Title:   OVER THE TEACUPS

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Author:   Oliver W. Holmes

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OVER THE TEACUPS

Oliver W. Holmes



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Table of Contents

OVER THE TEACUPS ......................................................................................................................................1

Oliver W. Holmes....................................................................................................................................1

PREFACE. ...............................................................................................................................................1

I. INTRODUCTION. ...............................................................................................................................2

II. TO THE READER. .............................................................................................................................8

III ............................................................................................................................................................17

IV...........................................................................................................................................................28

V .............................................................................................................................................................37

VI...........................................................................................................................................................47

VII ..........................................................................................................................................................58

VIII. ........................................................................................................................................................68

IX...........................................................................................................................................................80

X .............................................................................................................................................................91

XI.........................................................................................................................................................102

XII ........................................................................................................................................................114


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OVER THE TEACUPS

Oliver W. Holmes

PREFACE. 

I. INTRODUCTION. 

II. TO THE READER. 

III 

IV 

V 

VI 

VII 

VIII. 

IX 

X 

XI 

XII  

PREFACE.

The kind way in which this series of papers has been received has  been a pleasure greater than I dared to

anticipate.  I felt that I  was a late comer in the midst of a crowd of ardent and eager  candidates for public

attention, that I had already had my day, and  that if, like the unfortunate Frenchman we used read about, I had

"come again," I ought not to surprised if I received the welcome of  "Monsieur Tonson." 

It has not proved so.  My old readers have come forward in the  pleasantest possible way and assured me that

they were glad to see me  again.  There is no need, therefore, of apologies or explanations.  I  thought I had

something left to say and I have found listeners.  In  writing these papers I have had occupation and kept

myself in  relation with my fellowbeings.  New sympathies, new sources of  encouragement, if not of

inspiration, have opened themselves before  me and cheated the least promising season of life of much that

seemed  to render it dreary and depressing.  What particularly pleased me has  been the freedom of criticisms

which I have seen from disadvantageous  comparisons of my later with my earlier writings. 

I should like a little rest from literary work before the  requiescat  ensures my repose from earthly labors, but I

will not be  rash enough  to promise that I will not even once again greet my old  and new  readers if the

impulse becomes irresistible to renew a  companionship  which has been to me such a source of happiness. 

BEVERLY FARM, Mass., August, 1891. 

O.  W.  H. 

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I. INTRODUCTION.

This series of papers was begun in March, 1888.  A single number  was  printed, when it was interrupted the

course of events, and not  resumed until nearly years later, in January, 1890.  The plan of the  series was not

formed in my mind when I wrote the number.  In  returning to my task I found that my original plan had

shaped itself  in the underground laboratory of my thought so that some changes had  to be made in what I had

written.  As I proceeded, the slight story  which formed a part of my programme eloped itself without any need

of  much contrivance on my, part.  Given certain characters in a writer's  conception, if they are real to him, as

they ought to be they will  act in such or such a way, according to the law of their nature.  It  was pretty safe to

assume that intimate relations would spring up  between some members of our mixed company; and it was not

rash  conjecture that some of these intimacies might end in such attachment  as would furnish us hints, at least,

of a lovestory. 

As to the course of the conversations which would take place, very  little could be guessed beforehand.

Various subjects of interest  would be likely to present themselves, without definite order,  oftentimes abruptly

and, as it would seem, capriciously.  Conversation  in such a mixed company as that of "The Teacups" is  likely

to be  suggestive rather than exhaustive.  Continuous discourse  is better  adapted to the lectureroom than to

the teatable.  There  is quite  enough of it, I fear too much,in these pages.  But the  reader must  take the

reports of our talks as they were jotted down.  A patchwork  quilt is not like a piece of Gobelin tapestry; but it

has  its place  and its use. 

Some will feel a temptation to compare these conversations with  those  earlier ones, and remark unamiably

upon their difference.  This  is  hardly fair, and is certainly not wise.  They are produced under  very  different

conditions, and betray that fact in every line.  It is  better to take them by themselves; and, if my reader finds

anything  to please or profit from, I shall be contented, and he, I feel sure,  will not be ungrateful. 

The readers who take up this volume may recollect a series of  conversations held many years ago over the

breakfasttable, and  reported for their more or less profitable entertainment.  Those were  not very early

breakfasts at which the talks took place, but at any  rate the sun was rising, and the guests had not as yet tired

themselves with the labors of the day.  The morning cup of coffee has  an exhilaration about it which the

cheering influence of the  afternoon or evening cup of tea cannot be expected to reproduce.  The  toils of the

forenoon, the heats of midday, in the warm season, the  slanting light of the descending sun, or the sobered

translucency of  twilight have subdued the vivacity of the early day.  Yet under the  influence of the benign

stimulant many trains of thought which will  bear recalling, may suggest themselves to some of our quiet

circle  and prove not uninteresting to a certain number of readers. 

How early many of my old breakfast companions went off to bed!  I  am  thinking not merely of those who sat

round our table, but of that  larger company of friends who listened to our conversations as  reported.  Dear girl

with the silken ringlets, dear boy with the  downshadowed cheek, your grandfather, your grandmother,

turned over  the freshly printed leaves that told the story of those earlier  meetings around the plain board

where so many things were said and  sung, not all of which have quite faded from memory of this

overburdened and forgetful time.  Your father, your mother, found the  scattered leaves gathered in a volume,

and smiled upon them as not  uncompanionable acquaintances.  My teatable makes no promises.  There  is no

programme of exercises to studied beforehand.  What if I  should  content myself with a single report of what

was said and done  over our  teacups?  Perhaps my young reader would be glad to let me  off, for  there are

talkers enough who have not yet left their  breakfasttables;  and nobody can blame the young people for

preferring the thoughts and  the language of their own generation,  with all its future before it,  to those of their

grandfathers  contemporaries. 

My reader, young or old, will please to observe that I have left  myself entire freedom as to the sources of


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what may be said over the  teacups.  I have not told how many cups are commonly on the board,  but by using

the plural I have implied that there is at least one  other talker or listener beside myself, and for all that

appears  there may be a dozen.  There will be no regulation length to my  reports,  no attempt to make out a

certain number of pages.  I have  no contract to fill so many columns, no pledge to contribute so many

numbers.  I can stop on this first page if I do not care to say  anything more, and let this article stand by itself if

so minded.  What a sense of freedom it gives not to write by the yard or the  column! 

When one writes for an English review or magazine at so many  guineas  a sheet, the temptation is very great

to make one's  contribution  cover as many sheets as possible.  We all know the  metallic taste of  articles written

under this powerful stimulus.  If  Bacon's Essays had  been furnished by a modern hand to the "Quarterly

Review" at fifty  guineas a sheet, what a great book it would have  taken to hold them! 

The first thing which suggests itself to me, as I contemplate my  slight project, is the liability of repeating in

the evening what I  may have said in the morning in one form or another, and printed in  these or other pages.

When it suddenly flashes into the  consciousness of a writer who had been long before the public, "Why,  I

have said all that once or oftener in my books or essays, and here  it is again; the same old thought, the same

old image, the same old  story!" it irritates him, and is likely to stir up the monosyllables  of his unsanctified

vocabulary.  He sees in imagination a thousand  readers, smiling or yawning as they say to themselves, "We

have had  all that before," and turn to another writer's performance for  something not quite so stale and

superfluous.  This is what the  writer says to himself about the reader. 

The idiot!  Does the simpleton really think that everybody has read  all he has written?  Does he really believe

that everybody remembers  all of his, writer's, words he may happen to have read?  At one of  those famous

dinners of the Phi Beta Kappa Society; where no reporter  was ever admitted, and which nothing ever leaks

out about what is  said and done, Mr. Edward Everett, in his afterdinner speech, quoted  these lines from the

AEneid, giving a liberal English version of  them, which he applied to the Oration just delivered by Mr.

Emerson: 

     Tres imbris torti radios, tres nubis aquosae

     Addiderant, rutili tres ignis, et alitis Austri.

His nephew, the ingenious, inventive, and inexhaustible.  Edward  Everett Hale, tells the story of this

quotation, and of the various  uses to which it might plied in afterdinner speeches.  How often he  ventured to

repeat it at the Phi Beta Kappa dinners I am not sure;  but as he reproduced it with his lively embellishments

and fresh  versions and artful circumlocutions, not one person in ten remembered  that he had listened to those

same words in those same accents only a  twelvemonth ago.  The poor deluded creatures who take it for

granted  that all the world remembers what they have said, and laugh at them  when they say it over again, may

profit by this recollection.  But  what if one does say the same things,of course in a little  different form each

time,over her?  If he has anything to say worth  saying, that is just what be ought to do.  Whether he ought to

or  not, it is very certain that this is what all who write much or speak  much necessarily must and will do.

Think of the clergyman who  preaches fifty or a hundred or more sermons every year for fifty  years!  Think of

the stump speaker who shouts before a hundred  audiences during the same political campaign, always using

the same  arguments, illustrations, and catchwords!  Think of the editor, as  Carlyle has pictured him, threshing

the same straw every morning,  until we know what is coming when we see the first line, as we do  when we

read the large capitals at the head of a thrilling story,  which ends in an advertisement of an allcleansing soap

or an all  curing remedy! 

The latchkey which opens into the inner chambers of my  consciousness  fits, as I have sufficient reason to

believe, the  private apartments  of a good many other people's thoughts.  The longer  we live, the more  we find

we are like other persons.  When I meet with  any facts in my  own mental experience, I feel almost sure that I

shall  find them  repeated or anticipated in the writings or the conversation  of  others.  This feeling gives one a


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freedom in telling his own  personal  history he could not have enjoyed without it.  My story  belongs to  you as

much as to me.  De te fabula narratur.  Change the  personal  pronoun,that is all.  It gives many readers a

singular  pleasure to  find a writer telling them something they have long known  or felt,  but which they have

never before found any one to put in  words for  them.  An author does not always know when he is doing the

service of  the angel who stirred the waters of the pool of Bethesda.  Many a  reader is delighted to find his

solitary thought has a  companion, and  is grateful to the benefactor who has strengthened him.  This is the

advantage of the humble reader over the ambitious and  self  worshipping writer.  It is not with him pereant

illi, but beati  sunt  illi qui pro nobis nostra dixerunt,  Blessed are those who have  said  our good things for us. 

What I have been saying of repetitions leads me into a train of  reflections like which I think many readers

will find something in  their own mental history.  The area of consciousness is covered by  layers of habitual

thoughts, as a seabeach is covered with wave  worn, rounded pebbles, shaped, smoothed, and polished by

long  attrition against each other.  These thoughts remain very much the  same from day to day, from week to

week; and as we grow older, from  month to month, and from year to year.  The tides of wakening

consciousness roll in upon them daily as we unclose our eyelids, and  keep up the gentle movement and

murmur of ordinary mental respiration  until we close them again in slumber.  When we think we are thinking,

we are for the most part only listening to sound of attrition between  these inert elements of intelligence.  They

shift their places a  little, they change their relations to each other, they roll over and  turn up new surfaces.

Now and then a new fragment is cast in among  them, to be worn and rounded and takes its place with the

others, but  the pebbled floor of consciousness is almost as stationary as the  pavement of a city thoroughfare. 

It so happens that at this particular tine I have something to tell  which I am quite sure is not one of rolled

pebbles which my reader  has seen before in any of my pages, or, as I feel confident, in those  of any other

writer. 

If my reader asks why I do not send the statement I am going to  make  to some one of the special periodicals

that deal with such  subjects,  my answer is, that I like to tell my own stories at my own  time, in  own chosen

columns, where they will be read by a class of  readers  with whom I like to talk. 

All men of letters or of science, all writers well known to the  public, are constantly tampered with, in these

days, by a class of  predaceous and hungry fellowlaborers who may be collectively spoken  of as the

braintappers.  They want an author's ideas on the subjects  which interest them, the inquirers, from the

gravest religious and  moral questions to the most trivial matters of his habits and his  whims and fancies.

Some of their questions he cannot answer; some he  does not choose to answer; some he is not yet ready to

answer, and  when he is ready he prefers to select his own organ of publication.  I  do not find fault with all the

braintappers.  Some of them are  doing  excellent service by accumulating facts which could not  otherwise be

attained.  Rut one gets tired of the strings of  questions sent him, to  which he is expected to return an answer,

plucked, ripe or unripe,  from his private tree of knowledge.  The  braintappers are like the  owner of the goose

that laid the golden  eggs.  They would have the  embryos and germs of one's thoughts out of  the mental

oviducts, and  cannot wait for their spontaneous evolution  and extrusion. 

The story I have promised is, on the whole, the most remarkable of  a  series which I may have told in part at

some previous date, but  which, if I have not told, may be worth recalling at a future time. 

Some few of my readers may remember that in a former paper I  suggested the possibility of the existence of

an idiotic area in the  human mind, corresponding to the blind spot in the human retina.  I  trust that I shall not

be thought to have let my wits go wandering in  that region of my own intellectual domain, when I relate a

singular  coincidence which very lately occurred in my experience, and add a  few remarks made by one of our

company on the delicate and difficult  but fascinating subject which it forces upon our attention.  I will  first

copy the memorandum made at the time: 


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"Remarkable coincidence.  On Monday, April 18th, being at table  from  6.30 P.  M.  to 7.30, with ________and

________ the two ladies of  my  household, I told them of the case of 'trial by battel' offered by  Abraham

Thornton in 1817.  I mentioned his throwing down his glove,  which was not taken up by the brother of his

victim, and so he had to  be let off, for the old law was still in force.  I mentioned that  Abraham Thornton was

said to have come to this country, 'and [I added  he may be living near us, for aught that I know.' I rose from

the  table, and found an English letter waiting for me, left while I sat  at dinner.  d copy the first portion of this

letter: 

'20 ALFRED PLACE, West (near Museum)  South Kensington, LONDON, S.  W.  April 7, 1887. 

DR. O. W . HOLMES: 

DEAR SIR,In travelling, the other day, I met with a reprint of  the  very interesting case of Thornton for

murder, 1817.  The prisoner  pleaded successfully the old Wager of Battel.  I thought you would  like to read the

account, and send it with this.... 

Yours faithfully, 

FRED.  RATHBONE.'" 

Mr.  Rathbone is a wellknown dealer in old Wedgwood and  eighteenth  century art.  As a friend of my

hospitable entertainer,  Mr. Willett,  he had shown me many attentions in England, but I was not  expecting  any

communication from him; and when, fresh from my  conversation, I  found this letter just arrived by mail, and

left while  I was at  table, and on breaking the seal read what I had a few moments  before  been; telling, I was

greatly surprised, and immediately made a  note  of the occurrence, as given above. 

I had long been familiar with all the details of this celebrated  case,, but had not referred to it, so far as I can

remember, for  months or years.  I know of no train of thought which led me to speak  of it on that particular

day.  I had never alluded to it before in  that company, nor had I ever spoken of it with Mr. Rathbone. 

I told this story over our teacups.  Among the company at the table  is a young English girl.  She seemed to be

amused by the story.  "Fancy!" she said,"how very very odd!"  "It was a striking and  curious coincidence,"

said the professor who was with us at the  table.  "As remarkable as two teaspoons in one saucer," was the

comment of a college youth who happened to be one of the company.  But  the member of our circle whom the

reader will hereafter know as  Number  Seven, began stirring his tea in a nervous sort of way, and I  knew  that

he was getting ready to say something about the case.  An  ingenious man he is, with a brain like a tinderbox,

its contents  catching at any spark that is flying about.  I always like to hear  what he says when his tinder brain

has a spark fall into it.  It does  not follow that because he is often wrong he may not sometimes be  right, for he

is no fool.  He treated my narrative very seriously. 

The reader need not be startled at the new terms he introduces.  Indeed, I am not quite sure that some thinking

people will not adopt  his view of the matter, which seems to have a degree of plausibility  as he states and

illustrates it. 

"The impulse which led you to tell that story passed directly from  the letter, which came charged from the

cells of the cerebral battery  of your correspondent.  The distance at which the action took place  [the letter was

left on a shelf twentyfour feet from the place where  I was sitting] shows this charge to have been of notable

intensity. 

"Brain action through space without material symbolism, such as  speech, expression, etc., is analogous to

electrical induction.  Charge the prime conductor of an electrical machine, and a goldleaf  electrometer, far


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off from it, will at once be disturbed.  Electricity, as we all know, can be stored and transported as if it  were a

measurable fluid. 

"Your incident is a typical example of cerebral induction from a  source containing stored cerebricity.  I use

this word, not to be  found in my dictionaries, as expressing the braincell power  corresponding to electricity.

Think how long it was before we had  attained any real conception of the laws that govern the wonderful

agent, which now works in harness with the other trained and subdued  forces!  It is natural that cerebricity

should be the last of the  unweighable agencies to be understood.  The human eye had seen heaven  and earth

and all that in them is before it saw itself as our  instruments enable us to see it.  This fact of yours, which

seems so  strange to you, belongs to a great series of similar facts familiarly  known now to many persons, and

before long to be recognized as  generally as those relating to the electric telegraph and the slaving  `dynamo.' 

"What! you cannot conceive of a charge of cerebricity fastening  itself on a lettersheet and clinging to it for

weeks, while it was  shuffling about in mailbags, rolling over the ocean, and shaken up  in railroad cars?  And

yet the odor of a grain of musk will hang  round a note or a dress for a lifetime.  Do you not remember what

Professor Silliman says, in that pleasant journal of his, about the  little ebony cabinet which Mary, Queen of

Scots, brought with her  from France,how 'its drawers still exhale the sweetest perfumes'?  If they could

hold their sweetness for more than two hundred years,  why should not a written page retain for a week or a

month the  equally mysterious effluence poured over it from the thinking marrow,  and diffuse its vibrations to

another excitable nervous centre?" 

I have said that although our imaginative friend is given to wild  speculations, he is not always necessarily

wrong.  We know too little  about the laws of brainforce to be dogmatic with reference to it.  I  am, myself,

therefore, fully in sympathy with the psychological  investigators.  When it comes to the various pretended

sciences by  which men and women make large profits, attempts at investigation are  very apt to be used as

lucrative advertisements for the charlatans.  But a series of investigations of the significance of certain popular

beliefs and superstitions, a careful study of the relations of  certain facts to each other,whether that of cause

and effect, or  merely of coincidence,is a task not unworthy of soberminded and  welltrained students of

nature.  Such a series of investigations has  been recently instituted, and was reported at a late meeting held in

the rooms of the Boston Natural History Society.  The results were,  mostly negative, and in one sense a

disappointment.  A single case,  related by Professor Royce, attracted a good deal of attention.  It  was reported

in the next morning's newspapers, and will be given at  full length, doubtless, in the next number of the

Psychological  Journal.  The leading facts were, briefly, these: A lady in Hamburg,  Germany, wrote, on the

22d of June last, that she had what she  supposed to be nightmare on the night of the 17th, five days before.  "It

seemed," she wrote, "to belong to you; to be a horrid pain in  your head, as if it were being forcibly jammed

into an iron casque,  or some such pleasant instrument of torture."  It proved that on that  same 17th of June her

sister was undergoing a painful operation at  the hands of a dentist.  "No single case," adds Professor Royce,

"proves, or even makes probable, the existence of telepathic  toothaches; but if there are any more cases of

this sort, we want to  hear of them, and that all the more because no folklore and no  supernatural horrors

have as yet mingled with the natural and well  known impressions that people associate with the dentist's

chair." 

The case I have given is, I am confident, absolutely free from  every  source of error.  I do not remember that

Mr. Rathbone had  communicated with me since he sent me a plentiful supply of mistletoe  a year ago last

Christmas.  The account I received from him was cut  out of "The Sporting Times" of March 5, 1887.  My own

knowledge of  the case came from "Kirby's Wonderful Museum," a work presented to me  at least thirty years

ago.  I had not looked at the account, spoken  of it, nor thought of it for a long time, when it came to me by a

kind of spontaneous generation, as it seemed, having no connection  with any previous train of thought that I

was aware of.  I consider  the evidence of entire independence, apart from possible "telepathic"  causation,

completely waterproof, airtight, incombustible, and  unassailable. 


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I referred, when first reporting this curious case of coincidence,  with suggestive circumstances, to two others,

one of which I said was  the most picturesque and the other the most unlikely, as it would  seem, to happen.

This is the first of those two cases: 

Grenville Tudor Phillips was a younger brother of George Phillips,  my  college classmate, and of Wendell

Phillips, the great orator.  He  lived in Europe a large part of his life, but at last returned, and,  in the year 1863,

died at the house of his brother George.  I read  his death in the paper; but, having seen and heard very little of

him  during his life, should not have been much impressed by the fact, but  for the following occurrence:

between the time of Grenville  Phillips's death and his burial, I was looking in upon my brother,  then living in

the house in which we were both born.  Some books  which had been my father's were stored in shelves in the

room I used  to occupy when at Cambridge.  Passing my eye over them, an old dark  quarto attracted my

attention.  It must be a Bible, I said to myself,  perhaps a rare one,the "Breeches" Bible or some other

interesting  specimen.  I took it from the shelves, and, as I did so, an old slip  of paper fell out and fluttered to

the floor.  On lifting it I read  these words: 

The name is Grenville Tudor. 

What was the meaning of this slip of paper coming to light at this  time, after reposing undisturbed so long?

There was only one way of  explaining its presence in my father's old Bible;a copy of the  Scriptures which

I did not remember ever having handled or looked  into before.  In christening a child the minister is liable to

forget  the name, just at the moment when he ought to remember it.  My father  preached occasionally at the

Brattle Street Church.  I take this for  granted, for I remember going with him on one occasion when he did  so.

Nothing was more likely than that he should be asked to  officiate at the baptism of the younger son of his

wife's first  cousin, Judge Phillips.  This slip was handed him to remind him of  the name: He brought it home,

put it in that old Bible, and there it  lay quietly for nearly half a century, when, as if it had just heard  of Mr.

Phillips's decease, it flew from its hidingplace and startled  the eyes of those who had just read his name in

the daily column of  deaths.  It would be hard to find anything more than a mere  coincidence here; but it seems

curious enough to be worth telling. 

The second of these two last stories must be told in prosaic detail  to show its whole value as a coincidence. 

One evening while I was living in Charles Street, I received a call  from Dr. S., a wellknown and highly

respected Boston physician, a  particular friend of the late Alexander H. Stephens, vicepresident  of the

Southern Confederacy.  It was with reference to a work which  Mr. Stephens was about to publish that Dr. S.

called upon me.  After  talking that matter over we got conversing on other subjects, among  the rest a family

relationship existing between us,not a very near  one, but one which I think I had seen mentioned in

genealogical  accounts.  Mary S. (the last name being the same as that of my  visitant), it appeared, was the

greatgreatgrandmother of Mrs. H.  and myself.  After cordially recognizing our forgotten relationship,  now

for the first time called to mind, we parted, my guest leaving me  for his own home.  We had been sitting in

my library on the lower  floor.  On going upstairs where Mrs. H. was sitting alone, just as I  entered the room

she pushed a paper across the table towards me,  saying that perhaps it might interest me.  It was one of a

number of  old family papers which she had brought from the house of her mother,  recently deceased. 

I opened the paper, which was an oldlooking document, and found  that  it was a copy, perhaps made in this

century, of the will of that  same  Mary S. about whom we had been talking downstairs. 

If there is such a thing as a purely accidental coincidence this  must  be considered an instance of it. 

All one can say about it is that it seems very unlikely that such a  coincidence should occur, but it did. 


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I have not tried to keep my own personality out of these stories.  But after all, how little difference it makes

whether or not a writer  appears with a mask on which everybody can take off,whether he  bolts his door or

not, when everybody can look in at his windows, and  all his entrances are at the mercy of the critic's skeleton

key and  the jimmy of any illdisposed assailant! 

The company have been silent listeners for the most part; but the  reader will have a chance to become better

acquainted with some cf  them by and by. 

II. TO THE READER.

I know that it is a hazardous experiment to address myself again to  a  public which in days long past has given

me a generous welcome.  But  my readers have been, and are, a very faithful constituency.  I think  there are

many among them who would rather listen to an old voice  they are used to than to a new one of better

quality, even if the  "childish treble" should betray itself now and then in the tones of  the overtired organ.  But

there must be others,I am afraid many  others,who will exclaim: "He has had his day, and why can't he

be  content?  We don't want literary revenants, superfluous veterans,  writers who have worn out their welcome

and still insist on being  attended to.  Give us something fresh, something that belongs to our  day and

generation.  Your morning draught was well enough, but we  don't care for your evening slipslop.  You are

not in relation with  us, with our time, our ideas, our aims, our aspirations." 

Alas, alas! my friend,my young friend, for your hair is not yet  whitened,I am afraid you are too nearly

right.  No doubt,no  doubt.  Teacups are not coffeecups.  They do not hold so much.  Their  pallid infusion is

but a feeble stimulant compared with the  black  decoction served at the morning board.  And so, perhaps, if

wisdom  like yours were compatible with years like mine, I should drop  my pen  and make no further attempts

upon your patience. 

But suppose that a writer who has reached and passed the natural  limit of serviceable years feels that he has

some things which be  would like to say, and which may have an interest for a limited class  of readers,is he

not right in trying his powers and calmly taking  the risk of failure?  Does it not seem rather lazy and cowardly,

because he cannot "beat his record," or even come up to the level of  what he has done in his prime, to shrink

from exerting his talent,  such as it is, now that he has outlived the period of his greatest  vigor?  A singer who

is no longer equal to the trials of opera on the  stage may yet please at a chamber concert or in the

drawingroom.  There is one gratification an old author can afford a certain class  of critics: that, namely, of

comparing him as he is with what he was.  It is a pleasure to mediocrity to have its superiors brought within

range, so to speak; and if the ablest of them will only live long  enough, and keep on writing, there is no

popgun that cannot reach  him.  But I fear that this is an unamiable reflection, and I am at  this time in a very

amiable mood. 

I confess that there is something agreeable to me in renewing my  relations with the reading public.  Were it

but a single appearance,  it would give me a pleasant glimpse of the time when I was known as a  frequent

literary visitor.  Many of my readersif I can lure any  from the pages of younger writers will prove to be the

children, or  the grandchildren, of those whose acquaintance I made something more  than a whole generation

ago.  I could depend on a kind welcome from  my contemporaries,my coevals.  But where are those

contemporaries?  Ay de mi! as Carlyle used to exclaim,Ah, dear me! as our old women  say,I look round

for them, and see only their vacant places.  The  old vine cannot unwind its tendrils.  The branch falls with the

decay  of its support, and must cling to the new growths around it, if it  would not lie helpless in the dust.  This

paper is a new tendril,  feeling its way, as it best may, to whatever it can wind around.  The  thought of finding

here and there an old friend, and making, it may  be, once in a while a new one, is very grateful to me.  The

chief  drawback to the pleasure is the feeling that I am submitting to that  inevitable exposure which is the

penalty of authorship in every form.  A writer must make up his mind to the possible rough treatment of the


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critics, who swarm like bacteria whenever there is any literary  material on which they can feed.  I have had as

little to complain of  as most writers, yet I think it is always with reluctance that one  encounters the

promiscuous handling which the products of the mind  have to put up with, as much as the fruit and provisions

in the  marketstalls.  I had rather be criticised, however, than criticise;  that is, express my opinions in the

public prints of other writers'  work, if they are living, and can suffer, as I should often have to  make them.

There are enough, thank Heaven, without me.  We are  literary cannibals, and our writers live on each other

and each  other's productions to a fearful extent.  What the mulberry leaf is  to the silkworm, the author's

book, treatise, essay, poem, is to the  critical larva; that feed upon it.  It furnishes them with food and  clothing.

The process may not be agreeable to the mulberry leaf or  to the printed page; but without it the leaf would not

have become  the silk that covers the empress's shoulders, and but for the critic  the author's book might never

have reached the scholar's table.  Scribblers will feed on each other, and if we insist on being  scribblers we

must consent to be fed on.  We must try to endure  philosophically what we cannot help, and ought not, I

suppose, to  wish to help. 

It is the custom at our table to vary the usual talk, by the  reading  of short papers, in prose or verse, by one or

more of The  Teacups, as  we are in the habit of calling those who make up our  company.  Thirty  years ago,

one of our present circle "Teacup Number  Two," The  Professor,read a paper on Old Age, at a certain

Breakfasttable,  where he was in the habit of appearing.  That paper  was published at  the time, and has since

seen the light in other  forms.  He did not  know so much about old age then as he does now, and  would

doubtless  write somewhat differently if he took the subject up  again.  But I  found that it was the general wish

that another of our  company should  let us hear what he had to say about it.  I received a  polite note,  requesting

me to discourse about old age, inasmuch as I  was  particularly well qualified by my experience to write in an

authoritative way concerning it.  The fact is that I,for it is  myself who am speaking,have recently arrived

at the age of  threescore years and twenty,fourscore years we may otherwise call  it.  In the arrangement of

our table, I am Teacup Number One, and I  may as well say that I am often spoken of as The Dictator.  There

is  nothing invidious in this, as I am the oldest of the company, and no  claim is less likely to excite jealousy

than that of priority of  birth. 

