to us foreigners among
you people in the streets. Of course I can't be insolent to you, in return. I hardly know what to say to you. My
maid was imprudent in admitting you so easily to my room. I suppose your respectable appearance misled
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her. I wonder who you are? You mentioned the name of a courier who left us very strangely. Was he married
by any chance? Are you his wife? And do you know where he is?'
Mrs. Ferrari's indignation burst its way through all restraints. She advanced to the sofa; she feared nothing, in
the fervour and rage of her reply.
'I am his widowand you know it, you wicked woman! Ah! it was an evil hour when Miss Lockwood
recommended my husband to be his lordship's courier!'
Before she could add another word, Lady Montbarry sprang from the sofa with the stealthy suddenness of a
catseized her by both shoulders and shook her with the strength and frenzy of a madwoman. 'You lie!
you lie! you lie!' She dropped her hold at the third repetition of the accusation, and threw up her hands wildly
with a gesture of despair. 'Oh, Jesu Maria! is it possible?' she cried. 'Can the courier have come to me through
that woman?' She turned like lightning on Mrs. Ferrari, and stopped her as she was escaping from the room.
'Stay here, you foolstay here, and answer me! If you cry out, as sure as the heavens are above you, I'll
strangle you with my own hands. Sit down againand fear nothing. Wretch! It is I who am frightened
frightened out of my senses. Confess that you lied, when you used Miss Lockwood's name just now! No! I
don't believe you on your oath; I will believe nobody but Miss Lockwood herself. Where does she live? Tell
me that, you noxious stinging little insectand you may go.' Terrified as she was, Mrs. Ferrari hesitated.
Lady Montbarry lifted her hands threateningly, with the long, lean, yellowwhite fingers outspread and
crooked at the tips. Mrs. Ferrari shrank at the sight of them, and gave the address. Lady Montbarry pointed
contemptuously to the doorthen changed her mind. 'No! not yet! you will tell Miss Lockwood what has
happened, and she may refuse to see me. I will go there at once, and you shall go with me. As far as the
house not inside of it. Sit down again. I am going to ring for my maid. Turn your back to the dooryour
cowardly face is not fit to be seen!'
She rang the bell. The maid appeared.
'My cloak and bonnetinstantly!'
The maid produced the cloak and bonnet from the bedroom.
'A cab at the doorbefore I can count ten!'
The maid vanished. Lady Montbarry surveyed herself in the glass, and wheeled round again, with her
catlike suddenness, to Mrs. Ferrari.
'I look more than half dead already, don't I?' she said with a grim outburst of irony. 'Give me your arm.'
She took Mrs. Ferrari's arm, and left the room. 'You have nothing to fear, so long as you obey,' she
whispered, on the way downstairs. 'You leave me at Miss Lockwood's door, and never see me again.'
In the hall they were met by the landlady of the hotel. Lady Montbarry graciously presented her companion.
'My good friend Mrs. Ferrari; I am so glad to have seen her.' The landlady accompanied them to the door.
The cab was waiting. 'Get in first, good Mrs. Ferrari,' said her ladyship; 'and tell the man where to go.'
They were driven away. Lady Montbarry's variable humour changed again. With a low groan of misery, she
threw herself back in the cab. Lost in her own dark thoughts, as careless of the woman whom she had bent to
her iron will as if no such person sat by her side, she preserved a sinister silence, until they reached the house
where Miss Lockwood lodged. In an instant, she roused herself to action. She opened the door of the cab, and
closed it again on Mrs. Ferrari, before the driver could get off his box.
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'Take that lady a mile farther on her way home!' she said, as she paid the man his fare. The next moment she
had knocked at the housedoor. 'Is Miss Lockwood at home?' 'Yes, ma'am.' She stepped over the
thresholdthe door closed on her.
'Which way, ma'am?' asked the driver of the cab.
Mrs. Ferrari put her hand to her head, and tried to collect her thoughts. Could she leave her friend and
benefactress helpless at Lady Montbarry's mercy? She was still vainly endeavouring to decide on the course
that she ought to followwhen a gentleman, stopping at Miss Lockwood's door, happened to look towards
the cabwindow, and saw her.
'Are you going to call on Miss Agnes too?'he asked.
It was Henry Westwick. Mrs. Ferrari clasped her hands in gratitude as she recognised him.
'Go in, sir!' she cried. 'Go in, directly. That dreadful woman is with Miss Agnes. Go and protect her!'
'What woman?' Henry asked.
The answer literally struck him speechless. With amazement and indignation in his face, he looked at Mrs.
Ferrari as she pronounced the hated name of 'Lady Montbarry.' 'I'll see to it,' was all he said. He knocked at
the housedoor; and he too, in his turn, was let in.
CHAPTER XI
'Lady Montbarry, Miss.'
Agnes was writing a letter, when the servant astonished her by announcing the visitor's name. Her first
impulse was to refuse to see the woman who had intruded on her. But Lady Montbarry had taken care to
follow close on the servant's heels. Before Agnes could speak, she had entered the room.
'I beg to apologise for my intrusion, Miss Lockwood. I have a question to ask you, in which I am very much
interested. No one can answer me but yourself.' In low hesitating tones, with her glittering black eyes bent
modestly on the ground, Lady Montbarry opened the interview in those words.
Without answering, Agnes pointed to a chair. She could do this, and, for the time, she could do no more. All
that she had read of the hidden and sinister life in the palace at Venice; all that she had heard of Montbarry's
melancholy death and burial in a foreign land; all that she knew of the mystery of Ferrari's disappearance,
rushed into her mind, when the blackrobed figure confronted her, standing just inside the door. The strange
conduct of Lady Montbarry added a new perplexity to the doubts and misgivings that troubled her. There
stood the adventuress whose character had left its mark on society all over Europethe Fury who had
terrified Mrs. Ferrari at the hotelinconceivably transformed into a timid, shrinking woman! Lady
Montbarry had not once ventured to look at Agnes, since she had made her way into the room. Advancing to
take the chair that had been pointed out to her, she hesitated, put her hand on the rail to support herself, and
still remained standing. 'Please give me a moment to compose myself,' she said faintly. Her head sank on her
bosom: she stood before Agnes like a conscious culprit before a merciless judge.
The silence that followed was, literally, the silence of fear on both sides. In the midst of it, the door was
opened once more and Henry Westwick appeared.
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He looked at Lady Montbarry with a moment's steady attention bowed to her with formal politenessand
passed on in silence. At the sight of her husband's brother, the sinking spirit of the woman sprang to life
again. Her drooping figure became erect. Her eyes met Westwick's look, brightly defiant. She returned his
bow with an icy smile of contempt.
Henry crossed the room to Agnes.
'Is Lady Montbarry here by your invitation?' he asked quietly.
'No.'
'Do you wish to see her?'
'It is very painful to me to see her.'
He turned and looked at his sisterinlaw. 'Do you hear that?' he asked coldly.
'I hear it,' she answered, more coldly still.
'Your visit is, to say the least of it, illtimed.'
'Your interference is, to say the least of it, out of place.'
With that retort, Lady Montbarry approached Agnes. The presence of Henry Westwick seemed at once to
relieve and embolden her. 'Permit me to ask my question, Miss Lockwood,' she said, with graceful courtesy.
'It is nothing to embarrass you. When the courier Ferrari applied to my late husband for employment, did
you' Her resolution failed her, before she could say more. She sank trembling into the nearest chair, and,
after a moment's struggle, composed herself again. 'Did you permit Ferrari,' she resumed, 'to make sure of
being chosen for our courier by using your name?'
Agnes did not reply with her customary directness. Trifling as it was, the reference to Montbarry, proceeding
from that woman of all others, confused and agitated her.
'I have known Ferrari's wife for many years,' she began. 'And I take an interest'
Lady Montbarry abruptly lifted her hands with a gesture of entreaty. 'Ah, Miss Lockwood, don't waste time
by talking of his wife! Answer my
plain question, plainly!'
'Let me answer her,' Henry whispered. 'I will undertake to speak plainly enough.'
Agnes refused by a gesture. Lady Montbarry's interruption had roused her sense of what was due to herself.
She resumed her reply in plainer terms.
'When Ferrari wrote to the late Lord Montbarry,' she said, 'he did certainly mention my name.'
Even now, she had innocently failed to see the object which her visitor had in view. Lady Montbarry's
impatience became ungovernable. She started to her feet, and advanced to Agnes.
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'Was it with your knowledge and permission that Ferrari used your name?' she asked. 'The whole soul of my
question is in that. For God's sake answer meYes, or No!'
'Yes.'
That one word struck Lady Montbarry as a blow might have struck her. The fierce life that had animated her
face the instant before, faded out of it suddenly, and left her like a woman turned to stone. She stood,
mechanically confronting Agnes, with a stillness so wrapt and perfect that not even the breath she drew was
perceptible to the two persons who were looking at her.
Henry spoke to her roughly. 'Rouse yourself,' he said. 'You have received your answer.'
She looked round at him. 'I have received my Sentence,' she rejoined and turned slowly to leave the room.
To Henry's astonishment, Agnes stopped her. 'Wait a moment, Lady Montbarry. I have something to ask on
my side. You have spoken of Ferrari. I wish to speak of him too.'
Lady Montbarry bent her head in silence. Her hand trembled as she took out her handkerchief, and passed it
over her forehead. Agnes detected the trembling, and shrank back a step. 'Is the subject painful to you?' she
asked timidly.
Still silent, Lady Montbarry invited her by a wave of the hand to go on. Henry approached, attentively
watching his sisterinlaw. Agnes went on.
'No trace of Ferrari has been discovered in England,' she said. 'Have you any news of him? And will you tell
me (if you have heard anything), in mercy to his wife?'
Lady Montbarry's thin lips suddenly relaxed into their sad and cruel smile.
'Why do you ask me about the lost courier?' she said. 'You will know what has become of him, Miss
Lockwood, when the time is ripe for it.'
Agnes started. 'I don't understand you,' she said. 'How shall I know? Will some one tell me?'
'Some one will tell you.'
Henry could keep silence no longer. 'Perhaps, your ladyship may be the person?' he interrupted with ironical
politeness.
She answered him with contemptuous ease. 'You may be right, Mr. Westwick. One day or another, I may be
the person who tells Miss Lockwood what has become of Ferrari, if' She stopped; with her eyes fixed on
Agnes.
'If what?' Henry asked.
'If Miss Lockwood forces me to it.'
Agnes listened in astonishment. 'Force you to it?' she repeated. 'How can I do that? Do you mean to say my
will is stronger than yours?'
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'Do you mean to say that the candle doesn't burn the moth, when the moth flies into it?' Lady Montbarry
rejoined. 'Have you ever heard of such a thing as the fascination of terror? I am drawn to you by a fascination
of terror. I have no right to visit you, I have no wish to visit you: you are my enemy. For the first time in my
life, against my own will, I submit to my enemy. See! I am waiting because you told me to waitand the
fear of you (I swear it!) creeps through me while I stand here. Oh, don't let me excite your curiosity or your
pity! Follow the example of Mr. Westwick. Be hard and brutal and unforgiving, like him. Grant me my
release. Tell me to go.'
The frank and simple nature of Agnes could discover but one intelligible meaning in this strange outbreak.
'You are mistaken in thinking me your enemy,' she said. 'The wrong you did me when you gave your hand to
Lord Montbarry was not intentionally done. I forgave you my sufferings in his lifetime. I forgive you even
more freely now that he has gone.'
Henry heard her with mingled emotions of admiration and distress. 'Say no more!' he exclaimed. 'You are too
good to her; she is not worthy of it.'
The interruption passed unheeded by Lady Montbarry. The simple words in which Agnes had replied seemed
to have absorbed the whole attention of this strangelychangeable woman. As she listened, her face settled
slowly into an expression of hard and tearless sorrow. There was a marked change in her voice when she
spoke next. It expressed that last worst resignation which has done with hope.
'You good innocent creature,' she said, 'what does your amiable forgiveness matter? What are your poor little
wrongs, in the reckoning for greater wrongs which is demanded of me? I am not trying to frighten you, I am
only miserable about myself. Do you know what it is to have a firm presentiment of calamity that is coming
to youand yet to hope that your own positive conviction will not prove true? When I first met you, before
my marriage, and first felt your influence over me, I had that hope. It was a starveling sort of hope that lived a
lingering life in me until today. You struck it dead, when you answered my question about Ferrari.'
'How have I destroyed your hopes?' Agnes asked. 'What connection is there between my permitting Ferrari to
use my name to Lord Montbarry, and the strange and dreadful things you are saying to me now?'
'The time is near, Miss Lockwood, when you will discover that for yourself. In the mean while, you shall
know what my fear of you is, in the plainest words I can find. On the day when I took your hero from you
and blighted your lifeI am firmly persuaded of it! you were made the instrument of the retribution that
my sins of many years had deserved. Oh, such things have happened before today! One person has, before
now, been the means of innocently ripening the growth of evil in another. You have done that already and
you have more to do yet. You have still to bring me to the day of discovery, and to the punishment that is my
doom. We shall meet againhere in England, or there in Venice where my husband died and meet for the
last time.'
In spite of her better sense, in spite of her natural superiority to superstitions of all kinds, Agnes was
impressed by the terrible earnestness with which those words were spoken. She turned pale as she looked at
Henry. 'Do you understand her?' she asked.
'Nothing is easier than to understand her,' he replied contemptuously. 'She knows what has become of Ferrari;
and she is confusing you in a cloud of nonsense, because she daren't own the truth. Let her go!'
If a dog had been under one of the chairs, and had barked, Lady Montbarry could not have proceeded more
impenetrably with the last words she had to say to Agnes.
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'Advise your interesting Mrs. Ferrari to wait a little longer,' she said. 'You will know what has become of her
husband, and you will tell her. There will be nothing to alarm you. Some trifling event will bring us together
the next timeas trifling, I dare say, as the engagement of Ferrari. Sad nonsense, Mr. Westwick, is it not?
But you make allowances for women; we all talk nonsense. Good morning, Miss Lockwood.'
She opened the doorsuddenly, as if she was afraid of being called back for the second timeand left
them.
CHAPTER XII
'Do you think she is mad?' Agnes asked.
'I think she is simply wicked. False, superstitious, inveterately cruel but not mad. I believe her main motive
in coming here was to enjoy the luxury of frightening you.'
'She has frightened me. I am ashamed to own itbut so it is.'
Henry looked at her, hesitated for a moment, and seated himself on the sofa by her side.
'I am very anxious about you, Agnes,' he said. 'But for the fortunate chance which led me to call here
todaywho knows what that vile woman might not have said or done, if she had found you alone? My
dear, you are leading a sadly unprotected solitary life. I don't like to think of it; I want to see it
changedespecially after what has happened today. No! no! it is useless to tell me that you have your old
nurse. She is too old; she is not in your rank of lifethere is no sufficient protection in the companionship of
such a person for a lady in your position. Don't mistake me, Agnes! what I say, I say in the sincerity of my
devotion to you.' He paused, and took her hand. She made a feeble effort to withdraw it and yielded. 'Will
the day never come,' he pleaded, 'when the privilege of protecting you may be mine? when you will be the
pride and joy of my life, as long as my life lasts?' He pressed her hand gently. She made no reply. The colour
came and went on her face; her eyes were turned away from him. 'Have I been so unhappy as to offend you?'
he asked.
She answered thatshe said, almost in a whisper, 'No.'
'Have I distressed you?'
'You have made me think of the sad days that are gone.' She said no more; she only tried to withdraw her
hand from his for the second time. He still held it; he lifted it to his lips.
'Can I never make you think of other days than thoseof the happier days to come? Or, if you must think of
the time that is passed, can you not look back to the time when I first loved you?'
She sighed as he put the question. 'Spare me Henry,' she answered sadly. 'Say no more!'
The colour again rose in her cheeks; her hand trembled in his. She looked lovely, with her eyes cast down and
her bosom heaving gently. At that moment he would have given everything he had in the world to take her in
his arms and kiss her. Some mysterious sympathy, passing from his hand to hers, seemed to tell her what was
in his mind. She snatched her hand away, and suddenly looked up at him. The tears were in her eyes. She said
nothing; she let her eyes speak for her. They warned himwithout anger, without unkindness but still
they warned him to press her no further that day.
'Only tell me that I am forgiven,' he said, as he rose from the sofa.
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'Yes,' she answered quietly, 'you are forgiven.'
'I have not lowered myself in your estimation, Agnes?'
'Oh, no!'
'Do you wish me to leave you?'
She rose, in her turn, from the sofa, and walked to her writingtable before she replied. The unfinished letter
which she had been writing when Lady Montbarry interrupted her, lay open on the blottingbook. As she
looked at the letter, and then looked at Henry, the smile that charmed everybody showed itself in her face.
'You must not go just yet,' she said: 'I have something to tell you. I hardly know how to express it. The
shortest way perhaps will be to let you find it out for yourself. You have been speaking of my lonely
unprotected life here. It is not a very happy life, HenryI own that.' She paused, observing the growing
anxiety of his expression as he looked at her, with a shy satisfaction that perplexed him. 'Do you know that I
have anticipated your idea?' she went on. 'I am going to make a great change in my lifeif your brother
Stephen and his wife will only consent to it.' She opened the desk of the writingtable while she spoke, took a
letter out, and handed it to Henry.
He received it from her mechanically. Vague doubts, which he hardly understood himself, kept him silent. It
was impossible that the 'change in her life' of which she had spoken could mean that she was about to be
marriedand yet he was conscious of a perfectly unreasonable reluctance to open the letter. Their eyes met;
she smiled again. 'Look at the address,' she said. 'You ought to know the handwriting but I dare say you
don't.'
He looked at the address. It was in the large, irregular, uncertain writing of a child. He opened the letter
instantly.
'Dear Aunt Agnes,Our governess is going away. She has had money left to her, and a house of her own.
We have had cake and wine to drink her health. You promised to be our governess if we wanted another. We
want you. Mamma knows nothing about this. Please come before Mamma can get another governess. Your
loving Lucy, who writes this. Clara and Blanche have tried to write too. But they are too young to do it. They
blot the paper.'
'Your eldest niece,' Agnes explained, as Henry looked at her in amazement. 'The children used to call me aunt
when I was staying with their mother in Ireland, in the autumn. The three girls were my inseparable
companionsthey are the most charming children I know. It is quite true that I offered to be their governess,
if they ever wanted one, on the day when I left them to return to London. I was writing to propose it to their
mother, just before you came.'
'Not seriously!' Henry exclaimed.
Agnes placed her unfinished letter in his hand. Enough of it had been written to show that she did seriously
propose to enter the household of Mr. and Mrs. Stephen Westwick as governess to their children! Henry's
bewilderment was not to be expressed in words.
'They won't believe you are in earnest,' he said.
'Why not?' Agnes asked quietly.
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'You are my brother Stephen's cousin; you are his wife's old friend.'
'All the more reason, Henry, for trusting me with the charge of their children.'
'But you are their equal; you are not obliged to get your living by teaching. There is something absurd in your
entering their service as a governess!'
'What is there absurd in it? The children love me; the mother loves me; the father has shown me innumerable
instances of his true friendship and regard. I am the very woman for the placeand, as to my education, I
must have completely forgotten it indeed, if I am not fit to teach three children the eldest of whom is only
eleven years old. You say I am their equal. Are there no other women who serve as governesses, and who are
the equals of the persons whom they serve? Besides, I don't know that I am their equal. Have I not heard that
your brother Stephen was the next heir to the title? Will he not be the new lord? Never mind answering me!
We won't dispute whether I mn right or wrong in turning governess we will wait the event. I am weary of
my lonely useless existence here, and eager to make my life more happy and more useful, in the household of
all others in which I should like most to have a place. If you will look again, you will see that I have these
personal considerations still to urge before I finish my letter. You don't know your brother and his wife as
well as I do, if you doubt their answer. I believe they have courage enough and heart enough to say Yes.'
Henry submitted without being convinced.
He was a man who disliked all eccentric departures from custom and routine; and he felt especially
suspicious of the change proposed in the life of Agnes. With new interests to occupy her mind, she might be
less favourably disposed to listen to him, on the next occasion when he urged his suit. The influence of the
'lonely useless existence' of which she complained, was distinctly an influence in his favour. While her heart
was empty, her heart was accessible. But with his nieces in full possession of it, the clouds of doubt
overshadowed his prospects. He knew the sex well enough to keep these purely selfish perplexities to
himself. The waiting policy was especially the policy to pursue with a woman as sensitive as Agnes. If he
once offended her delicacy he was lost. For the moment he wisely controlled himself and changed the
subject.
'My little niece's letter has had an effect,' he said, 'which the child never contemplated in writing it. She has
just reminded me of one of the objects that I had in calling on you today.'
Agnes looked at the child's letter. 'How does Lucy do that?' she asked.
'Lucy's governess is not the only lucky person who has had money left her,' Henry answered. 'Is your old
nurse in the house?'
'You don't mean to say that nurse has got a legacy?'
'She has got a hundred pounds. Send for her, Agnes, while I show you the letter.'
He took a handful of letters from his pocket, and looked through them, while Agnes rang the bell. Returning
to him, she noticed a printed letter among the rest, which lay open on the table. It was a 'prospectus,' and the
title of it was 'Palace Hotel Company of Venice (Limited).' The two words, 'Palace' and 'Venice,' instantly
recalled her mind to the unwelcome visit of Lady Montbarry. 'What is that?' she asked, pointing to the title.
Henry suspended his search, and glanced at the prospectus. 'A really promising speculation,' he said. 'Large
hotels always pay well, if they are well managed. I know the man who is appointed to be manager of this
hotel when it is opened to the public; and I have such entire confidence in him that I have become one of the
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shareholders of the Company.'
The reply did not appear to satisfy Agnes. 'Why is the hotel called the "Palace Hotel"?' she inquired.
Henry looked at her, and at once penetrated her motive for asking the question. 'Yes,' he said, 'it is the palace
that Montbarry hired at Venice; and it has been purchased by the Company to be changed into an hotel.'
Agnes turned away in silence, and took a chair at the farther end of the room. Henry had disappointed her.
His income as a younger son stood in need, as she well knew, of all the additions that he could make to it by
successful speculation. But she was unreasonable enough, nevertheless, to disapprove of his attempting to
make money already out of the house in which his brother had died. Incapable of understanding this purely
sentimental view of a plain matter of business, Henry returned to his papers, in some perplexity at the sudden
change in the manner of Agnes towards him. Just as he found the letter of which he was in search, the nurse
made her appearance. He glanced at Agnes, expecting that she would speak first. She never even looked up
when the nurse came in. It was left to Henry to tell the old woman why the bell had summoned her to the
drawingroom.
'Well, nurse,' he said, 'you have had a windfall of luck. You have had a legacy left you of a hundred pounds.'
The nurse showed no outward signs of exultation. She waited a little to get the announcement of the legacy
well settled in her mind and then she said quietly, 'Master Henry, who gives me that money, if you please?'
'My late brother, Lord Montbarry, gives it to you.' (Agnes instantly looked up, interested in the matter for the
first time. Henry went on.) 'His will leaves legacies to the surviving old servants of the family. There is a
letter from his lawyers, authorising you to apply to them for the money.'
In every class of society, gratitude is the rarest of all human virtues. In the nurse's class it is extremely rare.
Her opinion of the man who had deceived and deserted her mistress remained the same opinion still, perfectly
undisturbed by the passing circumstance of the legacy.
'I wonder who reminded my lord of the old servants?' she said. 'He would never have heart enough to
remember them himself!'
Agnes suddenly interposed. Nature, always abhorring monotony, institutes reserves of temper as elements in
the composition of the gentlest women living. Even Agnes could, on rare occasions, be angry. The nurse's
view of Montbarry's character seemed to have provoked her beyond endurance.
'If you have any sense of shame in you,' she broke out, 'you ought to be ashamed of what you have just said!
Your ingratitude disgusts me. I leave you to speak with her, Henryyou won't mind it!' With this significant
intimation that he too had dropped out of his customary place in her good opinion, she left the room.
The nurse received the smart reproof administered to her with every appearance of feeling rather amused by it
than not. When the door had closed, this female philosopher winked at Henry.
