Title:   The Human Chord

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Author:   Algernon Henry Blackwood

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The Human Chord

Algernon Henry Blackwood



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Table of Contents

The Human Chord ..............................................................................................................................................1


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The Human Chord

Algernon Henry Blackwood

 Chapter I

 Chapter II

 Chapter III

 Chapter IV

 Chapter V

 Chapter VI

 Chapter VII

 Chapter VIII

 Chapter IX

 Chapter X

 Chapter XI

 Chapter XII

 Chapter XIII

 Chapter XIV

DEDICATION

TO THOSE WHO HEAR

CHAPTER I

I

AS a boy he constructed so vividly in imagination that he came to believe in the living reality of his

creations: for everybody and everything he found namesreal names. Inside him somewhere stretched

immense playgrounds, compared to which the hayfields and lawns of his father's estate seemed trivial: plains

without horizon, seas deep enough to float the planets like corks, and "such tremendous forests" with "trees

like tall pointed hilltops." He had only to close his eyes, drop his thoughts inwards, sink after them himself,

call aloud andsee.

His imagination conceived and boreworlds; but nothing in these worlds became alive until he discovered

its true and living name. The name was the breath of life; and, sooner or later, he invariably found it.

Once, having terrified his sister by affirming that a little man he had created would come through her window

at night and weave a peaked cap for himself by pulling out all her hairs "that hadn't gone to sleep with the rest

of her body," he took characteristic measures to protect her from the said depredations. He sat up the entire

night on the lawn beneath her window to watch, believing firmly that what his imagination had made alive

would come to pass.

She did not know this. On the contrary, he told her that the little man had died suddenly; only, he sat up to

make sure. And, for a boy of eight, those cold and haunted hours must have seemed endless from ten o'clock

to four in the morning, when he crept back to his own corner of the night nursery. He possessed, you see,

courage as well as faith and imagination.

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Yet the name of the little man was nothing more formidable than "Winky!"

"You might have known he wouldn't hurt you, Teresa," he said. "Any one with that name would be light as a

fly and awf'ly gentlea regular dicky sort of chap!"

"But he'd have pincers," she protested, "or he couldn't pull the hairs out. Like an earwig he'd be. Ugh!"

"Not Winky! Never!" he explained scornfully, jealous of his offspring's reputation. "He'd do it with his

rummy little fingers."

"Then his fingers would have claws at the ends!" she insisted; for no amount of explanation could persuade

her that a person named Winky could be nice and gentle, even though he were "quicker than a second." She

added that his death rejoiced her.

"But I can easily make anothersuch a nippy little beggar, and twice as hoppy as the first. Only I won't do

it," he added magnanimously, "because it frightens you."

For to name with him was to create. He had only to run out some distance into his big mental prairie, call

aloud a name in a certain commanding way, and instantly its owner would run up to claim it. Names

described souls. To learn the name of a thing or person was to know all about them and make them

subservient to his will; and "Winky" could only have been a very soft and furry little person, swift as a

shadow, nimble as a mousejust the sort of fellow who would make a conical cap out of a girl's fluffy hair .

. . and love the mischief of doing it.

And so with all things: names were vital and important. To address beings by their intimate first names,

beings of the opposite sex especially, was a miniature sacrament; and the story of that premature audacity of

Elsa with Lohengrin never failed to touch his sense of awe. "What's in a name?" for him, was a significant

questiona question of life or death. For to mispronounce a name was a bad blunder, but to name it wrongly

was to miss it altogether. Such a thing had no real life, or at best a vitality that would soon fade. Adam knew

that! And he pondered much in his childhood over the difficulty Adam must have had "discovering" the

correct appellations for some of the queerer animals. . . .

As he grew older, of course, all this faded a good deal, but he never quite lost the sense of reality in

namesthe significance of a true name, the absurdity of a false one, the cruelty of mispronunciation. One

day in the far future, he knew, some wonderful girl would come into his life, singing her own true name like

music, her whole personality expressing it just as her lips framed the consonants and vowelsand he would

love her. His own name, ridiculous and hateful though it was, would sing in reply. They would be in harmony

together in the literal sense, as necessary to one another as two notes in the same chord. . . .

So he also possessed the mystical vision of the poet. What he lackedsuch temperaments always dowas

the sense of proportion and the careful balance that adjusts cause and effect. And this it is, no doubt, that

makes his adventures such "hard sayings." It becomes difficult to disentangle what actually did happen from

what conceivably might have happened; what he thinks he saw from what positively was.

His early lifeto the disgust of his Either, a poor country squirewas a distressing failure. He missed all

examinations, muddled all chances, and finally, with £50 a year of his own, and no one to care much what

happened to him, settled in London and took any odd job of a secretarial nature that offered itself. He kept to

nothing for long, being easily dissatisfied, and ever on the look out for the "job" that might conceal the kind

of adventure he wanted. Once the work of the moment proved barren of this possibility, he wearied of it and

sought another. And the search seemed prolonged and hopeless, for the adventure he sought was not a

common kind, but something that should provide him with a means of escape from a vulgar and noisy world


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that bored him very much indeed. He sought an adventure that should announce to him a new heaven and a

new earth; something that should confirm, if not actually replace, that inner region of wonder and delight he

revelled in as a boy, but which education and conflict with a prosaic age had swept away from his nearer

consciousness. He sought, that is, an authoritative adventure of the soul.

To look at, one could have believed that until the age of twentyfive he had been nameless, and that a

committee had then sat upon the subject and selected the sound best suited to describe him:

SpinrobinRobert. For, had he never seen himself, but run into that inner prairie of his and called aloud

"Robert Spinrobin," an individual exactly resembling him would surely have pattered up to claim the name.

He was slight, graceful, quick on his feet and generally alert; took little steps that were almost hopping, and

when he was in a hurry gave him the appearance of "spinning" down the pavement or up the stairs; always

wore clothes of some fluffy material, with a low collar and bright red tie; had soft pink cheeks, dancing grey

eyes and loosely scattered hair, prematurely thin and unquestionably like feathers. His hands and feet were

small and nimble. When he stood in his favourite attitude with hands plunged deep in his pockets, coattails

slightly spread and flapping, head on one side and hair disordered, talking in that high, twittering, yet very

agreeable voice of his, it was impossible to avoid the conclusion that here waswellSpinrobin, Bobby

Spinrobin, "on the job."

For he took on any "job" that promised adventure of the kind he sought, and the queerer the better. As soon as

he found that his present occupation led to nothing, he looked about for something newchiefly in the

newspaper advertisements. Numbers of strange people advertised in the newspapers, he knew, just as

numbers of strange people wrote letters to them; and Spinnyso he was called by those who loved

himwas a diligent student of the columns known as "Agony" and "Help wanted." Whereupon it came

about that he was aged twentyeight, and out of a job, when the threads of the following occurrence wove

into the pattern of his life, and "led to something" of a kind that may well be cause for question and

amazement.

The advertisement that formed the bait read as follows:

"WANTED, by Retired Clergyman, Secretarial Assistant with courage and imagination. Tenor voice and

some knowledge of Hebrew essential; single; unworldly. Apply Philip Skale,"and the address.

Spinrobin swallowed the bait whole. "Unworldly" put the match, and he flamed up. He possessed, it seemed,

the other necessary qualifications; for a thin tenor voice, not unmusical, was his, and also a smattering of

Hebrew which he had picked up at Cambridge because he liked the fine, highsounding names of deities and

angels to be found in that language. Courage and imagination he lumped in, so to speak, with the rest, and in

the giltedged diary he affected he wrote: "Have taken on Skale's odd advertisement. I like the man's name.

The experience may prove an adventure. While there's change, there's hope." For he was very fond of turning

proverbs to his own use by altering them, and the said diary was packed with absurd misquotations of a

similar kind.

II

A singular correspondence followed, in which the advertiser explained with reserve that he wanted an

assistant to aid him in certain experiments in sound, that a particular pitch and quality of voice was necessary

(which he could not decide until, of course, he had heard it), and that the successful applicant must have

sufficient courage and imagination to follow a philosophical speculation "wheresoever it may lead," and also

be "so far indifferent to worldly success as to consider it of small account compared to spiritual

knowledgeespecially if such knowledge appeared within reach and involved worldly sacrifices." He

further added that a life of loneliness in the country would have to be faced, and that the man who suited him


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and worked faithfully should find compensation by inheriting his own "rather considerable property when the

time came." For the rest he asked no references and gave none. In a question of spiritual values references

were mere foolishness. Each must judge intuitively for himself.

Spinrobin, as has been said, bit. The letters, written in a fine scholarly handwriting, excited his interest

extraordinarily. He imagined some dreamerpriest possessed by a singular hobby, searching for things of the

spirit by those devious ways he had heard about from time to time, a little mad probably into the bargain. The

name Skale sounded to him big, yet he somehow pictured to himself an asceticfaced man of small stature

pursuing in solitude some impossible ideal. It all attracted him hugely with its promise of outoftheway

adventure. In his own phrase it "might lead to something," and the hints about "experiments in sound" set

chords trembling in him that had not vibrated since the days of his boyhood's belief in names and the

significance of names. The salary, besides, was good. He was accordingly thrilled and delighted to receive in

reply to his last letter a telegram which read: "Engage you month's trial both sides. Take single ticket. Scale."

"I like that `take single ticket,'" he said to himself as he sped westwards into Wales, dressed in his usual fluffy

tweed suit and anarchist tie. Upon his knees lay a brand new Hebrew grammar which he studied diligently all

the way to Cardiff, and still carried in his hands when he changed into the local train that carried him

laboriously into the desolation of the Pontwaun Mountains. "It looks as though he approved of me already.

My name apparently hasn't put him off as it does most people. Perhaps, through it, he divines the real me!"

He smoothed down his rebellious hair as he neared the station in the dusk; but he was surprised to find only a

rickety little cart drawn by a donkey sent to meet him (the house being five miles distant in the hills), and still

more surprised when a huge figure of a man, hatless, dressed in knickerbockers, and with a large, floating

grey beard, strode down the platform as he gave up his ticket to the stationmaster and announced himself as

Mr. Philip Skale. He had expected the small, foxy faced individual of his imagination, and the shock

momentarily deprived him of speech.

"Mr. Spinrobin, of course? I am Mr. SkaleMr. Philip Skale."

The voice can only be described as booming, it was so deep and vibrating; but the smile of welcome, where it

escaped with difficulty from the network of beard and moustaches, was winning and almost gentle in

contradistinction to the volume of that authoritative voice. Spinrobin felt slightly bewildered caught up

into a whirlwind that drove too many impressions through his brain for any particular one to be seized and

mastered. He found himself shaking handsMr. Skale, rather, shaking his, in a capacious grasp as though it

were some small indiarubber ball to be squeezed and flung away. Mr. Scale flung it away; he felt the shock

up the whole length of his arm to the shoulder. His first impressions, he declares, he cannot rememberthey

were too tumultuousbeyond that he liked both smile and voice, the former making him feel at home, the

latter filling him to the brim with a peculiar sense of well being. Never before had he heard his name

pronounced in quite the same way; it sounded dignified, even splendid, the way Mr. Skale spoke it. Beyond

this general impression, however, he can only say that his thoughts and feelings "whirled." Something

emanated from this giant clergyman that was somewhat enveloping and took him off his feet. The keynote of

the man had been struck at once.

"How do you do, sir? This is the train you mentioned, I think?" Spinrobin heard his own thin voice speaking,

by way, as it were, of instinctive apology that he should have put such a man to the trouble of coming to meet

him. He said "sir," it seemed unavoidable; for there was nothing of the clergyman about himbishop,

perhaps, or archbishop, but no suggestion of vicar or parish priest. Somewhere, too, in his presentment he felt

dimly, even at the first, there was an element of the incongruous, a meeting of things not usually found

together. The vigorous openair life of the mountaineer spoke in the great muscular body with the broad

shoulders and clean, straight limbs; but behind the brusqueness of manner lay the true gentleness of fine

breeding.


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And even here, on this platform of the lonely mountain station, Spinrobin detected the atmosphere of the

scholar, almost of the recluse, shot through with the strange fires that dropped from the large, lambent, blue

eyes. All these things rushed over the thrilled little secretary with an effect, as already described, of a certain

bewilderment, that left no single, dominant impression. What remained with him, perhaps, most vividly, he

says, was the quality of the big blue eyes, their luminosity, their farseeing expression, their kindliness. They

were the eyes of the true visionary, but in such a personality they proclaimed the mystic who had retained his

health of soul and body. Mr. Skale was surely a visionary, but just as surely a wholesome man of

actionprobably of terrific action. Spinrobin felt irresistibly drawn to him.

"It is not unpleasant, I trust," the other was saying in his deep tones, "to find some one to meet you, and," he

added with a genial laugh, "to counteract the first impression of this somewhat melancholy and inhospitable

scenery." His arm swept out to indicate the dreary little station and the bleak and lowering landscape of

treeless hills in the dusk.

The new secretary made some appropriate reply, his sense of loneliness already dissipated in part by the

unexpected welcome. And they fell to arrangements about the luggage. "You won't mind walking," said Mr.

Skale, with a finality that anticipated only agreement. "It's a short five miles. The donkeycart will take the

portmanteau." Upon which they started off at a pace that made the little man wonder whether he could

possibly keep it up. "We shall get in before dark," explained the other, striding along with ease, "and Mrs.

Mawle, my housekeeper, will have tea ready and waiting for us." Spinrobin followed, panting, thinking

vaguely of the other employers he had knownphilanthropists, bankers, ambitious members of Parliament,

and all the restcommonplace individuals to a man; and then of the immense and towering figure striding

just ahead, shedding about him this vibrating atmosphere of power and whirlwind, touched so oddly here and

there with a vein of gentleness that was almost sweetness. Never before had he known any human being who

radiated such vigour, such big and beneficent fatherliness, yet for all the air of kindliness something, too, that

touched in him the sense of awe. Mr. Skale, he felt, was a very unusual man.

They went on in the gathering dusk, talking little but easily. Spinrobin felt "taken care of." Usually he was

shy with a new employer, but this man inspired much too large a sensation in him to include shyness, or any

other form of petty self consciousness. He felt more like a son than a secretary. He remembered the wording

of the advertisement, the phrases of the singular correspondenceand wondered. "A remarkable

personality," he thought to himself as he stumbled through the dark after the object of his reflections;

"simpleyet tremendous! A giant in all sorts of ways probably" Then his thought hesitated,

floundered. There was something else he divined yet could not name. He felt out of his depth in some entirely

new way; in touch with an order of possibilities larger, more vast, more remote than any dreams his

imagination even had yet envisaged. All this, and more, the mere presence of this retired clergyman poured

into his receptive and eager little soul.

And very soon it was that these nameless qualities began to assert themselves, completing the rout of

Spinrobin's moderate powers of judgment. No practical word as to the work before them, or the duties of the

new secretary, had yet passed between them. They walked along together, chatting as equals, acquaintances,

almost two friends might have done. And on the top of the hill, after a fourmile trudge, they rested for the

first time, Spinrobin panting and perspiring, trousers tucked up and splashed yellow with mud; Mr. Skale,

legs apart, beard flattened by the wind about his throat, and thumbs in the slits of his waistcoat as he looked

keenly about him over the darkening landscape. Treeless and desolate hills rose on all sides. A few

tumbleddown cottages of grey stone lay scattered upon the lower slopes among patches of shabby and

forlorn cultivation. Here and there an outcrop of rock ran skywards into sombre and precipitous ridges. The

October wind passed to and fro over it all, mournfully singing, and driving loose clouds that seemed to drop

weighted shadows among the peaks.

III


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And it was here that Mr. Skale stopped abruptly, looked about him, and then down at his companion.

"Bleak and lonelythis great spread of bare mountain and falling cliff," he observed half to himself, half to

the other; "but fine, very, very fine." He exhaled deeply, then inhaled as though the great draught of air was

profoundly satisfying. He turned to catch his companion's eye. "There's a savage and desolate beauty here

that uplifts. It helps the mind to dwell upon the full sweep of life instead of getting dwarfed and lost among

its petty details. Pretty scenery is not good for the soul." And again he inhaled a prodigious breastful of the

mountain air. "This is."

"But an element of terror in it, perhaps, sir," suggested the secretary who, truth to tell, preferred his scenery

more smiling, and who, further, had been made suddenly aware that in this sombre setting of bleak and

elemental nature the great figure of his future employer assumed a certain air of grandeur that was a little too

aweinspiring to be pleasant.

"In all profound beauty there must be that," the clergyman was saying; "fine terror, I mean, of coursejust

enough to bring out the littleness of man by comparison."

"Perhaps, yes," agreed Spinrobin. His own insignificance seemed peculiarly apparent at that moment in

contrast to Mr. Skale who had become part and parcel of the rugged landscape. Spinrobin was a lost atom

whirling somewhere outside on his own account, whereas the other seemed oddly in touch with it, almost

merged and incorporated into it. With those deep breaths the clergyman absorbed something of this latent

power about themthen gave it out again. It broke over his companion like a wave. Elemental force of some

kind emanated from that massive human figure beside him.

The wind came tearing up the valley and swept past them with a rush as of mighty wings. Mr. Skale drew

attention to it. "And listen to that!" he said. "How it leaps, singing, from the woods in the valley up to those

gaunt old cliffs yonder!" He pointed. His beard blew suddenly across his face. With his bare head and shaggy

flying hair, his big eyes and bold aquiline nose, he presented an impressive figure. Spinrobin watched him

with growing amazement, aware that an enthusiasm scarcely warranted by the wind and scenery had passed

into his manner. In his own person, too, he thought he experienced a birth of something similara little wild

rush of delight he was unable to account for. The voice of his companion, pointing out the house in the valley

below, again interrupted his thoughts.

"How the mountains positively eat it up. It lies in their very jaws," and the secretary's eyes, travelling into the

depths, made out a cluster of grey stone chimneys and a clearing in the woods that evidently represented

lawns. The phrase "courage and imagination" flashed unbidden into his mind as he realised the loneliness of

the situation, and for the hundredth time he wondered what in the world could be the experiments with sound

that this extraordinary man pursued in this isolated old mansion among the hills.

"Buried, sir, rather," he suggested. "I can only just see it"

"And inaccessible," Mr. Skale interrupted him. "Hard to get at. No one comes to disturb; an ideal place for

work. In the hollows of these hills a man may indeed seek truth and pursue it, for the world does not enter

here." He paused a moment. "I hope, Mr. Spinrobin," he added, turning towards him with that gentle smile

his shaggy visage sometimes wore, "I hope you will not find it too lonely. We have no visitors, I mean;

nothing but our own little household of four."

Spinrobin smiled back. Even at this stage he admits he was exceedingly anxious to suit. Mr. Skale, in spite of

his marked peculiarities, inspired him with confidence. His personal attraction was growing every minute;

that vague awe he roused probably only increased it. He wondered who the "four" might be.


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"There's nothing like solitude for serious work, sir," replied the younger man, stifling a passing uneasiness.

And with that they plunged down the hillside into the valley, Mr. Skale leading the way at a terrific pace,

shouting out instructions and warnings from time to time that echoed from the rocks as though voices

followed them down from the mountains. The darkness swallowed them, they left the wind behind; the

silence that dwells in the folded hills fell about their steps; the air grew less keen; the trees multiplied,

gathering them in with fingers of mist and shadow. Only the clatter of their boots on the rocky path, and the

heavy bass of the clergyman's voice shouting instructions from time to time, broke the stillness. Spinrobin

followed the big dark outline in front of him as best he could, stumbling frequently. With countless little

hopping steps he dodged along from point to point, a certain lucky nimbleness in his twinkling feet saving

him from many a tumble.

"All right behind there?" Mr. Skale would thunder.

"All right, thanks, Mr. Skale," he would reply in his thin tenor, "I'm coming."

"Come along, then!" And on they would go faster than before, till in due course they emerged from the

encircling woods and reached the more open ground about the house. Somehow, in the jostling relations of

the walk, a freedom of intercourse had been established that no amount of formal talk between four walls

could have accomplished. They scraped their dirty boots vigorously on the iron mat.

"Tired?" asked the clergyman, kindly.

"Winded, Mr. Skale, thank younothing more," was the reply. He looked up at the square mass of the house

looming dark against the sky, and the noise his companion made opening the doorthe actual rattle of the

iron knob did itsuddenly brought to him a clear realisation of two things: First, he understood that the

whole way from the station Mr. Skale had been watching him closely, weighing, testing, proving him, though

by ways and methods so subtle that they had escaped his observation at the time; secondly, that he was

already so caught in the network of this personality, vaster and more powerful than his own, that escape if he

desired it would be exceedingly difficult. Like a man in a boat upon the upper Niagara river, he already felt

the tug and suction of the current belowthe lust of a great adventure drawing him forward. Mr. Skale's

hand upon his shoulder as they entered the house was the symbol of that. The noise of the door closing

behind him was the passing of the last bit of quiet water across which a landing to the bank might still have

been possible.

Faint streamers from the dark, inscrutable house of fear reached him even then and left their vague,

undecipherable signatures upon the surface of his soul. The forces that vibrated so strangely in the

atmosphere of Mr. Skale were already playing about his own person, gathering him in like a garment. Yet

while he shuddered, he liked it. Was he not already losing something of his own insignificant and diminutive

self?

IV

The clergyman, meanwhile, had closed the heavy door, shutting out the darkness, and now led the way across

a large, flagged hall into a room, ablaze with lamp and fire, the walls lined thickly with books, furnished

cosily if plainly. The laden teatable, and a kettle hissing merrily on the hob, were pleasant to look upon, but

what instantly arrested the gaze of the secretary was the face of the old woman in cap and apron evidently

the housekeeper already referred to as "Mrs." Mawle who stood waiting to pour out tea. For about her

worn and wrinkled countenance there lay an indefinable touch of something that hitherto he had seen only in

pictures of the saints by the old masters. What attracted his attention, and held it so arrestingly, was this

singular expression of happiness, aye, of more than mere happinessof joy and peace and blessed surety,


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rarely, if ever, seen upon a human face alive, and only here and there suggested behind that mask of repose

which death leaves so tenderly upon the features of those few who have lived their lives to noblest advantage.

Spinrobin caught his breath a little, and stared. Aged and lined as it unquestionably was, he caught that

ineffable suggestion of radiance about it which proclaimed an inner life that had found itself and was in

perfect harmony with outer things: a life based upon certain knowledge and certain hope. It wore a gentle

whiteness he could find only one word to describe glory. And the moment he saw it there flashed across

him the recognition that this was what Mr. Skale also possessed. That giant, athletic, vigorous man, and this

bent, worn old woman both had it. He wondered with a rush of sudden joy what produced it;whether it

might perhaps one day be his too. The flame of his own spirit leapt within him.

And, so wondering, he turned to look at the clergyman. In the softer light of fire and lamp his face had the

appearance of forty rather than sixty as he had first judged; the eyes, always luminous, shone with health and

enthusiasm; a great air of youth and vitality glowed about him. It was a fine head with that dominating nose

and the shaggy tangle of hair and beard; very big, fatherly and protective he looked, a quite inexpressible air

of tenderness mingled in everywhere with the strength. Spinrobin felt immensely drawn to him as he looked.

With such a leader he could go anywhere, do anything. There, surely, was a man whose heart was set not

upon the things of this world.

An introduction to the housekeeper interrupted his reflections; it did not strike him as at all out of the way;

doubtless she was more mother than domestic to the household. At the name of "Mrs." Mawle (courtesytitle,

obviously), he rose and bowed, and the old woman, looking from one to the other, smiled becomingly,

curtseyed, put her cap straight, and turned to the teapot again. She said nothing.

"The only servant I have, practically," explained the clergyman, "cook, butler, housekeeper and tyrant all in

one; and, with her niece, the only other persons in the house besides ourselves. A very simple ménage, you

see, Mr. Spinrobin. I ought to warn you, too, bytheby," he added, "that she is almost stone deaf, and has

only got the use of one arm, as perhaps you noticed. Her left arm is"he hesitated for a fraction of a

second"withered."

A passing wonder as to what the niece would be like accompanied the swallowing of his buttered toast and

tea, but the personalities of Mr. Skale and his housekeeper had already produced emotions that prevented this

curiosity acquiring much strength. He could deal with nothing more just yet. Bewilderment obstructed the

way, and in his room before dinner he tried in vain to sort out the impressions that so thickly flooded him,

though without any conspicuous degree of success. The walls of his bedroom, like those of corridor and hall,

were bare; the furniture solid and oldfashioned; scanty, perhaps, yet more than he was accustomed to; and

the spaciousness was very pleasant after the cramped quarters of stuffy London lodgings. He unpacked his

few things, arranged them with neat precision in the drawers of the tallboy, counted his shirts, socks, and ties,

to see that all was right, and then drew up an armchair and toasted his toes before the comforting fire. He

tried to think of many things, and to decide numerous little questions roused by the events of the last few

hours; but the only thing, it seems, that really occupied his mind, was the rather overpowering fact that he

waswith Mr. Skale and in Mr. Skale's house; that he was there on a month's trial; that the nature of the

work in which he was to assist was unknown, immense, singular; and that he was already being weighed in

the balances by his uncommon and gigantic employer. In his mind he used this very adjective. There was

something about the big clergymantitanic.

He was in the middle of a somewhat jumbled consideration about "Knowledge of Hebrewtenor

voicecourage and imaginationunworldly," and so forth, when a knock at the door announced Mrs.

Mawle who came to inform him that dinner was ready. She stood there, a motherly and pleasant figure in

black, and she addressed him in the third person. "If Mr. Spinrobin will please to come down," she said, "Mr.

Skale is waiting. Mr. Skale is always quite punctual." She always spoke thus, in the third person; she never


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used the personal pronoun if it could be avoided. She preferred the name direct, it seemed. And as Spinrobin

passed her on the way out, she observed further, looking straight into his eyes as she said it: "and should Mr.

Spinrobin have need of anything, that," indicating it, "is the bell that rings in the housekeeper's room. Mrs.

Mawle can see it wag, though she can't hear it. Day or night," she added with a faint curtsey, "and no trouble

at all, just as with the other gentlemen"

So there had been other gentlemen, other secretaries! He thanked her with a nod and a smile, and hurried

pattering downstairs in a neat blue suit, black silk socks and a pair of bright new pumps, Mr. Skale having

told him not to dress. The phrase "day or night," meanwhile, struck him as significant and peculiar. He

remembered it later. At the moment he merely noted that it added one more to the puzzling items that caused

his bewilderment.

V

Before he had gone very far, however, there came another crowningly perplexing. For he was half way

down the darkened passage, making for the hall that glimmered beyond like the mouth of a cave, when,

without the smallest warning, he became suddenly conscious that something attractive and utterly delicious

had invaded the stream of his being. It came from nowhereinexplicably, and at first it took the form of a

naked sensation of delight, keen as a thrill of boyhood days. There passed into him very swiftly something

that satisfied. "I mean, whatever it was," he says, "I couldn't have asked or wanted more of it. It was all there,

complete, supreme, sufficient." And the same instant he saw close beside him, in the comparative gloom of

the narrow corridor, a vivid, vibrating picture of a girl's face, pale as marble, of flowerlike beauty, with dark

voluminous hair and large grey eyes that met his own from behind a wavering net of eyelashes. Down to the

shoulders he saw her.

Erect and motionless she stood against the wall to let him passthis slim young girl whose sudden and

unexpected presence had so electrified him. Her eyes followed him like those of a picture, but she neither

bowed nor curtseyed, and the only movement she made was the slight turning of the head and eyes as he went

by. It was extraordinarily effective, this silent and delightful introduction, for swift as lightning, and with

lightning's terrific and incalculable surety of aim, she leapt into his heart with the effect of a blinding and

complete possession.

It was, of course, he realised, the niecethe fourth member of the household, and the first clear thought to

disentangle itself from the resultant jumble of emotions was his instinctive wonder what her name might be.

How was this delightful apparition called? This was the question that ran and danced in his blood. In another

minute he felt sure he would discover it. It must begin (he felt sure of that) with an M.

He did not pause, or alter his pace. He made no sign of recognition. Their eyes swallowed each other for a

brief moment as he passedand then he was pattering with quick, excited steps down the passage beyond,

and the girl was left out of sight in the shadows behind him. He did not even turn back to look, for in some

amazing sense she seemed to move on beside him, as though some portion of her had merged into his being.

He carried her on with him. Some sweet and marvellous interchange they had undergone together. He felt

strangely blessed, soothed inwardly, made complete, and more than twice on the way down the name he

knew must belong to her almost sprang up and revealed itselfyet never quite. He knew it began with M,

even with Mirbut could get nothing more. The rest evaded him. He divined only a portion of the name. He

had seen only a portion of her form.

The first syllable, however, sang in him with an exquisitely sweet authority. He was aware of some glorious

new thing in the penetralia of his little spirit, vibrating with happiness. Some portion of himself sang with it.

"For it really did vibrate," he said, "and no other word describes it. It vibrated like music, like a string; as

though when I passed her she had taken a bow and drawn it across the strings of my inmost being to make


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them sing. . . ."

"Come," broke in the sonorous voice of the clergyman whom he found standing in the hall; "I've been waiting

for you."

It was said, not complainingly nor with any idea of fault finding, but ratherboth tone and manner

betrayed itas a prelude to something of importance about to follow. Somewhat impatiently Mr. Skale took

his companion by the arm and led him forwards; on the stone floor Spinrobin's footsteps sounded light and

dancing, like a child's. The clergyman strode. At the diningroom door he stopped, turning abruptly, and at

the same instant the figure of the young girl glided noiselessly towards them from the mouth of the dark

corridor where she had been waiting.

Her entry, again, was curiously effective; like a beautiful thought in a dream she moved into the hall, and into

Spinrobin's life. Moreover, as she came wholly into view in the light, he felt, as positively as though he heard

it uttered, that he knew her name complete. The first syllable had come to him in the passageway when he

saw her partly, and the feeling of dread that "Mir" might prove to be part of "Miranda," "Myrtle," or

some other enormity, passed instantly. These would only have been gross and cruel misnomers. Her right

namethe only one that described her soulmust end, as it began, with M. It flashed into his mind, and at

the same moment Mr. Skale picked it off his very lips.

"Miriam," he said in deep tones, rolling the name along his mouth so as to extract every shade of sound

belonging to it, "this is Mr. Spinrobin about whom I told you. He is coming, I hope, to help us."

VI

At first Spinrobin was only aware of the keen delight produced in him by the manner of Skale's uttering her

name, for it entered his consciousness with a murmuring, singing sound that continued on in his thoughts like

a melody. His racing blood carried it to every portion of his body. He heard her name, not with his ears alone

but with his whole persona melodious, haunting phrase of music that thrilled him exquisitely. Next, he

knew that she stood close before him, shaking his hand, and looking straight into his eyes with an expression

of the most complete trust and sympathy imaginable, and that he felt a wellnigh irresistible desire to draw

her yet closer to him and kiss her little shining face. Thirdlythough the three impressions were as a matter

of fact almost simultaneousthat the huge figure of the clergyman stood behind them, watching with the

utmost intentness and interest, like a keen and alert detective eager for some betrayal of evidence, inspired,

however, not by mistrust, but by a very zealous sympathy.

He understood that this meeting was of paramount importance in Mr. Skale's purpose.

"How do you do, Mr. Spinrobin," he heard a soft voice saying, and the commonplace phrase served to bring

him back to a more normal standard of things. But the tone in which she said it caused him a second thrill

almost more delightful than the first, for the quality was low and fluty, like the gentle note of some mellow

wind instrument, and the caressing way she pronounced his name was a revelation. Mr. Skale had known

how to make it sound dignified, but this girl did moreshe made it sound alive. "I will give thee a new

name" flashed into his thoughts, as some memorycell of boyhood discharged its little burden most

opportunely and proceeded to refill itself.

The smile of happiness that broke over Spinrobin's face was certainly reflected in the eyes that gazed so

searchingly into his own, without the smallest sign of immodesty, yet without the least inclination to drop the

eyelids. The two natures ran out to meet each other as naturally as two notes of music run to take their places

in a chord. This slight, blueeyed youth, light of hair and sensitive of spirit, and this slim, dark skinned little

maiden, with the voice of music and the wide open grey eyes, understood one another from the very first


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instant their atmospheres touched and mingled; and the big Skale, looking on intently over their very

shoulders, saw that it was good and smiled down upon them, too, in his turn.

"The harmony of souls and voices is complete," he said, but in so low a tone that the secretary did not hear it.

Then, with a hand on a shoulder of each, he half pushed them before him into the diningroom, his whole

face running, as it were, into a single big smile of contentment. The important event had turned out to his

entire satisfaction. He looked like some beneficent father, well pleased with his two children.

But Spinrobin, as he moved beside the girl and heard the rustle of her dress that almost touched him, felt as

though he stood upon a sliding platform that was moving ever quicker, and that the adventure upon which he

was embarked had now acquired a momentum that nothing he could do would ever stop. And he liked it. It

would carry him out of himself into something very big. . . .

And at dinner, where he sat opposite to the girl and studied her face closely, Mr. Skale, he was soon aware,

was occupied in studying the two of them even more closely. He appeared always to be listening to their

voices. They spoke little enough, however, only their eyes met continually, and when they did so there was

no evidence of a desire to withdraw. Their gaze remained fastened on one another, on her part without

shyness, without impudence on his. That Mr. Skale wished for them an intimate and even affectionate

understanding was evident, and the secretary warmed to him on that account more than ever, if on no other.

It surprised him toowhen he thought of it, which was rarely that a girl who was perforce of humble

origin could carry herself with an air of such complete and natural distinction, and prove herself so absolutely

"the lady." For there was something about her of greater value than any mere earthly rank or class could

confer; her spirit was in its very essence distinguished, perfectly simple, yet strong with a great and natural

pride. It never occurred to her soul to doubt its own great valueor to question that of others. She somehow

or other made the little secretary feel of great account. He had never quite realised his own value before. Her

presence, her eyes, her voice served to bring it out. And a very curious detail that he always mentions just at

this point is the fact that it never occurred to him to wonder what her surname might be, or whether, indeed,

she had one at all. Her name, Miriam, seemed sufficient. The rest of herif there was any other part of her

not described by those three syllableslay safely and naturally included somewhere in his own name.

