Title: The Philosopher's Joke
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Author: Jerome K. Jerome
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The Philosopher's Joke
Jerome K. Jerome
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Table of Contents
The Philosopher's Joke .......................................................................................................................................1
Jerome K. Jerome .....................................................................................................................................1
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The Philosopher's Joke
Jerome K. Jerome
Myself, I do not believe this story. Six persons are persuaded of its truth; and the hope of these six is to
convince themselves it was an hallucination. Their difficulty is there are six of them. Each one alone
perceives clearly that it never could have been. Unfortunately, they are close friends, and cannot get away
from one another; and when they meet and look into each other's eyes the thing takes shape again.
The one who told it to me, and who immediately wished he had not, was Armitage. He told it to me one night
when he and I were the only occupants of the Club smokingroom. His telling meas he explained
afterwardswas an impulse of the moment. Sense of the thing had been pressing upon him all that day with
unusual persistence; and the idea had occurred to him, on my entering the room, that the flippant scepticism
with which an essentially commonplace mind like my ownhe used the words in no offensive
sensewould be sure to regard the affair might help to direct his own attention to its more absurd aspect. I
am inclined to think it did. He thanked me for dismissing his entire narrative as the delusion of a disordered
brain, and begged me not to mention the matter to another living soul. I promised; and I may as well here
observe that I do not call this mentioning the matter. Armitage is not the man's real name; it does not even
begin with an A. You might read this story and dine next to him the same evening: you would know nothing.
Also, of course, I did not consider myself debarred from speaking about it, discreetly, to Mrs. Armitage, a
charming woman. She burst into tears at the first mention of the thing. It took me all I knew to tranquillize
her. She said that when she did not think about the thing she could be happy. She and Armitage never spoke
of it to one another; and left to themselves her opinion was that eventually they might put remembrance
behind them. She wished they were not quite so friendly with the Everetts. Mr. and Mrs. Everett had both
dreamt precisely the same dream; that is, assuming it was a dream. Mr. Everett was not the sort of person that
a clergyman ought, perhaps, to know; but as Armitage would always argue: for a teacher of Christianity to
withdraw his friendship from a man because that man was somewhat of a sinner would be inconsistent.
Rather should he remain his friend and seek to influence him. They dined with the Everetts regularly on
Tuesdays, and sitting opposite the Everetts, it seemed impossible to accept as a fact that all four of them at
the same time and in the same manner had fallen victims to the same illusion. I think I succeeded in leaving
her more hopeful. She acknowledged that the story, looked at from the point of common sense, did sound
ridiculous; and threatened me that if I ever breathed a word of it to anyone, she never would speak to me
again. She is a charming woman, as I have already mentioned.
By a curious coincidence I happened at the time to be one of Everett's directors on a Company he had just
promoted for taking over and developing the Red Sea Coasting trade. I lunched with him the following
Sunday. He is an interesting talker, and curiosity to discover how so shrewd a man would account for his
connection with so insaneso impossible a fancy, prompted me to hint my knowledge of the story. The
manner both of him and of his wife changed suddenly. They wanted to know who it was had told me. I
refused the information, because it was evident they would have been angry with him. Everett's theory was
that one of them had dreamt itprobably Camelfordand by hypnotic suggestion had conveyed to the rest
of them the impression that they had dreamt it also. He added that but for one slight incident he should have
ridiculed from the very beginning the argument that it could have been anything else than a dream. But what
that incident was he would not tell me. His object, as he explained, was not to dwell upon the business, but to
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try and forget it. Speaking as a friend, he advised me, likewise, not to cackle about the matter any more than I
could help, lest trouble should arise with regard to my director's fees. His way of putting things is
occasionally blunt.