'There's a power of obstinacy in young women,' she remarked. 'Miss Agnes wouldn't give my lord up as a bad
one, even when he jilted her. And now she's sweet on him after he's dead. Say a word against him, and she
fires up as you see. All obstinacy! It will wear out with time. Stick to her, Master Henry stick to her!'
'She doesn't seem to have offended you,' said Henry.
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'She?' the nurse repeated in amazement'she offend me? I like her in her tantrums; it reminds me of her
when she was a baby. Lord bless you! when I go to bid her goodnight, she'll give me a big kiss, poor
dearand say, Nurse, I didn't mean it! About this money, Master Henry? If I was younger I should spend it
in dress and jewellery. But I'm too old for that. What shall I do with my legacy when I have got it?'
'Put it out at interest,' Henry suggested. 'Get so much a year for it, you know.' 'How much shall I get?' the
nurse asked.
'If you put your hundred pounds into the Funds, you will get between three and four pounds a year.'
The nurse shook her head. 'Three or four pounds a year? That won't do! I want more than that. Look here,
Master Henry. I don't care about this bit of moneyI never did like the man who has left it to me, though he
was your brother. If I lost it all tomorrow, I shouldn't break my heart; I'm well enough off, as it is, for the
rest of my days. They say you're a speculator. Put me in for a good thing, there's a dear!
Neckornothingand that for the Funds!' She snapped her fingers to express her contempt for security of
investment at three per cent.
Henry produced the prospectus of the Venetian Hotel Company. 'You're a funny old woman,' he said. 'There,
you dashing speculator there is neckornothing for you! You must keep it a secret from Miss Agnes,
mind. I'm not at all sure that she would approve of my helping you to this investment.'
The nurse took out her spectacles. 'Six per cent. guaranteed,' she read; 'and the Directors have every reason to
believe that ten per cent., or more, will be ultimately realised to the shareholders by the hotel.' 'Put me into
that, Master Henry! And, wherever you go, for Heaven's sake recommend the hotel to your friends!'
So the nurse, following Henry's mercenary example, had her pecuniary interest, too, in the house in which
Lord Montbarry had died.
Three days passed before Henry was able to visit Agnes again. In that time, the little cloud between them had
entirely passed away. Agnes received him with even more than her customary kindness. She was in better
spirits than usual. Her letter to Mrs. Stephen Westwick had been answered by return of post; and her proposal
had been joyfully accepted, with one modification. She was to visit the Westwicks for a monthand, if she
really liked teaching the children, she was then to be governess, aunt, and cousin, all in one and was only
to go away in an event which her friends in Ireland persisted in contemplating, the event of her marriage.
'You see I was right,' she said to Henry.
He was still incredulous. 'Are you really going?' he asked.
'I am going next week.'
'When shall I see you again?'
'You know you are always welcome at your brother's house. You can see me when you like.' She held out her
hand. 'Pardon me for leaving youI am beginning to pack up already.'
Henry tried to kiss her at parting. She drew back directly.
'Why not? I am your cousin,' he said.
'I don't like it,' she answered.
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Henry looked at her, and submitted. Her refusal to grant him his privilege as a cousin was a good signit
was indirectly an act of encouragement to him in the character of her lover.
On the first day in the new week, Agnes left London on her way to Ireland. As the event proved, this was not
destined to be the end of her journey. The way to Ireland was only the first stage on a roundabout road the
road that led to the palace at Venice.
THE THIRD PART
CHAPTER XIII
In the spring of the year 1861, Agnes was established at the countryseat of her two friendsnow promoted
(on the death of the first lord, without offspring) to be the new Lord and Lady Montbarry. The old nurse was
not separated from her mistress. A place, suited to her time of life, had been found for her in the pleasant Irish
household. She was perfectly happy in her new sphere; and she spent her first halfyear's dividend from the
Venice Hotel Company, with characteristic prodigality, in presents for the children.
Early in the year, also, the Directors of the life insurance offices submitted to circumstances, and paid the ten
thousand pounds. Immediately afterwards, the widow of the first Lord Montbarry (otherwise, the dowager
Lady Montbarry) left England, with Baron Rivar, for the United States. The Baron's object was announced, in
the scientific columns of the newspapers, to be investigation into the present state of experimental chemistry
in the great American republic. His sister informed inquiring friends that she accompanied him, in the hope of
finding consolation in change of scene after the bereavement that had fallen on her. Hearing this news from
Henry Westwick (then paying a visit at his brother's house), Agnes was conscious of a certain sense of relief.
'With the Atlantic between us,' she said, 'surely I have done with that terrible woman now!'
Barely a week passed after those words had been spoken, before an event happened which reminded Agnes
of 'the terrible woman' once more.
On that day, Henry's engagements had obliged him to return to London. He had ventured, on the morning of
his departure, to press his suit once more on Agnes; and the children, as he had anticipated, proved to be
innocent obstacles in the way of his success. On the other hand, he had privately secured a firm ally in his
sisterinlaw. 'Have a little patience,' the new Lady Montbarry had said, 'and leave me to turn the influence
of the children in the right direction. If they can persuade her to listen to you they shall!'
The two ladies had accompanied Henry, and some other guests who went away at the same time, to the
railway station, and had just driven back to the house, when the servant announced that 'a person of the name
of Rolland was waiting to see her ladyship.'
'Is it a woman?'
'Yes, my lady.'
Young Lady Montbarry turned to Agnes.
'This is the very person,' she said, 'whom your lawyer thought likely to help him, when he was trying to trace
the lost courier.'
'You don't mean the English maid who was with Lady Montbarry at Venice?'
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'My dear! don't speak of Montbarry's horrid widow by the name which is my name now. Stephen and I have
arranged to call her by her foreign title, before she was married. I am "Lady Montbarry," and she is "the
Countess." In that way there will be no confusion. Yes, Mrs. Rolland was in my service before she became
the Countess's maid. She was a perfectly trustworthy person, with one defect that obliged me to send her
awaya sullen temper which led to perpetual complaints of her in the servants' hall. Would you like to see
her?'
Agnes accepted the proposal, in the faint hope of getting some information for the courier's wife. The
complete defeat of every attempt to trace the lost man had been accepted as final by Mrs. Ferrari. She had
deliberately arrayed herself in widow's mourning; and was earning her livelihood in an employment which
the unwearied kindness of Agnes had procured for her in London. The last chance of penetrating the mystery
of Ferrari's disappearance seemed to rest now on what Ferrari's former fellowservant might be able to tell.
With highlywrought expectations, Agnes followed her friend into the room in which Mrs. Rolland was
waiting.
A tall bony woman, in the autumn of life, with sunken eyes and irongrey hair, rose stiffly from her chair,
and saluted the ladies with stern submission as they opened the door. A person of unblemished character,
evidentlybut not without visible drawbacks. Big bushy eyebrows, an awfully deep and solemn voice, a
harsh unbending manner, a complete absence in her figure of the undulating lines characteristic of the sex,
presented Virtue in this excellent person under its least alluring aspect. Strangers, on a first introduction to
her, were accustomed to wonder why she was not a man.
'Are you pretty well, Mrs. Rolland?'
'I am as well as I can expect to be, my lady, at my time of life.'
'Is there anything I can do for you?'
'Your ladyship can do me a great favour, if you will please speak to my character while I was in your service.
I am offered a place, to wait on an invalid lady who has lately come to live in this neighbourhood.'
'Ah, yesI have heard of her. A Mrs. Carbury, with a very pretty niece I am told. But, Mrs. Rolland, you left
my service some time ago. Mrs. Carbury will surely expect you to refer to the last mistress by whom you
were employed.'
A flash of virtuous indignation irradiated Mrs. Rolland's sunken eyes. She coughed before she answered, as if
her 'last mistress' stuck in her throat.
'I have explained to Mrs. Carbury, my lady, that the person I last served I really cannot give her her title in
your ladyship's presence! has left England for America. Mrs. Carbury knows that I quitted the person of
my own free will, and knows why, and approves of my conduct so far. A word from your ladyship will be
amply sufficient to get me the situation.'
'Very well, Mrs. Rolland, I have no objection to be your reference, under the circumstances. Mrs. Carbury
will find me at home tomorrow until two o'clock.'
'Mrs. Carbury is not well enough to leave the house, my lady. Her niece, Miss Haldane, will call and make
the inquiries, if your ladyship has no objection.'
'I have not the least objection. The pretty niece carries her own welcome with her. Wait a minute, Mrs.
Rolland. This lady is Miss Lockwoodmy husband's cousin, and my friend. She is anxious to speak to you
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about the courier who was in the late Lord Montbarry's service at Venice.'
Mrs. Rolland's bushy eyebrows frowned in stern disapproval of the new topic of conversation. 'I regret to
hear it, my lady,' was all she said.
'Perhaps you have not been informed of what happened after you left Venice?' Agnes ventured to add. 'Ferrari
left the palace secretly; and he has never been heard of since.'
Mrs. Rolland mysteriously closed her eyesas if to exclude some vision of the lost courier which was of a
nature to disturb a respectable woman. 'Nothing that Mr. Ferrari could do would surprise me,' she replied in
her deepest bass tones.
'You speak rather harshly of him,' said Agnes.
Mrs. Rolland suddenly opened her eyes again. 'I speak harshly of nobody without reason,' she said. 'Mr.
Ferrari behaved to me, Miss Lockwood, as no man living has ever behavedbefore or since.'
'What did he do?'
Mrs. Rolland answered, with a stony stare of horror:
'He took liberties with me.'
Young Lady Montbarry suddenly turned aside, and put her handkerchief over her mouth in convulsions of
suppressed laughter.
Mrs. Rolland went on, with a grim enjoyment of the bewilderment which her reply had produced in Agnes:
'And when I insisted on an apology, Miss, he had the audacity to say that the life at the palace was dull, and
he didn't know how else to amuse himself!'
'I am afraid I have hardly made myself understood,' said Agnes. 'I am not speaking to you out of any interest
in Ferrari. Are you aware that he is married?'
'I pity his wife,' said Mrs. Rolland.
'She is naturally in great grief about him,' Agnes proceeded.
'She ought to thank God she is rid of him,' Mrs. Rolland interposed.
Agnes still persisted. 'I have known Mrs. Ferrari from her childhood, and I am sincerely anxious to help her
in this matter. Did you notice anything, while you were at Venice, that would account for her husband's
extraordinary disappearance? On what sort of terms, for instance, did he live with his master and mistress?'
'On terms of familiarity with his mistress,' said Mrs. Rolland, 'which were simply sickening to a respectable
English servant. She used to encourage him to talk to her about all his affairs how he got on with his wife,
and how pressed he was for money, and such likejust as if they were equals. Contemptiblethat's what I
call it.'
'And his master?' Agnes continued. 'How did Ferrari get on with Lord Montbarry?'
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'My lord used to live shut up with his studies and his sorrows,' Mrs. Rolland answered, with a hard solemnity
expressive of respect for his lordship's memory. Mr. Ferrari got his money when it was due; and he cared for
nothing else. "If I could afford it, I would leave the place too; but I can't afford it." Those were the last words
he said to me, on the morning when I left the palace. I made no reply. After what had happened (on that other
occasion) I was naturally not on speaking terms with Mr. Ferrari.'
'Can you really tell me nothing which will throw any light on this matter?'
'Nothing,' said Mrs. Rolland, with an undisguised relish of the disappointment that she was inflicting.
'There was another member of the family at Venice,' Agnes resumed, determined to sift the question to the
bottom while she had the chance. 'There was Baron Rivar.'
Mrs. Rolland lifted her large hands, covered with rusty black gloves, in mute protest against the introduction
of Baron Rivar as a subject of inquiry. 'Are you aware, Miss,' she began, 'that I left my place in consequence
of what I observed?'
Agnes stopped her there. 'I only wanted to ask,' she explained, 'if anything was said or done by Baron Rivar
which might account for Ferrari's strange conduct.'
'Nothing that I know of,' said Mrs. Rolland. 'The Baron and Mr. Ferrari (if I may use such an expression)
were "birds of a feather," so far as I could seeI mean, one was as unprincipled as the other. I am a just
woman; and I will give you an example. Only the day before I left, I heard the Baron say (through the open
door of his room while I was passing along the corridor), "Ferrari, I want a thousand pounds. What would
you do for a thousand pounds?" And I heard Mr. Ferrari answer, "Anything, sir, as long as I was not found
out." And then they both burst out laughing. I heard no more than that. Judge for yourself, Miss.'
Agnes reflected for a moment. A thousand pounds was the sum that had been sent to Mrs. Ferrari in the
anonymous letter. Was that enclosure in any way connected, as a result, with the conversation between the
Baron and Ferrari? It was useless to press any more inquiries on Mrs. Rolland. She could give no further
information which was of the slightest importance to the object in view. There was no alternative but to grant
her dismissal. One more effort had been made to find a trace of the lost man, and once again the effort had
failed.
They were a family party at the dinnertable that day. The only guest left in the house was a nephew of the
new Lord Montbarry the eldest son of his sister, Lady Barrville. Lady Montbarry could not resist telling
the story of the first (and last) attack made on the virtue of Mrs. Rolland, with a comicallyexact imitation of
Mrs. Rolland's deep and dismal voice. Being asked by her husband what was the object which had brought
that formidable person to the house, she naturally mentioned the expected visit of Miss Haldane. Arthur
Barville, unusually silent and preoccupied so far, suddenly struck into the conversation with a burst of
enthusiasm. 'Miss Haldane is the most charming girl in all Ireland!' he said. 'I caught sight of her yesterday,
over the wall of her garden, as I was riding by. What time is she coming tomorrow? Before two? I'll look
into the drawingroom by accidentI am dying to be introduced to her!'
Agnes was amused by his enthusiasm. 'Are you in love with Miss Haldane already?' she asked.
Arthur answered gravely, 'It's no joking matter. I have been all day at the garden wall, waiting to see her
again! It depends on Miss Haldane to make me the happiest or the wretchedest man living.'
'You foolish boy! How can you talk such nonsense?'
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He was talking nonsense undoubtedly. But, if Agnes had only known it, he was doing something more than
that. He was innocently leading her another stage nearer on the way to Venice.
CHAPTER XIV
As the summer months advanced, the transformation of the Venetian palace into the modern hotel proceeded
rapidly towards completion.
The outside of the building, with its fine Palladian front looking on the canal, was wisely left unaltered.
Inside, as a matter of necessity, the rooms were almost rebuiltso far at least as the size and the arrangement
of them were concerned. The vast saloons were partitioned off into 'apartments' containing three or four
rooms each. The broad corridors in the upper regions afforded spare space enough for rows of little
bedchambers, devoted to servants and to travellers with limited means. Nothing was spared but the solid
floors and the finelycarved ceilings. These last, in excellent preservation as to workmanship, merely
required cleaning, and regilding here and there, to add greatly to the beauty and importance of the best rooms
in the hotel. The only exception to the complete reorganization of the interior was at one extremity of the
edifice, on the first and second floors. Here there happened, in each case, to be rooms of such comparatively
moderate size, and so attractively decorated, that the architect suggested leaving them as they were. It was
afterwards discovered that these were no other than the apartments formerly occupied by Lord Montbarry (on
the first floor), and by Baron Rivar (on the second). The room in which Montbarry had died was still fitted up
as a bedroom, and was now distinguished as Number Fourteen. The room above it, in which the Baron had
slept, took its place on the hotelregister as Number ThirtyEight. With the ornaments on the walls and
ceilings cleaned and brightened up, and with the heavy oldfashioned beds, chairs, and tables replaced by
bright, pretty, and luxurious modern furniture, these two promised to be at once the most attractive and the
most comfortable bedchambers in the hotel. As for the oncedesolate and disused ground floor of the
building, it was now transformed, by means of splendid diningrooms, receptionrooms, billiardrooms, and
smokingrooms, into a palace by itself. Even the dungeonlike vaults beneath, now lighted and ventilated on
the most approved modern plan, had been turned as if by magic into kitchens, servants' offices, icerooms,
and wine cellars, worthy of the splendour of the grandest hotel in Italy, in the now bygone period of
seventeen years since.
Passing from the lapse of the summer months at Venice, to the lapse of the summer months in Ireland, it is
next to be recorded that Mrs. Rolland obtained the situation of attendant on the invalid Mrs. Carbury; and that
the fair Miss Haldane, like a female Caesar, came, saw, and conquered, on her first day's visit to the new
Lord Montbarry's house.
The ladies were as loud in her praises as Arthur Barville himself. Lord Montbarry declared that she was the
only perfectly pretty woman he had ever seen, who was really unconscious of her own attractions. The old
nurse said she looked as if she had just stepped out of a picture, and wanted nothing but a gilt frame round her
to make her complete. Miss Haldane, on her side, returned from her first visit to the Montbarrys charmed
with her new acquaintances. Later on the same day, Arthur called with an offering of fruit and flowers for
Mrs. Carbury, and with instructions to ask if she was well enough to receive Lord and Lady Montbarry and
Miss Lockwood on the morrow. In a week's time, the two households were on the friendliest terms. Mrs.
Carbury, confined to the sofa by a spinal malady, had been hitherto dependent on her niece for one of the few
pleasures she could enjoy, the pleasure of having the best new novels read to her as they came out.
Discovering this, Arthur volunteered to relieve Miss Haldane, at intervals, in the office of reader. He was
clever at mechanical contrivances of all sorts, and he introduced improvements in Mrs. Carbury's couch, and
in the means of conveying her from the bedchamber to the drawingroom, which alleviated the poor lady's
sufferings and brightened her gloomy life. With these claims on the gratitude of the aunt, aided by the
personal advantages which he unquestionably possessed, Arthur advanced rapidly in the favour of the
charming niece. She was, it is needless to say, perfectly well aware that he was in love with her, while he was
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himself modestly reticent on the subject so far as words went. But she was not equally quick in penetrating
the nature of her own feelings towards Arthur. Watching the two young people with keen powers of
observation, necessarily concentrated on them by the complete seclusion of her life, the invalid lady
discovered signs of roused sensibility in Miss Haldane, when Arthur was present, which had never yet shown
themselves in her social relations with other admirers eager to pay their addresses to her. Having drawn her
own conclusions in private, Mrs. Carbury took the first favourable opportunity (in Arthur's interests) of
putting them to the test.
'I don't know what I shall do,' she said one day, 'when Arthur goes away.'
Miss Haldane looked up quickly from her work. 'Surely he is not going to leave us!' she exclaimed.
'My dear! he has already stayed at his uncle's house a month longer than he intended. His father and mother
naturally expect to see him at home again.'
Miss Haldane met this difficulty with a suggestion, which could only have proceeded from a judgment
already disturbed by the ravages of the tender passion. 'Why can't his father and mother go and see him at
Lord Montbarry's?' she asked. 'Sir Theodore's place is only thirty miles away, and Lady Barville is Lord
Montbarry's sister. They needn't stand on ceremony.'
'They may have other engagements,' Mrs. Carbury remarked.
'My dear aunt, we don't know that! Suppose you ask Arthur?'
'Suppose you ask him?'
Miss Haldane bent her head again over her work. Suddenly as it was done, her aunt had seen her faceand
her face betrayed her.
When Arthur came the next day, Mrs. Carbury said a word to him in private, while her niece was in the
garden. The last new novel lay neglected on the table. Arthur followed Miss Haldane into the garden. The
next day he wrote home, enclosing in his letter a photograph of Miss Haldane. Before the end of the week, Sir
Theodore and Lady Barville arrived at Lord Montbarry's, and formed their own judgment of the fidelity of
the portrait. They had themselves married early in lifeand, strange to say, they did not object on principle
to the early marriages of other people. The question of age being thus disposed of, the course of true love had
no other obstacles to encounter. Miss Haldane was an only child, and was possessed of an ample fortune.
Arthur's career at the university had been creditable, but certainly not brilliant enough to present his
withdrawal in the light of a disaster. As Sir Theodore's eldest son, his position was already made for him. He
was twoandtwenty years of age; and the young lady was eighteen. There was really no producible reason
for keeping the lovers waiting, and no excuse for deferring the weddingday beyond the first week in
September. In the interval, while the bride and bridegroom would be necessarily absent on the inevitable tour
abroad, a sister of Mrs. Carbury volunteered to stay with her during the temporary separation from her niece.
On the conclusion of the honeymoon, the young couple were to return to Ireland, and were to establish
themselves in Mrs. Carbury's spacious and comfortable house.
These arrangements were decided upon early in the month of August. About the same date, the last
alterations in the old palace at Venice were completed. The rooms were dried by steam; the cellars were
stocked; the manager collected round him his army of skilled servants; and the new hotel was advertised all
over Europe to open in October.
CHAPTER XV
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(MISS AGNES LOCKWOOD TO MRS. FERRARI)
'I promised to give you some account, dear Emily, of the marriage of Mr. Arthur Barville and Miss Haldane.
It took place ten days since. But I have had so many things to look after in the absence of the master and
mistress of this house, that I am only able to write to you today.
'The invitations to the wedding were limited to members of the families on either side, in consideration of the
ill health of Miss Haldane's aunt. On the side of the Montbarry family, there were present, besides Lord and
Lady Montbarry, Sir Theodore and Lady Barville; Mrs. Norbury (whom you may remember as his lordship's
second sister); and Mr. Francis Westwick, and Mr. Henry Westwick. The three children and I attended the
ceremony as bridesmaids. We were joined by two young ladies, cousins of the bride and very agreeable girls.
Our dresses were white, trimmed with green in honour of Ireland; and we each had a handsome gold bracelet
given to us as a present from the bridegroom. If you add to the persons whom I have already mentioned, the
elder members of Mrs. Carbury's family, and the old servants in both housesprivileged to drink the healths
of the married pair at the lower end of the roomyou will have the list of the company at the
weddingbreakfast complete.
'The weather was perfect, and the ceremony (with music) was beautifully performed. As for the bride, no
words can describe how lovely she looked, or how well she went through it all. We were very merry at the
breakfast, and the speeches went off on the whole quite well enough. The last speech, before the party broke
up, was made by Mr. Henry Westwick, and was the best of all. He offered a happy suggestion, at the end,
which has produced a very unexpected change in my life here.
'As well as I remember, he concluded in these words:"On one point, we are all agreedwe are sorry that
the parting hour is near, and we should be glad to meet again. Why should we not meet again? This is the
autumn time of the year; we are most of us leaving home for the holidays. What do you say (if you have no
engagements that will prevent it) to joining our young married friends before the close of their tour, and
renewing the social success of this delightful breakfast by another festival in honour of the honeymoon? The
bride and bridegroom are going to Germany and the Tyrol, on their way to Italy. I propose that we allow
them a month to themselves, and that we arrange to meet them afterwards in the North of Italy say at
Venice."
'This proposal was received with great applause, which was changed into shouts of laughter by no less a
person than my dear old nurse. The moment Mr. Westwick pronounced the word "Venice," she started up
among the servants at the lower end of the room, and called out at the top of her voice, "Go to our hotel,
ladies and gentlemen! We get six per cent. on our money already; and if you will only crowd the place and
call for the best of everything, it will be ten per cent in our pockets in no time. Ask Master Henry!"
'Appealed to in this irresistible manner, Mr. Westwick had no choice but to explain that he was concerned as
a shareholder in a new Hotel Company at Venice, and that he had invested a small sum of money for the
nurse (not very considerately, as I think) in the speculation. Hearing this, the company, by way of humouring
the joke, drank a new toast:Success to the nurse's hotel, and a speedy rise in the dividend!
'When the conversation returned in due time to the more serious question of the proposed meeting at Venice,
difficulties began to present themselves, caused of course by invitations for the autumn which many of the
guests had already accepted. Only two members of Mrs. Carbury's family were at liberty to keep the
proposed appointment. On our side we were more at leisure to do as we pleased. Mr. Henry Westwick
decided to go to Venice in advance of the rest, to test the accommodation of the new hotel on the opening
day. Mrs. Norbury and Mr. Francis Westwick volunteered to follow him; and, after some persuasion, Lord
and Lady Montbarry consented to a species of compromise. His lordship could not conveniently spare time
enough for the journey to Venice, but he and Lady Montbarry arranged to accompany Mrs. Norbury and Mr.