"Spinrobin" described her as well as himself. But "Miriam" completed his own personality and at the same

time extended it. He felt all wrapped up and at peace with her. With Philip Skale, Mrs. Mawle and Miriam,

he, Robert Spinrobin, felt that he naturally belonged as "one of the family." They were like the four notes in

the chord: Skale, the great bass; Mawle, the mellow alto; himself and Miriam, respectively, the echoing tenor

and the singing soprano. The imagery by which, in the depths of his mind, he sought to interpret to himself

the whole singular business ran, it seems, even then to music and the analogies of music.

The meal was short and very simple. Mrs. Mawle carved the joint at the end of the table, handed the

vegetables and looked after their wants with the precision of long habit. Her skill, in spite of the withered

arm, was noteworthy. They talked little, Mr. Skale hardly at all. Miriam spoke from time to time across the

table to the secretary. She did not ask questions, she stated facts, as though she already knew all about his

feelings and tastes. She may have been twenty years of age, perhaps, but in some way she took him back to

childhood. And she said things with the simple audacity of a child, ignoring Mr. Skale's presence. It seemed

to the secretary as if he had always known her.

"I knew just how you would look," she said, without a trace of shyness, "the moment I heard your name. And

you got my name very quickly, too?"

"Only part of it, at first"

"Oh yes; but when you saw me completely you got it all," she interrupted. "And I like your name," she added,


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looking him full in the eye with her soft grey orbs; "it tells everything."

"So does yours, you know."

"Oh, of course," she laughed; "Mr. Skale gave it to me the day I was born."

"I heard it," put in the clergyman, speaking almost for the first time. And the talk dropped again, the

secretary's head fairly whirling.

"You used it all, of course, as a little boy," she said presently again; "names, I mean?"

"Rather," he replied without hesitation; "only I've rather lost it since"

"It will come back to you here. It's so splendid, all this world of sound, and makes everything seem worth

while. But you lose your way at first, of course; especially if you are out of practice, as you must be."

Spinrobin did not know what to say. To hear this young girl make use of such language took his breath away.

He became aware that she was talking with a purpose, seconding Mr. Skale in the secret examination to

which the clergyman was all the time subjecting him. Yet there was no element of alarm in it all. In the room

with these two, and with the motherly figure of the housekeeper busying about to and fro, he felt at home,

comforted, looked aftermore even, he felt at his best; as though the stream of his little life were mingling

in with a much bigger and worthier river, a river, moreover, in flood. But it was the imagery of music again

that most readily occurred to him. He felt that the note of his own little personality had been caught up into

the comforting bosom of a complete chord. . . .

VII

"Mr. Spinrobin," suddenly sounded soft and low across the table, and, thrilled to hear the girl speak his name,

he looked up quickly and found her very wideopened eyes peering into his. Her face was thrust forward a

little as she leaned over the table in his direction.

As he gazed she repeated his name, leisurely, quietly, and even more softly than before: "Mr. Spinrobin." But

this time, as their eyes met and the syllables issued from her lips, he noticed that a singular aftersoundan

exceedingly soft yet vibrant overtoneaccompanied it. The syllables set something quivering within him,

something that sang, running of its own accord into a melody to which his rising pulses beat time and tune.

"Now, please, speak my name," she added. "Please look straight at me, straight into my eyes, and pronounce

my name."

His lips trembled, if ever so slightly, as he obeyed.

"Miriam . . ." he said.

"Pronounce each syllable very distinctly and very slowly," she said, her grey eyes all over his burning face.

"Mir . . . i . . . am," he repeated, looking in the centre of the eyes without flinching, and becoming instantly

aware that his utterance of the name produced in himself a development and extension of the original

overtones awakened by her speaking of his own name. It was wonderful . . . exquisite . . . delicious. He

uttered it again, and then heard that she, too, was uttering his at the same moment. Each spoke the other's

name. He could have sworn he heard the music within him leap across the intervening space and transfer

itself to her . . . and that he heard his own name singing, too, in her blood.


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For the names were true. By this soft intoning utterance they seemed to pass mutually into the secret rhythm

of that Eternal Principle of Speech which exists behind the spoken sound and is independent of its means of

manifestation. Their central beings, screened and limited behind their names, knew an instant of synchronous

rhythmical vibration. It was their introduction absolute to one another, for it was an instant of naked

revelation.

"Spinrobin. . . ."

"Miriam. . . ."

VIII

. . . A great volume of sound suddenly enveloped and caught away the two singing names, and the spell was

broken. Miriam dropped her eyes; Spinrobin looked up. It was Mr. Skale's voice upon them with a shout.

"Splendid! splendid!" he cried; "your voices, like your names, are made for one another, in quality, pitch,

accent, everything." He was enthusiastic rather than excited; but to Spinrobin, taking part in this astonishing

performance, to which the other two alone held the key, it all seemed too perplexing for words. The great

bass crashed and boomed for a moment about his ears; then came silence. The test, or whatever it was, was

over. It had been successful.

Mr. Skale, his face still shining with enthusiasm, turned towards him. Miriam, equally happy, watched, her

hands folded in her lap.

"My dear fellow," exclaimed the clergyman, half rising in his chair, "how mad you must think us! How mad

you must think us! I can only assure you that when you know more, as you soon shall, you will understand

the importance of what has just taken place. . . ."

He said a good deal more that Spinrobin did not apparently quite take in. He was too bewildered. His eyes

sought the girl where she sat opposite, gazing at him. For all its pallor, her face was tenderly soft and

beautiful; more pure and undefiled, he thought, than any human countenance he had ever seen, and sweet as

the face of a child. Utterly unstained it was. A similar light shone in the faces of Skale and Mrs. Mawle. In

their case it had forged its way through the more or less defiling garment of a worn and experienced flesh.

But the light in Miriam's eyes and skin was there because it had never been extinguished. She had retained

her pristine brilliance of soul. Through the little spirit of the perplexed secretary ran a thrill of genuine

worship and adoration.

"Mr. Skale's coffee is served in the library," announced the voice of the housekeeper abruptly behind them;

and when Spinrobin turned again he discovered that Miriam had slipped from the room unobserved and was

gone.

Mr. Skale took his companion's arm and led the way towards the hall.

"I am glad you love her," was his astonishing remark. "It is the first and most essential condition of your

suiting me."

"She is delightful, wonderful, charming, sir"

"Not `sir,' if you please," replied the clergyman, standing aside at the threshold for his guest to pass; "I prefer

the use of the name, you know. I think it is important."


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And he closed the library door behind them.

CHAPTER II

I

FOR some minutes they sat in front of the fire and sipped their coffee in silence. The secretary felt that the

sliding platform on which he was travelling into this extraordinary adventure had been going a little too fast

for him. Events had crowded past before he had time to look squarely at them. He had lost his bearings rather,

routed by Miriam's beauty and by the amazing way she talked to him. Had she lived always inside his

thoughts she could not have chosen words better calculated to convince him that they were utterly in

sympathy one with the other. Mr. Skale, moreover, approved heartily. The one thing Spinrobin saw clearly

through it all was that himself and Miriamtheir voices, ratherwere necessary for the success of the

clergyman's mysterious experiments. Only, while Miriam, little witch, knew all about it, he, candidate on

trial, knew as yetnothing.

And now, as they sat opposite one another in the privacy of the library, Spinrobin, full of confidence and for

once proud of his name and personality, looked forward to being taken more into the heart of the affair.

Things advanced, however, more slowly than he desired. Mr. Skale's scheme was too big to be hurried.

The clergyman did not smoke, but his companion, with the other's ready permission, puffed gently at a small

cigarette. Short, rapid puffs he took, as though the smoke was afraid to enter beyond the front teeth, and with

one finger he incessantly knocked off the ashes into his saucer, even when none were there to fall. On the

table behind them gurgled the shaded lamp, lighting their faces from the eyes downwards.

"Now," said Mr. Skale, evidently not aware that he thundered, "we can talk quietly and undisturbed." He

caught his beard in a capacious hand, in such a way that the square outline of his chin showed through the

hair. His voice boomed musically, filling the room. Spinrobin listened acutely, afraid even to cross his legs. A

genuine pronouncement, he felt, was coming.

"A good many years ago, Mr. Spinrobin," he said simply, "when I was a curate of a country parish in

Norfolk, I made a discoveryof a revolutionary descriptiona discovery in the world of real things, that is,

of spiritual things."

He gazed fixedly over the clutched beard at his companion, apparently searching for brief, intelligible

phrases. "But a discovery, the development of which I was obliged to put on one side until I inherited with

this property the means and leisure which enabled me to continue my terrificI say purposely

terrificresearches. For some years now I have been quietly at work here absorbed in my immense pursuit."

And again he stopped. "I have reached a point, Mr. Spinrobin"

"Yes," interjected the secretary, as though the mention of his name touched a button and produced a sound.

"A point?"

"Where I need the assistance of some one with a definite quality of voicea man who emits a certain

notea certain tenor note." He released his beard, so that it flew out with a spring, at the same moment

thrusting his head forward to drive home the announcement effectively.

Spinrobin crossed his legs with a fluttering motion, hastily. "As you advertised," he suggested.

The clergyman bowed.


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"My efforts to find the right man," continued the enthusiast, leaning back in his chair, "have now lasted a

year. I have had a dozen men down here, each on a month's trial. None of them suited. None had the requisite

quality of voice. With a single exception, none of them could stand the loneliness, the seclusion; and without

exception, all of them were too worldly to make sacrifices. It was the salary they wanted. The majority,

moreover, confused imagination with fancy, and courage with mere audacity. And, most serious of all, not

one of them passed the test ofMiriam. She harmonised with none of them. They were discords one and all.

You, Mr. Spinrobin, are the first to win acceptance. The instant she heard your name she cried for you. And

she knows. She sings the soprano. She took you into the chord."

"I hope indeed" stammered the flustered and puzzled secretary, and then stopped, blushing absurdly.

"You claim for me far more than I should dare to claim for myself," he added. The reference to Miriam

delighted him, and utterly destroyed his judgment. He longed to thank the girl for having approved him. "I'm

glad my voiceersuits yourchord." In his heart of hearts he understood something of what Mr. Skale

was driving at, yet was halfashamed to admit it even to himself. In this twentieth century it all seemed so

romantic, mystical, and absurd. He felt it was all halftrue. If only he could have run back into that great

"mental prairie" of his boyhood days it might all have been quite true.

"Precisely," continued Mr. Skale, bringing him back to reality, "precisely. And now, before I tell you more,

you will forgive my asking you one or two personal questions, I'm sure. We must build securely as we go,

leaving nothing to chance. The grandeur and importance of my experiments demand it. Afterwards," and his

expression changed to a sudden softness in a way that was characteristic of the man, "you must feel free to

put similar questions to me, as personal and direct as you please. I wish to establish a perfect frankness

between us at the start."

"Thank you, Mr. Skale. Of courseershould anything occur to me to ask" A momentary

bewilderment, caused by the great visage so close to his own, prevented the completion of the sentence.

"As to your beliefs, for instance," the clergyman resumed abruptly, "your religious beliefs, I mean. I must be

sure of you on that ground. What are you?"

"NothingI think," Spinrobin replied without hesitation, remembering how his soul had bounced its way

among the various creeds since Cambridge, and arrived at its present state of Belief in Everything, yet

without any definite label. "Nothing in particular. Nominally, thougha Christian."

"You believe in a God?"

"A Supreme Intelligence, most certainly," was the emphatic reply.

"And spirits?"

Spinrobin hesitated. He was a very honest soul.

"Other life, let me put it," the clergyman helped him; "other beings besides ourselves?"

"I have often feltwondered, rather," he answered carefully, "whether there might not be other systems of

evolution besides humanity. Such extraordinary Forces come blundering into one's life sometimes, and one

can't help wondering where they come from. I have never formulated any definite beliefs, however"

"Your world is not a blind chaos, I mean?" Mr. Skale put gravely to him, as though questioning a child.

"No, no, indeed. There's order and system"


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"In which you personally count for something of value?" asked the other quickly.

"I like to think so," was the apologetic reply. "There's something that includes me somewhere in a purpose of

very great importanceonly, of course, I've got to do my part, and"

"Good," Mr. Skale interrupted him. "And now," he asked softly, after a moment's pause, leaning forward,

"what about death? Are you afraid of death?"

Spinrobin started visibly. He began to wonder where this extraordinary catechism was going to lead. But he

answered at once: he had thought out these things and knew where he stood.

"Only of its possible pain," he said, smiling into the bearded visage before him. "And an immense curiosity,

of course"

"It does not mean extinction for yougoing out like the flame of a candle, for instance?"

"I have never been able to believe that, Mr. Skale. I continue somewhere and somehowfor ever."

The crossexamination puzzled him more and more, and through it, for the first time, he began to feel dimly,

ran a certain strain of something not quite right, not permissible in the biggest sense. It was not the questions

themselves that produced this odd and rather disquieting impression, but the fact that Mr. Skale was

preparing the ground with such extraordinary thoroughness. This conversation was the first swell, as it were,

rolling mysteriously in upon him from the ocean in whose deeps the great Experiment lay buried. Forces,

tidal in strength, oceanic in volume, shrouded it just now, but he already felt them. They reached him through

the person of the clergyman. It was these forces playing through his personality that Spinrobin had been

aware of the first moment they met on the station platform, and had "sensed" even more strongly during the

walk home across the mountains.

Behind the play of these darker impressions, as yet only vague and ambiguous, there ran in and out among his

thoughts the vein of something much sweeter. Miriam, with her large grey eyes and silvery voice, was

continually peeping in upon his mind. He wondered where she was and what she was doing in the big, lonely

house. He wished she could have been in the room to hear his answers and approve them. He felt incomplete

without her. Already he thought of her as the melody to which he was the accompaniment, two things that

ought not to be separated.

"My point is," Mr. Skale continued, "that, apart from ordinary human ties, and so forth, you have no intrinsic

terror of death of losing your present body?"

"No, no," was the reply, more faintly given than the rest. "I love my life, butbut" he looked about him

in some confusion for the right words, still thinking of Miriam"but I look forward, Mr. Skale; I look

forward." He dropped back into the depths of his armchair and puffed swiftly at the end of his extinguished

cigarette, oblivious of the fact that no smoke came.

"The attitude of a brave man," said the clergyman with approval. Then, looking straight into the secretary's

blue eyes, he added with increased gravity: "And therefore it would not be immoral of me to expose you to an

experiment in which the penalty of a slip would bedeath? Or you would not shrink from it yourself,

provided the knowledge to be obtained seemed worth while?"

"That's right, sirMr. Skale, I mean; that's right," came the answer after an imperceptible pause.

The result of the talk seemed to satisfy the clergyman. "You must think my questions very peculiar," he said,


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the sternness of his face relaxing a little, "but it was necessary to understand your exact position before

proceeding further. The gravity of my undertaking demands it. However, you must not let my words alarm

you." He waited a moment, reflecting deeply. "You must regard them, if you will, as a kind of test," he

resumed, searching his companion's face with eagle eyes, "the beginning of a series of tests in which your

attitude to Miriam and hers to you, so far as that goes, was the first."

"Oh, that's all right, Mr. Skale," was his inadequate rejoinder; for the moment the name of the girl was

introduced his thoughts instantly wandered out to find her. The way the clergyman pronounced it increased

its power, too, for no name he uttered sounded ordinary. There seemed a curious mingling in the resonant

cavity of his great mouth of the fundamental note and the overtones.

"Yes, you have the kind of courage that is necessary," Mr. Skale was saying, half to himself, "the modesty

that forgets self, and the unworldly attitude that is essential. With your help I may encompass success; and I

consider myself wonderfully fortunate to have found you, wonderfully fortunate. . . ."

"I'm glad," murmured Spinrobin, thinking that so far he had not learned anything very definite about his

duties, or what it was he had to do to earn so substantial a salary. Truth to tell, he did not bother much about

that part of it. He was conscious only of three main desires: to pass the unknown tests, to learn the nature of

Mr. Skale's discovery, with the experiment involved, andto be with Miriam as much as possible. The

whole affair was so unusual that he had already lost the common standards of judging. He let the sliding

platform take him where it would, and he flattered himself that he was not fool enough to mistake originality

for insanity. The clergyman, dreamer and enthusiast though he might be, was as sane as other men, saner than

most.

"I hope to lead you little by little to what I have in view," Mr. Skale went on, "so that at the end of our trial

month you will have learned enough to enable you to form a decision, yet not enough toto use my

knowledge should you choose to return to the world."

It was very frank, but the secretary did not feel offended. He accepted the explanation as perfectly reasonable.

In his mind he knew full well what his choice would be. This was the supreme adventure he had been so long

aseeking. No ordinary obstacle could prevent his accepting it.

II

There came a pause of some length, in which Spinrobin found nothing particular to say. The lamp gurgled;

the coals fell softly into the fender. Then suddenly Mr. Skale rose and stood with his back to the grate. He

gazed down upon the small figure in the chair. He towered there, a kindly giant, enthusiasm burning in his

eyes like lamps. His voice was very deep, his manner more solemn than before when he spoke.

"So far, so good," he said, "and now, with your permission, Mr. Spinrobin, I should like to go a step further. I

should like to takeyour note."

"My note?" exclaimed the other, thinking he had not heard correctly.

"Your sound, yes," repeated the clergyman.

"My sound!" piped the little man, vastly puzzled, his voice shrill with excitement. He dodged about in the

depths of his big leather chair, as though movement might bring explanation.

Mr. Skale watched him calmly. "I want to get the vibrations of your voice, and then see what pattern they

produce in the sand," he said.


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"Oh, in the sand, yes; quite so," replied the secretary. He remembered how the vibrations of an elastic

membrane can throw dry sand, loosely scattered upon its surface, into various floral and geometrical figures.

Chladni's figures, he seemed to remember, they were called after their discoverer. But Mr. Skale's purpose in

the main, of course, escaped him.

"You don't object?"

"On the contrary, I am greatly interested." He stood up on the mat beside his employer.

"I wish to make quite sure," the clergyman added gravely, "that your voice, your note, is what I think it

isaccurately in harmony with mine and Miriam's and Mrs. Mawle's. The pattern it makes will help to prove

this."

The secretary bowed in perplexed silence, while Mr. Skale crossed the room and took a violin from its case.

The golden varnish of its ribs and back gleamed in the lamplight, and when the clergyman drew the bow

across the strings to tune it, smooth, mellow sounds, soft and resonant as bells, filled the room. Evidently he

knew how to handle the instrument. The notes died away in a murmur.

"A Guarnerius," he explained, "and a perfect pedigree specimen; it has the most sensitive structure

imaginable, and carries vibrations almost like a human nerve. For instance, while I speak," he added, laying

the violin upon his companion's hand, "you will feel the vibrations of my voice run through the wood into

your palm."

"I do," said Spinrobin. It trembled like a living thing.

"Now," continued Mr. Skale, after a pause, "what I first want is to receive the vibrations of your own voice in

the same way into my very pulses. Kindly read aloud steadily while I hold it. Stop reading when I make a

sign. I'll nod, so that the vibrations of my voice won't interfere." And he handed a note book to him with

quotations entered neatly in his own handwriting, selected evidently with a purpose, and all dealing with

sound, music, as organised sound, and names. Spinrobin read aloud; the first quotation from Meredith he

recognised, but the others, and the last one, discussing names, were new to him:

But listen in the thought; so may there come

Conception of a newlyadded chord,

Commanding space beyond where ear has home. 

Everything that the sun shines upon sings or can be made to sing, and can be heard to sing. Gases, impalpable

powders, and woollen stuffs, in common with other nonconductors of sound, give forth notes of different

pitches when played upon by an intermittent beam of white light. Coloured stuffs will sing in lights of

different colours, but refuse to sing in others. The polarization of light being now accomplished, light and

sound are known to be alike. Flames have a modulated voice and can be made to sing a definite melody.

Wood, stone, metal, skins, fibres, membranes, every rapidly vibrating substance, all have in them the

potentialities of musical sound. 

Radium receives its energy from, and responds to, radiations which traverse all spaceas piano strings

respond to sounds in unison with their notes. Space is all aquiver with waves of radiant energy. We vibrate

in sympathy with a few strings here and therewith the tiny Xrays, actinic rays, light waves, heat waves,

and the huge electromagnetic waves of Hertz and Marconi; but there are great spaces, numberless

radiations, to which we are stone deaf. Some day, a thousand years hence, we shall know the full sweep of


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this magnificent harmony. 

Everything in nature has its name, and he who has the power to call a thing by its proper name can make it

subservient to his will; for its proper name is not the arbitrary name given to it by man, but the expression of

the totality of its powers and attributes, because the powers and attributes of each Being are intimately

connected with its means of expression, and between both exists the most exact proportion in regard to

measure, time, and condition.

The meaning of the four quotations, as he read them, plunged down into him and touched inner chords very

close to his own beliefs. Something of his own soul, therefore, passed into his voice as he read. He read, that

is to say, with authority.

A nod from Mr. Skale stopped him just as he was beginning a fifth passage. Raising the vibrating instrument

to his ear, the clergyman first listened a moment intently. Then he quickly had it under his chin, beard

flowing over it like water, and the bow singing across the strings. The note he playedhe drew it out with

that whipping motion of the bow only possible to a loving expertwas soft and beautiful, long drawn out

with a sweet singing quality. He took it on the G string with the second fingerin the "fourth position." It

thrilled through him, Spinrobin declares, most curiously and delightfully. It made him happy to hear it. It was

very similar to the singing vibrations he had experienced when Miriam gazed into his eyes and spoke his

name.

"Thank you," said Mr. Skale, and laid the violin down again. "I've got the note. You're E flat."

"E flat!" gasped Spinrobin, not sure whether he was pleased or disappointed.

"That's your sound, yes. You're E flatjust as I thought, just as I hoped. You fit in exactly. It seems too good

to be true!" His voice began to boom again, as it always did when he was moved. He was striding about, very

alert, very masterful, pushing the furniture out of his way, his eyes more luminous than ever. "It's

magnificent." He stopped abruptly and looked at the secretary with a gaze so enveloping that Spinrobin for an

instant lost his bearings altogether. "It means, my dear Spinrobin," he said slowly, with a touch of solemnity

that woke an involuntary shiver deep in his listener's being, "that you are destined to play a part, and an

important part, in one of the grandest experiments ever dreamed of by the heart of man. For the first time

since my researches began twenty years ago I now see the end in sight."

"Mr. Skalethat is somethingindeed," was all the little man could find to say.

There was no reason he could point to why the words should have produced a sense of chill about his heart. It

was only that he felt again the huge groundswell of this vast unknown experiment surging against him,

lifting him from his feetas a man might feel the Atlantic swells rise with him towards the stars before they

engulfed him for ever. It seemed getting a trifle out of hand, this adventure. Yet it was what he had always

longed for, and his courage must hold firm. Besides, Miriam was involved in it with him. What could he ask

better than to risk his insignificant personality in some gigantic, mad attempt to plumb the Unknown, with

that slender, little palefaced Beauty by his side? The wave of Mr. Skale's enthusiasm swept him away

deliciously.

"And now," he cried, "we'll get your Pattern too. I no longer have any doubts, but none the less it will be a

satisfaction to us both to see it. It must, I'm sure, harmonise with ours; it must!"

He opened a cupboard drawer and produced a thin sheet of glass, upon which he next poured some finely

powdered sand out of a paper bag. It rattled, dry and faint, upon the smooth, hard surface. And while he did

this, he talked rapidly, boomingly, with immense enthusiasm.


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"All sounds," he said, half to himself; half to the astonished secretary, "create their own patterns. Sound

builds; sound destroys; and invisible soundvibrations affect concrete matter. For all sounds produce

formsthe forms that correspond to them, as you shall now see. Within every form lies the silent sound that

first called it into viewinto visible shapeinto being. Forms, shapes, bodies are the vibratory activities of

sound made visible."

"My goodness!" exclaimed Spinrobin, who was listening like a man in a dream, but who caught the violence

of the clergyman's idea none the less.

"Forms and bodies aresolidified Sound," cried the clergyman in italics.

"You say something extraordinary," exclaimed the commonplace Spinrobin in his shrill voice. "Marvellous!"

Vaguely he seemed to remember that Schelling had called architecture "frozen music."

Mr. Skale turned and looked at him as a god might look at an insectthat he loved.

"Sound, Mr. Spinrobin," he said, with a sudden and effective lowering of his booming voice, "is the original

divine impulsion behind naturecommunicated to language. It is creative!"

Then, leaving the secretary with this nut of condensed knowledge to crack as best he could, the clergyman

went to the end of the room in three strides. He busied himself for a moment with something upon the wall;

then he suddenly turned, his great face aglow, his huge form erect, fixing his burning eyes upon his distracted

companion.

"In the Beginning," he boomed solemnly, in tones of profound conviction, "wasthe Word." He paused a

moment, and then continued, his voice filling the room to the very ceiling. "At the Word of Godat the

thunder of the Voice of God, worlds leaped into being!" Again he paused. "Sound," he went on, the whole

force of his great personality in the phrase, "was the primordial, creative energy. A sound can call a form into

existence. Forms are the SoundFigures of archetypal forces the Word made Flesh." He stopped, and

moved with great soft strides about the room.

Spinrobin caught the words full in the face. For a space he could not measureconsiderably less than a

second, probably the consciousness of something unutterably immense, unutterably flaming, rushed

tumultuously through his mind, with wings that bore his imagination to a place where light was dazzling,

white beyond words. He felt himself tossed up to Heaven on the waves of a great sea, as the body of strange

belief behind the clergyman's words poured through him. . . . For somewhere, behind the incoherence of the

passionate language, burned the blaze of a true thought at white heat could he but grasp it through the

stammering utterance.

Then, with equal swiftness, it passed. His present surroundings came back. He dropped with a dizzy rush

from awful spaces . . . and was aware that he was merelystanding on the black, woolly mat before the fire

watching the movements of his new employer, that his pumps were bright and pointed, his head just level

with a dark marble mantelpiece. Dazed, and a trifle breathless he felt; and at the back of his disordered mind

stirred a schoolboy's memory that the Pythagoreans believed the universe to have been called out of chaos by

Sound, Number, and Harmonyor something to that effect. . . . But these huge, fugitive thoughts that tore

through him refused to be seized and dealt with. He staggered a little, mentally; then, with a prodigious effort,

controlled himselfand watched.

III

Mr. Skale, he saw, had fastened the little sheet of glass by its four corners to silken strings hanging from the


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ceiling. The glass plate hung, motionless and horizontal, in the air with its freight of sand. For several

minutes the clergyman played a series of beautiful modulations in doublestopping upon the violin. In these

the dominating influence was E flat. Spinrobin was not musical enough to describe it more accurately than

this. Only, with greater skill than he knows, he mentions how Skale drew out of that fiddle the peculiarly

intimate and searching tones by which strings can reach the spiritual centre of a man and make him respond

to delicate vibrations of thoughts beyond his normal gamut. . . .

Spinrobin, listening, understood that he was a greater man than he knew. . . .

And the sand on the glass sheet, he next became aware, was shifting, moving, dancing. He heard the tiny

hissing and rattling of the dry grains. It was uncommonly weird. This visible and practical result made the

clergyman's astonishing words seem true and convincing. That moving sand brought sanity, yet a certain

curious terror of the unknown into it all.

A minute later Mr. Skale stopped playing and beckoned to him.

"See," he said quietly, pointing to the arrangement the particles of sand had assumed under the influence of

the vibrations. "There's your patternyour sound made visible. That's your utterancethe Note you

substantially represent and body forth in terms of matter."

The secretary stared. It was a charming but very simple pattern the lines of sand had assumed, not unlike the

fronds of a delicate fern growing out of several small circles round the base.

"So that's my notemade visible!" he exclaimed under his breath. "It's delightful; it's quite exquisite."

"That's E flat," returned Mr. Skale in a whisper, so as not to disturb the pattern; "if I altered the note, the

pattern would alter too. E natural, for instance, would be different. Only, luckily, you are E flatjust the note

we want. And now," he continued, straightening himself up to his full height, "come over and see mine and

Miriam's and Mrs. Mawle's, and you'll understand what I meant when I said that yours would harmonize."

And in a glass case across the room they examined a number of square sheets of glass with sand upon them in

various patterns, all rendered permanent by a thin coating of a gluelike transparent substance that held the

particles in position.

"There you see mine and Miriam's and Mrs. Mawle's," he said, stooping to look. "They harmonize most

beautifully, you observe, with your own."

It was, indeed, a singular and remarkable thing. The patterns, though all different, yet combined in some

subtle fashion impossible of analysis to form a complete and well proportioned Wholea designa

picture. The patterns of the clergyman and the housekeeper provided the base and foreground, those of

Miriam and the secretary the delicate superstructure. The girl's pattern, he noted with a subtle pleasure, was

curiously similar to his own, but far more delicate and waving. Yet, whereas his was floral, hers was stellar in

character; that of the housekeeper was spiral, and Mr. Skale's he could only describe as a miniature whirlwind

of very exquisite design rising out of apparently three separate centres of motion.

"If I could paint over them the colour each shade of sound represents," Mr. Skale resumed, "the tint of each

timbre, or Klangfarbe, as the Germans call it, you would see better still how we are all grouped together there

into a complete and harmonious whole."

Spinrobin looked from the patterns to his companion's great face bending there beside him. Then he looked

back again at the patterns. He could think of nothing quite intelligible to say. He noticed more clearly every

minute that these dainty shapes of sand, stellar, spiral, and floral, stood to one another in certain definite


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proportions, in a rising and calculated ratio of singular beauty.

"There, before you, lies a true and perfect chord made visible," the clergyman said in tones thrilling with

satisfaction, "three notes in harmony with the fundamental sound, myself, and with each other. My dear

fellow, I congratulate you, I congratulate you."

"Thank you very much, indeed," murmured Spinrobin. "I don't quite understand it all yet, but it'sit's

extraordinarily fascinating and wonderful."

Mr. Skale said nothing, and Spinrobin drifted back to his big armchair. A deep silence pervaded the room

for the space of several minutes. In the heart of that silence lay the mass of direct and vital questions the

secretary burned, yet was afraid, to ask. For such was the plain truth; he yearned to know, yet feared to hear.

The Discovery and the Experiment of this singular man loomed already somewhat vast and terrible; the

adjective that had suggested itself before returned to him "not permissible." . . . Of Mr. Skale himself he

had no sort of fear, though a growing and uncommon respect, but of the purpose Mr. Skale had in view he

caught himself thinking more and more, yet without obvious reason, with a distinct shrinking almost

amounting to dismay. But for the fact that so sweet and gentle a creature as Miriam was travelling the same

path with him, this increased sense of caution would have revealed itself plainly for what it wasFear. . . .

"I am deeply interested, Mr. Skale," he said at length, breaking first the silence, "and sympathetic too, I

assure you; onlyyou will forgive me for saying itI am, as yet, still rather in the dark as to where all this

is to lead" The clergyman's eyes, fixed straight upon his own, again made it difficult to finish the

sentence as he wished.

"Necessarily so, because I can only lead you to my discovery step by step," replied the other steadily. "I wish

you to be thoroughly prepared for anything that may happen, so that you can deal intelligently with results

that might otherwise overwhelm you."

"Overwhelm?" faltered his listener.

"Might, I said. Note carefully my use of words, for they are accurately chosen. Before I can tell you all I must

submit you, for your own sake, to certain testschiefly to the test of Alteration of Form by Sound. It is

somewhateralarming, I believe, the first time. You must be thoroughly accustomed to these astonishing

results before we dare to approach the final Experiment; so that you will not tremble. For there can be no

rehearsal. The great Experiment can only be made once . . . and I must be as sure as possible that you will

feel no terror in the face of the Unknown."

IV

Spinrobin listened breathlessly. He hesitated a moment after the other stopped speaking, then slewed round

on his slippery chair and faced him.

"I can understand," he began, "why you want imagination, but you spoke of courage too? I mean,is there

any immediate cause for alarm? Any personal danger, for instance, now?" For the clergyman's weighty

sentences had made him realize in a new sense the loneliness of his situation here among these desolate hills.

He would appreciate some assurance that his life was not to be trifled with before he lost the power to

withdraw if he wished to do so.

"None whatever," replied Mr. Skale with decision, "there is no question at all of physical personal injury.

You must trust me and have a little patience." His tone and manner were exceedingly grave, yet at the same

time inspired confidence.


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"I do," said Spinrobin honestly.

Another pause fell between them, longer than the rest; it was broken by the clergyman. He spoke

emphatically, evidently weighing his words with the utmost care.

"This Chord," he said simplyyet, for all the simplicity, there ran to and fro behind his words the sense of

unlawful and immense forces impending"I need for a stupendous experiment with sound, an experiment

which will lead in turn towards a yet greater and final one. There is no harm in your knowing that. To

produce a certain transcendent result I want a complex sounda chord, but a complete and perfect chord in

which each note is sure of itself and absolutely accurate."

He waited a moment. There was utter silence about them in the room. Spinrobin held his breath.

"No instrument can help me; the notes must be human," he resumed in a lower voice, "and the

uttererspure. For the human voice can produce sounds `possessing in some degree the characteristics not

only of all musical instruments, but of all sounds of whatever description.' By means of this chord I hope to

utter a certain sound, a certain name, of which you shall know more hereafter. But a name, as you surely

know, need not be composed of one or two syllables only; a whole symphony may be a name, and a whole

orchestra playing for days, or an entire nation chanting for years, may be required to pronounce the beginning

merely ofof certain names. Yours, Robert Spinrobin, for instance, I can pronounce in a quarter of a second;

but there may be names so vast, so mighty, that minutes, days, years even, may be necessary for their full

utterance. There may be names, indeed, which can never be known, for they could never be utteredin time.