I received congratulations on reaching my eightieth birthday, not  only from our circle of Teacups, but from

friends, near and distant,  in large numbers.  I tried to acknowledge these kindly missives with  the aid of a

most intelligent secretary ; but I fear that there were  gifts not thanked for, and tokens of goodwill not

recognized.  Let  any neglected correspondent be assured that it was not intentionally  that he or she was

slighted.  I was grateful for every such mark of  esteem; even for the telegram from an unknown friend in a

distant  land, for which I cheerfully paid the considerable charge which the  sender doubtless knew it would

give me pleasure to disburse for such  an expression of friendly feeling. 

I will not detain the reader any longer from the essay I have  promised. 

This is the paper read to The Teacups. 

It is in A Song of Moses that we find the words, made very familiar  to us by the Episcopal Burial Service,

which place the natural limit  on life at threescore years and ten, with an extra ten years for some  of a stronger

constitution than the average.  Yet we are told that  Moses himself lived to be a hundred and twenty years old,

and that  his eye was not dim nor his natural strength abated.  This is hard to  accept literally, but we need not

doubt that he was very old, and in  remarkably good condition for a man of his age.  Among his followers  was

a stout old captain, Caleb, the son of Jephunneh.  This ancient  warrior speaks of himself in these brave terms:

"Lo, I am this day  fourscore and five years old.  As yet, I am as strong this day as I  was in the day that Moses

sent me; as my strength was then, even so  is my strength now, for war, both to go out and to come in."  It is

not likely that anybody believed his brag about his being as good a  man for active service at eightyfive as he

was at forty, when Moses  sent him out to spy the land of Canaan.  But he was, no doubt, lusty  and vigorous

for his years, and ready to smite the Canaanites hip and  thigh, and drive them out, and take possession of their


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land, as he  did forthwith, when Moses gave him leave. 

Grand old men there were, three thousand years ago!  But not all  octogenarians were like Caleb, the son of

Jephunneh.  Listen to poor  old Barzillai, and hear him piping: "I am this day fourscore years  old; and can I

discern between good and evil?  Can thy servant taste  what I eat or what I drink ?  Can I hear any more the

voice of  singing men and singing women?  Wherefore, then, should thy servant  be yet a burden unto my lord

the king?"  And poor King David was  worse off than this, as you all remember, at the early age of  seventy. 

Thirty centuries do not seem to have made any very great difference  in the extreme limits of life.  Without

pretending to rival the  alleged cases of life prolonged beyond the middle of its second  century, such as those

of Henry Jenkins and Thomas Parr, we can make  a good showing of centenarians and nonagenarians.  I

myself remember  Dr. Holyoke, of Salem, son of a president of Harvard College, who  answered a toast

proposed in his honor at a dinner given to him on  his hundredth birthday. 

"Father Cleveland," our venerated city missionary, was born June  21,  1772, and died June 5, 1872, within a

little more than a fortnight  of  his hundredth birthday.  Colonel Perkins, of Connecticut, died  recently after

celebrating his centennial anniversary. 

Among nonagenarians, three whose names are well known to  Bostonians,  Lord Lyndhurst, Josiah Quincy,

and Sidney Bartlett, were  remarkable  for retaining their faculties in their extreme age.  That  patriarch  of our

American literature, the illustrious historian of his  country,  is still with us, his birth dating in 1800. 

Ranke, the great German historian, died at the age of ninetyone,  and  Chevreul, the eminent chemist, at that

of a hundred and two. 

Some English sporting characters have furnished striking examples  of  robust longevity.  In Gilpin's "Forest

Scenery" there is the story  of  one of these horseback heroes.  Henry Hastings was the name of this  old

gentleman, who lived in the time of Charles the First.  It would  be hard to find a better portrait of a hunting

squire than that which  the Earl of Shaftesbury has the credit of having drawn of this very  peculiar personage.

His description ends by saying, "He lived to be  an hundred, and never lost his eyesight nor used spectacles.

He got  on horseback without help, and rode to the death of the stag till he  was past fourscore." 

Everything depends on habit.  Old people can do, of course, more or  less well, what they have been doing all

their lives; but try to  teach them any new tricks, and the truth of the old adage will very  soon show itself.  Mr.

Henry Hastings had done nothing but hunt all  his days, and his record would seem to have been a good deal

like  that of Philippus Zaehdarm in that untranslatable epitaph which may  be found in "Sartor Resartus."

Judged by its products, it was a very  short life of a hundred useless twelve months. 

It is something to have climbed the white summit, the Mont Blanc of  fourscore.  A small number only of

mankind ever see their eightieth  anniversary.  I might go to the statistical tables of the annuity and  life

insurance offices for extended and exact information, but I  prefer to take the facts which have impressed

themselves upon me in  my own career. 

The class of 1829 at Harvard College, of which I am a member,  graduated, according to the triennial,

fiftynine in number.  It is  sixty years, then, since that time; and as they were, on an average,  about twenty

years old, those who survive must have reached fourscore  years.  Of the fiftynine graduates ten only are

living, or were at  the last accounts; one in six, very nearly.  In the first ten years  after graduation, our third

decade, when we were between twenty and  thirty years old, we lost three members,about one in twenty;

between the ages of thirty and forty, eight died,one in seven of  those the decade began with; from forty to

fifty, only two,or one  in twentyfour; from fifty to sixty, eight,or one in six ; from  sixty to seventy,

fifteen,or two out of every five; from seventy to  eighty, twelve,or one in two.  The greatly increased


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mortality  which began with our seventh decade went on steadily increasing.  At  sixty we come "within range

of the riflepits," to borrow an  expression from my friend Weir Mitchell. 

Our eminent classmate, the late Professor Benjamin Peirce, showed  by  numerical comparison that the men of

superior ability outlasted the  average of their fellowgraduates.  He himself lived a little beyond  his

threescore and ten years.  James Freeman Clarke almost reached  the age of eighty.  The eighth decade brought

the fatal year for  Benjamin Robbins Curtis, the great lawyer, who was one of the judges  of the Supreme Court

of the United States; for the very able chief  justice of Massachusetts, George Tyler Bigelow; and for that

famous  wit and electric centre of social life, George T. Davis.  At the last  annual dinner every effort was made

to bring all the survivors of the  class together.  Six of the ten living members were there, six old  men in the

place of the thirty or forty classmates who surrounded the  long, oval table in 1859, when I asked, "Has there

any old fellow got  mixed with the boys?  "11 boys" whose tongues were as the vibrating  leaves of the

forest; whose talk was like the voice of many waters;  whose laugh was as the breaking of mighty waves upon

the seashore.  Among the six at our late dinner was our first scholar, the thorough  bred and accomplished

engineer who held the city of Lawrence in his  brain before it spread itself out along the banks of the

Merrimac.  There, too, was the poet whose National Hymn, "My Country, 't is of  thee," is known to more

millions, and dearer to many of them, than  all the other songs written since the Psalms of David.  Four of our

six were clergymen; the engineer and the present writer completed the  list.  Were we melancholy?  Did we talk

of graveyards and epitaphs?  No,we remembered our dead tenderly, serenely, feeling deeply what  we had

lost in those who but a little while ago were with us.  How  could we forget James Freeman Clarke, that man of

noble thought and  vigorous action, who pervaded this community with his spirit, and was  felt through all its

channels as are the light and the strength that  radiate through the wires which stretch above us?  It was a pride

and  a happiness to have such classmates as he was to remember.  We were  not the moping, complaining

graybeards that many might suppose we  must have been.  We had been favored with the blessing of long life.

We had seen the drama well into its fifth act.  The sun still warmed  us, the air was still grateful and

lifegiving.  But there was  another underlying source of our cheerful equanimity, which we could  not conceal

from ourselves if we had wished to do it.  Nature's  kindly anodyne is telling upon us more and more with

every year.  Our  old doctors used to give an opiate which they called "the black  drop."  It was stronger than

laudanum, and, in fact, a dangerously  powerful narcotic.  Something like this is that potent drug in  Nature's

pharmacopoeia which she reserves for the time of need,the  later stages of life.  She commonly begins

administering it at about  the time of the "grand climacteric," the ninth septennial period, the  sixtythird year.

More and more freely she gives it, as the years go  on, to her greyhaired children, until, if they last long

enough,  every faculty is benumbed, and they drop off quietly into sleep under  its benign influence. 

Do you say that old age is unfeeling?  It has not vital energy  enough  to supply the waste of the more

exhausting emotions.  Old Men's  Tears, which furnished the mournful title to Joshua Scottow's  Lamentations,

do not suggest the deepest grief conceivable.  A little  breath of wind brings down the raindrops which have

gathered on the  leaves of the tremulous poplars.  A very slight suggestion brings the  tears from Marlborough's

eyes, but they are soon over, and he is  smiling again as an allusion carries him back to the days of Blenheim

and Malplaquet.  Envy not the old man the tranquillity of his  existence, nor yet blame him if it sometimes

looks like apathy.  Time,  the inexorable, does not threaten him with the scythe so often  as with  the sandbag.

He does not cut, but he stuns and stupefies.  One's  fellowmortals can afford to be as considerate and tender

with  him as  Time and Nature. 

There was not much boasting among us of our present or our past, as  we sat together in the little room at the

great hotel.  A certain  amount of selfdeception is quite possible at threescore years and  ten, but at three score

years and twenty Nature has shown most of  those who live to that age that she is earnest, and means to

dismantle and have done with them in a very little while.  As for  boasting of our past, the laudator temporis

acti makes but a poor  figure in our time.  Old people used to talk of their youth as if  there were giants in those

days.  We knew some tall men when we were  young, but we can see a man taller than any one among them at

the  nearest dime museum.  We had handsome women among us, of high local  reputation, but nowadays we


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have professional beauties who challenge  the world to criticise them as boldly as Phryne ever challenged her

Athenian admirers.  We had fast horses,did not "Old Blue" trot a  mile in three minutes?  True, but there is a

threeyearold colt just  put on the track who has done it in a little more than two thirds of  that time.  It seems

as if the material world had been made over  again since we were boys.  It is but a short time since we were

counting up the miracles we had lived to witness.  The list is  familiar enough: the railroad, the ocean steamer,

photography, the  spectroscope, the telegraph, telephone, phonograph, anesthetics,  electric

illumination,with such lesser wonders as the friction  match, the sewing machine, and the bicycle.  And

now, we said, we  must have come to the end of these unparalleled developments of the  forces of nature.  We

must rest on our achievements.  The nineteenth  century is not likely to add to them; we must wait for the

twentieth  century.  Many of us, perhaps most of us, felt in that way.  We had  seen our planet furnished by the

art of man with a complete nervous  system: a spinal cord beneath the ocean, secondary centres,

ganglions,in all the chief places where men are gathered together,  and ramifications extending throughout

civilization.  All at once, by  the side of this talking and lightgiving apparatus, we see another  wire stretched

over our heads, carrying force to a vast metallic  muscular system,a slender cord conveying the strength of

a hundred  men, of a score of horses, of a team of elephants.  The lightning is  tamed and harnessed, the

thunderbolt has become a common carrier.  No  more surprises in this century!  A voice whispers, What next? 

It will not do for us to boast about our young days and what they  had  to show.  It is a great deal better to boast

of what they could  not  show, and, strange as it may seem, there is a certain satisfaction  in  it.  In these days of

electric lighting, when you have only to  touch  a button and your parlor or bedroom is instantly flooded with

light,  it is a pleasure to revert to the era of the tinderbox, the  flint  and steel, and the brimstone match.  It

gives me an almost proud  satisfaction to tell how we used, when those implements were not at  hand or not

employed, to light our whaleoil lamp by blowing a live  coal held against the wick, often swelling our cheeks

and reddening  our faces until we were on the verge of apoplexy.  I love to tell of  our stagecoach experiences,

of our sailingpacket voyages, of the  semibarbarous destitution of all modern comforts and conveniences

through which we bravely lived and came out the estimable personages  you find us. 

Think of it!  All my boyish shooting was done with a flintlock  gun;  the percussion lock came to me as one of

those newfangled  notions  people had just got hold of.  We ancients can make a grand  display of  minus

quantities in our reminiscences, and the figures look  almost as  well as if they had the plus sign before them. 

I am afraid that old people found life rather a dull business in  the  time of King David and his rich old subject

and friend, Barzillai,  who, poor man, could not have read a wicked novel, nor enjoyed a  symphony concert, if

they had had those luxuries in his day.  There  were no pleasant firesides, for there were no chimneys.  There

were  no daily newspapers for the old man to read, and he could not read  them if there were, with his dimmed

eyes, nor hear them read, very  probably, with his dulled ears.  There was no tobacco, a soothing  drug, which

in its various forms is a great solace to many old men  and to some old women, Carlyle and his mother used to

smoke their  pipes together, you remember. 

Old age is infinitely more cheerful, for intelligent people at  least,  than it was two or three thousand years ago.

It is our duty,  so far  as we can, to keep it so.  There will always be enough about it  that  is solemn, and more

than enough, alas! that is saddening.  But  how  much there is in our times to lighten its burdens!  If they that

look  out at the windows be darkened, the optician is happy to supply  them  with eyeglasses for use before

the public, and spectacles for  their  hours of privacy.  If the grinders cease because they are few,  they  can be

made many again by a third dentition, which brings no  toothache in its train.  By temperance and good Habits

of life,  proper clothing, wellwarmed, welldrained, and wellventilated  dwellings, and sufficient, not too

much exercise, the old man of our  time may keep his muscular strength in very good condition.  I doubt  if Mr.

Gladstone, who is fast nearing his eightieth birthday, would  boast, in the style of Caleb, that he was as good a

man with his axe  as he was when he was forty, but I would back him,if the match were  possible, for a

hundred shekels, against that overconfident old  Israelite, to cut down and chop up a cedar of Lebanon.  I

know a most  excellent clergyman, not far from my own time of life, whom I would  pit against any old


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Hebrew rabbi or Greek philosopher of his years  and weight, if they could return to the flesh, to run a quarter

of a  mile on a good, level track. 

We must not make too much of such exceptional cases of prolonged  activity.  I often reproached my dear

friend and classmate, Tames  Freeman Clarke, that his ceaseless labors made it impossible for his  coevals to

enjoy the luxury of that repose which their years  demanded.  A wise old man, the late Dr. James Walker,

president of  Harvard University, said that the great privilege of old age was the  getting rid of responsibilities.

These hardworking veterans will  not let one get rid of them until he drops in his harness, and so  gets rid of

them and his life together.  How often has many a tired  old man envied the superannuated family cat,

stretched upon the rug  before the fire, letting the genial warmth tranquilly diffuse itself  through all her

internal arrangements!  No more watching for mice in  dark, damp cellars, no more awaiting the savage gray

rat at the mouth  of his den, no more scurrying up trees and lampposts to avoid the  neighbor's cur who

wishes to make her acquaintance!  It is very grand  to "die in harness," but it is very pleasant to have the tight

straps  unbuckled and the heavy collar lifted from the neck and shoulders. 

It is natural enough to cling to life.  We are used to atmospheric  existence, and can hardly conceive of

ourselves except as breathing  creatures.  We have never tried any other mode of being, or, if we  have, we have

forgotten all about it, whatever Wordsworth's grand ode  may tell us we remember.  Heaven itself must be an

experiment to  every human soul which shall find itself there.  It may take time for  an earthborn saint to

become acclimated to the celestial ether,that  is, if time can be said to exist for a disembodied spirit.  We are

all sentenced to capital punishment for the crime of living, and  though the condemned cell of our earthly

existence is but a narrow  and bare dwellingplace, we have adjusted ourselves to it, and made  it tolerably

comfortable for the little while we are to be confined  in it.  The prisoner of Chillon 

     "regained [his] freedom with a sigh,"

and a tenderhearted mortal might be pardoned for looking back,  like  the poor lady who was driven from her

dwellingplace by fire and  brimstone, at the home he was leaving for the "undiscovered country." 

On the other hand, a good many persons, not suicidal in their  tendencies, get more of life than they want.  One

of our wealthy  citizens said, on hearing that a friend had dropped off from  apoplexy, that it made his mouth

water to hear of such a case.  It  was an odd expression, but I have no doubt that the fine old  gentleman to

whom it was attributed made use of it.  He had had  enough of his gout and other infirmties.  Swift's account of

the  Struldbrugs is not very amusing reading for old people, but some may  find it a consolation to reflect on

the probable miseries they escape  in not being doomed to an undying earthly existence. 

There are strange diversities in the way in which different old  persons look upon their prospects.  A

millionaire whom I well  remember confessed that be should like to live long enough to learn  how much a

certain fellowcitizen, a multimillionaire, was worth.  One  of the, three nonagenarians before referred to

expressed himself  as  having a great curiosity about the new sphere of existence to  which he  was looking

forward. 

The feeling must of necessity come to many aged persons that they  have outlived their usefulness; that they

are no longer wanted, but  rather in the way, drags on the wheels rather than helping them  forward.  But let

them remember the oftenquoted line of Milton, 

     "They also serve who only stand and wait."

This is peculiarly true of them.  They are helping others without  always being aware of it.  They are the

shields, the breakwaters, of  those who come after them.  Every decade is a defence of the one next  behind it.

At thirty the youth has sobered into manhood, but the  strong men of forty rise in almost unbroken rank


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between him and the  approaches of old age as they show in the men of fifty.  At forty he  looks with a sense of

security at the strong men of fifty, and sees  behind them the row of sturdy sexagenarians.  When fifty is

reached,  somehow sixty does not look so old as it once used to, and seventy is  still afar off.  After sixty the

stern sentence of the burial service  seems to have a meaning that one did not notice in former years.  There

begins to be something personal about it.  But if one lives to  seventy he soon gets used to the text with the

threescore years and  ten in it, and begins to count himself among those who by reason of  strength are

destined to reach fourscore, of whom he can see a number  still in reasonably good condition.  The

octogenarian loves to read  about people of ninety and over.  He peers among the asterisks of the  triennial

catalogue of the University for the names of graduates who  have been seventy years out of college and

remain still unstarred.  He  is curious about the biographies of centenarians.  Such escapades  as  those of that

terrible old sinner and ancestor of great men, the  Reverend Stephen Bachelder, interest him as they never did

before.  But he cannot deceive himself much longer.  See him walking on a  level surface, and he steps off

almost as well as ever; but watch him  coming down a flight of stairs, and the family record could not tell  his

years more faithfully.  He cut you dead, you say?  Did it occur  to you that he could not see you clearly enough

to know you from any  other son or daughter of Adam?  He said he was very glad to hear it,  did he, when you

told him that your beloved grandmother had just  deceased?  Did you happen to remember that though he does

not allow  that he is deaf, he will not deny that he does not hear quite so well  as he used to?  No matter about

his failings; the longer he holds on  to life, the longer he makes life seem to all the living who follow  him, and

thus he is their constant benefactor. 

Every stage of existence has its special trials and its special  consolations.  Habits are the crutches of old age;

by the aid of  these we manage to hobble along after the mental joints are stiff and  the muscles rheumatic, to

speak metaphorically,that is to say, when  every act of selfdetermination costs an effort and a pang.  We

become more and more automatic as we grow older, and if we lived long  enough we should come to be

pieces of creaking machinery like  Maelzel's chess player,or what that seemed to be. 

Emerson was sixtythree years old, the year I have referred to as  that of the grand climacteric, when he read

to his son the poem he  called "Terminus," beginning: 

         "It is time to be old,

          To take in sail.

          The God of bounds,

          Who sets to seas a shore,

          Came to me in his fatal rounds

          And said, 'No more!'"

It was early in life to feel that the productive stage was over,  but  he had received warning from within, and

did not wish to wait for  outside advices.  There is all the difference in the world in the  mental as in the bodily

constitution of different individuals.  Some  must "take in sail" sooner, some later.  We can get a useful lesson

from the American and the English elms on our Common.  The American  elms are quite bare, and have been

so for weeks.  They know very well  that they are going to have storms to wrestle with; they have not  forgotten

the gales of September and the tempests of the late autumn  and early winter.  It is a hard fight they are going

to have, and  they strip their coats off and roll up their shirtsleeves, and show  themselves barearmed and

ready for the contest.  The English elms  are of a more robust build, and stand defiant, with all their summer

clothing about their sturdy frames.  They may yet have to learn a  lesson of their American cousins, for

notwithstanding their compact  and solid structure they go to pieces in the great winds just as ours  do.  We

must drop much of our foliage before winter is upon us.  We  must take in sail and throw over cargo, if that is

necessary, to keep  us afloat.  We have to decide between our duties and our instinctive  demand of rest.  I can

believe that some have welcomed the decay of  their active powers because it furnished them with peremptory

reasons  for sparing themselves during the few years that were left them. 


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Age brings other obvious changes besides the loss of active power.  The sensibilities are less keen, the

intelligence is less lively, as  we might expect under the influence of that narcotic which Nature  administers.

But there is another effect of her "black drop" which  is not so commonly recognized.  Old age is like an

opiumdream.  Nothing seems real except what is unreal.  I am sure that the  pictures painted by the

imagination,the faded frescos on the walls  of memory,come out in clearer and brighter colors than

belonged to  them many years earlier.  Nature has her special favors for her  children of every age, and this is

one which she reserves for our  second childhood. 

No man can reach an advanced age without thinking of that great  change to which, in the course of nature, he

must be so near.  It has  been remarked that the sterner beliefs of rigid theologians are apt  to soften in their

later years.  All reflecting persons, even those  whose minds have been half palsied by the deadly dogmas

which have  done all they could to disorganize their thinking powers,all  reflecting persons, I say, must

recognize, in looking back over a  long life, how largely their creeds, their course of life, their  wisdom and

unwisdom, their whole characters, were shaped by the  conditions which surrounded them.  Little children they

came from the  hands of the Father of all ; little children in their helplessness,  their ignorance, they are going

back to Him.  They cannot help  feeling that they are to be transferred from the rude embrace of the  boisterous

elements to arms that will receive them tenderly.  Poor  planetary foundlings, they have known hard treatment

at the hands of  the brute forces of nature, from the control of which they are soon  to be set free.  There are

some old pessimists, it is true, who  believe that they and a few others are on a raft, and that the ship  which

they have quitted, holding the rest of mankind, is going down  with all on board.  It is no wonder that there

should be such when we  remember what have been the teachings of the priesthood through long  series of

ignorant centuries.  Every age has to shape the Divine  image it worships over again,the present age and our

own country  are busily engaged in the task at this time.  We unmake Presidents  and make new ones.  This is an

apprenticeship for a higher task.  Our  doctrinal teachers are unmaking the Deity of the Westminster  Catechism

and trying to model a new one, with more of modern humanity  and less of ancient barbarism in his

composition.  If Jonathan  Edwards had lived long enough, I have no doubt his creed would have  softened into

a kindly, humanized belief. 

Some twenty or thirty years ago, I said to Longfellow that certain  statistical tables I had seen went to show

that poets were not a  longlived race.  He doubted whether there was anything to prove they  were particularly

shortlived.  Soon after this, he handed me a list  he had drawn up.  I cannot lay my hand upon it at this

moment, but I  remember that Metastasio was the oldest of them all.  He died at the  age of eightyfour.  I have

had some tables made out, which I have  every reason to believe are correct so far as they go.  From these,  it

appears that twenty English poets lived to the average age of  fiftysix years and a little over.  The eight

American poets on the  list averaged seventythree and a half, nearly, and they are not all  dead yet.  The list

including Greek, Latin, Italian, and German  poets, with American and English, gave an average of a little

over  sixtytwo years.  Our young poets need not be alarmed.  They can  remember that Bryant lived to be

eightythree years old, that  Longfellow reached seventyfive and Halleck seventyseven, while  Whittier is

living at the age of nearly eightytwo.  Tennyson is  still writing at eighty, and Browning reached the age of

seventy  seven. 

Shall a man who in his younger days has written poetry, or what  passed for it, continue to attempt it in his

later years?  Certainly,  if it amuses or interests him, no one would object to his writing in  verse as much as he

likes.  Whether he should continue to write for  the public is another question.  Poetry is a good deal a matter of

heartbeats, and the circulation is more languid in the later period  of life.  The joints are less supple; the

arteries are more or less  "ossified."  Something like these changes has taken place in the  mind.  It has lost the

flexibility, the plastic docility, which it  had in youth and early manhood, when the gristle had but just become

hardened into bone.  It is the nature of poetry to writhe itself  along through the tangled growths of the

vocabulary, as a snake winds  through the grass, in sinuous, complex, and unexpected curves, which  crack

every joint that is not supple as indiarubber. 


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I had a poem that I wanted to print just here.  But after what I  have  this moment said, I hesitated, thinking that

I might provoke the  obvious remark that I exemplified the unfitness of which I had been  speaking.  I

remembered the advice I had given to a poetical aspirant  not long since, which I think deserves a paragraph to

itself. 

My friend, I said, I hope you will not write in verse.  When you  write in prose you say what you mean.  When

you write in rhyme you  say what you must. 

Should I send this poem to the publishers, or not? 

     "Some said, 'John, print it;' others said, 'Not so.'"

I did not ask "some" or "others."  Perhaps I should have thought it  best to keep my poem to myself and the

few friends for whom it was  written.  All at once, my daimonthat other Me over whom I button my

waistcoat when I button it over my own personput it into my head to  look up the story of Madame Saqui.

She was a famous danseuse, who  danced Napoleon in and out, and several other dynasties besides.  Her  last

appearance was at the age of seventysix, which is rather late  in life for the tight rope, one of her specialties.

Jules Janin  mummified her when she died in 1866, at the age of eighty.  He spiced  her up in his eulogy as if

she had been the queen of a modern  Pharaoh.  His foamy and flowery rhetoric put me into such a state of

goodnature that I said, I will print my poem, and let the critical  Gil Blas handle it as he did the archbishop's

sermon, or would have  done, if he had been a writer for the "Salamanca Weekly." 

It must be premised that a very beautiful loving cup was presented  to  me on my recent birthday, by eleven

ladies of my acquaintance.  This  was the most costly and notable of all the many tributes I  received,  and for

which in different forms I expressed my gratitude. 

               TO THE ELEVEN LADIES

WHO PRESENTED ME WITH A SILVER LOVING CUP ON THE

     TWENTYNINTH OF AUGUST, M DCCC LXXXIX.

"Who gave this cup?"  The secret thou wouldst steal

Its brimming flood forbids it to reveal:

No mortal's eye shall read it till he first

Cool the red throat of thirst.

If on the golden floor one draught remain,

Trust me, thy careful search will be in vain;

Not till the bowl is emptied shalt thou know

The names enrolled below.

Deeper than Truth lies buried in her well

Those modest names the graven letters spell

Hide from the sight; but, wait, and thou shalt see

Who the good angels be

Whose bounty glistens in the beauteous gift

That friendly hands to loving lips shall lift:

Turn the fair goblet when its floor is dry,

Their names shall meet thine eye.

Count thou their number on the beads of Heaven,

Alas! the clustered Pleiads are but seven;

Nay, the nine sister Muses are too few,

The Graces must add two.

"For whom this gift?" For one who all too long


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Clings to his bough among the groves of song;

Autumn's last leaf, that spreads its faded wing

To greet a second spring.

Dear friends, kind friends, whate'er the cup may hold,

Bathing its burnished depths, will change to gold

Its last bright drop let thirsty Maenads drain,

Its fragrance will remain.

Better love's perfume in the empty bowl

Than wine's nepenthe for the aching soul

Sweeter than song that ever poet sung,

It makes an old heart young!

III

After the reading of the paper which was reported in the preceding  number of this record, the company fell

into talk upon the subject  with which it dealt. 

The Mistress.  "I could have wished you had said more about the  religious attitude of old age as such.  Surely

the thoughts of aged  persons must be very much taken up with the question of what is to  become of them.  I

should like to have The Dictator explain himself a  little more fully on this point." 

My dear madam, I said, it is a delicate matter to talk about.  You  remember Mr. Calhoun's response to the

advances of an overzealous  young clergyman who wished to examine him as to his outfit for the  long

journey.  I think the relations between man and his Maker grow  more intimate, more confidential, if I may say

so, with advancing  years.  The old man is less disposed to argue about special matters  of belief, and more

ready to sympathize with spiritually minded  persons without anxious questioning as to the fold to which they

belong.  That kindly judgment which he exercises with regard to  others he will, naturally enough, apply to

himself.  The caressing  tone in which the Emperor Hadrian addresses his soul is very much  like that of an old

person talking with a grandchild or some other  pet:

    "Animula, vagula, blandula,

     Hospes comesque corporis."

    "Dear little, flitting, pleasing sprite,

     The body's comrade and its guest."

How like the language of Catullus to Lesbia's sparrow! 