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Francis Westwick as far on their way to Italy as Paris. Five days since, they took their departure to meet their
travelling companions in London; leaving me here in charge of the three dear children. They begged hard, of
course, to be taken with papa and mamma. But it was thought better not to interrupt the progress of their
education, and not to expose them (especially the two younger girls) to the fatigues of travelling.
'I have had a charming letter from the bride, this morning, dated Cologne. You cannot think how artlessly and
prettily she assures me of her happiness. Some people, as they say in Ireland, are born to good luckand I
think Arthur Barville is one of them.
'When you next write, I hope to hear that you are in better health and spirits, and that you continue to like
your employment. Believe me, sincerely your friend,A. L.'
Agnes had just closed and directed her letter, when the eldest of her three pupils entered the room with the
startling announcement that Lord Montbarry's travellingservant had arrived from Paris! Alarmed by the idea
that some misfortune had happened, she ran out to meet the man in the hall. Her face told him how seriously
he had frightened her, before she could speak. 'There's nothing wrong, Miss,' he hastened to say. 'My lord and
my lady are enjoying themselves at Paris. They only want you and the young ladies to be with them.' Saying
these amazing words, he handed to Agnes a letter from Lady Montbarry.
'Dearest Agnes,' (she read), 'I am so charmed with the delightful change in my lifeit is six years,
remember, since I last travelled on the Continentthat I have exerted all my fascinations to persuade Lord
Montbarry to go on to Venice. And, what is more to the purpose, I have actually succeeded! He has just gone
to his room to write the necessary letters of excuse in time for the post to England. May you have as good a
husband, my dear, when your time comes! In the mean while, the one thing wanting now to make my
happiness complete, is to have you and the darling children with us. Montbarry is just as miserable without
them as I amthough he doesn't confess it so freely. You will have no difficulties to trouble you. Louis will
deliver these hurried lines, and will take care of you on the journey to Paris. Kiss the children for me a
thousand times and never mind their education for the present! Pack up instantly, my dear, and I will be
fonder of you than ever. Your affectionate friend, Adela Montbarry.'
Agnes folded up the letter; and, feeling the need of composing herself, took refuge for a few minutes in her
own room.
Her first natural sensations of surprise and excitement at the prospect of going to Venice were succeeded by
impressions of a less agreeable kind. With the recovery of her customary composure came the unwelcome
remembrance of the parting words spoken to her by Montbarry's widow:'We shall meet againhere in
England, or there in Venice where my husband diedand meet for the last time.'
It was an odd coincidence, to say the least of it, that the march of events should be unexpectedly taking
Agnes to Venice, after those words had been spoken! Was the woman of the mysterious warnings and the
wild black eyes still thousands of miles away in America? Or was the march of events taking her
unexpectedly, too, on the journey to Venice? Agnes started out of her chair, ashamed of even the momentary
concession to superstition which was implied by the mere presence of such questions as these in her mind.
She rang the bell, and sent for her little pupils, and announced their approaching departure to the household.
The noisy delight of the children, the inspiriting effort of packing up in a hurry, roused all her energies. She
dismissed her own absurd misgivings from consideration, with the contempt that they deserved. She worked
as only women can work, when their hearts are in what they do. The travellers reached Dublin that day, in
time for the boat to England. Two days later, they were with Lord and Lady Montbarry at Paris.
THE FOURTH PART
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CHAPTER XVI
It was only the twentieth of September, when Agnes and the children reached Paris. Mrs. Norbury and her
brother Francis had then already started on their journey to Italyat least three weeks before the date at
which the new hotel was to open for the reception of travellers.
The person answerable for this premature departure was Francis Westwick.
Like his younger brother Henry, he had increased his pecuniary resources by his own enterprise and
ingenuity; with this difference, that his speculations were connected with the Arts. He had made money, in
the first instance, by a weekly newspaper; and he had then invested his profits in a London theatre. This latter
enterprise, admirably conducted, had been rewarded by the public with steady and liberal encouragement.
Pondering over a new form of theatrical attraction for the coming winter season, Francis had determined to
revive the languid public taste for the ballet by means of an entertainment of his own invention, combining
dramatic interest with dancing. He was now, accordingly, in search of the best dancer (possessed of the
indispensable personal attractions) who was to be found in the theatres of the Continent. Hearing from his
foreign correspondents of two women who had made successful first appearances, one at Milan and one at
Florence, he had arranged to visit those cities, and to judge of the merits of the dancers for himself, before he
joined the bride and bridegroom. His widowed sister, having friends at Florence whom she was anxious to
see, readily accompanied him. The Montbarrys remained at Paris, until it was time to present themselves at
the family meeting in Venice. Henry found them still in the French capital, when he arrived from London on
his way to the opening of the new hotel.
Against Lady Montbarry's advice, he took the opportunity of renewing his addresses to Agnes. He could
hardly have chosen a more unpropitious time for pleading his cause with her. The gaieties of Paris (quite
incomprehensibly to herself as well as to everyone about her) had a depressing effect on her spirits. She had
no illness to complain of; she shared willingly in the evervarying succession of amusements offered to
strangers by the ingenuity of the liveliest people in the worldbut nothing roused her: she remained
persistently dull and weary through it all. In this frame of mind and body, she was in no humour to receive
Henry's illtimed addresses with favour, or even with patience: she plainly and positively refused to listen to
him. 'Why do you remind me of what I have suffered?' she asked petulantly. 'Don't you see that it has left its
mark on me for life?'
'I thought I knew something of women by this time,' Henry said, appealing privately to Lady Montbarry for
consolation. 'But Agnes completely puzzles me. It is a year since Montbarry's death; and she remains as
devoted to his memory as if he had died faithful to her she still feels the loss of him, as none of us feel it!'
'She is the truest woman that ever breathed the breath of life,' Lady Montbarry answered. 'Remember that,
and you will understand her. Can such a woman as Agnes give her love or refuse it, according to
circumstances? Because the man was unworthy of her, was he less the man of her choice? The truest and best
friend to him (little as he deserved it) in his lifetime, she naturally remains the truest and best friend to his
memory now. If you really love her, wait; and trust to your two best friends to time and to me. There is my
advice; let your own experience decide whether it is not the best advice that I can offer. Resume your journey
to Venice tomorrow; and when you take leave of Agnes, speak to her as cordially as if nothing had
happened.'
Henry wisely followed this advice. Thoroughly understanding him, Agnes made the leavetaking friendly
and pleasant on her side. When he stopped at the door for a last look at her, she hurriedly turned her head so
that her face was hidden from him. Was that a good sign? Lady Montbarry, accompanying Henry down the
stairs, said, 'Yes, decidedly! Write when you get to Venice. We shall wait here to receive letters from Arthur
and his wife, and we shall time our departure for Italy accordingly.'
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A week passed, and no letter came from Henry. Some days later, a telegram was received from him. It was
despatched from Milan, instead of from Venice; and it brought this strange message:'I have left the hotel.
Will return on the arrival of Arthur and his wife. Address, meanwhile, Albergo Reale, Milan.'
Preferring Venice before all other cities of Europe, and having arranged to remain there until the family
meeting took place, what unexpected event had led Henry to alter his plans? and why did he state the bare
fact, without adding a word of explanation? Let the narrative follow himand find the answer to those
questions at Venice.
CHAPTER XVII
The Palace Hotel, appealing for encouragement mainly to English and American travellers, celebrated the
opening of its doors, as a matter of course, by the giving of a grand banquet, and the delivery of a long
succession of speeches.
Delayed on his journey, Henry Westwick only reached Venice in time to join the guests over their coffee and
cigars. Observing the splendour of the reception rooms, and taking note especially of the artful mixture of
comfort and luxury in the bedchambers, he began to share the old nurse's view of the future, and to
contemplate seriously the coming dividend of ten per cent. The hotel was beginning well, at all events. So
much interest in the enterprise had been aroused, at home and abroad, by profuse advertising, that the whole
accommodation of the building had been secured by travellers of all nations for the opening night. Henry
only obtained one of the small rooms on the upper floor, by a lucky accidentthe absence of the gentleman
who had written to engage it. He was quite satisfied, and was on his way to bed, when another accident
altered his prospects for the night, and moved him into another and a better room.
Ascending on his way to the higher regions as far as the first floor of the hotel, Henry's attention was
attracted by an angry voice protesting, in a strong New England accent, against one of the greatest hardships
that can be inflicted on a citizen of the United States the hardship of sending him to bed without gas in his
room.
The Americans are not only the most hospitable people to be found on the face of the earththey are (under
certain conditions) the most patient and goodtempered people as well. But they are human; and the limit of
American endurance is found in the obsolete institution of a bedroom candle. The American traveller, in the
present case, declined to believe that his bedroom was in a complete finished state without a gasburner. The
manager pointed to the fine antique decorations (renewed and regilt) on the walls and the ceiling, and
explained that the emanations of burning gaslight would certainly spoil them in the course of a few months.
To this the traveller replied that it was possible, but that he did not understand decorations. A bedroom with
gas in it was what he was used to, was what he wanted, and was what he was determined to have. The
compliant manager volunteered to ask some other gentleman, housed on the inferior upper storey (which was
lit throughout with gas), to change rooms. Hearing this, and being quite willing to exchange a small
bedchamber for a large one, Henry volunteered to be the other gentleman. The excellent American shook
hands with him on the spot. 'You are a cultured person, sir,' he said; 'and you will no doubt understand the
decorations.'
Henry looked at the number of the room on the door as he opened it. The number was Fourteen.
Tired and sleepy, he naturally anticipated a good night's rest. In the thoroughly healthy state of his nervous
system, he slept as well in a bed abroad as in a bed at home. Without the slightest assignable reason,
however, his just expectations were disappointed. The luxurious bed, the wellventilated room, the delicious
tranquillity of Venice by night, all were in favour of his sleeping well. He never slept at all. An indescribable
sense of depression and discomfort kept him waking through darkness and daylight alike. He went down to
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the coffeeroom as soon as the hotel was astir, and ordered some breakfast. Another unaccountable change in
himself appeared with the appearance of the meal. He was absolutely without appetite. An excellent omelette,
and cutlets cooked to perfection, he sent away untastedhe, whose appetite never failed him, whose
digestion was still equal to any demands on it!
The day was bright and fine. He sent for a gondola, and was rowed to the Lido.
Out on the airy Lagoon, he felt like a new man. He had not left the hotel ten minutes before he was fast asleep
in the gondola. Waking, on reaching the landingplace, he crossed the Lido, and enjoyed a morning's swim in
the Adriatic. There was only a poor restaurant on the island, in those days; but his appetite was now ready for
anything; he ate whatever was offered to him, like a famished man. He could hardly believe, when he
reflected on it, that he had sent away untasted his excellent breakfast at the hotel.
Returning to Venice, he spent the rest of the day in the picturegalleries and the churches. Towards six
o'clock his gondola took him back, with another fine appetite, to meet some travelling acquaintances with
whom he had engaged to dine at the table d'hote.
The dinner was deservedly rewarded with the highest approval by every guest in the hotel but one. To
Henry's astonishment, the appetite with which he had entered the house mysteriously and completely left him
when he sat down to table. He could drink some wine, but he could literally eat nothing. 'What in the world is
the matter with you?' his travelling acquaintances asked. He could honestly answer, 'I know no more than you
do.'
When night came, he gave his comfortable and beautiful bedroom another trial. The result of the second
experiment was a repetition of the result of the first. Again he felt the allpervading sense of depression and
discomfort. Again he passed a sleepless night. And once more, when he tried to eat his breakfast, his appetite
completely failed him!
This personal experience of the new hotel was too extraordinary to be passed over in silence. Henry
mentioned it to his friends in the public room, in the hearing of the manager. The manager, naturally zealous
in defence of the hotel, was a little hurt at the implied reflection cast on Number Fourteen. He invited the
travellers present to judge for themselves whether Mr. Westwick's bedroom was to blame for Mr. Westwick's
sleepless nights; and he especially appealed to a greyheaded gentleman, a guest at the breakfasttable of an
English traveller, to take the lead in the investigation. 'This is Doctor Bruno, our first physician in Venice,' he
explained. 'I appeal to him to say if there are any unhealthy influences in Mr. Westwick's room.'
Introduced to Number Fourteen, the doctor looked round him with a certain appearance of interest which was
noticed by everyone present. 'The last time I was in this room,' he said, 'was on a melancholy occasion. It was
before the palace was changed into an hotel. I was in professional attendance on an English nobleman who
died here.' One of the persons present inquired the name of the nobleman. Doctor Bruno answered (without
the slightest suspicion that he was speaking before a brother of the dead man), 'Lord Montbarry.'
Henry quietly left the room, without saying a word to anybody.
He was not, in any sense of the term, a superstitious man. But he felt, nevertheless, an insurmountable
reluctance to remaining in the hotel. He decided on leaving Venice. To ask for another room would be, as he
could plainly see, an offence in the eyes of the manager. To remove to another hotel, would be to openly
abandon an establishment in the success of which he had a pecuniary interest. Leaving a note for Arthur
Barville, on his arrival in Venice, in which he merely mentioned that he had gone to look at the Italian lakes,
and that a line addressed to his hotel at Milan would bring him back again, he took the afternoon train to
Padua and dined with his usual appetite, and slept as well as ever that night.
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The next day, a gentleman and his wife (perfect strangers to the Montbarry family), returning to England by
way of Venice, arrived at the hotel and occupied Number Fourteen.
Still mindful of the slur that had been cast on one of his best bedchambers, the manager took occasion to ask
the travellers the next morning how they liked their room. They left him to judge for himself how well they
were satisfied, by remaining a day longer in Venice than they had originally planned to do, solely for the
purpose of enjoying the excellent accommodation offered to them by the new hotel. 'We have met with
nothing like it in Italy,' they said; 'you may rely on our recommending you to all our friends.'
On the day when Number Fourteen was again vacant, an English lady travelling alone with her maid arrived
at the hotel, saw the room, and at once engaged it.
The lady was Mrs. Norbury. She had left Francis Westwick at Milan, occupied in negotiating for the
appearance at his theatre of the new dancer at the Scala. Not having heard to the contrary, Mrs. Norbury
supposed that Arthur Barville and his wife had already arrived at Venice. She was more interested in meeting
the young married couple than in awaiting the result of the hard bargaining which delayed the engagement of
the new dancer; and she volunteered to make her brother's apologies, if his theatrical business caused him to
be late in keeping his appointment at the honeymoon festival.
Mrs. Norbury's experience of Number Fourteen differed entirely from her brother Henry's experience of the
room.
Failing asleep as readily as usual, her repose was disturbed by a succession of frightful dreams; the central
figure in every one of them being the figure of her dead brother, the first Lord Montbarry. She saw him
starving in a loathsome prison; she saw him pursued by assassins, and dying under their knives; she saw him
drowning in immeasurable depths of dark water; she saw him in a bed on fire, burning to death in the flames;
she saw him tempted by a shadowy creature to drink, and dying of the poisonous draught. The reiterated
horror of these dreams had such an effect on her that she rose with the dawn of day, afraid to trust herself
again in bed. In the old times, she had been noted in the family as the one member of it who lived on
affectionate terms with Montbarry. His other sister and his brothers were constantly quarrelling with him.
Even his mother owned that her eldest son was of all her children the child whom she least liked. Sensible
and resolute woman as she was, Mrs. Norbury shuddered with terror as she sat at the window of her room,
watching the sunrise, and thinking of her dreams.
She made the first excuse that occurred to her, when her maid came in at the usual hour, and noticed how ill
she looked. The woman was of so superstitious a temperament that it would have been in the last degree
indiscreet to trust her with the truth. Mrs. Norbury merely remarked that she had not found the bed quite to
her liking, on account of the large size of it. She was accustomed at home, as her maid knew, to sleep in a
small bed. Informed of this objection later in the day, the manager regretted that he could only offer to the
lady the choice of one other bedchamber, numbered Thirtyeight, and situated immediately over the
bedchamber which she desired to leave. Mrs. Norbury accepted the proposed change of quarters. She was
now about to pass her second night in the room occupied in the old days of the palace by Baron Rivar.
Once more, she fell asleep as usual. And, once more, the frightful dreams of the first night terrified her,
following each other in the same succession. This time her nerves, already shaken, were not equal to the
renewed torture of terror inflicted on them. She threw on her dressinggown, and rushed out of her room in
the middle of the night. The porter, alarmed by the banging of the door, met her hurrying headlong down the
stairs, in search of the first human being she could find to keep her company. Considerably surprised at this
last new manifestation of the famous 'English eccentricity,' the man looked at the hotel register, and led the
lady upstairs again to the room occupied by her maid. The maid was not asleep, and, more wonderful still,
was not even undressed. She received her mistress quietly. When they were alone, and when Mrs. Norbury
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had, as a matter of necessity, taken her attendant into her confidence, the woman made a very strange reply.
'I have been asking about the hotel, at the servants' supper tonight,' she said. 'The valet of one of the
gentlemen staying here has heard that the late Lord Montbarry was the last person who lived in the palace,
before it was made into an hotel. The room he died in, ma'am, was the room you slept in last night. Your
room tonight is the room just above it. I said nothing for fear of frightening you. For my own part, I have
passed the night as you see, keeping my light on, and reading my Bible. In my opinion, no member of your
family can hope to be happy or comfortable in this house.'
'What do you mean?'
'Please to let me explain myself, ma'am. When Mr. Henry Westwick was here (I have this from the valet, too)
he occupied the room his brother died in (without knowing it), like you. For two nights he never closed his
eyes. Without any reason for it (the valet heard him tell the gentlemen in the coffeeroom) he could not
sleep; he felt so low and so wretched in himself. And what is more, when daytime came, he couldn't even eat
while he was under this roof You may laugh at me, ma'ambut even a servant may draw her own
conclusions. It's my conclusion that something happened to my lord, which we none of us know about, when
he died in this house. His ghost walks in torment until he can tell it and the living persons related to him
are the persons who feel he is near them. Those persons may yet see him in the time to come. Don't, pray
don't stay any longer in this dreadful place! I wouldn't stay another night here myselfno, not for anything
that could be offered me!'
Mrs. Norbury at once set her servant's mind at ease on this last point.
'I don't think about it as you do,' she said gravely. 'But I should like to speak to my brother of what has
happened. We will go back to Milan.'
Some hours necessarily elapsed before they could leave the hotel, by the first train in the forenoon.
In that interval, Mrs. Norbury's maid found an opportunity of confidentially informing the valet of what had
passed between her mistress and herself. The valet had other friends to whom he related the circumstances in
his turn. In due course of time, the narrative, passing from mouth to mouth, reached the ears of the manager.
He instantly saw that the credit of the hotel was in danger, unless something was done to retrieve the
character of the room numbered Fourteen. English travellers, well acquainted with the peerage of their native
country, informed him that Henry Westwick and Mrs. Norbury were by no means the only members of the
Montbarry family. Curiosity might bring more of them to the hotel, after hearing what had happened. The
manager's ingenuity easily hit on the obvious means of misleading them, in this case. The numbers of all the
rooms were enamelled in blue, on white china plates, screwed to the doors. He ordered a new plate to be
prepared, bearing the number, '13 A'; and he kept the room empty, after its tenant for the time being had gone
away, until the plate was ready. He then renumbered the room; placing the removed Number Fourteen on
the door of his own room (on the second floor), which, not being to let, had not previously been numbered at
all. By this device, Number Fourteen disappeared at once and for ever from the books of the hotel, as the
number of a bedroom to let.
Having warned the servants to beware of gossiping with travellers, on the subject of the changed numbers,
under penalty of being dismissed, the manager composed his mind with the reflection that he had done his
duty to his employers. 'Now,' he thought to himself, with an excusable sense of triumph, 'let the whole family
come here if they like! The hotel is a match for them.'
CHAPTER XVIII
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Before the end of the week, the manager found himself in relations with 'the family' once more. A telegram
from Milan announced that Mr. Francis Westwick would arrive in Venice on the next day; and would be
obliged if Number Fourteen, on the first floor, could be reserved for him, in the event of its being vacant at
the time.
The manager paused to consider, before he issued his directions.
The renumbered room had been last let to a French gentleman. It would be occupied on the day of Mr.
Francis Westwick's arrival, but it would be empty again on the day after. Would it be well to reserve the room
for the special occupation of Mr. Francis? and when he had passed the night unsuspiciously and comfortably
in 'No. 13 A,' to ask him in the presence of witnesses how he liked his bedchamber? In this case, if the
reputation of the room happened to be called in question again, the answer would vindicate it, on the
evidence of a member of the very family which had first given Number Fourteen a bad name. After a little
reflection, the manager decided on trying the experiment, and directed that '13 A' should be reserved
accordingly.
On the next day, Francis Westwick arrived in excellent spirits.
He had signed agreements with the most popular dancer in Italy; he had transferred the charge of Mrs.
Norbury to his brother Henry, who had joined him in Milan; and he was now at full liberty to amuse himself
by testing in every possible way the extraordinary influence exercised over his relatives by the new hotel.
When his brother and sister first told him what their experience had been, he instantly declared that he would
go to Venice in the interest of his theatre. The circumstances related to him contained invaluable hints for a
ghostdrama. The title occurred to him in the railway: 'The Haunted Hotel.' Post that in red letters six feet
high, on a black ground, all over Londonand trust the excitable public to crowd into the theatre!
Received with the politest attention by the manager, Francis met with a disappointment on entering the hotel.
'Some mistake, sir. No such room on the first floor as Number Fourteen. The room bearing that number is on
the second floor, and has been occupied by me, from the day when the hotel opened. Perhaps you meant
number 13 A, on the first floor? It will be at your service tomorrow a charming room. In the mean time,
we will do the best we can for you, tonight.'
A man who is the successful manager of a theatre is probably the last man in the civilized universe who is
capable of being impressed with favourable opinions of his fellowcreatures. Francis privately set the
manager down as a humbug, and the story about the numbering of the rooms as a lie.
On the day of his arrival, he dined by himself in the restaurant, before the hour of the table d'hote, for the
express purpose of questioning the waiter, without being overheard by anybody. The answer led him to the
conclusion that '13 A' occupied the situation in the hotel which had been described by his brother and sister as
the situation of '14.' He asked next for the Visitors' List; and found that the French gentleman who then
occupied '13 A,' was the proprietor of a theatre in Paris, personally well known to him. Was the gentleman
then in the hotel? He had gone out, but would certainly return for the table d'hote. When the public dinner
was over, Francis entered the room, and was welcomed by his Parisian colleague, literally, with open arms.
'Come and have a cigar in my room,' said the friendly Frenchman. 'I want to hear whether you have really
engaged that woman at Milan or not.' In this easy way, Francis found his opportunity of comparing the
interior of the room with the description which he had heard of it at Milan.
Arriving at the door, the Frenchman bethought himself of his travelling companion. 'My scenepainter is here
with me,' he said, 'on the lookout for materials. An excellent fellow, who will take it as a kindness if we ask
him to join us. I'll tell the porter to send him up when he comes in.' He handed the key of his room to Francis.
'I will be back in a minute. It's at the end of the corridor 13 A.'
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Francis entered the room alone. There were the decorations on the walls and the ceiling, exactly as they had
been described to him! He had just time to perceive this at a glance, before his attention was diverted to
himself and his own sensations, by a grotesquely disagreeable occurrence which took him completely by
surprise.
He became conscious of a mysteriously offensive odour in the room, entirely new in his experience of
revolting smells. It was composed (if such a thing could be) of two mingling exhalations, which were
separatelydiscoverable exhalations nevertheless. This strange blending of odours consisted of something
faintly and unpleasantly aromatic, mixed with another underlying smell, so unutterably sickening that he
threw open the window, and put his head out into the fresh air, unable to endure the horribly infected
atmosphere for a moment longer.
The French proprietor joined his English friend, with his cigar already lit. He started back in dismay at a sight
terrible to his countrymen in generalthe sight of an open window. 'You English people are perfectly mad
on the subject of fresh air!' he exclaimed. 'We shall catch our deaths of cold.'
Francis turned, and looked at him in astonishment. 'Are you really not aware of the smell there is in the
room?' he asked.
'Smell!' repeated his brothermanager. 'I smell my own good cigar. Try one yourself. And for Heaven's sake
shut the window!'