For the moment I am content simply to drop this thought into your consciousness; later you shall understand

more. I only wish you to take in now that I need this perfect chord for the utterance in due course of a certain

complex and stupendous namethe invocation, that is, of a certain complex and stupendous Force!"

"I think I understand," whispered the other, afraid to interrupt more.

"And the difficulty I have experienced in finding the three notes has been immense. I found Mrs.

Mawlealto; then Miriam I found at birth and trained hersoprano; and now I have found you, Mr.

Spinrobin, and my chord, with myself as bass, is complete. Your note and Miriam's, soprano and tenor, are

closer than the relations between the other notes, and a tenor has accordingly been most difficult to find. You

can now understand the importance of your being sympathetic to each other."

Spinrobin's heart burned within him as he listened. He began to grasp some sweet mystical meaning in the

sense of perfect companionship the mere presence of the girl inspired. They were the upper notes in the same

chord together, linked in a singing and harmonious relation, the one necessary to the other. Moreover, in the

presence of Mr. Skale and the housekeeper, bass and alto in the full chord, their completeness was still more

emphasized, and they knew their fullest life. The adventure promised to be amazingly seductive. He would

learn practically the strange truth that to know the highest life Self must be lost and merged in something

bigger. And was this not precisely what he had so long been seeking escape from his own insignificance?

"Anderthe Hebrew that you require of me, Mr. Skale?" he asked, returning to practical considerations.

"Our purposes require a certain knowledge of Hebrew," he answered without hesitation or demur, "because

that ancient language and the magical resources of sound are profoundly linked. In the actual sounds of many

of the Hebrew letters lies a singular power, unguessed by the majority, undivined especially, of course, by the

mere scholar, but available for the pure in heart who may discover how to use their extraordinary values.

They constitute, in my view at least, a remnant of the original Chaldaean mysteries, the lore of that magic

which is older than religion. The secret of this knowledge lies in the psychic values of sound; for Hebrew, the

Hebrew of the Bahir, remains in the hierarchy of languages a direct channel to the unknown and inscrutable


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forces; and the knowledge of mighty and supersensual things lies locked up in the correct utterance of many

of its words, letters and phrases. Its correct utterance, mark well. For knowledge of the most amazing and

terrible kind is there, waiting release by him who knows, and who greatly dares.

"And you shall later learn that sound is power. The Hebrew alphabet you must know intimately, and the

intricate association of its letters with number, colour, harmony and geometrical form, all of which are but

symbols of the Realities at the very roots of life. The Hebrew alphabet, Mr. Spinrobin, is a `discourse in

methods of manifestation, of formation.' In its correct pronunciation lies a way to direct knowledge of divine

powers, and to conditions beyond this physical existence."

The clergyman's voice grew lower and lower as he proceeded, and the conviction was unavoidable that he

referred to things whereof he had practical knowledge. To Spinrobin it was like the lifting of a great veil. As

a boy he had divined something of these values of sound and name, but with the years this knowledge had

come to seem fantastic and unreal. It now returned upon him with the force of a terrific certainty. That

immense old inner playground of his youth, without boundaries or horizon, rolled up before his mental

vision, inviting further and detailed discovery.

"With the language, qua language," he continued, "you need not trouble, but the `Names' of many things you

must know accurately, and especially the names of the socalled `Angels'; for these are in reality Forces of

immense potency, vast spiritual Powers, Qualities, and the like, all evocable by correct utterance of their

names. This language, as you will see, is alive and divine in the true sense; its letters are the vehicles of

activities; its words, terrific formulæ; and the true pronunciation of them remains today a direct channel to

divine knowledge. In time you shall see; in time you shall know; in time you shall hear. Mr. Spinrobin," and

he thrust his great head forwards and dropped his voice to a hushed whisper, "in time we shall all together

make this Experiment in sound which shall redeem us and make us as Gods!"

"Thank you!" gasped the secretary, swept off his feet by this torrent of uncommon and mystical language,

and passing a moist hand through his feathery hair. He was not entirely ignorant, of course, of the alleged use

of sound in the various systems of socalled magic that have influenced the minds of imaginative men during

the history of the world. He had heard, more or less vaguely, perhaps, but still with understanding, about

"Words of Power"; but hitherto he had merely regarded such things as picturesque superstitions, or

halftruths that lie midway between science and imagination. Here, however, was a man in the twentieth

century, the days of radium, flying machines, wireless telegraphy, and other invitations towards materialism,

who apparently had practical belief in the effective use of sound and in its psychic and divine possibilities,

and who was devoting all of his not inconsiderable powers of heart and mind to their actual demonstration. It

was astonishing. It was delightful. It was incredible! And, but for the currents of a strange and formidable

fear that this conception of Skale's audacious Experiment set stirring in his soul, Spinrobin's enthusiasm

would have been possibly as great as his own.

As it was he went up to the big clergyman and held out his hand, utterly carried away by the strangeness of it

all, caught up in a vague splendour he did not quite understand, prepared to abandon himself utterly.

"I gather something of what you mean," he said earnestly, "if not all; and I hope most sincerely I may prove

suitable for your purpose when the time comes. As a boy, you know, curiously enough, I always believed in

the efficacy of names and the importance of naming true. I think," he added somewhat diffidently, looking up

straight into the luminous eyes above him, "if you will allow me to say so, I would follow you anywhere, Mr.

Skaleanywhere you cared to lead."

"`Upon him that overcometh,'" said the clergyman in that gentle voice he sometimes used, soft as the voice of

woman, "`will I write my new name. . . .'"


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He gazed down very searchingly into the other's eyes for a minute or two, then shook the proffered hand

without another word. And so they separated and went to bed, for it was long past midnight.

CHAPTER III

I

IN his bedroom, though excitement banished sleep in spite of the lateness of the hour, he was too exhausted

to make any effective attempt to reduce the confusion of his mind to order. For the first time in his life the

diarypage for the day remained blank. For a long time he sat before it with his pencilthen sighed and put

it away. A volume he might have written, but not a page, much less a line or two. And though it was but eight

hours since he had made the acquaintance of the Rev. Philip Skale, it seemed to him more like eight days.

Moreover, all that he had heard and seen, fantastic and strained as he felt it to be, possibly even the product of

religious mania, was nevertheless profoundly disquieting, for mixed up with it somewhere or other

wastruth. Mr. Skale had made a discoverya giant one; it was not all merely talk and hypnotism, the

glamour of words. His great Experiment would prove to be real and terrible. He had discovered certain uses

of sound, occult yet scientific, and if he, Spinrobin, elected to stay on, he would be obliged to play his part in

the dénouement. And this thought from the very beginning appalled while it fascinated him. It filled him with

a kind of horrible amazement. For the object the clergyman sought, though not yet disclosed, already cast its

monstrous shadow across his path. He somehow discerned that it would deal directly with knowledge the

saner judgment of a commonplace world had always deemed undesirable, unlawful, unsafe, dangerous to

the souls that dared attempt it, failure involving a pitiless and terrible Nemesis.

He lay in bed watching the play of the firelight upon the high ceiling, and thinking in confused fashion of the

huge clergyman with his thundering voice, his great lambent eyes and his seductive gentleness; of his

singular speculations and his hints, half menacing, half splendid, of things to come. Then he thought of the

housekeeper with her deafness and her withered arm, and that white peace about her face; and, lastly, of

Miriam, soft, pale beneath her dark skin, her gemlike eyes ever finding his own, and of the intimate personal

relations so swiftly established between them. . . .

It was, indeed, a singular household thus buried away in the heart of these lonely mountains. The stately old

mansion was just the right setting forfor

Unbidden into his mind a queer, new thought shot suddenly, interrupting the flow of ideas. He never

understood how or whence it came, but with the picture of all the empty rooms in the corridor about him, he

received the sharp unwelcome impression that when Mr. Skale described the house as empty it was really

nothing of the sort. Utterly unannounced, the uneasy conviction took possession of him that the building was

actuallypopulated. It was an extraordinary idea to have. There was absolutely nothing in the way of

evidence to support it. And with it flashed across his memory echoes of that unusual catechism he had been

subjected toin particular the questions whether he believed in spirits,"other life," as Skale termed it.

Sinister suspicions flashed through his imagination as he lay there listening to the ashes dropping in the grate

and watching the shadows cloak the room. Was it possible that there were occupants of these rooms that the

man had somehow evoked from the interstellar spaces and crystallized by means of sound into form and

shapecreated?

Something freezing swept into him from a region far beyond the world. He shivered. These cold terrors that

grip the soul suddenly without apparent cause, whence do they come? Why, out of these rather extravagant

and baseless speculations, should have emerged this sense of throttling dread that appalled him? And why,

once again, should he have felt convinced that the ultimate nature of the clergyman's great experiment was


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impious, fraught with a kind of heavenly danger, "unpermissible"?

Spinrobin, lying there shivering in his big bed, could not guess. He only knew that by way of relief his mind

instinctively sought out Miriam, and so found peace. Curled up in a ball between the sheets his body

presently slept, while his mind, intensely active, travelled off into that vast inner prairie of his childhood days

and called her name aloud. And presumably she came to him at once, for his sleep was undisturbed and his

dreams uncommonly sweet, and he woke thoroughly refreshed eight hours later, to find Mrs. Mawle standing

beside his bed with thin bread and butter and a cup of steaming tea.

II

For the rest, the new secretary fell quickly and easily into the routine of this odd little household, for he had

great powers of adaptability. At first the promise of excitement faded. The mornings were spent in the study

of Hebrew, Mr. Skale taking great pains to instruct him in the vibratory pronunciation (for so he termed it) of

certain words, and especially of the divine, or angelic, names. The correct utterance, involving a kind of

prolonged and sonorous vibration of the vowels, appeared to be of supreme importance. He further taught

him curious correspondences between Sound and Number, and the attribution to these again of certain

colours. The vibrations of sound and light, as air and ether, had intrinsic importance, it seemed, in the uttering

of certain names; all of which, however, Spinrobin learnt by rote, making neither head nor tail of it.

That there were definite results, though, he could not deny psychic results; for a name uttered correctly

produced one effect, and uttered wrongly produced another . . . just as a wrong note in a chord afflicts the

hearer whereas the right one blesses. . . .

The afternoons, wet or fine, they went for long walks together about the desolate hills, Miriam sometimes

accompanying them. Their talk and laughter echoed all over the mountains, but there was no one to hear

them, the nearest village being several miles away and the railway station nothing but a railway station.

The isolation was severe; there were no callers but the biweekly provision carts; letters had to be fetched

and newspapers were neglected.

Arrayed in fluffy tweeds, with baggy knickerbockers and heavilynailed boots, he trotted beside his giant

companion over the moors, somewhat like a child who expected its hand to be taken over difficult places. His

confidence had been completely won. The sense of shyness left him. He felt that he already stood to the

visionary clergyman in a relationship that was more than secretarial. He still panted, but with enthusiasm

instead of with regret. In the background loomed always the dim sense of the Discovery and Experiment

approaching inevitably, just as in childhood the idea of Heaven and Hell had stood waiting to catch

himreal only when he thought carefully about them. Skale was just the kind of man, he felt, who would

make a discovery, so simple that the rest of the world had overlooked it, so tremendous that it struck at the

roots of human knowledge. He had the simple originality of genius, and a good deal of its inspirational

quality as well.

Before ten days had passed he was following him about like a dog, hanging upon his lightest word. New

currents ran through him mentally and spiritually as the fires of Mr. Skale's vivid personality quickened his

own, and the impetus of his inner life lifted him with its more violent momentum. The world of an ordinary

man is so circumscribed, so conventionally moulded, that he can scarcely conceive of things that may dwell

normally in the mind of an extraordinary man. Adumbrations of these, however, may throw their shadow

across his field of vision. Spinrobin was ordinary in most ways, while Mr. Skale was unordinary in nearly

all; and thus, living together in this intimate solitude, the secretary got peeps into his companion's region that

gradually convinced him. With cleaned nerves and vision he began to think in ways and terms that were new

to him. Skale, like some big figure in story or legend, moved forward into his life and waved a wand. His

own smaller personality began to expand; thoughts entered unannounced that hitherto had not even knocked


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at the door, and the frontiers of his mind first wavered, then unfolded to admit them.

The clergyman's world, whether he himself were mad or sane, was a real world, alive, vibrating, shortly to

produce practical results. Spinrobin would have staked his very life upon it. . . .

And, meanwhile, he made love openlyunder any other conditions, outrageouslyto Miriam, whose figure

of soft beauty moving silently about the house helped to redeem it. She rendered him quiet little services of

her own accord that pleased him immensely, for occasionally he detected her delicate perfume about his

room, and he was sure it was not Mrs. Mawle who put the fresh heather in the glass jars upon his table, or

arranged his papers with such neat precision on the desk.

Her delicate, shining little face with its wreath of dark hair, went with him everywhere, hauntingly,

possessingly; and when he kissed her, as he did now every morning and every evening under Mr. Skale's very

eyes, it was like plunging his lips into a bed of wild flowers that no artificial process had ever touched.

Something in him sang when she was near. She had, too, what he used to call as a boy "night

eyes"changing after dusk into such shadowy depths that to look at them was to look beyond and through

them. The sight could never rest only upon their surface. Through her eyes, then, stretched all the delight of

that old immense playground . . . where names clothed, described, and summoned living realities.

His attitude towards her was odd yet comprehensible; for though his desire was unquestionably great, it was

not particularly active, probably because he knew that he held her and that no aggressive effort was

necessary. Secure in the feeling that she belonged to him, and he to her, he also found that he had little

enough to say to her, never anything to ask. She knew and understood it all beforehand; expression was

uncalled for. As well might the brimming kettle sing to the water "I contain you," or the water reply "I fill

you!"

Only this was not the simile he used. In his own thoughts from the very beginning he had used the analogy of

soundof the chord. As well might one note feel called upon to cry to another in the same chord, "Hark! I'm

sounding with you!" as that Spinrobin should say to Miriam, "My heart responds and sings to yours."

After a period of separation, however, he became charged with things he wanted to say to her, all of which

vanished utterly the moment they came together. Words instantly then became unnecessary, foolish. He heard

that faint internal singing, and his own resonant response; and they merely stayed there side by side,

completely happy, everything told without speech. This sense of blissful union enwrapped his soul. In the

language of his boyhood he had found her name; he knew her; she was his.

Yet sometimes they did talk; and their conversations, in any other setting but this amazing one provided by

the wizardry of Skale's enthusiasm, must have seemed exquisitely ludicrous. In the room, often with the

clergyman a few feet away, reading by the fire, they would sit in the window niche, gazing into one another's

eyes, perhaps even holding hands. Then, after a long interval of silence Mr. Skale would hear Spinrobin's thin

accents:

"You brilliant little sound! I hear you everywhere within me, chanting a song of life!"

And Miriam's reply, thrilled and gentle:

"I'm but your perfect echo! My whole life sings with yours!"

Whereupon, kissing softly, they would separate, and Mr. Skale would cover them mentally with his blessing.

Sometimes, too, he would send for the housekeeper and, with the aid of the violin, would lead the four


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voices, his own bass included, through the changes of various chords, for the vibratory utterance of certain

names; and the beauty of these sounds, singing the "divine names," would make the secretary swell to twice

his normal value and importance (thus he puts it), as the forces awakened by the music poured and surged

into the atmosphere about them. Whereupon the clergyman would explain with burning words that many a

symphony of Beethoven's, a sonata of Schumann's, or a suite of Tschaikovsky's were the Names, peaceful,

romantic or melancholy, of great spiritual Potencies, heard partially by these masters in their moments of

inspirational ecstasy. The powers of these Beings were just as characteristic, their existence just as real, as the

simpler names of the Hebrew angels, and their psychic influence upon the soul that heard them uttered just as

sure and individual.

"For the power of music, my dear Spinrobin, has never yet by science or philosophy been adequately

explained, and never can be until the occult nature of sound, and its correlations with colour, form, and

number is once again understood. `Rhythm is the first law of the physical creation,' says one, `and music is a

breaking into sound of the fundamental rhythm of universal being.' `Rhythm and harmony,' declares Plato,

`find their way into the secret places of the soul.' `It is the manifestation,' whispers the deaf Beethoven, `of

the inner essential nature of all that is,' or in the hint of Leibnitz, `it is a calculation which the soul makes

unconsciously in secret.' It is `love in search of a name,' sang George Eliot, nearer in her intuition to the truth

than all the philosophers, since love is the dynamic of pure spirit. But I," he continued after a pause for

breath, and smiling amid the glow of his great enthusiasm, "go beyond and behind them all into the very heart

of the secret; for you shall learn that to know the sounds of the Great Names and to utter their music correctly

shall merge yourself into the heart of their deific natures and make you `as the gods themselves . . . !'"

And Spinrobin, as he listened, noticed that a slight trembling ran across the fabric of his normal world, as

though it were about to vanish and give place to anothera new world of divine things made utterly simple.

For many things that Skale said in this easy natural way, he felt, were in the nature of clues and passwords,

whose effect he carefully noted upon his secretary, being intended to urge him, with a certain violence even,

into the desired region. Skale was testing him all the time.

III

And it was about this time, more than half way through the trial month, that the clergyman took Spinrobin,

now become far more than merely secretary, into his fuller confidence. In a series of singular conversations,

which the bewildered little fellow has reported to the best of his ability, he explained to him something of the

science of true names. And to prove it he made two singular experiments: first he uttered the true name of

Mrs. Mawle, secondly of Spinrobin himself, with results that shall presently be told.

These things it was necessary for him to know and understand before they made the great Experiment.

Otherwise, if unprepared, he might witness results that would involve the loss of selfcontrol and the failure,

therefore, of the experimenta disaster too formidable to contemplate.

By way of leading up to this, however, he gave him some account first of the original discovery. Spinrobin

asked few questions, made few comments; he took notes, however, of all he heard and at night wrote them up

as best he could in his diary. At times the clergyman rose and interrupted the strange recital by moving about

the room with his soft and giant stride, talking even while his back was turned; and at times the astonished

secretary wrote so furiously that he broke his pencil with a snap, and Mr. Skale had to wait while he

sharpened it again. His inner excitement was so great that he almost felt he emitted sparks.

The clue, it appears, came to the clergyman by mere chance, though he admits his belief that the habits of

asceticism and meditation he had practised for years may have made him in some way receptive to the vision,

for as a vision, it seems, the thing first presented itselfa vision made possible by a moment of very rapid

hypnosis.


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An Anglican priest at the time, in charge of a small Norfolk parish, he was a great believer in the value of

ceremonialin the use, that is, of colour, odour and sound to induce mental states of worship and

adorationmore especially, however, of sound as uttered by the voice, the human voice being unique among

instruments in that it combined the characteristics of all other sounds. Intoning, therefore, was to him a matter

of psychic importance, and it was one summer evening, intoning, in the chancel, that he noticed suddenly

certain very curious results. The faces of two individuals in the congregation underwent a charming and

singular change, a change which he would not describe more particularly at the moment, since Spinrobin

should presently witness it for himself.

It all happened in a flashin less than a second, and it is probable, he holds, that his own voice induced an

instant of swift and passing hypnosis upon himself; for as he stood there at the lectern there came upon him a

moment of keen interior lucidity in which he realized beyond doubt or question what had happened. The use

of voice, bell, or gong, has long been known as a means of inducing the hypnotic state, and during this almost

instantaneous trance of his there came a sudden revelation of the magical possibilities of soundvibration. By

some chance rhythm of his intoning voice he had hit upon the exact pitch, quality and accent which

constituted the "Note" of more than one member of the congregation before him. Those particular

individuals, without being aware of the fact, had at once responded, automatically and inevitably. For a

second he had heard, he knew, their true names! He had unwittingly "called" them.

Spinrobin's heart leaped with excitement as he listened, for this idea of "Naming True" carried him back to

the haunted days of his childhood clairvoyance when he had known Winky.

"I don't quite understand, Mr. Skale," he put in, desirous to hear a more detailed explanation.

"But presently you shall," was all the clergyman vouchsafed.

The clue thus provided by chance he had followed up, but by methods hard to describe apparently. A corner

of the veil, momentarily lifted, had betrayed the value that lies in the repetition of certain soundsthe

rhythmic reiteration of syllablesin a word, of chanting or incantation. By diving down into his

subconscious region, already prepared by long spiritual training, he gradually succeeded in drawing out

further details piece by piece, and finally by infinite practice and prayer welding them together into an

intelligible system. The science of truenaming slowly, with the efforts of years, revealed itself. His mind

slipped past the deceit of mere sensible appearances. Clairaudiently he heard the true inner names of things

and persons. . . .

Mr. Skale rose from his chair. With thumbs in the armholes of his waistcoat and fingers drumming loudly

on his breast he stood over the secretary, who continued making frantic notes.

"That chance discovery, then, made during a moment's inner vision," he continued with a grave excitement,

"gave me the key to a whole world of new knowledge, and since then I have made incredible developments.

Listen closely, Mr. Spinrobin, while I explain. And take in what you can."

The secretary laid down his pencil and notebook. He sat forward in an attitude of intense eagerness upon the

edge of his chair. He was trembling. This strange modern confirmation of his early Heaven of wonder before

the senses had thickened and concealed it, laid bare again his earliest world of faroff pristine glory.

"The ordinary name of a person, understand then, is merely a sound attached to their physical appearance at

birth by the parentsa meaningless sound. It is not their true name. That, however, exists behind it in the

spiritual world, and is the accurate description of the soul. It is the sound you express visibly before me. The

Word is the Life."


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Spinrobin surreptitiously picked up his pencil; but the clergyman spied the movement. "Never mind the

notes," he said; "listen closely to me." Spinrobin obeyed meekly.

"Your ordinary outer name, however," continued Mr. Skale, speaking with profound conviction, "may be

made a conductor to your true, inner one. The connection between the two by a series of subtle interior links

forms gradually with the years. For even the ordinary name, if you reflect a moment, becomes in time a

sound of singular authorityinwoven with the finest threads of your psychical being, so that in a sense you

become it. To hear it suddenly called aloud in the nightin a room full of people, in the street

unexpectedlyis to know a shock, however small, of increased vitality. It touches the imagination. It calls

upon the soul built up around it."

He paused a moment. His voice boomed musically about the room, even after he ceased speaking.

Bewildered, wondering, delighted, Spinrobin drank in every word. How well he knew it all.

"Now," resumed the clergyman, lowering his tone unconsciously, "the first part of my discovery lies in this:

that I have learned to pronounce the ordinary names of things and people in such a way as to lead me to their

true, inner ones"

"But," interrupted Spinrobin irrepressibly, "how in the name of?"

"Hush!" cried Skale quickly. "Never again call upon a mighty namein vain. It is dangerous. Concentrate

your mind upon what I now tell you, and you shall understand a part, at least, of my discovery. As I was

saying, I have learned how to find the true name by means of the false; and understand, if you can, that to

pronounce a true name correctly means to participate in its very life, to vibrate with its essential nature, to

learn the ultimate secret of its inmost being. For our true names are the sounds originally uttered by the

`Word' of God when He created us, or `called' us into Being out of the void of infinite silence, and to repeat

them correctly means literallyto speakwithHisVoice. It is to speak the truth." The clergyman

dropped his tone to an awed whisper. "Words are the veils of Being; to speak them truly is to lift a corner of

the veil."

"What a glory! What a thing!" exclaimed the other under his breath, trying to keep his mind steady, but losing

control of language in the attempt. The great sentences seemed to change the little room into a temple where

sacred things were about to reveal themselves. Spinrobin now understood in a measure why Mr. Skale's

utterance of his own name and that of Miriam had sounded grand. Behind each he had touched the true name

and made it echo.

The clergyman's voice brought his thoughts back from distances in that inner prairie of his youth where they

had lost themselves.

"For all of us," he was repeating with rapt expression in his shining eyes, "are Sounds in the mighty music the

universe sings to God, whose Voice it was that first produced us, and of whose awful resonance we are

echoes therefore in harmony or disharmony." A look of power passed into his great visage. Spinrobin's

imagination, in spite of the efforts that he made, fluttered with broken wings behind the swift words. A flash

of the former terror stirred in the depths of him. The man was at the heels of knowledge it is not safe for

humanity to seek. . . .

"Yes," he continued, directing his gaze again upon the other, "that is a part of my discovery, though only a

part, mind. By repeating your outer name in a certain way until it disappears in the mind, I can arrive at the

real name within. And to utter it is to call upon the secret soulto summon it from its lair. `I have redeemed

thee; I have called thee by name.' You remember the texts? `I know thee by name,' said Jehovah to the great

Hebrew magician, `and thou art mine.' By certain rhythms and vibratory modulations of the voice it is


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possible to produce harmonics of sound which awaken the inner name into lifeand then to spell it out. Note

well, to spell it,spell incantationthe magical use of soundthe meaning of the Word of Power, used

with such terrific effect in the old forgotten Hebrew magic. Utter correctly the names of their Forces, or

Angels, I am teaching you daily now," he went on reverently, with glowing eyes and intense conviction;

"pronounce them with full vibratory power that awakens all their harmonics, and you awaken also their

counterpart in yourself; you summon their strength or characteristic quality to your aid; you introduce their

powers actively into your own psychical being. Had Jacob succeeded in discovering the `Name' of that

`Angel' with whom he wrestled, he would have become one with its superior power and have thus conquered

it. Only, he asked instead of commanded, and he found it not. . . ."

"Magnificent! Splendid!" cried Spinrobin, starting from his chair, seizing with his imagination potently

stirred, this possibility of developing character and rousing the forces of the soul.

"We shall yet call upon the Names, and see," replied Skale, placing a great hand upon his companion's

shoulder, "not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer

harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical

element in music. For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all

the faiths of the world are at the heels of that thought. Provided you have faith you canmove mountains!

You can call upon the very gods!"

"A most wonderful idea, Mr. Skale," faltered the other breathlessly, "quite wonderful!" The huge sentences

deafened him a little with their mental thunder.

"And utterly simple," was the reply, "for all truth is simple."

He paced the floor like a great caged animal. He went down and leaned against the dark bookcase, with his

legs wide apart, and hands in his coat pockets. "To name truly, you see, is to evoke, to create!" he roared

from the end of the room. "To utter as it should be uttered any one of the Ten Words, or Creative Powers of

the Deity in the old Hebrew system, is to become master of the `world' to which it corresponds. For these

names are still in living contact with the realities behind. It means to vibrate with the powers that called the

universe into being andinto form."

A sort of shadowy majesty draped his huge figure, Spinrobin thought, as he stood in semidarkness at the end

of the room and thundered forth these extraordinary sentences with a conviction that, for the moment at least,

swept away all doubt in the mind of his listener. Dreadful ideas, hugefooted and threatening, rushed to and

fro in the secretary's mind. He was torn away from all known anchorage, staggered, dizzy and dismayed; yet

at the same time, owing to his adventureloving temperament, a prey to some secret and delightful exaltation

of the spirit. He was out of his depth in great waters. . . .

Then, quite suddenly, Mr. Skale came swiftly over to his side and whispered in accents that were soothing in

comparison:

"And think for a moment how beautiful, the huge Words by which God called into being the worlds, and sent

the perfect, rounded bodies of the spheres spinning and singing, blazing their eternal trails of glory through

the void! How sweet the whisper that crystallized in flowers! How tender the note that fashioned the eyes and

face, say, of Miriam. . . ."

At the name of Miriam he felt caught up and glorified, in some delightful and inexplicable way that brought

with it peace. The power of all these strange and glowing thoughts poured their full tide into his own rather

arid and thirsty world, frightening him with their terrific force. But the mere utterance of that delightful

namein the way Skale uttered it brought confidence and peace.


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". . . Could we but hear them!" Skale continued, half to himself, half to his probationer; "for the sad thing is

that to day the world has ears yet cannot hear. As light is distorted by passing through a gross atmosphere,

so sound reaches us but indistinctly now, and few true names can bring their wondrous messages of power

correctly. Men, coarsening with the materialism of the ages, have grown thick and gross with the luxury of

inventions and the diseases of modern life that develop intellect at the expense of soul. They have lost the old

inner hearing of divine sound, and but one here and there can still catch the faint, faroff and ineffable

music."

He lifted his eyes, and his voice became low and even gentle as the glowing words fell from his heart of

longing.

"None hear now the morning stars when they sing together to the sun; none know the chanting of the spheres!

The ears of the world are stopped with lust, and the old divine science of true naming seems lost for ever

amid the crash of engines and the noisy thunder of machinery! . . . Only among flowers and certain gems are

the accurate old true names still to be found! . . . But we are on the track, my dear Spinrobin, we are on the

ancient trail to Power."

The clergyman closed his eyes and clasped his hands, lifting his face upwards with a rapt expression while he

murmured under his breath the description of the Rider on the White Horse from the Book of the Revelations,

as though it held some inner meaning that his heart knew yet dared not divulge: "And he had a Name written,

that no man knew but he himself. And he was clothed in a vesture dipped in blood: and his Name is called

The Word of God . . . and he hath on his vesture and on his thigh a name written,`King of Kings and Lord

of Lords. . . .'"

And for an instant Spinrobin, listening to the rolling sound but not to the actual words, fancied that a faintly

coloured atmosphere of deep scarlet accompanied the vibrations of his resonant whisper and produced in the

depths of his mind this momentary effect of coloured audition.

It was all very strange and puzzling. He tried, however, to keep an open mind and struggle as best he might

with these big swells that rolled into his little pool of life and threatened to merge it in a vaster tide than he

had yet dreamed of. Knowing how limited is the world which the senses report, he saw nothing too

inconceivable in the idea that certain persons might possess a peculiar inner structure of the spirit by which

supersensuous things can be perceived. And what more likely than that a man of Mr. Skale's unusual calibre

should belong to them? Indeed, that the clergyman possessed certain practical powers of an extraordinary

description he was as certain as that the house was not empty as he had at first supposed. Of neither had he

proof as yet; but proof was not long in

CHAPTER IV

I

"THEN if there is so much sound about in all objects and forms if the whole universe, in fact, is

sounding," asked Spinrobin with a naïve impertinence not intended, but due to the reaction of his simple

mind from all this vague splendour, "why don't we hear it more?"

Mr. Skale came upon him like a boomerang from the end of the room. He was smiling. He approved the

question.

"With us the question of hearing is merely the question of wavelengths in the air," he replied; "the lowest

audible sound having a wavelength of sixteen feet, the highest less than an inch. Some people can't hear the


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squeak of a bat, others the rumble of an earthquake. I merely affirm that in every form sleeps the creative

sound that is its life and being. The ear is a miserable organ at best, and the majority are far too gross to know

clairaudience. What about sounds, for instance, that have a wavelength of a hundred, a thousand miles on

the one hand, or a millionth part of an inch on the other?"

"A thousand miles! A millionth of an inch?" gasped the other, gazing at his interlocutor as though he was

some great archangel of sound.

"Sound for most of us lies between, say, thirty and many thousand vibrations per secondthe cry of the

earthquake and the cricket; it is our limitation that renders the voice of the dewdrop and the voice of the

planet alike inaudible. We even mistake a measure of noiselike a continuous millwheel or a river,

sayfor silence, when in reality there is no such thing as perfect silence. Other life is all the time singing and

thundering about us," he added, holding up a giant finger as though to listen. "To the imperfection of our ears

you may ascribe the fact that we do not hear the morning stars shouting together."

"Thank you, yes, I quite see now," said the secretary. "To name truly is to hear truly." The clergyman's words

seemed to hold a lamp to a vast interior map in his mind that was growing light. A new dawn was breaking

over the great mental prairie where he wandered as a child. "To find the true name of anything," he added,

"you mean, is to hear its sound, its individual note as it were?" Incredible perspectives swam into his ken,

hitherto undreamed of.

"Not `as it were,'" boomed the other, "You do hear it. After which the next step is to utter it, and so absorb its

force into your own being by synchronous vibrationunion mystical and actual. Only, you must be sure you

utter it correctly. To pronounce incorrectly is to call it incompletely into life and formto distort and injure

it, and yourself with it. To make it untruea lie."

They were standing in the dusk by the library window, watching the veil of night that slowly covered the

hills. The flying horizons of the moors had slipped away into the darkness.

The stars were whispering together their thoughts of flame and speed. At the back of the room sat Miriam

among the shadows, like some melody hovering in a musician's mind till he should call her forth. It was close

upon the tea hour. Behind them Mrs. Mawle was busying herself with lamps and fire. Mr. Skale, turning at

the sound of the housekeeper, motioned to the secretary to approach, then stooped down and spoke low in his

ear:

"With many names I had great difficulty," he whispered. "With hers, for instance," indicating the

housekeeper behind them. "It took me five years' continuous research to establish her general voiceoutline,

and even then I at first only derived a portion of her name. And in uttering it I made such errors of omission

and pronunciation that her physical form suffered, and she emerged from the ordeal in disorder. You have, of

course, noticed her disabilities. . . . But, later, though only in stammering fashion, I called upon her all

complete, and she has since known a serene blessedness and a sense of her great value in the music of life

that she never knew before." His face lit up as he spoke of it. "For in that moment she found herself. She

heard her true name, God's creative sound, thunder through her being."

Spinrobin, feeling the clergyman's forces pouring through him like a tide at such close proximity, bowed his

head. His lips were too dry to frame words. He was thinking of the possible effects upon his own soul and

body when his name too should be "uttered." He remembered the withered arm and the deafness. He thought,

too, of that slender, ghostly figure that haunted the house with its soft movements and tender singing. Lastly,

he remembered his strange conviction that somewhere in the great building, possibly in his own corridor,

there were other occupants, other life, Beings of unearthly scale waiting the given moment to appear,

summoned by utterance.


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"And you will understand now why it is I want a man of high courage to help me," Skale resumed in a louder

tone, standing sharply upright; "a man careless of physical existence, and with a faith wholly beyond the

things of this world!"

"I do indeed," he managed to reply aloud, while in his thoughts he was saying, "I will, I must see it through. I

won't give in!" With all his might he resisted the invading tide of terror. Even if sad results came later, it was

something to have been sacrificed in so big a conception.