It was at the Everetts', later on, that I met Mrs. Camelford, one of the handsomest women I have ever set eyes
upon. It was foolish of me, but my memory for names is weak. I forgot that Mr. and Mrs. Camelford were the
other two concerned, and mentioned the story as a curious tale I had read years ago in an old Miscellany. I
had reckoned on it to lead me into a discussion with her on platonic friendship. She jumped up from her chair
and gave me a look. I remembered then, and could have bitten out my tongue. It took me a long while to
make my peace, but she came round in the end, consenting to attribute my blunder to mere stupidity. She was
quite convinced herself, she told me, that the thing was pure imagination. It was only when in company with
the others that any doubt as to this crossed her mind. Her own idea was that, if everybody would agree never
to mention the matter again, it would end in their forgetting it. She supposed it was her husband who had
been my informant: he was just that sort of ass. She did not say it unkindly. She said when she was first
married, ten years ago, few people had a more irritating effect upon her than had Camelford; but that since
she had seen more of other men she had come to respect him. I like to hear a woman speak well of her
husband. It is a departure which, in my opinion, should be more encouraged than it is. I assured her
Camelford was not the culprit; and on the understanding that I might come to see hernot too oftenon her
Thursdays, I agreed with her that the best thing I could do would be to dismiss the subject from my mind and
occupy myself instead with questions that concerned myself.
I had never talked much with Camelford before that time, though I had often seen him at the Club. He is a
strange man, of whom many stories are told. He writes journalism for a living, and poetry, which he
publishes at his own expense, apparently for recreation. It occurred to me that his theory would at all events
be interesting; but at first he would not talk at all, pretending to ignore the whole affair, as idle nonsense. I
had almost despaired of drawing him out, when one evening, of his own accord, he asked me if I thought
Mrs. Armitage, with whom he knew I was on terms of friendship, still attached importance to the thing. On
my expressing the opinion that Mrs. Armitage was the most troubled of the group, he was irritated; and urged
me to leave the rest of them alone and devote whatever sense I might possess to persuading her in particular
that the entire thing was and could be nothing but pure myth. He confessed frankly that to him it was still a
mystery. He could easily regard it as chimera, but for one slight incident. He would not for a long while say
what that was, but there is such a thing as perseverance, and in the end I dragged it out of him. This is what
he told me.
"We happened by chance to find ourselves alone in the conservatory, that night of the ballwe six. Most of
the crowd had already left. The last 'extra' was being played: the music came to us faintly. Stooping to pick
up Jessica's fan, which she had let fall to the ground, something shining on the tesselated pavement
underneath a group of palms suddenly caught my eye. We had not said a word to one another; indeed, it was
the first evening we had any of us met one anotherthat is, unless the thing was not a dream. I picked it up.
The others gathered round me, and when we looked into one another's eyes we understood: it was a broken
winecup, a curious goblet of Bavarian glass. It was the goblet out of which we had all dreamt that we had
drunk."
I have put the story together as it seems to me it must have happened. The incidents, at all events, are facts.
Things have since occurred to those concerned affording me hope that they will never read it. I should not
have troubled to tell it at all, but that it has a moral.
*** Six persons sat round the great oak table in the wainscoted _Speise Saal_ of that cosy hostelry, the
Kneiper Hof at Konigsberg. It was late into the night. Under ordinary circumstances they would have been in
bed, but having arrived by the last train from Dantzic, and having supped on German fare, it had seemed to
them discreeter to remain awhile in talk. The house was strangely silent. The rotund landlord, leaving their
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candles ranged upon the sideboard, had wished them "Gute Nacht" an hour before. The spirit of the ancient
house enfolded them within its wings.
Here in this very chamber, if rumour is to be believed, Emmanuel Kant himself had sat discoursing many a
time and oft. The walls, behind which for more than forty years the little peakfaced man had thought and
worked, rose silvered by the moonlight just across the narrow way; the three high windows of the _Speise
Saal_ give out upon the old Cathedral tower beneath which now he rests. Philosophy, curious concerning
human phenomena, eager for experience, unhampered by the limitation Convention would impose upon all
speculation, was in the smoky air.
"Not into future events," remarked the Rev. Nathaniel Armitage, "it is better they should be hidden from us.
But into the future of ourselvesour temperament, our characterI think we ought to be allowed to see. At
twenty we are one individual; at forty, another person entirely, with other views, with other interests, a
different outlook upon life, attracted by quite other attributes, repelled by the very qualities that once attracted
us. It is extremely awkward, for all of us."
"I am glad to hear somebody else say that," observed Mrs. Everett, in her gentle, sympathetic voice. "I have
thought it all myself so often. Sometimes I have blamed myself, yet how can one help it: the things that
appeared of importance to us, they become indifferent; new voices call to us; the idols we once worshipped,
we see their feet of clay."