Francis declined the cigar by a sign. 'Forgive me,' he said. 'I will leave you to close the window. I feel faint
and giddy I had better go out.' He put his handkerchief over his nose and mouth, and crossed the room to
the door.
The Frenchman followed the movements of Francis, in such a state of bewilderment that he actually forgot to
seize the opportunity of shutting out the fresh air. 'Is it so nasty as that?' he asked, with a broad stare of
amazement.
'Horrible!' Francis muttered behind his handkerchief. 'I never smelt anything like it in my life!'
There was a knock at the door. The scenepainter appeared. His employer instantly asked him if he smelt
anything.
'I smell your cigar. Delicious! Give me one directly!'
'Wait a minute. Besides my cigar, do you smell anything elsevile, abominable, overpowering,
indescribable, neverneverneversmelt before?'
The scenepainter appeared to be puzzled by the vehement energy of the language addressed to him. 'The
room is as fresh and sweet as a room can be,' he answered. As he spoke, he looked back with astonishment at
Francis Westwick, standing outside in the corridor, and eyeing the interior of the bedchamber with an
expression of undisguised disgust.
The Parisian director approached his English colleague, and looked at him with grave and anxious scrutiny.
'You see, my friend, here are two of us, with as good noses as yours, who smell nothing. If you want evidence
from more noses, look there!' He pointed to two little English girls, at play in the corridor. 'The door of my
room is wide openand you know how fast a smell can travel. Now listen, while I appeal to these innocent
noses, in the language of their own dismal island. My little loves, do you sniff a nasty smell hereha?' The
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children burst out laughing, and answered emphatically, 'No.' 'My good Westwick,' the Frenchman resumed,
in his own language, 'the conclusion is surely plain? There is something wrong, very wrong, with your own
nose. I recommend you to see a medical man.'
Having given that advice, he returned to his room, and shut out the horrid fresh air with a loud exclamation of
relief. Francis left the hotel, by the lanes that led to the Square of St. Mark. The nightbreeze soon revived
him. He was able to light a cigar, and to think quietly over what had happened.
CHAPTER XIX
Avoiding the crowd under the colonnades, Francis walked slowly up and down the noble open space of the
square, bathed in the light of the rising moon.
Without being aware of it himself, he was a thorough materialist. The strange effect produced on him by the
roomfollowing on the other strange effects produced on the other relatives of his dead brother exercised
no perplexing influence over the mind of this sensible man. 'Perhaps,' he reflected, 'my temperament is more
imaginative than I supposed it to beand this is a trick played on me by my own fancy? Or, perhaps, my
friend is right; something is physically amiss with me? I don't feel ill, certainly. But that is no safe criterion
sometimes. I am not going to sleep in that abominable room tonight I can well wait till tomorrow to
decide whether I shall speak to a doctor or not. In the mean time, the hotel doesn't seem likely to supply me
with the subject of a piece. A terrible smell from an invisible ghost is a perfectly new idea. But it has one
drawback. If I realise it on the stage, I shall drive the audience out of the theatre.'
As his strong common sense arrived at this facetious conclusion, he became aware of a lady, dressed entirely
in black, who was observing him with marked attention. 'Am I right in supposing you to be Mr. Francis
Westwick?' the lady asked, at the moment when he looked at her.
'That is my name, madam. May I inquire to whom I have the honour of speaking?'
'We have only met once,' she answered a little evasively, 'when your late brother introduced me to the
members of his family. I wonder if you have quite forgotten my big black eyes and my hideous complexion?'
She lifted her veil as she spoke, and turned so that the moonlight rested on her face.
Francis recognised at a glance the woman of all others whom he most cordially dislikedthe widow of his
dead brother, the first Lord Montbarry. He frowned as he looked at her. His experience on the stage, gathered
at innumerable rehearsals with actresses who had sorely tried his temper, had accustomed him to speak
roughly to women who were distasteful to him. 'I remember you,' he said. 'I thought you were in America!'
She took no notice of his ungracious tone and manner; she simply stopped him when he lifted his hat, and
turned to leave her.
'Let me walk with you for a few minutes,' she quietly replied. 'I have something to say to you.'
He showed her his cigar. 'I am smoking,'he said.
'I don't mind smoking.'
After that, there was nothing to be done (short of downright brutality) but to yield. He did it with the worst
possible grace. 'Well?' he resumed. 'What do you want of me?'
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'You shall hear directly, Mr. Westwick. Let me first tell you what my position is. I am alone in the world. To
the loss of my husband has now been added another bereavement, the loss of my companion in America, my
brotherBaron Rivar.'
The reputation of the Baron, and the doubt which scandal had thrown on his assumed relationship to the
Countess, were well known to Francis. 'Shot in a gamblingsaloon?' he asked brutally.
'The question is a perfectly natural one on your part,' she said, with the impenetrably ironical manner which
she could assume on certain occasions. 'As a native of horseracing England, you belong to a nation of
gamblers. My brother died no extraordinary death, Mr. Westwick. He sank, with many other unfortunate
people, under a fever prevalent in a Western city which we happened to visit. The calamity of his loss made
the United States unendurable to me. I left by the first steamer that sailed from New Yorka French vessel
which brought me to Havre. I continued my lonely journey to the South of France. And then I went on to
Venice.'
'What does all this matter to me?' Francis thought to himself. She paused, evidently expecting him to say
something. 'So you have come to Venice?' he said carelessly. 'Why?'
'Because I couldn't help it,' she answered.
Francis looked at her with cynical curiosity. 'That sounds odd,' he remarked. 'Why couldn't you help it?'
'Women are accustomed to act on impulse,' she explained. 'Suppose we say that an impulse has directed my
journey? And yet, this is the last place in the world that I wish to find myself in. Associations that I detest are
connected with it in my mind. If I had a will of my own, I would never see it again. I hate Venice. As you
see, however, I am here. When did you meet with such an unreasonable woman before? Never, I am sure!'
She stopped, eyed him for a moment, and suddenly altered her tone. 'When is Miss Agnes Lockwood
expected to be in Venice?' she asked.
It was not easy to throw Francis off his balance, but that extraordinary question did it. 'How the devil did you
know that Miss Lockwood was coming to Venice?' he exclaimed.
She laugheda bitter mocking laugh. 'Say, I guessed it!'
Something in her tone, or perhaps something in the audacious defiance of her eyes as they rested on him,
roused the quick temper that was in Francis Warwick. 'Lady Montbarry!' he began.
'Stop there!' she interposed. 'Your brother Stephen's wife calls herself Lady Montbarry now. I share my title
with no woman. Call me by my name before I committed the fatal mistake of marrying your brother. Address
me, if you please, as Countess Narona.'
'Countess Narona,' Francis resumed, 'if your object in claiming my acquaintance is to mystify me, you have
come to the wrong man. Speak plainly, or permit me to wish you good evening.'
'If your object is to keep Miss Lockwood's arrival in Venice a secret,' she retorted, 'speak plainly, Mr.
Westwick, on your side, and say so.'
Her intention was evidently to irritate him; and she succeeded. 'Nonsense!' he broke out petulantly. 'My
brother's travelling arrangements are secrets to nobody. He brings Miss Lockwood here, with Lady
Montbarry and the children. As you seem so well informed, perhaps you know why she is coming to Venice?'
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The Countess had suddenly become grave and thoughtful. She made no reply. The two strangely associated
companions, having reached one extremity of the square, were now standing before the church of St. Mark.
The moonlight was bright enough to show the architecture of the grand cathedral in its wonderful variety of
detail. Even the pigeons of St. Mark were visible, in dark closely packed rows, roosting in the archways of
the great entrance doors.
'I never saw the old church look so beautiful by moonlight,' the Countess said quietly; speaking, not to
Francis, but to herself. 'Goodbye, St. Mark's by moonlight! I shall not see you again.'
She turned away from the church, and saw Francis listening to her with wondering looks. 'No,' she resumed,
placidly picking up the lost thread of the conversation, 'I don't know why Miss Lockwood is coming here, I
only know that we are to meet in Venice.'
'By previous appointment?'
'By Destiny,' she answered, with her head on her breast, and her eyes on the ground. Francis burst out
laughing. 'Or, if you like it better,' she instantly resumed, 'by what fools call Chance.' Francis answered
easily, out of the depths of his strong common sense. 'Chance seems to be taking a queer way of bringing the
meeting about,' he said. 'We have all arranged to meet at the Palace Hotel. How is it that your name is not on
the Visitors' List? Destiny ought to have brought you to the Palace Hotel too.'
She abruptly pulled down her veil. 'Destiny may do that yet!' she said. 'The Palace Hotel?' she repeated,
speaking once more to herself. 'The old hell, transformed into the new purgatory. The place itself! Jesu
Maria! the place itself!' She paused and laid her hand on her companion's arm. 'Perhaps Miss Lockwood is
not going there with the rest of you?' she burst out with sudden eagerness. 'Are you positively sure she will be
at the hotel?'
'Positively! Haven't I told you that Miss Lockwood travels with Lord and Lady Montbarry? and don't you
know that she is a member of the family? You will have to move, Countess, to our hotel.'
She was perfectly impenetrable to the bantering tone in which he spoke. 'Yes,' she said faintly, 'I shall have to
move to your hotel.' Her hand was still on his armhe could feel her shivering from head to foot while she
spoke. Heartily as he disliked and distrusted her, the common instinct of humanity obliged him to ask if she
felt cold.
'Yes,' she said. 'Cold and faint.'
'Cold and faint, Countess, on such a night as this?'
'The night has nothing to do with it, Mr. Westwick. How do you suppose the criminal feels on the scaffold,
while the hangman is putting the rope around his neck? Cold and faint, too, I should think. Excuse my grim
fancy. You see, Destiny has got the rope round my neck and I feel it.'
She looked about her. They were at that moment close to the famous cafe known as 'Florian's.' 'Take me in
there,' she said; 'I must have something to revive me. You had better not hesitate. You are interested in
reviving me. I have not said what I wanted to say to you yet. It's business, and it's connected with your
theatre.'
Wondering inwardly what she could possibly want with his theatre, Francis reluctantly yielded to the
necessities of the situation, and took her into the cafe. He found a quiet corner in which they could take their
places without attracting notice. 'What will you have?' he inquired resignedly. She gave her own orders to the
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waiter, without troubling him to speak for her.
'Maraschino. And a pot of tea.'
The waiter stared; Francis stared. The tea was a novelty (in connection with maraschino) to both of them.
Careless whether she surprised them or not, she instructed the waiter, when her directions had been complied
with, to pour a large wineglassfull of the liqueur into a tumbler, and to fill it up from the teapot. 'I can't do
it for myself,' she remarked, 'my hand trembles so.' She drank the strange mixture eagerly, hot as it was.
'Maraschino punch will you taste some of it?' she said. 'I inherit the discovery of this drink. When your
English Queen Caroline was on the Continent, my mother was attached to her Court. That much injured
Royal Person invented, in her happier hours, maraschino punch. Fondly attached to her gracious mistress, my
mother shared her tastes. And I, in my turn, learnt from my mother. Now, Mr. Westwick, suppose I tell you
what my business is. You are manager of a theatre. Do you want a new play?'
'I always want a new playprovided it's a good one.'
'And you pay, if it's a good one?'
'I pay liberallyin my own interests.'
'If I write the play, will you read it?'
Francis hesitated. 'What has put writing a play into your head?' he asked.
'Mere accident,' she answered. 'I had once occasion to tell my late brother of a visit which I paid to Miss
Lockwood, when I was last in England. He took no interest at what happened at the interview, but something
struck him in my way of relating it. He said, "You describe what passed between you and the lady with the
point and contrast of good stage dialogue. You have the dramatic instinct try if you can write a play. You
might make money." That put it into my head.'
Those last words seemed to startle Francis. 'Surely you don't want money!' he exclaimed.
'I always want money. My tastes are expensive. I have nothing but my poor little four hundred a yearand
the wreck that is left of the other money: about two hundred pounds in circular notes no more.'
Francis knew that she was referring to the ten thousand pounds paid by the insurance offices. 'All those
thousands gone already!' he exclaimed.
She blew a little puff of air over her fingers. 'Gone like that!' she answered coolly.
'Baron Rivar?'
She looked at him with a flash of anger in her hard black eyes.
'My affairs are my own secret, Mr. Westwick. I have made you a proposaland you have not answered me
yet. Don't say No, without thinking first. Remember what a life mine has been. I have seen more of the world
than most people, playwrights included. I have had strange adventures; I have heard remarkable stories; I
have observed; I have remembered. Are there no materials, here in my head, for writing a playif the
opportunity is granted to me?' She waited a moment, and suddenly repeated her strange question about
Agnes.
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'When is Miss Lockwood expected to be in Venice?'
'What has that to do with your new play, Countess?'
The Countess appeared to feel some difficulty in giving that question its fit reply. She mixed another tumbler
full of maraschino punch, and drank one good half of it before she spoke again.
'It has everything to do with my new play,' was all she said. 'Answer me.' Francis answered her.
'Miss Lockwood may be here in a week. Or, for all I know to the contrary, sooner than that.'
'Very well. If I am a living woman and a free woman in a week's time or if I am in possession of my senses
in a week's time (don't interrupt me; I know what I am talking about)I shall have a sketch or outline of my
play ready, as a specimen of what I can do. Once again, will you read it?'
'I will certainly read it. But, Countess, I don't understand'
She held up her hand for silence, and finished the second tumbler of maraschino punch.
'I am a living enigmaand you want to know the right reading of me,' she said. 'Here is the reading, as your
English phrase goes, in a nutshell. There is a foolish idea in the minds of many persons that the natives of the
warm climates are imaginative people. There never was a greater mistake. You will find no such
unimaginative people anywhere as you find in Italy, Spain, Greece, and the other Southern countries. To
anything fanciful, to anything spiritual, their minds are deaf and blind by nature. Now and then, in the course
of centuries, a great genius springs up among them; and he is the exception which proves the rule. Now see!
I, though I am no geniusI am, in my little way (as I suppose), an exception too. To my sorrow, I have some
of that imagination which is so common among the English and the Germans so rare among the Italians,
the Spaniards, and the rest of them! And what is the result? I think it has become a disease in me. I am filled
with presentiments which make this wicked life of mine one long terror to me. It doesn't matter, just now,
what they are. Enough that they absolutely govern methey drive me over land and sea at their own horrible
will; they are in me, and torturing me, at this moment! Why don't I resist them? Ha! but I do resist them. I am
trying (with the help of the good punch) to resist them now. At intervals I cultivate the difficult virtue of
common sense. Sometimes, sound sense makes a hopeful woman of me. At one time, I had the hope that
what seemed reality to me was only mad delusion, after allI even asked the question of an English doctor!
At other times, other sensible doubts of myself beset me. Never mind dwelling on them nowit always ends
in the old terrors and superstitions taking possession of me again. In a week's time, I shall know whether
Destiny does indeed decide my future for me, or whether I decide it for myself. In the last case, my resolution
is to absorb this selftormenting fancy of mine in the occupation that I have told you of already. Do you
understand me a little better now? And, our business being settled, dear Mr. Westwick, shall we get out of
this hot room into the nice cool air again?'
They rose to leave the cafe. Francis privately concluded that the maraschino punch offered the only
discoverable explanation of what the Countess had said to him.
CHAPTER XX
'Shall I see you again?' she asked, as she held out her hand to take leave. 'It is quite understood between us, I
suppose, about the play?'
Francis recalled his extraordinary experience of that evening in the renumbered room. 'My stay in Venice is
uncertain,' he replied. 'If you have anything more to say about this dramatic venture of yours, it may be as
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well to say it now. Have you decided on a subject already? I know the public taste in England better than you
doI might save you some waste of time and trouble, if you have not chosen your subject wisely.'
'I don't care what subject I write about, so long as I write,' she answered carelessly. 'If you have got a subject
in your head, give it to me. I answer for the characters and the dialogue.'
'You answer for the characters and the dialogue,' Francis repeated. 'That's a bold way of speaking for a
beginner! I wonder if I should shake your sublime confidence in yourself, if I suggested the most ticklish
subject to handle which is known to the stage? What do you say, Countess, to entering the lists with
Shakespeare, and trying a drama with a ghost in it? A true story, mind! founded on events in this very city in
which you and I are interested.'
She caught him by the arm, and drew him away from the crowded colonnade into the solitary middle space of
the square. 'Now tell me!' she said eagerly. 'Here, where nobody is near us. How am I interested in it? How?
how?'
Still holding his arm, she shook him in her impatience to hear the coming disclosure. For a moment he
hesitated. Thus far, amused by her ignorant belief in herself, he had merely spoken in jest. Now, for the first
time, impressed by her irresistible earnestness, he began to consider what he was about from a more serious
point of view. With her knowledge of all that had passed in the old palace, before its transformation into an
hotel, it was surely possible that she might suggest some explanation of what had happened to his brother,
and sister, and himself. Or, failing to do this, she might accidentally reveal some event in her own experience
which, acting as a hint to a competent dramatist, might prove to be the making of a play. The prosperity of his
theatre was his one serious object in life. 'I may be on the trace of another "Corsican Brothers,"' he thought.
'A new piece of that sort would be ten thousand pounds in my pocket, at least.'
With these motives (worthy of the singlehearted devotion to dramatic business which made Francis a
successful manager) he related, without further hesitation, what his own experience had been, and what the
experience of his relatives had been, in the haunted hotel. He even described the outbreak of superstitious
terror which had escaped Mrs. Norbury's ignorant maid. 'Sad stuff, if you look at it reasonably,' he remarked.
'But there is something dramatic in the notion of the ghostly influence making itself felt by the relations in
succession, as they one after another enter the fatal roomuntil the one chosen relative comes who will see
the Unearthly Creature, and know the terrible truth. Material for a play, Countessfirstrate material for a
play!'
There he paused. She neither moved nor spoke. He stooped and looked closer at her.
What impression had he produced? It was an impression which his utmost ingenuity had failed to anticipate.
She stood by his side just as she had stood before Agnes when her question about Ferrari was plainly
answered at lastlike a woman turned to stone. Her eyes were vacant and rigid; all the life in her face had
faded out of it. Francis took her by the hand. Her hand was as cold as the pavement that they were standing
on. He asked her if she was ill.
Not a muscle in her moved. He might as well have spoken to the dead.
'Surely,' he said, 'you are not foolish enough to take what I have been telling you seriously?'
Her lips moved slowly. As it seemed, she was making an effort to speak to him.
'Louder,' he said. 'I can't hear you.'
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She struggled to recover possession of herself. A faint light began to soften the dull cold stare of her eyes. In
a moment more she spoke so that he could hear her.
'I never thought of the other world,' she murmured, in low dull tones, like a woman talking in her sleep.
Her mind had gone back to the day of her last memorable interview with Agnes; she was slowly recalling the
confession that had escaped her, the warning words which she had spoken at that past time. Necessarily
incapable of understanding this, Francis looked at her in perplexity. She went on in the same dull vacant tone,
steadily following out her own train of thought, with her heedless eyes on his face, and her wandering mind
far away from him.
'I said some trifling event would bring us together the next time. I was wrong. No trifling event will bring us
together. I said I might be the person who told her what had become of Ferrari, if she forced me to it. Shall I
feel some other influence than hers? Will he force me to it? When she sees him, shall I see him too?'
Her head sank a little; her heavy eyelids dropped slowly; she heaved a long low weary sigh. Francis put her
arm in his, and made an attempt to rouse her.
'Come, Countess, you are weary and overwrought. We have had enough talking tonight. Let me see you
safe back to your hotel. Is it far from here?'
She started when he moved, and obliged her to move with him, as if he had suddenly awakened her out of a
deep sleep.
'Not far,' she said faintly. 'The old hotel on the quay. My mind's in a strange state; I have forgotten the name.'
'Danieli's?'
'Yes!'
He led her on slowly. She accompanied him in silence as far as the end of the Piazzetta. There, when the full
view of the moonlit Lagoon revealed itself, she stopped him as he turned towards the Riva degli Schiavoni. 'I
have something to ask you. I want to wait and think.'
She recovered her lost idea, after a long pause.
'Are you going to sleep in the room tonight?' she asked.
He told her that another traveller was in possession of the room that night. 'But the manager has reserved it
for me tomorrow,' he added, 'if I wish to have it.'
'No,' she said. 'You must give it up.'
'To whom?'
'To me!'
He started. 'After what I have told you, do you really wish to sleep in that room tomorrow night?'
'I must sleep in it.'
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'Are you not afraid?'
'I am horribly afraid.'
'So I should have thought, after what I have observed in you tonight. Why should you take the room? you
are not obliged to occupy it, unless you like.'
'I was not obliged to go to Venice, when I left America,' she answered. 'And yet I came here. I must take the
room, and keep the room, until' She broke off at those words. 'Never mind the rest,' she said. 'It doesn't
interest you.'
It was useless to dispute with her. Francis changed the subject. 'We can do nothing tonight,' he said. 'I will
call on you tomorrow morning, and hear what you think of it then.'
They moved on again to the hotel. As they approached the door, Francis asked if she was staying in Venice
under her own name.
She shook her head. 'As your brother's widow, I am known here. As Countess Narona, I am known here. I
want to be unknown, this time, to strangers in Venice; I am travelling under a common English name.' She
hesitated, and stood still. 'What has come to me?' she muttered to herself. 'Some things I remember; and some
I forget. I forgot Danieli'sand now I forget my English name.' She drew him hurriedly into the hall of the
hotel, on the wall of which hung a list of visitors' names. Running her finger slowly down the list, she pointed
to the English name that she had assumed:'Mrs. James.'
'Remember that when you call tomorrow,' she said. 'My head is heavy. Good night.'
Francis went back to his own hotel, wondering what the events of the next day would bring forth. A new turn
in his affairs had taken place in his absence. As he crossed the hall, he was requested by one of the servants to
walk into the private office. The manager was waiting there with a gravely preoccupied manner, as if he had
something serious to say. He regretted to hear that Mr. Francis Westwick had, like other members of the
family, discovered serious sources of discomfort in the new hotel. He had been informed in strict confidence
of Mr. Westwick's extraordinary objection to the atmosphere of the bedroom upstairs. Without presuming to
discuss the matter, he must beg to be excused from reserving the room for Mr. Westwick after what had
happened.
Francis answered sharply, a little ruffled by the tone in which the manager had spoken to him. 'I might, very
possibly, have declined to sleep in the room, if you had reserved it,' he said. 'Do you wish me to leave the
hotel?'
The manager saw the error that he had committed, and hastened to repair it. 'Certainly not, sir! We will do
our best to make you comfortable while you stay with us. I beg your pardon, if I have said anything to offend
you. The reputation of an establishment like this is a matter of very serious importance. May I hope that you
will do us the great favour to say nothing about what has happened upstairs? The two French gentlemen have
kindly promised to keep it a secret.'
This apology left Francis no polite alternative but to grant the manager's request. 'There is an end to the
Countess's wild scheme,' he thought to himself, as he retired for the night. 'So much the better for the
Countess!'
He rose late the next morning. Inquiring for his Parisian friends, he was informed that both the French
gentlemen had left for Milan. As he crossed the hall, on his way to the restaurant, he noticed the head porter
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chalking the numbers of the rooms on some articles of luggage which were waiting to go upstairs. One trunk
attracted his attention by the extraordinary number of old travelling labels left on it. The porter was marking
it at the momentand the number was, '13 A.' Francis instantly looked at the card fastened on the lid. It bore
the common English name, 'Mrs. James'! He at once inquired about the lady. She had arrived early that
morning, and she was then in the Reading Room. Looking into the room, he discovered a lady in it alone.
Advancing a little nearer, he found himself face to face with the Countess.
She was seated in a dark corner, with her head down and her arms crossed over her bosom. 'Yes,' she said, in
a tone of weary impatience, before Francis could speak to her. 'I thought it best not to wait for youI
determined to get here before anybody else could take the room.'
'Have you taken it for long?' Francis asked.
'You told me Miss Lockwood would be here in a week's time. I have taken it for a week.'
'What has Miss Lockwood to do with it?'
'She has everything to do with itshe must sleep in the room. I shall give the room up to her when she
comes here.'