In his excitement he slipped from the edge of the window sill, where he was perched, and Mr. Skale,

standing close in front of him, caught his two wrists and set him upon his feet. A shock, like a rush of

electricity, ran through him. He took his courage boldly in both hands and asked the question ever burning at

the back of his mind.

"Then, this great Experiment youwe have in view," he stammered, "is to do with the correct uttering of the

names of some of the great Forces, or Angels, andand the assimilating of their powers into

ourselves?"

Skale rose up gigantically beside him. "No, sir," he cried, "it is greaterinfinitely greater than that. Names of

mere Angels I can call alone without the help of any one; but for the name I wish to utter a whole chord is

necessary even to compass the utterance of the opening syllable; as I have told you already, a chord in which

you share the incalculable privilege of being the tenor note. But for the completed syllablesthe full

name!" He closed his eyes and shrugged his massive shoulders"I may need the massed orchestras of

half the world, the chorused voices of the entire nationor in their place a still small voice of utter purity

crying in the wilderness! In time you shall know fullyknow, see and hear. For the present, hold your soul

with what patience and courage you may."

The words thundered about the room, so that Miriam, too, heard them. Spinrobin trembled inwardly, as

though a cold air passed him. The suggestion of immense possibilities, vague yet terrible, overwhelmed him

again suddenly. Had not the girl at that moment moved up beside him and put her exquisite pale face over his

shoulder, with her hand upon his arm, it is probable he would then and there have informed Mr. Skale that he

withdrew from the whole affair.

"Whatever happens," murmured Miriam, gazing into his eyes, "we go on singing and sounding together, you

and I." Then, as Spinrobin bent down and kissed her hair, Mr. Skale put an arm round each of them and drew

them over to the teatable.

"Come, Mr. Spinrobin," he said, with his winning smile, "you must not be alarmed, you know. You must not

desert me. You are necessary to us all, and when my Experiment is complete we shall all be as gods together.

Do not falter. There is nothing in life, remember, but to lose oneself; and I have found a better way of doing

so than any one elseby merging ourselves into the Voice of"

"Mr. Skale's tea has been standing more than ten minutes," interrupted the old housekeeper, coming up

behind them; "if Mr. Spinrobin will please to let him come" as though it was Spinrobin's fault that there

had been delay.

Mr. Skale laughed goodhumouredly, as the two men, suddenly in the region of teacups and buttered toast,

looked one another in the face with a certain confusion. Miriam, sipping her tea, laughed too, curiously.

Spinrobin felt restored to some measure of safety and sanity again. Only the strange emotion of a few

moments before still moved there unseen among them.

"Listen, and you shall presently hear her name," the clergyman whispered, glancing up at the other over his


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teacup, but Spinrobin was crunching his toast too noisily to notice the meaning of the words fully.

II

The Stage Manager who stands behind all the scenes of life, both great and small, had prepared the scene well

for what was to follow. The sentences about the world of inaudible sound had dropped the right kind of

suggestion into the secretary's heart. His mind still whirred with a litter of halfdigested sentences and ideas,

however, and he was vividly haunted by the actuality of truth behind them all. His whole inner being at that

moment cried "Hark!" through a hush of expectant wonder.

There they sat at tea, this singular group of human beings: Mr. Skale, bigger than ever in his loose housesuit

of black, swallowing his liquid with noisy gulps; Spinrobin, nibbling slippery morsels of hot toast, on the

edge of his chair; Miriam, quiet and mysterious, in her corner; and Mrs. Mawle, sedate, respectful in cap and

apron, presiding over the teapot, the whole scene cosily lit by lamp and firewhen this remarkable new

thing happened. Spinrobin declares always that it came upon him like a drowning wave, frightening him not

with any idea of injury to himself, but with a dreadful sense of being lost and shelterless among the

immensities of a transcendent new world. Something passed into the room that made his soul shake and

flutter at the centre.

His attention was first roused by a sound that he took, perhaps, to be the wind coming down from the hills in

those draughts and gusts he sometimes heard, only to his imagination now it was a peopled wind crying

round the walls, behind whose voice he detected the great fluid form of itrunning and coloured. But, with

the noise, a terror that was no ordinary terror invaded the recesses of his soul. It was the fear of the Unknown,

dreadfully multiplied.

He glanced up quickly from his teacup, and chancing to meet Miriam's eye, he saw that she was smiling as

she watched him. This sound, then, had some special significance. At the same instant he perceived that it

was not outside but in the room, close beside him, that Mr. Skale, in fact, was talking to the deaf housekeeper

in a low and carefully modulated tonea tone she could not possibly have heard, however. Then he

discovered that the clergyman was not speaking actually, but repeating her name. He was intoning it. It grew

into a kind of singing chant, an incantation.

"Sarah Mawle . . . Sarah Mawle . . . Sarah Mawle . . ." ran through the room like water. And, in Skale's

mouth, it sounded as his own name had soundeddifferent. It became in some significant waythus

Spinrobin expresses it alwaysstately, important, nay, even august. It became real. The syllables led his ear

away from their normal significationaway from the outer toward the inner. His ordinary mental picture of

the mere letters SARAHMAWLE disappeared and became merged in something elseinto something alive

that pulsed and moved with vibrations of its own. For, with the outer sound there grew up another interior

one, that finally became separate and distinct.

Now Spinrobin was well aware that the continued repetition of one's own name can induce selfhypnotism;

and he also knew that the reiteration of the name of an object ends by making that object disappear from the

mind. "Mustard," repeated indefinitely, comes to have no meaning at all. The mind drops behind the mere

symbol of the sound into something that is unintelligible, if not meaningless. But here it was altogether

another matter, and from the torrent of words and similes he uses to describe it, thisa curious mixture of

vividness and confusionis apparently what he witnessed:

For, as the clergyman's resonant voice continued quietly to utter the name, something passed gradually into

the appearance of the motherly old housekeeper that certainly was not there before, not visible, at least, to the

secretary's eyes. Behind the fleshly covering of the body, within the very skin and bones it seemed, there

flowed with steady splendour an effect of charging new vitality that had an air of radiating from her face and


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figure with the glow and rush of increased life. A suggestion of grandeur, genuine and convincing, began to

express itself through the humble domestic exterior of her everyday self; at first, as though some greater

personage towered shadowy behind her, but presently with a growing definiteness that showed it to be herself

and nothing separate. The two, if two they were, merged.

Her mien, he saw, first softened astonishingly, then grew firm with an aspect of dignity that was unbelievably

beautiful. An air of peace and joy her face had always possessed, but this was something beyond either. It

was something imposing, majestic. So perilously adjusted is the ludicrous to the sublime, that while the

secretary wondered dumbly whether the word "housekeeper" might also in Skale's new world connote

"angel," he could have laughed aloud, had not the nobility of the spectacle hinted at the same time that he

should have wept. For the tears of a positive worship started to his eyes at the sight.

"Sarahmawle . . . Sarahmawle. . . ." The name continued to pour itself about him in a steady ripple, neither

rising nor falling, and certainly not audible to those deaf old ears that flanked the vigorous and unwrinkled

face. "Youth" is not the word to describe this appearance of ardent intensity that flamed out of the form and

features of the housekeeper, for it was something utterly apart from either youth or age. Nor was it any mere

idealization of her worn and crumpled self. It was independent of physical conditions, as it was independent

of the limitations of time and space; superb as sunshine, simple as the glory that had sometimes touched his

soul of boyhood in sleepthe white fires of an utter transfiguration.

It was, in a word, as if the name Skale uttered had summoned to the front, through all disguising barriers of

flesh, her true and naked spirit, that which neither ages nor dies, that which the eyes, when they rest upon a

human countenance, can never seethe Soul itself!

For the first time in his life Spinrobin, abashed and trembling, gazed upon something in human guise that was

genuinely sublimeperfect with a stainless purity. The mere sight produced in him an exaltation of the spirit

such as he had never before experienced . . . swallowing up his first terror. In his heart of hearts, he declares,

he prayed; for this was the natural expression for an emotion of the volume and intensity that surged within

him. . . .

How long he sat there gazing seems uncertain; perhaps minutes, perhaps seconds only. The sense of time's

passage was temporarily annihilated. It might well have been a thousand years, for the sight somehow swept

him into eternity. . . . In that tearoom of Skale's lonely house among the mountains, the warmth of an earthly

fire upon his back, the light of an earthly oillamp in his eyes, holding buttered toast in exceedingly earthly

fingers, he sat face to face with something that yet was not of this earth, something majestic, spiritual and

eternal . . . visible evidence of transfiguration and of "earth growing heaven. . . ." 

It was, of course, stupid and clumsy of Spinrobin to drop his teacup and let it smash noisily against the leg

of the table; yet it was natural enough, for in his ecstasy and amazement he apparently lost control of certain

muscles in his trembling fingers. . . . Though the change came gradually it seemed very quick. The volume of

the clergyman's voice grew less, and as the tide of sound ebbed the countenance of the housekeeper also

slowly altered. The flames that a moment before had burned so whitely there flickered faintly and were gone;

the glory faded; the splendour withdrew. She even seemed to dwindle in size. . . . She resumed her normal

appearance. Skale's voice ceased.

The incident apparently had occupied but a few moments, for Mrs. Mawle, he realized, was gathering the

plates together and fitting them into the spaces of the crowded teatray with difficultyan operation, he

remembered, she had just begun when the clergyman first began to call upon her name.

She, clearly, had been conscious of nothing unusual. A moment later, with her customary combination of

curtsey and bow, she was gone from the room, and Spinrobin, acting upon a strange impulse, found himself


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standing upright by the table, looking wildly about him, passing his hand through his scattered hair, and

trying in vain to utter words that should relieve his overcharged soul of the burden of glory and mystery that

oppressed it.

A pain, profoundly searching, pierced his heart. He thought of the splendours he had just witnessed, and of

the joy and peace upon those features even when the greater wonder withdrew. He thought of the power in

the countenance of Skale, and of the shining loveliness in the face of Miriam. Then, with a blast of bitterest

disappointment, he realized the insignificance of his own selfthe earthiness of his own personality, the

dead, dull ordinariness of his own appearance. Why, oh, why, could not all faces let the soul shine through?

Why could not all identify themselves with their eternal part, and thus learn happiness and joy? A sense of

the futile agony of life led him with an impassioned eagerness again to the thought of Skale's tremendous

visions, and of the great Experiment that beckoned beyond. Only, once more the terror of its possible

meaning dropped upon him, and the little black serpents of fear shot warningly across this brighter

background of his hopes.

Then he was aware that Miriam had crossed the room and stood beside him, for her delicate and natural

perfume announced her even before he turned and saw. Her soft eyes shining conveyed an irresistible appeal,

and with her came the sense of peace she always brought. She was the one thing at that moment that could

comfort and he opened his arms to her and let her come nestling in against him, both hands finding their way

up under the lapels of his coat, all the exquisite confidence of the innocent child in her look. Her hair came

over his lips and face like flowers, but he did not kiss her, nor could he find any words to say. To hold her

there was enough, for the touch of her healed and blessed him.

"So now you have seen her as she really is," he heard her voice against his shoulder; "you have heard her true

name, and seen a little of its form and colour!"

"I never guessed that in this world" he stammered; then, instead of completing the sentence, held her

more tightly to him and let his face sink deeper into the garden of her hair.

"Oh yes," she answered, and then peered up with unflinching look into his eyes, "for that is just how I see you

toobright, splendid and eternal."

"Miriam!" It was as unexpected as a ghost and as incredible. "Me . . . ?"

"Of course! You see I know your true name. I see you as you are within!"

Something came to steady his swimming brain, but it was only after a distinct effort that he realized it was

the voice of Mr. Skale addressing him. Then, gradually, as he listened, gently releasing the girl in order to

turn towards him, he understood that what he had witnessed had been in the nature of a "test" one of those

tests he had been warned would comeand that his attitude to it was regarded by the clergyman with

approval.

"It was a test more subtle than you know, perhaps, Mr. Spinrobin," he was saying, "and the feelings it has

roused in you are an adequate proof that you have come well through it. As I knew you would, as I knew you

would," he added, with evident satisfaction. "They do infinite credit both to yourself and to our judgment

ineraccepting you."

A wave of singular emotion seemed to pass across the room from one to the other that, catching the

breathless secretary in its tide, filled him with a high pride that he had been weighed and found worthy, then

left him cold with a sudden reaction as he realized after some delay the import of the words Mr. Skale was

next saying to him.


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CHAPTER V

"AND now you shall hear your own name called," boomed the clergyman with enthusiasm, "and realize the

beauty and importance of your own note in the music of life."

And while Spinrobin trembled from head to toe Mr. Skale bore down upon him and laid a hand upon his

shoulder. He looked up into the clergyman's luminous eyes. His glance next wandered down the ridge of that

masterful nose and lost itself among the flowing strands of the tangled beard. At that moment it would hardly

have surprised him to see the big visage disappear, and to hear the Sound, of which it was the visible form,

slip into his ears with a roar.

But side by side with the vague terror of the unknown he was conscious also of a smaller and more personal

pang. For a man may envy other forms, yet keenly resent the possible loss or alteration of his own. And he

remembered the withered arm and the deafness.

"But," he faltered, yet ashamed of his want of courage, "I don't want to lose my present shape, orcome

back without"

"Have no fear," exclaimed the other with decision. "Miriam and myself have not been experimenting in vain

these three weeks. We have found your name. We know it accurately. For we are all one chord, and as I

promised you, there is no risk." He stopped, lowering his voice; and, taking the secretary by the arm with a

fatherly and possessive gesture, "Spinrobin," he whispered solemnly, "you shall learn the value and splendour

of your Self in the melody of the Universethat burst of divine music! You shall understand how closely

linked you are to myself and Mrs. Mawle, but, closest of all, to Miriam. For Miriam herself shall call your

name, and you shall hear!"

So little Miriam was to prove his executioner, or his redeemer. That was somehow another matter. The awe

with which these experiments of Mr. Skale's inspired him ebbed considerably as he turned and saw the

appealing, wistful expression of his other examiner. Brave as a lion he felt, yet timid as a hare; there was no

idea of real resistance in him any longer.

"I'm ready, then," he said faintly, and the girl came up softly to his side and sought his face with a frank

innocence of gaze that made no attempt to hide her eagerness and joy. She accepted the duty with delight,

proudly conscious of its importance.

"I know thee by name and thou art mine," she murmured, taking his hand.

"It makes me happy, yet afraid," he replied in her ear, returning the caress; and at that moment the clergyman,

who had gone to fetch his violin, returned into the room with a suddenness that made them both startfor

the first time. Very slightly, with the first sign of that modesty which comes with knowledge he had yet

noticed in her, or felt conscious of in himself, she withdrew, a wonderful flush tinging her pale skin, then

passing instantly away.

"To make you feel absolutely safe from possible disaster," Mr. Skale was saying with a smile, "you shall

have the assistance of the violin. The pitch and rhythm shall be thus assured. There is nothing to fear."

And Miriam, equally smiling with confidence, led her friend, perplexed and entangled as he was by the whole

dreamlike and confusing puzzleled him to the armchair she had just vacated, and then seated herself at

his feet upon a high footstool and stared into his eyes with a sweet and irresistible directness of gaze that at

once increased both his sense of bewilderment and his confidence.


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"First, you must speak my name," she said gently, yet with a note of authority, "so that I may get the note of

your voice into myself. Once or twice will do."

He obeyed. "Miriam . . . Miriam . . . Miriam," he said, and watched the tiny reflection of his own face in her

eyes, her "nighteyes." The same moment he began to lose himself. The girl's lips were moving. She had

picked up his voice and merged her own with it, so that when he ceased speaking her tones took up the note

continuously. There was no break. She carried on the sound that he had started.

And at the same moment, out of the corner of his eye, he perceived that the violin had left its case and was

under the clergyman's beard. The bow undulated like a silver snake, drawing forth long, low notes that

flowed about the room and set the air into rhythmical vibrations. These vibrations, too, carried on the same

sound. Spinrobin gave a little uncontrollable jump; he felt as if he had uttered his own deathwarrant and that

this instrument proclaimed the sentence. Then the feeling of dread lessened as he heard Mr. Skale's voice

mingling with the violin, combining exquisitely with the doublestopping he was playing on the two lower

strings; for the music, as the saying is, "went through him" with thrills of power that plunged into unknown

depths of his soul and lifted him with a delightful sense of inner expansion to a state where fear was merged

in joy.

For some minutes the voice of Miriam, murmuring so close before him that he could feel her very breath, was

caught in the greater volume of the violin and bass. Then, suddenly, both Skale and violin ceased together,

and he heard her voice emerge alone. With a little rush like that of a singing flame, it dropped down on to the

syllables of his namehis ugly and ridiculous outer and ordinary name:

"ROBERTSPINROBIN . . . ROBERTSPINROBIN . . ." he heard; and the sound flowed and poured about his

ears like the murmur of a stream through summer fields. And, almost immediately, with it there came over

him a sense of profound peace and security. Very soon, too, he lost the sound itselfdid not hear it, as

sound, for it grew too vast and enveloping. The sight of Miriam's face also he lost. He grew too close to her

to see her, as object. Both hearing and sight merged into something more intimate than either. He and the girl

were togetherone consciousness, yet two aspects of that one consciousness.

They were two notes singing together in the same chord, and he had lost his little personality, only to find it

again, increased and redeemed, in an existence that was larger.

It seemed to Spinrobinfor there is only his limited phraseology to draw fromthat the incantation of her

singing tones inserted itself between the particles of his flesh and separated them, ran with his blood, covered

his skin with velvet, flowed and purred in the very texture of his mind and thoughts. Something in him swam,

melted, fused. His inner kingdom became most gloriously extended. . . .

His soul loosened, then began to soar, while something at the heart of him that had hitherto been congealed

now turned fluid and alive. He was light as air, swift as fire. His thoughts, too, underwent a change: rose and

fell with the larger rhythm of new life as the sound played upon them, somewhat as wind may rouse the

leaves of a tree, or call upon the surface of a deep sea to follow it in waves. Terror was nowhere in his

sensations; but wonder, beauty and delight ran calling to one another from one wave to the next, as this tide

of sound moved potently in the depths of his awakening higher consciousness. The little reactions of ordinary

life spun away from him into nothingness as he listened to a volume of sound that was oceanic in power and

of an infinite splendour: the creative sound by which God first called him into form and beingthe true inner

name of his soul.

. . . Yet he no longer consciously listened . . . no longer, perhaps, consciously heard. The name of the soul can

sound only in the soul, where no speech is, nor any need for such stammering symbols. Spinrobin for the first

time knew his true name, and that was enough.


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It is impossible to translate into precise language this torrent of exquisite sensation that the girl's voice

awakened. In the secret chambers of his imagination Spinrobin found the thoughts, perhaps, that clothed it

with intelligible description for himself, but in speaking of it to others he becomes simply semihysterical,

and talks a kind of hearty nonsense. For the truth probably is that only poetry or music can convey any

portion of a mystical illumination, otherwise hopelessly incommunicable. The outer name had acted as a

conductor to the inner name beyond. It filled the room, and filled some far vaster space that opened out above

the room, about the house, above the earth, yet at the same time was deep, deep down within his own self. He

passed beyond the confines of the world into those sweet, haunted gardens where Cherubim and Seraphim

vast Forcescontinually do sing. It floated him off his feet as a rising tide overtakes the little shorepools

and floats them into its own greatness, and on the tranquil bosom of these giant swells he rose into a state that

was too calm to be ecstasy, yet too glorious to be mere exaltation.

And as his own little note of personal aspiration soared with this vaster music to which it belonged, he felt

mounting out of himself into a condition where at last he was alive, complete and splendidly important. His

sense of insignificance fled. His ordinary petty and unvalued self dropped away flake by flake, and he

realized something of the essential majesty of his own real Being as part of an eternal and wonderful Whole.

The little painful throb of his own limited personality slipped into the giant pulsebeat of a universal

vibration.

In his normal daily life, of course, he lost sight of this Whole, blinded by the details seen without perspective,

mistaking his little personality for all there was of him; but now, as he rose, whirling, soaring, singing in the

body of this stupendous music, he understood with a rush of indescribable glory that he was part and parcel

of this great chordthis particular chord in which Skale, Mrs. Mawle and Miriam also sang their harmonious

existencesthat this chord, again, was part of a vaster music still, and that all, in the last resort, was a single

note in the divine Utterance of God.

That is, the little secretary, for the first time in his existence, saw life as a whole, and interpreted the vision,

so wondrous sweet and simple, with the analogies of sound communicated to his subliminal mind by the

mighty Skale. Whatever the cause, however, the fine thing was that he saw, heard, knew. He was of value in

the scheme. In future he could pipe his little lay without despair.

Moreover, with a merciless clarity of vision, he perceived an even deeper side of truth, and understood that

the temporary discords were necessary, just as evil, socalled, is necessary for the greater final perfection of

the Whole. For it came to him with the clear simplicity of a child's vision that the process of attuning his

being to the right note must inevitably involve suffering and pain: the awful stretching of the string, the strain

of the lifting vibrations, the stress at first of sounding in harmony with all the others, and the apparent loss of

one's own little note in order to do so. . . .

This point he reached, it seems, and grasped. Afterwards, however, he entered a state where he heard things

no man can utter because no language can touch transcendental things without confining or destroying them.

In attempting a version of them he merely becomes unintelligible, as has been said. Yet the mere memory of

it brings tears to his blue eyes when he tries to speak of it, and Miriam, who became, of course, his chief

confidant, invariably took it upon herself to stop his futile efforts with a kiss. 

So at length the tide of sound began to ebb, the volume lessened and grew distant, and he found himself,

regretfully, abruptly, sinking back into what by comparison was mere noise. First, he became conscious that

he listenedheardsaw; then, that Miriam's voice still uttered his name softly, but his ordinary, outer name,

Robertspinrobin; that he noticed her big grey eyes gazing into his own, and her lips moving to frame the

syllables, and, finally, that he was sitting in the armchair, trembling. Joy, peace, wonder still coursed

through him like flames, but dying flames. Mr. Skale's voice next reached him from the end of the room. He

saw the fireplace, his own bright and pointed pumps, the teatable where they had drunk tea, and then, as the


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clergyman strode towards him over the carpet, he looked up, faint with the farewell of the awful excitement,

into his face. The great passion of the experience still glowed and shone in him like a furnace.

And there, in that masterful bearded visage, he surprised an expression so tender, so winning, so

comprehending, that Spinrobin rose to his feet, and taking Miriam by the hand, went to meet him. There the

three of them stood upon the mat before the fire. He felt overwhelmingly drawn to the personality of the man

who had revealed to him such splendid things, and in his mind stirred a keen and poignant regret that such

knowledge could not be permanent and universal, instead of merely a heavenly dream in the mind of each

separate percipient. Gratitude and love, unknown to him before, rose in his soul. Spinrobin, his heart bursting

as with flames, had cried aloud, "You have called me by my name and I am free! . . . You have named me

truly and I am redeemed! . . ." And all manner of speech, semiinspirational, was about to follow, when Mr.

Skale suddenly moved to one side and raised his arm. He pointed to the mirror.

Spinrobin was just tall enough to see his own face in the glass, but the glimpse he caught made him stand

instantly on tiptoe to see more. For his round little countenance, flushed as it was beneath its fringe of

disordered feathery hair, was literallytransfigured. A glory, similar to the glory he had seen that same

evening upon the face of the housekeeper, still shone and flickered about the eyes and forehead. The

signature of the soul, brilliant in purity, lay there, transforming the insignificance of the features with the

grandeur and nobility of its own power.

"I am honoured,too gloriously honoured!" was the singular cry that escaped his lips, vainly seeking words

to express an emotion of the unknown, "I am honoured as the sun . . . and as the stars . . . !"

And so fierce was the tide of emotion that rose within him at the sight, so strong the sense of gratitude to the

man and girl who had shown him how his true Self might contain so great a glory, that he turned with a cry

like that of a child bewildered by the loss of some incomprehensible happiness turned and flung himself

first upon the breast of the big clergyman, and then into the open arms of the radiant Miriam, with sobs and

tears of wonder that absolutely refused to be

CHAPTER VI

I

THE situation at this point of his amazing adventure seems to have been that the fear Spinrobin felt about the

nature of the final Experiment was met and equalized by his passionate curiosity regarding it. Had these been

the only two forces at work, the lightest pressure in either direction would have brought him to a decision. He

would have accepted the challenge and stayed; or he would have hesitated, shirked, and left.

There was, however, another force at work upon which he had hardly calculated at the beginning, and that

force now came into full operation and controlled his decision with margin and to spare. He loved Miriam;

and even had he not loved her, it is probable that her own calm courage would have put him to shame and

made him "face the music." He could no more have deserted her than he could have deserted himself. The die

was cast.

Moreover, if the certainty that Mr. Skale was trafficking in dangerous and unlawful knowledge was

formidable enough to terrify him, for Miriam, at least, it held nothing alarming. She had no qualms, knew no

uneasiness. She looked forward to the end with calmness, even with joy, just as ordinary good folk look

forward to a heaven beyond death. For she had never known any other ideal. Mr. Skale to her was father,

mother and God. He had brought her up during all the twenty years of her life in this solitude among the

mountains, choosing her reading, providing her companionship, training her with the one end in view of


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carrying out his immense and firestealing purpose.

She had never dreamed of any other end, and had been so drilled with the idea that this life was but a tedious

training place for a worthier state to come, that she looked forward, naturally enough, with confidence and

relief to the great Experiment that should bring her release. She knew vaguely that there was a certain awful

danger involved, but it never for one instant occurred to her that Mr. Skale could fail. And, so far, Spinrobin

had let no breath of his own terror reach her, or attempted ever to put into her calm mind the least suggestion

that the experiment might fail and call down upon them the implacable and destructive forces that could ruin

them body and soul for ever. For this, plainly expressed, was the form in which his terror attacked him when

he thought about it. Skale was tempting the Olympian powers to crush him.

It was about this time, however, as has been seen from a slight incident in the last chapter, that a change

began to steal, at first imperceptibly, then obviously, over their relations together. Spinrobin had been in the

house three weeks far longer, no doubt, than any of the other candidates. There only remained now the

final big tests. The preliminary ones were successfully passed. Miriam knew that very soon the moment

would come for him to stayor go. And it was in all probability this reflection that helped her to make

certain discoveries in herself that at first she did not in the least understand.

Spinrobin, however, understood perfectly. His own heart made him intuitive enough for that. And the first

signs thrilled and moved him prodigiously. His account of it all is like no love story that has ever been heard,

for in the first place this singular girl hardly breathed about her the reality of an actual world. She had known

nothing beyond the simple life in this hollow of the hills on the one hand, and on the other the portentous

conceptions that peopled the region of dream revealed by the clergyman. And in the second place she had no

standards but her own instincts to judge by, for Mrs. Mawle, in spite of her devotion to the girl, suffered

under too great disabilities to fill the place of a mother, while Mr. Skale was too lost in his vast speculations

to guide her except in a few general matters, and too sure of her at the same time to reflect that she might ever

need detailed guidance. Her exceedingly natural and wholesome bringingup on the one hand, and her own

native purity and good sense on the other, however, led her fairly straight; while the fact that Spinrobin, with

his modesty and his fine aspirations, was a "little gentleman" into the bargain, ensured that no unlawful

temptation should be placed in her way, or undue pressure, based upon her ignorance, employed.

II

They were coming down one afternoon from the mountains soon after the test of calling his name, and they

were alone, the clergyman being engaged upon some mysterious business that had kept him out of sight all

day. They did not talk much, but they were happy in each other's company, Spinrobin more than happy.

Much of the time, when the ground allowed, they went along hand in hand like children.

"Miriam," he had asked on the top of the moors, "did I ever tell you about Winkymy little friend Winky?"

And she had looked up with a smile and shaken her head. "But I like the name," she added; "I should like to

hear, please." And he told her how as a boy he had invoked various folk to tease his sister, of whom Winky

was chief, but in telling the story he somehow or other always referred to the little person by name, and never

once revealed his sex. He told, too, how he sat all night on the lawn outside his sister's window to intercept

the expected visit.

"Winky," she said, speaking rather low, "is a true name, of course. You really created Winkycalled Winky

into being." For to her now this seemed as true and possible as it had seemed to himself at the age of ten.

"Oh, I really loved Winky," he replied enthusiastically, and was at the same moment surprised to feel her

draw away her hand. "Winky lived for years in my very heart."


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And the next thing he knew, after a brief silence between them, was that he heard a sob, and no attempt to

smother it either. In less than a second he was beside her and had both her hands in his. He understood in a

flash.

"You precious baby," he cried, "but Winky was a little man. He wasn't a girl!"

She looked up through her tearsoh, but how wonderful her grey eyes were through tears!and made him

stand still before her and repeat his sentence. And she said, "I know it's true, but I like to hear you say it, and

that's why I asked you to repeat it."

"Miriam," he said to her softly, kneeling down on the heather at her feet, "there's only one name in my heart,

I can tell you that. I heard it sing and sing the moment I came into this house, the very instant I first saw you

in that dark passage. I knew perfectly well, ages and ages ago, that one day a girl with your name would

come singing into my life to make me complete and happy, but I never believed that she would look as

beautiful as you are." He kissed the two hands he held. "Or that shewouldwould think of me as you do,"

he stammered in his passion.

And then Miriam, smiling down on him through her tears, bent and kissed his feathery hair, and immediately

after was on her knees in front of him among the heather.

"I own you," she said quite simply. "I know your name, and you know mine. Whatever happens" But

Spinrobin was too happy to hear any more, and putting both arms round her neck, he kissed the rest of her

words away into silence.

And in the very middle of this it was that the girl gently, but very firmly, pushed him from her, and Spinrobin

in the delicacy of his mind understood that for the first time in her curious, buried life the primitive instincts

had awakened, so that she knew herself a woman, and a woman, moreover, who loved. 

Thus caught in a bewildering network of curiosity, fear, wonder, andlove, Spinrobin stayed on, and

decided further that should the clergyman approve him he would not leave. Yet his intimate relations now

with Miriam, instead of making it easier for him to learn the facts, made it on the other hand more difficult.

For he could not, of course, make use of her affection to learn secrets that Mr. Skale did not yet wish him to

know. And, further, he had no desire to be disloyal either to him. None the less he was sorely tempted to ask

her what the final experiment was, and what the "empty" rooms contained. And most of all what the great

name was they were finally to utter by means of the human chord.

The emotions playing about him at this time, however, were too complicated and too violent to enable him to

form a proper judgment of the whole affair. It seems, indeed, that this calmer adjudication never came to him

at all, for even to this day the mere mention of the clergyman's name brings to his round cheeks a flush of that

enthusiasm and wonder which are the enemies of all sober discrimination. Skale still remains the great

battering force of his life that carried him off his feet towards the stars, and sent his imagination with wings

of fire tearing through the Unknown to a goal that once attained should make them all four as gods.

CHAPTER VII

I

AND thus the affair moved nearer to its close. The theory and practice of moulding form by means of sound

was the next bang at his minddelivered in the clergyman's most convincing manner, and, in view of the

proofs that soon followed, an experience that seemed to dislocate the very foundations of his visible world,


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deemed hitherto secure enough at least to stand on.

Had it all consisted merely of talk on Mr. Skale's part the secretary would have known better what to think. It

was the interludes of practical proof that sent his judgment so awry. These definite, sensible results,

sandwiched in between all the visionary explanation, left him utterly at sea. He could not reconcile them

altogether with hypnotism. He could only, as an ordinary man, already with a bias in the mystical direction,

come to the one conclusion that this overwhelming and hierophantic man was actually in touch with cisterns

of force so terrific as to be dangerous to what he had hitherto understood to belife. It was easy enough for

the clergyman, in his optimistic enthusiasm, to talk about their leading to a larger life. But what if the

experiment failed, and these colossal powers ran amok upon the worldand upon the invokers?

Moreoverchief anxiety of allwhat was this name to be experimented with? What was the nature of this

force that Skale hoped to invokeso mighty that it should make them "as gods," so terrible that a chord

alone could compass even the first of its stupendous syllables?

And, further, he was still haunted with the feeling that other "beings" occupied certain portions of the

rambling mansion, and more than once recently he had wakened in the night with an idea, carried over from

dreams possibly, that the corridor outside his bedroom was moving and alive with footsteps. "From dreams

possibly," for when he went and peered shivering through the narrow crack of the halfopened door, he saw

nothing unusual. And another timehe was awake beyond question at the moment, for he had been reading

till two o'clock and had but just extinguished the candlehe had heard a sound that he found impossible to

describe, but that sent all the blood with a swift rush from the region of his heart. It was not wind; it was not

the wood cracking with the frost; it was not snow sliding from the slates outside. It was something that

simultaneously filled the entire building, yet sounded particularly loud just outside his door; and it came with

the abrupt suddenness of a report. It made him think of all the air in the rooms and halls and passages being

withdrawn by immense suction, as though a gigantic dome had been dropped over the building in order to

produce a vacuum. And just after it he heard, unmistakably, the long soft stride of Skale going past his door

and down the whole length of the corridor stealthily, very quickly, with the hurry of anxiety or alarm in his

silence and his speed.

This, moreover, had now happened twice, so that imagination seemed a farfetched explanation. And on both

occasions the clergyman had remained invisible on the day following until the evening, and had then

reappeared, quiet and as usual, but with an atmosphere of immense vibratory force somehow about his

person, and a glow in his face and eyes that at moments seemed positively coloured.

No word of explanation, however, had as yet been forthcoming of these omens, and Spinrobin waited with

what patience he could, meanwhile, for the final test which he knew to be close upon him. And in his diary,

the pages usually left blank now because words failed him, he wrote a portion of AEnone's cry that had

caught his memory and expressed a little of what he felt:

. . . for fiery thoughts Do shape themselves within me, more and more, Whereof I catch the issue, as I hear

Dead sounds at night come from the inmost hills, Like footsteps upon wool. . . .