"If under the head of idols you include me," laughed the jovial Mr. Everett, "don't hesitate to say so." He was
a large redfaced gentleman, with small twinkling eyes, and a mouth both strong and sensuous. "I didn't
make my feet myself. I never asked anybody to take me for a stainedglass saint. It is not I who have
changed."
"I know, dear, it is I," his thin wife answered with a meek smile. "I was beautiful, there was no doubt about it,
when you married me."
"You were, my dear," agreed her husband: "As a girl few could hold a candle to you."
"It was the only thing about me that you valued, my beauty," continued his wife; "and it went so quickly. I
feel sometimes as if I had swindled you."
"But there is a beauty of the mind, of the soul," remarked the Rev. Nathaniel Armitage, "that to some men is
more attractive than mere physical perfection."
The soft eyes of the faded lady shone for a moment with the light of pleasure. "I am afraid Dick is not of that
number," she sighed.
"Well, as I said just now about my feet," answered her husband genially, "I didn't make myself. I always have
been a slave to beauty and always shall be. There would be no sense in pretending among chums that you
haven't lost your looks, old girl." He laid his fine hand with kindly intent upon her bony shoulder. "But there
is no call for you to fret yourself as if you had done it on purpose. No one but a lover imagines a woman
growing more beautiful as she grows older."
"Some women would seem to," answered his wife.
Involuntarily she glanced to where Mrs. Camelford sat with elbows resting on the table; and involuntarily
also the small twinkling eyes of her husband followed in the same direction. There is a type that reaches its
prime in middle age. Mrs. Camelford, _nee_ Jessica Dearwood, at twenty had been an uncannylooking
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creature, the only thing about her appealing to general masculine taste having been her magnificent eyes, and
even these had frightened more than they had allured. At forty, Mrs. Camelford might have posed for the
entire Juno.
"Yes, he's a cunning old joker is Time," murmured Mr. Everett, almost inaudibly.
"What ought to have happened," said Mrs. Armitage, while with deft fingers rolling herself a cigarette, "was
for you and Nellie to have married."
Mrs. Everett's pale face flushed scarlet.
"My dear," exclaimed the shocked Nathaniel Armitage, flushing likewise.
"Oh, why may one not sometimes speak the truth?" answered his wife petulantly. "You and I are utterly
unsuited to one anothereverybody sees it. At nineteen it seemed to me beautiful, holy, the idea of being a
clergyman's wife, fighting by his side against evil. Besides, you have changed since then. You were human,
my dear Nat, in those days, and the best dancer I had ever met. It was your dancing was your chief attraction
for me as likely as not, if I had only known myself. At nineteen how can one know oneself?"
"We loved each other," the Rev. Armitage reminded her.
"I know we did, passionatelythen; but we don't now." She laughed a little bitterly. "Poor Nat! I am only
another trial added to your long list. Your beliefs, your ideals are meaningless to memere narrowminded
dogmas, stifling thought. Nellie was the wife Nature had intended for you, so soon as she had lost her beauty
and with it all her worldly ideas. Fate was maturing her for you, if only we had known. As for me, I ought to
have been the wife of an artist, of a poet." Unconsciously a glance from her ever restless eyes flashed across
the table to where Horatio Camelford sat, puffing clouds of smoke into the air from a huge black meerschaum
pipe. "Bohemia is my country. Its poverty, its struggle would have been a joy to me. Breathing its free air,
life would have been worth living."
Horatio Camelford leant back with eyes fixed on the oaken ceiling. "It is a mistake," said Horatio Camelford,
"for the artist ever to marry."
The handsome Mrs. Camelford laughed goodnaturedly. "The artist," remarked Mrs. Camelford, "from what
I have seen of him would never know the inside of his shirt from the outside if his wife was not there to take
it out of the drawer and put it over his head."
"His wearing it inside out would not make much difference to the world," argued her husband. "The sacrifice
of his art to the necessity of keeping his wife and family does."
"Well, you at all events do not appear to have sacrificed much, my boy," came the breezy voice of Dick
Everett. "Why, all the world is ringing with your name."
"When I am fortyone, with all the best years of my life behind me," answered the Poet. "Speaking as a man,
I have nothing to regret. No one could have had a better wife; my children are charming. I have lived the
peaceful existence of the successful citizen. Had I been true to my trust I should have gone out into the
wilderness, the only possible home of the teacher, the prophet. The artist is the bridegroom of Art. Marriage
for him is an immorality. Had I my time again I should remain a bachelor."