More and more the old man finds his pleasures in memory, as the  present becomes unreal and dreamlike, and

the vista of his earthly  future narrows and closes in upon him.  At last, if he live long  enough, life comes to be

little more than a gentle and peaceful  delirium of pleasing recollections.  To say, as Dante says, that  there is

no greater grief than to remember past happiness in the hour  of misery is not giving the whole truth.  In the

midst of the misery,  as many would call it, of extreme old age, there is often a divine  consolation in recalling

the happy moments and days and years of  times long past.  So beautiful are the visions of bygone delight that

one could hardly wish them to become real, lest they should lose  their ineffable charm.  I can almost conceive

of a dozing and dreamy  centenarian saying to one he loves, "Go, darling, go!  Spread your  wings and leave

me.  So shall you enter that world of memory where  all is lovely.  I shall not hear the sound of your footsteps

any  more, but you will float before me, an aerial presence.  I shall not  hear any word from your lips, but I

shall have a deeper sense of your  nearness to me than speech can give.  I shall feel, in my still  solitude, as the

Ancient Mariner felt when the seraph band gathered  before him: 

   "'No voice did they impart


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No voice; but oh! the silence sank

     Like music on my heart.'"

I said that the lenient way in which the old look at the failings  of  others naturally leads them to judge

themselves more charitably.  They find an apology for their shortcomings and wrongdoings in  another

consideration.  They know very well that they are not the  same persons as the middleaged individuals, the

young men, the boys,  the children, that bore their names, and whose lives were continuous  with theirs.  Here

is an old man who can remember the first time he  was allowed to go shooting.  What a remorseless young

destroyer he  was, to be sure!  Wherever he saw a feather, wherever a poor little  squirrel showed his bushy tail,

bang! went the old "king's arm," and  the feathers or the fur were set flying like so much chaff.  Now that  same

old man,the mortal that was called by his name and has passed  for the same person for some scores of

years,is considered absurdly  sentimental by kindhearted women, because he opens the flytrap and  sets

all its captives free,outofdoors, of course, but the dear  souls all insisting, meanwhile, that the flies will,

every one of  them, be back again in the house before the day is over.  Do you  suppose that venerable sinner

expects to be rigorously called to  account for the want of feeling he showed in those early years, when  the

instinct of destruction, derived from his forestroaming  ancestors, led him to acts which he now looks upon

with pain and  aversion? 

"Senex" has seen three generations grow up, the son repeating the  virtues and the failings of the father, the

grandson showing the same  characteristics as the father and grandfather.  He knows that if such  or such a

young fellow had lived to the next stage of life he would  very probably have caught up with his mother's

virtues, which, like a  graft of a late fruit on an early apple or pear tree, do not ripen in  her children until late

in the season.  He has seen the successive  ripening of one quality after another on the boughs of his own life,

and he finds it hard to condemn himself for faults which only needed  time to fall off and be succeeded by

better fruitage.  I cannot help  thinking that the recording angel not only drops a tear upon many a  human

failing, which blots it out forever, but that he hands many an  old recordbook to the imp that does his

bidding, and orders him to  throw that into the fire instead of the sinner for whom the little  wretch had kindled

it. 

"And pitched him in after it, I hope," said Number Seven, who is in  some points as much of an optimist as

any one among us, in spite of  the squint in his brain,or in virtue of it, if you choose to have  it so. 

"I like Wordsworth's 'Matthew,'" said Number Five, "as well as any  picture of old age I remember." 

"Can you repeat it to us?" asked one of The Teacups. 

"I can recall two verses of it," said Number Five, and she recited  the two following ones.  Number Five has a

very sweet voice.  The  moment she speaks all the faces turn toward her.  I don't know what  its secret is, but it

is a voice that makes friends of everybody. 

   "'The sighs which Matthew heaved were sighs

     Of one tired out with fun and madness;

     The tears which came to Matthew's eyes

     Were tears of light, the dew of gladness.

   "'Yet, sometimes, when the secret cup

     Of still and serious thought went round,

     It seemed as if he drank it up,

     He felt with spirit so profound:'

"This was the way in which Wordsworth paid his tribute to a 

   "'Soul of God's best earthly mould.'"


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The sweet voice left a trancelike silence after it, which may have  lasted twenty heartbeats.  Then I said, We

all thank you for your  charming quotation.  How much more wholesome a picture of humanity  than such stuff

as the author of the "Night Thoughts" has left us: 

    "Heaven's Sovereign saves all beings but Himself

     That hideous sight, a naked human heart."

Or the author of "Don Juan," telling us to look into 

    "Man's heart, and view the hell that's there! "

I hope I am quoting correctly, but I am more of a scholar in  Wordsworth than in Byron.  Was Parson Young's

own heart such a  hideous spectacle to himself? 

If it was, he had better have stripped off his surplice.  No,it  was  nothing but the cant of his calling.  In

Byron it was a mood, and  he  might have said just the opposite thing the next day, as he did in  his two

descriptions of the Venus de' Medici.  That picture of old  Matthew abides in the memory, and makes one

think better of his kind.  What nobler tasks has the poet than to exalt the idea of manhood, and  to make the

world we live in more beautiful? 

We have two or three young people with us who stand a fair chance  of  furnishing us the element without

which life and teatables alike  are  wanting in interest.  We are all, of course, watching them, and  curious to

know whether we are to have a romance or not.  Here is one  of them; others will show themselves presently. 

I cannot say just how old the Tutor is, but I do not detect a gray  hair in his head.  My sight is not so good as it

was, however, and he  may have turned the sharp corner of thirty, and even have left it a  year or two behind

him.  More probably he is still in the twenties,  say twentyeight or twentynine.  He seems young, at any

rate,  excitable, enthusiastic, imaginative, but at the same time reserved.  I am afraid that he is a poet.  When I

say "I am afraid," you wonder  what I mean by the expression.  I may take another opportunity to  explain and

justify it; I will only say now that I consider the Muse  the most dangerous of sirens to a young man who has

his way to make  in the world.  Now this young man, the Tutor, has, I believe, a  future before him.  He was

born for a philosopher,so I read his  horoscope,but he has a great liking for poetry and can write well  in

verse.  We have had a number of poems offered for our  entertainment, which I have commonly been

requested to read.  There  has been some little mystery about their authorship, but it is  evident that they are not

all from the same hand.  Poetry is as  contagious as measles, and if a single case of it break out in any  social

circle, or in a school, there are certain to be a number of  similar cases, some slight, some serious, and now

and then one so  malignant that the subject of it should be put on a spare diet of  stationery, say from two to

three penfuls of ink and a half sheet of  notepaper per diem.  If any of our poetical contributions are

presentable, the reader shall have a chance to see them. 

It must be understood that our company is not invariably made up of  the same persons.  The Mistress, as we

call her, is expected to be  always in her place.  I make it a rule to be present.  The Professor  is almost as sure to

be at the table as I am.  We should hardly know  what to do without Number Five.  It takes a good deal of tact

to  handle such a little assembly as ours, which is a republic on a small  scale, for all that they give me the title

of Dictator, and Number  Five is a great help in every social emergency.  She sees when a  discussion tends to

become personal, and heads off the threatening  antagonists.  She knows when a subject has been knocking

about long  enough and dexterously shifts the talk to another track.  It is true  that I am the one most frequently

appealed to as the highest tribunal  in doubtful cases, but I often care more for Number Five's opinion  than I

do for my own.  Who is this Number Five, so fascinating, so  wise, so full of knowledge, and so ready to

learn?  She is suspected  of being the anonymous author of a book which produced a sensation  when

published, not very long ago, and which those who read are very  apt to read a second time, and to leave on

their tables for frequent  reference.  But we have never asked her.  I do not think she wants to  be famous.  How


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she comes to be unmarried is a mystery to me; it must  be that she has found nobody worth caring enough for.

I wish she  would furnish us with the romance which, as I said, our teatable  needs to make it interesting.

Perhaps the newcomer will make love  to her,I should think it possible she might fancy him. 

And who is the newcomer?  He is a Counsellor and a Politician.  Has  a good war record.  Is about fortyfive

years old, I conjecture.  Is  engaged in a great law case just now.  Said to be very eloquent.  Has  an intellectual

head, and the bearing of one who has commanded a  regiment or perhaps a brigade.  Altogether an attractive

person,  scholarly, refined has some accomplishments not so common as they  might be in the class we call

gentlemen, with an accent on the word. 

There is also a young Doctor, waiting for his bald spot to come, so  that he may get into practice. 

We have two young ladies at the table,the English girl referred  to  in a former number, and an American

girl of about her own age.  Both  of them are students in one of those institutionsI am not sure  whether they

call it an "annex" or not; but at any rate one of those  schools where they teach the incomprehensible sort of

mathematics and  other bewildering branches of knowledge above the common level of  highschool

education.  They seem to be good friends, and form a very  pleasing pair when they walk in arm in arm; nearly

enough alike to  seem to belong together, different enough to form an agreeable  contrast. 

Of course we were bound to have a Musician at our table, and we  have  one who sings admirably, and

accompanies himself, or one or more  of  our ladies, very frequently. 

Such is our company when the table is full.  But sometimes only  half  a dozen, or it may be only three or four,

are present.  At other  times we have a visitor or two, either in the place of one of our  habitual number, or in

addition to it.  We have the elements, we  think, of a pleasant social gathering,different sexes, ages,  pursuits,

and tastes,all that is required for a "symphony concert"  of conversation.  One of the curious questions

which might well be  asked by those who had been with us on different occasions would be,  "How many poets

are there among you?"  Nobody can answer this  question.  It is a point of etiquette with us not to press our

inquiries about these anonymous poems too sharply, especially if any  of them betray sentiments which would

not bear rough handling. 

I don't doubt that the different personalities at our table will  get  mixed up in the reader's mind if be is not

particularly  clearheaded.  That happens very often, much oftener than all would be  willing to  confess, in

reading novels and plays.  I am afraid we  should get a  good deal confused even in reading our Shakespeare if

we  did not look  back now and then at the dramatis personae.  I am sure  that I am very  apt to confound the

characters in a moderately  interesting novel;  indeed, I suspect that the writer is often no  better off than the

reader in the dreary middle of the story, when his  characters have  all made their appearance, and before they

have  reached near enough  to the denoument to have fixed their individuality  by the position  they have arrived

at in the chain of the narrative. 

My reader might be a little puzzled when he read that Number Five  did  or said such or such a thing, and ask,

"Whom do you mean by that  title?  I am not quite sure that I remember." Just associate her with  that line of

Emerson, 

     "Why nature loves the number five,"

and that will remind you that she is the favorite of our table. 

You cannot forget who Number Seven is if I inform you that he  specially prides himself on being a seventh

son of a seventh son.  The  fact of such a descent is supposed to carry wonderful endowments  with  it.  Number

Seven passes for a natural healer.  He is looked  upon as a  kind of wizard, and is lucky in living in the


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nineteenth  century  instead of the sixteenth or earlier.  How much confidence he  feels in  himself as the

possessor of halfsupernatural gifts I cannot  say.  I  think his peculiar birthright gives him a certain confidence

in his  whims and fancies which but for that he would hardly feel.  After this  explanation, when I speak of

Number Five or Number Seven,  you will  know to whom I refer. 

The company are very frank in their criticisms of each other.  "I  did  not like that expression of yours,

planetary foundlings," said the  Mistress.  "It seems to me that it is too like atheism for a good  Christian like

you to use." 

Ah, my dear madam, I answered, I was thinking of the elements and  the  natural forces to which man was

born an almost helpless subject in  the rudimentary stages of his existence, and from which he has only

partially got free after ages upon ages of warfare with their  tyranny.  Think what hunger forced the caveman

to do!  Think of the  surly indifference of the storms that swept the forest and the  waters, the earthquake

chasms that engulfed him, the inundations that  drowned him out of his miserable hidingplaces, the

pestilences that  lay in wait for him, the unequal strife with ferocious animals!  I  need not sum up all the

wretchedness that goes to constitute the  "martyrdom of man."  When our forefathers came to this wilderness

as  it then was, and found everywhere the bones of the poor natives who  had perished in the great plague

(which our Doctor there thinks was  probably the smallpox), they considered this destructive malady as a

special mark of providential favor for them.  How about the miserable  Indians?  Were they anything but

planetary foundlings?  No!  Civilization is a great foundling hospital, and fortunate are all  those who get safely

into the creche before the frost or the malaria  has killed them, the wild beasts or the venomous reptiles

worked out  their deadly appetites and instincts upon them.  The very idea of  humanity seems to be that it shall

take care of itself and develop  its powers in the "struggle for life."  Whether we approve it or not,  if we can

judge by the material record, man was born a foundling, and  fought his way as he best might to that kind of

existence which we  call civilized,one which a considerable part of the inhabitants of  our planet have

reached. 

If you do not like the expression planetary foundlings, I have no  objection to your considering the race as put

out to nurse.  And what  a nurse Nature is!  She gives her charge a hole in the rocks to live  in, ice for his pillow

and snow for his blanket, in one part of the  world; the jungle for his bedroom in another, with the tiger for his

watchdog, and the cobra as his playfellow. 

Well, I said, there may be other parts of the universe where there  are no tigers and no cobras.  It is not quite

certain that such  realms of creation are better off, on the whole, than this earthly  residence of ours, which has

fought its way up to the development of  such centres of civilization as Athens and Rome, to such

personalities as Socrates, as Washington. 

"One of our company has been on an excursion among the celestial  bodies of our system, I understand," said

the Professor. 

Number Five colored.  "Nothing but a dream," she said.  "The truth  is, I had taken ether in the evening for a

touch of neuralgia, and it  set my imagination at work in a way quite unusual with me.  I had  been reading a

number of books about an ideal condition of society,  Sir Thomas Mores 'Utopia,' Lord Bacon's 'New

Atlantis,' and another  of more recent date.  I went to bed with my brain a good deal  excited, and fell into a

deep slumber, in which I passed through some  experiences so singular that, on awaking, I put them down on

paper.  I  don't know that there is anything very original about the  experiences  I have recorded, but I thought

them worth preserving.  Perhaps you  would not agree with me in that belief." 

"If Number Five will give us a chance to form our own judgment  about  her dream or vision, I think we shall

enjoy it," said the  Mistress.  "She knows what will please The Teacups in the way of  reading as well  as I do

how many lumps of sugar the Professor wants in  his tea and  how many I want in mine." 


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The company was so urgent that Number Five sent upstairs for her  paper. 

Number Five reads the story of her dream. 

It cost me a great effort to set down the words of the manuscript  from which I am reading.  My dreams for the

most part fade away so  soon after their occurrence that I cannot recall them at all.  But in  this case my ideas

held together with remarkable tenacity.  By  keeping my mind steadily upon the work, I gradually unfolded the

narrative which follows, as the famous Italian antiquary opened one  of those fragile carbonized manuscripts

found in the ruins of  Herculaneum or Pompeii. 

The first thing I remember about it is that I was floating upward,  without any sense of effort on my part.  The

feeling was that of  flying, which I have often had in dreams, as have many other persons.  It was the most

natural thing in the world,a semimaterialized  volition, if I may use such an expression. 

At the first moment of my new consciousness,for I seemed to have  just emerged from a deep slumber, I

was aware that there was a  companion at my side.  Nothing could be more gracious than the way in  which this

being accosted me.  I will speak of it as she, because  there was a delicacy, a sweetness, a divine purity, about

its aspect  that recalled my ideal of the loveliest womanhood. 

"I am your companion and your guide," this being made me  understand,  as she looked at me.  Some faculty of

which I had never  before been  conscious had awakened in me, and I needed no interpreter  to explain  the

unspoken language of my celestial attendant. 

"You are not yet outside of space and time," she said, "and I am  going with you through some parts of the

phenomenal or apparent  universe,what you call the material world.  We have plenty of what  you call time

before us, and we will take our voyage leisurely,  looking at such objects of interest as may attract our

attention as  we pass.  The first thing you will naturally wish to look at will be  the earth you have just left.  This

is about the right distance," she  said, and we paused in our flight. 

The great globe we had left was rolling beneath us.  No eye of one  in  the flesh could see it as I saw or seemed

to see it.  No ear of any  mortal being could bear the sounds that came from it as I heard or  seemed to hear

them.  The broad oceans unrolled themselves before me.  I could recognize the calm Pacific and the stormy

Atlantic,the  ships that dotted them, the white lines where the waves broke on the  shore, frills on the

robes of the continents, so they looked to  my woman's perception; thevast South American forests; the

glittering icebergs about the poles; the snowy mountain ranges, here  and there a summit sending up fire and

smoke; mighty rivers, dividing  provinces within sight of each other, and making neighbors of realms

thousands of miles apart; cities; lighthouses to insure the safety  of seagoing vessels, and warships to

knock them to pieces and sink  them.  All this, and infinitely more, showed itself to me during a  single

revolution of the sphere: twentyfour hours it would have  been, if reckoned by earthly measurements of time.

I have not spoken  of the sounds I heard while the earth was revolving under us.  The  howl of storms, the roar

and clash of waves, the crack and crash of  the falling thunderbolt,these of course made themselves heard

as  they do to mortal ears.  But there were other sounds which enchained  my attention more than these voices

of nature.  As the skilled leader  of an orchestra hears every single sound from each member of the mob  of

stringed and wind instruments, and above all the screech of the  straining soprano, so my sharpened

perceptions made what would have  been for common mortals a confused murmur audible to me as

compounded  of innumerable easily distinguished sounds.  Above them all arose one  continued, unbroken,

agonizing cry.  It was the voice of suffering  womanhood, a sound that goes up day and night, one long chorus

of  tortured victims. 

"Let us get out of reach of this," I said; and we left our planet,  with its blank, desolate moon staring at it, as if

it had turned pale  at the sights and sounds it had to witness. 


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Presently the gilded dome of the State House, which marked our  startingpoint, came into view for the

second time, and I knew that  this sideshow was over.  I bade farewell to the Common with its  Cogswell

fountain, and the Garden with its last aweinspiring  monument. 

"Oh, if I could sometimes revisit these beloved scenes! "I  exclaimed. 

"There is nothing to hinder that I know of," said my companion.  "Memory and imagination as you know

them in the flesh are two winged  creatures with strings tied to their legs, and anchored to a bodily  weight of a

hundred and fifty pounds, more or less.  When the string  is cut you can be where you wish to be,not merely

a part of you,  leaving the rest behind, but the whole of you.  Why shouldn't you  want to revisit your old home

sometimes?" 

I was astonished at the human way in which my guide conversed with  me.  It was always on the basis of my

earthly habits, experiences,  and limitations.  "Your solar system," she said, "is a very small  part of the

universe, but you naturally feel a curiosity about the  bodies which constitute it and about their inhabitants.

There is  your moon: a bare and desolatelooking place it is, and well it may  be, for it has no respirable

atmosphere, and no occasion for one.  The  Lunites do not breathe; they live without waste and without  supply.

You look as if you do not understand this.  Yet your people  have, as  you well know, what they call

incandescent lights  everywhere.  You  would have said there can be no lamp without oil or  gas, or other

combustible substance, to feed it; and yet you see a  filament which  sheds a light like that of noon all around

it, and  does not waste at  all.  So the Lunites live by influx of divine  energy, just as the  incandescent lamp

glows,glows, and is not  consumed; receiving its  life, if we may call it so, from the central  power, which

wears the  unpleasant name of "dynamo."' 

The Lunites appeared to me as pale phosphorescent figures of ill  defined outline, lost in their own halos, as

it were.  I could not  help thinking of Shelley's 

               "maiden

          With white fire laden."

But as the Lunites were after all but provincials, as are the  tenants  of all the satellites, I did not care to

contemplate them for  any  great length of time. 

I do not remember much about the two planets that came next to our  own, except the beautiful rosy

atmosphere of one and the huge bulk of  the other.  Presently, we found ourselves within hailing distance of

another celestial body, which I recognized at once, by the rings  which girdled it, as the planet Saturn.  A

dingy, dulllooking sphere  it was in its appearance.  "We will tie up here for a while," said my  attendant.  The

easy, familiar way in which she spoke surprised and  pleased me. 

Why, said I,The Dictator,what is there to prevent beings of  another order from being as cheerful, as

social, as good companions,  as the very liveliest of God's creatures whom we have known in the  flesh?  Is it

impossible for an archangel to smile?  Is such a  phenomenon as a laugh never heard except in our little sinful

corner  of the universe?  Do you suppose, that when the disciples heard from  the lips of their Master the play

of words on the name of Peter,  there was no smile of appreciation on the bearded faces of those holy  men?

From any other lips we should have called this pleasantry a 

Number Five shook her head very slightly, and gave me a look that  seemed to say, "Don't frighten the other

Teacups.  We don't call  things by the names that belong to them when we deal with celestial  subjects." 

We tied up, as my attendant playfully called our resting, so near  the  planet that I could knowI will not say

see and hear, but  apprehend  all that was going on in that remote sphere; remote, as we  who live  in what we


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have been used to consider the centre of the  rational  universe regard it.  What struck me at once was the

deadness  of  everything I looked upon.  Dead, uniform color of surface and  surrounding atmosphere.  Dead

complexion of all the inhabitants.  Deadlooking trees, deadlooking grass, no flowers to be seen  anywhere. 

"What is the meaning of all this?" I said to my guide. 

She smiled goodnaturedly, and replied, "It is a forlorn home for  anything above a lichen or a toadstool; but

that is no wonder, when  you know what the air is which they breathe.  It is pure nitrogen." 

The Professor spoke up.  "That can't be, madam," he said.  "The  spectroscope shows the atmosphere of Saturn

to beno matter, I have  forgotten what; but it was not pure nitrogen, at any rate." 

Number Five is never disconcerted.  "Will you tell me," she said,  "where you have found any account of the

bands and lines in the  spectrum of dreamnitrogen?  I should be so pleased to become  acquainted with them." 

The Professor winced a little, and asked Delilah, the handmaiden,  to  pass a plate of muffins to him.  The

dream had carried him away,  and  he thought for the moment that he was listening to a scientific  paper. 

Of course, my companion went on to say, the bodily constitution of  the Saturnians is wholly different from

that of airbreathing, that  is oxygenbreathing, human beings.  They are the dullest, slowest,  most torpid of

mortal creatures. 

All this is not to be wondered at when you remember the inert  characteristics of nitrogen.  There are in some

localities natural  springs which give out slender streams of oxygen.  You will learn by  and by what use the

Saturnians make of this dangerous gas, which, as  you recollect, constitutes about one fifth of your own

atmosphere.  Saturn has large lead mines, but no other metal is found on this  planet.  The inhabitants have

nothing else to make tools of, except  stones and shells.  The mechanical arts have therefore made no great

progress among them.  Chopping down a tree with a leaden axe is  necessarily a slow process. 

So far as the Saturnians can be said to have any pride in anything,  it is in the absolute level which

characterizes their political and  social order.  They profess to be the only true republicans in the  solar system.

The fundamental articles of their Constitution are  these: 

All Saturnians are born equal, live equal, and die equal. 

All Saturnians are born free, free, that is, to obey the rules  laid  down for the regulation of their conduct,

pursuits, and opinions,  free to be married to the person selected for them by the  physiological section of the

government, and free to die at such  proper period of life as may best suit the convenience and general  welfare

of the community. 

The one great industrial product of Saturn is the breadroot.  The  Saturnians find this wholesome and

palatable enough; and it is well  they do, as they have no other vegetable.  It is what I should call a  most

uninteresting kind of eatable, but it serves as food and drink,  having juice enough, so that they get along

without water.  They have  a tough, dry grass, which, matted together, furnishes them with  clothes sufficiently

warm for their coldblooded constitutions, and  more than sufficiently ugly. 

A piece of ground large enough to furnish breadroot for ten  persons  is allotted to each head of a household,

allowance being made  for the  possible increase of families.  This, however, is not a very  important

consideration, as the Saturnians are not a prolific race.  The great object of life being the product of the largest

possible  quantity of breadroots, and women not being so capable in the fields  as the stronger sex, females

are considered an undesirable addition  to society.  The one thing the Saturnians dread and abhor is  inequality.


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The whole object of their laws and customs is to  maintain the strictest equality in everything,social

relations,  property, so far as they can be said to have anything which can be so  called, mode of living, dress,

and all other matters.  It is their  boast that nobody ever starved under their government.  Nobody goes  in rags,

for the coarsefibred grass from which they fabricate their  clothes is very durable.  (I confess I wondered how

a woman could  live in Saturn.  They have no lookingglasses.  There is no such  article as a ribbon known

among them.  All their clothes are of one  pattern.  I noticed that there were no pockets in any of their  garments,

and learned that a pocket would be considered prima facie  evidence of theft, as no honest person would have

use for such a  secret receptacle.)  Before the revolution which established the  great law of absolute and

lifelong equality, the inhabitants used to  feed at their own private tables.  Since the regeneration of society  all

meals are taken in common.  The last relic of barbarism was the  use of plates,one or even more to each

individual.  This "odious  relic of an effete civilization," as they called it, has long been  superseded by oblong

hollow receptacles, one of which is allotted to  each twelve persons.  A great riot took place when an attempt

was  made by some fastidious and exclusive egotists to introduce  partitions which should partially divide one

portion of these  receptacles into individual compartments.  The Saturnians boast that  they have no paupers, no

thieves, none of those fictitious values  called money,all which things, they hear, are known in that small

Saturn nearer the sun than the great planet which is their dwelling  place. 

"I suppose that now they have levelled everything they are quiet  and  contented.  Have they any of those

uneasy people called  reformers?" 

"Indeed they have," said my attendant.  "There are the  Orthobrachians, who declaim against the shameful

abuse of the left  arm and hand, and insist on restoring their perfect equality with the  right.  Then there are

Isopodic societies, which insist on bringing  back the original equality of the upper and lower limbs.  If you

can  believe it, they actually practise going on all fours,generally in  a private way, a few of them together,

but hoping to bring the world  round to them in the near future." 

Here I had to stop and laugh. 

"I should think life might be a little dull in Saturn," I said. 

"It is liable to that accusation," she answered.  "Do you notice  how  many people you meet with their mouths

stretched wide open?" 

"Yes," I said, "and I do not know what to make of it.  I should  think  every fourth or fifth person had his mouth

open in that way." 

"They are suffering from the endemic disease of their planet,  prolonged and inveterate gaping or yawning,

which has ended in  dislocation of the lower jaw.  After a time this becomes fixed, and  requires a difficult

surgical operation to restore it to its place." 

It struck me that, in spite of their boast that they have no  paupers,  no thieves, no money, they were a

melancholylooking set of  beings. 

"What are their amusements?" I asked. 

Intoxication and suicide are their chief recreations.  They have a  way of mixing the oxygen which issues in

small jets from certain  natural springs with their atmospheric nitrogen in the proportion of  about twenty per

cent, which makes very nearly the same thing as the  air of your planet.  But to the Saturnians the mixture is

highly  intoxicating, and is therefore a relief to the monotony of their  everyday life.  This mixture is greatly

sought after, but hard to  obtain, as the sources of oxygen are few and scanty.  It shortens the  lives of those

who have recourse to it; but if it takes too long,  they have other ways of escaping from a life which cuts and


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dries  everything for its miserable subjects, defeats all the natural  instincts, confounds all individual

characteristics, and makes  existence such a colossal bore, as your worldly people say, that  selfdestruction

becomes a luxury." 

Number Five stopped here. 

Your imaginary wholesale Shakerdom is all very fine, said I.  Your  Utopia, your New Atlantis, and the rest

are pretty to look at.  But  your philosophers are treating the world of living souls as if they  were, each of

them, playing a game of solitaire, all the pegs and  all the holes alike.  Life is a very different sort of game.

It is a  game of chess, and not of solitaire, nor even of checkers.  The men  are not all pawns, but you have your

knights, bishops, rooks,yes,  your king and queen,to be provided for.  Not with these names, of  course,

but all looking for their proper places, and having their own  laws and modes of action.  You can play solitaire

with the members of  your own family for pegs, if you like, and if none of them rebel.  You  can play checkers

with a little community of meek, likeminded  people.  But when it comes to the handling of a great state, you

will  find  that nature has emptied a box of chessmen before you, and you  must  play with them so as to give

each its proper move, or sweep them  off  the board, and come back to the homely game such as I used to see

played with beans and kernels of corn on squares marked upon the back  of the kitchen bellows. 

It was curious to see how differently Number Five's narrative was  received by the different listeners in our

circle.  Number Five  herself said she supposed she ought to be ashamed of its absurdities,  but she did not

know that it was much sillier than dreams often are,  and she thought it might amuse the company.  She was

herself always  interested by these ideal pictures of society.  But it seemed to her  that life must be dull in any

of them, and with that idea in her head  her dreaming fancy had drawn these pictures. 

The Professor was interested in her conception of the existence of  the Lunites without waste, and the death in

life of the nitrogen  breathing Saturnians.  Dreamchemistry was a new subject to him.  Perhaps Number Five

would give him some lessons in it. 

At this she smiled, and said she was afraid she could not teach him  anything, but if he would answer a few

questions in matteroffact  chemistry which had puzzled her she would be vastly obliged to him. 