II

It was within three days of the expiration of his trial month that he then had this conversation with the

clergyman, which he understood quite well was offered by way of preparation for the bigger tests about to

come. He has reported what he could of it; it seemed to him at the time both plausible and absurd; it was of a

piece, that is, with the rest of the whole fabulous adventure.

Mr. Skale, as they walked over the snowy moors in the semi darkness between tea and dinner, had been


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speaking to him about the practical results obtainable by soundvibrations (what he already knew for that

matter), and how it is possible by fiddling long enough upon a certain note to fiddle down a bridge and split it

asunder. From that he passed on to the scientific fact that the ultimate molecules of matter are not only in

constant whirring motion, but that also they do not actually touch one another. The atoms composing the

point of a pin, for instance, shift and change without ceasing, andthere is space between them.

Then, suddenly taking Spinrobin's arm, he came closer, his booming tone dropping to a whisper:

"To change the form of anything," he said in his ear, "is merely to change the arrangement of those dancing

molecules, to alter their rate of vibration." His eyes, even in the obscurity of the dusk, went across the other's

face like flames.

"By means of sound?" asked the other, already beginning to feel eerie.

The clergyman nodded his great head in acquiescence.

"Just as the vibrations of heatwaves," he said after a pause, "can alter the form of a metal by melting it, so

the vibrations of sound can alter the form of a thing by inserting themselves between those whirling

molecules and changing their speed and arrangementchange the outline, that is."

The idea seemed fairly to buffet the little secretary in the face, but Mr. Skale's proximity was too

overpowering to permit of very clear thinking. Feeling that a remark was expected from him, he managed to

ejaculate an obvious objection in his mind.

"But is there any sound that can produce vibrations fine and rapid enoughtoeraccomplish such a

result?"

Mr. Skale appeared almost to leap for pleasure as he heard it. In reality he merely straightened himself up.

"That," he cried aloud, to the further astonishment and even alarm of his companion, "is another part of my

discoveryan essential particular of it: the production of soundvibrations fine and rapid enough to alter

shapes! Listen and I will tell you!" He lowered his voice again. "I have found out that by uttering the true

inner name of anything I can set in motion harmonicsharmonics, note well, half the wave length and twice

the frequency!that are delicate and swift enough to insert themselves between the whirling molecules of

any reasonable objectany object, I mean, not too closely or coherently packed. By then swelling or

lowering my voice I can alter the scale, size or shape of that object almost indefinitely, its parts nevertheless

retaining their normal relative proportions. I can scatter it to a huge scale by separating its molecules

indefinitely, or bring them so closely together that the size of the object would be reduced to a practical

invisibility!"

"Recreate the world, in fact!" gasped Spinrobin, feeling the earth he knew slipping away under his feet.

Mr. Skale turned upon him and stood still a moment. The huge moors, glimmering pale and unreal beneath

their snow, ran past them into the skysilent forms corresponding to who knows what pedal notes? The

wind sighedaudible expression of who shall say what mighty shapes? . . . Something of the passion of

sound, with all its mystery and splendour, entered his heart in that windy sigh. Was anything real? Was

anything permanent? . . . Were Sound and Form merely interchangeable symbols of some deeper

uncatalogued Reality? And was the visible cohesion after all the illusory thing?

"Remould the whole universe, sir!" he roared through the darkness, in a way that made the other wish for

the touch of Miriam's hand to steady him. "I could make you, my dear Spinrobin, immense, tiny, invisible, or


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by a partial utterance of your name, permanently crooked. I could overwhelm your own vibrations and

withdraw their force, as by suction of a vacuum, absorbing yourself into my own being. By uttering the name

of this old earth, if I knew it, I could alter its face, toss the forests like green dust into the sea, and lift the

pebbles of the seashore to the magnitude of moons! Or, did I know the true name of the sun, I could utter it in

such a way as to identify myself with its very being, and so escape the pitiful terrors of a limited personal

existence!"

He seized his companion's arm and began to stride down the mountainside at a terrific pace, almost lifting

Spinrobin from his feet as he did so. About the ears of the panting secretary the wild words tore like bullets,

whistling a new and dreadful music.

"My dear fellow," he shouted through the night, "at the Word of Power of a true man the nations would rush

into war, or sink suddenly into eternal peace; the mountains be moved into the sea, and the dead arise. To

know the sounds behind the manifestations of Nature, the names of mechanical as well as of psychical

Forces, of Hebrew angels, as of Christian virtues, is to know Powers that you can call upon at willand use!

Utter them in the true vibratory way and you waken their counterpart in yourself and stir thus mighty psychic

powers into activity in your Soul."

He rained the words down upon the other's head like a tempest.

"Can you wonder that the walls of Jericho fell flat before a `Sound,' or that the raging waves of the sea lay

still before a voice that called their Name? My discovery, Mr. Spinrobin, will run through the world like a

purifying fire. For to utter the true names of individuals, families, tribes and nations, will be to call them to

the knowledge of their highest Selves, and to lift them into tune with the music of the Voice of God."

They reached the front door, where the gleam of lamps shone with a homely welcome through the glass

panels. The clergyman released his companion's arm; then bent down towards him and added in a tone that

held in it for the first time something of the gravity of death:

"Only rememberthat to utter falsely, to pronounce incorrectly, to call a name incompletely, is the

beginning of all evil. For it is to lie with the very soul. It is also to evoke forces without the adequate

corresponding shape that covers and controls them, and to attract upon yourself the destructive qualities of

these Powersto your own final disintegration and annihilation."

Spinrobin entered the house, filled with a sense of awe that was cold and terrible, and greater than all his

other sensations combined. The winds of fear and ruin blew shrill about his naked soul. None the less he was

steadfast. He would remain to bless. Mr. Skale might be violent in mind, unbalanced, possibly mad; but his

madness thundered at the doors of heaven, and the sound of that thundering completed the conquest of his

admiration. He really believed that when the end came those mighty doors would actually open. And the

thought woke a kind of elemental terror in him that was not of this worldyet marvellously attractive.

III

That night the singular rushing sound again disturbed him. It seemed as before to pass through the entire

building, but this time it included a greater space in its operations, for he fancied he could hear it outside the

house as well, travelling far up into the recesses of the dark mountains. Like the sweep of immense draughts

of air it went down the passage and rolled on into the sky, making him think of the clergyman's suggestion

that some sounds might require airwaves of a hundred miles instead of a few inches, too vast to be heard as

sound. And shortly after it followed the great gliding stride of Mr. Skale himself down the corridor. That, at

least, was unmistakable.


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During the following day, moreover, Mr. Skale remained invisible. Spinrobin, of course, had never permitted

himself to search the house, or even to examine the other rooms in his own corridor. The quarters where

Miriam slept were equally unknown to him. But he was quite certain that these prolonged periods of absence

were spent by the clergyman in some remote part of the rambling building where there existed isolated, if not

actually secret, rooms in which he practised the rituals of some dangerous and intrepid worship. And these

intimidating and mysterious sounds at night were, of course, something to do with the forces he conjured. . . .

The day was still and windless, the house silent as the grave. He walked about the hills during the afternoon,

practising his Hebrew "Names" and "Words" like a schoolboy learning a lesson. And all about him the slopes

of mountain watched him, listening. So did the sheet of snow, shining in the wintry sunlight. The clergyman

seemed to have put all sound in his pocket and taken it away with him. The absence of anything approaching

noise became almost oppressive. It was a Silence that prepares. Spinrobin went about on tiptoe, spoke to

Miriam in whispers, practised his Names in hushed, expectant tones. He almost expected to see the moors

and mountains open their deep sides and let the Sounds of which they were the visible shape escape awfully

about him. . . .

In these hours of solitude, all that Skale had told him, and more still that he divined himself, haunted him

with a sense of disquieting reality. Inaudible sounds of fearful volume, invisible forms of monstrous

character, combinations of both even, impended everywhere about him. He became afraid lest he might

stumble, as Skale had done, on the very note that should release them and bring them howling, leaping,

crashing about his ears. Therefore, he tried to make himself as small as possible; he muffled steps and voice

and personality. If he could, he would have completely disappeared.

He looked forward to Skale's return, but when evening came he was still alone, and he dined têteàtête with

Miriam for the first time. And she, too, he noticed, was unusually quiet. Almost they seemed to have entered

the world of Mrs. Mawle, the silent regions of the deaf. But for the most part it is probable that these queer

impressions were due to the unusual state of Spinrobin's imagination. He knew that it was his last night in the

placeunless the clergyman accepted him; he knew also that Mr. Skale had absented himself with a purpose,

and that the said purpose had to do with the test of Alteration of Forms by Sound, which would surely be

upon him before the sun rose. So that, one way and another, it was natural enough that his nerves should have

been somewhat overtaxed.

The presence of Miriam and Mrs. Mawle, however, did much to soothe him. The latter, indeed, mothered the

pair of them quite absurdly, smiling all the time while she moved about softly with the dishes, and doing her

best to make them eat enough for four. Between courses she sat at the end of the room, waiting in the

shadows till Miriam beckoned to her, and once or twice going so far as to put her hand upon Spinrobin's

shoulder protectively.

His own mind, however, all the time was full of charging visions. He kept thinking of the month just past and

of the amazing changes it had brought into his thoughts. He realized, too, now that Mr. Skale was away,

something of the lonely and splendid courage of the man, following this terrific, perhaps mad, ideal, day in

day out, week in week out, for twenty years and more, his faith never weakening, his belief undaunted.

Waves of pity, too, invaded him for the first timepity for this sweet girl, brought up in ignorance of any

other possible world; pity for the deaf old housekeeper, already partially broken, and both sacrificed to the

dominant idea of this single, heaven climbing enthusiast; pity last of all for himself, swept headlong before

he had time to reflect, into the audacious purpose of this violent and headstrong superman.

All manner of emotions stirred now this last evening in his perplexed breast; yet out of the general turmoil

one stood forth more clearly than the resthis proud consciousness that he was taking an important part in

something really big at last. Behind the screen of thought and emotion which veiled so puzzlingly the truth,

he divined for the first time in his career a golden splendour. If it also terrified him, that was only his


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cowardice. . . . In the same way it might be splendid to jump into Niagara just above the falls to snatch a

passing flower that seemed more wonderful than any he had seen before, but!

"Miriam, tomorrow is my last day," he said suddenly, catching her grey eyes upon him in the middle of his

strange reflections. "Tonight may be my last night in this house with you."

The girl made no reply, merely looking up and smiling at him. But the singing sensation that usually

accompanied her gaze was not present.

"That was very nearlya discord," she observed presently, referring to his remark. "It was out of tune!" And

he realized with a touch of shame what she meant. For it was not true that this was his last evening; he knew

really that he would stay on and that Mr. Skale would accept him. Quick as a flash, with her simple intuition,

she felt that he had said this merely to coax from her some sign of sympathy or love. And the girl was not to

be drawn. She knew quite well that she held him and that their fate, whatever it might be, lay together.

The gentle rebuke made him silent again. They sat there smiling at one another across the table, and old Mrs.

Mawle, sitting among the shadows at the far end of the room, her hands crossed in front of her, her white

evening cap shining like a halo above her patient face, watched them, also smiling. The rest of the strange

meal passed without conversation, for the great silence that all day had wrapped the hills seemed to have

invaded the house as well and laid its spell upon every room. A deep hush, listening and expectant, dropped

more and more about the building and about themselves.

After dinner they sat for twenty minutes together before the library fire, their toes upon the fender, for,

contrary to her habit, Miriam had not vanished at once to her own quarters.

"We're not alone here," remarked Spinrobin presently, in a low voice, and she nodded her head to signify

agreement. The presence of Mr. Skale when he was in the house but invisible, was often more real and

tremendous than when he stood beside them and thundered. Some part of him, some emanation, some potent

psychic messenger from his personality, kept them closely company, and tonight the secretary felt it very

vividly. His remark was really another effort to keep in close touch with Miriam, even in thought. He needed

her more than ever in this sea of silence that was gathering everywhere about him. Gulf upon gulf it rose and

folded over him. His anxiety became every moment more acute, and those black serpents of fear that he

dreaded were not very far away. By every fibre in his being he felt certain that a test which should shake the

very foundations of his psychical life was slowly and remorselessly approaching him.

Yet, though he longed to speak outright and demand of Miriam what she knew, and especially that she should

reveal the place of the clergyman's concealment and what portent it was that required all this dread and muted

atmosphere for its preparation, he kept a seal upon his lips, realizing that loyalty forbade, and that the

knowledge of her contempt would be even worse than the knowledge of the truth.

And so in due course she rose to go, and as he opened the door for her into the hall, she paused a moment and

turned towards him. A sudden inexplicable thrill flashed through him as she turned her eyes upon his face, for

he thought at first she was about to speak. He has never forgotten the picture as she stood there so close to his

side, the lamplight on her slim figure in its white silk blouse and neat dark skirt, the gloom of the unlit hall

and staircase beyondstood there an instant, then put both her arms about his neck, drew him down to her,

and kissed him gently on both cheeks. Twice she kissed him, then was gone into the darkness, so softly that

he scarcely heard her steps, and he stood between the shadows and the light, her perfume still lingering, and

with it the sweet and magical blessing that she left behind. For that caress, he understood, was the innocent

childlike caress of their first days, and with all the power of her loving little soul in it she had given him the

message that he craved: "Courage! And keep a brave heart, dear Spinny, tonight!"


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CHAPTER VIII

I

SPINROBIN lingered a while in the library after Miriam was gone, then feeling slightly ill at ease in the

room now that her presence was withdrawn, put the lights out, saw that the windows were properly barred

and fastened, and went into the hall on his way to bed.

He looked at the front door, tried the chain, and made sure that both top and bottom bolts were thrown. Why

he should have taken these somewhat unusual precautions was not far to seek, though at the moment he could

not probably have explained. The desire for protection was awake in his being, and he took these measures of

security and defence because it sought to express itself, as it were, even automatically. Spinrobin was afraid.

Up the broad staircase he went softly with his lighted candle, leaving the great hall behind him full to the

brim with shadowsshadows that moved and took shape. His own head and shoulders in monstrous outline

poured over the walls and upper landings, and thence leaped to the skylight overhead. As he passed the turn

in the stairs, the dark contents of the hall below rushed past in a single mass, like an immense extended wing,

and settled abruptly at his back, following him thence to the landing.

Once there, he went more quickly, moving on tiptoe, and so reached his own room halfway down. He passed

two doors to get there; another two lay beyond; all four, as he believed, being always locked. It was these

four rooms that conjured mightily with his imagination always, for these were the rooms he pictured to

himself, though without a vestige of proof, as being occupied. It was from the further onesone or other of

them he believed Mr. Skale came when he had passed down the corridor at two in the morning, stealthily,

hurriedly, on the heels of that rush of sound that made him shake in his bed as he heard it.

In his own room, however, surrounded by the familiar and personal objects that reminded him of normal life,

he felt more at home. He undressed quickly, all his candles alight, and then sat before the fire in the

armchair to read a little before getting into bed.

And he read for choice HebrewHebrew poetry; and on this particular occasion, the books of Job and

Ezekiel. For nothing had so soothing and calming an effect upon him as the mighty yet simple imagery of

these sonorous stanzas; they invariably took him "out of himself," or at any rate out of the region of small

personal alarms. And thus, letting his fancy roam, it seems, he was delighted to find that gradually the fears

which had dominated him during the day and evening disappeared. He passed with the poetry into that region

of high adventure which his nature in real life denied him. The verses uplifted him in a way that made his

recent timidity seem the mere mood of a moment, or at least negligible. His memory, as one thing suggested

another, began to give up its dead, and some of Blake's drawings, seen recently in London with prodigious

effect, began to pass vividly before his mental vision.

The symbolism of what he was reading doubtless suggested the memory. He felt himself caught in the great

invisible nets of wonder that for ever swept the world. The littleness of modern life, compared to that ancient

and profound spirit which sought the permanent things of the soul, haunted him with curious insistence. He

suffered a keen, though somewhat mixed realization of his actual insignificance, yet of his potential sublimity

could he but identify himself with his ultimate Self in the region of vision. . . . His soul was aware of finding

itself alternately ruffled and exalted as he read . . . and pondered . . . as he visualised to some degree the giant

Splendours, the wonderful Wheels, the spirit Wings and Faces and all the other symbols of potent imagery

evoked by the imagination of that old Hebrew world. . . .

So that when, an hour later, pacified and sleepy, he rose to go to bed, this poetry seems to have left a very

marked effect upon his mindmingled, naturally enough, with the thought of Mr. Skale. For on his way


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across the floor, having adjusted the firescreen, he distinctly remembered thinking what a splendid "study"

the clergyman would have made for one of Blake's representations of the Deitythe flowing beard, the great

nose, the imposing head and shoulders, the potentialities of the massive striding figure, surrounded by a

pictorial suggestion of all the soundforces he was for ever talking about. . . .

This thought was his last, and it was without fear of any kind. Merely, he insists, that his imagination was

touched, and in a manner perfectly accountable, considering the ingredients of its contents at the time.

And so he hopped nimbly into bed. On the little table beside him stood the candle and the copy of the Hebrew

text he had been reading, with its parallel columns in the two languages. His Jaeger slippers were beneath the

chair, his clothes, carefully folded, on the sofa, his collar, studs and necktie in a row on the top of the

mahogany chest of drawers. On the mantelpiece stood the glass jar of heather, filled that very day by Miriam.

He saw it just as he blew out the candle, and Miriam, accordingly, was the last vision that journeyed with him

into the country of dreams and sweet forgetfulness.

The night was perfectly still. Winter, black and hard, lay about the house like an iron wall. No wind stirred.

Snow covered the world of mountain and moor outside, and Silence, supreme at midnight, poured all her

softest forces upon the ancient building and its occupants. Spinrobin, curled up in the middle of the big

fourposter, slept like a tired baby.

II

It was a good deal later when somewhere out of that mass of silence rose the faint beginnings of a sound that

stirred first cautiously about the very foundations of the house, and then, mounting inch by inch, through the

hall, up the staircase, along the corridor, reached the floor where the secretary slept so peacefully, and finally

entered his room. Its muffled tide poured most softly over all. At first only this murmur was audible, as of

"footsteps upon wool," of wind or drifting snow, a mere ghost of sound; but gradually it grew, though still

gentle and subdued, until it filled the space from ceiling unto floor, pressing in like water dripping into a

cistern with ever deepening note as its volume increased. The trembling of air in a big belfry where bells

have been aringing represents best the effect, only it was a trifle sharper in qualitykeener, more alive.

But, also, there was something more in itsomething gong like and metallic, yet at the same time oddly

and suspiciously human. It held a temper, too, that somehow woke the "panic sense," as does the hurried note

of a drumsome quick emotional timbre that stirs the sleeping outposts of apprehension and alarm. On the

other hand, it was constant, neither rising nor falling, and thus ordinarily, it need not have stirred any emotion

at allleast of all the emotion of consternation. Yet, there was that in it which struck at the root of security

and life. It was a revolutionary sound.

And as it took possession of the room, covering everything with its garment of vibration, it slipped in also, so

to speak, between the crevices of the sleeping, unprotected Spinrobin, colouring his dreamshis innocent

dreamswith the suggestion of nightmare dread. Of course, he was too deeply wrapped in slumber to

receive the faintest intimation of this waking analysis. Otherwise he might, perhaps, have recognized the kind

of primitive, ancestral dread his remote forefathers knew when the inexplicable horror of a tidal wave or an

eclipse of the sun overwhelmed them with the threatened alteration of their entire known universe.

The sleeping figure in that big fourposter moved a little as the tide of sound played upon it, fidgeting this

way and that. The human ball uncoiled, lengthened, straightened out. The head, half hidden by folds of sheet

and pillowcase, emerged.

Spinrobin unfolded, then opened his eyes and stared about him, bewildered, in the darkness.


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"Who's there? Is that youanybody?" he asked in a whisper, the confusion of sleep still about him.

His voice seemed dead and smothered, as though the other sound overwhelmed it. The same instant, more

widely awake, he realized that his bedroom was humming.

"What's that? What's the matter?" he whispered again, wondering uneasily at the noise.

There was no answer. The vague dread transferred itself adroitly from his dreamconsciousness to his now

thoroughly awakened mind. It began to dawn upon him that something was wrong. He noticed that the fire

was out, and the room dark and heavy. He realized dimly the passage of timea considerable interval of

timeand that he must have been asleep several hours. Where was he? Who was he? What, in the name of

mystery and night, had been going on during the interval? He began to shake all overfeverishly. Whence

came this noise that made everything in the darkness tremble?

As he fumbled hurriedly for the matchbox, his fingers caught in the folds of pillowcase and sheet, and he

struggled violently to get them clear again. It was while doing this that the impression first reached him that

the room was no longer quite the same. It had changed while he slept. Even in the darkness he felt this, and

shuddering pulled the blankets over his head and shoulders, for this idea of the changed room plucked at the

centre of his heart, where terror lay waiting to leap out upon him.

After what seemed five minutes he found the matchbox and struck a light, and all the time the torrent of

sound poured about his ears with such an effect of bewilderment that he hardly realized what he was doing. A

strange terror poured into him that he would change with the room. At length the match flared, and while he

lit the candle with shaking fingers, he looked wildly, quickly about him. At once the sounds rushed upon him

from all directions, burying him, so to speak, beneath vehement vibrations of the air that rained in upon him. .

. . Yes, the room had indeed changed, actually changed . . . but before he could decide where the difference

lay the candle died down to a mere spark, waiting for the wick to absorb the grease. It seemed like half an

hour before the yellow tongue grew again, so that he finally saw clearly.

Butsaw what? Saw that the room had horribly altered while he slept, yes! But how altered? What in the

name of all the world's deities was the matter with it? The torrent of sound, now growing louder and louder,

so confused him at first, and the dancing patchwork of light and shadow the candle threw so increased his

bewilderment, that for some minutes he sought in vain to steady his mind to the point of accurate observation.

"God of my Fathers!" cried Spinrobin at last under his breath, and hardly knowing what he said, "if it's not

moving!"

For this, indeed, was what he saw while the candle flame burned steadily upon a room that was no longer

quite recognizable.

At first, with the natural exaggeration due to shock, he thought the whole room moved, but as his powers of

sight came with time to report more truly, he perceived that this was only true of certain things in it. It was

not the ceiling that poured down in fluid form to meet a floor ever gliding and shifting forward into

outlandish proportions, but it was certain objects one here, another theremidway between the two that,

having assumed new and unaccustomed outlines, lent to the rest of the chamber a general appearance of

movement and an entirely altered expression. And these objects, he perceived, holding tightly to the

bedclothes with both hands as he stared, were two: the dark, oldfashioned cupboard on his left, and the

plush curtains that draped the window on his right. He himself, and the bed and the rest of the furniture were

stationary. The room as a whole stood still, while these two common and familiar articles of household

furnishing took on a form and an expression utterly foreign to what he had always known as a cupboard and a

curtain. This outline, this expression, moreover, if not actually sinister, was grotesque to the verge of the


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sinister: monstrous.

The difficulty of making any accurate observation at all was further increased by the perplexity of having to

observe two objects, not even on the same side of the room. Their outlines, however, Spinrobin claims,

altered very slowly, wavering like the distorted reflections seen in moving water, and unquestionably obeying

in some way the pitch and volume of the sound that continued to pour its resonant tide about the room. The

sound manipulated the shape; the connection between the two was evident. That, at least, he grasped.

Somebody hidden elsewhere in the houseMr. Skale probably, of course, in one of his secret

chamberswas experimenting with the "true names" of these two "common objects," altering their normal

forms by inserting the vibrations of sound between their ultimate molecules.

Only, this simple statement that his clearing mind made to itself in no way accounted for the fascination of

horror that accompanied the manifestation. For he recognized it as the joy of horror and not alone the

torment. His blood ran swiftly to the rhythm of these humming vibrations that filled the space about him; and

his terror, his bewilderment, his curious sense of elation seemed to him as messengers of far more terrific

sensations that communicated to him dimly the rushing wonder of some aspect of the Unknown in its

ultimate nature essentially beautiful.

This, however, only dawned upon him later, when the experiment was complete and he had time to reflect

upon it all next day; for, meanwhile, to see the proportions he had known since childhood alter thus before his

eyes was unbelievably dreadful. To see your friend sufficiently himself still to be recognizable, yet in

essentials, at the same time, grotesquely altered, would doubtless touch a climax of distress and horror for

you. The changing of these two things, so homely and well known in themselves, into something that was

not themselves, involved an idea of destruction that was worse than even death, for it meant that the idea in

the mind no longer corresponded to the visible object there before the eyes. The correspondence was no

longer a true one. The result was a lie.

To describe the actual forms assumed by these shifting and wavering bodies is not possible, for when

Spinrobin gives the details one simply fails to recognize either cupboard or curtain. To say that the dark,

lumbering cupboard, standing normally against the wall down there in the shadows, loomed suddenly

forward and upward, bent, twisted, and stretched out the whole of one side towards him like a misshapen

arm, can convey nothing of the world of new sensations that the little secretary felt while actually watching it

in progress in that haunted chamber of Skale's mansion among the hills. Nor can one be thrilled with the

extraordinary sense of wonder that thrilled Spinrobin when he saw the faded plush curtain hang across the

window in such a way that it might well have wrapped the whole of Wales into a single fold, yet without

extending its skirts beyond the actual walls of the room. For what he saw apparently involved contradictions

in words, and the fact is that no description of what he saw is really possible at all.

"Hark! By thunder!" he exclaimed, creeping out of bed with sheer stress of excitement, while the sounds

poured up through the floor as though from cellars and tunnels where they lay stored beneath the house. They

sang and trembled about him with the menaces of a really exquisite alarm. He moved cautiously out into the

centre of the room, not daring to approach too close to the affected objects, yet furiously anxious to discover

how it was all done. For he was uncommonly "game" through it all, and had himself well in hand from

beginning to end. He was really too excited, probably, to feel ordinary fear; it all swept him away too

mightily for that; he did not even notice the sting of the hot candlegrease as it fell upon his bare feet.

There he stood, plucky little Spinny, steady amid this shifting world, master of his soul amid dissolution, his

hair pointing out like ruffled feathers, his blue eyes wide open and charged with a speechless wonder, his face

pale as chalk, lips apart, jaw a trifle dropped, one hand in the pocket of his dressinggown, and the other

holding the candle at an angle that showered grease upon the carpet of the Rev. Philip Skale as well as upon

his own ankles. There he stood, face to face with the grotesque horror of familiar outlines gone wrong, the


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altered panorama of his known world moving about him in a strange riot of sound and form. It was, he

understood, an amazing exhibition of the transforming power of soundof sound playing tricks with the

impermanence and the illusion of Form. Skale was making his words good.

And behind the scenes he divined, with a shudder of genuine admiration, the figure of the master of the

ceremonies, somehow or other grown colossal, as he had thought of him just before going to sleepPhilip

Skale, hidden in the secret places of the building, directing the operations of this dreadful aspect of his

revolutionary Discovery. . . . And yet the thought brought a measure of comfort in its train, for was he not

also himself now included in the mighty scheme? . . . In his mind he saw this giant Skale, with his great limbs

and shoulders, his flowing, shaggy beard, his voice of thunder and his portentous speculations, and, so doing,

felt himself merged in a larger world that made his own little terrors and anxieties of but small account. Once

again the sense of his own insignificance disappeared as he realized that at last he was in the full flood of an

adventure that was providing the kind of escape he had always longed for.

Inevitably, then, his thought flew to Miriam, and as he remembered her final word to him a few short hours

ago in the hall below, he already felt ashamed of the fear with which he had met the beginning of the "test."

He instantly felt steeped instead in the wonder and power of the whole thing. His mind, though still trembling

and shaken, came to rest. He drew, that is, upon the larger powers of the Chord.

And the interesting thing was that the moment this happened he noticed a change begin to come over the

room. With extraordinary swiftness the tide of vibration lessened and the sound withdrew; the humming

seemed to sink back into the depths of the house; the thrill and delight of his recent terrors fled with it. The

air gradually ceased to shake and tremble; the furniture, with a curious final shiver as of spinning coins about

to settle, resumed its normal shape. Once more the room, and with it the world, became commonplace and

dull. The test apparently was over. He had met it with success.

Spinrobin, holding the candle straight for the first time, turned back towards the bed. He caught a passing

glimpse of himself in the mirror as he wentwhite and scattered he describes his appearance. . . . He

climbed again into bed, blew the candle out, put the matchbox under his pillow within easy reach, and so

once more curled himself up into a ball and composed himself to sleep.

CHAPTER IX

I

BUT he was hardly settledthere had not even been time to warm the sheets againwhen he was aware

that the test, instead of being over, was, indeed, but just beginning; and the detail that conveyed this

unwelcome knowledge to him, though small enough in itself, was yet fraught with a crowded cargo of new

alarms. It was a step upon the staircase, approaching his room.

He heard it the instant he lay still in bed after the shuffling process known generally as "cuddling down." And

he knew that it was approaching because of the assistance the hall clock brought to his bewildered ears. For

the hall clocka big, dignified piece of furniture with a deep notehappened just then to strike the hour of

two in the morning, and there was a considerable interval between the two notes. He first heard the step far

below in the act of leaving the flagged hall for the staircase; then the clock drowned it with its first stroke,

and perhaps a dozen seconds later, when the second stroke had died away, he heard the step again, as it

passed from the top of the staircase on to the polished boards of the landing. The owner of the step,

meanwhile, had passed up the whole length of the staircase in the interval, and was now coming across the

landing in a direct line towards his bedroom door.


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"It is a step, I suppose," it seems he muttered to himself, as with head partially raised above the blankets he

listened intently. "It's a step, I mean . . . ?" For the sound was more like a light tapping of a little hammer than

an actual step some hard substance drumming automatically upon the floor, while yet moving in advance.

He recognized, however, that there was intelligence behind its movements, because of the sense of direction

it displayed, and by the fact that it had turned the sharp corner of the stairs; but the idea presented itself in

fugitive fashion to his mindHeaven alone knows whythat it might be some mechanical contrivance that

was worked from the hall by a hand. For the sound was too light to be the tread of a person, yet too

"conscious" to be merely a sound of the night operating mechanically. And it was unlike the noise that the

feet of any animal would make, any animal that he could think of, that is. A fourfooted creature suggested

itself to his mind, but without approval.

The puzzling characteristics of the sound, therefore, contradictory as they were, left him utterly perplexed, so

that for some little time he could not make up his mind whether to be frightened, interested or merely curious.

This uncertainty, however, lasted but a moment or two at the most, for an appreciable pause outside his door

was next followed by a noise of scratching upon the panels, as of hands or paws, and then by the shuffling of

some living body that was flattening itself in an attempt to squeeze through the considerable crack between

door and flooring, and so to enter the room.

And, hearing it, Spinrobin this time was so petrified with an instantaneous rush of terror, that at first he dared

not even move to find the matches again under his pillow.

The pause was dreadful. He longed for brilliant light that should reveal all parts of the room equally, or else

for a thick darkness that should conceal him from everything in the world. The uncertain flicker of a single

candle playing miserably between the two was the last thing in the world to appeal to him.

And then events crowded too thick and fast for him to recognize any one emotion in particular from all the

fire of them passing so swiftly in and out among his hopelessly disorganized thoughts. Terror flashed, but

with it flashed also wonder and delightthe audacity of unreflecting courageand moreeven a breathless

worship of the powers, knowledge and forces that lifted for him in that little bedroom the vast Transparency

that hides from men the Unknown.

It is soon told. For a moment there was silence, and then he knew that the invader had effected an entrance.

There was barely time to marvel at the snakelike thinness of the living creature that could avail itself of so

narrow a space, when to his amazement he heard the quick patter of feet across the space of boarded flooring

next the wall, and then the silence that muffled them as they reached the carpet proper.

Almost at the same second something leaped upon his bed, and there shot swiftly across him a living thing

with light, firm treada creature, so far as he could form any judgment at all, about the size of a rabbit or a

cat. He felt the feet pushing through sheets and blankets upon his body. They were little feet; how many, at

that stage, he could not guess. Then he heard the thud as it dropped to the floor upon the other side.

The panic terror that in the dark it would run upon his bare exposed face thus passed; and in that moment of

intense relief Spinrobin gripped his soul, so to speak, with both hands and made the effort of his life.

Whatever happened now he must have a light, be it only the light of a single miserable candle. In that

moment he felt that he would have sacrificed all his hopes of the hereafter to have turned on a flood of

searching and brilliant sunshine into every corner of the room instantaneously. The thought that the

creature might jump again upon the bed and touch him before he could see, gave him energy to act.

With dashes of terror shooting through him like spears of ice, he grabbed the matchbox, and after a frenzied

entanglement again with sheets and pillowcase, succeeded in breaking four matches in quick succession.


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They cracked, it seemed to him, like pistol shots, till he half expected that this creature, waiting there in the

darkness, must leap out in the direction of the sound to attack him. The fifth lit, and a moment later the candle

was burning dimly, but with its usual exasperating leisure and delay. As the flare died down, then gradually

rose again, he fairly swallowed the room with a single look, wishing there were eyes all over his body. It was

a very faint light. At first he saw nothing, heard nothingnothing alive, that is.

"I must act! I must do somethingat once!" he remembered thinking. For, to wait meant to leave the choice

and moment of attack to this other. . . .

Cautiously, and very slowly, therefore, he wriggled to the edge of the bed and slid over, searching with his

feet for slippers, but finding none, yet not daring to lower his eyes to look; then stood upright with a sudden

rush, shading the candle from his eyes with one hand and peering over it.

As a rule, in moments of overwhelming emotion, the eyes search too eagerly, too furiously, to see properly at

all; but this does not seem to have been the case with Spinrobin. The shadows ran about like water and the

flickering of the candle flame dazzled, but there, opposite to him, over by the darkness of the dead

fireplace, he saw instantly the small black object that was the immediate cause of his terror. Its actual shape

was merged too much in the dark background to be clearly ascertainable, but near the top of it, where

presumably the head was, the candleflame shone reflected in two brilliant points of light that were directed

straight upon his face, and he knew that he was looking into the eyes of a living creature that was not the very

least on the defensive. It was a living creature, aggressive and unafraid.