"Time brings its revenges, you see," laughed Mrs. Camelford. "At twenty that fellow threatened to commit
suicide if I would not marry him, and cordially disliking him I consented. Now twenty years later, when I am
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just getting used to him, he calmly turns round and says he would have been better without me."
"I heard something about it at the time," said Mrs. Armitage. "You were very much in love with somebody
else, were you not?"
"Is not the conversation assuming a rather dangerous direction?" laughed Mrs. Camelford.
"I was thinking the same thing, "agreed Mrs. Everett. "One would imagine some strange influence had seized
upon us, forcing us to speak our thoughts aloud."
"I am afraid I was the original culprit," admitted the Reverend Nathaniel. "This room is becoming quite
oppressive. Had we not better go to bed?"
The ancient lamp suspended from its smokegrimed beam uttered a faint, gurgling sob, and spluttered out.
The shadow of the old Cathedral tower crept in and stretched across the room, now illuminated only by
occasional beams from the cloudcurtained moon. At the other end of the table sat a peakfaced little
gentleman, cleanshaven, in fullbottomed wig.
"Forgive me," said the little gentleman. He spoke in English, with a strong accent. "But it seems to me here is
a case where two parties might be of service to one another."
The six fellowtravellers round the table looked at one another, but none spoke. The idea that came to each
of them, as they explained to one another later, was that without remembering it they had taken their candles
and had gone to bed. This was surely a dream.
"It would greatly assist me," continued the little peakfaced gentleman, "in experiments I am conducting into
the phenomena of human tendencies, if you would allow me to put your lives back twenty years."
Still no one of the six replied. It seemed to them that the little old gentleman must have been sitting there
among them all the time, unnoticed by them.
"Judging from your talk this evening," continued the peakfaced little gentleman, "you should welcome my
offer. You appear to me to be one and all of exceptional intelligence. You perceive the mistakes that you have
made: you understand the causes. The future veiled, you could not help yourselves. What I propose to do is to
put you back twenty years. You will be boys and girls again, but with this difference: that the knowledge of
the future, so far as it relates to yourselves, will remain with you.
"Come," urged the old gentleman, "the thing is quite simple of accomplishment. Asas a certain philosopher
has clearly proved: the universe is only the result of our own perceptions. By what may appear to you to be
magicby what in reality will be simply a chemical operationI remove from your memory the events of
the last twenty years, with the exception of what immediately concerns your own personalities. You will
retain all knowledge of the changes, physical and mental, that will be in store for you; all else will pass from
your perception."
The little old gentleman took a small phial from his waistcoat pocket, and, filling one of the massive
wineglasses from a decanter, measured into it some halfadozen drops. Then he placed the glass in the
centre of the table.
"Youth is a good time to go back to," said the peakfaced little gentleman, with a smile. "Twenty years ago,
it was the night of the Hunt Ball. You remember it?"
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It was Everett who drank first. He drank it with his little twinkling eyes fixed hungrily on the proud
handsome face of Mrs. Camelford; and then handed the glass to his wife. It was she perhaps who drank from
it most eagerly. Her life with Everett, from the day when she had risen from a bed of sickness stripped of all
her beauty, had been one bitter wrong. She drank with the wild hope that the thing might possibly be not a
dream; and thrilled to the touch of the man she loved, as reaching across the table he took the glass from her
hand. Mrs. Armitage was the fourth to drink. She took the cup from her husband, drank with a quiet smile,
and passed it on to Camelford. And Camelford drank, looking at nobody, and replaced the glass upon the
table.
"Come," said the little old gentleman to Mrs. Camelford, "you are the only one left. The whole thing will be
incomplete without you."
"I have no wish to drink," said Mrs. Camelford, and her eyes sought those of her husband, but he would not
look at her.
"Come," again urged the Figure. And then Camelford looked at her and laughed drily.
"You had better drink," he said. "It's only a dream."
"If you wish it," she answered. And it was from his hands she took the glass.
*** It is from the narrative as Armitage told it to me that night in the Club smokingroom that I am taking
most of my material. It seemed to him that all things began slowly to rise upward, leaving him stationary, but
with a great pain as though the inside of him were being torn awaythe same sensation greatly exaggerated,
so he likened it, as descending in a lift. But around him all the time was silence and darkness unrelieved.