"You must come to my laboratory," said the Professor. 

"I will come tomorrow," said Number Five. 

Oh, yes! Much laboratory work they will do! Play of mutual  affinities.  Amalgamates.  No freezing mixtures,

I'll warrant 

Why shouldn't we get a romance out of all this, hey ? 

But Number Five looks as innocent as a lamb, and as brave as a  lion.  She does not care a copper for the looks

that are going round  The  Teacups. 

Our Doctor was curious about those cases of anchylosis, as he  called  it, of the lower jaw.  He thought it a

quite possible  occurrence.  Both the young girls thought the dream gave a very hard  view of the  optimists,

who look forward to a reorganization of society  which  shall rid mankind of the terrible evils of

overcrowding and  competition. 

Number Seven was quite excited about the matter.  He had himself  drawn up a plan for a new social

arrangement.  He had shown it to the  legal gentleman who has lately joined us.  This gentleman thought it

wellintended, but that it would take one constable to every three  inhabitants to enforce its provisions. 


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I said the dream could do no harm; it was too outrageously  improbable  to come home to anybody's feelings.

Dreams were like  broken  mosaics,the separated stones might here and there make parts  of  pictures.  If one

found a caricature of himself made out of the  pieces which had accidentally come together, he would smile at

it,  knowing that it was an accidental effect with no malice in it.  If  any of you really believe in a working

Utopia, why not join the  Shakers, and convert the world to this mode of life?  Celibacy alone  would cure a

great many of the evils you complain of. 

I thought this suggestion seemed to act rather unfavorably upon the  ladies of our circle.  The two Annexes

looked inquiringly at each  other.  Number Five looked smilingly at them.  She evidently thought  it was time to

change the subject of conversation, for she turned to  me and said, "You promised to read us the poem you

read before your  old classmates the other evening." 

I will fulfill my promise, I said.  We felt that this might  probably  be our last meeting as a Class.  The personal

reference is to  our  greatly beloved and honored classmate, James Freeman Clarke. 

AFTER THE CURFEW. 

The Play is over.  While the light  Yet lingers in the darkening  hall, 

I come to say a last Goodnight  Before the final Exeunt all. 

We gathered once, a joyous throng:  The jovial toasts went gayly  round;  With jest, and laugh, and shout, and

song  we made the floors  and walls resound. 

We come with feeble steps and slow,  A little band of four or five,  Left from the wrecks of long ago,  Still

pleased to find ourselves  alive. 

Alive!  How living, too, are they  whose memories it is ours to  share!  Spread the long table's full array,  There

sits a ghost in  every chair! 

One breathing form no more, alas!  Amid our slender group we see;  With him we still remained "The Class,"

without his presence what are  we? 

The hand we ever loved to clasp,  That tireless hand which knew no  rest,  Loosed from affection's clinging

grasp,  Lies nerveless on the  peaceful breast. 

The beaming eye, the cheering voice,  That lent to life a generous  glow,  whose every meaning said "Rejoice,"

we see, we hear, no more  below. 

The air seems darkened by his loss,  Earth's shadowed features look  less fair,  And heavier weighs the daily

cross  His willing shoulders  helped as bear. 

Why mourn that we, the favored few 

Whom grasping Time so long has spared  Life's sweet illusions to  pursue,  The common lot of age have

shared? 

In every pulse of Friendship's heart  There breeds unfelt a throb  of pain,  One hour must rend its links apart,

Though years on years  have forged the chain. 


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So ends "The Boys,"a lifelong play.  We too must hear the  Prompter's call  To fairer scenes and brighter day

Farewell! I let the  curtain fall. 

IV

If the reader thinks that all these talking Teacups came together  by  mere accident, as people meet at a

boardinghouse, I may as well  tell  him at once that he is mistaken.  If he thinks I am going to  explain  how it

is that he finds them thus brought together, whether  they form  a secret association, whether they are the

editors of this  or that  periodical, whether they are connected with some institution,  and so  on,I must

disappoint him.  It is enough that he finds them in  each  other's company, a very mixed assembly, of different

sexes, ages,  and  pursuits; and if there is a certain mystery surrounds their  meetings,  he must not be surprised.

Does he suppose we want to be  known and  talked about in public as "Teacups"?  No; so far as we give  to the

community some records of the talks at our table our thoughts  become  public property, but the sacred

personality of every Teacup  must be  properly respected.  If any wonder at the presence of one of  our  number,

whose eccentricities might seem to render him an  undesirable  associate of the company, he should remember

that some  people may  have relatives whom they feel bound to keep their eye on;  besides the  cracked Teacup

brings out the ring of the sound ones as  nothing else  does.  Remember also that soundest teacup does not

always  hold the  best tea, or the cracked teacup the worst. 

This is a hint to the reader, who is not expected to be too curious  about the individual Teacups constituting

our unorganized  association. 

The Dictator Discourses. 

I have been reading Balzac's Peau de Chagrin.  You have all read  the  story, I hope, for it is the first of his

wonderful romances which  fixed the eyes of the reading world upon him, and is a most  fascinating if

somewhat fantastic tale.  A young man becomes the  possessor of a certain magic skin, the peculiarity of which

is that,  while it gratifies every wish formed by its possessor, it shrinks in  all its dimensions each time that a

wish is gratified.  The young man  makes every effort to ascertain the cause of its shrinking; invokes  the aid of

the physicist, the chemist, the student of natural  history, but all in vain.  He draws a red line around it.  That

same  day he indulges a longing for a certain object.  The next morning  there is a little interval between the red

line and the skin, close  to which it was traced.  So always, so inevitably.  As he lives on,  satisfying one desire,

one passion, after another, the process of  shrinking continues.  A mortal disease sets in, which keeps pace with

the shrinking skin, and his life and his talisman come to an end  together. 

One would say that such a piece of integument was hardly a  desirable  possession.  And yet, how many of us

have at this very  moment a peau  de chagrin of our own, diminishing with every costly  wish indulged,  and

incapable, like the magical one of the story, of  being arrested  in its progress 

Need I say that I refer to those coupon bonds, issued in the days  of  eight and ten per cent interest, and

gradually narrowing as they  drop  their semiannual slips of paper, which represent wishes to be  realized, as

the roses let fall their leaves in July, as the icicles  melt away in the thaw of January? 

How beautiful was the coupon bond, arrayed in its golden raiment of  promises to pay at certain stated

intervals, for a goodly number of  coming years!  What annual the horticulturist can show will bear

comparison with this product of auricultural industry, which has  flowered in midsummer and midwinter for

twenty successive seasons?  And now the last of its blossoms is to be plucked, and the bare stem,  stripped of

its ever maturing and always welcome appendages, is  reduced to the narrowest conditions of reproductive

existence.  Such  is the fate of the financial peau de chagrin.  Pity the poor  fractional capitalist, who has just

managed to live on the eight per  cent of his coupon bonds.  The shears of Atropos were not more fatal  to


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human life than the long scissors which cut the last coupon to the  lean proprietor, whose slice of dry toast it

served to flatter with  oleomargarine.  Do you wonder that my thoughts took the poetical  form, in the

contemplation of these changes and their melancholy  consequences?  If the entire poem, of several hundred

lines, was  "declined with thanks" by an unfeeling editor, that is no reason why  you should not hear a verse or

two of it. 

          THE PEAU DE CHAGRIN OF STATE STREET.

How beauteous is the bond  In the manifold array  Of its promises  to pay,  While the eight per cent it gives  And

the rate at which one  lives  Correspond! 

But at last the bough is bare  Where the coupons one by one  Through their ripening days have run,  And the

bond, a beggar now,  Seeks investment anyhow,  Anywhere!

The Mistress commonly contents herself with the general supervision  of the company, only now and then

taking an active part in the  conversation.  She started a question the other evening which set  some of us

thinking. 

"Why is it," she said, "that there is so common and so intense a  desire for poetical reputation?  It seems to me

that, if I were a  man, I had rather have done something worth telling of than make  verses about what other

people had done." 

"You agree with Alexander the Great," said the Professor.  "You  would  prefer the fame of Achilles to that of

Homer, who told the story  of  his wrath and its direful consequences.  I am afraid that I should  hardly agree

with you.  Achilles was little better than a Choctaw  brave.  I won't quote Horace's line which characterizes him

so  admirably, for I will take it for granted that you all know it.  He  was a gentleman,so is a firstclass

Indian,a very noble gentleman  in point of courage, lofty bearing, courtesy, but an unsoaped, ill  clad,

turbulent, hightempered young fellow, looked up to by his  crowd very much as the champion of the heavy

weights is looked up to  by his gang of blackguards.  Alexander himself was not much better,  a foolish,

fiery young madcap.  How often is he mentioned except as a  warning?  His best record is that he served to

point a moral as  'Macedonian's madman.'  He made a figure, it is true, in Dryden's  great Ode, but what kind of

a figure?  He got drunk,in very bad  company, too,and then turned firebug.  He had one redeeming

point,he did value his Homer, and slept with the Iliad under his  pillow.  A poet like Homer seems to me

worth a dozen such fellows as  Achilles and Alexander." 

"Homer is all very well far those that can read him," said Number  Seven, "but the fellows that tag verses

together nowadays are mostly  fools.  That's my opinion.  I wrote some verses once myself, but I  had been sick

and was very weak; hadn't strength enough to write in  prose, I suppose." 

This aggressive remark caused a little stir at our teatable.  For  you must know, if I have not told you already,

there are suspicions  that we have more than one "poet" at our table.  I have already  confessed that I do myself

indulge in verse now and then, and have  given my readers a specimen of my work in that line.  But there is so

much difference of character in the verses which are produced at our  table, without any signature, that I feel

quite sure there are at  least two or three other contributors besides myself.  There is a  tall, oldfashioned silver

urn, a sugarbowl of the period of the  Empire, in which the poems sent to be read are placed by unseen

hands.  When the proper moment arrives, I lift the cover of the urn  and take out any manuscript it may

contain.  If conversation is going  on and the company are in a talking mood, I replace the manuscript or

manuscripts, clap on the cover, and wait until there is a moment's  quiet before taking it off again.  I might

guess the writers  sometimes by the handwriting, but there is more trouble taken to  disguise the chirography

than I choose to take to identify it as that  of any particular member of our company. 


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The turn the conversation took, especially the slashing onslaught  of  Number Seven on the writers of verse, set

me thinking and talking  about the matter.  Number Five turned on the stream of my discourse  by a question. 

"You receive a good many volumes of verse, do you not?" she said,  with a look which implied that she knew

I did. 

I certainly do, I answered.  My table aches with them.  My shelves  groan with them.  Think of what a fuss Pope

made about his trials,  when he complained that 

          "All Bedlam or Parnassus is let out"!

What were the numbers of the 

          "Mob of gentlemen who wrote with ease"

to that great multitude of contributors to our magazines, and  authors  of little volumessometimes, alas! big

onesof verse, which  pour  out of the press, not weekly, but daily, and at such a rate of  increase that it seems

as if before long every hour would bring a  book, or at least an article which is to grow into a book by and by? 

I thanked Heaven, the other day, that I was not a critic.  These  attenuated volumes of poetry in fancy bindings

open their covers at  one like so many little unfledged birds, and one does so long to drop  a worm in,a

worm in the shape of a kind word for the poor  fledgling!  But what a desperate business it is to deal with this

army of candidates for immortality!  I have often had something to  say about them, and I may be saying over

the same things; but if I do  not remember what I have said, it is not very likely that my reader  will; if he does,

he will find, I am very sure, that I say it a  little differently. 

What astonishes me is that this enormous mass of commonplace verse,  which burdens the postman who

brings it, which it is a serious task  only to get out of its wrappers and open in two or three places, is  on the

whole of so good an average quality.  The dead level of  mediocrity is in these days a tableland, a good deal

above the old  sealevel of laboring incapacity.  Sixty years ago verses made a  local reputation, which verses,

if offered today to any of our first  class magazines, would go straight into the wastebasket.  To write

"poetry" was an art and mystery in which only a few noted men and a  woman or two were experts. 

When "Potter the ventriloquist," the predecessor of the well  remembered Signor Blitz, went round giving his

entertainments, there  was something unexplained, uncanny, almost awful, and beyond dispute  marvellous, in

his performances.  Those watches that disappeared and  came back to their owners, those endless supplies of

treasures from  empty hats, and especially those crawling eggs that travelled all  over the magician's person,

sent many a child home thinking that Mr.  Potter must have ghostly assistants, and raised grave doubts in the

minds of "professors," that is members of the church, whether they  had not compromised their characters by

being seen at such an  unhallowed exhibition.  Nowadays, a clever boy who has made a study  of parlor magic

can do many of those tricks almost as well as the  great sorcerer himself.  How simple it all seems when we

have seen  the mechanism of the deception! 

It is just so with writing in verse.  It was not understood that  everybody can learn to make poetry, just as they

can learn the more  difficult tricks of juggling.  M. Jourdain's discovery that he had  been speaking and writing

prose all his life is nothing to that of  the man who finds out in middle life, or even later, that he might  have

been writing poetry all his days, if he had only known how  perfectly easy and simple it is.  Not everybody, it

is true, has a  sufficiently good ear, a sufficient knowledge of rhymes and capacity  for handling them, to be

what is called a poet.  I doubt whether more  than nine out of ten, in the average, have that combination of gifts

required for the writing of readable verse.


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This last expression of opinion created a sensation among The  Teacups.  They looked puzzled for a minute.

One whispered to the  next Teacup, "More than nine out of ten!  I should think that was a  pretty liberal

allowance." 

Yes, I continued; perhaps ninetynine in a hundred would come  nearer  to the mark.  I have sometimes

thought I might consider it  worth  while to set up a school for instruction in the art.  "Poetry  taught  in twelve

lessons."  Congenital idiocy is no disqualification.  Anybody can write "poetry."  It is a most unenviable

distinction to  leave published a thin volume of verse, which nobody wanted, nobody  buys, nobody reads,

nobody cares for except the author, who cries  over its pathos, poor fellow, and revels in its beauties, which he

has all to himself.  Come! who will be my pupils in a Course,Poetry  taught in twelve lessons?  That made a

laugh, in which most of The  Teacups, myself included, joined heartily.  Through it all I heard  the sweet tones

of Number Five's caressing voice; not because it was  more penetrating or louder than the others, for it was

low and soft,  but it was so different from the others, there was so much more  life,the life of sweet

womanhood,dissolved in it. 

(Of course he will fall in love with her.  "He?  Who?"  Why, the  newcomer, the Counsellor.  Did I not see his

eyes turn toward her as  the silvery notes rippled from her throat?  Did they not follow her  in her movements,

as she turned her tread this or that way? 

What nonsense for me to be arranging matters between two people  strangers to each other before today!) 

"A fellow writes in verse when he has nothing to say, and feels too  dull and silly to say it in prose," said

Number Seven. 

This made us laugh again, goodnaturedly.  I was pleased with a  kind  of truth which it seemed to me to wrap

up in its rather startling  affirmation.  I gave a piece of advice the other day which I said I  thought deserved a

paragraph to itself.  It was from a letter I wrote  not long ago to an unknown young correspondent, who had a

longing for  seeing himself in verse but was not hopelessly infatuated with the  idea that he was born a "poet."

"When you write in prose," I said,  "you say what you mean.  When you write in verse you say what you

must."  I was thinking more especially of rhymed verse.  Rhythm alone  is a tether, and not a very long one.  But

rhymes are iron fetters;  it is dragging a chain and ball to march under their incumbrance; it  is a clogdance

you are figuring in, when you execute your metrical  pas seul.  Consider under what a disadvantage your

thinking powers  are laboring when you are handicapped by the inexorable demands of  our scanty English

rhyming vocabulary!  You want to say something  about the heavenly bodies, and you have a beautiful line

ending with  the word stars.  Were you writing in prose, your imagination, your  fancy, your rhetoric, your

musical ear for the harmonies of language,  would all have full play.  But there is your rhyme fastening you by

the leg, and you must either reject the line which pleases you, or  you must whip your hobbling fancy and all

your limping thoughts into  the traces which are hitched to one of three or four or half a dozen  serviceable

words.  You cannot make any use of cars, I will suppose;  you have no occasion to talk about scars; "the red

planet Mars" has  been used already; Dibdin has said enough about the gallant tars;  what is there left for you

but bars?  So you give up your trains of  thought, capitulate to necessity, and manage to lug in some kind of

allusion, in place or out of place, which will allow you to make use  of bars.  Can there be imagined a more

certain process for breaking  up all continuity of thought, for taking out all the vigor, all the  virility, which

belongs to natural prose as the vehicle of strong,  graceful, spontaneous thought, than this miserable

subjugation of  intellect to theclink of well or ill matched syllables?  I think you  will smile if I tell you of an

idea I have had about teaching the art  of writing "poems" to the halfwitted children at the Idiot Asylum.  The

trick of rhyming cannot be more usefully employed than in  furnishing a pleasant amusement to the poor

feebleminded children.  I  should feel that I was well employed in getting up a Primer for the  pupils of the

Asylum, and other young persons who are incapable of  serious thought and connected expression.  I would

start in the  simplest way; thus: 


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When darkness veils the evening....

          I love to close my weary....

The pupil begins by supplying the missing words, which most  children  who are able to keep out of fire and

water can accomplish  after a  certain number of trials.  When the poet that is to be has got  so as  to perform this

task easily, a skeleton verse, in which two or  three  words of each line are omitted, is given the child to fill up.

By  and by the more difficult forms of metre are outlined, until at  length a feebleminded child can make out a

sonnet, completely  equipped with its four pairs of rhymes in the first section and its  three pairs in the second

part. 

Number Seven interrupted my discourse somewhat abruptly, as is his  wont; for we grant him a license, in

virtue of his eccentricity,  which we should hardly expect to be claimed by a perfectly sound  Teacup. 

"That's the way,that 's the way!" exclaimed he.  "It's just the  same thing as my plan for teaching drawing." 

Some curiosity was shown among The Teacups to know what the queer  creature had got into his mind, and

Number Five asked him, in her  irresistible tones, if he wouldn't oblige us by telling us all about  it. 

He looked at her a moment without speaking.  I suppose he has often  been made fun of,slighted in

conversation, taken as a butt for  people who thought themselves witty, made to feel as we may suppose a

cracked piece of chinaware feels when it is clinked in the company  of sound bits of porcelain.  I never saw

him when he was carelessly  dealt with in conversation, for it would sometimes happen, even at  our table,

without recalling some lines of Emerson which always  struck me as of wonderful force and almost terrible

truthfulness: 

         "Alas! that one is born in blight,

          Victim of perpetual slight

          When thou lookest in his face

          Thy heart saith, 'Brother, go thy ways

          None shall ask thee what thou doest,

          Or care a rush for what thou knowest,

          Or listen when thou repliest,

          Or remember where thou liest,

          Or how thy supper is sodden;'

          And another is born

          To make the sun forgotten."

Poor fellow!  Number Seven has to bear a good deal in the way of  neglect and ridicule, I do not doubt.

Happily, he is protected by an  amount of belief in himself which shields him from many assailants  who

would torture a more sensitive nature.  But the sweet voice of  Number Five and her sincere way of addressing

him seemed to touch his  feelings.  That was the meaning of his momentary silence, in which I  saw that his

eyes glistened and a faint flush rose on his cheeks.  In  a moment, however, as soon as he was on his hobby, he

was all right,  and explained his new and ingenious system as follows: 

"A man at a certain distance appears as a dark spot,nothing more.  Good.  Anybody, man, woman, or child,

can make a dot, say a period,  such as we use in writing.  Lesson No. 1.  Make a dot; that is, draw  your man, a

mile off, if that is far enough.  Now make him come a  little nearer, a few rods, say.  The dot is an oblong figure

now.  Good.  Let your scholar draw the oblong figure.  It is as easy as it  is to make a note of admiration.  Your

man comes nearer, and now some  hint of a bulbous enlargement at one end, and perhaps of lateral

appendages and a bifurcation, begins to show itself.  The pupil sets  down with his pencil just what he

sees,no more.  So by degrees the  man who serves as model approaches.  A bright pupil will learn to get  the

outline of a human figure in ten lessons, the model coming five  hundred feet nearer each time.  A dull one

may require fifty, the  model beginning a mile off, or more, and coming a hundred feet nearer  at each move." 


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The company were amused by all this, but could not help seeing that  there was a certain practical possibility

about the scheme.  Our two  Annexes, as we call then, appeared to be interested in the project,  or fancy, or

whim, or whatever the older heads might consider it.  "I  guess I'll try it," said the American Annex.  "Quite

so," answered  the  English Annex.  Why the first girl "guessed" about her own  intentions  it is hard to say.

What "quite so" referred to it would  not be easy  to determine.  But these two expressions would decide the

nationality  of our two young ladies if we met them on the top of the  great  Pyramid. 

I was very glad that Number Seven had interrupted me.  In fact, it  is  a good thing once in a while to break in

upon the monotony of a  steady talker at a dinnertable, teatable, or any other place of  social converse.  The

best talker is liable to become the most  formidable of bores.  It is a peculiarity of the bore that he is the  last

person to find himself out.  Many a terebrant I have known who,  in that capacity, to borrow a line from

Coleridge, 

          "Was great, nor knew how great he was."

A line, by the way, which, as I have remarked, has in it a germ  like  that famous "He builded better than he

knew" of Emerson. 

There was a slight lull in the conversation.  The Mistress, who  keeps  an eye on the course of things, and

feared that one of those  panic  silences was impending, in which everybody wants to say  something and  does

not know just what to say, begged me to go on with  my remarks  about the "manufacture" of "poetry." 

You use the right term, madam, I said.  The manufacture of that  article has become an extensive and therefore

an important branch of  industry.  One must be an editor, which I am not, or a literary  confidant of a wide

circle of correspondents, which I am, to have any  idea of the enormous output of verse which is characteristic

of our  time.  There are many curious facts connected with this phenomenon.  Educated peopleyes, and many

who are not educatedhave discovered  that rhymes are not the private property of a few noted writers who,

having squatted on that part of the literary domain some twenty or  forty or sixty years ago, have, as it were,

fenced it in with their  touchy, barbedwire reputations, and have come to regard it and cause  it to be regarded

as their private property.  The discovery having  been made that rhyme is not a paddock for this or that

racehorse,  but a common, where every colt, pony, and donkey can range at will;  a  vast irruption into that

onceprivileged inclosure has taken place.  The study of the great invasion is interesting. 

Poetry is commonly thought to he the language of emotion.  On the  contrary, most of what is so called proves

the absence of all  passionate excitement.  It is a coldblooded, haggard, anxious,  worrying hunt after rhymes

which can be made serviceable, after  images which will be effective, after phrases which are sonorous; all

this under limitations which restrict the natural movements of fancy  and imagination.  There is a secondary

excitement in overcoming the  difficulties of rhythm and rhyme, no doubt, but this is not the  emotional heat

excited by the subject of the "poet's" treatment.  True  poetry, the best of it, is but the ashes of a burntout

passion.  The  flame was in the eye and in the cheek, the coals may be still  burning  in the heart, but when we

come to the words it leaves behind  it, a  little warmth, a cinder or two just glimmering under the dead  gray

ashes,that is all we can look for.  When it comes to the  manufactured article, one is surprised to find how

well the metrical  artisans have learned to imitate the real thing.  They catch all the  phrases of the true poet.

They imitate his metrical forms as a mimic  copies the gait of the person he is representing. 

Now I am not going to abuse "these same metre balladmongers," for  the obvious reason that, as all The

Teacups know, I myself belong to  the fraternity.  I don't think that this reason should hinder my  having my

say about the balladmongering business.  For the last  thirty years I have been in the habit of receiving a

volume of poems  or a poem, printed or manuscriptI will not say daily, though I  sometimes receive more

than one in a day, but at very short  intervals.  I have been consulted by hundreds of writers of verse as  to the

merit of their performances, and have often advised the  writers to the best of my ability.  Of late I have found


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it  impossible to attempt to read critically all the literary  productions, in verse and in prose, which have heaped

themselves on  every exposed surface of my library, like snowdrifts along the  railroad tracks,blocking my

literary pathway, so that I can hardly  find my daily papers. 

What is the meaning of this rush into rhyming of such a multitude  of  people, of all ages, from the infant

phenomenon to the oldest  inhabitant? 

Many of my young correspondents have told me in so many words,  "I  want to be famous."  Now it is true that

of all the short cuts to  fame, in time of peace, there is none shorter than the road paved  with rhymes.  Byron

woke up one morning and found himself famous.  Still more notably did Rouget de l'Isle fill the air of France,

nay,  the whole atmosphere of freedom all the world over, with his name  wafted on the wings of the

Marseillaise, the work of a single night.  But if by fame the aspirant means having his name brought before

and  kept before the public, there is a much cheaper way of acquiring that  kind of notoriety.  Have your portrait

taken as a "Wonderful Cure of  a Desperate Disease given up by all the Doctors."  You will get a  fair likeness

of yourself and a partial biographical notice, and have  the satisfaction, if not of promoting the welfare of the

community,  at least that of advancing the financial interests of the benefactor  whose enterprise has given you

your coveted notoriety.  If a man  wants to be famous, he had much better try the advertising doctor  than the

terrible editor, whose wastebasket is a maw which is as  insatiable as the temporary stomach of Jack the

Giantkiller. 

"You must not talk so," said Number Five.  "I know you don't mean  any  wrong to the true poets, but you

might be thought to hold them  cheap,  whereas you value the gift in others,in yourself too, I  rather  think.

There are a great many women,and some men,who write  in  verse from a natural instinct which leads

them to that form of  expression.  If you could peep into the portfolio of all the  cultivated women among your

acquaintances, you would be surprised, I  believe, to see how many of them trust their thoughts and feelings to

verse which they never think of publishing, and much of which never  meets any eyes but their own.  Don't be

cruel to the sensitive  natures who find a music in the harmonies of rhythm and rhyme which  soothes their

own souls, if it reaches no farther." 

I was glad that Number Five spoke up as she did.  Her generous  instinct came to the rescue of the poor poets

just at the right  moment.  Not that I meant to deal roughly with them, but the "poets"  I have been forced into

relation with have impressed me with certain  convictions which are not flattering to the fraternity, and if my

judgments are not accompanied by my own qualifications, distinctions,  and exceptions, they may seem harsh

to many readers. 

Let me draw a picture which many a young man and woman, and some no  longer young, will recognize as

the story of their own experiences. 

He is sitting alone with his own thoughts and memories.  What is  that book he is holding?  Something

precious, evidently, for it is  bound in "tree calf," and there is gilding enough about it for a  birthday present.

The reader seems to be deeply absorbed in its  contents, and at times greatly excited by what he reads; for his

face  is flushed, his eyes glitter, andthere rolls a large tear down his  cheek.  Listen to him; he is reading

aloud in impassioned tones: 

     And have I coined my soul in words for naught?

     And must I, with the dim, forgotten throng

     Of silent ghosts that left no earthly trace

     To show they once had breathed this vital air,

     Die out, of mortal memories?

His voice is choked by his emotion.  "How is it possible," he says  to  himself, "that any one can read my

'Gaspings for Immortality'  without  being impressed by their freshness, their passion, their  beauty,  their


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originality?"  Tears come to his relief freely,so  freely that  be has to push the precious volume out of the

range of  their  blistering shower.  Six years ago "Gaspings for Immortality "  was  published, advertised, praised

by the professionals whose business  it  is to boost their publishers' authors.  A week and more it was seen  on

the counters of the booksellers and at the stalls in the railroad  stations.  Then it disappeared from public view.

A few copies still  kept their place on the shelves of friends, presentation copies, of  course, as there is no

evidence that any were disposed of by sale;  and now, one might as well ask for the lost books of Livy as

inquire  at a bookstore for "Gaspings for Immortality." 

The authors of these poems are all round us, men and women, and no  one with a fair amount of human

sympathy in his disposition would  treat them otherwise than tenderly.  Perhaps they do not need tender

treatment.  How do you know that posterity may not resuscitate these  seemingly dead poems, and give their

author the immortality for which  he longed and labored?  It is not every poet who is at once  appreciated.

Some will tell you that the best poets never are.  Who  can say that you, dear unappreciated brother or sister,

are not one  of those whom it is left for after times to discover among the wrecks  of the past, and hold up to

the admiration of the world? 

I have not thought it necessary to put in all the interpellations,  as  the French call them, which broke the

course of this somewhat  extended series of remarks; but the comments of some of The Teacups  helped me to

shape certain additional observations, and may seem to  the reader as of more significance than what I had

been saying. 

Number Seven saw nothing but the folly and weakness of the "rhyming  cranks," as he called them.  He

thought the fellow that I had  described as blubbering over his stillborn poems would have been  better

occupied in earning his living in some honest way or other.  He  knew one chap that published a volume of

verses, and let his wife  bring up the wood for the fire by which he was writing.  A fellow  says, "I am a poet!"

and he thinks himself different from common  folks.  He ought to be excused from military service.  He might

be  killed, and the world would lose the inestimable products of his  genius.  "I believe some of 'em think," said

Number Seven, "that they  ought not to be called upon to pay their taxes and their bills for  household

expenses, like the rest of us." 