For perhaps a couple of minutesor was it seconds only? these two beings with the breath of life in them

faced one another. Then Spinrobin made a step cautiously in advance; lowering his candle he moved towards

it. This he did, partly to see better, partly to protect his bare legs. The idea of protection, however, seems to

have been merely instinct, for at once this notion that it might dash forward to attack him was merged in the

unaccountable realization of a far grander emotion, as he perceived that this "living creature" facing him was,

for all its diminutive size, both dignified and imposing. Something in its atmosphere, something about its

mysterious presentment there upon the floor in its dark corner, something, perhaps, that flashed from its

brilliant and almost terrible eyes, managed to convey to him that it was clothed with an importance and a

significance not attached normally to the animal world. It had "an air." It bore itself with power, with value,

almost with pride.

This incongruous impression bereft him of the sensations of ordinary fear, while it increased the sources of

his confusion. Yet it convinced. He knew himself face to face with some form of life that was considerable in

the true sensespiritually. It exercised a fascination over him that was at the moment beyond either

explanation or belief.

As he moved, moreover, the little dark object also moved away from him, as though resenting closer

inspection. With actionagain unlike the action of any animal he could think of, and essentially

dignifiedboth rapid and nicely calculated, it ran towards the curtains behind. This appearance of something

stately that went with it was indefinable and beyond everything impressive; for how in the world could such

small proportions and diminutive movements convey grandeur? And again Spinrobin found it impossible to

decide precisely how it movedwhether on four legs or on two.

Keeping the two points of light always turned upon him, it shot across the floor, leaped easily upon a chair,

passed with a nimble spring from this to a table by the wall, still too much in obscurity to permit a proper

view; and then, while the amazed secretary approached cautiously to follow its movements better, it crawled

to the edge of the table, and in so doing passed for the first time full across the pale zone of flickering

candlelight.


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Spinrobin, in that quick second, caught a glimpse of flying hair, and saw that it moved either as a human

being or as a birdon two legs.

The same moment it sprang deftly from the high table to the mantelpiece, turned, stood erect, and looked at

him with the whole glare of the light upon its face; and Spinrobin, bereft of all power of intelligible sensation

whatever, saw to his unutterable distress that it wasa man. The dignity of its movements had already

stirred vaguely his sense of awe, but now the realization beyond doubt of its diminutive human shape added a

singularly acute touch of horror; and it was the combination of the two emotions, possibly, that were

responsible also for the two remarkable impulses of which he was first conscious: first, a mad desire to strike

and kill; secondly, an imperious feeling that he must hide his eyes in some act or other of worship!

And it was then he realized that the man wasPhilip Skale!

Mr. Skale, scarcely a foot high, dressed as usual in black, flowing beard, hooked nose, lambent, flashing eyes

and all, stood there upon the mantelpiece level with his secretary's face, not three feet separating them,

andsmiled at him. He was small as a Tanagra figure, and in perfect proportion.

It was unspeakably terrible.

II

"Of courseI'm dreaming," cried Spinrobin, half aloud, half to the figure before him. He searched behind

him with one hand for solid support. "You're a dream thing. It's some awful trick God will protect

me!"

Mr. Skale's tiny lips moved. "No, no," his voice said, and it sounded as from a great distance. "I'm no dream

thing at all, and you are wide awake. Look at me well. I am the man you know Philip Skale. Look straight

into my eyes and be convinced." Again he smiled his kindly, winning smile. "What you now see is nothing

but a result of sounding my true name in a certain way very softlyto increase the cohesion of my

physical molecules and reduce my visible expression. Listen, and watch!"

And Spinrobin, half stupefied, obeyed, feeling that his weakening knees must in another moment give way

and precipitate him to the floor. He was utterly unnerved. The onslaught of terror and amazement was

overwhelming. For something dreadful beyond all words lay in the sight of this man, whom he was

accustomed to reverence in his gigantic everyday shape, here reduced to the stature of a pygmy, yet

compelling as ever, terrific even when thus dwarfed. And to hear the voice of thunder that he knew so well

come to him disguised within this thin and almost wailing tone, passed equally beyond the limits of what he

could feel as emotion or translate into any intelligible words or gesture.

While, therefore, the secretary stood in awful wonder, doing as he was told simply because he could do

nothing else, the figure of the clergyman moved with tiny steps to the edge of the mantelpiece, until it seemed

as though he meant in another moment to leap on to his companion's shoulder, or into his arms. At the edge,

however, he stoppedthe brink of a precipice, to him!and Spinrobin then became aware that from his

moving lips, dolllike though bearded, his voice was issuing with an evergrowing volume of sound and

power.

Vibrations of swiftlyincreasing depth and wavelength were spreading through the air about him, filling the

room from floor to ceiling. What the syllables actually uttered may have been he was too dazed to realize, for

no degree of concentration was possible to his mind at all; he only knew that, before his smarting eyes, with

this rising of the voice to its old dominant inflexion, the figure of Mr. Philip Skale grew likewise,

indescribably; swelled, rose, spread upwards and outwards, but with the parts ever passing slowly in


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consistent interrelation, from minute to minute. He became, always in perfect proportion, magnified and

extended. The growing form, moreover, kept pace exactly, and most beautifully, with the increasing tide of

sonorous vibration that flooded himself, its utterer and the whole room.

Spinrobin, it seems, had just sufficient selfcontrol left to realize that this sound was similar in quality to that

which had first awakened him and caused the outlines of the furniture to alter, when the sight of Mr. Skale's

form changing thus terribly before his eyes, and within the touch of his very hand, became too much for him

altogether. . . .

What precisely happened he never knew. The sounds first enveloped him, then drove him backwards with a

sense of immense applied resistance. He collapsed upon the sofa a few feet behind him, as though irresistibly

pushed. The power that impelled him charged vehemently through the little room till it seemed the walls must

burst asunder to give it scope, while the sounds rose to such a volume that he figured himself drowned and

overpowered by their mighty vibrations as by the storm swells of the Atlantic. Before he lost them as sound

he seems thus to have been aware of them as moving waves of air. . . . The next thing he took in was that

amid the waste of silence that now followed his inability to hear, the figure of Philip Skale towered aloft

towards the ceiling, till it seemed positively to occupy all the available space in the room about him.

Had he dropped upon the floor instead of upon the sofa it is probable that at this point Spinrobin would have

lost consciousness, at any rate for a period; but that sofa, which luckily for his bones was so close behind,

galvanised him sharply back into some measure of selfcontrol again. Being provided with powerful springs,

it shot him up into the air, whence he relapsed with a series of smaller bounds into a normal sitting posture.

Still holding the lighted candle as best he could, the little secretary bounced upon that sofa like a tennis ball.

And the violent motion shook him into himself, as it were. His tottering universe struggled back into shape

once more. He remembered vaguely that all this was somehow a test of his courage and fitness. And this

thought, strengthened by a law of his temperament which forced him to welcome the sweet, mad terror of the

whole adventure, helped to call out the reserves of his failing courage.

He bounced upon his feet againthose bare feet plastered with candle greaseand, turning his head, saw

the clergyman, of incredible stature, yet still apparently increasing, already over by the door. He was turning

the key with a hand the sizeO horror!of Spinrobin's breast. The next moment his vast stooping body

filled the entire entrance, blotting out whole portions of the walls on either side, then was gone from the

room.

Leaving the candlestick on the sofa, his heart aflame with a fearful ecstasy of curiosity, he dashed across the

floor in pursuit, but Mr. Skale, silently and with the swiftness of a river, was already down the stairs before

he had covered half the distance.

Through the framework of the door Spinrobin saw this picture:

Skale, like some awful Cyclops, stood upon the floor of the hall some twenty feet below, yet rearing

terrifically up through the well of the building till his head and shoulders alone seemed to fill the entire space

beneath the skylight. Though his feet rested unquestionably upon the ground, his face, huge as a planet in the

sky, rose looming and half lighted above the banisters of this second storey, his tangled locks sweeping the

ceiling, and his beard, like some dark river of hair, flowing downwards through the night. And this spreading

countenance of cloud it was, hanging in the semidarkness, that Spinrobin saw turn slowly towards him

across the faint flicker of the candlelight, look straight down into his face, and smile. The great mouth and

eyes unquestionably smiled. And that smile, for all its vast terror, was beyond words enchanting like the

spread laughter of a summer landscape.

Among the spaces of the immense visagereminding him curiously of his boyhood's conception of the


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CreatorSpinrobin lost himself and grew dizzy with a deadly yet delicious faintness. The mighty tenderness,

the compassion, the splendour of that giant smile overpowered him and swallowed him up.

For one second, in dreadful silence, he gazed. Then, rising to meet the test with a courage that he felt might

somehow involve the alteration if not the actual destruction of his own little personality, but that also proved

his supreme gameness at the same time, he tried to smile in return. . . . The strange and pitiful attempt upon

his own face perhaps, in the semi obscurity, was not seen. He only remembers that he somehow found

strength to crawl forward and close the door with a bang, though not the strength to turn the key and lock it,

and that two seconds later, having kicked the candle over and out in his flying leap, he was in the middle of

the bed under a confused pile of sheets and blankets, weeping with muffled sobs in the darkness as though his

heart must burst with the wonder and terror of all he had witnessed.

For, to the simple in heart, at the end of all possible stress and strain of emotion, comes mercifully the

blinding relief of tears. . . .

And then, although too overcome to be able to prove it even to himself, it was significant that, lying there

smothered among the bedclothes, he became aware of the presence of something astonishingly sweet and

comforting in his consciousness. It came quite suddenly upon him; the reaction he experienced, he says, was

very wonderful, for with it the sense of absolute safety and security returned to him. Like a terrified child in

the darkness who suddenly knows that its mother stands by the bed, allpowerful to soothe, he felt certain

that some one had moved into the room, was close beside him, and was even trying to smooth his pillow and

arrange the twisted bedclothes.

He did not dare uncover his face to see, for he was still dominated by the memory of Mr. Skale's portentous

visage; but his ears were not so easily denied, and he was positive that he heard a voice that called his name

as though it were the opening phrase of some sweet, childhood lullaby. There was a touch about him

somewhere, it seemed, of delicate cool hands that brought with them the fragrance as of a scented summer

wind; and the last thing he remembered before he sank away into welcome unconsciousness was an

impression, fugitive and dreamlike, of a gentle face, unstained and pale as marble, that bent above his pillow,

and, singing, called him away to forgetfulness and peace.

III

And several hours later, when he woke after a refreshing sleep to find Mrs. Mawle smiling down upon him

over a tray of steaming coffee, he recalled the events of the night with a sense of vivid reality that if possible

increased his conviction of their truth, but without the smallest symptom of terror or dismay. For the blessing

of the presence that had soothed him into sleep lay still upon him like a garment to protect. The test had come

and he had not wholly failed.

With something approaching amusement, he watched the housekeeper pick up a candlestick from the middle

of the floor and put his Jaeger slippers beneath the chair, having found one by the cupboard and the other

over by the fireplace.

"Mr. Skale's compliments and Mr. Spinrobin is not to hurry himself," he heard her saying, as she put the tray

beside the bed and went out of the room. He looked at his watch and saw that it was after ten o'clock.

Half an hour later he was dressed and on his way downstairs, conscious only of an overwhelming desire to

see Mr. Skale, but to see him in his normal and fatherly aspect again. For a strain of worship mingled oddly

with his devouring curiosity, and he was thirsty now for the rest of the adventure, for the complete revelation

of the Discovery in all its bearings. And the moment he saw the clergyman in the hall he ran towards him,

scarcely realizing what it was he meant to say or do. Mr. Skale stretched out both hands to meet him. His face


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was alight with pleasure.

But, before they could meet and touch, a door opened and in slipped Miriam between them; she, too, was

radiant, and her hands outstretched.

"Me first, please! Me first!" she cried with happy laughter, and before Spinrobin realized what was

happening, she had flung her arms about his neck and kissed him. "You were splendid!" she whispered in his

ear, "and I am proud of youever so proud!"

The next minute Skale had him by the hands.

"Well done! well done!" his voice boomed, while he gazed down into his face with enthusiastic and

unqualified approval. "It was all magnificent. My dear little fellow, you've got the heart of a god, and, by

Heavens, you shall become as a god too! For you are worthy!" He shook him violently by both hands, while

Miriam looked eagerly on with admiration in her wide grey eyes.

"I'm so glad, so awfully glad" stammered the secretary, remembering with shame his moments of vivid

terror. He hardly knew what he said at the moment.

"The properties of things," thundered the clergyman, "as you have now learned, are merely the `muffled

utterances of the Sounds that made them.' The thing itself is its name."

He spoke rapidly, with intense ardour and with reverence. "You have seen with your own eyes a scientific

proof of my Discovery on its humblest levelhow the physical properties of objects can be manipulated by

the vibratory utterance of their true namescan be extended, reduced, glorified. Next you shall learn that

spiritual qualitiesthe attributes of higher states of beingcan be similarly dealt with and harnessed

exalted, intensified, invokedand that the correct utterance of mighty Names can seduce their specific

qualities into your own soul to make you mighty and eternal as themselves, and that to call upon the Great

Names is no idle phrase. . . . When the time comes, Spinrobin, you shall not shrink, you shall not shrink. . . ."

He flung his arms out with a great gesture of delight.

"No," repeated Spinrobin, yet aware that he felt mentally battered at the prospect, "I shall not shrink. I

thinknowI can manageanything!"

And then, watching Miriam with lingering glance as she vanished laughing up the staircase, he followed Mr.

Skale into the library, his thoughts tearing wildly to and fro, swelling with delight and pride, thrilling with the

wonder of what was yet to come. There, with fewest possible sentences, the clergyman announced that he

now accepted him and would, therefore, carry out the promise with regard to the bequeathal of his property to

him in the event of any untoward circumstances arising later. He also handed to him in cash the salary for the

"trial month," together with a cheque for the first quarter in advance. He was beaming with the satisfaction he

felt at having found at last a really qualified helper. Spinrobin looked into his face as they shook hands over

the bargain. He was thinking of other aspects he had seen of this amazing being but a few hours beforethe

minute, the colossal, the changingbetweenthetwo Skales. . . .

"I'm game, Mr. Skale," he said simply, forgetting all his recent doubts and terrors.

"I know you are," the clergyman replied. "I knew it all


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CHAPTER X

I

THE first thing Spinrobin knew when he ran upstairs to lock away the money in his desk was that his whole

being, without his directing it, asked a question of momentous import. He did not himself ask it deliberately.

He surprised his subconsciousness asking it:

"WHAT IS THIS NAME THAT PHILIP SKALE FOR EVER SEEKS?"

It was no longer mere curiosity that asked it, but that sense of responsibility which in all men of principle and

character lies at the root of action and of life. And Spinrobin, for all his little weaknesses, was a man of

character and principle. There came a point when he could no longer follow blindly where others led, even

though the leader were so grand an individual as Philip Skale. This point is reached at varying degrees of the

moral thermometer, and but for the love that Miriam had wakened in his heart, it might have taken much

longer to send the mercury of his will so high in so short a time. He now felt responsibility for two, and in the

depths of his queer, confused, little mind stirred the thought that possibly after all the great adventure he

sought was only the supreme adventure of a very wonderful Love.

He records these two questions at this point, and it is only just to himself, therefore, to set them down here.

To neither was the answer yet forthcoming.

For some days the routine of this singular household followed its normal course, the only change being that

while the secretary practised his Hebrew names and studied the relations between sound, colour, form and the

rest, he kept himself a little better in hand, for Love is a mighty humanizer and holds down the nose upon the

grindstone of the wholesome and practical values of existence. He turned, so to speak, and tried to face the

matter squarely; to see the adventure as a whole; to get all round it and judge. It seems, however, that he was

too much in the thick of it to get that bird'seye view which reduces details to the right proportion. Skale's

personality was too close, and flooded him too violently. Spinrobin remained confused and bewildered; but

also unbelievably happy.

"Coming out all right," he wrote shakily in that giltedged diary. "Beginning to understand why I'm in the

world. Am just as important as anybody elsereally. Impossible explain more." His entries were very like

telegrams, in which a man attempts to express in a lucid shorthand all manner of things that the actual words

hardly compass. And life itself is not unlike some mighty telegram that seeks vainly to express, between the

extremes of silence and excess, all that the soul would say. . . .

"Skale is going too far," perhaps best expresses the daily burden of his accumulating apprehension. "He is

leading up to something that makes me shrinksomething not quite legitimate. Playing with an Olympian

fire that may consume us both." And there his telegram stopped; for how in the world could he put into mere

language the pain and distress involved in the thought that it might at the same time consume Miriam? It all

touched appalling depths of awe in his soul. It made his heart shake. The girl had become a part of his very

self.

Vivid reactions he suffered, alternating with equally vivid enthusiasms. He realized how visionary the

clergyman's poetical talk was, but the next minute the practical results staggered him again, as it were, back

into a state of conviction. For the poetry obscured his judgment and fired his imagination so that he could not

follow calmly. The feeling that it was not only illogical but insane troubled him; yet the physical effects

stared him in the face, and to argue with physical results is waste of time. One must act.

Yet how "act"? The only way that offered he accepted: he fell back upon the habits of his boyhood, read his


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Bible, and at night dropped humbly upon his knees and prayed.

"Keep me straight and pure and simple, and bless . . . Miriam. Grant that I may love and strengthen her . . .

and that my love may bring her peace . . . and joy . . . and guide me through all this terror, I beseech Thee,

into Truth. . . ."

For, in the beauty of his selfless love, he dared not even admit that it was love; feeling only the highest, he

could not quite correlate his sweet and elevated passion with the common standards of what the World called

love. The humility of a great love is ever amazing.

And then followed in his prayers the more cowardly cry for ordinary protection from the possible results of

Skale's audacity. The Love of God he could understand, but the Wrath of God was a conception he was still

unemancipated enough to dread; and a dark, portentous terror that Skale might incur it, and that he might be

dragged at its heels into some hideous catastrophe, chased him through the days and nights. It all seemed so

unlawful, impious, blasphemous. . . .

". . . And preserve us from vain presumptions of the heart and brain, I pray Thee, lest we be consumed. . . .

Please, O God, forgive the insolence of our wills . . . and the ignorant daring of our spirit. . . . Permit not the

innocent to suffer for the guilty . . . and especially bless . . . Miriam. . . ."

Yet through it all ran that exquisite memory of the calling of his true name in the spaces of his soul. The

beauty of far off unattainable things hovered like a star above his head, so that he went about the house with

an insatiable yearning in his heart, a perpetual smile of wonder upon his face, and in his eyes a gleam that

was sometimes terror, sometimes delight.

It was almost as if some great voice called to him from the mountaintops, and the little chap was for ever

answering in his heart, "I'm coming! I'm coming!" and then losing his way purposely, or hiding behind

bushes on the way for fear of meeting the great invisible Caller face to face.

II

And, meanwhile, the house became for him a kind of Sound Temple as it were, protected from desecration

by the hills and desolate spaces that surrounded it. From dawn to darkness its halls and corridors echoed with

the singing violin, Skale's booming voice, Miriam's gentle tones, and his own plaintive yet excited note,

while outside the old grey walls the air was ever alive with the sighing of the winds and the ceaseless murmur

of falling water. Even at night the place was not silent. He understood at last what the clergyman had told

himthat perfect silence does not exist. The universe, down to its smallest detail, sings through every

second of time.

The sounds of nature especially haunted him. He never heard the wind now without thinking of lost whispers

from the voice of God that had strayed down upon the world to sweeten and bewilder the hearts of

menwhispers asearch for listeners simple enough to understand. And when their walks took them as far

as the sea, the dirge of the waves troubled his soul with a kind of distressing exaltation that afflicted the very

deeps of his being. It was with a new comprehension he understood his employer's dictum that the keynote of

external nature was middle Fthis employer who himself possessed that psychic sense of absolute

pitchand that the roar of a city, wind in forest trees, the cry of trains, the rushing of rivers and falling

water, Niagara itself, all produced this single utterance; and he loved to sing it on the moors, Miriam laughing

by his side, and to realize that the world, literally, sang with them.

Behind all sounds he divined for the first time a majesty that appalled; his imagination, glorified by Skale,

instantly fell to constructing the forms they bodied forth. Out of doors the flutes of Pan cried to him to dance:


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indoors the echoes of yet greater music whispered in the penetralia of his spirit that he should cry. In this

extraordinary new world of Philip Skale's revelation he fairly spun.

It was one thing when the protective presence of the clergyman was about him, or when he was sustained by

the excitement of enthusiasm, but when he was alone, at his normal level, timid, yet adventurous, the too

vivid sense of these new things made him tremble. The terrifying beauty of Skale's ideas; the realization in

cold blood that all forms in the world about him were silently asinging, and might any moment vanish and

release their huge bodies into primal sounds; that the stones in the road, the peaked hills, the very earth

herself might alter in shape before his eyes: on the other hand, that the viewless forces of life and death might

leap into visibility and form with the calling of their names; that himself, and Skale, and Mrs. Mawle, and

that pale fairy girlfigure were all enmeshed in the same scheme with plants, insects, animals and planets;

and that God's voice was everywhere too sublimely closeall this, when he was alone, oppressed him with a

sense of things that were too intimate and too mighty for daily life.

In these momentsso frequent now as to be almost continuoushe preferred the safety of his ordinary and

normal existence, dull though it might be; the limited personality he had been so anxious to escape from

seemed wondrous sweet and comforting. The Terror of the approaching Experiment with this mighty name

appalled him.

The forces, thus battling within his soul, became more and more contradictory and confused. The outcome for

himself seemed to be the result of the least little pressure this way or thatpossibly at the very last moment,

too. Which way the waiting Climax might draw him was a question impossible to decide.

III

And then, suddenly, the whole portentous business moved a sharp stage nearer that hidden climax, when one

afternoon Mr. Skale came up unexpectedly behind him and laid a great hand upon his shoulder in a way that

made him positively jump.

"Spinrobin," he said, in those masterful, resonant tones that shamed his timidity and cowardice, "are you

ready?"

"For anything and everything," was the immediate reply, given almost automatically as he felt the

clergyman's forces flood into his soul and lift him.

"The time is at hand, then," continued the other, leading his companion by the arm to a deep leather sofa, "for

you to know certain things that for your own safety and ours, I was obliged to keep hidden till nowfirst

among which is the fact that this house is not, as you supposed, empty."

Prepared as he was for some surprising announcement, Spinrobin nevertheless started. It was so abrupt.

"Not empty!" he repeated, eager to hear more, yet quaking. He had never forgotten the nightly sounds and

steps in his own passage.

"The rooms beyond your own," said Skale, with a solemnity that amounted to reverence, "are occupied"

"By" gasped the secretary.

"Captured Soundsgigantic," was the reply, uttered almost below the breath.

The two men looked steadily at one another for the space of several seconds, Spinrobin charged to the brim


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with anxious questions pressing somehow upon the fringe of life and death, Skale obviously calculating how

much he might reveal or how little.

"Mr. Spinrobin," he said presently, holding him firmly with his eyes, "you are aware by this time that what I

seek is the correct pronunciation of certain namesof a certain name, let us say, and that so complex is the

nature of this name that no single voice can utter it. I need a chord, a human chord of four voices."

Spinrobin bowed.

"After years of research and experiment," resumed the clergyman, "I have found the first three notes, and

now, in your own person, has come my supreme happiness in the discovery of the fourth. What I now wish

you to know, though I cannot expect you to understand it all at first, is that the name I seek is broken up into

four great divisions of sound, and that to each of these separate divisions the four notes of our chord form

introductory channels. When the time comes to utter it, each one of us will call the syllable or sound that

awakens the mighty response in one of these immense and terrific divisions, so that the whole name will

vibrate as a single chord sung perfectly in tune."

Mr. Skale paused and drew deep breaths. This approach to his great experiment, even in speech, seemed to

exhaust him so that he was obliged to call upon reserves of force that lay beneath. His whole manner betrayed

the gravity, the reverence, the mingled respect and excitement ofdeath.

And the simple truth is that at the moment Spinrobin could not find in himself sufficient courage to ask what

this fearful and prodigious name might be. Even to put ordinary questions about the four rooms was a little

beyond him, for his heart beat like a hammer against his ribs, and he heard its ominous drum sounding

through both his temples.

"And in each of the rooms in your corridor, ready to leap forth when called, lie the sounds or voices I have

captured and imprisoned, these separate chambers being sheeted and prepared huge wax receptacles, in

fact, akin to the cylinders of the phonograph. Together with the form or pattern belonging to them, and the

colour, there they lie at present in silence and invisibility, just as the universe lay in silence and invisibility

before the word of God called it into objective being. ButI know them and they are mine."

"All these weeksso close to me," whispered Spinrobin, too low for Skale to notice.

Then the clergyman leaned over towards him. "These captured sounds are as yet by no means complete," he

said through his beard, as though afraid to admit it; "for all I have of them really is their initial letters, of their

forms the merest faint outlines, and of their colours but a first suggestion. And we must be careful, we must

be absolutely wise. To utter them correctly will mean to transfer to us the qualities of Gods, whereas to utter

falsely may mean to release upon the surface of the world forces that" He shrugged his great shoulders

and an ashen pallor spread downwards over the face to the very lips. The sentence remained unfinished; and

its very incompleteness left Spinrobin with the most grievous agony of apprehension he had yet experienced.

"So that, if you are ready, our next step shall be to show you the room in which your own particular sound

lies," added Mr. Skale after a long pause; "the sound in the chord it will be your privilege to utter when the

time comes. For each of us will utter his or her particular letter, the four together making up the first syllable

in the name I seek."

Mr. Skale looked steadily down into the wide blue eyes of his companion, and for some minutes neither of

them spoke.

"The letter I am to utter," repeated the secretary at length; "the letter in some great name?"


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Mr. Skale smiled upon him with the mighty triumph of the Promethean idea in his eyes.

"The room," he muttered deeply and softly, "in which it lies waiting for you to claim it at the appointed time .

. . the room where you shall learn its colour, become attuned to its great vibratory activity, see its form, and

know its power in your own person."

Again they looked long into one another's eyes.

"I'm game," murmured Spinrobin almost inaudibly; "I'm game, Mr. Skale." But, as he said it, something in

his round head turned dizzy, while his thoughts flew to Miriam and to the clergyman's significant phrase of a

few minutes ago"we must be careful, we must be absolutely wise."

IV

And the preparation the clergyman insisted upondetailed, thorough and scrupulouscertainly did not

lessen in Spinrobin's eyes the gravity of the approaching ordeal. They spent two days and nights in the very

precise and punctilious study, and utterance, of the Hebrew names of the "angels"that is, forceswhose

qualities were essential to their safety.

Also, at the same time, they fasted.

But when the time came for the formal visit to those closed rooms, of which the locked doors were like veils

in a temple, Spinrobin declares it made him think of some solemn procession down ancient passageways of

crypt or pyramid to the hidden places where inscrutable secrets lay. It was certainly thrilling and impressive.

Skale went first, moving slowly with big strides, grave as death, and so profoundly convinced of the

momentous nature of their errand that an air of dignity, and of dark adventure almost majestic, hung about his

figure. The long corridor, that dreary December morning, stretched into a world of shadows, and about

halfway down it he halted in front of a door next but one to Spinrobin's room and turned towards his

companion.

Spinrobin, in a mood to see anything, yet striving to hide behind one of those "bushes," as it were, kept his

distance a little, but Mr. Skale took him by the arm and drew him forward to his side. Slowly he stooped, till

the great bearded lips were level with his ear, and whispered solemnly:

"Blessed are the pure in heart, for they shall seeand hear God."

Then he turned the key and led the way inside.

But apparently there were double doors, for they found themselves at first in a cupboardlike space that

formed a tiny vestibule to the room itself; and here there was light enough to see that the clergyman was

taking from nails on the wall two long garments like surplices, coloured, so far as Spinrobin could make out,

a deep red and a deep violet.

"For our protection," whispered Skale, enveloping himself in the red one, while he handed the other to his

companion and helped him into it. "Wear it closely about your body until we come out." And while the

secretary struggled among the folds of this cassocklike garment, that was several feet too long for his

diminutive stature, the clergyman added, still with a gravity and earnestness that impressed the imagination

beyond all reach of the ludicrous:

"For sound and colour are intimately associated, and there are combinations of the two that can throw the

spiritual body into a condition of safe receptivity, without which we should be deaf and blind even in the


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great Presences themselves."

Trivial details, presenting themselves in really dramatic moments, may impress the mind with extraordinary

aptness. At this very moment Spinrobin's eyes noticed in the corner of wall and door a tiny spider's web, with

the spider itself hanging in the centre of its little netshaking. And he has never forgotten it. It expressed

pictorially exactly what he felt himself. He, too, felt that he was shaking in midairas in the centre of a

web whose strands hung suspended from the very stars.

And the words, spoken in that slow deep whisper, filled the little space in which the two men stood, and

somehow completed for Spinrobin the sense of stupendous things adequately approached.

Then Mr. Skale closed the outer door, shutting out the last feeble glimmer of day, at the same moment

turning the handle of the portal beyond. And as they entered the darkness, Spinrobin, holding up his violet

robe with one hand to prevent tripping, with the other caught hold of the tail of the flowing garment in front

of him. For a second or two he stopped breathing altogether.

V

On the very threshold a soft murmur of beauty met them; and, as plainly as though the darkness had lifted

into a blaze of light, the secretary at once realized that he stood in the presence of something greater than all

he had hitherto known in this world. He had managed to find the clergyman's big hand, and he held it tightly

through a twisted corner of his voluminous robe. The inner door next closed behind them. Skale, he was

aware, had again stooped in the darkness to the level of his ear.

"I'll give you the soundthe note," he heard him whisper. "Utter it inwardlyin your thoughts only. Its

vibrations correspond to the colour, and will protect us."

"Protect us?" gasped Spinrobin with dry lips.

"From being shattered and destroyedowing to the intense activity of the vibrations conveyed to our

ultimate physical atoms," was the whispered reply, as the clergyman proceeded to give him under his breath a

onesyllable sound that was unlike any word he knew, and that for the life of him he has never been able to

reproduce since.

Mr. Skale straightened himself up again and Spinrobin pictured him standing there twice his natural size, a

huge and impressive figure as he had once before seen him, clothed now with the double dignity of his

strange knowledge. Then, advancing slowly to the centre of the room, they stood still, each uttering silently

in his thoughts the syllable that attuned their inner beings to safety.

Almost immediately, as the seconds passed, the secretary became aware that the room was beginning to

shake with a powerful but regular movement. All about him had become alive. Vitality, like the vitality of

youth upon mountain tops, pulsed and whirled about them, pouring into them the currents of a rushing

glorious life, undiluted, straight from the source. In his little person he felt both the keenness of sharp steel

and the vast momentum of a whole ocean. Thus he describes it. And the more clearly he uttered in his

thoughts the sound given to him by his leader, the greater seemed the influx of strength and glory into his

heart.

The darkness, meanwhile, began to lift. It moved upwards in spirals that, as they rose, hummed and sang. A

soft blaze of violet like the colour of the robe he wore became faintly visible in the air. The chamber, he

perceived, was about the same size as his own bedroom, and empty of all furniture, while walls, floor, and

ceiling were draped in the same shade of violet that covered his shoulders; and the sound he uttered, and


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thought, called forth the colour and made it swim into visibility. The walls and ceiling sheeted with wax

opened, so to speak, their giant lips.

Mr. Skale made a movement and drew him closer. He raised one arm into the air, and Spinrobin, following

the motion, saw what at first he imagined to be vast round faces glimmering overhead, outlined darkly against

the violet atmosphere. Mr. Skale, with what seemed a horrible audacity, was reaching up to touch them, and

as he did so there issued a low, soft, metallic sound, humming and melodious, that dropped sweetly about his

ears. Then the secretary saw that they were discs of metal immense gongs swinging in midair, suspended

in some way from the ceiling, and each one as Skale touched it emitted its beautiful note till all combined

together at length into a single chord.

And this chord, though Spinrobin talks whole pages in describing it, apparently brought in its train the swell

and thunder of something beyond,the far sweetness of exquisite harmonics, thousands upon thousands,

inwoven with the strands of deeper notes that boomed with colossal vibrations about them. And, in some

fashion that musical people will understand, its gentler notes caught up the sound that Spinrobin was uttering

in his mind, and took possession of it. They merged. An extraordinary volume, suggesting a huge aggregation

of sound behind itin the same way that a murmur of wind may suggest the roar of tempestsrose and fell

through the room, lifted them up, bore them away, sang majestically over their heads, under their feet, and

through their very minds. The vibrations of their own physical atoms fell into pace with these other spiritual

activities by a kind of sympathetic resonance.

The combination of power and simplicity was what impressed him most, it seems, for it

resembledresembled onlythe great spiritual simplicity in Beethoven that rouses and at the same time

satisfies the profoundest yearnings of the soul. It swept him into utter bliss, into something for once complete.

And Spinrobin, at the centre of his glorified yet quaking little heart, understood vaguely that the sound he

uttered, and the sound he heard, were directly connected with the presence of some august and awful Name. .

. .

VI

Suddenly Mr. Skale, he was aware, became rigid beside him. Spinrobin pressed closer, seeking the protective

warmth of his body, and realizing from the gesture that something new was about to happen. And something

did happen, though not precisely in the sense that things happen in the streets and in the markets of men. In

the sphere of his mind, perhaps, it happened, but was none the less real for that.

For the Presence he had been aware of in the room from the moment of entrance became then suddenly

almost concrete. It came closersheeted in wonder inscrutable. The form and body of the sounds that filled

the air pressed forward into partial visibility. Spinrobin's powers of interior sight, he dimly realized, increased

at the same time. Vast as a mountain, as a whole range of mountains; beautiful as a star, as a whole heaven of

stars; yet simple as a flower of the field; and singing this little song of pure glory and joy that he felt was the

inmost message of the chordthis Presence in the room sought to push forward into objective reality. And

behind it, he knew, lay the stupendous urgency and drive of some power that held the entire universe in its

pulses as easily as the ocean holds a shoal of minnows. . . .