Francis began to understand the superstitious purpose that she had in view. 'Are you (an educated woman)
really of the same opinion as my sister's maid!' he exclaimed. 'Assuming your absurd superstition to be a
serious thing, you are taking the wrong means to prove it true. If I and my brother and sister have seen
nothing, how should Agnes Lockwood discover what was not revealed to us? She is only distantly related to
the Montbarrysshe is only our cousin.'
'She was nearer to the heart of the Montbarry who is dead than any of you,' the Countess answered sternly.
'To the last day of his life, my miserable husband repented his desertion of her. She will see what none of you
have seenshe shall have the room.'
Francis listened, utterly at a loss to account for the motives that animated her. 'I don't see what interest you
have in trying this extraordinary experiment,' he said.
'It is my interest not to try it! It is my interest to fly from Venice, and never set eyes on Agnes Lockwood or
any of your family again!'
'What prevents you from doing that?'
She started to her feet and looked at him wildly. 'I know no more what prevents me than you do!' she burst
out. 'Some will that is stronger than mine drives me on to my destruction, in spite of my own self!' She
suddenly sat down again, and waved her hand for him to go. 'Leave me,' she said. 'Leave me to my thoughts.'
Francis left her, firmly persuaded by this time that she was out of her senses. For the rest of the day, he saw
nothing of her. The night, so far as he knew, passed quietly. The next morning he breakfasted early,
determining to wait in the restaurant for the appearance of the Countess. She came in and ordered her
breakfast quietly, looking dull and worn and selfabsorbed, as she had looked when he last saw her. He
hastened to her table, and asked if anything had happened in the night.
'Nothing,' she answered.
'You have rested as well as usual?'
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'Quite as well as usual. Have you had any letters this morning? Have you heard when she is coming?'
'I have had no letters. Are you really going to stay here? Has your experience of last night not altered the
opinion which you expressed to me yesterday?'
'Not in the least.'
The momentary gleam of animation which had crossed her face when she questioned him about Agnes, died
out of it again when he answered her. She looked, she spoke, she eat her breakfast, with a vacant resignation,
like a woman who had done with hopes, done with interests, done with everything but the mechanical
movements and instincts of life.
Francis went out, on the customary travellers' pilgrimage to the shrines of Titian and Tintoret. After some
hours of absence, he found a letter waiting for him when he got back to the hotel. It was written by his
brother Henry, and it recommended him to return to Milan immediately. The proprietor of a French theatre,
recently arrived from Venice, was trying to induce the famous dancer whom Francis had engaged to break
faith with him and accept a higher salary.
Having made this startling announcement, Henry proceeded to inform his brother that Lord and Lady
Montbarry, with Agnes and the children, would arrive in Venice in three days more. 'They know nothing of
our adventures at the hotel,' Henry wrote; 'and they have telegraphed to the manager for the accommodation
that they want. There would be something absurdly superstitious in our giving them a warning which would
frighten the ladies and children out of the best hotel in Venice. We shall be a strong party this timetoo
strong a party for ghosts! I shall meet the travellers on their arrival, of course, and try my luck again at what
you call the Haunted Hotel. Arthur Barville and his wife have already got as far on their way as Trent; and
two of the lady's relations have arranged to accompany them on the journey to Venice.'
Naturally indignant at the conduct of his Parisian colleague, Francis made his preparations for returning to
Milan by the train of that day.
On his way out, he asked the manager if his brother's telegram had been received. The telegram had arrived,
and, to the surprise of Francis, the rooms were already reserved. 'I thought you would refuse to let any more
of the family into the house,' he said satirically. The manager answered (with the due dash of respect) in the
same tone. 'Number 13 A is safe, sir, in the occupation of a stranger. I am the servant of the Company; and I
dare not turn money out of the hotel.'
Hearing this, Francis said goodbyeand said nothing more. He was ashamed to acknowledge it to himself,
but he felt an irresistible curiosity to know what would happen when Agnes arrived at the hotel. Besides,
'Mrs. James' had reposed a confidence in him. He got into his gondola, respecting the confidence of 'Mrs.
James.'
Towards evening on the third day, Lord Montbarry and his travelling companions arrived, punctual to their
appointment.
'Mrs. James,' sitting at the window of her room watching for them, saw the new Lord land from the gondola
first. He handed his wife to the steps. The three children were next committed to his care. Last of all, Agnes
appeared in the little black doorway of the gondola cabin, and, taking Lord Montbarry's hand, passed in her
turn to the steps. She wore no veil. As she ascended to the door of the hotel, the Countess (eyeing her through
an operaglass) noticed that she paused to look at the outside of the building, and that her face was very pale.
CHAPTER XXI
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Lord and Lady Montbarry were received by the housekeeper; the manager being absent for a day or two on
business connected with the affairs of the hotel.
The rooms reserved for the travellers on the first floor were three in number; consisting of two bedrooms
opening into each other, and communicating on the left with a drawingroom. Complete so far, the
arrangements proved to be less satisfactory in reference to the third bedroom required for Agnes and for the
eldest daughter of Lord Montbarry, who usually slept with her on their travels. The bedchamber on the right
of the drawingroom was already occupied by an English widow lady. Other bedchambers at the other end of
the corridor were also let in every case. There was accordingly no alternative but to place at the disposal of
Agnes a comfortable room on the second floor. Lady Montbarry vainly complained of this separation of one
of the members of her travelling party from the rest. The housekeeper politely hinted that it was impossible
for her to ask other travellers to give up their rooms. She could only express her regret, and assure Miss
Lockwood that her bedchamber on the second floor was one of the best rooms in that part of the hotel.
On the retirement of the housekeeper, Lady Montbarry noticed that Agnes had seated herself apart, feeling
apparently no interest in the question of the bedrooms. Was she ill? No; she felt a little unnerved by the
railway journey, and that was all. Hearing this, Lord Montbarry proposed that she should go out with him,
and try the experiment of half an hour's walk in the cool evening air. Agnes gladly accepted the suggestion.
They directed their steps towards the square of St. Mark, so as to enjoy the breeze blowing over the lagoon. It
was the first visit of Agnes to Venice. The fascination of the wonderful city of the waters exerted its full
influence over her sensitive nature. The proposed halfhour of the walk had passed away, and was fast
expanding to half an hour more, before Lord Montbarry could persuade his companion to remember that
dinner was waiting for them. As they returned, passing under the colonnade, neither of them noticed a lady in
deep mourning, loitering in the open space of the square. She started as she recognised Agnes walking with
the new Lord Montbarry hesitated for a momentand then followed them, at a discreet distance, back to
the hotel.
Lady Montbarry received Agnes in high spiritswith news of an event which had happened in her absence.
She had not left the hotel more than ten minutes, before a little note in pencil was brought to Lady Montbarry
by the housekeeper. The writer proved to be no less a person than the widow lady who occupied the room on
the other side of the drawingroom, which her ladyship had vainly hoped to secure for Agnes. Writing under
the name of Mrs. James, the polite widow explained that she had heard from the housekeeper of the
disappointment experienced by Lady Montbarry in the matter of the rooms. Mrs. James was quite alone; and
as long as her bedchamber was airy and comfortable, it mattered nothing to her whether she slept on the first
or the second floor of the house. She had accordingly much pleasure in proposing to change rooms with Miss
Lockwood. Her luggage had already been removed, and Miss Lockwood had only to take possession of the
room (Number 13 A), which was now entirely at her disposal.
'I immediately proposed to see Mrs. James,' Lady Montbarry continued, 'and to thank her personally for her
extreme kindness. But I was informed that she had gone out, without leaving word at what hour she might be
expected to return. I have written a little note of thanks, saying that we hope to have the pleasure of
personally expressing our sense of Mrs. James's courtesy tomorrow. In the mean time, Agnes, I have
ordered your boxes to be removed downstairs. Go!and judge for yourself, my dear, if that good lady has
not given up to you the prettiest room in the house!'
With those words, Lady Montbarry left Miss Lockwood to make a hasty toilet for dinner.
The new room at once produced a favourable impression on Agnes. The large window, opening into a
balcony, commanded an admirable view of the canal. The decorations on the walls and ceiling were skilfully
copied from the exquisitely graceful designs of Raphael in the Vatican. The massive wardrobe possessed
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compartments of unusual size, in which double the number of dresses that Agnes possessed might have been
conveniently hung at full length. In the inner corner of the room, near the head of the bedstead, there was a
recess which had been turned into a little dressingroom, and which opened by a second door on the inferior
staircase of the hotel, commonly used by the servants. Noticing these aspects of the room at a glance, Agnes
made the necessary change in her dress, as quickly as possible. On her way back to the drawingroom she
was addressed by a chambermaid in the corridor who asked for her key. 'I will put your room tidy for the
night, Miss,' the woman said, 'and I will then bring the key back to you in the drawingroom.'
While the chambermaid was at her work, a solitary lady, loitering about the corridor of the second storey, was
watching her over the bannisters. After a while, the maid appeared, with her pail in her hand, leaving the
room by way of the dressingroom and the back stairs. As she passed out of sight, the lady on the second
floor (no other, it is needless to add, than the Countess herself) ran swiftly down the stairs, entered the
bedchamber by the principal door, and hid herself in the empty side compartment of the wardrobe. The
chambermaid returned, completed her work, locked the door of the dressingroom on the inner side, locked
the principal entrancedoor on leaving the room, and returned the key to Agnes in the drawingroom.
The travellers were just sitting down to their late dinner, when one of the children noticed that Agnes was not
wearing her watch. Had she left it in her bedchamber in the hurry of changing her dress? She rose from the
table at once in search of her watch; Lady Montbarry advising her, as she went out, to see to the security of
her bedchamber, in the event of there being thieves in the house. Agnes found her watch, forgotten on the
toilet table, as she had anticipated. Before leaving the room again she acted on Lady Montbarry's advice, and
tried the key in the lock of the dressingroom door. It was properly secured. She left the bedchamber,
locking the main door behind her.
Immediately on her departure, the Countess, oppressed by the confined air in the wardrobe, ventured on
stepping out of her hiding place into the empty room.
Entering the dressingroom, she listened at the door, until the silence outside informed her that the corridor
was empty. Upon this, she unlocked the door, and, passing out, closed it again softly; leaving it to all
appearance (when viewed on the inner side) as carefully secured as Agnes had seen it when she tried the key
in the lock with her own hand.
While the Montbarrys were still at dinner, Henry Westwick joined them, arriving from Milan.
When he entered the room, and again when he advanced to shake hands with her, Agnes was conscious of a
latent feeling which secretly reciprocated Henry's unconcealed pleasure on meeting her again. For a moment
only, she returned his look; and in that moment her own observation told her that she had silently encouraged
him to hope. She saw it in the sudden glow of happiness which overspread his face; and she confusedly took
refuge in the usual conventional inquiries relating to the relatives whom he had left at Milan.
Taking his place at the table, Henry gave a most amusing account of the position of his brother Francis
between the mercenary operadancer on one side, and the unscrupulous manager of the French theatre on the
other. Matters had proceeded to such extremities, that the law had been called on to interfere, and had decided
the dispute in favour of Francis. On winning the victory the English manager had at once left Milan, recalled
to London by the affairs of his theatre. He was accompanied on the journey back, as he had been
accompanied on the journey out, by his sister. Resolved, after passing two nights of terror in the Venetian
hotel, never to enter it again, Mrs. Norbury asked to be excused from appearing at the family festival, on the
ground of illhealth. At her age, travelling fatigued her, and she was glad to take advantage of her brother's
escort to return to England.
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While the talk at the dinnertable flowed easily onward, the eveningtime advanced to nightand it became
necessary to think of sending the children to bed.
As Agnes rose to leave the room, accompanied by the eldest girl, she observed with surprise that Henry's
manner suddenly changed. He looked serious and preoccupied; and when his niece wished him good night,
he abruptly said to her, 'Marian, I want to know what part of the hotel you sleep in?' Marian, puzzled by the
question, answered that she was going to sleep, as usual, with 'Aunt Agnes.' Not satisfied with that reply,
Henry next inquired whether the bedroom was near the rooms occupied by the other members of the
travelling party. Answering for the child, and wondering what Henry's object could possibly be, Agnes
mentioned the polite sacrifice made to her convenience by Mrs. James. 'Thanks to that lady's kindness,' she
said, 'Marian and I are only on the other side of the drawingroom.' Henry made no remark; he looked
incomprehensibly discontented as he opened the door for Agnes and her companion to pass out. After
wishing them good night, he waited in the corridor until he saw them enter the fatal cornerroomand then
he called abruptly to his brother, 'Come out, Stephen, and let us smoke!'
As soon as the two brothers were at liberty to speak together privately, Henry explained the motive which had
led to his strange inquiries about the bedrooms. Francis had informed him of the meeting with the Countess at
Venice, and of all that had followed it; and Henry now carefully repeated the narrative to his brother in all its
details. 'I am not satisfied,' he added, 'about that woman's purpose in giving up her room. Without alarming
the ladies by telling them what I have just told you, can you not warn Agnes to be careful in securing her
door?'
Lord Montbarry replied, that the warning had been already given by his wife, and that Agnes might be trusted
to take good care of herself and her little bedfellow. For the rest, he looked upon the story of the Countess
and her superstitions as a piece of theatrical exaggeration, amusing enough in itself, but unworthy of a
moment's serious attention.
While the gentlemen were absent from the hotel, the room which had been already associated with so many
startling circumstances, became the scene of another strange event in which Lady Montbarry's eldest child
was concerned.
Little Marian had been got ready for bed as usual, and had (so far) taken hardly any notice of the new room.
As she knelt down to say her prayers, she happened to look up at that part of the ceiling above her which was
just over the head of the bed. The next instant she alarmed Agnes, by starting to her feet with a cry of terror,
and pointing to a small brown spot on one of the white panelled spaces of the carved ceiling. 'It's a spot of
blood!' the child exclaimed. 'Take me away! I won't sleep here!'
Seeing plainly that it would be useless to reason with her while she was in the room, Agnes hurriedly
wrapped Marian in a dressinggown, and carried her back to her mother in the drawingroom. Here, the
ladies did their best to soothe and reassure the trembling girl. The effort proved to be useless; the impression
that had been produced on the young and sensitive mind was not to be removed by persuasion. Marian could
give no explanation of the panic of terror that had seized her. She was quite unable to say why the spot on the
ceiling looked like the colour of a spot of blood. She only knew that she should die of terror if she saw it
again. Under these circumstances, but one alternative was left. It was arranged that the child should pass the
night in the room occupied by her two younger sisters and the nurse.
In half an hour more, Marian was peacefully asleep with her arm around her sister's neck. Lady Montbarry
went back with Agnes to her room to see the spot on the ceiling which had so strangely frightened the child.
It was so small as to be only just perceptible, and it had in all probability been caused by the carelessness of a
workman, or by a dripping from water accidentally spilt on the floor of the room above.
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'I really cannot understand why Marian should place such a shocking interpretation on such a trifling thing,'
Lady Montbarry remarked.
'I suspect the nurse is in some way answerable for what has happened,' Agnes suggested. 'She may quite
possibly have been telling Marian some tragic nursery story which has left its mischievous impression behind
it. Persons in her position are sadly ignorant of the danger of exciting a child's imagination. You had better
caution the nurse tomorrow.'
Lady Montbarry looked round the room with admiration. 'Is it not prettily decorated?' she said. 'I suppose,
Agnes, you don't mind sleeping here by yourself.?'
Agnes laughed. 'I feel so tired,' she replied, 'that I was thinking of bidding you goodnight, instead of going
back to the drawingroom.'
Lady Montbarry turned towards the door. 'I see your jewelcase on the table,' she resumed. 'Don't forget to
lock the other door there, in the dressingroom.'
'I have already seen to it, and tried the key myself,' said Agnes. 'Can I be of any use to you before I go to
bed?'
'No, my dear, thank you; I feel sleepy enough to follow your example. Good night, Agnesand pleasant
dreams on your first night in Venice.'
CHAPTER XXII
Having closed and secured the door on Lady Montbarry's departure, Agnes put on her dressinggown, and,
turning to her open boxes, began the business of unpacking. In the hurry of making her toilet for dinner, she
had taken the first dress that lay uppermost in the trunk, and had thrown her travelling costume on the bed.
She now opened the doors of the wardrobe for the first time, and began to hang her dresses on the hooks in
the large compartment on one side.
After a few minutes only of this occupation, she grew weary of it, and decided on leaving the trunks as they
were, until the next morning. The oppressive south wind, which had blown throughout the day, still prevailed
at night. The atmosphere of the room felt close; Agnes threw a shawl over her head and shoulders, and,
opening the window, stepped into the balcony to look at the view.
The night was heavy and overcast: nothing could be distinctly seen. The canal beneath the window looked
like a black gulf; the opposite houses were barely visible as a row of shadows, dimly relieved against the
starless and moonless sky. At long intervals, the warning cry of a belated gondolier was just audible, as he
turned the corner of a distant canal, and called to invisible boats which might be approaching him in the
darkness. Now and then, the nearer dip of an oar in the water told of the viewless passage of other gondolas
bringing guests back to the hotel. Excepting these rare sounds, the mysterious nightsilence of Venice was
literally the silence of the grave.
Leaning on the parapet of the balcony, Agnes looked vacantly into the black void beneath. Her thoughts
reverted to the miserable man who had broken his pledged faith to her, and who had died in that house. Some
change seemed to have come over her since her arrival in Venice; some new influence appeared to be at
work. For the first time in her experience of herself, compassion and regret were not the only emotions
aroused in her by the remembrance of the dead Montbarry. A keen sense of the wrong that she had suffered,
never yet felt by that gentle and forgiving nature, was felt by it now. She found herself thinking of the bygone
days of her humiliation almost as harshly as Henry Westwick had thought of them she who had rebuked
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him the last time he had spoken slightingly of his brother in her presence! A sudden fear and doubt of herself,
startled her physically as well as morally. She turned from the shadowy abyss of the dark water as if the
mystery and the gloom of it had been answerable for the emotions which had taken her by surprise. Abruptly
closing the window, she threw aside her shawl, and lit the candles on the mantelpiece, impelled by a sudden
craving for light in the solitude of her room.
The cheering brightness round her, contrasting with the black gloom outside, restored her spirits. She felt
herself enjoying the light like a child!
Would it be well (she asked herself) to get ready for bed? No! The sense of drowsy fatigue that she had felt
half an hour since was gone. She returned to the dull employment of unpacking her boxes. After a few
minutes only, the occupation became irksome to her once more. She sat down by the table, and took up a
guidebook. 'Suppose I inform myself,' she thought, 'on the subject of Venice?'
Her attention wandered from the book, before she had turned the first page of it.
The image of Henry Westwick was the presiding image in her memory now. Recalling the minutest incidents
and details of the evening, she could think of nothing which presented him under other than a favourable and
interesting aspect. She smiled to herself softly, her colour rose by fine gradations, as she felt the full luxury of
dwelling on the perfect truth and modesty of his devotion to her. Was the depression of spirits from which
she had suffered so persistently on her travels attributable, by any chance, to their long separation from each
otherembittered perhaps by her own vain regret when she remembered her harsh reception of him in Paris?
Suddenly conscious of this bold question, and of the selfabandonment which it implied, she returned
mechanically to her book, distrusting the unrestrained liberty of her own thoughts. What lurking temptations
to forbidden tenderness find their hidingplaces in a woman's dressinggown, when she is alone in her room
at night! With her heart in the tomb of the dead Montbarry, could Agnes even think of another man, and think
of love? How shameful! how unworthy of her! For the second time, she tried to interest herself in the
guidebook and once more she tried in vain. Throwing the book aside, she turned desperately to the one
resource that was left, to her luggageresolved to fatigue herself without mercy, until she was weary enough
and sleepy enough to find a safe refuge in bed.
For some little time, she persisted in the monotonous occupation of transferring her clothes from her trunk to
the wardrobe. The large clock in the hall, striking midnight, reminded her that it was getting late. She sat
down for a moment in an armchair by the bedside, to rest.
The silence in the house now caught her attention, and held it held it disagreeably. Was everybody in bed
and asleep but herself? Surely it was time for her to follow the general example? With a certain irritable
nervous haste, she rose again and undressed herself. 'I have lost two hours of rest,' she thought, frowning at
the reflection of herself in the glass, as she arranged her hair for the night. 'I shall be good for nothing
tomorrow!'
She lit the nightlight, and extinguished the candles with one exception, which she removed to a little
table, placed on the side of the bed opposite to the side occupied by the armchair. Having put her
travellingbox of matches and the guidebook near the candle, in case she might be sleepless and might want
to read, she blew out the light, and laid her head on the pillow.
The curtains of the bed were looped back to let the air pass freely over her. Lying on her left side, with her
face turned away from the table, she could see the armchair by the dim nightlight. It had a chintz
coveringrepresenting large bunches of roses scattered over a pale green ground. She tried to weary herself
into drowsiness by counting over and over again the bunches of roses that were visible from her point of
view. Twice her attention was distracted from the counting, by sounds outside by the clock chiming the
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halfhour past twelve; and then again, by the fall of a pair of boots on the upper floor, thrown out to be
cleaned, with that barbarous disregard of the comfort of others which is observable in humanity when it
inhabits an hotel. In the silence that followed these passing disturbances, Agnes went on counting the roses
on the armchair, more and more slowly. Before long, she confused herself in the figurestried to begin
counting again thought she would wait a little firstfelt her eyelids drooping, and her head reclining
lower and lower on the pillowsighed faintly and sank into sleep.
How long that first sleep lasted, she never knew. She could only remember, in the aftertime, that she woke
instantly.
Every faculty and perception in her passed the boundary line between insensibility and consciousness, so to
speak, at a leap. Without knowing why, she sat up suddenly in the bed, listening for she knew not what. Her
head was in a whirl; her heart beat furiously, without any assignable cause. But one trivial event had
happened during the interval while she had been asleep. The nightlight had gone out; and the room, as a
matter of course, was in total darkness.
She felt for the matchbox, and paused after finding it. A vague sense of confusion was still in her mind. She
was in no hurry to light the match. The pause in the darkness was, for the moment, agreeable to her.
In the quieter flow of her thoughts during this interval, she could ask herself the natural question:What
cause had awakened her so suddenly, and had so strangely shaken her nerves? Had it been the influence of a
dream? She had not dreamed at allor, to speak more correctly, she had no waking remembrance of having
dreamed. The mystery was beyond her fathoming: the darkness began to oppress her. She struck the match on
the box, and lit her candle.
As the welcome light diffused itself over the room, she turned from the table and looked towards the other
side of the bed.
In the moment when she turned, the chill of a sudden terror gripped her round the heart, as with the clasp of
an icy hand.
She was not alone in her room!
Therein the chair at the bedsidethere, suddenly revealed under the flow of light from the candle, was the
figure of a woman, reclining. Her head lay back over the chair. Her face, turned up to the ceiling, had the
eyes closed, as if she was wrapped in a deep sleep.
The shock of the discovery held Agnes speechless and helpless. Her first conscious action, when she was in
some degree mistress of herself again, was to lean over the bed, and to look closer at the woman who had so
incomprehensibly stolen into her room in the dead of night. One glance was enough: she started back with a
cry of amazement. The person in the chair was no other than the widow of the dead Montbarry the woman
who had warned her that they were to meet again, and that the place might be Venice!
Her courage returned to her, stung into action by the natural sense of indignation which the presence of the
Countess provoked.
'Wake up!' she called out. 'How dare you come here? How did you get in? Leave the roomor I will call for
help!'
She raised her voice at the last words. It produced no effect. Leaning farther over the bed, she boldly took the
Countess by the shoulder and shook her. Not even this effort succeeded in rousing the sleeping woman. She
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still lay back in the chair, possessed by a torpor like the torpor of deathinsensible to sound, insensible to
touch. Was she really sleeping? Or had she fainted?
Agnes looked closer at her. She had not fainted. Her breathing was audible, rising and falling in deep heavy
gasps. At intervals she ground her teeth savagely. Beads of perspiration stood thickly on her forehead. Her
clenched hands rose and fell slowly from time to time on her lap. Was she in the agony of a dream? or was
she spiritually conscious of something hidden in the room?