After a period that might have been minutes, that might have been years, a faint light crept towards him. It
grew stronger, and into the air which now fanned his cheek there stole the sound of faroff music. The light
and the music both increased, and one by one his senses came back to him. He was seated on a low cushioned
bench beneath a group of palms. A young girl was sitting beside him, but her face was turned away from him.
"I did not catch your name," he was saying. "Would you mind telling it to me?"
She turned her face towards him. It was the most spiritually beautiful face he had ever seen. "I am in the same
predicament," she laughed. "You had better write yours on my programme, and I will write mine on yours."
So they wrote upon each other's programme and exchanged again. The name she had written was Alice
Blatchley.
He had never seen her before, that he could remember. Yet at the back of his mind there dwelt the haunting
knowledge of her. Somewhere long ago they had met, talked together. Slowly, as one recalls a dream, it came
back to him. In some other life, vague, shadowy, he had married this woman. For the first few years they had
loved each other; then the gulf had opened between them, widened. Stern, strong voices had called to him to
lay aside his selfish dreams, his boyish ambitions, to take upon his shoulders the yoke of a great duty. When
more than ever he had demanded sympathy and help, this woman had fallen away from him. His ideals but
irritated her. Only at the cost of daily bitterness had he been able to resist her endeavours to draw him from
his path. A facethat of a woman with soft eyes, full of helpfulness, shone through the mist of his
dreamthe face of a woman who would one day come to him out of the Future with outstretched hands that
he would yearn to clasp.
"Shall we not dance?" said the voice beside him. "I really won't sit out a waltz."
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They hurried into the ballroom. With his arm about her form, her wondrous eyes shyly, at rare moments,
seeking his, then vanishing again behind their drooping lashes, the brain, the mind, the very soul of the young
man passed out of his own keeping. She complimented him in her bewitching manner, a delightful blending
of condescension and timidity.
"You dance extremely well," she told him. "You may ask me for another, later on."
The words flashed out from that dim haunting future. "Your dancing was your chief attraction for me, as
likely as not, had I but known?"
All that evening and for many months to come the Present and the Future fought within him. And the
experience of Nathaniel Armitage, divinity student, was the experience likewise of Alice Blatchley, who had
fallen in love with him at first sight, having found him the divinest dancer she had ever whirled with to the
sensuous music of the waltz; of Horatio Camelford, journalist and minor poet, whose journalism earned him a
bare income, but at whose minor poetry critics smiled; of Jessica Dearwood, with her glorious eyes, and
muddy complexion, and her wild hopeless passion for the big, handsome, ruddybearded Dick Everett, who,
knowing it, only laughed at her in his kindly, lordly way, telling her with frank brutalness that the woman
who was not beautiful had missed her vocation in life; of that scheming, conquering young gentleman
himself, who at twentyfive had already made his mark in the City, shrewd, clever, coolheaded as a fox,
except where a pretty face and shapely hand or ankle were concerned; of Nellie Fanshawe, then in the pride
of her ravishing beauty, who loved none but herself, whose claymade gods were jewels, and fine dresses
and rich feasts, the envy of other women and the courtship of all mankind.
That evening of the ball each clung to the hope that this memory of the future was but a dream. They had
been introduced to one another; had heard each other's names for the first time with a start of recognition; had
avoided one another's eyes; had hastened to plunge into meaningless talk; till that moment when young
Camelford, stooping to pick up Jessica's fan, had found that broken fragment of the Rhenish wineglass.
Then it was that conviction refused to be shaken off, that knowledge of the future had to be sadly accepted.
What they had not foreseen was that knowledge of the future in no way affected their emotions of the present.
Nathaniel Armitage grew day by day more hopelessly in love with bewitching Alice Blatchley. The thought
of her marrying anyone elsethe longhaired, priggish Camelford in particularsent the blood boiling
through his veins; added to which sweet Alice, with her arms about his neck, would confess to him that life
without him would be a misery hardly to be endured, that the thought of him as the husband of another
womanof Nellie Fanshawe in particularwas madness to her. It was right perhaps, knowing what they
did, that they should say goodbye to one another. She would bring sorrow into his life. Better far that he
should put her away from him, that she should die of a broken heart, as she felt sure she would. How could
he, a fond lover, inflict this suffering upon her? He ought of course to marry Nellie Fanshawe, but he could
not bear the girl. Would it not be the height of absurdity to marry a girl he strongly disliked because twenty
years hence she might be more suitable to him than the woman he now loved and who loved him?