But the limits of realization for him were almost reached. Spinrobin wanted to close his eyes, yet could not.

He was driven along with the wave of sound thus awakened and forced to see what was to be seen. This time

there was no bush behind which he could screen himself. And there, dimly sketched out of the rhythmical

vibrations of the seething violet obscurity, rose that looming Outline of wonder and majesty that clothed itself

about them with a garment as of visible sound. The Unknown, suggesting incredible dimensions, stood at his

elbow, tremendously draped in these dim, voluminous folds of music and colourvery fearful, very

seductive, yet so supremely simple at the same time that a little child could have understood without fear.


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But only partially there, only partially revealed. The ineffable glory was never quite told. Spinrobin, amid all

the torrent of words in which he sought later to describe the experience, could only falter out a single

comprehensible sentence: "I felt like stammering in intoxication over the first letter of a name I lovedloved

to the point of ecstasy to the point even of giving up my life for it."

And meanwhile, breathless and shaking, he clung to Skale, still murmuring in his heart the magic syllable,

but swept into some region of glory where pain and joy both ceased, where terror and delight merged into

some perfectly simple form of love, and where he became in an instant of time an entirely new and

emancipated Spinrobin, driving at full speed towards the ultimate sound and secret of the universeGod.

He never remembered exactly how he got out of the room, but it always seemed as though he dropped with a

crash from some enormous height. The sounds ceased; the gongs died into silence; the violet faded; the

quivering wax lay still. . . . Mr. Skale was moving beside him, and the next minute they were in the narrow

vestibule between the doors, hanging up ordinary coloured surplices upon ordinary iron nails.

Spinrobin stumbled. Skale caught him. They were in the corridor againcold, cheerless, full of December

murk and shadowsand the secretary was leaning against the clergyman's shoulder breathless and trembling

as though he had run a mile.

CHAPTER XI

I

"AND the colour of my sound is a pale green," he heard behind him in tones as sweet as a muted violin

string, "while the form of my note fits into yours just like a glove. Dear Spinny, don't tremble so. We shall

always be together, remember, you and I. . . ."

And when, turning, he saw Miriam at his side, radiant with her shining little smile of welcome, the relief was

so great that he took her in his arms and would not let her go. She drew him tenderly away downstairs, for the

clergyman, it seemed, was still busy with something in the room, and had left them. . . .

"I know, I know," she said softly, making him sit down beside her on the sofa, "I know the rush of pain and

happiness it brings. It shifts the whole key of your life, doesn't it? When I first went into my `room' and

learned the letter I was to utter in the Name, I felt as if I could never come back to ordinary things again,

or"

"What name?" interrupted Spinrobin, drawing sharply away from her, and the same second amazed at the

recklessness that had prompted the one question he dreaded.

The inevitable reaction had come. He realized for the first time that there was an alternative. All the passion

of battle was upon him. The terrific splendours of Skale's possible achievement dazzled the very windows of

his soul, but at the same time the sweet uses of normal human life called searchingly to him from within. He

had been circling about this fight for days; at last it was unexpectedly upon him. He might climb to Skale's

impossible Heaven, Skale's outrageous Heaven . . . on the wings of this portentous experience, orhe might

sink back into the stream of wholesome and commonplace life, with a delicious little human love to

companion him across the years, the unsoiled love of an embryonic soul that he could train practically from

birth. Miriam was beside him, soft and yielding, ready, doubtless, to be moulded for either path.

"What name?" he repeated, holding his breath once the words were out.


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"The name, of course," she answered gently, smiling up into his eyes. "The name I have lived to know and

that you came here to learn, so that when our voices sing and utter it together in the chord we shall both

become"

Spinrobin set his mouth against her own to stop her speech. She yielded to him with her whole little body.

Her eyes smiled the great human welcome as she stared so closely into his.

"Shall becomewhat we are not now," he cried fiercely, drawing his face back, but holding her body yet

more closely to him. "Lose each other, don't you see? Don't you realize that?"

"No, no," she said faintly, "find each otheryou mean"

"Yesif all goes well!" He spoke the words very low.

For perhaps thirty seconds they stared most searchingly into each other's eyes, drawing slightly apart. Very

slowly her face, then, went exceedingly pale.

"Ifall goes well," she repeated, horrified. Then, after a pause, she added: "You meanthat he might make

a mistake or?"

And Spinrobin, drinking in the sweet breath that bore the words so softly from her lips, answered, measuring

his words with ponderous gravity as though each conveyed a sentence of life or death,

"Ifallgoeswell."

She watched him with something of that utter clinging motherlove in her eyes that claims any degree of

suffering gladly rather than the loss of her ownpassionately welcoming misery in preference to loss. She,

too, had divined the alternative.

Then, kissing his cheeks and eyes and lips, she untied his arms from about her neck and ran, blushing

furiously, from the room. And with her went doubt, for the first timedoubt as to the success of the great

experimentdoubt as to their Leader's power.

II

And while Spinrobin still sat there, trembling with the two passions that tore his soul in twainthe passion

to climb forbidden skies with Skale, and the passion to know sweet human love with Miriamthere came

thundering into the room no less a personage than the giant clergyman, straight from those haunted rooms.

Pallor hung about his face, but there was a light radiating through ita high, luminous whitenessthat

made the secretary think of his childhood's pictures of the Hebrew prophet descending from Mount Sinai, the

glory of internal spheres still reflected upon the skin and eyes. Skale, like a flame and a wind, came pouring

into the room. The thing he had remained upstairs to complete had clearly proved successful. The experiment

had moved another stagealmost the final onenearer accomplishment.

The reaction was genuinely terrific. Spinrobin felt himself swept away beyond all power of redemption.

Miriam and the delicious human life faded into insignificance again. What, in the name of the eternal fires,

were a girl's lips and love compared to the possibilities of Olympian achievement promised by Skale's golden

audacities? Earth faded before the lights of heaven. The whole tide of human emotion was nothing compared

to a drop of this terrible salt brine from seas in unknown stars. . . . As usual Skale's personality caught him up

into some seventh heaven of the soaring imagination.

"Spinrobin, my glorious companion in adventure," thundered the clergyman, "your note suits perfectly the


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chord! I am delighted beyond all words. You chime with amazing precision and accuracy into the complex

MasterTone I need for the proper pronunciation of the Name! Your coming has been an inspiration

permitted of Him who owns it." His excitement was profoundly moving. The man was in earnest if ever man

was. "We shall succeed!" And he caught him in his arms. "For the Name manifests the essential attributes of

the Being it describes, and in uttering it we shall know mystical union with it. . . . We shall be as Gods!"

"Splendid! Splendid!" exclaimed Spinrobin, utterly carried away by this spiritual enthusiasm. "I will follow

you to the end"

III

The words were scarcely out of his mouth when framed in the doorway, delicate and seductive as a witch,

again stood Miriam, then moved softly forward into the room. Her face was pale as the grave. Her little,

delicate mouth was set with resolution. Clearly she had overheard, but clearly also she had used the interval

for serious reflection.

"We cannot possiblyfail, can we?" she asked, gliding up like a frightened fawn to the clergyman's side.

He turned upon her, stern, even terrible. So relentless was his swift appearance, so implacable in purpose, that

Spinrobin felt the sudden impulse to fly to her assistance. But instantly his great visage broke into a smile like

the smile of thunderous clouds when unexpectedly the sun breaks through, then quickly hides itself again.

"Everywhere," he roared, "true things are great and clean. . . . Have faith . . . have faith. . . ." And he looked

upon them both as though his eyes would sweep from their petty souls all vestige of what was afraid and

immature. "We all arepure . . . we all are true . . . each calls his note in singleness of heart . . . we cannot

fail!"

And just here Spinrobin, a little beyond himself with excitement probably, pattered across the room to his

giant leader's side and peered up into his visage. He stood on tiptoe, craning his neck forwards, then spoke

very low:

"I have the right, we have the rightfor I have earned itto be taken now fully into confidence, and to

know everything everything," came the words; and the reply, simple and immediate, that dropped back

upon him through all that tangle of ragged beard was brief and to the point:

"You have. Listen, then" And he led them both by the hand like two children towards the sofa, and then,

standing over them, began to speak.

IV

"I seek," he said slowly and gravely, "the correct utterance of a certain mighty and ineffable name, and in

each of those four rooms lies a letter of its first syllable. For all these years of research"his voice dropped

suddenly"have only brought me to thatthe first syllable. And the name itself is composed of four, each

more mighty than the last."

A violent trembling ran over both listeners. Spinrobin, holding a cold little hand in his, dreaded unuttered

sentences. For if mere letters could spell so vast a message, what must be the meaning of a whole syllable,

and what the dire content of the completed name itself!

"Yes," Skale went on with a reverence born of profoundest awe, "the captured sounds I hold are but the

opening vibrations of this tremendous name, and the task is of such magnitude that absolute courage and


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absolute faith are essential. For the sounds are themselves creative sounds, and the consequences in case of

faulty utterance might be too appalling to contemplate"

"Creative!" fell from the little man on the sofa, aghast at the possibility. Yet the one burning question that lay

trembling just behind his lips dared not frame itself in words, for there was something in Mr. Skale's face and

manner that rendered the asking of it not yet possible. The revelation of the name must wait.

"Even singly, as you saw, their power is terrific," he went on, ignoring the pathetic interruption, "but

unitedas we shall unite them while each of us utters his letter and summons forth the entire syllable by

means of the chordthey will constitute a Word of Power which shall make us as Gods if uttered correctly;

if incorrectly, shall pour from this house to consume and alter the surface of the entire world with the

destructive tempest due to mispronunciation and a lie."

Miriam nestled closer into her companion's side. There was otherwise no sign outwardly of the emotions that

surged through the two little figures upon the sofa.

"And nownow that you have this first syllable complete?" faltered a high and sharing tenor voice.

"We must transfer it to a home where it shall wait in silence and in safety until we have also captured the

other remaining three." Skale came forward and lowered his mouth to his companions' ears. "We shall

transfer it, as you now understand, by chanting the four letters. Our living chord will summon forth that first

syllable into visible form and shape. Our four voices, thus trained and purified, each singing a mighty letter,

shall create the astounding pattern of the name's first syllable"

"But the home," stammered Spinrobin; "this home where it shall await the rest?"

"My rooms," was the reply, "can contain letters only; for a whole syllable I need a larger space. In the

cryptlike cellars beneath this house I have the necessary space all ready and prepared to hold this first

syllable while we work upon the second. Come, and you shall see!"

They crossed the hall and went down the long stone passage beyond the diningroom till they reached a

swinging baize door, and so came to the dark stairs that plunged below ground. Skale strode first, Spinrobin

following with beating heart; he held Miriam by the hand; his steps, though firm enough, made him think of

his efforts as a boy when treading water for solid ground out of his depth.

V

Cold air met them, yet it was neither dank nor unpleasant as air usually is that has never tasted sunlight.

There was a touch of vitality about it wholly remarkable. Miriam pressed closer. Every detail, every little

incident that brought them nearer to the climax was now interpreted by these two loving children as

something that might eventually spell for them separation. Yet neither referred to it directly. The pain of the

ultimate choice possessed them deep within.

"Here," exclaimed the clergyman in a hushed tone that yet woke echoes on all sides, while he lit a candle and

held it aloft, "you see the cellar vaults all ready for the first great syllable when our chord shall bring it

leaping down from the rooms upstairs. Here will reside the pattern of the name's opening syllable till we shall

have accomplished the construction of the others."

And like some august master of forbidden ceremonies, looking twice his natural size as the shadows played

tricks with his arms and shoulders, merging his outline into walls and ceiling, Skale stood and looked about

him.


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Spaces stretched away on all sides as in the crypt of a cathedral, most beautifully and harmoniously draped

with the separate colours of the four rooms, red, yellow, violet and green; immense gongs, connected

apparently with some intricate network of shining wires, hung suspended in midair beneath the arches;

rising from the floor were gigantic tuning forks, erect and silent, immediately behind which gaped artificial

air cavities placed to increase the intensity of the respective notes when caught; and in the dim background

the clergyman pointed out an elaborate apparatus for quickly altering the temperature of the air, and another

for the rapid production of carbonic acid gas, since by means of a lens of carbonic acid gas sound can be

refracted like light, and by changing the temperature of the air that conveys it, sound can be bent, also like a

ray of light, in any desired direction. The whole cellar seemed in some way to sum up and synthesize the

distinctive characteristics of the four rooms. Over it all, sheeting ceiling and walls, lay the living and

receptive wax. Singularly suggestive, too, was the appearance of those huge metal discs, like lifeless, dark

faces waiting the signal to open their bronze lips and cry aloud, ready for the advent of the Sound that should

give them birth and force them to proclaim their mighty secret. Spinrobin stared, silent and fascinated, almost

expecting them to begin there and then their dreadful and appalling music.

Yet the place was undeniably empty; no ghost of a sound stirred the gorgeous draperies; nothing but a faint

metallic whispering seemed to breathe out from the big discs and forks and wires as Skale's voice, modulated

and hushed though it was, vibrated gently against them. Nothing moved, nothing uttered, nothing livedas

yet.

"Destitute of all presence, you see it now," whispered the clergyman, shading the candle with one huge hand;

"though before long, when we transfer our great captured syllable down here, you shall know it alive and

singing with a thousand thunders. The Letters shall not escape me. The gongs and colours correspond exactly.

They will retain both the sounds and the outlines . . . and the wax is sensitive as the heart of a child." And his

big face shone quite dreadfully as the whole pomp and splendour of his dream come true set fire to his

thoughts.

But Spinrobin was glad when at length they turned and moved slowly again up the stone steps and emerged

into the pale December daylight. That dark cellar, wired, draped, waxed and begonged, awaiting its mighty

occupant, filled his mind with too vast a sensation of wonder and anticipation for peace.

"And for the syllables to follow," Skale resumed when they were once more in the library, "we shall want

spaces larger still. There are great holes in these hills"stretching out an arm to indicate the mountains

above the house"and down yonder in the heart of those cliffs by the sounding sea there are caverns. They

are far, but the distance is of no consequence. They will serve us well. I know them. I have marked them.

They are ready."

He swept his beard to and fro with one hand. Spinrobin already saw those holes and caverns in the terms of

sound and colour.

"Andfor the entire namewhen completed?" he asked, knowing that the question was but a feeble

substitute for that other one he burned to ask, yet dared not allow his lips to utter. Skale turned and looked at

him. He raised his hands aloft. His voice boomed again as of old.

"The open sky!" he cried with enthusiasm; "the vault of heaven itself! For no solid structure exists in the

world, not even the ribs of these old hills, that could withstand the power of thatof that eternal and

terrific"

Spinrobin leapt to his feet. The question swept from his lips at last like a flame. Miriam clung to his arm,

trying in vain to stop him.


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"Then tell me," he cried aloud, "tell me, you great blasphemer, whose is the Name that you seek to utter

under heaven . . . and tell me why it is my soul faints and is so fearfully afraid?"

Mr. Skale looked at him for a moment as a man might look at some trifling phenomenon of life that puzzled

yet interested him. But there was love in his eyeslove, and the forgiveness of a great soul. Spinrobin, afraid

at his own audacity, met his eyes recklessly, while Miriam peered from one to the other, perplexed and

questioning.

"Spinrobin," said the clergyman at length, in a voice turned soft and tender with compassion, "the name I

seekthis awful name we may all eventually utter together, completely formed is one that no living man

has spoken for nigh two thousand years, though all this time the search has been kept alive by a few men in

every age and every country of the world. Some few, they sayah, yes, `they say'have found it, then

instantly forgotten it again; for once pronounced it may not be retained, but goes utterly lost to the memory

on the instant. Only once, so far as we may know"he lowered his voice to a hushed and reverent whisper

that thrilled about them in the air like the throbbing of a string"has it been preserved: the Prophet of

Nazareth, purer and simpler than all other men, recovered the correct utterance of the first two syllables, and

swiftlyvery swiftlyphonetically, too, of necessity,wrote them down before the wondrous memory had

time to fade; then sewed the piece of parchment into his thigh, and hence `had Power' all his life.

"It is a name," he continued, his tone rising to something of its old thunder, "that sounds like the voice of

many waters, that piles the ocean into standing heaps and makes the high hills to skip like little lambs. It is a

name the ancient Hebrews concealed, as Tetragrammaton, beneath a thousand devices, the name, they said,

that `rusheth through the universe,' to call upon whichthat is, to utter correctlyis to call upon that name

which is far above all others that can be named"

He paused midway in the growing torrent of his speech and lifted his companion out of the sofa. He set him

upon his feet, holding both his hands and peering deep into his eyesthose bewildered yet unflinching blue

eyes of the little man who sought terrific adventure as an escape from insignificance

"to know which," he added, in a sudden awed whisper, "is to know the ultimate secrets of life and death,

and to read the riddle of the world and the soulto become even as itself Gods."

He stopped abruptly, and again that awful, flaming smile ran over his face, flushing it from chin to forehead

with the power of his burning and tremendous belief.

Spinrobin was already weeping inwardly, without sound. He understood at last, only too well, what was

coming. Skale's expression held the whole wild glory, and the whole impious audacity of what seemed his

blasphemous spiritual discovery. The fires were alight in his eyes. He stooped down lower and opened wide

his capacious arms. The next second, Spinrobin, Miriam, and Mrs. Mawle, who had unexpectedly come upon

them from behind, were gathered all together against his breast. His voice then dropped suddenly to a tiny

whisper of awful joy that seemed to creep from his lips like some message too mighty to be fully known, and

half lost itself among the strands of his beard.

"My wonderful redeemed children, notes in my human chord," he whispered over their heads, "it is the Name

that shall make us as God, for it is none other than the Name that rusheth through the universe"his breath

failed him most curiously for an instant"the NAME OF THE ALMIGHTY!"


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CHAPTER XII

I

A CERTAIN struggling incoherence is manifest in Spinrobin's report of it all, as of a man striving to express

violent thoughts in a language he has not yet mastered. It is evident, for instance, as those few familiar with

the "magical" use of sound in ceremonial and the power that resides in "true naming" will realize, that he

never fully understood Skale's intended use of the chord, or why this complex sound was necessary for the

utterance of the complex "Name."

Moreover, the powers concealed in the mere letters, while they laid hold upon his imagination, never fully

entered his understanding. Few minds, it seems, can conceive of any deity as other than some

anthropomorphic extension of themselves, for the idea is too greatly blinding to admit human thought within

a measurable distance even of a faintest conception. The true, stupendous nature of the forces these letters in

the opening syllable clothed, Spinrobin unquestionably never apprehended. Miriam, with her naked and

undefiled intuitions, due to utter ignorance of worldly things from birth, came nearer to the reality; but then

Miriam was now daily more and more caught up into the vortex of a sweet and compelling human love, and

in proportion as this grew she feared the great experiment that mightso Spinrobin had suggestedspell

Loss. Gradually dread closed the avenues of her spirit that led so fearfully to Heaven; and in their place she

saw the dear yet thorny paths that lay with Spinny upon the earth.

They no longer, these two bewildered loving children, spoke of one another in the farfetched terminology of

sound and music. He no longer called her his "brilliant little sound," nor did she respond with "you perfect

echo"; they fell backsign of a gradual concession to more human thingsupon the gentler terminology, if

the phrase may be allowed, of Winky. They shared Winky between them . . . though neither one nor other of

them divined yet what Winky actually meant in their just opening lives.

"Winky is yours," she would say, "because you made him, but he belongs to me too, because he simply can't

live without me!"

"Or I without you, Little Magic," he whispered, laughing tenderly. "So, you see, we are all three together."

Her face grew slightly troubled.

"He only pays me visits, though. Sometimes I think you hide him, or tell him not to come." And far down in

her deep grey eyes swam the first moisture of rising tears. "Don't you, my wonderful Spinny?"

"Sometimes I forget him, perhaps," he replied gravely; "but that is only when I think of what may be coming

ifthe experiment succeeds"

"Succeeds?" she exclaimed. "You mean if it fails!" Her voice dropped instinctively, and they looked over

their shoulders to make sure they were alone.

He came up very close to her and spoke in her small pink ear. "If it succeeds," he whispered, "we go to

Heaven, I suppose; if it fails we stay upon the earth." Then he stood off, holding her hands at arm's length and

gazing down upon her. "Do you want to go to Heaven?" he asked very deliberately, "or to stay here upon the

earth with me and Winky?"

She was in his arms the same second, laughing and crying with the strange conflict of new and inexplicable

emotions.


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"I want to be with you here, and for ever. Heaven frightens me now. Butoh, Spinny, dear protecting thing,

I wantI also want" She broke off abruptly, and Spinrobin, unable to see her face buried against his

shoulder, could not guess whether she was laughing or weeping. He only divined that something in her heart,

profound as life itself, something she had never been warned to conceal, was clamouring for comprehension

and satisfaction.

"Miriam, tell me exactly. I'm sure I shall understand"

"I want Winky to be with us alwaysnot only sometimeson little visits," he heard between the broken

breathing.

"I'll tell him"

"But there's no good telling him," she interrupted almost fiercely, "it is me you must tell. . . ."

Spinrobin's heart sank within him. She was in pain and he could not quite understand. He pressed her hard

against him, keeping silence.

Presently she lifted her face from his coat, and he saw the tears of mingled pain and happiness in her

eyesthe eyes of this girlwoman who knew not the common ugly standards of life because no woman had

ever told them to her.

"You see, Winky is not really mine unless I have some share in making him too," she said very softly. "When

I have made him too, then he will stay for ever with us, I think."

And Spinrobin, beginning to understand, knowing within him that singular exultation of triumphant love

which comes to a pure man when he meets the mothertobe of his firstborn, lowered his own face very

reverently to hers, and kissed her on the cheeks and eyessaying nothing, and vaguely wondering whether

the awful name that Skale sought with so much thunder and lightning, did not lie at that very moment,

sweetly singing its divinest message, between the contact of this pair of youthful lips, the lips of himself and

Miriam.

II

And Philip Skale, meanwhile, splendid and independent of all common obstacles, thundered along his

tempestuous mad way, regardless and ignorant of all signs of disaffection. The rest of that weeka week of

haunting wonder and beautywas devoted to the carrying out of the strange programme. It is not possible to

tell in detail the experience of each separate room. Spinrobin does it, yet only succeeds in repeating himself;

and, as has been seen, his powers failed even in that first chamber of awe. The language does not exist in

which adventures so remote from normal experience can be clothed without straining the mind to the verge of

the unintelligible. It appears, however, that each room possessed its colour, note and form, which later were

to issue forth and combine in the even vaster pattern, chord and outline which should include them all.

Even the thought of it strained the possibilities of belief and the resources of the imagination. . . . His soul

fluttered and shrank.

They continued the processes of prayer and fasting Skale had ordained as the time for the experiment drew

near, and the careful vibratory utterance of the "word" belonging to each room, the vibrations of which threw

their inner selves into a condition of safeor comparatively safereceptivity. But Spinrobin no longer said

his prayers, for the thought that soon he was to call upon the divine and mighty name in reality prevented his

doing so in the old way of childhoodnominally. He feared there might come an answer.


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He literally walked the dizzy edge of precipices that dropped over the edge of the world. The incoherence of

all this traffic with sound and name had always bewildered him, even to the point of darkness, whereas now it

did more, it appalled him in some sense that was monstrous and terrifying. Yet, while weak with terror when

he tried to face the possible results, and fevered with the notion of entering some new condition (even though

one of glory) where Miriam might no longer be as he now knew her, it was the savage curiosity he felt that

prevented his coming to a definite decision and telling Mr. Skale that he withdrew from the whole affair.

Then the idea grew in his mind that the clergyman was obsessed by some perverted spiritual force, some

"Devil" who deceived him, and that the name he sought to pronounce was after all not goodnot God. His

thoughts, fears, hopes, all became hopelessly entangled, through them one thing alone holding clear and

steadythe passionate desire to keep Miriam as she was now, and to be with her for ever. His mind played

tricks with him too. Day and night the house echoed with new sounds; the very walls grew resonant; the

entire building, buried away among these desolate hills, trembled as though he were imprisoned within the

belly of some monstrous and gigantic fiddle.

Mr. Skale, too, began to change, it seemed. While physically he increased, as it were, with the power of his

burning enthusiasm, his beard longer and more ragged, his eyes more luminous, and his voice shaking

through the atmosphere almost like wind, his personality, in some curious fashion, seemed at the same time

to retire and become oddly tinged with a certain remoteness from reality. Spinrobin once or twice caught

himself wondering if he were not after all some legendary or pagan figure, some mighty character of dream

or story, and that presently he, Spinrobin, would awake and write down the most wonderful vision the world

had ever known. His imagination, it will be seen, was affected in more ways than one. . . .

With a tremendous earnestness the clergyman went about the building, down the long dark corridors and

across the halls, his long soft strides took him swiftly everywhere; his mere presence charged with some

potent force that betrayed itself in the fire of his eyes and the flush of his cheeks.

Spinrobin thought of him as some daring blasphemer, knocking at a door in the sky. The sound of that

knocking ran all about the universe. And when the door opened, the heavens would roll back like an

enormous, flat curtain. . . .

"Any moment almost," Skale whispered to him, smiling, "the day may be upon us. Keep yourself

readyandin tune."

And Spinrobin, expecting a thunderclap in his sleep, but ever plucky, answered in his highpitched voice,

"I'm ready, Mr. Philip Skale, I'm ready! I'm game too!" when, truthfully speaking, perhaps, he was neither

one nor other.

He would start up from sleep in the nighttime at the least sound, and the roar of the December gales about

the house became voices of portent that conveyed far more than the mere rushing of inarticulate winds. . . .

"When the hour comesand it is close at handwe shall not fail to know it," said Skale, pallid with

excitement. "The Letters will be out upon us. They will live! But with an intense degree of exuberant life far

beyond what we know as lifewe, in our puny, senselimited bodies!" And the scorn in his voice came

from the centre of his heart. "For what we hear as sound is only a section," he cried, "only a section of

soundvibrations as they exist."

"The vibrations our ears can take are very small, I know," interpolated Spinrobin, cold at heart, while Miriam,

hiding behind chairs and tables that offered handy protection, watched with mingled anxiety and confidence,

knowing that in the last resort her adorable and "wonderful Spinny" would guide her aright. Love filled her

heart, ousting that other portentous Heaven!


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III

And then Skale announced that the time was ready for rehearsals.

"Let us practise the chord," he said, "so that when the moment comes suddenly upon us, in the twinkling of

an eye, in the daytime or in the night, we shall be prepared, and each shall fly to his appointed place and

utter his appointed note."

The reasons for these definite arrangements he did not pretend to explain, for they belonged to a part of his

discovery that he kept rigidly to himself; and why Spinrobin and Miriam were to call their notes from the

corridor itself, while Skale boomed his great bass in the prepared cellar, Mrs. Mawle chanting her alto

midway in the hall, acting as a connecting channel in some way, was apparently never made fully clear. In

Spinrobin's imagination it was very like a practical illustration of the written chord, the notes rising from the

bass clef to the high sopranothe cellar to the attic, so to speak. But, whatever the meaning behind it, Skale

was exceedingly careful to teach to each of them his and her appointed place.

"When the Letters move of themselves, and make the first sign," he repeated, "we shall know it beyond all

doubt or question. At any moment of the day or night it may come. Each of you then hasten to your appointed

place and wait for the sound of my bass in the cellar. There will be no mistake about it; you will hear it rising

through the building. Then, each in turn, as it reaches you, lift your voices and call your notes. The chord thus

rising through the building will gather in the flying Letters: it will unite them; it will summon them down to

the fundamental mastertone I utter in the cellar. The moment the Letter summoned by each particular voice

reaches the cellar, that voice must cease its utterance. Thus, one by one, the four mighty Letters will come to

rest below. The gongs will vibrate in sympathetic resonance; the colours will tremble and respond; the finely

drawn wires will link the two, and the lens of gas will lead them to the wax, and the record of the august and

terrible syllable will be completely chained. At any desired moment afterwards I shall be able to reawaken it.

Its phonetic utterance, its correct pronunciation, captured thus in the two media of air and ether, sound and

light, will be in my safe possession, ready for use.

"But"and he looked down upon his listeners with a dreadful and impressive gravity that yet only just

concealed the bursting exultation the thought caused him to feel"remember that once you have uttered

your note, you will have sucked out from the Letter a portion of its own terrific life and force, which will

immediately pass into yourself. You will instantly absorb this, for you will have called upon a mighty

namethe mightiestand your prayer will have been answered." He stooped and whispered as in an act of

earnest prayer, "We shall be as Gods!"

Something of cold splendour, terribly possessing, came close to them as he spoke the words; for this was no

empty phrase. Behind it lay the great drive of a relentless reality. And it struck at the very root of the fear that

grew every moment more insistent in the hearts of the two lovers. They did not want to become as gods. They

desired to remain quietly human and to love!

But before either of them could utter speech, even had they dared, the awful clergyman continued; and

nothing brought home to them more vividly the horrible responsibility of the experiment, and the results of

possible failure, than the few words with which he concluded.

"And to mispronounce, to utter falsely, to call inaccurately, will mean to summon into life upon the

worldand into the heart of the uttererthat which is incomplete, that which is not GodDevils!devils

of that subtle Alteration which is destructionthe devils of a Lie." 

And so for hours at a time they rehearsed the sounds of the chord, but very softly, lest the sound should rise

and reach the four rooms and invite the escape of the waiting Letters prematurely.


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Mrs. Mawle, holding the bit of paper on which her instructions were clearly written, was as eager almost as

her master, and as the note she had to utter was practically the only one left in the register of her voice, her

deafness provided little difficulty.

"Though when the letters awake into life and cry aloud," said Skale, beaming upon her dear old

appleskinned face, "it will be in tones that even the deaf shall hear. For they will spell a measure of

redemption that shall destroy in a second of time all physical disabilities whatsoever. . . ."

It was at this moment Spinrobin asked a question that for days had been hovering about his lips. He asked it

gravely, hesitatingly, even solemnly, while Miriam hung upon the answer with an anxiety as great as his own.

"And if any one of us fails," he said, "and pronounces falsely, will the result affect all of us, or only the

utterer?"

"The utterer only," replied the clergyman. "For it is his own spirit that must absorb the forces and powers

invoked by the sound he utters."

He took the question lightly, it seemed. The possibility of failure was too remote to be practical.

CHAPTER XIII

I

BUT Spinrobin was hardly prepared for the suddenness of the denouement. He had looked for a longer period

of preparation, with the paraphernalia of a considerable, even an august ceremony. Instead, the announcement

came with an abrupt simplicity that caught him with a horrid shock of surprise. He was taken wholly

unawares.

"The only thing I fear," Mr. Skale had confided to them, "is that the vibrations of our chord may have already

risen to the rooms and cause a premature escape. But, even so, we shall have ample warning. For the deaf,

being protected from the coarser sounds of earth, are swift to hear the lightest whispers from Heaven. Mrs.

Mawle will know. Mrs. Mawle will instantly warn us. . . ."

And this, apparently, was what happened, though not precisely as Mr. Skale had intended, nor with the

margin for preparation he had hoped. It was all so swift and brief and shattering, that to hear Spinrobin tell it

makes one think of a mass of fireworks that some stray spark has sent with blazing explosion into the air, to

the complete loss of the calculated effect had they gone off seriatim as intended.

And in the awful stress of excitement there can be no question that Spinny acted out of that subconscious

region of the mind which considers and weighs deeds before passing them on to the surface mind, translating

them into physical expression and thinking itself responsible for the whole operation. The course he adopted

was thus instinctive, and, since he had no time to judge, blameless.

Neither he nor Miriam had any idea really that their minds, subconsciously, were already made up. Yet only

that morning he had been talking with her, skirting round the subject as they always did, ashamed of his

doubts about success, and trying to persuade her, and, therefore, himself, that the path of duty lay in

following their leader blindly to the very end.

He had seen her on the stairs ahead of him, and had overtaken her quickly. He drew her down beside him,

and they sat like two children perched on the softcarpeted steps.


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"It's coming, you know," he said abruptly, "the moment's getting very close."

He felt the light shudder that passed through her into himself. She turned her face to him and he saw the flush

of excitement painted in the centre of the usually pale cheeks. He thought of some rare flower, delicately

exotic, that had sprung suddenly into blossom from the heart of the bleak December day, out of the very

boards whereon they sat.

"We shall then be as gods," he added, "filled with the huge power of those terrific Letters. And that is only

the beginning." In himself he was striving to coax a fading enthusiasm, and to pour it into her. Her little hand

stole into his. "We shall be a sort of angel together, I suppose. Just think of it . . . !" His voice was not as

thrilling as it ought to have been, for very human notes vibrated down below in the part he tried to keep back.

He saw the flush fade from her cheeks, and the pallor spread. "You and I, Miriamsomething tremendous

together, greater than any other man and woman in the whole world. Think of it, dear baby; just think of it . . .

!"

A tiny frown gathered upon her forehead, darkening the grey eyes with shadows.

"Butlose our Winky!" she said, nestling against his coat, her voice singularly soft, her fingers scratching

gently the palm of his hand where they lay.

"Hush, hush!" he answered, kissing her into silence. "We must have more faith. I think everything will be all

right. And there is no reason why we should lose our Winky," he added, very tenderly, smothering the doubt

as best he could, "although we may find his name changed. Like the rest of us, he will get a `new name' I

suppose."

"Then he won't be our Winky any longer," she objected, with a touch of obstinacy that was very seductive.

"We shall all be different. Perhaps we shall be too wonderful to need each other any more. . . . Oh, Spinny,

you precious thing my life needs, think of that! We may be too wonderful even to care!"