"If they would only study and take to heart Horace's 'Ars  Poetica,'"  said the Professor, "it would be a great

benefit to them  and to the  world at large.  I would not advise you to follow him too  literally,  of course, for, as

you will see, the changes that have  taken place  since his time would make some of his precepts useless and

some  dangerous, but the spirit of them is always instructive.  This is  the  way, somewhat modernized and

accompanied by my running commentary,  in  which he counsels a young poet: 

"'Don't try to write poetry, my boy, when you are not in the mood  for  doing it,when it goes against the

grain.  You are a fellow of  sense,you understand all that. 

"'If you have written anything which you think well of, show it to  Mr.______ , the wellknown critic; to "the

governor," as you call  him, your honored father; and to me, your friend.' 

"To the critic is well enough, if you like to be overhauled and put  out of conceit with yourself,it may do

you good; but I wouldn't go  to 'the governor' with my verses, if I were you.  For either he will  think what you

have written is something wonderful, almost as good as  he could have written himself,in fact, he always

did believe in  hereditary genius,or he will poohpooh the whole rhyming nonsense,  and tell you that you

had a great deal better stick to your business,  and leave all the wordjingling to Mother Goose and her

followers. 

"'Show me your verses,' says Horace.  Very good it was in him, and  mighty encouraging the first counsel he

gives!  'Keep your poem to  yourself for some eight or ten years; you will have time to look it  over, to correct


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it and make it fit to present to the public.' 

"'Much obliged for your advice,' says the poor poet, thirsting for  a  draught of fame, and offered a handful of

dust.  And off he hurries  to the printer, to be sure that his poem comes out in the next number  of the magazine

he writes for." 

"Is not poetry the natural language of lovers?" 

It was the Tutor who asked this question, and I thought he looked  in  the direction of Number Five, as if she

might answer his question.  But Number Five stirred her tea devotedly; there was a lump of sugar,  I suppose,

that acted like a piece of marble.  So there was a silence  while the lump was slowly dissolving, and it was

anybody's chance who  saw fit to take up the conversation. 

The voice that broke the silence was not the sweet, winsome one we  were listening for, but it instantly

arrested the attention of the  company.  It was the grave, manly voice of one used to speaking, and  accustomed

to be listened to with deference.  This was the first time  that the company as a whole had heard it, for the

speaker was the  newcomer who has been repeatedly alluded to,the one of whom I  spoke as "the

Counsellor." 

"I think I can tell you something about that," said the Counsellor.  "I suppose you will wonder how a man of

my profession can know or  interest himself about a question so remote from his arid pursuits.  And yet there is

hardly one man in a thousand who knows from actual  experience a fraction of what I have learned of the

lovers'  vocabulary in my professional experience.  I have, I am sorry to say,  had to take an important part in a

great number of divorce cases.  These have brought before me scores and hundreds of letters, in which  every

shade of the great passion has been represented.  What has most  struck me in these amatory correspondences

has been their remarkable  sameness.  It seems as if writing loveletters reduced all sorts of  people to the same

level.  I don't remember whether Lord Bacon has  left us anything in that line,unless, indeed, he wrote

Romeo and  Juliet' and the 'Sonnets;' but if he has, I don't believe they differ  so very much from those of his

valet or his groom to their respective  ladyloves.  It is always, My darling!  my darling!  The words of

endearment are the only ones the lover wants to employ, and he finds  the vocabulary too limited for his vast

desires.  So his letters are  apt to be rather tedious except to the personage to whom they are  addressed.  As to

poetry, it is very common to find it in love  letters, especially in those that have no love in them.  The letters

of bigamists and polygamists are rich in poetical extracts.  Occasionally, an original spurt in rhyme adds

variety to an otherwise  monotonous performance.  I don't think there is much passion in men's  poetry

addressed to women.  I agree with The Dictator that poetry is  little more than the ashes of passion; still it may

show that the  flame has had its sweep where you find it, unless, indeed, it is  shoveled in from another man's

fireplace." 

"What do you say to the love poetry of women?" asked the Professor.  "Did ever passion heat words to

incandescence as it did those of  Sappho?" 

The Counsellor turned,not to Number Five, as he ought to have  done,  according to my programme, but to

the Mistress. 

"Madam," he said, "your sex is adorable in many ways, but in the  abandon of a genuine loveletter it is

incomparable.  I have seen a  string of women's loveletters, in which the creature enlaced herself  about the

object of her worship as that South American parasite which  clasps the tree to which it has attached itself,

begins with a  slender succulent network, feeds on the trunk, spreads its fingers  out to hold firmly to one

branch after another, thickens, hardens,  stretches in every direction, following the boughs,and at length

gets strong enough to hold in its murderous arms, high up in air, the  stump and shaft of the once sturdy

growth that was its support and  subsistence." 


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The Counsellor did not say all this quite so formally as I have set  it down here, but in a much easier way.  In

fact, it is impossible to  smooth out a conversation from memory without stiffening it; you  can't have a dress

shirt look quite right without starching the  bosom. 

Some of us would have liked to hear more about those letters in the  divorce cases, but the Counsellor had to

leave the table.  He  promised to show us some pictures he has of the South American  parasite.  I have seen

them, and I can assure you they are very  curious. 

The following verses were found in the urn, or sugarbowl. 

                    CACOETHES SCRIBENDI.

If all the trees in all the woods were men,  And each and every  blade of grass a pen;  If every leaf on every

shrub and tree  Turned to  a sheet of foolscap; every sea  Were changed to ink, and all earth's  living tribes  Had

nothing else to do but act as scribes,  And for ten  thousand ages, day and night,  The human race should write,

and write,  and write,  Till all the pens and paper were used up,  And the huge  inkstand was an empty cup,  Still

would the scribblers clustered round  its brim  Call for more pens, more paper, and more ink. 

V

"Dolce, ma non troppo dolce," said the Professor to the Mistress,  who  was sweetening his tea.  She always

sweetens his and mine for us.  He  has been attending a series of concerts, and borrowed the form of  the

directions to the orchestra.  "Sweet, but not too sweet," he said,  translating the Italian for the benefit of any of

the company who  might not be linguists or musical experts. 

"Do you go to those musical hullabaloos?" called out Number Seven.  There was something very much like

rudeness in this question and the  tone in which it was asked.  But we are used to the outbursts, and

extravagances, and oddities of Number Seven, and do not take offence  at his rough speeches as we should if

any other of the company  uttered them. 

"If you mean the concerts that have been going on this season, yes,  I  do," said the Professor, in a bland,

goodhumored way. 

"And do you take real pleasure in the din of all those screeching  and  banging and growling instruments?" 

"Yes," he answered, modestly, "I enjoy she brouhaha, if you choose  to  consider it such, of all this

quarrelsome menagerie of noisemaking  machines, brought into order and harmony by the presiding genius,

the  leader, who has made a happy family of these snarling stringed  instruments and whining wind

instruments, so that although 

          Linguae centum sent, oraque centum,

notwithstanding there are a hundred vibrating tongues and a hundred  bellowing mouths, their one grand

blended and harmonized uproar sets  all my fibres tingling with a not unpleasing tremor." 

"Do you understand it?  Do you take any idea from it?  Do you know  what it all means?" said Number Seven. 

The Professor was longsuffering under this series of somewhat  peremptory questions.  He replied very

placidly, "I am afraid I have  but a superficial outside acquaintance with the secrets, the  unfathomable

mysteries, of music.  I can no more conceive of the  working conditions of the great composer, 


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'Untwisting all the chains that tie

          The hidden soul of harmony,'

than a child of three years can follow the reasonings of Newton's  'Principia.'  I do not even pretend that I can

appreciate the work of  a great master as a born and trained musician does.  Still, I do love  a great crash of

harmonies, and the oftener I listen to these musical  tempests the higher my soul seems to ride upon them, as

the wild fowl  I see through my window soar more freely and fearlessly the fiercer  the storm with which they

battle." 

"That's all very well," said Number Seven, "but I wish we could get  the oldtime music back again.  You

ought to have heard,no, I won't  mention her, dead, poor girl,dead and singing with the saints in

heaven,but the S_____ girls.  If you could have heard them as I did  when I was a boy, you would have

cried, as we all used to.  Do you  cry at those great musical smashes?  How can you cry when you don't  know

what it is all about?  We used to think the words meant  something,we fancied that Burns and Moore said

some things very  prettily.  I suppose you've outgrown all that." 

No one can handle Number Seven in one of his tantrums half so well  as  Number Five can do it.  She can pick

out what threads of sense may  be  wound off from the tangle of his ideas when they are crowded and

confused, as they are apt to be at times.  She can soften the  occasional expression of halfconcealed ridicule

with which the poor  old fellow's sallies are liable to be welcomedor unwelcomed.  She  knows that the edge

of a broken teacup may be sharper, very possibly,  than that of a philosopher's jackknife.  A mind a little off its

balance, one which has a slightly squinting brain as its organ; will  often prove fertile in suggestions.  Vulgar,

cynical, contemptuous  listeners fly at all its weaknesses, and please themselves with  making light of its often

futile ingenuities, when a wiser audience  would gladly accept a hint which perhaps could be developed in

some  profitable direction, or so interpret an erratic thought that it  should prove good sense in disguise.  That is

the way Number Five was  in the habit of dealing with the explosions of Number Seven.  Do you  think she did

not see the ridiculous element in a silly speech, or  the absurdity of an outrageously extravagant assertion?

Then you  never heard her laugh when she could give way to her sense of the  ludicrous without wounding the

feelings of any other person.  But her  kind heart never would forget itself, and so Number Seven had a

champion who was always ready to see that his flashes of  intelligence, fitful as they were, and liable to be

streaked with  halfcrazy fancies, always found one willing recipient of what light  there was in them. 

Number Five, I have found, is a true lover of music, and has a  right  to claim a real knowledge of its higher

and deeper mysteries.  But  she accepted very cordially what our lightheaded companion said  about the songs

he used to listen to. 

"There is no doubt," she remarked," that the tears which used to be  shed over 'Oft in the sully night,' or 'Auld

Robin Gray,' or 'A place  in thy memory, dearest,' were honest tears, coming from the true  sources of emotion.

There was no affectation about them; those songs  came home to the sensibilities of young people,of all

who had any  sensibilities to be acted upon.  And on the other hand, there is a  great amount of affectation in

the apparent enthusiasm of many  persons in admiring and applauding music of which they have not the  least

real appreciation.  They do not know whether it is good or bad,  the work of a firstrate or a fifthrate

composer; whether there are  coherent elements in it, or whether it is nothing more than 'a  concourse of sweet

sounds' with no organic connections.  One must be  educated, no doubt, to understand the more complex and

difficult  kinds of musical composition.  Go to the great concerts where you  know that the music is good, and

that you ought to like it whether  you do or not.  Take a musicbath once or twice a week for a few  seasons,

and you will find that it is to the soul what the waterbath  is to the body.  I wouldn't trouble myself about the

affectations of  people who go to this or that series of concerts chiefly because it  is fashionable.  Some of these

people whom we think so silly and hold  so cheap will perhaps find, sooner or later, that they have a dormant

faculty which is at last waking up,and that they who came because  others came, and began by staring at

the audience, are listening with  a newly found delight.  Every one of us has a harp under bodice or  waistcoat,


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and if it can only once get properly strung and tuned it  will respond to all outside harmonies." 

The Professor has some ideas about music, which I believe he has  given to the world in one form or another;

but the world is growing  old and forgetful, and needs to be reminded now and then of what one  has formerly

told it. 

"I have had glimpses," the Professor said, "of the conditions into  which music is capable of bringing a

sensitive nature.  Glimpses, I  say, because I cannot pretend that I am capable of sounding all the  depths or

reaching all the heights to which music may transport our  mortal consciousness.  Let me remind you of a

curious fact with  reference to the seat of the musical sense.  Far down below the great  masses of thinking

marrow and its secondary agents, just as the brain  is about to merge in the spinal cord, the roots of the nerve

of  hearing spread their white filaments out into the sentient matter,  where they report what the external

organs of hearing tell them.  This  sentient matter is in remote connection only with the mental  organs,  far

more remote than the centres of the sense of vision and  that of  smell.  In a word, the musical faculty might be

said to have  a little  brain of its own.  It has a special world and a private  language all  to itself.  How can one

explain its significance to  those whose  musical faculties are in a rudimentary state of  development, or who

have never had them trained?  Can you describe in  intelligible  language the smell of a rose as compared with

that of a  violet?  No,   music can be translated only by music.  Just so far  as it suggests  worded thought, it

falls short of its highest office.  Pure emotional  movements of the spiritual nature,that is what I ask  of

music.  Music will be the universal language,the Volapuk of  spiritual  being." 

"Angels sit down with their harps and play at each other, I  suppose,"  said Number Seven.  "Must have an

atmosphere up there if  they have  harps, or they wouldn't get any music.  Wonder if angels  breathe like

mortals?  If they do, they must have lungs and air  passages, of  course.  Think of an angel with the influenza,

and  nothing but a  cloud for a handkerchief!" 

This is a good instance of the way in which Number Seven's  squinting brain works.  You will now and then

meet just such brains  in heads you know very well.  Their owners are much given to asking  unanswerable

questions.  A physicist may settle it for us whether  there is an atmosphere about a planet or not, but it takes a

brain  with an extra fissure in it to ask these unexpected questions,  questions which the natural philosopher

cannot answer, and which the  theologian never thinks of asking. 

The company at our table do not keep always in the same places.  The  first thing I noticed, the other evening,

was that the Tutor was  sitting between the two Annexes, and the Counsellor was next to  Number Five.

Something ought to come of this arrangement.  One of  those two young ladies must certainly captivate and

perhaps capture  the Tutor.  They are just the age to be falling in love and to be  fallen in love with.  The Tutor

is good looking, intellectual,  suspected of writing poetry, but a little shy, it appears to me.  I am  glad to see

him between the two girls.  If there were only one,  she  might be shy too, and then there would be less chance

for a  romance  such as I am on the lookout for; but these young persons lend  courage  to each other, and

between them, if he does not wake up like  Cymon at  the sight of Iphigenia, I shall be disappointed.  As for the

Counsellor and Number Five, they will soon find each other out.  Yes,  it is all pretty clear in my

mind,except that there is always an x  in a problem where sentiments are involved.  No, not so clear about

the Tutor.  Predestined, I venture my guess, to one or the other, but  to which?  I will suspend my opinion for

the present. 

I have found out that the Counsellor is a childless widower.  I am  told that the Tutor is unmarried, and so far

as known not engaged.  There is no use in denying it,a company without the possibility of  a lovematch

between two of its circle is like a champagne bottle  with the cork out for some hours as compared to one with

its pop yet  in reserve.  However, if there should be any lovemaking, it need not  break up our conversations.

Most of it will be carried on away from  our teatable. 


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Some of us have been attending certain lectures on Egypt and its  antiquities.  I have never been on the Nile.  If

in any future state  there shall be vacations in which we may have liberty to revisit our  old home, equipped

with a complete brandnew set of mortal senses as  our travelling outfit, I think one of the first places I should

go  to, after my birthplace, the old gambrelroofed house,the place  where it stood, rather,  would be that

mighty, aweinspiring river.  I do not suppose we shall ever know half of what we owe to the wise  and

wonderful people who confront us with the overpowering monuments  of a past which flows out of the

unfathomable darkness as the great  river streams from sources even as yet but imperfectly explored. 

I have thought a good deal about Egypt, lately, with reference to  our  historical monuments.  How did the great

unknown mastery who fixed  the two leading forms of their monumental records arrive at those  admirable and

eternal types, the pyramid and the obelisk?  How did  they get their model of the pyramid? 

Here is an hourglass, not inappropriately filled with sand from  the  great Egyptian desert.  I turn it, and watch

the sand as it  accumulates in the lower half of the glass.  How symmetrically, how  beautifully, how inevitably,

the little particles pile up the cone,  which is ever building and unbuilding itself, always aiming at the  stability

which is found only at a certain fixed angle!  The Egyptian  children playing in the sand must have noticed this

as they let the  grains fall from their hands, and the sloping sides of the miniature  pyramid must have been

among the familiar sights to the little boys  and girls for whom the sand furnished their earliest playthings.

Nature taught her children through the working of the laws of  gravitation how to build so that her forces

should act in harmony  with art, to preserve the integrity of a structure meant to reach  a  faroff posterity.  The

pyramid is only the cone in which Nature  arranges her heaped and sliding fragments; the cone with flattened

Surfaces, as it is prefigured in certain wellknown crystalline  forms.  The obelisk is from another of Nature's

patterns; it is only  a gigantic acicular crystal. 

The Egyptians knew what a monument should be, simple, noble,  durable.  It seems to me that we Americans

might take a lesson from  those early  architects.  Our cemeteries are crowded with monuments  which are very

far from simple, anything but noble, and stand a small  chance of  being permanent.  The pyramid is rarely

seen, perhaps  because it  takes up so much room; and when built on a small scale  seems  insignificant as we

think of it, dwarfed by the vast structures  of  antiquity.  The obelisk is very common, and when in just

proportions  and of respectable dimensions is unobjectionable. 

But the gigantic obelisks like that on Bunker Hill, and especially  the Washington monument at the national

capital, are open to critical  animadversion.  Let us contrast the last mentioned of these great  piles with the

obelisk as the Egyptian conceived and executed it.  The  new Pharaoh ordered a memorial of some important

personage or  event.  In the first place, a mighty stone was dislodged from its  connections, and lifted,

unbroken, from the quarry.  This was a feat  from which our modern stoneworkers shrink dismayed.  The

Egyptians  appear to have handled these huge monoliths as our artisans handle  hearthstones and doorsteps, for

the land actually bristled with such  giant columns.  They were shaped and finished as nicely as if they  were

breastpins for the Titans to wear, and on their polished  surfaces were engraved in imperishable characters the

records they  were erected to preserve. 

Europe and America borrow these noble productions of African art  and  power, and find them hard enough to

handle after they have  succeeded  in transporting them to Rome, or London, or New York.  Their  simplicity,

grandeur, imperishability, speaking symbolism, shame all  the pretentious and fragile works of human art

around them.  The  obelisk has no joints for the destructive agencies of nature to  attack; the pyramid has no

masses hanging in unstable equilibrium,  and threatening to fall by their own weight in the course of a

thousand or two years. 

America says the Father of his Country must have a monument worthy  of  his exalted place in history.  What

shall it be?  A temple such as  Athens might have been proud to rear upon her Acropolis?  An obelisk  such as

Thebes might have pointed out with pride to the strangers who  found admission through her hundred gates?


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After long meditation and  the rejection of the hybrid monstrosities with which the nation was  menaced, an

obelisk is at last decided upon.  How can it be made  grand and dignified enough to be equal to the office

assigned it?  We  dare not attempt to carve a single stone from the living rock,all  our modern appliances fail

to make the task as easy to us as it seems  to have been to the early Egyptians.  No artistic skill is required  in

giving a foursquare tapering figure to a stone column.  If we  cannot shape a solid obelisk of the proper

dimensions, we can build  one of separate blocks.  How can we give it the distinction we demand  for it?  The

nation which can brag that it has "the biggest show on  earth" cannot boast a great deal in the way of

architecture, but it  can do one thing,it can build an obelisk that shall be taller than  any structure now

standing which the hand of man has raised.  Build  an obelisk!  How different the idea of such a structure from

that of  the unbroken, unjointed prismatic shaft, one perfect whole, as  complete in itself, as fitly shaped and

consolidated to defy the  elements, as the towering palm or the tapering pine!  Well, we had  the satisfaction for

a time of claiming the tallest structure in the  world; and now that the new Tower of Babel which has sprung

up in  Paris has killed that pretention, I think we shall feel and speak  more modestly about our stone

hyperbole, our materialization of the  American love of the superlative.  We have the higher civilization  among

us, and we must try to keep down the forthputting instincts of  the lower.  We do not want to see our national

monument placarded as  "the greatest show on earth," perhaps it is well that it is taken  down from that bad

eminence. 

I do not think that this speech of mine was very well received.  It  appeared to jar somewhat on the nerves of

the American Annex.  There  was a smile on the lips of the other Annex,the English girl,which  she tried

to keep quiet, but it was too plain that she enjoyed my  diatribe. 

It must be remembered that I and the other Teacups, in common with  the rest of our fellowcitizens, have

had our sensibilities greatly  worked upon, our patriotism chilled, our local pride outraged, by the

monstrosities which have been allowed to deform our beautiful public  grounds.  We have to be very careful in

conducting a visitor, say  from his marblefronted hotel to the City Hall. Keep pretty  straight along after

entering the Garden,you will not care to  inspect the little figure of the military gentleman to your right. 

Yes, the Cochituate water is drinkable, but I think I would not turn  aside to visit that small fabric which

makes believe it is a temple,  and is a weakeyed fountain feebly weeping over its own  insignificance.  About

that other stone misfortune, cruelly reminding  us of the "Boston Massacre," we will not discourse; it is not

imposing, and is rarely spoken of. 

What a mortification to the inhabitants of a city with some  hereditary and contemporary claims to cultivation;

which has noble  edifices, grand libraries, educational institutions of the highest  grade, an artgallery filled

with the finest models and rich in  paintings and statuary,a stately city that stretches both arms  across the

Charles to clasp the hands of Harvard, her twinsister,  each lending lustre to the other like double

stars,what a pity that  she should be so disfigured by crude attempts to adorn her and  commemorate her

past that her most loving children blush for her  artificial deformities amidst the wealth of her natural beauties!

One  hardly knows which to groan over most sadly,the tearing down of  old  monuments, the shelling of the

Parthenon, the overthrow of the  pillared temples of Rome, and in a humbler way the destruction of the  old

Hancock house, or the erection of monuments which are to be a  perpetual eyesore to ourselves and our

descendants. 

We got talking on the subject of realism, of which so much has been  said of late. 

It seems to me, I said, that the great additions which have been  made  by realism to the territory of literature

consist largely in  swampy,  malarious, illsmelling patches of soil which had previously  been  left to reptiles

and vermin.  It is perfectly easy to be original  by  violating the laws of decency and the canons of good taste.

The  general consent of civilized people was supposed to have banished  certain subjects from the conversation

of wellbred people and the  pages of respectable literature.  There is no subject, or hardly any,  which may not

be treated of at the proper time, in the proper place,  by the fitting person, for the right kind of listener or


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reader.  But  when the poet or the storyteller invades the province of the man of  science, he is on dangerous

ground.  I need say nothing of the  blunders he is pretty sure to make.  The imaginative writer is after  effects.

The scientific man is after truth.  Science is decent,  modest; does not try to startle, but to instruct.  The same

scenes  and objects which outrage every sense of delicacy in the story  teller's highly colored paragraphs can

be read without giving offence  in the chaste language of the physiologist or the physician. 

There is a very celebrated novel, "Madame Bovary," the work of M.  Flaubert, which is noted for having been

the subject of prosecution  as an immoral work.  That it has a serious lesson there is no doubt,  if one will drink

down to the bottom of the cup.  But the honey of  sensuous description is spread so deeply over the surface of

the  goblet that a large proportion of its readers never think of its  holding anything else.  All the phases of

unhallowed passion are  described in full detail.  That is what the book is bought and read  for, by the great

majority of its purchasers, as all but simpletons  very well know.  That is what makes it sell and brought it into

the  courts of justice.  This book is famous for its realism; in fact, it  is recognized as one of the earliest and

most brilliant examples of  that modern style of novel which, beginning where Balzac left off,  attempted to do

for literature what the photograph has done for art.  For those who take the trouble to drink out of the cup

below the rim  of honey, there is a scene where realism is carried to its extreme,  surpassed in horror by no

writer, unless it be the one whose name  must be looked for at the bottom of the alphabet, as if its natural

place were as low down in the dregs of realism as it could find  itself.  This is the deathbed scene, where

Madame Bovary expires in  convulsions.  The author must have visited the hospitals for the  purpose of

watching the terrible agonies he was to depict, tramping  from one bed to another until he reached the one

where the cries and  contortions were the most frightful.  Such a scene he has reproduced.  No hospital

physician would have pictured the straggle in such  colors.  In the same way, that other realist, M. Zola, has

painted a  patient suffering from delirium tremens, the disease known to common  speech as "the horrors."  In

describing this case he does all that  language can do to make it more horrible than the reality.  He gives  us, not

realism, but superrealism, if such a term does not  contradict itself. 

In this matter of the literal reproduction of sights and scenes  which  our natural instinct and our better

informed taste and judgment  teach  us to avoid, art has been far in advance of literature.  It is  three  hundred

years since Joseph Ribera, more commonly known as  Spagnoletto, was born in the province Valencia, in

Spain.  We had the  misfortune of seeing a painting of his in a collection belonging to  one of the French

princes, and exhibited at the Art Museum.  It was  that of a man performing upon himself the operation known

to the  Japanese as hararkiri.  Many persons who looked upon this revolting  picture will never get rid of its

remembrance, and will regret the  day when their eyes fell upon it.  I should share the offence of the  painter if I

ventured to describe it.  Ribera was fond of depicting  just such odious and frightful subjects.  "Saint Lawrence

writhing on  his gridiron, Saint Sebastian full of arrows, were equally a source  of delight to him.  Even in

subjects which had no such elements of  horror he finds the materials for the delectation of his ferocious

pencil; he makes up for the defect by rendering with a brutal realism  deformity and ugliness." 

The first great mistake made by the ultrarealists; like Flaubert  and  Zola, is, as I have said, their ignoring the

line of distinction  between imaginative art and science.  We can find realism enough in  books of anatomy,

surgery, and medicine.  In studying the human  figure, we want to see it clothed with its natural integuments.  It

is well for the artist to study the ecorche in the dissectingroom,  but we do not want the Apollo or the Venus

to leave their skins  behind them when they go into the gallery for exhibition.  Lancisi's  figures show us how

the great statues look when divested of their  natural covering.  It is instructive, but useful chiefly as a means  to

aid in the true artistic reproduction of nature.  When the,  hospitals are invaded by the novelist, he should learn

something from  the physician as well as from the patients.  Science delineates in  monochrome.  She never uses

high tints and strontian lights to  astonish lookerson.  Such scenes as Flaubert and Zola describe would  be

reproduced in their essential characters, but not dressed up in  picturesque phrases.  That is the first

stumblingblock in the way of  the reader of such realistic stories as those to which I have  referred.  There are

subjects which must be investigated by  scientific men which most educated persons would be glad to know

nothing about.  When a realistic writer like Zola surprises his  reader into a kind of knowledge he never


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thought of wishing for, he  sometimes harms him more than he has any idea of doing.  He wants to  produce a

sensation, and he leaves a permanent disgust not to he got  rid of.  Who does not remember odious images that

can never be washed  out from the consciousness which they have stained?  A man's  vocabulary is terribly

retentive of evil words, and the images they  present cling to his memory and will not loose their hold.  One

who  has had the mischance to soil his mind by reading certain poems of  Swift will never cleanse it to its

original whiteness.  Expressions  and thoughts of a certain character stain the fibre of the thinking  organ, and

in some degree affect the hue of every idea that passes  through the discolored tissues. 

This is the gravest accusation to bring against realism, old or  recent, whether in the brutal paintings of

Spagnoletto or in the  unclean revelations of Zola.  Leave the description of the drains and  cesspools to the

hygienic specialist, the painful facts of disease to  the physician, the details of the laundry to the

washerwoman.  If we  are to have realism in its tedious descriptions of unimportant  particulars, let it be of

particulars which do not excite disgust.  Such is the description of the vegetables in Zola's "Ventre de  Paris,"

where, if one wishes to see the apotheosis of turnips, beets,  and cabbages, he can find them glorified as

supremely as if they had  been symbols of so many deities; their forms, their colors, their  expression, worked

upon until they seem as if they were made to be  looked at and worshipped rather than to be boiled and eaten. 

I am pleased to find a French critic of M. Flaubert expressing  ideas  with which many of my own entirely

coincide.  "The great mistake  of  the realists, " he says, "is that they profess to tell the truth  because they tell

everything.  This puerile hunting after details,  this cold and cynical inventory of all the wretched conditions in

the  midst of which poor humanity vegetates, not only do not help us to  understand it better, but, on the

contrary, the effect on the  spectators is a kind of dazzled confusion mingled with fatigue and  disgust.  The

material truthfulness to which the school of M.  Flaubert more especially pretends misses its aim in going

beyond it.  Truth is lost in its own excess." 

I return to my thoughts on the relations of imaginative art in all  its forms with science.  The subject which in

the hands of the  scientific student is handled decorously,reverently, we might  almost say,becomes

repulsive, shameful, and debasing in the  unscrupulous manipulations of the lowbred man of letters. 