Nor could Nellie Fanshawe bring herself to discuss without laughter the suggestion of marrying on a
hundredandfifty a year a curate that she positively hated. There would come a time when wealth would be
indifferent to her, when her exalted spirit would ask but for the satisfaction of selfsacrifice. But that time
had not arrived. The emotions it would bring with it she could not in her present state even imagine. Her
whole present being craved for the things of this world, the things that were within her grasp. To ask her to
forego them now because later on she would not care for them! it was like telling a schoolboy to avoid the
tuckshop because, when a man, the thought of stickjaw would be nauseous to him. If her capacity for
enjoyment was to be shortlived, all the more reason for grasping joy quickly.
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Alice Blatchley, when her lover was not by, gave herself many a headache trying to think the thing out
logically. Was it not foolish of her to rush into this marriage with dear Nat? At forty she would wish she had
married somebody else. But most women at fortyshe judged from conversation round about herwished
they had married somebody else. If every girl at twenty listened to herself at forty there would be no more
marriage. At forty she would be a different person altogether. That other elderly person did not interest her.
To ask a young girl to spoil her life purely in the interests of this middleaged partyit did not seem right.
Besides, whom else was she to marry? Camelford would not have her; he did not want her then; he was not
going to want her at forty. For practical purposes Camelford was out of the question. She might marry
somebody else altogetherand fare worse. She might remain a spinster: she hated the mere name of spinster.
The inkyfingered woman journalist that, if all went well, she might become: it was not her idea. Was she
acting selfishly? Ought she, in his own interests, to refuse to marry dear Nat? Nelliethe little catwho
would suit him at forty, would not have him. If he was going to marry anyone but Nellie he might as well
marry her, Alice. A bachelor clergyman! it sounded almost improper. Nor was dear Nat the type. If she threw
him over it would be into the arms of some designing minx. What was she to do?
Camelford at forty, under the influence of favourable criticism, would have persuaded himself he was a
heavensent prophet, his whole life to be beautifully spent in the saving of mankind. At twenty he felt he
wanted to live. Weirdlooking Jessica, with her magnificent eyes veiling mysteries, was of more importance
to him than the rest of the species combined. Knowledge of the future in his ease only spurred desire. The
muddy complexion would grow pink and white, the thin limbs round and shapely; the now scornful eyes
would one day light with love at his coming. It was what he had once hoped: it was what he now knew. At
forty the artist is stronger than the man; at twenty the man is stronger than the artist.
An uncanny creature, so most folks would have described Jessica Dearwood. Few would have imagined her
developing into the goodnatured, easygoing Mrs. Camelford of middle age. The animal, so strong within
her at twenty, at thirty had burnt itself out. At eighteen, madly, blindly in love with redbearded,
deepvoiced Dick Everett she would, had he whistled to her, have flung herself gratefully at his feet, and this
in spite of the knowledge forewarning her of the miserable life he would certainly lead her, at all events until
her slowly developing beauty should give her the whip hand of himby which time she would have come to
despise him. Fortunately, as she told herself, there was no fear of his doing so, the future notwithstanding.
Nellie Fanshawe's beauty held him as with chains of steel, and Nellie had no intention of allowing her rich
prize to escape her. Her own lover, it was true, irritated her more than any man she had ever met, but at least
he would afford her refuge from the bread of charity. Jessica Dearwood, an orphan, had been brought up by a
distant relative. She had not been the child to win affection. Of silent, brooding nature, every thoughtless
incivility had been to her an insult, a wrong. Acceptance of young Camelford seemed her only escape from a
life that had become to her a martyrdom. At fortyone he would wish he had remained a bachelor; but at
thirtyeight that would not trouble her. She would know herself he was much better off as he was.
Meanwhile, she would have come to like him, to respect him. He would be famous, she would be proud of
him. Crying into her pillowshe could not help itfor love of handsome Dick, it was still a comfort to
reflect that Nellie Fanshawe, as it were, was watching over her, protecting her from herself.