Spinrobin turned and faced her. He tried to speak with authority and conviction, but he was a bad actor

always. He met her soft grey eyes, already moist and shining with a tenderness of love beyond belief, and

gazed into them with what degree of sternness he could.

"Miriam," he said solemnly, "is it possible that you do not want us to be as gods?"

Her answer came this time without hesitation. His pretended severity only made her happy, for nothing could

intimidate by a hair's breadth this exquisite first love of her awakening soul.

"Some day, perhaps, oh, my sweet Master," she whispered with trembling lips, "but not now. I want to be on

earth first with youand with our Winky."

To hear that precious little voice call him "sweet Master" was almost more than he could bear. He made an

effort, however, to insist upon this fancied idea of "duty" to Skale; though everything, of course, betrayed

himeyes, voice, gestures.

"But we owe it to Mr. Skale to become as gods," he faltered, trying to make the volume of his voice atone for

its lack of conviction.

And it was then she uttered the simple phrase that utterly confounded him, and showed him the new heaven

and new earth wherein he and she and Winky already lived.


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"I am as God now," she said simply, the whole passion of a clean, strong little soul behind the words. "You

have made me so! You love me!"

II

The same moment, before they could speak or act, Skale was upon them from behind with a roar.

"Practising your splendid notes together!" he cried, thundering down the steps past them, three at a time,

clothed for the first time in the flowing scarlet robe he usually wore only in the particular room where his

own "note" lived. "That's capital! Sing it together in your hearts and in your souls and in your minds; and the

more the better!"

He swept by them like a storm, vanishing through the hall below like some living flame of fire. They both

understood that he wore that robe for protection, and that throughout the house the heralds of the approaching

powers of the imprisoned Letters were therefore already astir. His steps echoed below them in the depths of

the building as he descended to the cellar, intent upon some detail of the appalling consummation that drew

every minute nearer.

They turned and faced one another, breathless a little. Tenderness and terror shone plainly in their eyes, but

Spinrobin, ever an ineffectual little man, and with nothing of the "Master" really in his composition

anywhere, found no word to speak. That sudden irruption of the terrific clergyman into their intimate world

had come with an effect of dramatic and incalculable authority. Like a blast of air that drives the furnace to

new heat and turns the metal white, his mind now suddenly saw clear and sure. The effect of the incident was

too explosive, however, for him to find expression. Action he found in a measure, but no words. He took

Miriam passionately into his arms as they stood there in the gathering dusk upon the staircase of that haunted

and terrible building, and Miriam it was who found the words upon which they separated and went quietly

away to the solitude each needed for the soul.

"We'll leave the gods alone," she said with gentle decision, yet making it seem as though she appealed to his

greater strength and wisdom to decide; "I want nothing but youyou and Winky. And all you really want is

me."

But in his room he heard the vibrations of the clergyman's voice rising up through the floor and walls as he

practised in the cellar the sounds with which the ancient Hebrews concealed the Tetragrammaton:

YODHEVAUHE: JEHOVAHJAHVEof which the approaching great experiment, however,

concerned itself only with the opening vibrations of the first letter YOD. . . .

And, as he listened, he hesitated again . . . wondering after all whether Miriam was right.

III

It was towards the end of their short silent dinner that very nightthe silence due to the fact that everybody

was intently listeningwhen Spinrobin caught the whisper of a singular faint sound that he took first to be

the rising of wind. The wind sometimes came down that way with curious gulps from the terraces of the

surrounding moors. Yet in this sound was none of that rush and sigh that the hills breed. It did not drop across

the curves of the world; it rose from the centre.

He looked up sharply, then at once realized that the sound was not outside at all, but insideinside the very

room where he sat facing Skale and Miriam. Then something in his soul recognized it. It was the first wave in

an immense vibration.


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Something stretched within him as foam stretches on the elastic side of a heaped Atlantic roller, retreated,

then came on again with a second gigantic crest. The rhythm of the huge sound had caught him. The life in

him expanded awfully, rose to far summits, dropped to utter depths. A sense of glowing exaltation swept

through him as though wings of power lifted his heart with enormous ascendancy. The biggest passions of his

soul stirredthe sweetest dreams, yearnings, aspirations he had ever known were blown to fever heat. Above

all, his passion for Miriam waxed tumultuous and possessed him.

Mr. Skale dropped his fruitknife and uttered a cry, but a cry of so peculiar a character that Spinrobin thought

for a moment he was about to burst into song. At the same instant he stood up, and his chair fell backwards

with a crash upon the floor. Spinrobin stood up too. He asserts always that he was lifted up. He recognized no

conscious effort of his own. It was at this point, moreover, that Miriam, pale as linen, yet uttering no sound

and fully mistress of herself, left her side of the table and ran round swiftly to the protection of her lover.

She came close up. "Spinny," she said, "it's come!"

Thus all three were standing round that dinnertable on the verge of some very vigorous action not yet

disclosed, as people, vigilant and alert, stand up at a cry of fire, when the door from the passage opened

noisily and in rushed Mrs. Mawle, surrounded by an atmosphere of light such as might come from a furnace

door suddenly thrown wide in some dark foundry. Only the light was not steady; it was whirling.

She ran across the floor as though dancingthe dancing of a childpropelled, it seemed, by an irresistible

drive of force behind; while with her through the opened door came a roaring volume of sound that was

terrible as Niagara let loose, yet at the same time exquisitely sweet, as birds or children singing. Upon these

two incongruous qualities Spinrobin always insists.

"The deaf shall hear!" came sharply from the clergyman's lips, the sentence uncompleted, for the

housekeeper cut him short.

"They're out!" she cried with a loud, halffrightened jubilance; "Mr. Skale's prisoners are bursting their way

about the house. And one of them," she added with a scream of joy and terror mingled, "is in my throat . . . !"

If the odd phrase she made use of stuck vividly in Spinrobin's memory, the appearance she presented

impressed him even more. For her face was shining and alight, radiant as when Skale had called her true

name weeks before. Flashes of flamelike beauty ran about the eyes and mouth; and she looked

eighteeneternally eighteenwith a youth that was permanent and unchanging. Moreover, not only was

hearing restored to her, but her left arm, withered for years, was in the act of pointing to the ceiling, instinct

with vigorous muscular life. Her whole presentment was splendid, intenseredeemed.

"The deaf hear!" repeated Skale in a shout, and was across the room with the impetus of a released projectile.

"The Letters are out and alive! To your appointed places! The syllable has caught us! Quick, quick! If you

love your soul and truth . . . fly!"

Deafening thunders rushed and crashed and blew about the room, interpenetrated everywhere at the same

time by that searching strain of sweetness Spinrobin had first noticed. The sense of life, running free and

abundant, was very remarkable. The same moment he found his hand clasped, and felt himself torn along by

the side of the rushing clergyman into the hall. Behind them "danced" Mrs. Mawle, her cap awry, her apron

flying, her elasticside boots taking the light, dancing step of youth. With quick, gliding tread Miriam, still

silent, was at his heels. He remembers her delicate, strange perfume reaching him faintly through all the

incredible turmoil of that impetuous exit.

In the hall the roar increased terrifically about his ears. Skale, in his biggest booming voice, was uttering the


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names of Hebrew "angels"invoking forces, that is, to his help; and behind him Mrs. Mawle was

singingsinging fragments apparently of the "note" she had to utter, as well as fragments of her own "true

name" thus magically recovered. Her restored arm gyrated furiously; her tripping youth spelt witchery. Yet

the whole madness of the scene came to Spinrobin with a freezing wind of terror; for about it was a lawless,

audacious blasphemy, that must surely win for itself a quite appalling punishment. . . .

Yet nothing happened at oncenothing destructive, at least. Skale and the housekeeper, he saw, were

hurriedly robing themselves in the red and yellow surplices that hung from nails in the hall, and the instinct to

laugh at the sight was utterly overwhelmed when he remembered that these were the colours which were used

for safety in their respective "rooms." . . . It was a scene of wild confusion and bewilderment which the

memory refuses to reproduce coherently. In his own throat already began a passionate rising of sound that he

knew was the "note" he had to utter attempting to escape, summoned forth automatically by these terrible

vibrating Letters in the air. A cataract of sound seemed to fill the building and made it shake to its very

foundations.

But the hall, he saw, was not only alive with "music," it was ablaze with lighta white and brilliant glory

that at first dazzled him to the point of temporary blindness.

The same second Mr. Skale's voice, storming its way somehow above the tumult, made itself heard:

"To the rooms upstairs, Spinrobin! To the corridor with Miriam! And when you hear my voice from the

cellarutter! We may yet be in time to unite the Letters . . . !"

He released the secretary's hand, flinging it from him, and was off with a bounding, leaping motion like an

escaped animal towards the stone passage that led to the cellar steps; and Spinrobin, turning about himself

like a top in a perfect frenzy of bewilderment, heard his great voice as he disappeared round the corner:

"It has come upon me like a thief in the night! Before I am fully prepared it has called me! May the powers of

the Name have mercy upon my soul . . . !" And he was gone. For the last time had Spinrobin set his eyes

upon the towering earthly form of the Rev. Philip Skale.

IV

Then, at first, it seems, the old enthusiasm caught him, and with him, therefore, caught Miriam, too. That

savage and dominant curiosity to know clutched him, overpowering even the assaults of a terror that fairly

battered him. Through all the chaos and welter of his dazed mind he sought feverishly for the "note" he had to

utter, yet found it not, for he was too horribly confused. Fiddles, sandpatterns, coloured robes, gongs, giant

tuningforks, waxsheeted walls, agedfacesturnedyoung and cavernsbythesea jostled one another in

his memory with a jumble of disproportion quite inextricable.

Next, impelled by that driving sense of duty to Skale, he turned to the girl at his side: "Can you do it?" he

cried.

Unable to make her voice heard above the clamour she nodded quickly in acquiescence. Spinrobin noticed

that her little mouth was set rather firmly, though there was a radiance about her eyes and features that made

her sweetly beautiful. He remembers that her loveliness and her pluck uplifted him above all former

littlenesses of hesitation; and, seizing her outstretched hand, they flew up the main staircase and in less than a

minute reached the opening of the long corridor where the rooms were.

Here, however, they stopped with a gasp, for a hurricane of moving air met them in the face like the draught

from some immense furnace. Again the crest of a wave in the colossal soundvibration had caught them.


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Staggering against the wall, they tried again and again to face the tempest of sound and light, but the space

beyond them was lit with the same unearthly brilliance as the hall, and out of the whole long throat of that

haunted corridor issued such a passion of music and such a torrent of gorgeous colour, that it seemed

impossible for any aggregation of physical particlesleast of all poor human bodiesto remain coherent for

a single instant before the concentrated onslaught.

Yet, game to the inmost core of his little personality, and raised far above his normal powers by the evidence

of Miriam's courage and fidelity, he struggled with all his might and searched through the chambers of his

being for the note he was ordained to utter in the chord. The ignominy of failure, now that the great

experiment was full upon himfailure in Miriam's eyes, toowas simply impossible to contemplate. Yet, in

spite of every effort, the memory of that allimportant note escaped him utterly, for the forces of his soul

floundered, helpless and dishevelled, before the too mighty splendours that were upon him at such close

quarters. The sounds he actually succeeded in emitting between dry and quivering lips were pitiful and feeble

beyond words.

Down that living corridor, meanwhile, he saw the doors of the four rooms were gone, consumed like tissue

paper; and through the narrow portals there shouldered forward, bathed in light ineffable, the separate

outlines of the Letters so long imprisoned in inactivity. And with their appearance the sounds instantly

ceased, having overpassed the limits of what is audible to human ears. A great stillness dropped about them

with an abrupt crash of utter silence. For a "crash" of silence it wasallshattering.

And then, from the categories of the incomprehensible and unmanifest, "something" loomed forth towards

them where, limp and shaking, they leaned against the wall, and they witnessed the indescribable operation

by which the four Letters, whirling and alive, ran together and melted into a single terrific semblance of a

FORM . . . the sight of which entered the heart of Spinrobin and threatened to split it asunder with the joy of

the most sublime terror and adoration a human soul has ever known.

And the whole gigantic glory of Skale's purpose came upon him like a tempest. The magnificent effrontery

by which the man sought to storm his way to heaven again laid its spell upon him. The reaction was of

amazing swiftness. It almost seemed as though time ceased to operate, so instantaneously did his mood pass

from terror to elationwild, ecstatic elation that could dare anything and everything to share in the awful

delight and wonder of Skale's transcendent experiment.

And so, forgetting himself and his little disabilities of terror and shrinking, he sought once again for the note

he was to utter in the chord. And this time he found it.

V

Very faintly, yet distinctly audible in the deep stillness, it sounded far away down in the deeps of his being.

And, with a splendid spiritual exultation tearing and swelling in his heart, he turned at once triumphantly to

Miriam beside him.

"Utter your note too!" he cried. "Utter it with mine, for any moment now we shall hear the command from the

cellar. . . . Be ready. . . . !"

And the FORM, meanwhile, limned in the wonder of an undecipherable or at least untranslatable geometry,

silently roaring, enthroned in the undiscoverable colours beyond the spectrum, swept towards them as he

spoke.

At the same instant Miriam answered him, her exquisite little face set like a rock, her marble pallor painted

with the glory of the approaching splendours. Just when the moment of success was upon them; when the


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flying Letters were abroad; when all the difficult weeks of preparation were face to face with the

consummation; and when any moment Skale's booming bass might rise from the bowels of the building as

the signal to utter the great chord and unite the fragments of the first divine syllable; when Spinrobin had at

last conquered his weakness and recovered his notethen, at this decisive and supreme moment, Miriam

asserted herself and took the reins of command.

"No," she said, looking with sudden authority straight into his eyes, "no! I will not utter the note. Nor shall

you utter yours!" And she clapped her little hand tight upon his mouth.

In that instant of unutterable surprise the two great forces of his life and personality met together with an

explosive violence wholly beyond his power to control. For on the one hand lay the fierce enticement of

Skale's heaven, with all that it portended, and on the other the deep though temporarily submerged human

passion of his love for the girl. Miriam's sudden action revealed the truth to him better than any argument. In

a flash he realized that her choice was made, and that she was in entire and final revolt against the whole

elaborate experiment and all that it involved. The risk of losing her Spinny, or finding him changed in some

condition of redemption where he would no longer be the little human thing she so dearly loved, had helped

her to this final, swift conclusion.

With her hand tight over his lips, and her face of white decision before him, he understood. She called him

with those big grey eyes to the sweet and common uses of life, instead of to the heights of some audacious

heaven where they might be as gods with Philip Skale. She clung to humanity. And Spinrobin, seeing her at

last with spiritual eyes fully opened, knew finally that she was right.

"But oh," he always cries, "in that moment I knew the most terrible choice I have ever had to make, for it was

not a choice between life and death, but a choice between two lives, each of infinite promised wonder. And

what do you think it was that decided me, and made me choose the wholesome, humble life with little

Miriam in preference to the grandeur of Skale's vast dream? What do you think?" And his face always turns

pink and then flamecoloured as he asks it, hesitating absurdly before giving the answer. "I'll tell you,

because you'd never guess in this world." And then he lowers his voice and says, "It was the delicious little

sweet perfume of her fingers as she held them over my lips. . . . !"

That delicate, faint smell was the symbol of human happiness, and through all the whirlwind of sound and

colour about him, it somehow managed to convey its poignant, searching message of the girl's utter love

straight into his heart. Thus curiously out of proportion and insignificant, indeed, are sometimes the decisive

details that in moments of overwhelming experience turn the course of life's river this way or that. . . .

With a single wild cry in his soul that found no audible expression, he gave up the unequal struggle. He

turned, and with Miriam by his side, flew down the corridor from the advent of the Immensity that was upon

themfrom the approach of the escaping Letters.

VI

How Spinrobin found his way out of that soundstricken house remains an unsolved mystery. He never

understood it himself; he remembers only that when they reached the ground floor the vibrations of Skale's

opening bass note had already begun. Its effect, too, was immediately noticeable. For the roar of the escaping

Letters, which upstairs had reached so immense a volume as to be recognized only in terms of silence, now

suddenly grew in a measure harnessed and restrained. Their vibration became reduceddown closer to the

sixteenfoot wave length which is the limit of human audition. They were being leashed in by the

summoning mastertone. They grew once more audible.

On the rising swirl of sound the two humans were swept down passages and across halls, as two leaves are


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borne by a tempest, and after frantic efforts, in which Spinrobin bruised his body against doors and walls

without number, he found himself at last in the open air, and at a considerable distance from the house of

terror. Stars shone overhead. He saw the outline of hills. Breaths of cool wind fanned his burning skin and

eyes.

But he dared not turn to look or listen. The music of that opening note, now rising through the building from

the cellar, might catch him and win him back. The chord in which himself and Miriam were to have uttered

their appointed tones, even halftold, was still mighty to overwhelm. Its effect upon the Letters themselves

had been immediate.

The feeling that he had proved faithless to Skale, unworthy of the great experiment, never properly attuned to

this fearful music of the godsthis was forgotten in the overmastering desire to escape from it all into the

safety of common human things with Miriam. Setting his course ever up the hills, he ran on and on, till breath

failed him utterly and he was obliged to stop for lack of strength. And it was only then he realized that the

whole time the girl had been in his arms. He had been carrying her.

Placing her on the ground, he caught a glimpse of her eyes in the darkness, and saw that they were still

charged with the one devouring passion that had made the sacrifice of Skale and of all her training since birth

inevitable. Soft and glowing with her first knowledge of love, her grey eyes shone like stars newly risen.

"Come, come!" he whispered hoarsely; "we must get as far as possibleaway from it all. Across the hills we

shall find safety. Once the splendours overtake us we are lost. . . ."

Seizing her by the hand, they pressed on again, the ocean of sound rising and thundering behind them and

below.

Without knowing it, he had taken the path by which the clergyman had brought him from the station weeks

ago on the day of his first arrival. With a confused memory, as of a dream, he recognized it. The ground was

slippery with dead leaves whose odour penetrated sharply the air of night. Everywhere about him, as they

paused from time to time in the little open spaces, the trees pressed up thickly; and ever from the valley they

had just left the increasing tide of sound came pouring up after them like the roar of the sea escaping through

doors upon the surface of the world.

And even now the marvellous, enticing wonder of it caught him more than once and made him hesitate. The

sense of what he was giving up sickened him with a great sudden yearning of regret. The mightiness of that

loved leader, lonely and unafraid, trafficking with the principalities and powers of sound, and reckoning

without misgiving upon the cooperation of his other "notes"this plucked fearfully at his heartstrings.

But only in great tearing gusts, so to speak, which passed the instant he realized the little breathless,

greyeyed girl at his side, charged with her beautiful love for him and the wholesome ambition for human

things.

"Oh! but the heaven we're losing . . . !" he cried once aloud, unable to contain himself. "Oh, Miriam . . . and I

have proved unworthy . . . small . . . !"

"Small enough to stay with me for ever and ever . . . here on the earth," she replied passionately, seizing his

hand and drawing him further up the hill. Then she stopped suddenly and gathered a handful of dead leaves,

moss, twigs and earth. The exquisite familiar perfume as she held it to his face pierced through him with a

singular power of conviction.

"We should lose this," she exclaimed; "there's none of this . . . in heaven! The earth, the earth, the dear,

beautiful earth, with you . . . and Winky . . . is what I want!"


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And when he stopped her outburst with a kiss, fully understanding the profound truth she so quaintly

expressed, he smelt the trees and mountains in her hair, and her fragrance was mingled there with the

fragrance of that old earth on which they stood.

VII

The rising flood of sound sent them charging ahead the same minute, for it seemed upon them with a rush;

and it was only after much stumbling and floundering among trees and boulders that they emerged into the

open space of the hills beyond the woods. Actually, perhaps, they had been running for twenty minutes, but

to them it seemed that they had been running for days. They stood still and looked about them.

"You shall never regret, never, never," Miriam whispered quickly. "I can make you happier than all this ever

could," and she waved her arm towards the house below. "And you know it, my little Master."

But before he could reply, or do more than place an arm about her waist to support her, something came to

pass that communicated its message to their souls with an incalculable certainty neither could explain.

Perhaps it was that distance enabled them to distinguish between the sounds more clearly, or perhaps their

beings were still so intimately connected with Skale that some psychic warning travelled up to them across

the night; but at any rate there then came about this sharp and sudden change in the quality of the

soundtempest round them that proclaimed the arrival of an exceedingly dramatic moment. The nature of the

rushing, flying vibrations underwent alteration. And, looking one another in the eyes, they realized what it

meant.

"He's beginning . . ." faltered Spinrobin in some skeleton of a voice. "Skale has begun to utter . . . !" He said

it beneath his breath.

Down in the cellar of that awful house the giant clergyman, alone and undismayed, had begun to call the

opening vibration of the living chord which was to gather in this torrent of escaping Letters and unite them in

temporary safety in the crypts of the prepared vault. For the first time in eighteen hundred years the initial

sound of the "Name that rusheth through the universe"the first sound of its opening syllable, that iswas

about to thunder its incalculable message over the earth.

Crouching close against each other they stood there on the edge of the woods, the night darkly smothering

about them, the bare, open hills lying beyond in the still sky, waiting for the longapprehended climaxthe

utterance of the first great syllable.

"It will make him . . . as God," crashed the thought through Spinrobin's brain as he experienced the pangs of

the fiercest remorse he had ever known. "Even without our two notes the power will be sublime . . . !"

But, through Miriam's swiftlybeating heart, as she pressed closer and closer: "I know your true name . . .

and you are mine. What else in heaven or earth can ever matter . . . ?"

CHAPTER XIV

I

SKALE had indeed begun to utter. And to these two bewildered children standing there alone with their love

upon the mountain, it seemed that the whole world knew.

Those desolate hills that rolled away like waves beneath the stars; the whispering woods about them; the


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distant sea, eternally singing its own note of sadness; the boulders at their feet; the very stars themselves,

listening in the heart of night one and all were somehow aware that a portion of the great Name which first

called them into being was about to issue from the sleep of ages once again into manifestation. . . . Perhaps to

quicken them into vaster life, perhaps to change their forms, perhaps to merge them all back into the depths

of the original "word" of creation . . . with the roar of a dissolving universe. . . .

Through everything, from the heart of the hidden primroses below the soil to the centre of the huge moors

above, there ran some swift thrill of life as the sounds of which they were the visible expression trembled in

sympathetic resonance with the opening vibrations of the great syllable.

Philip Skale had begun to utter. Alone in the cellar of that tempeststricken house, already aware probably

that the upper notes of his chord had failed him, he was at last in the act of calling upon the Name that

Rusheth through the Universe . . . the syllable whose powers should pass into his own being and make him as

the gods. . . .

And, first of all, to the infinite surprise of these two listening, shaking lovers, the roaring thunders that had

been battling all about them, grew faint and small, and then dropped away into mere trickles of sound,

retreating swiftly down into the dark valley where the house stood, as though immense and invisible leashes

drew them irresistibly back. One by one the Letters fled away, leaving only a murmur of incredibly sweet

echoes behind them in the hills, as the mastersound, spoken by this fearless and audacious man, gathered

them into their appointed places in the cellar.

But if they expected stupendous things to follow they were at first singularly disappointed. For, instead of

woe and terror, instead of the foundering of the visible universe, there fell about the listening world a cloak of

the most profound silence they had ever known, soft beyond conception. The Name was not in the whirlwind.

Out of the heart of that deathly stillness it camea small, sweet voice, that was undeniably the voice of

Philip Skale, its awful thunders all smoothed away. With it, too, like a faint overtone, came the yet gentler

music of another voice. The bass and alto were uttering their appointed notes in harmony and without dismay.

Everywhere the sound rose up through the darkness of great distance, yet at the same time ran most

penetratingly sweet, close beside them in their very ears. So magically intimate indeed was it, yet so

potentially huge for all its soft beginning, that Spinrobin declares that what he heard was probably not the

actual voices, but only some high liberated harmonics of them.

The sounds, moreover, were not distinguishable as consonants and vowels in the ordinary sense, and to this

day remain for him beyond all reach of possible reproduction. He did not hear them as "word" or "syllable,"

but as some incalculably splendid Message that was too mighty to be taken in, yet at the same time was

sweeter than all imagined music, simple as a little melody "sweetly sung in tune," artless as wind through

rustling branches.

And, moreover, as this small, sweet voice ran singing everywhere about them in the darkness of hills and

woods, Spinrobin realized, with a whole revolution of wonder sweeping through him, that the sound, for all

its gentleness, was at work vehemently upon the surface of the landscape, altering and shifting the pattern of

the solid earth, just as the sand had wreathed into outlines at the sound of his own voice weeks ago, and as the

form of the clergyman had changed at the vibrations of the test night.

The first letters of the opening syllable of this divine and magical name were passing over the world . . .

shifting the myriad molecules that composed it by the stress and stir of its vast harmonics . . . changing the

pattern.

But this time the change was not dreadful; the new outline, even before he actually perceived it, was beautiful


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above all known forms of beauty. The outer semblance of the old earth appeared to melt away and reveal that

heart of clean and dazzling wonder which burns ever at its inmost corethe naked spirit divined by poets

and mystics since the beginning of time. It was a new heaven and a new earth that pulsed below them in

response to the majesty of this small sweet voice. All nature knew, from the birds that started out of sleep into

passionate singing, to the fish that stirred in the depths of the sea, and the wild deer that sprang alert in their

wintry coverts, scenting an eternal spring. For the earth rolled up as a scroll, shaking the outworn skin of

centuries from her face, and suffering all her rocky structure to drop away and disclose the soft and glowing

loveliness of an actual beinga being most tenderly and exquisitely alive. It was the beginning of spiritual

vision in their own hearts. The name had set them free. The blind sawa part of God. . . .

II

And then, in Spinrobin's heart, the realization of failure that he was not in his appointed place, following

his great leader to the stars, clashed together with the splendour of his deep and simple love for this trembling

slip of a girl beside him.

The thought that God, as it were, had called him and he had been afraid to run and answer to his name

overpowered his timid, aching soul with such a flood of emotion that he found himself struggling with a

glorious temptation to tear down the mountainside again to the house and play his appointed part utter his

note in the chord even thus late. For the essential bitterness and pain that lies at the heart of all transitory

earthly thingsthe gnawing sense of incompleteness and vanity that touches the section of transitory

existence men call "life," met face to face with this passing glimpse of reality, timeless and unconditioned,

which the sound of the splendid name flashed so terrifically before his awakened soulvision, and

threatened to overwhelm him.

In another instant he would have yielded and gone; forgotten even Miriam, and all the promised sweetness of

life with her halfplanned, when something came to pass abruptly that threw his will and all his little

calculations into a dark chaos of amazement where, by a kind of electrically swift reaction, he realized that

the one true, possible and right thing for him was this very love he was about to cast aside. His highest

destiny was upon the unchanged old earth . . . with Miriam . . . and Winky. . . .

She turned and flung her arms round his neck in a passion of tears as though she had divined his unspoken

temptation . . . and at the same time this awful new thing was upon them both. It caught them like a tempest.

For a disharmonya discorda lying sound was loose upon the air from those two voices far below.

"Call me by my true name," she cried quickly, in an anguish of terror; "for my soul is afraid. . . . Oh, love me

most utterly, utterly, utterly . . . and save me!"

Unnerved and shaking like a leaf, Spinrobin pressed her against his heart.

"I know you by name and you are mine," he tried to say, but the words never left his lips. It was the love

surging up in his tortured heart that alone held him to sanity and preventedas it seemed to him in that

appalling momentthe dissolution of his very being and hers.

For Philip Skale had somewhere uttered falsely.

A darting zigzag crack, as of lightning, ran over the giant fabric of vibrations that covered the altering world

as with a flood . . . and sounds that no man may hear and not die leaped awfully into being. The suddenness

and immensity of the catastrophe blinded these two listening childrensouls. Awe and terror usurped all other

feelings . . . but one. Their love, being born of the spirit, held supreme, insulating them, so to speak, from all

invading disasters.


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Philip Skale had made a mistake in the pronunciation of the Name.

The results were dreadful and immediate, and from all the surface of the wakening world rose anguished

voices. Spinrobin started up, lifting Miriam into his arms. He spun dizzily for a moment between boulders

and trees, giving out a great wailing cry, unearthly enough had there been any to hear it. Then he began to run

wildly through the thick darkness. In his earfor her head lay closehe heard her dear voice, between the

sobs of collapse, calling his inner name most sweetly; and the sound summoned to the front all in him that

was best and manly.

"My sweet Master, my sweet Master!"

But he did not run far. About him on every side the night lifted as though it were suddenly day. He saw the

summits of the bleak mountains agleam with the reflection of some great light that rushed upon them from

the valley. All the desolate landscape, hesitating like some hovering ocean between the old pattern and the

new, seemed to hang suspended amid the desolation of the winter skies. Everything roared. It seemed the

ground shook. The very bones of the woods went shuddering together; the hills toppled; and overhead, in

some incredible depths of space, boomed sounds as though the heavens split off into fragments and hurled the

constellations about the vault to swell these shattering thunders of a collapsing world.

The Letters of that terrible and august Name were passing over the face of the universedistorted because

mispronounced creative sounds, dishevelled and monstrous, because incompletely and incorrectly uttered.

"Put me down," he heard Miriam cry where she lay smothered in his arms, "and we can face everything

together, and be safe. Our love is bigger than it all and will protect us. . . ."

"Because it is complete," he cried incoherently in reply, seizing the truth of her thought, and setting her upon

the ground; "it includes even this. It is a part of . . . the Name . . . correctly uttered . . . for it is true and pure."

He heard her calling his inner name, and he began forthwith to call her own as they stood there clinging to

one another, mingling arms and hair and lips in such a tumult of passion that it seemed as though all this

outer convulsion of the world was a small matter compared to the commotion in their own hearts,

revolutionized by the influx of a divine love that sought to melt them into a single being.

And as they looked down into the valley at their feet, too bewildered to resist these mighty forces that stole

the breath from their throats and the strength from their muscles, they saw with a clearness as of day that the

House of Awe in which their love had wakened and matured was passing away and being utterly consumed.

In a flame of white fire, tongued and sheeted, streaked with gulfs of black, and most terribly roaring, it rose

with a prodigious crackling of walls and roof towards the sky. Volumes of coloured smoke, like hills moving,

went with it; and with it, too, went the formsthe substance of their forms, at least, of their "sounds"

releasedof Philip Skale, Mrs. Mawle, and all the paraphernalia of gongs, drapery, wires, sheeted walls,

sand patterns, and the preparations of a quarter of a century of labour and audacious research. For nothing

could possibly survive in such a furnace. The heat of it struck their faces where they stood even here high

upon the hills, and the currents of rising wind blew the girl's tresses across his eyes and moved his own

feathery hair upon his head. The notes of those leaping flames were like thunder.

"Watch now!" cried Miriam, though he divined the meaning from the gesture of her free hand rather than

actually heard the words.

And, leaning their trembling bodies against a great boulder behind them, they then saw in the midst of the

conflagration, or hovering dimly above it rather, the vast outlines of the captured soundsthe


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Lettersescaping back again into the womb of eternal silence from which they had been with such appalling

courage evoked. In forms of dazzling blackness they passed upwards in their chariots of flame, yet at the

same time passed inwards in some amazing kind of spiral motion upon their own axes, vanishing away with

incredible swiftness and beauty deep down into themselves . . . and were gone.

Realizing in some longforgotten fashion of childhood the fearful majesty of the wrath of Jehovah, yet

secretly undismayed because each felt so gloriously lost in their wonderful love, the bodies of Miriam and

Spinrobin dropped instinctively upon their knees, and, still tightly clasped in one another's arms, bowed their

foreheads to the ground, touching the earth and leaves.

But how long they rested thus upon the heart of the old earth, or whether they slept, or whether, possibly, the

inevitable reaction to all the overstrain of the past hours led them through a period of unconsciousness,

neither of them quite knew. Nor was it possible for them to have known, perhaps, that the lonely valley

sheltering the House of Awe, running tonguelike into these desolate hills, had the unenviable reputation of

trembling a little in sympathy with any considerable shock of earthquake that came to move that portion of

the round globe from her sleep. Of this they knew as little, no doubt, as they did of the illdefined line of

demarcation between experiences that are objective, capable of being weighed and measured, and those that

are subjective, taking placethough with convincing authorityonly in the sphere of the mind. . . .

All they do know, and Spinrobin tells it with an expression of supreme happiness upon his shining round

face, is that at length they stirred as they lay, opened their eyes, turned and looked at one another, then stood

up. On Miriam's hair and lashes lay the message of the dew, and in her clear eyes all the soft beauty of the

stars that had watched over them.

But the stars themselves had gone. Over the hills ran the coloured feet of the dawn, swift and rosy, touching

the spread of heathery miles with the tints of approaching sunrise. The tops of the leafless trees stirred gently

with a whisper of wind that stole up from the distant sea. The birds were singing. Over the surface of the old

earth flew the magical thrill of life. It caught these two childrenlovers, sweeping them into each other's arms

as with wings.

Out of all the amazing tempest of their recent experiences emerged this evergrowing splendour of their deep

and simple love. The kindly earth they had chosen beckoned them down into the valley; the awful heaven

they had rejected smiled upon them approvingly, as the old sun topped the hills and peeped upon them with

his glorious eye.

"Come, Miriam," breathed Spinrobin softly into her little ear; "we'll go down into another valley . . . and live

happily together for ever and ever. . . ."

"Yes," she murmured, blushing with the rosiness of that exquisite winter's dawn; ". . . you and I . . . and . . .

and . . ."

But Spinrobin kissed the unborn name from her lips. "Hush!" he whispered, "hush!"

For the little "word" between these two was not yet made flesh. But the dawnwind caught up that "hush"

and carried it to the trees and undergrowth about them, and then ran thousand footed before them to whisper

it to the valley where they were going.

And Miriam, knowing the worship and protection in his delicate caress, looked up into his face and

smiledand the smile in her grey eyes was that ancient mothersmile which is coeval with life. For the word

of creation flamed in these two hearts, waiting only to be uttered.


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THE END


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