I confess that I am a little jealous of certain tendencies in our  own  American literature, which led one of the

severest and most  outspoken  of our satirical fellowcountrymen, no longer living to be  called to  account for

it, to say; in a moment of bitterness, that the  mission  of America was to vulgarize mankind.  I myself have

sometimes  wondered at the pleasure some Old World critics have professed to  find in the most lawless freaks

of New World literature.  I have  questioned whether their delight was not like that of the Spartans in  the

drunken antics of their Helots.  But I suppose I belong to  another age, and must not attempt to judge the

present by my old  fashioned standards. 

The company listened very civilly to these remarks, whether they  agreed with them or not.  I am not sure that

I want all the young  people to think just as I do in matters of critical judgment.  New  wine does not go well

into old bottles, but if an old cask has held  good wine, it may improve a crude juice to stand awhile upon the

lees  of that which once filled it. 

I thought the company had had about enough of this disquisition.  They listened very decorously, and the

Professor, who agrees very  well with me, as I happen to know, in my views on this business of  realism,

thanked me for giving them the benefit of my opinion. 

The silence that followed was broken by Number Seven's suddenly  exclaiming, 

"I should like to boss creation for a week!" 


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This expression was an outbreak suggested by some train of thought  which Number Seven had been

following while I was discoursing.  I do  not think one of the company looked as if he or she were shocked by

it as an irreligious or even profane speech.  It is a better way  always, in dealing with one of those squinting

brains, to let it  follow out its own thought.  It will keep to it for a while; then it  will quit the rail, so to speak,

and run to any sidetrack which may  present itself. 

"What is the first thing you would do?" asked Number Five in a  pleasant, easy way. 

"The first thing?  Pick out a few thousand of the best specimens of  the best races, and drown the rest like so

many blind puppies." 

"Why," said she, "that was tried once, and does not seem to have  worked very well." 

"Very likely.  You mean Noah's flood, I suppose.  More people  nowadays, and a better lot to pick from than

Noah had." 

"Do tell us whom you would take with you," said Number Five. 

"You, if you would go," he answered, and I thought I saw a slight  flush on his cheek.  "But I didn't say that I

should go aboard the  new ark myself.  I am not sure that I should.  No, I am pretty sure  that I shouldn't.  I don't

believe, on the whole, it would pay me to  save myself.  I ain't of much account.  But I could pick out some  that

were." 

And just now he was saying that he should like to boss the  universe!  All this has nothing very wonderful

about it.  Every one of  us is  subject to alternations of overvaluation and undervaluation of  ourselves.  Do you

not remember soliloquies something like this?  "Was  there ever such a senseless, stupid creature as I am?  How

have  I  managed to keep so long out of the idiot asylum?  Undertook to  write a  poem, and stuck fast at the first

verse.  Had a call from a  friend who  had just been round the world.  Did n't ask him one word  about what he

had seen or heard, but gave him full details of my  private history, I  having never been off my own hearthrug

for more  than an hour or two  at a time, while he was circumnavigating and  circumrailroading the  globe.  Yes,

if anybody can claim the title, I  am certainly the prize  idiot."  I am afraid that we all say such  things as this to

ourselves  at times.  Do we not use more emphatic  words than these in our  selfdepreciation?  I cannot say how

it is  with others, but my  vocabulary of selfreproach and humiliation is so  rich in energetic  expressions that I

should be sorry to have an  interviewer present at  an outburst of one of its raging geysers, its  savage

soliloquies.  A  man is a kind of inverted thermometer, the  bulb uppermost, and the  column of selfvaluation is

all the time  going up and down.  Number  Seven is very much like other people in  this respect,very much

like  you and me. 

This train of reflections must not carry me away from Number Seven. 

"If I can't get a chance to boss this planet for a week or so," he  began again, "I think 1 could write its

history,yes, the history of  the world, in less compass than any one who has tried it so far." 

"You know Sir Walter Raleigh's 'History of the World,' of course?"  said the Professor. 

"More or less,more or less," said Number Seven prudently.  "But I  don't care who has written it before me.

I will agree to write the  story of two worlds, this and the next, in such a compact way that  you can commit

them both ,to memory in less time than you can learn  the answer to the first question in the Catechism." 

What he had got into his head we could not guess, but there was no  little curiosity to discover the particular

bee which was buzzing in  his bonnet.  He evidently enjoyed our curiosity, and meant to keep us  waiting


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awhile before revealing the great secret. 

"How many words do you think I shall want?" 

It is a formula, I suppose, I said, and I will grant you a hundred  words. 

"Twenty," said the Professor.  "That was more than the wise men of  Greece wanted for their grand

utterances." 

The two Annexes whispered together, and the American Annex gave  their  joint result.  One thousand was the

number they had fixed on.  They  were used to hearing lectures, and could hardly conceive that  any  subject

could be treated without taking up a good part of an hour. 

"Less than ten," said Number Five.  "If there are to be more than  ten, I don't believe that Number Seven would

think the surprise would  be up to our expectations." 

"Guess as much as you like," said Number Seven. 

"The answer will keep.  I don't mean to say what it is until we are  ready to leave the table." He took a blank

card from his pocketbook,  wrote something on it, or appeared, at any rate, to write, and handed  it, face

down, to the Mistress.  What was on the card will be found  near the end of this paper.  I wonder if anybody

will be curious  enough to look further along to find out what it was before she reads  the next paragraph? 

In the mean time there is a train of thought suggested by Number  Seven and his whims.  If you want to know

how to account for  yourself, study the characters of your relations.  All of our brains  squint more or less.

There is not one in a hundred, certainly, that  does not sometimes see things distorted by double refraction, out

of  plumb or out of focus, or with colors which do not belong to it, or  in some way betraying that the two

halves of the brain are not acting  in harmony with each other.  You wonder at the eccentricities of this  or that

connection of your own.  Watch yourself, and you will find  impulses which, but for the restraints you put

upon them, would make  you do the same foolish things which you laugh at in that cousin of  yours.  I once

lived in the same house with the near relative of a  very distinguished person, whose name is still honored and

revered  among us.  His brain was an active one, like that of his famous  relative, but it was full of random

ideas, unconnected trains of  thought, whims, crotchets, erratic suggestions.  Knowing him, I could  interpret

the mental characteristics of the whole family connection  in the light of its exaggerated peculiarities as

exhibited in my odd  fellowboarder.  Squinting brains are a great deal more common than  we should at first

sight believe.  Here is a great book, a solid  octavo of five hundred pages, full of the vagaries of this class of

organizations.  I hope to refer to this work hereafter, but just now  I will only say that, after reading till one is

tired the strange  fancies of the squarers of the circle, the inventors of perpetual  motion, and the rest of the

moonstruck dreamers, most persons will  confess to themselves that they have had notions as wild,

conceptions  as extravagant, theories as baseless, as the least rational of those  which are here recorded. 

Some day I want to talk about my library.  It is such a curious  collection of old and new books, such a mosaic

of learning and  fancies and follies, that a glance over it would interest the  company.  Perhaps I may hereafter

give you a talk abut books, but  while I am saying a few passing words upon the subject the greatest

bibliographical event that ever happened in the bookmarket of the  New World is taking place under our

eyes.  Here is Mr. Bernard  Quaritch just come from his wellknown habitat, No. 15 Piccadilly,  with such a

collection of rare, beautiful, and somewhat expensive  volumes as the Western Continent never saw before on

the shelves of a  bibliopole. 

We bookworms are all of us now and then betrayed into an  extravagance.  The keen tradesmen who tempt us

are like the fishermen  who dangle a minnow, a frog, or a worm before the perch or pickerel  who may be on


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the lookout for his breakfast.  But Mr. Quaritch comes  among us like that formidable angler of whom it is

said, 

     His hook he baited with a dragon's tail,

     And sat upon a rock and bobbed for whale.

The two catalogues which herald his coming are themselves  interesting  literary documents.  One can go out

with a few shillings  in his  pocket, and venture among the books of the first of these  catalogues  without being

ashamed to show himself with no larger  furnishing of  the means for indulging his tastes,he will find books

enough at  comparatively modest prices. But if one feels very rich, so  rich that  it requires a good deal to

frighten him, let him take the  other  catalogue and see how many books he proposes to add to his  library at  the

prices affixed. Here is a Latin Psalter with the  Canticles, from  the press of Fust and Schoeffer, the second

book  issued from their  press, the second book printed with a date, that  date being 1459.  There are only eight

copies of this work known to  exist; you can have  one of them, if so disposed, and if you have  change enough

in your  pocket.  Twentysix thousand two hundred and  fifty dollars will make  you the happy owner of this

precious volume.  If this is more than  you want to pay, you can have the Gold Gospels  of Henry VIII., on

purple vellum, for about half the money.  There are  pages on pages of  titles of works any one of which would

be a snug  little property if  turned into money at its catalogue price. 

Why will not our multimillionaires look over this catalogue of Mr.  Quaritch, and detain some of its treasures

on this side of the  Atlantic for some of our public libraries?  We decant the choicest  wines of Europe into our

cellars; we ought to be always decanting the  precious treasures of her libraries and galleries into our own, as

we  have opportunity and means.  As to the means, there are so many rich  people who hardly know what to do

with their money that it is well to  suggest to them any new useful end to which their superfluity may

contribute.  I am not in alliance with Mr. Quaritch; in fact, I am  afraid of him, for if I stayed a single hour in

his library, where I  never was but once, and then for fifteen minutes only, I should leave  it so much poorer

than I entered it that I should be reminded of the  picture in the titlepage of Fuller's "Historie of the Holy

Warre:  "We  went out full.  We returned empty." 

After the teacups were all emptied, the card containing Number  Seven's abridged history of two worlds,

this and the next, was handed  round. 

This was all it held: 

After all had looked at it, it was passed back to me.  "Let The  Dictator interpret it," they all said. 

This is what I announced as my interpretation: 

Two worlds, the higher and the lower, separated by the thinnest of  partitions.  The lower world is that of

questions; the upper world is  that of answers.  Endless doubt and unrest here below; wondering,  admiring,

adoring certainty above. Am I not right? 

"You are right," answered Number Seven solemnly.  "That is my  revelation." 

The following poem was found in the sugarbowl. 

I read it to the company.  There was much whispering and there were  many conjectures as to its authorship,

but every Teacup looked  innocent, and we separated each with his or her private conviction.  I  had mine, but I

will not mention it. 

          THE ROSE AND THE FERN.


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Lady, life's sweetest lesson wouldst thou learn,  Come thou with me  to Love's enchanted bower:  High

overhead the trellised roses burn;  Beneath thy feet behold the feathery fern,  A leaf without a flower.  What

though the rose leaves fall?  They still are sweet,  And have  been lovely in their beauteous prime,  While the

bare frond seems ever  to repeat,  "For us no bud, no blossom, wakes to greet  The joyous  flowering time!"

Heed thou the lesson.  Life has leaves to tread  And  flowers to cherish; summer round thee glows;  Wait not till

autumn's  fading robes are shed,  But while its petals still are burning red  Gather life's fullblown rose! 

VI

Of course the reading of the poem at the end of the last paper has  left a deep impression.  I strongly suspect

that something very much  like lovemaking is going on at our table.  A peep under the lid of  the sugarbowl

has shown me that there is another poem ready for the  company.  That receptacle is looked upon with an

almost tremulous  excitement by more than one of The Teacups.  The two Annexes turn  towards the mystic

urn as if the lots which were to determine their  destiny were shut up in it.  Number Five, quieter, and not

betraying  more curiosity than belongs to the sex at all ages, glances at the  sugarbowl now and then; looking

so like a clairvoyant, that sometimes  I cannot help thinking she must be one.  There is a sly look about  that

young Doctor's eyes, which might imply that he knows something  about what the silver vessel holds, or is

going to hold.  The Tutor  naturally falls under suspicion, as he is known to have written and  published poems.

I suppose the Professor and myself have hardly been  suspected of writing lovepoems; but there is no

telling,there is  no telling.  Why may not some one of the lady Teacups have played the  part of a masculine

lover?  George Sand, George Eliot, Charles Egbert  Craddock, made pretty good men in print.  The authoress of

"Jane  Eyre" was taken for a man by many persons.  Can Number Five be  masquerading in verse?  Or is one of

the two Annexes the make.  believe lover?  Or did these girls lay their heads together, and send  the poem we

had at our last sitting to puzzle the company?  It is  certain that the Mistress did not write the poem.  It is

evident that  Number Seven, who is so severe in his talk about rhymesters, would  not, if he could, make such

a fool of himself as to set up for a  "poet."  Why should not the Counsellor fall in love and write verses?  A

good many lawyers have been "poets." 

Perhaps the next poem, which may be looked for in its proper place,  may help us to form a judgment.  We

may have several versewriters  among us, and if so there will be a good opportunity for the exercise  of

judgment in distributing their productions among the legitimate  claimants.  In the mean time, we must not let

the lovemaking and the  songwriting interfere with the more serious matters which these  papers are

expected to contain. 

Number Seven's compendious and comprehensive symbolism proved  suggestive, as his whimsical notions

often do.  It always pleases me  to take some hint from anything he says when I can, and carry it out  in a

direction not unlike that of his own remark.  I reminded the  company of his enigmatical symbol. 

You can divide mankind in the same way, I said.  Two words, each of  two letters, will serve to distinguish two

classes of human beings  who constitute the principal divisions of mankind.  Can any of you  tell what those

two words are? 

"Give me five letters," cried Number Seven, "and I can solve your  problem!  Foo1s,those five letters

will give you the first and  largest half.  For the other fraction" 

Oh, but, said I, I restrict you absolutely to two letters.  If you  are going to take five, you may as well take

twenty or a hundred. 

After a few attempts, the company gave it up.  The nearest approach  to the correct answer was Number Five's

guess of Oh and Ah: Oh  signifying eternal striving after an ideal, which belongs to one kind  of nature; and


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Ah the satisfaction of the other kind of nature, which  rests at ease in what it has attained. 

Good!  I said to Number Five, but not the answer I am after.  The  great division between human beings is into

the Ifs and the Ases. 

Is the last word to be spelt with one or two s's?  "asked the young  Doctor. 

The company laughed feebly at this question.  I answered it  soberly.  With one s.  There are more foolish

people among the Ifs than  there  are among the Ases. 

The company looked puzzled, and asked for an explanation. 

This is the meaning of those two words as I interpret them:  If it  were,if it might be,if it could be,if it

had been.  One  portion  of mankind go through life always regretting, always whining,  always  imagining.

These are the people whose backbones remain  cartilaginous  all their lives long, as do those of certain other

vertebrate  animals,the sturgeons, for instance.  A good many poets  must be  classed with this group of

vertebrates. 

As it is,this is the way in which the other class of people look  at  the conditions in which they find

themselves.  They may be  optimists  or pessimists, they are very largely optimists,but, taking  things  just as

they find them, they adjust the facts to their wishes  if they  can; and if they cannot, then they adjust

themselves to the  facts.  I  venture to say that if one should count the Ifs and the Ases  in the  conversation of his

acquaintances, he would find the more able  and  important persons among themstatesmen, generals, men of

business  among the Ases, and the majority of the conspicuous  failures among  the Ifs.  I don't know but this

would be as good a test  as that of  Gideon,lapping the water or taking it up in the hand.  I  have a  poetical

friend whose conversation is starred as thick with ifs  as a  boiled ham is with cloves.  But another friend of

mine, a  business  man, whom I trust in making my investments, would not let me  meddle  with a certain stock

which I fancied, because, as he said,  "there are  too many ifs in it.  As it looks now, I would n't touch  it." 

I noticed, the other evening, that some private conversation was  going on between the Counsellor and the two

Annexes.  There was a  mischievous look about the little group, and I thought they were  hatching some plot

among them.  I did not hear what the English Annex  said, but the American girl's voice was sharper, and I

overheard what  sounded to me like, "It is time to stir up that young Doctor."  The  Counsellor looked very

knowing, and said that he would find a chance  before long.  I was rather amused to see how readily he entered

into  the project of the young people.  The fact is, the Counsellor is  young for his time of life; for he already

betrays some signs of the  change referred to in that once familiar street song, which my  friend, the great

American surgeon, inquired for at the musicshops  under the title, as he got it from the Italian minstrel, 

          "Silva tredi mondi goo."

I saw, soon after this, that the Counsellor was watching his chance  to "stir up the young Doctor." 

It does not follow, because our young Doctor's bald spot is slower  in  coming than he could have wished, that

he has not had time to form  many sound conclusions in the calling to which he has devoted himself  Vesalius,

the father of modern descriptive anatomy, published his  great work on that subject before he was thirty.

Bichat, the great  anatomist and physiologist, who died near the beginning of this  century, published his

treatise, which made a revolution in anatomy  and pathology, at about the same age; dying soon after he had

reached  the age of thirty.  So, possibly the Counsellor may find that he has  "stirred up" a young man who, can

take care of his own head, in case  of aggressive movements in its direction. 


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"Well, Doctor," the Counsellor began, "how are stocks in the  measles  market about these times?  Any corner

in bronchitis?  Any  syndicate  in the vaccination business?"  All this playfully. 

"I can't say how it is with other people's patients; most of my  families are doing very well without my help, at

this time." 

"Do tell me, Doctor, how many families you own.  I have heard it  said  that some of our fellowcitizens have

two distinct families, but  you  speak as if you had a dozen." 

"I have, but not so large a number as I should like.  I could take  care of fifteen or twenty more without: having

to work too hard." 

"Why, Doctor, you are as bad as a Mormon.  What do you mean by  calling certain families yours?" 

"Don't you speak about my client?  Don't your clients call you  their  lawyer?  Does n't your baker, does n't your

butcher, speak of  the  families he supplies as his families?" 

To be sure, yes, of course they do; but I had a notion that a man  had  as many doctors as he had organs to be

doctored." 

"Well, there is some truth in that; but did you think the old  fashioned family doctor was extinct, a fossil like

the megatherium?" 

"Why, yes, after the recent experience of a friend of mine, I did  begin to think that there would soon be no

such personage left as  that same oldfashioned family doctor.  Shall I tell you what that  experience was?" 

The young Doctor said be should be mightily pleased to hear it.  He  was going to be one of those oldfogy

practitioners himself. 

"I don't know," the Counsellor said, "whether my friend got all the  professional terms of his story correctly,

nor whether I have got  them from him without making any mistakes; but if I do make blunders  in some of the

queer names, you can correct me.  This is my friend's  story: 

"My family doctor,' he said, "was a very sensible man, educated at  a  school where they professed to teach all

the specialties, but not  confining himself to any one branch of medical practice.  Surgical  practice he did not

profess to meddle with, and there were some  classes of patients whom he was willing to leave to the female

physician.  But throughout the range of diseases not requiring  exceptionally skilled manual interference, his

education had  authorized him to consider himself, and he did consider himself,  qualified to undertake the

treatment of all ordinary cases It so  happened that my young wife was one of those uneasy persons who are

never long contented with their habitual comforts and blessings, but  always trying to find something a little

better, something newer, at  any rate.  I was getting to be near fifty years old, and it happened  to me, as it not

rarely does to people at about that time of life,  that my hair began to fall out.  I spoke of it to my doctor, who

smiled, said it was a part of the process of reversed evolution, but  might be retarded a little, and gave me a

prescription.  I did not  find any great effect from it, and my wife would have me go to a  noted dermatologist.

The distinguished specialist examined my  denuded scalp with great care.  He looked at it through a strong

magnifier.  He examined the bulb of a fallen hair in a powerful  microscope.  He deliberated for a while, and

then said, "This is a  case of alopecia.  It may perhaps be partially remedied.  I will give  you a prescription."

Which he did, and told me to call again in a  fortnight.  At the end of three months I had called six times, and

each time got a new recipe, and detected no difference in the course  of my "alopecia."  After I had got through

my treatment, I showed my  recipes to my family physician; and we found that three of them were  the same he

had used, familiar, oldfashioned remedies, and the  others were taken from a list of new and littletried


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prescriptions  mentioned in one of the last medical journals, which was lying on the  old doctor's table.  I might

as well have got no better under his  charge, and should have got off much cheaper. 

"The next trouble I had was a little redness of the eyes, for which  my doctor gave me a wash; but my wife

would have it that I must see  an oculist.  So I made four visits to an oculist, and at the last  visit the redness

was nearly gone,as it ought to have been by that  time.  The specialist called my complaint conjunctivitis,

but that  did not make it feel any better nor get well any quicker.  If I had  had a cataract or any grave disease of

the eye, requiring a nice  operation on that delicate organ, of course I should have properly  sought the aid of

an expert, whose eye, hand, and judgment were  trained to that special business; but in this case I don't doubt

that  my family doctor would have done just as well as the expert.  However,  I had to obey orders, and my wife

would have it that I  should entrust  my precious person only to the most skilful specialist  in each  department

of medical practice. 

"In the course of the year I experienced a variety of slight  indispositions.  For these I was auriscoped by an

aurist,  laryngoscoped by a laryngologist, ausculted by a stethoscopist, and  so on, until a complete inventory

of my organs was made out, and I  found that if I believed all these searching inquirers professed to  have

detected in my unfortunate person, I could repeat with too  literal truth the words of the General Confession,

"And there is no  health in us."  I never heard so many hard names in all my life.  I  proved to be the subject of a

long catalogue of diseases, and what  maladies I was not manifestly guilty of I was at least suspected of

harboring.  I was handed along all the way from alopecia, which used  to be called baldness, to zoster, which

used to be known as shingles.  I was the patient of more than a dozen specialists.  Very pleasant  persons, many

of them, but what a fuss they made about my trifling  incommodities!  Please look at that photograph.  See if

there is a  minute elevation under one eye.' 

"'On which side?' I asked him, for I could not be sure there was  anything different on one side from what I

saw on the other. 

"'Under the left eye.  I called it a pimple; the specialist called  it  acne.  Now look at this photograph.  It was

taken after my acne had  been three months under treatment.  It shows a little more distinctly  than in the first

photograph, does n't it?' 

"'I think it does,' I answered.  'It does n't seem to me that you  gained a great deal by leaving your customary

adviser for the  specialist.' 

"'Well,' my friend continued, 'following my wife's urgent counsel,  I  kept on, as I told you, for a whole year

with my specialists, going  from head to foot, and tapering off with a chiropodist.  I got a deal  of amusement

out of their contrivances and experiments.  Some of them  lighted up my internal surfaces with electrical or

other illuminating  apparatus.  Thermometers, dynamometers, exploringtubes, little  mirrors that went

halfway down to my stomach, tuningforks,  ophthalmoscopes, percussionhammers, single and double

stethoscopes,  speculums, sphygmometers,such a battery of detective instruments I  had never imagined.  All

useful, I don't doubt; but at the end of the  year I began to question whether I should n't have done about as

well  to stick to my long tried practitioner.  When the bills for  "professional services" came in, and the new

carpet had to be given  up, and the old bonnet trimmed over again, and the sealskin sack  remained a vision, we

both agreed, my wife and I, that we would try  to get along without consulting specialists, except in such cases

as  our family physician considered to be beyond his skill.'" 

The Counsellor's story of his friend's experiences seemed to please  the young Doctor very much.  It "stirred

him up," but in an agreeable  way; for, as he said, he meant to devote himself to family practice,  and not to

adopt any limited class of cases as a specialty.  I liked  his views so well that I should have been ready to adopt

them as my  own, if they had been challenged. 


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The young Doctor discourses.

"I am very glad," he said, "that we have a number of practitioners  among us who confine themselves to the

care of single organs and  their functions.  I want to be able to consult an oculist who has  done nothing but

attend to eyes long enough to know all that is known  about their diseases and their treatment,skilful

enough to be  trusted with the manipulation of that delicate and most precious  organ.  I want an aurist who

knows all about the ear and what can be  done for its disorders.  The maladies of the larynx are very ticklish

things to handle, and nobody should be trusted to go behind the  epiglottis who has not the tactus eruditus.

And so of certain other  particular classes of complaints.  A great city must have a limited  number of experts,

each a final authority, to be appealed to in cases  where the family physician finds himself in doubt.  There are

operations which no surgeon should be willing to undertake unless he  has paid a particular, if not an

exclusive, attention to the cases  demanding such operations.  All this I willingly grant. 

"But it must not be supposed that we can return to the methods of  the  old Egyptianswho, if my memory

serves me correctly, had a  special  physician for every part of the bodywithout falling into  certain  errors

and incurring certain liabilities. 

"The specialist is much like other people engaged in lucrative  business.  He is apt to magnify his calling, to

make much of any  symptom which will bring a patient within range of his battery of  remedies.  I found a case

in one of our medical journals, a couple of  years ago, which illustrates what I mean.  Dr. ___________  of

Philadelphia, had a female patient with a crooked nose,deviated  septum, if our young scholars like that

better.  She was suffering  from what the doctor called reflex headache.  She had been to an  oculist, who found

that the trouble was in her eyes.  She went from  him to a gynecologist, who considered her headache as owing

to causes  for which his specialty had the remedies.  How many more specialists  would have appropriated her,

if she had gone the rounds of them all,  I dare not guess; but you remember the old story of the siege, in  which

each artisan proposed means of defence which be himself was  ready to furnish.  Then a shoemaker said, 'Hang

your walls with new  boots.' 

"Human nature is the same with medical specialists as it was with  ancient cordwainers, and it is too possible

that a hungry  practitioner may be warped by his interest in fastening on a patient  who, as he persuades

himself, comes under his medical jurisdiction.  The specialist has but one fang with which to seize and bold

his  prey, but that fang is a fearfully long and sharp canine.  Being  confined to a narrow field of observation

and practice, he is apt to  give much of his time to curious study, which may be magnifique, but  is not exactly

la guerre against the patient's malady.  He divides  and subdivides, and gets many varieties of diseases, in most

respects  similar.  These he equips with new names, and thus we have those  terrific nomenclatures which are

enough to frighten the medical  student, to say nothing of the sufferers staggering under this long  catalogue of

local infirmities.  The 'oldfogy' doctor, who knows the  family tendencies of his patient, who 'understands his

constitution,'  will often treat him better than the famous specialist, who sees him  for the first time, and has to

guess at many things 'the old doctor'  knows from his previous experience with the same patient and the

family to which he belongs. 

"It is a great luxury to practise as a specialist in almost any  class  of diseases.  The special practitioner has his

own hours, hardly  needs a nightbell, can have his residence out of the town in which  he exercises his

calling, in short, lives like a gentleman; while the  hardworked general practitioner submits to a servitude

more exacting  than that of the man who is employed in his stable or in his kitchen.  That is the kind of life I

have made up my mind to." 

The teaspoons tinkled all round the table.  This was the usual sign  of approbation, instead of the clapping of

hands. 


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The young Doctor paused, and looked round among The Teacups.  "I  beg  your pardon," he said, "for taking

up so much of your time with  medicine.  It is a subject that a good many persons, especially  ladies, take an

interest in and have a curiosity about, but I have no  right to turn this teatable into a lecture platform." 

"We should like to hear you talk longer about it," said the English  Annex.  "One of us has thought of devoting

herself to the practice of  medicine.  Would you lecture to us; if you were a professor in one of  the great

medical schools?" 

"Lecture to students of your sex?  Why not, I should like to know?  I  don't think it is the calling for which the

average woman is  especially adapted, but my teacher got a part of his medical  education from a lady,

Madame Lachapelle; and I don't see why, if one  can learn from a woman, he may not teach a woman, if he

knows  enough." 

"We all like a little medical talk now and then," said Number Five,  "and we are much obliged to you for your

discourse.  You are  specialist enough to take care of a sprained ankle, I suppose, are  you not?" 

"I hope I should be equal to that emergency," answered the young  Doctor; "but I trust you are not suffering

from any such accident?" 

"No," said Number Five, "but there is no telling what may happen.  I  might slip, and get a sprain or break a

sinew, or something, and I  should like to know that there is a practitioner at hand to take care  of my injury.  I

think I would risk myself in your bands, although  you are not a specialist.  Would you venture to take charge

of the  case?" 

"Ah, my dear lady," he answered gallantly, "the risk would be in  the  other direction.  I am afraid it would be

safer for your doctor if  he  were an older man than I am." 

This is the first clearly, indisputably sentimental outbreak which  has happened in conversation at our table.  I

tremble to think what  will come of it; for we have several inflammable elements in our  circle, and a spark like

this is liable to light on any one or two of  them. 

I was not sorry that this medical episode came in to vary the usual  course of talk at our table.  I like to have

oneof an intelligent  company, who knows anything thoroughly, hold the floor for a time,  and discourse

upon the subject which chiefly engages his daily  thoughts and furnishes his habitual occupation.  It is a

privilege to  meet such a person now and then, and let him have his full swing.  But  because there are

"professionals" to whom we are willing to  listen as  oracles, I do not want to see everybody who is not a

"professional"  silenced or snubbed, if he ventures into any field of  knowledge which  he has not made

especially his own.  I like to read  Montaigne's  remarks about doctors, though he never took a medical  degree.