The doubt involved in that last question was unendurable. Agnes determined to rouse the servants who kept
watch in the hotel at night.
The bellhandle was fixed to the wall, on the side of the bed by which the table stood.
She raised herself from the crouching position which she had assumed in looking close at the Countess; and,
turning towards the other side of the bed, stretched out her hand to the bell. At the same instant, she stopped
and looked upward. Her hand fell helplessly at her side. She shuddered, and sank back on the pillow.
What had she seen?
She had seen another intruder in her room.
Midway between her face and the ceiling, there hovered a human head severed at the neck, like a head
struck from the body by the guillotine.
Nothing visible, nothing audible, had given her any intelligible warning of its appearance. Silently and
suddenly, the head had taken its place above her. No supernatural change had passed over the room, or was
perceptible in it now. The dumblytortured figure in the chair; the broad window opposite the foot of the bed,
with the black night beyond it; the candle burning on the table these, and all other objects in the room,
remained unaltered. One object more, unutterably horrid, had been added to the rest. That was the only
changeno more, no less.
By the yellow candlelight she saw the head distinctly, hovering in midair above her. She looked at it
steadfastly, spellbound by the terror that held her.
The flesh of the face was gone. The shrivelled skin was darkened in hue, like the skin of an Egyptian
mummyexcept at the neck. There it was of a lighter colour; there it showed spots and splashes of the hue
of that brown spot on the ceiling, which the child's fanciful terror had distorted into the likeness of a spot of
blood. Thin remains of a discoloured moustache and whiskers, hanging over the upper lip, and over the
hollows where the cheeks had once been, made the head just recognisable as the head of a man. Over all the
features death and time had done their obliterating work. The eyelids were closed. The hair on the skull,
discoloured like the hair on the face, had been burnt away in places. The bluish lips, parted in a fixed grin,
showed the double row of teeth. By slow degrees, the hovering head (perfectly still when she first saw it)
began to descend towards Agnes as she lay beneath. By slow degrees, that strange doublyblended odour,
which the Commissioners had discovered in the vaults of the old palace which had sickened Francis
Westwick in the bedchamber of the new hotelspread its fetid exhalations over the room. Downward and
downward the hideous apparition made its slow progress, until it stopped close over Agnesstopped, and
turned slowly, so that the face of it confronted the upturned face of the woman in the chair.
There was a pause. Then, a supernatural movement disturbed the rigid repose of the dead face.
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The closed eyelids opened slowly. The eyes revealed themselves, bright with the glassy film of deathand
fixed their dreadful look on the woman in the chair.
Agnes saw that look; saw the eyelids of the living woman open slowly like the eyelids of the dead; saw her
rise, as if in obedience to some silent commandand saw no more.
Her next conscious impression was of the sunlight pouring in at the window; of the friendly presence of Lady
Montbarry at the bedside; and of the children's wondering faces peeping in at the door.
CHAPTER XXIII
'...You have some influence over Agnes. Try what you can do, Henry, to make her take a sensible view of the
matter. There is really nothing to make a fuss about. My wife's maid knocked at her door early in the
morning, with the customary cup of tea. Getting no answer, she went round to the dressingroomfound the
door on that side unlockedand discovered Agnes on the bed in a fainting fit. With my wife's help, they
brought her to herself again; and she told the extraordinary story which I have just repeated to you. You must
have seen for yourself that she has been overfatigued, poor thing, by our long railway journeys: her nerves
are out of order and she is just the person to be easily terrified by a dream. She obstinately refuses,
however, to accept this rational view. Don't suppose that I have been severe with her! All that a man can do
to humour her I have done. I have written to the Countess (in her assumed name) offering to restore the room
to her. She writes back, positively declining to return to it. I have accordingly arranged (so as not to have the
thing known in the hotel) to occupy the room for one or two nights, and to leave Agnes to recover her spirits
under my wife's care. Is there anything more that I can do? Whatever questions Agnes has asked of me I have
answered to the best of my ability; she knows all that you told me about Francis and the Countess last night.
But try as I may I can't quiet her mind. I have given up the attempt in despair, and left her in the
drawingroom. Go, like a good fellow, and try what you can do to compose her.'
In those words, Lord Montbarry stated the case to his brother from the rational point of view. Henry made no
remark, he went straight to the drawingroom.
He found Agnes walking rapidly backwards and forwards, flushed and excited. 'If you come here to say what
your brother has been saying to me,' she broke out, before he could speak, 'spare yourself the trouble. I don't
want common sense I want a true friend who will believe in me.'
'I am that friend, Agnes,' Henry answered quietly, 'and you know it.'
'You really believe that I am not deluded by a dream?'
I know that you are not deludedin one particular, at least.'
'In what particular?'
'In what you have said of the Countess. It is perfectly true'
Agnes stopped him there. 'Why do I only hear this morning that the Countess and Mrs. James are one and the
same person?' she asked distrustfully. 'Why was I not told of it last night?'
'You forget that you had accepted the exchange of rooms before I reached Venice,' Henry replied. 'I felt
strongly tempted to tell you, even thenbut your sleeping arrangements for the night were all made; I should
only have inconvenienced and alarmed you. I waited till the morning, after hearing from my brother that you
had yourself seen to your security from any intrusion. How that intrusion was accomplished it is impossible
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to say. I can only declare that the Countess's presence by your bedside last night was no dream of yours. On
her own authority I can testify that it was a reality.'
'On her own authority?' Agnes repeated eagerly. 'Have you seen her this morning?'
'I have seen her not ten minutes since.'
'What was she doing?'
She was busily engaged in writing. I could not even get her to look at me until I thought of mentioning your
name.'
'She remembered me, of course?'
'She remembered you with some difficulty. Finding that she wouldn't answer me on any other terms, I
questioned her as if I had come direct from you. Then she spoke. She not only admitted that she had the same
superstitious motive for placing you in that room which she had acknowledged to Francisshe even owned
that she had been by your bedside, watching through the night, "to see what you saw," as she expressed it.
Hearing this, I tried to persuade her to tell me how she got into the room. Unluckily, her manuscript on the
table caught her eye; she returned to her writing. "The Baron wants money," she said; "I must get on with my
play." What she saw or dreamed while she was in your room last night, it is at present impossible to discover.
But judging by my brother's account of her, as well as by what I remember of her myself, some recent
influence has been at work which has produced a marked change in this wretched woman for the worse. Her
mind (since last night, perhaps) is partially deranged. One proof of it is that she spoke to me of the Baron as if
he were still a living man. When Francis saw her, she declared that the Baron was dead, which is the truth.
The United States Consul at Milan showed us the announcement of the death in an American newspaper. So
far as I can see, such sense as she still possesses seems to be entirely absorbed in one absurd ideathe idea
of writing a play for Francis to bring out at his theatre. He admits that he encouraged her to hope she might
get money in this way. I think he did wrong. Don't you agree with me?'
Without heeding the question, Agnes rose abruptly from her chair.
'Do me one more kindness, Henry,' she said. 'Take me to the Countess at once.'
Henry hesitated. 'Are you composed enough to see her, after the shock that you have suffered?' he asked.
She trembled, the flush on her face died away, and left it deadly pale. But she held to her resolution. 'You
have heard of what I saw last night?' she said faintly.
'Don't speak of it!' Henry interposed. 'Don't uselessly agitate yourself.'
'I must speak! My mind is full of horrid questions about it. I know I can't identify itand yet I ask myself
over and over again, in whose likeness did it appear? Was it in the likeness of Ferrari? or was it?' she
stopped, shuddering. 'The Countess knows, I must see the Countess!' she resumed vehemently. 'Whether my
courage fails me or not, I must make the attempt. Take me to her before I have time to feel afraid of it!'
Henry looked at her anxiously. 'If you are really sure of your own resolution,' he said, 'I agree with youthe
sooner you see her the better. You remember how strangely she talked of your influence over her, when she
forced her way into your room in London?'
'I remember it perfectly. Why do you ask?'
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'For this reason. In the present state of her mind, I doubt if she will be much longer capable of realizing her
wild idea of you as the avenging angel who is to bring her to a reckoning for her evil deeds. It may be well to
try what your influence can do while she is still capable of feeling it.'
He waited to hear what Agnes would say. She took his arm and led him in silence to the door.
They ascended to the second floor, and, after knocking, entered the Countess's room.
She was still busily engaged in writing. When she looked up from the paper, and saw Agnes, a vacant
expression of doubt was the only expression in her wild black eyes. After a few moments, the lost
remembrances and associations appeared to return slowly to her mind. The pen dropped from her hand.
Haggard and trembling, she looked closer at Agnes, and recognised her at last. 'Has the time come already?'
she said in low awestruck tones. 'Give me a little longer respite, I haven't done my writing yet!'
She dropped on her knees, and held out her clasped hands entreatingly. Agnes was far from having recovered,
after the shock that she had suffered in the night: her nerves were far from being equal to the strain that was
now laid on them. She was so startled by the change in the Countess, that she was at a loss what to say or to
do next. Henry was obliged to speak to her. 'Put your questions while you have the chance,' he said, lowering
his voice. 'See! the vacant look is coming over her face again.'
Agnes tried to rally her courage. 'You were in my room last night'
she began. Before she could add a word more, the Countess lifted her hands, and wrung them above her head
with a low moan of horror. Agnes shrank back, and turned as if to leave the room. Henry stopped her, and
whispered to her to try again. She obeyed him after an effort. 'I slept last night in the room that you gave up
to me,' she resumed. 'I saw'
The Countess suddenly rose to her feet. 'No more of that,' she cried. 'Oh, Jesu Maria! do you think I want to
be told what you saw? Do you think I don't know what it means for you and for me? Decide for yourself,
Miss. Examine your own mind. Are you well assured that the day of reckoning has come at last? Are you
ready to follow me back, through the crimes of the past, to the secrets of the dead?'
She returned again to the writingtable, without waiting to be answered. Her eyes flashed; she looked like her
old self once more as she spoke. It was only for a moment. The old ardour and impetuosity were nearly worn
out. Her head sank; she sighed heavily as she unlocked a desk which stood on the table. Opening a drawer in
the desk, she took out a leaf of vellum, covered with faded writing. Some ragged ends of silken thread were
still attached to the leaf, as if it had been torn out of a book.
'Can you read Italian?' she asked, handing the leaf to Agnes.
Agnes answered silently by an inclination of her head.
'The leaf,' the Countess proceeded, 'once belonged to a book in the old library of the palace, while this
building was still a palace. By whom it was torn out you have no need to know. For what purpose it was torn
out you may discover for yourself, if you will. Read it firstat the fifth line from the top of the page.'
Agnes felt the serious necessity of composing herself. 'Give me a chair,' she said to Henry; 'and I will do my
best.' He placed himself behind her chair so that he could look over her shoulder and help her to understand
the writing on the leaf. Rendered into English, it ran as follows:
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I have now completed my literary survey of the first floor of the palace. At the desire of my noble and
gracious patron, the lord of this glorious edifice, I next ascend to the second floor, and continue my catalogue
or description of the pictures, decorations, and other treasures of art therein contained. Let me begin with the
corner room at the western extremity of the palace, called the Room of the Caryatides, from the statues which
support the mantelpiece. This work is of comparatively recent execution: it dates from the eighteenth
century only, and reveals the corrupt taste of the period in every part of it. Still, there is a certain interest
which attaches to the mantelpiece: it conceals a cleverly constructed hidingplace, between the floor of the
room and the ceiling of the room beneath, which was made during the last evil days of the Inquisition in
Venice, and which is reported to have saved an ancestor of my gracious lord pursued by that terrible tribunal.
The machinery of this curious place of concealment has been kept in good order by the present lord, as a
species of curiosity. He condescended to show me the method of working it. Approaching the two Caryatides,
rest your hand on the forehead (midway between the eyebrows) of the figure which is on your left as you
stand opposite to the fireplace, then press the head inwards as if you were pushing it against the wall behind.
By doing this, you set in motion the hidden machinery in the wall which turns the hearthstone on a pivot, and
discloses the hollow place below. There is room enough in it for a man to lie easily at full length. The method
of closing the cavity again is equally simple. Place both your hands on the temples of the figures; pull as if
you were pulling it towards youand the hearthstone will revolve into its proper position again.
'You need read no farther,' said the Countess. 'Be careful to remember what you have read.'
She put back the page of vellum in her writingdesk, locked it, and led the way to the door.
'Come!' she said; 'and see what the mocking Frenchman called "The beginning of the end." '
Agnes was barely able to rise from her chair; she trembled from head to foot. Henry gave her his arm to
support her. 'Fear nothing,' he whispered; 'I shall be with you.'
The Countess proceeded along the westward corridor, and stopped at the door numbered Thirtyeight. This
was the room which had been inhabited by Baron Rivar in the old days of the palace: it was situated
immediately over the bedchamber in which Agnes had passed the night. For the last two days the room had
been empty. The absence of luggage in it, when they opened the door, showed that it had not yet been let.
'You see?' said the Countess, pointing to the carved figure at the fireplace; 'and you know what to do. Have I
deserved that you should temper justice with mercy?' she went on in lower tones. 'Give me a few hours more
to myself. The Baron wants money I must get on with my play.'
She smiled vacantly, and imitated the action of writing with her right hand as she pronounced the last words.
The effort of concentrating her weakened mind on other and less familiar topics than the constant want of
money in the Baron's lifetime, and the vague prospect of gain from the still unfinished play, had evidently
exhausted her poor reserves of strength. When her request had been granted, she addressed no expressions of
gratitude to Agnes; she only said, 'Feel no fear, miss, of my attempting to escape you. Where you are, there I
must be till the end comes.'
Her eyes wandered round the room with a last weary and stupefied look. She returned to her writing with
slow and feeble steps, like the steps of an old woman.
CHAPTER XXIV
Henry and Agnes were left alone in the Room of the Caryatides.
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The person who had written the description of the palace probably a poor author or artisthad correctly
pointed out the defects of the mantelpiece. Bad taste, exhibiting itself on the most costly and splendid scale,
was visible in every part of the work. It was nevertheless greatly admired by ignorant travellers of all classes;
partly on account of its imposing size, and partly on account of the number of variouslycoloured marbles
which the sculptor had contrived to introduce into his design. Photographs of the mantelpiece were
exhibited in the public rooms, and found a ready sale among English and American visitors to the hotel.
Henry led Agnes to the figure on the left, as they stood facing the empty fireplace. 'Shall I try the
experiment,' he asked, 'or will you?' She abruptly drew her arm away from him, and turned back to the door.
'I can't even look at it,' she said. 'That merciless marble face frightens me!'
Henry put his hand on the forehead of the figure. 'What is there to alarm you, my dear, in this conventionally
classical face?' he asked jestingly. Before he could press the head inwards, Agnes hurriedly opened the door.
'Wait till I am out of the room!' she cried. 'The bare idea of what you may find there horrifies me!' She looked
back into the room as she crossed the threshold. 'I won't leave you altogether,' she said, 'I will wait outside.'
She closed the door. Left by himself, Henry lifted his hand once more to the marble forehead of the figure.
For the second time, he was checked on the point of setting the machinery of the hidingplace in motion. On
this occasion, the interruption came from an outbreak of friendly voices in the corridor. A woman's voice
exclaimed, 'Dearest Agnes, how glad I am to see you again!' A man's voice followed, offering to introduce
some friend to 'Miss Lockwood.' A third voice (which Henry recognised as the voice of the manager of the
hotel) became audible next, directing the housekeeper to show the ladies and gentlemen the vacant
apartments at the other end of the corridor. 'If more accommodation is wanted,' the manager went on, 'I have
a charming room to let here.' He opened the door as he spoke, and found himself face to face with Henry
Westwick.
'This is indeed an agreeable surprise, sir!' said the manager cheerfully. 'You are admiring our famous
chimneypiece, I see. May I ask, Mr. Westwick, how you find yourself in the hotel, this time? Have the
supernatural influences affected your appetite again?'
'The supernatural influences have spared me, this time,' Henry answered. 'Perhaps you may yet find that they
have affected some other member of the family.' He spoke gravely, resenting the familiar tone in which the
manager had referred to his previous visit to the hotel. 'Have you just returned?' he asked, by way of changing
the topic.
'Just this minute, sir. I had the honour of travelling in the same train with friends of yours who have arrived at
the hotel Mr. and Mrs. Arthur Barville, and their travelling companions. Miss Lockwood is with them,
looking at the rooms. They will be here before long, if they find it convenient to have an extra room at their
disposal.'
This announcement decided Henry on exploring the hidingplace, before the interruption occurred. It had
crossed his mind, when Agnes left him, that he ought perhaps to have a witness, in the not very probable
event of some alarming discovery taking place. The toofamiliar manager, suspecting nothing, was there at
his disposal. He turned again to the Caryan figure, maliciously resolving to make the manager his witness.
'I am delighted to hear that our friends have arrived at last,' he said. 'Before I shake hands with them, let me
ask you a question about this queer work of art here. I see photographs of it downstairs. Are they for sale?'
'Certainly, Mr. Westwick!'
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'Do you think the chimneypiece is as solid as it looks?' Henry proceeded. 'When you came in, I was just
wondering whether this figure here had not accidentally got loosened from the wall behind it.' He laid his
hand on the marble forehead, for the third time. 'To my eye, it looks a little out of the perpendicular. I almost
fancied I could jog the head just now, when I touched it.' He pressed the head inwards as he said those words.
A sound of jarring iron was instantly audible behind the wall. The solid hearthstone in front of the fireplace
turned slowly at the feet of the two men, and disclosed a dark cavity below. At the same moment, the strange
and sickening combination of odours, hitherto associated with the vaults of the old palace and with the
bedchamber beneath, now floated up from the open recess, and filled the room.
The manager started back. 'Good God, Mr. Westwick!' he exclaimed, 'what does this mean?'
Remembering, not only what his brother Francis had felt in the room beneath, but what the experience of
Agnes had been on the previous night, Henry was determined to be on his guard. 'I am as much surprised as
you are,' was his only reply.
'Wait for me one moment, sir,' said the manager. 'I must stop the ladies and gentlemen outside from coming
in.'
He hurried awaynot forgetting to close the door after him. Henry opened the window, and waited there
breathing the purer air. Vague apprehensions of the next discovery to come, filled his mind for the first time.
He was doubly resolved, now, not to stir a step in the investigation without a witness.
The manager returned with a wax taper in his hand, which he lighted as soon as he entered the room.
'We need fear no interruption now,' he said. 'Be so kind, Mr. Westwick, as to hold the light. It is my business
to find out what this extraordinary discovery means.'
Henry held the taper. Looking into the cavity, by the dim and flickering light, they both detected a dark object
at the bottom of it. 'I think I can reach the thing,' the manager remarked, 'if I lie down, and put my hand into
the hole.'
He knelt on the floorand hesitated. 'Might I ask you, sir, to give me my gloves?' he said. 'They are in my
hat, on the chair behind you.'
Henry gave him the gloves. 'I don't know what I may be going to take hold of,' the manager explained,
smiling rather uneasily as he put on his right glove.
He stretched himself at full length on the floor, and passed his right arm into the cavity. 'I can't say exactly
what I have got hold of,' he said. 'But I have got it.'
Half raising himself, he drew his hand out.
The next instant, he started to his feet with a shriek of terror. A human head dropped from his nerveless grasp
on the floor, and rolled to Henry's feet. It was the hideous head that Agnes had seen hovering above her, in
the vision of the night!
The two men looked at each other, both struck speechless by the same emotion of horror. The manager was
the first to control himself. 'See to the door, for God's sake!' he said. 'Some of the people outside may have
heard me.'
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Henry moved mechanically to the door.
Even when he had his hand on the key, ready to turn it in the lock in case of necessity, he still looked back at
the appalling object on the floor. There was no possibility of identifying those decayed and distorted features
with any living creature whom he had seen and, yet, he was conscious of feeling a vague and awful doubt
which shook him to the soul. The questions which had tortured the mind of Agnes, were now his questions
too. He asked himself, 'In whose likeness might I have recognised it before the decay set in? The likeness of
Ferrari? or the likeness of?' He paused trembling, as Agnes had paused trembling before him. Agnes! The
name, of all women's names the dearest to him, was a terror to him now! What was he to say to her? What
might be the consequence if he trusted her with the terrible truth?
No footsteps approached the door; no voices were audible outside. The travellers were still occupied in the
rooms at the eastern end of the corridor.
In the brief interval that had passed, the manager had sufficiently recovered himself to be able to think once
more of the first and foremost interests of his lifethe interests of the hotel. He approached Henry
anxiously.
'If this frightful discovery becomes known,' he said, 'the closing of the hotel and the ruin of the Company will
be the inevitable results. I feel sure that I can trust your discretion, sir, so far?'
'You can certainly trust me,' Henry answered. 'But surely discretion has its limits,' he added, 'after such a
discovery as we have made?'
The manager understood that the duty which they owed to the community, as honest and lawabiding men,
was the duty to which Henry now referred. 'I will at once find the means,' he said, 'of conveying the remains
privately out of the house, and I will myself place them in the care of the police authorities. Will you leave
the room with me? or do you not object to keep watch here, and help me when I return?'
While he was speaking, the voices of the travellers made themselves heard again at the end of the corridor.
Henry instantly consented to wait in the room. He shrank from facing the inevitable meeting with Agnes if he
showed himself in the corridor at that moment.
The manager hastened his departure, in the hope of escaping notice. He was discovered by his guests before
he could reach the head of the stairs. Henry heard the voices plainly as he turned the key. While the terrible
drama of discovery was in progress on one side of the door, trivial questions about the amusements of
Venice, and facetious discussions on the relative merits of French and Italian cookery, were proceeding on
the other. Little by little, the sound of the talking grew fainter. The visitors, having arranged their plans of
amusement for the day, were on their way out of the hotel. In a minute or two, there was silence once more.
Henry turned to the window, thinking to relieve his mind by looking at the bright view over the canal. He
soon grew wearied of the familiar scene. The morbid fascination which seems to be exercised by all horrible
sights, drew him back again to the ghastly object on the floor.
Dream or reality, how had Agnes survived the sight of it? As the question passed through his mind, he
noticed for the first time something lying on the floor near the head. Looking closer, he perceived a thin little
plate of gold, with three false teeth attached to it, which had apparently dropped out (loosened by the shock)
when the manager let the head fall on the floor.
The importance of this discovery, and the necessity of not too readily communicating it to others, instantly
struck Henry. Here surely was a chanceif any chance remainedof identifying the shocking relic of
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humanity which lay before him, the dumb witness of a crime! Acting on this idea, he took possession of the
teeth, purposing to use them as a last means of inquiry when other attempts at investigation had been tried
and had failed.
He went back again to the window: the solitude of the room began to weigh on his spirits. As he looked out
again at the view, there was a soft knock at the door. He hastened to open it and checked himself in the act.
A doubt occurred to him. Was it the manager who had knocked? He called out, 'Who is there?'
The voice of Agnes answered him. 'Have you anything to tell me, Henry?'
He was hardly able to reply. 'Not just now,' he said, confusedly. 'Forgive me if I don't open the door. I will
speak to you a little later.'
The sweet voice made itself heard again, pleading with him piteously. 'Don't leave me alone, Henry! I can't
go back to the happy people downstairs.'
How could he resist that appeal? He heard her sighhe heard the rustling of her dress as she moved away in
despair. The very thing that he had shrunk from doing but a few minutes since was the thing that he did now!
He joined Agnes in the corridor. She turned as she heard him, and pointed, trembling, in the direction of the
closed room. 'Is it so terrible as that?' she asked faintly.
He put his arm round her to support her. A thought came to him as he looked at her, waiting in doubt and fear
for his reply. 'You shall know what I have discovered,' he said, 'if you will first put on your hat and cloak, and
come out with me.'
She was naturally surprised. 'Can you tell me your object in going out?' she asked.
He owned what his object was unreservedly. 'I want, before all things,' he said, 'to satisfy your mind and
mine, on the subject of Montbarry's death. I am going to take you to the doctor who attended him in his
illness, and to the consul who followed him to the grave.'