Dick, as he muttered to himself a dozen times a day, ought to marry Jessica. At thirtyeight she would be his
ideal. He looked at her as she was at eighteen, and shuddered. Nellie at thirty would be plain and
uninteresting. But when did consideration of the future ever cry halt to passion: when did a lover ever pause
thinking of the morrow? If her beauty was to quickly pass, was not that one reason the more urging him to
possess it while it lasted?
Nellie Fanshawe at forty would be a saint. The prospect did not please her: she hated saints. She would love
the tiresome, solemn Nathaniel: of what use was that to her now? He did not desire her; he was in love with
Alice, and Alice was in love with him. What would be the senseeven if they all agreedin the three of
them making themselves miserable for all their youth that they might be contented in their old age? Let age
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fend for itself and leave youth to its own instincts. Let elderly saints sufferit was their _metier_and
youth drink the cup of life. It was a pity Dick was the only "catch" available, but he was young and
handsome. Other girls had to put up with sixty and the gout.
Another point, a very serious point, had been overlooked. All that had arrived to them in that dim future of
the past had happened to them as the results of their making the marriages they had made. To what fate other
roads would lead their knowledge could not tell them. Nellie Fanshawe had become at forty a lovely
character. Might not the hard life she had led with her husbanda life calling for continual sacrifice, for
daily selfcontrolhave helped towards this end? As the wife of a poor curate of high moral principles,
would the same result have been secured? The fever that had robbed her of her beauty and turned her
thoughts inward had been the result of sitting out on the balcony of the Paris Opera House with an Italian
Count on the occasion of a fancy dress ball. As the wife of an East End clergyman the chances are she would
have escaped that fever and its purifying effects. Was there not danger in the position: a supremely beautiful
young woman, worldlyminded, hungry for pleasure, condemned to a life of poverty with a man she did not
care for? The influence of Alice upon Nathaniel Armitage, during those first years when his character was
forming, had been all for good. Could he be sure that, married to Nellie, he might not have deteriorated?
Were Alice Blatchley to marry an artist could she be sure that at forty she would still be in sympathy with
artistic ideals? Even as a child had not her desire ever been in the opposite direction to that favoured by her
nurse? Did not the reading of Conservative journals invariably incline her towards Radicalism, and the steady
stream of Radical talk round her husband's table invariably set her seeking arguments in favour of the feudal
system? Might it not have been her husband's growing Puritanism that had driven her to crave for
Bohemianism? Suppose that towards middle age, the wife of a wild artist, she suddenly "took religion," as the
saying is. Her last state would be worse than the first.
Camelford was of delicate physique. As an absentminded bachelor with no one to give him his meals, no
one to see that his things were aired, could he have lived till forty? Could he be sure that home life had not
given more to his art than it had taken from it?
Jessica Dearwood, of a nervous, passionate nature, married to a bad husband, might at forty have posed for
one of the Furies. Not until her life had become restful had her good looks shown themselves. Hers was the
type of beauty that for its development demands tranquillity.
Dick Everett had no delusions concerning himself. That, had he married Jessica, he could for ten years have
remained the faithful husband of a singularly plain wife he knew to be impossible. But Jessica would have
been no patient Griselda. The extreme probability was that having married her at twenty for the sake of her
beauty at thirty, at twentynine at latest she would have divorced him.
Everett was a man of practical ideas. It was he who took the matter in hand. The refreshment contractor
admitted that curious goblets of German glass occasionally crept into their stock. One of the waiters, on the
understanding that in no case should he be called upon to pay for them, admitted having broken more than
one wineglass on that particular evening: thought it not unlikely he might have attempted to hide the
fragments under a convenient palm. The whole thing evidently was a dream. So youth decided at the time,
and the three marriages took place within three months of one another.
It was some ten years later that Armitage told me the story that night in the Club smokingroom. Mrs.
Everett had just recovered from a severe attack of rheumatic fever, contracted the spring before in Paris. Mrs.
Camelford, whom previously I had not met, certainly seemed to me one of the handsomest women I have
ever seen. Mrs. ArmitageI knew her when she was Alice BlatchleyI found more charming as a woman
than she had been as a girl. What she could have seen in Armitage I never could understand. Camelford made
his mark some ten years later: poor fellow, he did not live long to enjoy his fame. Dick Everett has still
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another six years to work off; but he is well behaved, and there is talk of a petition.
It is a curious story altogether, I admit. As I said at the beginning, I do not myself believe it.
The Philosopher's Joke
The Philosopher's Joke 10
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