I can  even enjoy the truth in the sharp satire of Voltaire  on the medical  profession.  I frequently prefer the

remarks I hear  from the pew after  the sermon to those I have just been hearing from  the pulpit.  There  are a

great many things which I never expect to  comprehend, but which  I desire very much to apprehend.  Suppose

that  our circle of Teacups  were made up of specialists,experts in  various departments.  I  should be very

willing that each one should  have his innings at the  proper time, when the company were ready for  him.  But

the time is  coming when everybody will know something about  every thing.  How can  one have the illustrated

magazines, the  "Popular Science Monthly," the  Psychological journals, the  theological periodicals, books on

all  subjects, forced on his  attention, in their own persons, so to speak,  or in the reviews which  analyze and

pass judgment upon them, without  getting some ideas which  belong to many provinces of human

intelligence?  The air we breathe  is made up of four elements, at  least: oxygen, nitrogen, carbonic  acid gas,

and knowledge.  There is  something quite delightful to  witness in the absorption and devotion  of a genuine

specialist.  There is a certain sublimity in that picture  of the dying scholar in  Browning's "A Grammarian's

Funeral:" 


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"So with the throttling hands of death at strife,

          Ground he at grammar;

     Still, through the rattle, parts of speech were rife;

          While he could stammer

     He settled Hoti's businesslet it be

          Properly based Oun

     Gave us the doctrine of the enclitic De,

          Dead from the waist down."

A genuine enthusiasm, which will never be satisfied until it has  pumped the well dry at the bottom of which

truth is lying, always  excites our interest, if not our admiration. 

One of the pleasantest of our American writers, whom we all  remember  as Ik Marvel, and greet in his more

recent appearance as  Donald Grant  Mitchell, speaks of the awkwardness which he feels in  offering to the

public a "panoramic view of British writers in these  days of  specialists,when students devote half a

lifetime to the  analysis of  the works of a single author, and to the proper study of a  single  period." 

He need not have feared that his connected sketches of "English  Lands, Letters and Kings" would be any less

welcome because they do  not pretend to fill up all the details or cover all the incidents  they hint in vivid

outline.  How many of us ever read or ever will  read Drayton's "PolyOlbion?"  Twenty thousand long

Alexandrines are  filled with admirable descriptions of scenery, natural productions,  and historical events, but

how many of us in these days have time to  read and inwardly digest twenty thousand Alexandrine verses?  I

fear  that the specialist is apt to hold his intelligent reader or hearer  too cheap.  So far as I have observed in

medical specialties, what he  knows in addition to the knowledge of the welltaught general  practitioner is

very largely curious rather than important.  Having  exhausted all that is practical, the specialist is naturally

tempted  to amuse himself with the natural history of the organ or function he  deals with; to feel as a

writingmaster does when he sets a copy,  not content to shape the letters properly, but he must add

flourishes  and fancy figures, to let off his spare energy. 

I am beginning to be frightened.  When I began these papers, my  idea  was a very simple and innocent one.

Here was a mixed company, of  various conditions, as I have already told my readers, who came  together

regularly, and before they were aware of it formed something  like a club or association.  As I was the

patriarch among them, they  gave me the name some of you may need to be reminded of; for as these  reports

are published at intervals, you may not remember the fact  that I am what The Teacups have seen fit to call

The Dictator. 

Now, what did I expect when I began these papers, and what is it  that  has begun to frighten me? 

I expected to report grave conversations and light colloquial  passages of arms among the members of the

circle.  I expected to  hear, perhaps to read, a paper now and then.  I expected to have,  from time to time, a

poem from some one of The Teacups, for I felt  sure there must be among them one or more poets,Teacups

of the  finer and rarer translucent kind of porcelain, to speak  metaphorically. 

Out of these conversations and written contributions I thought I  might make up a readable series of papers; a

not wholly unwelcome  string of recollections, anticipations, suggestions, too often  perhaps repetitions, that

would be to the twilight what my earlier  series had been to the morning. 

I hoped also that I should come into personal relations with my old  constituency, if I may call my nearer

friends, and those more distant  ones who belong to my reading parish, by that name.  It is time that  I should.  I

received this blessed morningI am telling the literal  trutha highly flattering obituary of myself in the

shape of an  extract from "Le National" of the 10th of February last.  This is a  biweekly newspaper, published

in French, in the city of Plattsburg,  Clinton County, New York.  I am occasionally reminded by my unknown


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friends that I must hurry up their autograph, or make haste to copy  that poem they wish to have in the author's

own handwriting, or it  will be too late; but I have never before been huddled out of the  world in this way.  I

take this rather premature obituary as a hint  that, unless I come to some arrangement with my wellmeaning

but  insatiable correspondents, it would be as well to leave it in type,  for I cannot bear much longer the load

they lay upon me.  I will  explain myself on this point after I have told my readers what has  frightened me. 

I am beginning to think this room where we take our tea is more  like  a tinderbox than a quiet and safe place

for "a party in a  parlor."  It is true that there are at least two or three  incombustibles at our  table, but it looks to

me as if the company  might pair off before the  season is over, like the crew of Her  Majesty's ship the

Mantelpiece,  three or four weddings clear our  whole table of all but one or two  of the impregnables.  The

poem we  found in the sugarbowl last week  first opened my eyes to the probable  state of things.  Now, the

idea  of having to tell a lovestory,  perhaps two or three lovestories,  when I set out with the  intention

of repeating instructive, useful,  or entertaining  discussions, naturally alarms me.  It is quite true  that many

things  which look to me suspicious may be simply playful.  Young people (and  we have several such among

The Teacups) are fond of  makebelieve  courting when they cannot have the real thing,   "flirting," as it  used

to be practised in the days of Arcadian  innocence, not the more  modern and more questionable recreation

which  has reached us from the  home of the cicisbeo.  Whatever comes of it,  I shall tell what I see,  and take the

consequences. 

But I am at this moment going to talk in my own proper person to my  own particular public, which, as I find

by my correspondence, is a  very considerable one, and with which I consider myself in  exceptionally pleasant

relations. 

I have read recently that Mr. Gladstone receives six hundred  letters  a day.  Perhaps he does not receive six

hundred letters every  day,  but if he gets anything like half that number daily, what can he  do  with them?

There was a time when he was said to answer all his  correspondents.  It is understood, I think, that he has

given up  doing so in these later days. 

I do not pretend that I receive six hundred or even sixty letters a  day, but I do receive a good many, and have

told the public of the  fact from time to time, under the pressure of their constantly  increasing exertions.  As it

is extremely onerous, and is soon going  to be impossible, for me to keep up the wide range of correspondence

which has become a large part of my occupation, and tends to absorb  all the vital force which is left me, I

wish to enter into a final  explanation with the wellmeaning but merciless taskmasters who have  now for

many years been levying their daily tax upon me.  I have  preserved thousands of their letters, and destroyed a

very large  number, after answering most of them.  A few interesting chapters  might be made out of the letters

I have kept,not only such as are  signed by the names of wellknown personages, but many from unknown

friends, of whom I had never heard before and have never heard since.  A great deal of the best writing the

languages of the world have ever  known has been committed to leaves that withered out of sight before  a

second sunlight had fallen upon them.  I have had many letters I  should have liked to give the public, had their

nature admitted of  their being offered to the world.  What straggles of young ambition,  finding no place for its

energies, or feeling its incapacity to reach  the ideal towards which it was striving!  What longings of

disappointed, defeated fellowmortals, trying to find a new home for  themselves in the heart of one whom

they have amiably idealized!  And  oh, what hopeless efforts of mediocrities and inferiorities,  believing in

themselves as superiorities, and stumbling on through  limping disappointments to prostrate failure!  Poverty

comes  pleading, not for charity, for the most part, but imploring us to  find a purchaser for its unmarketable

wares.  The unreadable author  particularly requests us to make a critical examination of his book,  and report

to him whatever may be our verdict,as if he wanted  anything but our praise, and that very often to be used

in his  publisher's advertisements. 

But what does not one have to submit to who has become the martyr  the Saint Sebastianof a literary

correspondence!  I will not dwell  on the possible impression produced on a sensitive nature by reading  one's


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own premature obituary, as I have told you has been my recent  experience.  I will not stop to think whether

the urgent request for  an autograph by return post, in view of the possible contingencies  which might render it

the last one was ever to write, is pleasing or  not.  At threescore and twenty one must expect such hints of what

is  like to happen before long.  I suppose, if some near friend were to  watch one who was looking over such a

pressing letter, he might  possibly see a slight shadow flit over the reader's features, and  some such dialogue

might follow as that between Othello and Iago,  after "this honest creature" has been giving breath to his

suspicions  about Desdemona : 

    "I see this hath a little dash'd your spirits.

     Not a jot, not a jot.

          .............

     "My lord, I see you're moved."

And a little later the reader might, like Othello, complain, 

    "I have a pain upon my forehead here."

Nothing more likely.  But, for myself, I have grown callous to all  such allusions.  The repetition of the

Scriptural phrase for the  natural term of life is so frequent that it wears out one's  sensibilities. 

But how many charming and refreshing letters I have received!  How  often I have felt their encouragement in

moments of doubt and  depression, such as the happiest temperaments must sometimes  experience! 

If the time comes when to answer all my kind unknown friends, even  by  dictation, is impossible, or more

than I feel equal to, I wish to  refer any of those who may feel disappointed at not receiving an  answer to the

following general acknowledgments: 

I.  I am always grateful for any attention which shows me that I am  kindly remembered. II.  Your pleasant

message has been read to me,  and has been thankfully listened to. III.  Your book (your essay)  (your poem)

has reached me safely, and has received all the  respectful attention to which it seemed entitled.  It would take

more  than all the time I have at my disposal to read all the printed  matter and all the manuscripts which are

sent to me, and you would  not ask me to attempt the impossible.  You will not, therefore,  expect me to express

a critical opinion of your work.  IV.  I am  deeply sensible to your expressions of personal attachment to me

as  the author of certain writings which have brought me very near to  you, in virtue of some affinity in our

ways of thought and moods of  feeling.  Although I cannot keep up correspondences with many of my  readers

who seem to be thoroughly congenial with myself, let them be  assured that their letters have been read or

heard with peculiar  gratification, and are preserved as precious treasures. 

I trust that after this notice no correspondent will be surprised  to  find his or her letter thus answered by

anticipation; and that if  one  of the above formulae is the only answer he receives, the unknown  friend will

remember that he or she is one of a great many whose  incessant demands have entirely outrun my power of

answering them as  fully as the applicants might wish and perhaps expect. 

I could make a very interesting volume of the letters I have  received  from correspondents unknown to the

world of authorship, but  writing  from an instinctive impulse, which many of them say they have  long  felt and

resisted.  One must not allow himself to be flattered  into  an overestimate of his powers because he gets many

letters  expressing  a peculiar attraction towards his books, and a preference  of them to  those with which he

would not have dared to compare his  own.  Still,  if the homo unius librithe man of one bookchoose to

select one of  our own writing as his favorite volume, it means  something,not  much, perhaps; but if one has

unlocked the door to the  secret  entrance of one heart, it is not unlikely that his key may fit  the  locks of others.

What if nature has lent him a master key?  He  has  found the wards and slid back the bolt of one lock; perhaps

he may  have learned the secret of others.  One success is an encouragement  to try again.  Let the writer of a


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truly loving letter, such as  greets one from time to time, remember that, though he never hears a  word from it,

it may prove one of the best rewards of an anxious and  laborious past, and the stimulus of a still aspiring

future. 

Among the letters I have recently received, none is more  interesting  than the following.  The story of Helen

Keller, who wrote  it, is told  in the wellknown illustrated magazine called "The Wide  Awake," in  the number

for July, 1888.  For the account of this little  girl, now  between nine and ten years old, and other letters of her

writing, I  must refer to the article I have mentioned.  It is enough  to say that  she is deaf and dumb and totally

blind.  She was seven  years old when  her teacher, Miss Sullivan, under the direction of Mr.  Anagnos, at  the

Blind Asylum at South Boston, began her education.  A  child  fuller of life and happiness it would be hard to

find.  It seems  as  if her soul was flooded with light and filled with music that had  found entrance to it through

avenues closed to other mortals.  It is  hard to understand how she has learned to deal with abstract ideas,  and

so far to supplement the blanks left by the senses of sight and  hearing that one would hardly think of her as

wanting in any human  faculty.  Remember Milton's pathetic picture of himself, suffering  from only one of

poor little Helen's deprivations: 

                         "Not to me returns

     Day, or the sweet approach of even or morn,

     Or sight of vernal bloom, or summer's rose,

     Or flocks, or herds, or human face divine;

     But cloud instead, and everduring dark

     Surrounds me, from the cheerful ways of men

     Cut off, and for the book of knowledge fair

     Presented with a universal blank

     Of Nature's works, to me expunged and rased,

     And wisdom at one entrance quite shut out."

Surely for this loving and lovely child does 

                    "the celestial Light

          Shine inward."

Anthropologist, metaphysician, most of all theologian, here is a  lesson which can teach you much that you

will not find in your  primers and catechisms.  Why should I call her "poor little Helen"?  Where can you find a

happier child? 

SOUTH BOSTON, MASS., March 1, 1890. 

DEAR KIND POET,I have thought of you many times since that bright  Sunday when I bade you goodbye,

and I am going to write you a letter  because I love you.  I am sorry that you have no little children to  play with

sometimes, but I think you are very happy with your books,  and your many, many friends.  On Washington's

Birthday a great many  people came here to see the little blind children, and I read for  them from your poems,

and showed them some beautiful shells which  came from a little island near Palos.  I am reading a very sad

story  called "Little Jakey."  Jakey was the sweetest little fellow you can  imagine, but he was poor and blind.  I

used to think, when I was  small and before I could read, that everybody was always happy, and  at first it

made me very sad to know about pain and great sorrow; but  now I know that we could never learn to be

brave and patient, if  there were only joy in the world.  I am studying about insects in  Zoology, and I have

learned many things about butterflies.  They do  not make honey for us, like the bees, but many of them are as

beautiful as the flowers they light upon, and they always delight the  hearts of little children.  They live a gay

life, flitting from  flower to flower, sipping the drops of honeydew, without a thought  for the morrow.  They

are just like little boys and girls when they  forget books and studies, and run away to the woods and the fields

to  gather wildflowers, or wade in the ponds for fragrant lilies, happy  in the bright sunshine.  If my little sister

comes to Boston next  June, will you let me bring her to see you?  She is a lovely baby and  I am sure you will


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love [her].  Now I must tell my gentle poet good  bye, for I have a letter to write home before I go to bed.

From your  loving little friend, 

HELEN A. KELLER. 

The reading of this letter made many eyes glisten, and a dead  silence  hushed the whole circle.  All at once

Delilah, our pretty  tablemaid,  forgot her place,what business had she to be listening  to our  conversation

and reading? and began sobbing, just as if she  had  been a lady.  She could n't help it, she explained

afterwards,she  had a little blind sister at the asylum, who had told  her about  Helen's reading to the

children. 

It was very awkward, this breakingdown of our pretty Delilah, for  one girl crying will sometimes set off a

whole row of others,it is  as hazardous as lighting one cracker in a bunch.  The two Annexes  hurried out

their pockethandkerchiefs, and I almost expected a semi  hysteric cataclysm.  At this critical moment

Number Five called  Delilah to her, looked into her face with those calm eyes of hers,  and spoke a few soft

words.  Was Number Five forgetful, too?  Did she  not remember the difference of their position?  I suppose so.

But  she quieted the poor handmaiden as simply and easily as a nursing  mother quiets her unweaned baby.

Why are we not all in love with  Number Five?  Perhaps we are.  At any rate, I suspect the Professor.  When we

all get quiet, I will touch him up about that visit she  promised to make to his laboratory. 

I got a chance at last to speak privately with him. 

"Did Number Five go to meet you in your laboratory, as she talked  of  doing?" 

"Oh, yes, of course she did,why, she said she would!" 

"Oh, to be sure.  Do tell me what she wanted in your laboratory." 

"She wanted me to burn a diamond for her." 

"Burn a diamond!  What was that for?  Because Cleopatra swallowed a  pearl?" 

"No, nothing of that kind.  It was a small stone, and had a flaw in  it.  Number Five said she did n't want a

diamond with a flaw in it,  and that she did want to see how a diamond would burn." 

"Was that all that happened?" 

"That was all.  She brought the two Annexes with her, and I gave my  three visitors a lecture on carbon, which

they seemed to enjoy very  much." 

I looked steadily in the Professor's face during the reading of the  following poem.  I saw no questionable look

upon it,but he has a  remarkable command of his features.  Number Five read it with a  certain archness of

expression, as if she saw all its meaning, which  I think some of the company did not quite take in.  They said

they  must read it slowly and carefully.  Somehow, "I like you" and "I love  you" got a little mixed, as they

heard it.  It was not Number Five's  fault, for she read it beautifully, as we all agreed, and as I knew  she would

when I handed it to her. 

          I LIKE YOU AND I LOVE YOU.


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I LIKE YOU met I LOVE YOU, face to face;  The path was narrow, and  they could not pass.  I LIKE YOU

smiled; I LOVE YOU cried, Alas!  And  so they halted for a little space. 

"Turn thou and go before," I LOVE YOU said,  "Down the green  pathway, bright with many a flower  Deep in

the valley, lo!  my bridal  bower  Awaits thee." But I LIKE YOU shook his head. 

Then while they lingered on the spanwide shelf  That shaped a  pathway round the rocky ledge,  I LIKE YOU

bared his icy dagger's edge,  And first he slew I LOVE YOU,then himself. 

VII

There is no use in burdening my table with those letters of inquiry  as to where our meetings are held, and

what are the names of the  persons designated by numbers, or spoken of under the titles of the  Professor, the

Tutor, and so forth.  It is enough that you are aware  who I am, and that I am known at the teatable as The

Dictator.  Theatrical "asides" are apt to be whispered in a pretty loud voice,  and the persons who ought not to

have any idea of what is said are  expected to be reasonably hard of bearing.  If I named all The  Teacups, some

of them might be offended.  If any of my readers happen  to be able to identify any one Teacup by some

accidental  circumstance,say, for instance, Number Five, by the incident of her  burning the diamond,I

hope they will keep quiet about it.  Number  Five does n't want to be pointed out in the street as the

extravagant  person who makes use of such expensive fuel, for the story would soon  grow to a statement that

she always uses diamonds, instead of cheaper  forms of carbon, to heat her coffee with.  So with other

members of  the circle.  The "Cracked Teacup," Number Seven, would not, perhaps,  be pleased to recognize

himself under that title.  I repeat it,  therefore, Do not try to identify the individual Teacups.  You will  not get

them right; or, if you do, you may too probably make trouble.  How is it possible that I can keep up my

freedom of intercourse with  you all if you insist on bellowing my "asides" through a speaking  trumpet?

Besides, you cannot have failed to see that there are  strong symptoms of the springing up of delicate relations

between  some of our number.  I told you how it would be.  It did not require  a prophet to foresee that the saucy

intruder who, as Mr. Willis  wrote, and the dear dead girls used to sing, in our young days, 

               "Taketh every form of air,

          And every shape of earth,

          And comes unbidden everywhere,

          Like thought's mysterious birth,"

would pop his little curly head up between one or more pairs of  Teacups.  If you will stop these questions,

then, I will go on with  my reports of what was said and done at our meetings over the  teacups. 

Of all things beautiful in this fair world, there is nothing so  enchanting to look upon, to dream about, as the

first opening of the  flower of young love.  How closely the calyx has hidden the glowing  leaves in its quiet

green mantle!  Side by side, two buds have been  tossing jauntily in the breeze, often brought very near to each

other, sometimes touching for a moment, with a secret thrill in their  closefolded heartleaves, it may be, but

still the cool green sepals  shutting tight over the burning secret within.  All at once a morning  ray touches one

of the two buds, and the point of a blushing petal  betrays the imprisoned and swelling blossom. 

Oh, no, I did not promise a lovestory.  There may be a little  sentiment now and then, but these papers are

devoted chiefly to the  opinions, prejudices, fancies, whims, of myself, The Dictator, and  others of The

Teacups who have talked or written for the general  benefit of the company. 

Here are some of the remarks I made the other evening on the  subject  of Intellectual OverFeeding and its

consequence, Mental  Dyspepsia.  There is something positively appalling in the amount of  printed  matter

yearly, monthly, weekly, daily, secreted by that great  gland  of the civilized organism, the press.  I need not


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dilate upon  this  point, for it is brought home to every one of you who ever looks  into  a bookstore or a public

library.  So large is the variety of  literary  products continually coming forward, forced upon the  attention of

the  reader by stimulating and suggestive titles,  commended to his notice  by famous names, recasting old

subjects and  developing and  illustrating new ones, that the mind is liable to be  urged into a  kind of unnatural

hunger, leading to a repletion which is  often  followed by disgust and disturbed nervous conditions as its

natural  consequence. 

It has long been a favorite rule with me, a rule which I have never  lost sight of, however imperfectly I have

carried it out: Try to know  enough of a wide range of subjects to profit by the conversation of  intelligent

persons of different callings and various intellectual  gifts and acquisitions.  The cynic will paraphrase this into

a  shorter formula: Get a smattering in every sort of knowledge.  I must  therefore add a second piece of advice:

Learn to hold as of small  account the comments of the cynic.  He is often amusing, sometimes  really witty,

occasionally, without meaning it, instructive; but his  talk is to profitable conversation what the stone is to the

pulp of  the peach, what the cob is to the kernels on an ear of Indian corn.  Once more: Do not be bullied out of

your common sense by the  specialist; two to one, he is a pedant, with all his knowledge and  valuable

qualities, and will "cavil on the ninth part of a hair," if  it will give him a chance to show off his idle erudition. 

I saw attributed to me, the other day, the saying, "Know something  about everything, and everything about

something."  I am afraid it  does not belong to me, but I will treat it as I used to treat a stray  boat which came

through my meadow, floating down the Housatonic,get  hold of it and draw it ashore, and hold on to it until

the owner  turns up.  If this precept is used discreetly, it is very  serviceable; but it is as well to recognize the

fact that you cannot  know something about everything in days like these of intellectual  activity, of literary

and scientific production.  We all feel this.  It makes us nervous to see the shelves of new books, many of

which we  feel as if we ought to read, and some among them to study.  We must  adopt some principle of

selection among the books outside of any  particular branch which we may have selected for study.  I have

often  been asked what books I would recommend for a course of reading.  I  have always answered that I had a

great deal rather take advice than  give it.  Fortunately, a number of scholars have furnished lists of  books to

which the inquirer may be directed.  But the worst of it is  that each student is in need of a little library

specially adapted to  his wants.  Here is a young man writing to me from a Western college,  and wants me to

send him a list of the books which I think would be  most useful to him.  He does not send me his intellectual

measurements, and he might as well have sent to a Boston tailor for a  coat, without any hint of his

dimensions in length, breadth, and  thickness. 

But instead of laying down rules for reading, and furnishing lists  of  the books which should be read in order,

I will undertake the much  humbler task of giving a little quasimedical advice to persons,  young or old,

suffering from bookhunger, booksurfeit, book  nervousness, bookindigestion, booknausea, and all other

maladies  which, directly or indirectly, may be traced to books, and to which I  could give Greek or Latin

names if I thought it worth while. 

I have a picture hanging in my library, a lithograph, of which many  of my readers may have seen copies.  It

represents a grayhaired old  booklover at the top of a long flight of steps.  He finds himself in  clover, so to

speak, among rare old editions, books he has longed to  look upon and never seen before, rarities, precious old

volumes,  incunabula, cradlebooks, printed while the art was in its infancy,  its glorious infancy, for it was

born a giant.  The old bookworm is  so intoxicated with the sight and handling of the priceless treasures  that he

cannot bear to put one of the volumes back after he has taken  it from the shelf.  So there he stands,one book

open in his hands,  a volume under each arm, and one or more between his legs,loaded  with as many as he

can possibly hold at the same time. 

Now, that is just the way in which the extreme form of bookhunger  shows itself in the reader whose appetite

has become overdeveloped.  He wants to read so many books that he overcrams himself with the  crude

materials of knowledge, which become knowledge only when the  mental digestion has time to assimilate


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them.  I never can go into  that famous "Corner Bookstore" and look over the new books in the row  before me,

as I enter the door, without seeing half a dozen which I  want to read, or at least to know something about.  I

cannot empty my  purse of its contents, and crowd my bookshelves with all those  volumes.  The titles of many

of them interest me.  I look into one or  two, perhaps.  I have sometimes picked up a line or a sentence, in  these

momentary glances between the uncut leaves of a new book, which  I have never forgotten.  As a trivial but

bona fide example, one day  I opened a book on duelling.  I remember only these words:  "Conservonsla, cette

noble institution."  I had never before seen  duelling called a noble institution, and I wish I had taken the name

of the book.  Booktasting is not necessarily profitless, but it is  very stimulating, and makes one hungry for

more than he needs for the  nourishment of his thinkingmarrow.  To feed this insatiable hunger,  the abstracts,

the reviews, do their best.  But these, again, have  grown so numerous and so crowded with matter that it is

hard to find  time to master their contents.  We are accustomed, therefore, to look  for analyses of these

periodicals, and at last we have placed before  us a formidablelooking monthly, "The Review of Reviews."

After the  analyses comes the newspaper notice; and there is still room for the  epigram, which sometimes

makes short work with all that has gone  before on the same subject. 

It is just as well to recognize the fact that if one should read  day  and night, confining himself to his own

language, he could not  pretend to keep up with the press.  He might as well try to race with  a locomotive.  The

first discipline, therefore, is that of despair.  If you could stick to your reading day and night for fifty years,

what a learned idiot you would become long before the halfcentury  was over!  Well, then, there is no use in

gorging one's self with  knowledge, and no need of selfreproach because one is content to  remain more or

less ignorant of many things which interest his  fellowcreatures.  We gain a good deal of knowledge through

the  atmosphere; we learn a great deal by accidental hearsay, provided we  have the mordant in our own

consciousness which makes the wise  remark, the significant fact, the instructive incident, take hold  upon it.

After the stage of despair comes the period of consolation.  We soon find that we are not so much worse off

than most of our  neighbors as we supposed.  The fractional value of the wisest shows a  small numerator

divided by an infinite denominator of knowledge. 

I made some explanations to The Teacups, the other evening, which  they received very intelligently and

graciously, as I have no doubt  the readers of these reports of mine will receive them.  If the  reader will turn

back to the end of the fourth number of these  papers, he will find certain lines entitled, "Cacoethes

Scribendi."  They were said to have been taken from the usual receptacle of the  verses which are contributed

by The Teacups, and, though the fact was  not mentioned, were of my own composition.  I found them in

manuscript in my drawer, and as my subject had naturally suggested  the train of thought they carried out into

extravagance, I printed  them.  At the same time they sounded very natural, as we say, and I  felt as if I had

published them somewhere or other before; but I  could find no evidence of it, and so I ventured to have them

put in  type. 

And here I wish to take breath for a short, separate paragraph.  I  have often felt, after writing a line which

pleased me more than  common, that it was not new, and perhaps was not my own.  I have very  rarely,

however, found such a coincidence in ideas or expression as  would be enough to justify an accusation of

unconscious plagiarism,  conscious plagiarism is not my particular failing.  I therefore say  my say, set down

my thought, print my line, and do not heed the  suspicion that I may not be as original as I supposed, in the

passage  I have been writing.  My experience may be worth something to a  modest young writer, and so I have

interrupted what I was about to  say by intercalating this paragraph. 

In this instance my telltale suspicion had not been at fault.  I  had  printed those same lines, years ago, in "The

Contributors' Club,"  to  which I have rarely sent any of my prose or verse.  Nobody but the  editor has noticed

the fact, so far as I know.  This is consoling, or  mortifying, I hardly know which.  I suppose one has a right to

plagiarize from himself, but he does not want to present his work as  fresh from the workshop when it has

been long standing in his  neighbor's shopwindow. 


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But I have just received a letter from a brother of the late Henry  Howard Brownell, the poet of the Bay Fight

and the River Fight, in  which he quotes a passage from an old book, "A Heroine, Adventures of  Cherubina,"

which might well have suggested my own lines, if I had  ever seen it.  I have not the slightest recollection of

the book or  the passage.  I think its liveliness and "local color" will make it  please the reader, as it pleases me,

more than my own more prosaic  extravagances: 

LINES TO A PRETTY LITTLE MAID OF MAMMA'S. 

"If Black Sea, Red Sea, White Sea, ran  One tide of ink to Ispahan,  If all the geese in Lincoln fens  Produced

spontaneous wellmade pens,  If Holland old and Holland new  One wondrous sheet of paper grew,  And  could

I sing but half the grace  Of half a freckle in thy face,  Each  syllable I wrote would reach  >From Inverness to

Bognor's beach,  Each  hairstroke be a river Rhine,  Each verse an equinoctial line!" 

"The immediate dismissal of the 'little maid' was the consequence." 