Her eyes rested on Henry gratefully. 'Oh, how well you understand me!' she said. The manager joined them at
the same moment, on his way up the stairs. Henry gave him the key of the room, and then called to the
servants in the hall to have a gondola ready at the steps. 'Are you leaving the hotel?' the manager asked. 'In
search of evidence,' Henry whispered, pointing to the key. 'If the authorities want me, I shall be back in an
hour.'
CHAPTER XXV
The day had advanced to evening. Lord Montbarry and the bridal party had gone to the Opera. Agnes alone,
pleading the excuse of fatigue, remained at the hotel. Having kept up appearances by accompanying his
friends to the theatre, Henry Westwick slipped away after the first act, and joined Agnes in the
drawingroom.
'Have you thought of what I said to you earlier in the day?' he asked, taking a chair at her side. 'Do you agree
with me that the one dreadful doubt which oppressed us both is at least set at rest?'
Agnes shook her head sadly. 'I wish I could agree with you, Henry I wish I could honestly say that my
mind is at ease.'
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The answer would have discouraged most men. Henry's patience (where Agnes was concerned) was equal to
any demands on it.
'If you will only look back at the events of the day,' he said, 'you must surely admit that we have not been
completely baffled. Remember how Dr. Bruno disposed of our doubts:"After thirty years of medical
practice, do you think I am likely to mistake the symptoms of death by bronchitis?" If ever there was an
unanswerable question, there it is! Was the consul's testimony doubtful in any part of it? He called at the
palace to offer his services, after hearing of Lord Montbarry's death; he arrived at the time when the coffin
was in the house; he himself saw the corpse placed in it, and the lid screwed down. The evidence of the priest
is equally beyond dispute. He remained in the room with the coffin, reciting the prayers for the dead, until the
funeral left the palace. Bear all these statements in mind, Agnes; and how can you deny that the question of
Montbarry's death and burial is a question set at rest? We have really but one doubt left: we have still to ask
ourselves whether the remains which I discovered are the remains of the lost courier, or not. There is the case,
as I understand it. Have I stated it fairly?'
Agnes could not deny that he had stated it fairly.
"Then what prevents you from experiencing the same sense of relief that I feel?' Henry asked.
'What I saw last night prevents me,' Agnes answered. 'When we spoke of this subject, after our inquiries were
over, you reproached me with taking what you called the superstitious view. I don't quite admit thatbut I
do acknowledge that I should find the superstitious view intelligible if I heard it expressed by some other
person. Remembering what your brother and I once were to each other in the bygone time, I can understand
the apparition making itself visible to me, to claim the mercy of Christian burial, and the vengeance due to a
crime. I can even perceive some faint possibility of truth in the explanation which you described as the
mesmeric theory that what I saw might be the result of magnetic influence communicated to me, as I lay
between the remains of the murdered husband above me and the guilty wife suffering the tortures of remorse
at my bedside. But what I do not understand is, that I should have passed through that dreadful ordeal; having
no previous knowledge of the murdered man in his lifetime, or only knowing him (if you suppose that I saw
the apparition of Ferrari) through the interest which I took in his wife. I can't dispute your reasoning, Henry.
But I feel in my heart of hearts that you are deceived. Nothing will shake my belief that we are still as far
from having discovered the dreadful truth as ever.'
Henry made no further attempt to dispute with her. She had impressed him with a certain reluctant respect for
her own opinion, in spite of himself.
'Have you thought of any better way of arriving at the truth?' he asked. 'Who is to help us? No doubt there is
the Countess, who has the clue to the mystery in her own hands. But, in the present state of her mind, is her
testimony to be trustedeven if she were willing to speak? Judging by my own experience, I should say
decidedly not.'
'You don't mean that you have seen her again?' Agnes eagerly interposed.
'Yes. I disturbed her once more over her endless writing; and I insisted on her speaking out plainly.'
'Then you told her what you found when you opened the hidingplace?'
'Of course I did!' Henry replied. 'I said that I held her responsible for the discovery, though I had not
mentioned her connection with it to the authorities as yet. She went on with her writing as if I had spoken in
an unknown tongue! I was equally obstinate, on my side. I told her plainly that the head had been placed
under the care of the police, and that the manager and I had signed our declarations and given our evidence.
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She paid not the slightest heed to me. By way of tempting her to speak, I added that the whole investigation
was to be kept a secret, and that she might depend on my discretion. For the moment I thought I had
succeeded. She looked up from her writing with a passing flash of curiosity, and said, "What are they going
to do with it?"meaning, I suppose, the head. I answered that it was to be privately buried, after
photographs of it had first been taken. I even went the length of communicating the opinion of the surgeon
consulted, that some chemical means of arresting decomposition had been used and had only partially
succeeded and I asked her pointblank if the surgeon was right? The trap was not a bad onebut it
completely failed. She said in the coolest manner, "Now you are here, I should like to consult you about my
play; I am at a loss for some new incidents." Mind! there was nothing satirical in this. She was really eager to
read her wonderful work to meevidently supposing that I took a special interest in such things, because my
brother is the manager of a theatre! I left her, making the first excuse that occurred to me. So far as I am
concerned, I can do nothing with her. But it is possible that your influence may succeed with her again, as it
has succeeded already. Will you make the attempt, to satisfy your own mind? She is still upstairs; and I am
quite ready to accompany you.'
Agnes shuddered at the bare suggestion of another interview with the Countess.
'I can't! I daren't!' she exclaimed. 'After what has happened in that horrible room, she is more repellent to me
than ever. Don't ask me to do it, Henry! Feel my handyou have turned me as cold as death only with
talking of it!'
She was not exaggerating the terror that possessed her. Henry hastened to change the subject.
'Let us talk of something more interesting,' he said. 'I have a question to ask you about yourself. Am I right in
believing that the sooner you get away from Venice the happier you will be?'
'Right?' she repeated excitedly. 'You are more than right! No words can say how I long to be away from this
horrible place. But you know how I am situatedyou heard what Lord Montbarry said at dinnertime?'
'Suppose he has altered his plans, since dinnertime?' Henry suggested.
Agnes looked surprised. 'I thought he had received letters from England which obliged him to leave Venice
tomorrow,' she said.
'Quite true,' Henry admitted. 'He had arranged to start for England tomorrow, and to leave you and Lady
Montbarry and the children to enjoy your holiday in Venice, under my care. Circumstances have occurred,
however, which have forced him to alter his plans. He must take you all back with him tomorrow because I
am not able to assume the charge of you. I am obliged to give up my holiday in Italy, and return to England
too.'
Agnes looked at him in some little perplexity: she was not quite sure whether she understood him or not.
'Are you really obliged to go back?' she asked.
Henry smiled as he answered her. 'Keep the secret,' he said, 'or Montbarry will never forgive me!'
She read the rest in his face. 'Oh!' she exclaimed, blushing brightly, 'you have not given up your pleasant
holiday in Italy on my account?'
'I shall go back with you to England, Agnes. That will be holiday enough for me.'
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She took his hand in an irrepressible outburst of gratitude. 'How good you are to me!' she murmured tenderly.
'What should I have done in the troubles that have come to me, without your sympathy? I can't tell you,
Henry, how I feel your kindness.'
She tried impulsively to lift his hand to her lips. He gently stopped her. 'Agnes,' he said, 'are you beginning to
understand how truly I love you?'
That simple question found its own way to her heart. She owned the whole truth, without saying a word. She
looked at him and then looked away again.
He drew her nearer to him. 'My own darling!' he whispered and kissed her. Softly and tremulously, the
sweet lips lingered, and touched his lips in return. Then her head drooped. She put her arms round his neck,
and hid her face on his bosom. They spoke no more.
The charmed silence had lasted but a little while, when it was mercilessly broken by a knock at the door.
Agnes started to her feet. She placed herself at the piano; the instrument being opposite to the door, it was
impossible, when she seated herself on the musicstool, for any person entering the room to see her face.
Henry called out irritably, 'Come in.'
The door was not opened. The person on the other side of it asked a strange question.
'Is Mr. Henry Westwick alone?'
Agnes instantly recognised the voice of the Countess. She hurried to a second door, which communicated
with one of the bedrooms. 'Don't let her come near me!' she whispered nervously. 'Good night, Henry! good
night!'
If Henry could, by an effort of will, have transported the Countess to the uttermost ends of the earth, he
would have made the effort without remorse. As it was, he only repeated, more irritably than ever, 'Come in!'
She entered the room slowly with her everlasting manuscript in her hand. Her step was unsteady; a dark flush
appeared on her face, in place of its customary pallor; her eyes were bloodshot and widely dilated. In
approaching Henry, she showed a strange incapability of calculating her distancesshe struck against the
table near which he happened to be sitting. When she spoke, her articulation was confused, and her
pronunciation of some of the longer words was hardly intelligible. Most men would have suspected her of
being under the influence of some intoxicating liquor. Henry took a truer viewhe said, as he placed a chair
for her, 'Countess, I am afraid you have been working too hard: you look as if you wanted rest.'
She put her hand to her head. 'My invention has gone,' she said. 'I can't write my fourth act. It's all a
blankall a blank!'
Henry advised her to wait till the next day. 'Go to bed,' he suggested; and try to sleep.'
She waved her hand impatiently. 'I must finish the play,' she answered. 'I only want a hint from you. You
must know something about plays. Your brother has got a theatre. You must often have heard him talk about
fourth and fifth acts you must have seen rehearsals, and all the rest of it.' She abruptly thrust the
manuscript into Henry's hand. 'I can't read it to you,' she said; 'I feel giddy when I look at my own writing.
Just run your eye over it, there's a good fellowand give me a hint.'
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Henry glanced at the manuscript. He happened to look at the list of the persons of the drama. As he read the
list he started and turned abruptly to the Countess, intending to ask her for some explanation. The words were
suspended on his lips. It was but too plainly useless to speak to her. Her head lay back on the rail of the chair.
She seemed to be half asleep already. The flush on her face had deepened: she looked like a woman who was
in danger of having a fit.
He rang the bell, and directed the man who answered it to send one of the chambermaids upstairs. His voice
seemed to partially rouse the Countess; she opened her eyes in a slow drowsy way. 'Have you read it?' she
asked.
It was necessary as a mere act of humanity to humour her. 'I will read it willingly,' said Henry, 'if you will go
upstairs to bed. You shall hear what I think of it tomorrow morning. Our heads will be clearer, we shall be
better able to make the fourth act in the morning.'
The chambermaid came in while he was speaking. 'I am afraid the lady is ill,' Henry whispered. 'Take her up
to her room.' The woman looked at the Countess and whispered back, 'Shall we send for a doctor, sir?'
Henry advised taking her upstairs first, and then asking the manager's opinion. There was great difficulty in
persuading her to rise, and accept the support of the chambermaid's arm. It was only by reiterated promises to
read the play that night, and to make the fourth act in the morning, that Henry prevailed on the Countess to
return to her room.
Left to himself, he began to feel a certain languid curiosity in relation to the manuscript. He looked over the
pages, reading a line here and a line there. Suddenly he changed colour as he read and looked up from the
manuscript like a man bewildered. 'Good God! what does this mean?' he said to himself.
His eyes turned nervously to the door by which Agnes had left him. She might return to the drawingroom,
she might want to see what the Countess had written. He looked back again at the passage which had startled
himconsidered with himself for a moment and, snatching up the unfinished play, suddenly and softly
left the room.
CHAPTER XXVI
Entering his own room on the upper floor, Henry placed the manuscript on his table, open at the first leaf. His
nerves were unquestionably shaken; his hand trembled as he turned the pages, he started at chance noises on
the staircase of the hotel.
The scenario, or outline, of the Countess's play began with no formal prefatory phrases. She presented herself
and her work with the easy familiarity of an old friend.
'Allow me, dear Mr. Francis Westwick, to introduce to you the persons in my proposed Play. Behold them,
arranged symmetrically in a line.
'My Lord. The Baron. The Courier. The Doctor. The Countess.
'I don't trouble myself, you see, to invest fictitious family names. My characters are sufficiently distinguished
by their social titles, and by the striking contrast which they present one with another.
The First Act opens
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'No! Before I open the First Act, I must announce, injustice to myself, that this Play is entirely the work of
my own invention. I scorn to borrow from actual events; and, what is more extraordinary still, I have not
stolen one of my ideas from the Modern French drama. As the manager of an English theatre, you will
naturally refuse to believe this. It doesn't matter. Nothing mattersexcept the opening of my first act.
'We are at Homburg, in the famous Salon d'Or, at the height of the season. The Countess (exquisitely dressed)
is seated at the green table. Strangers of all nations are standing behind the players, venturing their money or
only looking on. My Lord is among the strangers. He is struck by the Countess's personal appearance, in
which beauties and defects are fantastically mingled in the most attractive manner. He watches the Countess's
game, and places his money where he sees her deposit her own little stake. She looks round at him, and says,
"Don't trust to my colour; I have been unlucky the whole evening. Place your stake on the other colour, and
you may have a chance of winning." My Lord (a true Englishman) blushes, bows, and obeys. The Countess
proves to be a prophet. She loses again. My Lord wins twice the sum that he has risked.
'The Countess rises from the table. She has no more money, and she offers my Lord her chair.
'Instead of taking it, he politely places his winnings in her hand, and begs her to accept the loan as a favour to
himself. The Countess stakes again, and loses again. My Lord smiles superbly, and presses a second loan on
her. From that moment her luck turns. She wins, and wins largely. Her brother, the Baron, trying his fortune
in another room, hears of what is going on, and joins my Lord and the Countess.
'Pay attention, if you please, to the Baron. He is delineated as a remarkable and interesting character.
'This noble person has begun life with a singleminded devotion to the science of experimental chemistry,
very surprising in a young and handsome man with a brilliant future before him. A profound knowledge of
the occult sciences has persuaded the Baron that it is possible to solve the famous problem called the
"Philosopher's Stone." His own pecuniary resources have long since been exhausted by his costly
experiments. His sister has next supplied him with the small fortune at her disposal: reserving only the family
jewels, placed in the charge of her banker and friend at Frankfort. The Countess's fortune also being
swallowed up, the Baron has in a fatal moment sought for new supplies at the gaming table. He proves, at
starting on his perilous career, to be a favourite of fortune; wins largely, and, alas! profanes his noble
enthusiasm for science by yielding his soul to the alldebasing passion of the gamester.
'At the period of the Play, the Baron's good fortune has deserted him. He sees his way to a crowning
experiment in the fatal search after the secret of transmuting the baser elements into gold. But how is he to
pay the preliminary expenses? Destiny, like a mocking echo, answers, How?
'Will his sister's winnings (with my Lord's money) prove large enough to help him? Eager for this result, he
gives the Countess his advice how to play. From that disastrous moment the infection of his own adverse
fortune spreads to his sister. She loses again, and again loses to the last farthing.
'The amiable and wealthy Lord offers a third loan; but the scrupulous Countess positively refuses to take it.
On leaving the table, she presents her brother to my Lord. The gentlemen fall into pleasant talk. My Lord
asks leave to pay his respects to the Countess, the next morning, at her hotel. The Baron hospitably invites
him to breakfast. My Lord accepts, with a last admiring glance at the Countess which does not escape her
brother's observation, and takes his leave for the night.
'Alone with his sister, the Baron speaks out plainly. "Our affairs," he says, "are in a desperate condition, and
must find a desperate remedy. Wait for me here, while I make inquiries about my Lord. You have evidently
produced a strong impression on him. If we can turn that impression into money, no matter at what sacrifice,
the thing must be done."
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'The Countess now occupies the stage alone, and indulges in a soliloquy which develops her character.
'It is at once a dangerous and attractive character. Immense capacities for good are implanted in her nature,
side by side with equally remarkable capacities for evil. It rests with circumstances to develop either the one
or the other. Being a person who produces a sensation wherever she goes, this noble lady is naturally made
the subject of all sorts of scandalous reports. To one of these reports (which falsely and abominably points to
the Baron as her lover instead of her brother) she now refers with just indignation. She has just expressed her
desire to leave Homburg, as the place in which the vile calumny first took its rise, when the Baron returns,
overhears her last words, and says to her, "Yes, leave Homburg by all means; provided you leave it in the
character of my Lord's betrothed wife!"
'The Countess is startled and shocked. She protests that she does not reciprocate my Lord's admiration for
her. She even goes the length of refusing to see him again. The Baron answers, "I must positively have
command of money. Take your choice, between marrying my Lord's income, in the interest of my grand
discovery or leave me to sell myself and my title to the first rich woman of low degree who is ready to buy
me."
'The Countess listens in surprise and dismay. Is it possible that the Baron is in earnest? He is horribly in
earnest. "The woman who will buy me," he says, "is in the next room to us at this moment. She is the wealthy
widow of a Jewish usurer. She has the money I want to reach the solution of the great problem. I have only to
be that woman's husband, and to make myself master of untold millions of gold. Take five minutes to
consider what I have said to you, and tell me on my return which of us is to marry for the money I want, you
or I."
'As he turns away, the Countess stops him.
'All the noblest sentiments in her nature are exalted to the highest pitch. "Where is the true woman," she
exclaims, "who wants time to consummate the sacrifice of herself, when the man to whom she is devoted
demands it? She does not want five minutes she does not want five secondsshe holds out her hand to
him, and she says, Sacrifice me on the altar of your glory! Take as steppingstones on the way to your
triumph, my love, my liberty, and my life!"
'On this grand situation the curtain falls. Judging by my first act, Mr. Westwick, tell me truly, and don't be
afraid of turning my head: Am I not capable of writing a good play?'
Henry paused between the First and Second Acts; reflecting, not on the merits of the play, but on the strange
resemblance which the incidents so far presented to the incidents that had attended the disastrous marriage of
the first Lord Montbarry.
Was it possible that the Countess, in the present condition of her mind, supposed herself to be exercising her
invention when she was only exercising her memory?
The question involved considerations too serious to be made the subject of a hasty decision. Reserving his
opinion, Henry turned the page, and devoted himself to the reading of the next act. The manuscript proceeded
as follows:
'The Second Act opens at Venice. An interval of four months has elapsed since the date of the scene at the
gambling table. The action now takes place in the receptionroom of one of the Venetian palaces.
'The Baron is discovered, alone, on the stage. He reverts to the events which have happened since the close of
the First Act. The Countess has sacrificed herself; the mercenary marriage has taken placebut not without
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obstacles, caused by difference of opinion on the question of marriage settlements.
'Private inquiries, instituted in England, have informed the Baron that my Lord's income is derived chiefly
from what is called entailed property. In case of accidents, he is surely bound to do something for his bride?
Let him, for example, insure his life, for a sum proposed by the Baron, and let him so settle the money that
his widow shall have it, if he dies first.
'My Lord hesitates. The Baron wastes no time in useless discussion. "Let us by all means" (he says) "consider
the marriage as broken off." My Lord shifts his ground, and pleads for a smaller sum than the sum proposed.
The Baron briefly replies, "I never bargain." My lord is in love; the natural result followshe gives way.
'So far, the Baron has no cause to complain. But my Lord's turn comes, when the marriage has been
celebrated, and when the honeymoon is over. The Baron has joined the married pair at a palace which they
have hired in Venice. He is still bent on solving the problem of the "Philosopher's Stone." His laboratory is
set up in the vaults beneath the palaceso that smells from chemical experiments may not incommode the
Countess, in the higher regions of the house. The one obstacle in the way of his grand discovery is, as usual,
the want of money. His position at the present time has become truly critical. He owes debts of honour to
gentlemen in his own rank of life, which must positively be paid; and he proposes, in his own friendly
manner, to borrow the money of my Lord. My Lord positively refuses, in the rudest terms. The Baron applies
to his sister to exercise her conjugal influence. She can only answer that her noble husband (being no longer
distractedly in love with her) now appears in his true character, as one of the meanest men living. The
sacrifice of the marriage has been made, and has already proved useless.
'Such is the state of affairs at the opening of the Second Act.
'The entrance of the Countess suddenly disturbs the Baron's reflections. She is in a state bordering on frenzy.
Incoherent expressions of rage burst from her lips: it is some time before she can sufficiently control herself
to speak plainly. She has been doubly insulted first, by a menial person in her employment; secondly, by
her husband. Her maid, an Englishwoman, has declared that she will serve the Countess no longer. She will
give up her wages, and return at once to England. Being asked her reason for this strange proceeding, she
insolently hints that the Countess's service is no service for an honest woman, since the Baron has entered the
house. The Countess does, what any lady in her position would do; she indignantly dismisses the wretch on
the spot.
'My Lord, hearing his wife's voice raised in anger, leaves the study in which he is accustomed to shut himself
up over his books, and asks what this disturbance means. The Countess informs him of the outrageous
language and conduct of her maid. My Lord not only declares his entire approval of the woman's conduct, but
expresses his own abominable doubts of his wife's fidelity in language of such horrible brutality that no lady
could pollute her lips by repeating it. "If I had been a man," the Countess says, "and if I had had a weapon in
my hand, I would have struck him dead at my feet!"
'The Baron, listening silently so far, now speaks. "Permit me to finish the sentence for you," he says. "You
would have struck your husband dead at your feet; and by that rash act, you would have deprived yourself of
the insurance money settled on the widow the very money which is wanted to relieve your brother from
the unendurable pecuniary position which he now occupies!"
'The Countess gravely reminds the Baron that this is no joking matter. After what my Lord has said to her,
she has little doubt that he will communicate his infamous suspicions to his lawyers in England. If nothing is
done to prevent it, she may be divorced and disgraced, and thrown on the world, with no resource but the sale
of her jewels to keep her from starving.
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'At this moment, the Courier who has been engaged to travel with my Lord from England crosses the stage
with a letter to take to the post. The Countess stops him, and asks to look at the address on the letter. She
takes it from him for a moment, and shows it to her brother. The handwriting is my Lord's; and the letter is
directed to his lawyers in London.
'The Courier proceeds to the postoffice. The Baron and the Countess look at each other in silence. No words
are needed. They thoroughly understand the position in which they are placed; they clearly see the terrible
remedy for it. What is the plain alternative before them? Disgrace and ruinor, my Lord's death and the
insurance money!
'The Baron walks backwards and forwards in great agitation, talking to himself. The Countess hears
fragments of what he is saying. He speaks of my Lord's constitution, probably weakened in India of a cold
which my Lord has caught two or three days since of the remarkable manner in which such slight things as
colds sometimes end in serious illness and death.
'He observes that the Countess is listening to him, and asks if she has anything to propose. She is a woman
who, with many defects, has the great merit of speaking out. "Is there no such thing as a serious illness," she
asks, "corked up in one of those bottles of yours in the vaults downstairs?"
'The Baron answers by gravely shaking his head. What is he afraid of? a possible examination of the body
after death? No: he can set any postmortem examination at defiance. It is the process of administering the
poison that he dreads. A man so distinguished as my Lord cannot be taken seriously ill without medical
attendance. Where there is a Doctor, there is always danger of discovery. Then, again, there is the Courier,
faithful to my Lord as long as my Lord pays him. Even if the Doctor sees nothing suspicious, the Courier
may discover something. The poison, to do its work with the necessary secrecy, must be repeatedly
administered in graduated doses. One trifling miscalculation or mistake may rouse suspicion. The insurance
offices may hear of it, and may refuse to pay the money. As things are, the Baron will not risk it, and will not
allow his sister to risk it in his place.
'My Lord himself is the next character who appears. He has repeatedly rung for the Courier, and the bell has
not been answered. "What does this insolence mean?"
'The Countess (speaking with quiet dignityfor why should her infamous husband have the satisfaction of
knowing how deeply he has wounded her?) reminds my Lord that the Courier has gone to the post. My Lord
asks suspiciously if she has looked at the letter. The Countess informs him coldly that she has no curiosity
about his letters. Referring to the cold from which he is suffering, she inquires if he thinks of consulting a
medical man. My Lord answers roughly that he is quite old enough to be capable of doctoring himself.
'As he makes this reply, the Courier appears, returning from the post. My Lord gives him orders to go out
again and buy some lemons. He proposes to try hot lemonade as a means of inducing perspiration in bed. In
that way he has formerly cured colds, and in that way he will cure the cold from which he is suffering now.
'The Courier obeys in silence. Judging by appearances, he goes very reluctantly on this second errand.
'My Lord turns to the Baron (who has thus far taken no part in the conversation) and asks him, in a sneering
tone, how much longer he proposes to prolong his stay in Venice. The Baron answers quietly, "Let us speak
plainly to one another, my Lord. If you wish me to leave your house, you have only to say the word, and I
go." My Lord turns to his wife, and asks if she can support the calamity of her brother's absencelaying a
grossly insulting emphasis on the word "brother." The Countess preserves her impenetrable composure;
nothing in her betrays the deadly hatred with which she regards the titled ruffian who has insulted her. "You
are master in this house, my Lord," is all she says. "Do as you please."
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'My Lord looks at his wife; looks at the Baronand suddenly alters his tone. Does he perceive in the
composure of the Countess and her brother something lurking under the surface that threatens him? This is at
least certain, he makes a clumsy apology for the language that he has used. (Abject wretch!)
'My Lord's excuses are interrupted by the return of the Courier with the lemons and hot water.
'The Countess observes for the first time that the man looks ill. His hands tremble as he places the tray on the
table. My Lord orders his Courier to follow him, and make the lemonade in the bedroom. The Countess
remarks that the Courier seems hardly capable of obeying his orders. Hearing this, the man admits that he is
ill. He, too, is suffering from a cold; he has been kept waiting in a draught at the shop where he bought the
lemons; he feels alternately hot and cold, and he begs permission to lie down for a little while on his bed.
'Feeling her humanity appealed to, the Countess volunteers to make the lemonade herself. My Lord takes the
Courier by the arm, leads him aside, and whispers these words to him: "Watch her, and see that she puts
nothing into the lemonade; then bring it to me with your own hands; and, then, go to bed, if you like."
'Without a word more to his wife, or to the Baron, my Lord leaves the room.
'The Countess makes the lemonade, and the Courier takes it to his master.
'Returning, on the way to his own room, he is so weak, and feels, he says, so giddy, that he is obliged to
support himself by the backs of the chairs as he passes them. The Baron, always considerate to persons of low
degree, offers his arm. "I am afraid, my poor fellow," he says, "that you are really ill." The Courier makes this
extraordinary answer: "It's all over with me, Sir: I have caught my death."
'The Countess is naturally startled. "You are not an old man," she says, trying to rouse the Courier's spirits.
"At your age, catching cold doesn't surely mean catching your death?" The Courier fixes his eyes
despairingly on the Countess.
"My lungs are weak, my Lady," he says; "I have already had two attacks of bronchitis. The second time, a
great physician joined my own doctor in attendance on me. He considered my recovery almost in the light of
a miracle. Take care of yourself," he said. "If you have a third attack of bronchitis, as certainly as two and
two make four, you will be a dead man. I feel the same inward shivering, my Lady, that I felt on those two
former occasionsand I tell you again, I have caught my death in Venice."
'Speaking some comforting words, the Baron leads him to his room. The Countess is left alone on the stage.
'She seats herself, and looks towards the door by which the Courier has been led out. "Ah! my poor fellow,"
she says, "if you could only change constitutions with my Lord, what a happy result would follow for the
Baron and for me! If you could only get cured of a trumpery cold with a little hot lemonade, and if he could
only catch his death in your place!"
'She suddenly pausesconsiders for a whileand springs to her feet, with a cry of triumphant surprise: the
wonderful, the unparalleled idea has crossed her mind like a flash of lightning. Make the two men change
names and placesand the deed is done! Where are the obstacles? Remove my Lord (by fair means or foul)
from his room; and keep him secretly prisoner in the palace, to live or die as future necessity may determine.
Place the Courier in the vacant bed, and call in the doctor to see himill, in my Lord's character, and (if he
dies) dying under my Lord's name!'
The manuscript dropped from Henry's hands. A sickening sense of horror overpowered him. The question
which had occurred to his mind at the close of the First Act of the Play assumed a new and terrible interest
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now. As far as the scene of the Countess's soliloquy, the incidents of the Second Act had reflected the events
of his late brother's life as faithfully as the incidents of the First Act. Was the monstrous plot, revealed in the
lines which he had just read, the offspring of the Countess's morbid imagination? or had she, in this case also,
deluded herself with the idea that she was inventing when she was really writing under the influence of her
own guilty remembrances of the past? If the latter interpretation were the true one, he had just read the
narrative of the contemplated murder of his brother, planned in cold blood by a woman who was at that
moment inhabiting the same house with him. While, to make the fatality complete, Agnes herself had
innocently provided the conspirators with the one man who was fitted to be the passive agent of their crime.
Even the bare doubt that it might be so was more than he could endure. He left his room; resolved to force the
truth out of the Countess, or to denounce her before the authorities as a murderess at large.
Arrived at her door, he was met by a person just leaving the room. The person was the manager. He was
hardly recognisable; he looked and spoke like a man in a state of desperation.
'Oh, go in, if you like!' he said to Henry. 'Mark this, sir! I am not a superstitious man; but I do begin to
believe that crimes carry their own curse with them. This hotel is under a curse. What happens in the
morning? We discover a crime committed in the old days of the palace. The night comes, and brings another
dreadful event with ita death; a sudden and shocking death, in the house. Go in, and see for yourself! I
shall resign my situation, Mr. Westwick: I can't contend with the fatalities that pursue me here!'
Henry entered the room.
The Countess was stretched on her bed. The doctor on one side, and the chambermaid on the other, were
standing looking at her. From time to time, she drew a heavy stertorous breath, like a person oppressed in
sleeping. 'Is she likely to die?' Henry asked.
'She is dead,' the doctor answered. 'Dead of the rupture of a bloodvessel on the brain. Those sounds that you
hear are purely mechanical they may go on for hours.'
Henry looked at the chambermaid. She had little to tell. The Countess had refused to go to bed, and had
placed herself at her desk to proceed with her writing. Finding it useless to remonstrate with her, the maid had
left the room to speak to the manager. In the shortest possible time, the doctor was summoned to the hotel,
and found the Countess dead on the floor. There was this to tell and no more.
Looking at the writingtable as he went out, Henry saw the sheet of paper on which the Countess had traced
her last lines of writing. The characters were almost illegible. Henry could just distinguish the words, 'First
Act,' and 'Persons of the Drama.' The lost wretch had been thinking of her Play to the last, and had begun it
all over again!
CHAPTER XXVII
Henry returned to his room.
His first impulse was to throw aside the manuscript, and never to look at it again. The one chance of relieving
his mind from the dreadful uncertainty that oppressed it, by obtaining positive evidence of the truth, was a
chance annihilated by the Countess's death. What good purpose could be served, what relief could he
anticipate, if he read more?
He walked up and down the room. After an interval, his thoughts took a new direction; the question of the
manuscript presented itself under another point of view. Thus far, his reading had only informed him that the
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conspiracy had been planned. How did he know that the plan had been put in execution?
The manuscript lay just before him on the floor. He hesitated; then picked it up; and, returning to the table,
read on as follows, from the point at which he had left off.
'While the Countess is still absorbed in the bold yet simple combination of circumstances which she has
discovered, the Baron returns. He takes a serious view of the case of the Courier; it may be necessary, he
thinks, to send for medical advice. No servant is left in the palace, now the English maid has taken her
departure. The Baron himself must fetch the doctor, if the doctor is really needed.
' "Let us have medical help, by all means," his sister replies. "But wait and hear something that I have to say
to you first." She then electrifies the Baron by communicating her idea to him. What danger of discovery
have they to dread? My Lord's life in Venice has been a life of absolute seclusion: nobody but his banker
knows him, even by personal appearance. He has presented his letter of credit as a perfect stranger; and he
and his banker have never seen each other since that first visit. He has given no parties, and gone to no
parties. On the few occasions when he has hired a gondola or taken a walk, he has always been alone. Thanks
to the atrocious suspicion which makes him ashamed of being seen with his wife, he has led the very life
which makes the proposed enterprise easy of accomplishment.
'The cautious Baron listensbut gives no positive opinion, as yet. "See what you can do with the Courier,"
he says; "and I will decide when I hear the result. One valuable hint I may give you before you go. Your man
is easily tempted by moneyif you only offer him enough. The other day, I asked him, in jest, what he
would do for a thousand pounds. He answered, 'Anything.' Bear that in mind; and offer your highest bid
without bargaining."
'The scene changes to the Courier's room, and shows the poor wretch with a photographic portrait of his wife
in his hand, crying. The Countess enters.
'She wisely begins by sympathising with her contemplated accomplice. He is duly grateful; he confides his
sorrows to his gracious mistress. Now that he believes himself to be on his deathbed, he feels remorse for
his neglectful treatment of his wife. He could resign himself to die; but despair overpowers him when he
remembers that he has saved no money, and that he will leave his widow, without resources, to the mercy of
the world.
'On this hint, the Countess speaks. "Suppose you were asked to do a perfectly easy thing," she says; "and
suppose you were rewarded for doing it by a present of a thousand pounds, as a legacy for your widow?"
'The Courier raises himself on his pillow, and looks at the Countess with an expression of incredulous
surprise. She can hardly be cruel enough (he thinks) to joke with a man in his miserable plight. Will she say
plainly what this perfectly easy thing is, the doing of which will meet with such a magnificent reward?
'The Countess answers that question by confiding her project to the Courier, without the slightest reserve.
'Some minutes of silence follow when she has done. The Courier is not weak enough yet to speak without
stopping to think first. Still keeping his eyes on the Countess, he makes a quaintly insolent remark on what he
has just heard. "I have not hitherto been a religious man; but I feel myself on the way to it. Since your
ladyship has spoken to me, I believe in the Devil." It is the Countess's interest to see the humorous side of this
confession of faith. She takes no offence. She only says, "I will give you half an hour by yourself, to think
over my proposal. You are in danger of death. Decide, in your wife's interests, whether you will die worth
nothing, or die worth a thousand pounds."
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'Left alone, the Courier seriously considers his position and decides. He rises with difficulty; writes a few
lines on a leaf taken from his pocketbook; and, with slow and faltering steps, leaves the room.
'The Countess, returning at the expiration of the halfhour's interval, finds the room empty. While she is
wondering, the Courier opens the door. What has he been doing out of his bed? He answers, "I have been
protecting my own life, my lady, on the bare chance that I may recover from the bronchitis for the third time.
If you or the Baron attempts to hurry me out of this world, or to deprive me of my thousand pounds reward, I
shall tell the doctor where he will find a few lines of writing, which describe your ladyship's plot. I may not
have strength enough, in the case supposed, to betray you by making a complete confession with my own
lips; but I can employ my last breath to speak the halfdozen words which will tell the doctor where he is to
look. Those words, it is needless to add, will be addressed to your Ladyship, if I find your engagements
towards me faithfully kept."
'With this audacious preface, he proceeds to state the conditions on which he will play his part in the
conspiracy, and die (if he does die) worth a thousand pounds.
'Either the Countess or the Baron are to taste the food and drink brought to his bedside, in his presence, and
even the medicines which the doctor may prescribe for him. As for the promised sum of money, it is to be
produced in one banknote, folded in a sheet of paper, on which a line is to be written, dictated by the
Courier. The two enclosures are then to be sealed up in an envelope, addressed to his wife, and stamped ready
for the post. This done, the letter is to be placed under his pillow; the Baron or the Countess being at liberty
to satisfy themselves, day by day, at their own time, that the letter remains in its place, with the seal
unbroken, as long as the doctor has any hope of his patient's recovery. The last stipulation follows. The
Courier has a conscience; and with a view to keeping it easy, insists that he shall be left in ignorance of that
part of the plot which relates to the sequestration of my Lord. Not that he cares particularly what becomes of
his miserly master but he does dislike taking other people's responsibilities on his own shoulders.
'These conditions being agreed to, the Countess calls in the Baron, who has been waiting events in the next
room.
'He is informed that the Courier has yielded to temptation; but he is still too cautious to make any
compromising remarks. Keeping his back turned on the bed, he shows a bottle to the Countess. It is labelled
"Chloroform." She understands that my Lord is to be removed from his room in a convenient state of
insensibility. In what part of the palace is he to be hidden? As they open the door to go out, the Countess
whispers that question to the Baron. The Baron whispers back, "In the vaults!" The curtain falls.'
CHAPTER XXVIII
So the Second Act ended.
Turning to the Third Act, Henry looked wearily at the pages as he let them slip through his fingers. Both in
mind and body, he began to feel the need of repose.
In one important respect, the later portion of the manuscript differed from the pages which he had just been
reading. Signs of an overwrought brain showed themselves, here and there, as the outline of the play
approached its end. The handwriting grew worse and worse. Some of the longer sentences were left
unfinished. In the exchange of dialogue, questions and answers were not always attributed respectively to the
right speaker. At certain intervals the writer's failing intelligence seemed to recover itself for a while; only to
relapse again, and to lose the thread of the narrative more hopelessly than ever.
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After reading one or two of the more coherent passages Henry recoiled from the everdarkening horror of the
story. He closed the manuscript, heartsick and exhausted, and threw himself on his bed to rest. The door
opened almost at the same moment. Lord Montbarry entered the room.
'We have just returned from the Opera,' he said; 'and we have heard the news of that miserable woman's
death. They say you spoke to her in her last moments; and I want to hear how it happened.'
'You shall hear how it happened,' Henry answered; 'and more than that. You are now the head of the family,
Stephen; and I feel bound, in the position which oppresses me, to leave you to decide what ought to be done.'
With those introductory words, he told his brother how the Countess's play had come into his hands. 'Read
the first few pages,' he said. 'I am anxious to know whether the same impression is produced on both of us.'
Before Lord Montbarry had got halfway through the First Act, he stopped, and looked at his brother. 'What
does she mean by boasting of this as her own invention?' he asked. 'Was she too crazy to remember that these
things really happened?'
This was enough for Henry: the same impression had been produced on both of them. 'You will do as you
please,' he said. 'But if you will be guided by me, spare yourself the reading of those pages to come, which
describe our brother's terrible expiation of his heartless marriage.'
'Have you read it all, Henry?'
'Not all. I shrank from reading some of the latter part of it. Neither you nor I saw much of our elder brother
after we left school; and, for my part, I felt, and never scrupled to express my feeling, that he behaved
infamously to Agnes. But when I read that unconscious confession of the murderous conspiracy to which he
fell a victim, I remembered, with something like remorse, that the same mother bore us. I have felt for him
tonight, what I am ashamed to think I never felt for him before.'
Lord Montbarry took his brother's hand.
'You are a good fellow, Henry,' he said; 'but are you quite sure that you have not been needlessly distressing
yourself? Because some of this crazy creature's writing accidentally tells what we know to be the truth, does
it follow that all the rest is to be relied on to the end?'
'There is no possible doubt of it,' Henry replied.
'No possible doubt?' his brother repeated. 'I shall go on with my reading, Henryand see what justification
there may be for that confident conclusion of yours.'
He read on steadily, until he had reached the end of the Second Act. Then he looked up.
'Do you really believe that the mutilated remains which you discovered this morning are the remains of our
brother?' he asked. 'And do you believe it on such evidence as this?'
Henry answered silently by a sign in the affirmative.
Lord Montbarry checked himselfevidently on the point of entering an indignant protest.
'You acknowledge that you have not read the later scenes of the piece,' he said. 'Don't be childish, Henry! If
you persist in pinning your faith on such stuff as this, the least you can do is to make yourself thoroughly
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acquainted with it. Will you read the Third Act? No? Then I shall read it to you.'
He turned to the Third Act, and ran over those fragmentary passages which were clearly enough written and
expressed to be intelligible to the mind of a stranger.
'Here is a scene in the vaults of the palace,' he began. 'The victim of the conspiracy is sleeping on his
miserable bed; and the Baron and the Countess are considering the position in which they stand. The
Countess (as well as I can make it out) has raised the money that is wanted by borrowing on the security of
her jewels at Frankfort; and the Courier upstairs is still declared by the Doctor to have a chance of recovery.
What are the conspirators to do, if the man does recover? The cautious Baron suggests setting the prisoner
free. If he ventures to appeal to the law, it is easy to declare that he is subject to insane delusion, and to call
his own wife as witness. On the other hand, if the Courier dies, how is the sequestrated and unknown
nobleman to be put out of the way? Passively, by letting him starve in his prison? No: the Baron is a man of
refined tastes; he dislikes needless cruelty. The active policy remains say, assassination by the knife of a
hired bravo? The Baron objects to trusting an accomplice; also to spending money on anyone but himself.
Shall they drop their prisoner into the canal? The Baron declines to trust water; water will show him on the
surface. Shall they set his bed on fire? An excellent idea; but the smoke might be seen. No: the circumstances
being now entirely altered, poisoning him presents the easiest way out of it. He has simply become a
superfluous person. The cheapest poison will do. Is it possible, Henry, that you believe this consultation
really took place?'
Henry made no reply. The succession of the questions that had just been read to him, exactly followed the
succession of the dreams that had terrified Mrs. Norbury, on the two nights which she had passed in the hotel.
It was useless to point out this coincidence to his brother. He only said, 'Go on.'
Lord Montbarry turned the pages until he came to the next intelligible passage.
'Here,' he proceeded, 'is a double scene on the stageso far as I can understand the sketch of it. The Doctor
is upstairs, innocently writing his certificate of my Lord's decease, by the dead Courier's bedside. Down in the
vaults, the Baron stands by the corpse of the poisoned lord, preparing the strong chemical acids which are to
reduce it to a heap of ashesSurely, it is not worth while to trouble ourselves with deciphering such
melodramatic horrors as these? Let us get on! let us get on!'
He turned the leaves again; attempting vainly to discover the meaning of the confused scenes that followed.
On the last page but one, he found the last intelligible sentences.
'The Third Act seems to be divided,' he said, 'into two Parts or Tableaux. I think I can read the writing at the
beginning of the Second Part. The Baron and the Countess open the scene. The Baron's hands are
mysteriously concealed by gloves. He has reduced the body to ashes by his own system of cremation, with
the exception of the head'
Henry interrupted his brother there. 'Don't read any more!' he exclaimed.
'Let us do the Countess justice,' Lord Montbarry persisted. 'There are not half a dozen lines more that I can
make out! The accidental breaking of his jar of acid has burnt the Baron's hands severely. He is still unable to
proceed to the destruction of the headand the Countess is woman enough (with all her wickedness) to
shrink from attempting to take his placewhen the first news is received of the coming arrival of the
commission of inquiry despatched by the insurance offices. The Baron feels no alarm. Inquire as the
commission may, it is the natural death of the Courier (in my Lord's character) that they are blindly
investigating. The head not being destroyed, the obvious alternative is to hide it and the Baron is equal to
the occasion. His studies in the old library have informed him of a safe place of concealment in the palace.
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The Countess may recoil from handling the acids and watching the process of cremation; but she can surely
sprinkle a little disinfecting powder'
'No more!' Henry reiterated. 'No more!'
'There is no more that can be read, my dear fellow. The last page looks like sheer delirium. She may well
have told you that her invention had failed her!'
'Face the truth honestly, Stephen, and say her memory.'
Lord Montbarry rose from the table at which he had been sitting, and looked at his brother with pitying eyes.
'Your nerves are out of order, Henry,' he said. 'And no wonder, after that frightful discovery under the
hearthstone. We won't dispute about it; we will wait a day or two until you are quite yourself again. In the
meantime, let us understand each other on one point at least. You leave the question of what is to be done
with these pages of writing to me, as the head of the family?'
'I do.'
Lord Montbarry quietly took up the manuscript, and threw it into the fire. 'Let this rubbish be of some use,' he
said, holding the pages down with the poker. 'The room is getting chilly the Countess's play will set some
of these charred logs flaming again.' He waited a little at the fireplace, and returned to his brother. 'Now,
Henry, I have a last word to say, and then I have done. I am ready to admit that you have stumbled, by an
unlucky chance, on the proof of a crime committed in the old days of the palace, nobody knows how long
ago. With that one concession, I dispute everything else. Rather than agree in the opinion you have formed, I
won't believe anything that has happened. The supernatural influences that some of us felt when we first slept
in this hotel your loss of appetite, our sister's dreadful dreams, the smell that overpowered Francis, and the
head that appeared to AgnesI declare them all to be sheer delusions! I believe in nothing, nothing,
nothing!' He opened the door to go out, and looked back into the room. 'Yes,' he resumed, 'there is one thing I
believe in. My wife has committed a breach of confidenceI believe Agnes will marry you. Good night,
Henry. We leave Venice the first thing tomorrow morning.
So Lord Montbarry disposed of the mystery of The Haunted Hotel.
POSTSCRIPT
A last chance of deciding the difference of opinion between the two brothers remained in Henry's possession.
He had his own idea of the use to which he might put the false teeth as a means of inquiry when he and Ms
fellowtravellers returned to England.
The only surviving depositary of the domestic history of the family in past years, was Agnes Lockwood's old
nurse. Henry took his first opportunity of trying to revive her personal recollections of the deceased Lord
Montbarry. But the nurse had never forgiven the great man of the family for his desertion of Agnes; she flatly
refused to consult her memory. 'Even the bare sight of my lord, when I last saw him in London,' said the old
woman, 'made my fingernails itch to set their mark on his face. I was sent on an errand by Miss Agnes; and
I met him coming out of his dentist's doorand, thank God, that's the last I ever saw of him!'
Thanks to the nurse's quick temper and quaint way of expressing herself, the object of Henry's inquiries was
gained already! He ventured on asking if she had noticed the situation of the house. She had noticed, and still
remembered the situation did Master Henry suppose she had lost the use of her senses, because she
happened to be nigh on eighty years old? The same day, he took the false teeth to the dentist, and set all
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further doubt (if doubt had still been possible) at rest for ever. The teeth had been made for the first Lord
Montbarry.
Henry never revealed the existence of this last link in the chain of discovery to any living creature, his brother
Stephen included. He carried his terrible secret with him to the grave.
There was one other event in the memorable past on which he preserved the same compassionate silence.
Little Mrs. Ferrari never knew that her husband had beennot, as she supposed, the Countess's victim but
the Countess's accomplice. She still believed that the late Lord Montbarry had sent her the thousandpound
note, and still recoiled from making use of a present which she persisted in declaring had 'the stain of her
husband's blood on it.' Agnes, with the widow's entire approval, took the money to the Children's Hospital;
and spent it in adding to the number of the beds.
In the spring of the new year, the marriage took place. At the special request of Agnes, the members of the
family were the only persons present at the ceremony. There was no wedding breakfast and the
honeymoon was spent in the retirement of a cottage on the banks of the Thames.
During the last few days of the residence of the newly married couple by the riverside, Lady Montbarry's
children were invited to enjoy a day's play in the garden. The eldest girl overheard (and reported to her
mother) a little conjugal dialogue which touched on the topic of The Haunted Hotel.
'Henry, I want you to give me a kiss.'
'There it is, my dear.'
'Now I am your wife, may I speak to you about something?'
'What is it?'
'Something that happened the day before we left Venice. You saw the Countess, during the last hours of her
life. Won't you tell me whether she made any confession to you?'
'No conscious confession, Agnesand therefore no confession that I need distress you by repeating.'
'Did she say nothing about what she saw or heard, on that dreadful night in my room?'
'Nothing. We only know that her mind never recovered the terror of it.'
Agnes was not quite satisfied. The subject troubled her. Even her own brief intercourse with her miserable
rival of other days suggested questions that perplexed her. She remembered the Countess's prediction. 'You
have to bring me to the day of discovery, and to the punishment that is my doom.' Had the prediction simply
faded, like other mortal prophecies? or had it been fulfilled on the terrible night when she had seen the
apparition, and when she had innocently tempted the Countess to watch her in her room?
Let it, however, be recorded, among the other virtues of Mrs. Henry Westwick, that she never again
attempted to persuade her husband into betraying his secrets. Other men's wives, hearing of this extraordinary
conduct (and being trained in the modern school of morals and manners), naturally regarded her with
compassionate contempt. They spoke of Agnes, from that time forth, as 'rather an oldfashioned person.'
Is that all?
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That is all.
Is there no explanation of the mystery of The Haunted Hotel?
Ask yourself if there is any explanation of the mystery of your own life and death.Farewell.
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Bookmarks
1. Table of Contents, page = 3
2. THE HAUNTED HOTEL, page = 4
3. A Mystery of Modern Venice, page = 4
4. Wilkie Collins, page = 4