I may as well say that our Delilah was not in the room when the  last  sentence was read. 

Readers must be either very goodnatured or very careless.  I have  laid myself open to criticism by more than

one piece of negligence,  which has been passed over without invidious comment by the readers  of my papers.

How could I, for instance, have written in my original  "copy" for the printer about the fisherman baiting his

hook with a  giant's tail instead of a dragon's?  It is the automatic fellow,Me  NumberTwo of our dual

personality,who does these things, who  forgets the message MeNumberOne sends down to him from

the  cerebral convolutions, and substitutes a wrong word for the right  one.  I suppose MeNumberTwo

will "sass back," and swear that  "giant's" was the message which came down from headquarters.  He is  always

doing the wrong thing and excusing himself.  Who blows out the  gas instead of shutting it off?  Who puts the

key in the desk and  fastens it tight with the spring lock?  Do you mean to say that the  upper Me, the Me of the

true thinkingmarrow, the convolutions of the  brain, does not know better?  Of course he does, and

MeNumberTwo is  a careless servant, who remembers some old direction, and follows  that instead of the

one just given. 

Number Seven demurred to this, and I am not sure that he is wrong  in  so doing.  He maintains that the

automatic fellow always does just  what he is told to do.  Number Five is disposed to agree with him.  We  will

talk over the question. 

But come, now, why should not a giant have a tail as well as a  dragon?  Linnaeus admitted the homo caudatus

into his anthropological  catalogue.  The human embryo has a very well marked caudal appendage;  that is, the

vertebral column appears prolonged, just as it is in a  young quadruped.  During the late session of the Medical

Congress at  Washington, my friend Dr. Priestley, a distinguished London  physician, of the highest character

and standing, showed me the  photograph of a small boy, some three or four years old, who had a  very

respectable little tail, which would have passed muster on a  pig, and would have made a frog or a toad

ashamed of himself.  I have  never heard what became of the little boy, nor have I looked in the  books or

journals to find out if there are similar cases on record,  but I have no doubt that there are others.  And if boys

may have this  additional ornament to their vertebral columns, why not men?  And if  men, why not giants?  So

I may not have made a very bad blunder,  after all, and my reader has learned something about the homo

caudatus as spoken of by Linnxus, and as shown me in photograph by  Dr. Priestley.  This child is a candidate

for the vacant place of  Missing Link. 

In accounting for the blunders, and even gross blunders, which,  sooner or later, one who writes much is pretty

sure to commit, I must  not forget the part played by the blind spot or idiotic area in the  brain, which I have

already described. 


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The most knowing persons we meet with are sometimes at fault.  Nova  onania possumus omnes is not a new

nor profound axiom, but it is well  to remember it as a counterpoise to that other truly American saying  of the

late Mr. Samuel Patch, "Some things can be done as well as  others."  Yes, some things, but not all things.  We

all know men and  women who hate to admit their ignorance of anything.  Like Talkative  in "Pilgrim's

Progress," they are ready to converse of "things  heavenly or things earthly; things moral or things

evangelical;  things sacred or things profane; things past or things to come;  things foreign or things at home;

things more essential or things  circumstantial." 

Talkative is apt to be a shallow fellow, and to say foolish things  about matters he only half understands, and

yet he has his place in  society.  The specialists would grow to be intolerable, were they not  counterpoised to

some degree by the people of general intelligence.  The man who knows too much about one particular

subject is liable to  become a terrible social infliction.  Some of the worst bores (to use  plain language) we ever

meet with are recognized as experts of high  grade in their respective departments.  Beware of making so much

as a  pinhole in the dam that holds back their knowledge.  They ride their  hobbies without bit or bridle.  A poet

on Pegasus, reciting his own  verses, is hardly more to be dreaded than a mounted specialist. 

One of the best offices which women perform for men is that of  tasting books for them.  They may or may not

be profound students,  some of them are; but we do not expect to meet women like Mrs.  Somerville, or

Caroline Herschel, or Maria Mitchell at every dinner  table or afternoon tea.  But give your elect lady a pile

of books to  look over for you, and she will tell you what they have for her and  for you in less time than you

would have wasted in stupefying  yourself over a single volume. 

One of the encouraging signs of the times is the condensed and  abbreviated form in which knowledge is

presented to the general  reader.  The short biographies of historic personages, of which  within the past few

years many have been published, have been a great  relief to the large class of readers who want to know

something, but  not too much, about them. 

What refuge is there for the victim who is oppressed with the  feeling  that there are a thousand new books he

ought to read, while  life is  only long enough for him to attempt to read a hundred?  Many  readers  remember

what old Rogers, the poet,  said: 

"When I hear a new book talked about or have it pressed upon me, I  read an old one." 

Happy the man who finds his rest in the pages of some favorite  classic!  I know no reader more to be envied

than that friend of mine  who for many years has given his days and nights to the loving study  of Horace.

After a certain period in life, it is always with an  effort that we admit a new author into the inner circle of our

intimates.  The Parisian omnibuses, as I remember them half a century  ago,they may still keep to the same

habit, for aught that I know,  used to put up the sign "Complet" as soon as they were full.  Our  public

conveyances are never full until the natural atmospheric  pressure of sixteen pounds to the square inch is

doubled, in the  close packing of the human sardines that fill the allaccommodating  vehicles.  A newcomer,

however well mannered and well dressed, is  not very welcome under these circumstances.  In the same way,

our  tables are full of books halfread and books we feel that we must  read.  And here come in two thick

volumes, with uncut leaves, in  small type, with many pages, and many lines to a page,a book that  must be

read and ought to be read at once.  What a relief to hand it  over to the lovely keeper of your literary

conscience, who will tell  you all that you will most care to know about it, and leave you free  to plunge into

your beloved volume, in which you are ever finding new  beauties, and from which you rise refreshed, as if

you had just come  from the cool waters of Hippocrene!  The stream of modern literature  represented by the

books and periodicals on the crowded counters is a  turbulent and clamorous torrent, dashing along among the

rocks of  criticism, over the pebbles of the world's daily events; trying to  make itself seen and heard amidst the

hoarse cries of the politicians  and the rumbling wheels of traffic.  The classic is a still lakelet,  a mountain tarn,

fed by springs that never fail, its surface never  ruffled by storms,always the same, always smiling a


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welcome to its  visitor.  Such is Horace to my friend.  To his eye "Lydia, dic per  omnes" is as familiar as "Pater

noster qui es in caelis" to that of a  pious Catholic.  "Integer vitae," which he has put into manly  English, his

Horace opens to as Watt's hymnbook opens to "From all  that dwell below the skies."  The more he reads, the

more he studies  his author, the richer are the treasures he finds.  And what Horace  is to him, Homer, or Virgil,

or Dante is to many a quiet reader, sick  to death of the unending train of bookmakers. 

I have some curious books in my library, a few of which I should  like  to say something about to The Teacups,

when they have no more  immediately pressing subjects before them.  A library of a few  thousand volumes

ought always to have some books in it which the  owner almost never opens, yet with whose backs he is so

well  acquainted that he feels as if he knew something of their contents.  They are like those persons whom we

meet in our daily walks, with  whose faces and figures, whose summer and winter garments, whose

walkingsticks and umbrellas even, we feel acquainted, and yet whose  names, whose business, whose

residences, we know nothing about.  Some  of these books are so formidable in their dimensions, so rusty and

crabbed in their aspect, that it takes a considerable amount of  courage to attack them. 

I will ask Delilah to bring down from my library a very thick,  stout  volume, bound in parchment, and

standing on the lower shelf,  next the  fireplace.  The pretty handmaid knows my books almost as if  she were

my librarian, and I don't doubt she would have found it if I  had  given only the name on the back. 

Delilah returned presently, with the heavy quarto in her arms.  It  was a pleasing sight,the old book in the

embrace of the fresh young  damsel.  I felt, on looking at them, as I did when I followed the  slip of a girl who

conducted us in the Temple, that ancient building  in the heart of London.  The longenduring monuments of

the dead do  so mock the fleeting presence of the living! 

Is n't this book enough to scare any of you?  I said, as Delilah  dumped it down upon the table.  The teacups

jumped from their saucers  as it thumped on the board.  Danielis Georgii Morhofii Polyhistor,  Literarius,

Philosophicus et Poeticus.  Lubecae MDCCXXXIII.  Perhaps  I should not have ventured to ask you to look at

this old volume, if  it had not been for the fact that Dr. Johnson mentions Morohof as the  author to whom he

was specially indebted. more, I think, than to  any other.  It is a grand old encyclopaedic summary of all the

author  knew about pretty nearly everything, full of curious interest, but so  strangely mediaeval, so utterly

antiquated in most departments of  knowledge, that it is hard to believe the volume came from the press  at a

time when persons whom I well remember were living.  Is it  possible that the books which have been for me

what Morhof was for  Dr. Johnson can look like that to the student of the year 1990? 

Morhof was a believer in magic and the transmutation of metals.  There was always something fascinating to

me in the old books of  alchemy.  I have felt that the poetry of science lost its wings when  the last powder of

projection had been cast into the crucible, and  the fire of the last transmutation furnace went out.  Perhaps I

am  wrong in implying that alchemy is an extinct folly.  It existed in  New England's early days, as we learn

from the Winthrop papers, and I  see no reason why goldmaking should not have its votaries as well as  other

popular delusions. 

Among the essays of Morhof is one on the "Paradoxes of the Senses."  That title brought to mind the

recollection of another work I have  been meaning to say something about, at some time when you were in  the

listening mood.  The book I refer to is "A Budget of Paradoxes,"  by Augustus De Morgan.  De Morgan is well

remembered as a very  distinguished mathematician, whose works have kept his name in high  honor to the

present time.  The book I am speaking of was published  by his widow, and is largely made up of letters

received by him and  his comments upon them.  Few persons ever read it through.  Few  intelligent readers ever

took it up and laid it down without taking a  long draught of its singular and interesting contents.  The letters

are mostly from that class of persons whom we call "cranks," in our  familiar language. 


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At this point Number Seven interrupted me by calling out, "Give us  some of those cranks' letters.  A crank is a

man who does his own  thinking.  I had a relation who was called a crank.  I believe I have  been spoken of as

one myself.  That is what you have to expect if you  invent anything that puts an old machine out of fashion, or

solve a  problem that has puzzled all the world up to your time.  There never  was a religion founded but its

Messiah was called a crank.  There  never was an idea started that woke up men out of their stupid  indifference

but its originator was spoken of as a crank.  Do you  want to know why that name is given to the men who do

most for the  world's progress?  I will tell you.  It is because cranks make all  the wheels in all the machinery of

the world go round.  What would a  steamengine be without a crank?  I suppose the first fool that  looked on

the first crank that was ever made asked what that crooked,  queerlooking thing was good for.  When the

wheels got moving he  found out.  Tell us something about that book which has so much to  say concerning

cranks." 

Hereupon I requested Delilah to carry back Morhof, and replace him  in  the wide gap he had left in the

bookshelf.  She was then to find  and  bring down the volume I had been speaking of. 

Delilah took the wisdom of the seventeenth century in her arms, and  departed on her errand.  The book she

brought down was given me some  years ago by a gentleman who had sagaciously foreseen that it was  just

one of those works which I might hesitate about buying, but  should be well pleased to own.  He guessed well;

the book has been a  great source of instruction and entertainment to me.  I wonder that  so much time and cost

should have been expended upon a work which  might have borne a title like the Encomium Moriae of

Erasmus; and yet  it is such a wonderful museum of the productions of the squinting  brains belonging to the

class of persons commonly known as cranks  that we could hardly spare one of its five hundred octavo pages. 

Those of us who are in the habit of receiving letters from all  sorts  of wouldbeliterary peopleletters of

inquiry, many of them  with  reference to matters we are supposed to understandcan readily  see  how it was

that Mr. De Morgan, never too busy to be goodnatured  with  the people who pesteredor amusedhim with

their queer fancies,  received such a number of letters from persons who thought they had  made great

discoveries, from those who felt that they and their  inventions and contrivances had been overlooked, and

who sought in  his large charity of disposition and great receptiveness a balm for  their wounded feelings and a

ray of hope for their darkened  prospects. 

The book before us is made up from papers published in "The  Athenaeum," with additions by the author.

Soon after opening it we  come to names with which we are familiar, the first of these, that of  Cornelius

Agrippa, being connected with the occult and mystic  doctrines dealt with by many of De Morgan's

correspondents.  But the  name most likely to arrest us is that of Giordano Bruno, the same  philosopher,

heretic, and martyr whose statue has recently been  erected in Rome, to the great horror of the Pope and his

prelates in  the Old World and in the New.  De Morgan's pithy account of him will  interest the company :

"Giordano Bruno was all paradox.  He was, as  has been said, a vorticist before Descartes, an optimist before

Leibnitz, a Copernican before Galileo.  It would be easy to collect a  hundred strange opinions of his.  He was

born about 1550, and was  roasted alive at Rome, February 17, 1600, for the maintenance and  defence of the

Holy Church, and the rights and liberties of the  same." 

Number Seven could not contain himself when the reading had reached  this point.  He rose from his chair, and

tinkled his spoon against  the side of his teacup.  It may have been a fancy, but I thought it  returned a sound

which Mr. Richard Briggs would have recognized as  implying an organic defect.  But Number Seven did not

seem to notice  it, or, if be did, to mind it. 

"Why did n't we all have a chance to help erect that statue?" he  cried.  "A murdered heretic at the beginning of

the seventeenth  century, a hero of knowledge in the nineteenth,I drink to the  memory of the roasted crank,

Giordano Bruno!" 


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Number Seven lifted his teacup to his lips, and most of us followed  his example. 

After this outburst of emotion and eloquence had subsided, and the  teaspoons lay quietly in their saucers, I

went on with my extract  from the book I had in hand. 

I think, I said, that the passage which follows will be new and  instructive to most of the company.  De

Morgan's interpretation of  the cabalistic sentence, made up as you will find it, is about as  ingenious a piece of

fanciful exposition as you will be likely to  meet with anywhere in any book, new or old.  I am the more

willing to  mention it as it suggests a puzzle which some of the company may like  to work upon.  Observe the

character and position of the two  distinguished philosophers who did not think their time thrown away  in

laboring at this seemingly puerile task. 

"There is a kind of Cabbala Alphabetica which the investigators of  the numerals in words would do well to

take up; it is the formation  of sentences which contain all the letters of the alphabet, and each  only once.  No

one has done it with v and j treated as consonants;  but you and I can do it.  Dr. Whewell and I amused

ourselves some  years ago with attempts.  He could not make sense, though he joined  words he gave me Phiz,

styx, wrong, buck, flame, quiz. 

"I gave him the following, which he agreed was 'admirable sense,'  I certainly think the words would never

have come together except in  this way: I quartz pyx who fling muck beds.  I long thought that no  human being

could say this under any circumstances.  At last I  happened to be reading a religious writer,as he thought

himself,  who threw aspersions on his opponents thick and threefold.  Heyday  came into my head; this

fellow flings muck beds; he must be a quartz  pyx.  And then I remembered that a pyx is a sacred vessel, and

quartz  is a hard stone, as hard as the heart of a religious foecurser.  So  that the line is the motto of the

ferocious sectarian who turns his  religious vessels into mudholders, for the benefit of those who will  not see

what he sees." 

There are several other sentences given, in which all the letters  (except v and j as consonants) are employed,

of which the following  is the best: Get nymph; quiz sad brow; fix luck,which in more sober  English would

be, Marry; be cheerful; watch your business.  There is  more edification, mare religion, in this than in all the

666  interpretations put together." 

There is something very pleasant in the thought of these two sages  playing at jackstraws with the letters of the

alphabet.  The task  which De Morgan and Dr. Whewell, "the omniscient," set themselves  would not be

unworthy of our own ingenious scholars, and it might be  worth while for some one of our popular periodicals

to offer a prize  for the best sentence using up the whole alphabet, under the same  conditions as those

submitted to by our two philosophers. 

This whole book of De Morgan's seems to me full of instruction.  There is too much of it, no doubt; yet one

can put up with the  redundancy for the sake of the multiplicity of shades of credulity  and selfdeception it

displays in broad daylight.  I suspect many of  us are conscious of a second personality in our complex nature,

which  has many traits resembling those found in the writers of the letters  addressed to Mr. De Horgan. 

I have not ventured very often nor very deeply into the field of  metaphysics, but if I were disposed to make

any claim in that  direction, it would be the recognition of the squinting brain, the  introduction of the term

"cerebricity" corresponding to electricity,  the idiotic area in the brain or thinkingmarrow, and my studies of

the second member in the partnership of IMySelf Co.  I add the  Co.  with especial reference to a very

interesting article in a late  Scribner, by my friend Mr. William James.  In this article the reader  will find a full

exposition of the doctrine of plural personality  illustrated by striking cases.  I have long ago noticed and

referred  to the fact of the stratification of the currents of thought in three  layers, one over the other.  I have

recognized that where there are  two individuals talking together there are really six personalities  engaged in


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the conversation.  But the distinct, separable,  independent individualities, taking up conscious life one after

the  other, are brought out by Mr. James and the authorities to which he  refers as I have not elsewhere seen

them developed. 

Whether we shall ever find the exact position of the idiotic centre  or area in the brain (if such a spot exists) is

uncertain.  We know  exactly where the blind spot of the eye is situated, and can  demonstrate it anatomically

and physiologically.  But we have only  analogy to lead us to infer the possible or even probable existence  of

an insensible spot in the thinkingcentre.  If there is a focal  point where consciousness is at its highest

development, it would not  be strange if near by there should prove to be an anaesthetic  district or limited

space where no report from the senses was  intelligently interpreted.  But all this is mere hypothesis. 

Notwithstanding the fact that I am nominally the head personage of  the circle of Teacups, I do not pretend or

wish to deny that we all  look to Number Five as our chief adviser in all the literary  questions that come

before us.  She reads more and better than any of  us.  She is always ready to welcome the first sign of genius,

or of  talent which approaches genius.  She makes short work with all the  pretenders whose only excuse for

appealing to the public is that they  "want to be famous."  She is one of the very few persons to whom I am

willing to read any one of my own productions while it is yet in  manuscript, unpublished.  I know she is

disposed to make more of it  than it deserves; but, on the other hand, there are degrees in her  scale of

judgment, and I can distinguish very easily what delights  her from what pleases only, or is, except for her

kindly feeling to  the writer, indifferent, or open to severe comment.  What is curious  is that she seems to have

no literary aspirations, no desire to be  known as a writer.  Yet Number Five has more esprit, more sparkle,

more sense in her talk, than many a famous authoress from whom we  should expect brilliant conversation. 

There are mysteries about Number Five.  I am not going to describe  her personally.  Whether she belongs

naturally among the bright young  people, or in the company of the maturer persons, who have had a good

deal of experience of the world, and have reached the wisdom of the  riper decades without losing the graces

of the earlier ones, it would  be hard to say.  The men and women, young and old, who throng about  her forget

their own ages.  "There is no such thing as time in her  presence," said the Professor, the other day, in speaking

of her.  Whether the Professor is in love with her or not is more than I can  say, but I am sure that he goes to

her for literary sympathy and  counsel, just as I do.  The reader may remember what Number Five said  about

the possibility of her getting a sprained ankle, and her asking  the young Doctor whether he felt equal to

taking charge of her if she  did.  I would not for the world insinuate that he wishes she would  slip and twist her

foot a little,just a little, you know, but so  that it would have to be laid on a pillow in a chair, and inspected,

and bandaged, and delicately manipulated.  There was a bananaskin  which she might naturally have trodden

on, in her way to the tea  table.  Nobody can suppose that it was there except by the most  innocent of

accidents.  There are people who will suspect everybody.  The idea of the Doctor's putting that bananaskin

there!  People love  to talk in that silly way about doctors. 

Number Five had promised to read us a narrative which she thought  would interest some of the company.

Who wrote it she did not tell  us, but I inferred from various circumstances that she had known the  writer.  She

read the story most effectively in her rich, musical  voice.  I noticed that when it came to the sounds of the

striking  clock, the ringing of the notes was so like that which reaches us  from some faroff cathedral tower

that we wanted to bow our heads, as  if we had just heard a summons to the Angelus.  This was the short  story

that Number Five read to The Teacups: 

I have somewhere read this anecdote.  Louis the Fourteenth was  looking out, one day, from, a window of his

palace of SaintGermain.  It was a beautiful landscape which spread out before him, and the  monarch,

exulting in health, strength, and the splendors of his  exalted position, felt his bosom swell with emotions of

pride and  happiness: Presently he noticed the towers of a church in the  distance, above the treetops.  "What

building is that?" he asked.  "May it please your Majesty, that is the Church of St. Denis, where  your royal

ancestors have been buried for many generations."  The  answer did not "please his Royal Majesty."  There,


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then, was the  place where he too was to lie and moulder in the dust.  He turned,  sick at heart, from the

window, and was uneasy until he had built him  another palace, from which he could never be appalled by that

fatal  prospect. 

Something like the experience of Louis the Fourteenth was that of  the  owner of 

               THE TERRIBLE CLOCK.

I give the story as transcribed from the original manuscript:  The clock was bequeathed to me by an old

friend who had recently  died.  His mind had been a good deal disordered in the later period  of his life.  This

clock, I am told; seemed to have a strange  fascination for him.  His eyes were fastened on it during the last

hours of his life.  He died just at midnight.  The clock struck  twelve, the nurse told me, as he drew his last

breath, and then,  without any known cause, stopped, with both hands upon the hour.  It  is a complex and

costly piece of mechanism.  The escapement is in  front, so that every tooth is seen as it frees itself.  It shows

the  phases of the moon, the month of the year, the day of the month, and  the day of the week, as well as the

hour and minute of the day.  I had  not owned it a week before I began to perceive the same kind of  fascination

as that which its former owner had experienced.  This  gradually grew upon me, and presently led to trains of

thought which  became at first unwelcome, then worrying, and at last unendurable.  I  began by taking offence

at the moon.  I did not like to see that  "something large and smooth and round," so like the skull which  little

Peterkin picked up on the field of Blenheim.  "How many  times," I kept saying to myself, "is that wicked old

moon coming up  to stare at me?"  I could not stand it.  I stopped a part of the  machinery, and the moon went

into permanent eclipse.  By and by the  sounds of the infernal machine began to trouble and pursue me.  They

talked to me; more and more their language became that of  articulately speaking men.  They twitted me with

the rapid flight of  time.  They hurried me, as if I had not a moment to lose.  Quick!  Quick! Quick! as each

tooth released itself from the escapement.  And  as I looked and listened there could not be any mistake about

it.  I  heard Quick! Quick! Quick! as plainly, at least, as I ever heard a  word from the phonograph.  I stood

watching the dial one day,it was  near one o'clock,and a strange attraction held me fastened to the  spot.

Presently something appeared to trip or stumble inside of the  infernal mechanism.  I waited for the sound I

knew was to follow.  How  nervous I got!  It seemed to me that it would never strike.  At  last  the minutehand

reached the highest point of the dial.  Then  there was  a little stir among the works, as there is in a

congregation as it  rises to receive the benediction.  It was no form  of blessing which  rung out those deep,

almost sepulchral tones.  But  the word they  uttered could not be mistaken.  I can hear its  prolonged, solemn

vibrations as if I were standing before the clock  at this moment.  Gone! Yes, I said to myself, gone,its

record made up to be opened  in eternity.  I stood still, staring vaguely at the dial as in a  trance.  And as  the next

hour creeps stealthily up, it starts all at  once, and cries  aloud, Gone! Gone!  The sun sinks lower, the

hourhand creeps  downward with it, until I hear the thricerepeated  monosyllable,  Gone! Gone! Gone!

Soon through the darkening hours,  until at the  dead of night the long roll is called, and with the last  Gone! the

latest of the long procession that filled the day follows  its ghostly  companions into the stillness and darkness

of the past.  I  silenced the striking part of the works.  Still, the escapement  kept  repeating, Quick!  Quick!

Quick!  Still the long minutehand,  like  the dart in the grasp of Death, as we see it in Roubiliac's  monument  to

Mrs. Nightingale, among the tombs of Westminster Abbey,  stretched  itself out, ready to transfix each hour as

it passed, and  make it my  last.  I sat by the clock to watch the leap from one day  of the week  to the next.  Then

would come, in natural order, the long  stride from  one month to the following one.  I could endure it no

longer.  "Take  that clock away!" I said.  They  took it away.  They took me away,  too,they thought I needed

country  air.  The sounds and motions still  pursued me in imagination.  I was  very nervous when I came here.

The  walks are pleasant, but the walls  seem to me unnecessarily high.  The  boarders are numerous; a little

miscellaneous, I think.  But we have  the Queen, and the President of  the United States, and several other

distinguished persons, if we may  trust what they tell about  themselves.  After we had listened to Number

Five's story, I was  requested to read  a couple of verses written by me when the guest of  my friends, whose

name is hinted by the title prefixed to my lines. 


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LA MAISON D'OR.  BAR HARBOR. 

From this fair home behold on either side  The restful mountains or  the restless sea:  So the warm sheltering

walls of life divide  Time  and its tides from still eternity.  Look on the waves: their stormy  voices teach  That

not on earth may toil and struggle cease.  Look on  the mountains: better far than speech  Their silent promise

of eternal  peace. 

VIII.

I had intended to devote this particular report to an account of my  replies to certain questions which have

been addressed to me,  questions which I have a right to suppose interest the public, and  which, therefore, I

was justified in bringing before The Teacups, and  presenting to the readers of these articles. 

Some may care for one of these questions, and some for another.  A  good many young people think nothing

about life as it presents itself  in the far horizon, bounded by the snowy ridges of threescore and the  dim peaks

beyond that remote barrier.  Again, there are numbers of  persons who know nothing at all about the Jews;

while, on the other  hand, there are those who can, or think they can, detect the  Israelitish blood in many of

their acquaintances who believe  themselves of the purest Japhetic origin, and are full of prejudices  about the

Semitic race. 

I do not mean to be cheated out of my intentions.  I propose to  answer my questioners on the two points just

referred to, but I find  myself so much interested in the personal affairs of The Teacups that  I must deal with

them before attacking those less exciting subjects.  There is no use, let me say here, in addressing to me letters

marked  "personal," "private," "confidential," and so forth, asking me how I  came to know what happened in

certain conversations of which I shall  give a partial account.  If there is a very sensitive phonograph  lying

about here and there in unsuspected corners, that might account  for some part of my revelations.  If Delilah,

whose hearing is of  almost supernatural delicacy, reports to me what she overhears, it  might explain a part of

the mystery.  I do not want to accuse  Delilah, but a young person who assures me she can hear my watch

ticking in my pocket, when I am in the next room, might undoubtedly  tell many secrets, if so disposed.

Number Five is pretty nearly  omniscient, and she and I are on the best terms with each other.  These are all the

hints I shall give you at present. 

The Teacups of whom the least has been heard at our table are the  Tutor and the Musician.  The Tutor is a

modest young man, kept down a  little, I think, by the presence of older persons, like the Professor  and

myself.  I have met him several times, of late, walking with  different lady Teacups: once with the American

Annex; twice with the  English Annex; once with the two Annexes together; once with Number  Five. 

I have mentioned the fact that the Tutor is a poet as among his  claims to our attention.  I must add that I do not

think any the  worse of him for expressing his emotions and experiences in verse.  For though rhyming is often

a bad sign in a young man, especially if  he is already out of his teens, there are those to whom it is as  natural,

one might almost say as necessary, as it is to a young bird  to fly.  One does not care to see barnyard fowls

tumbling about in  trying to use their wings.  They have a pair of good, stout  drumsticks, and had better keep

to them, for the most part.  But that  feeling does not apply to young eagles, or even to young swallows and

sparrows.  The Tutor is by no means one of those ignorant, silly,  conceited phrasetinklers, who live on the

music of their own  jingling syllables and the flattery of their foolish friends.  I  think Number Five must

appreciate him.  He is sincere, warmhearted,  his poetry shows that,not in haste to be famous, and he

looks to me  as if he only wanted love to steady him.  With one of those two young  girls he ought certainly to

be captivated, if he is not already.  Twice walking with the English Annex, I met him, and they were so  deeply

absorbed in conversation they hardly noticed me.  He has been  talking over the matter with Number Five, who

is just the kind of  person for a confidante. 


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"I know I feel very lonely," he was saying, "and I only wish I felt  sure that I could make another person

happy.  My life would be  transfigured if I could find such a one, whom I could love well  enough to give my

life to her,for her, if that were needful, and  who felt an affinity for me, if any one could." 

"And why not your English maiden?" said Number Five. 

"What makes you think I care more for her than for her American  friend?" said the Tutor. 

"Why, have n't I met you walking with her, and did n't you both  seem  greatly interested in the subject you

were discussing?  I  thought, of  course, it was something more or less sentimental that you  were  talking about." 

"I was explaining that 'enclitic de' in Browning's Grammarian's  Funeral.  I don't think there was anything very

sentimental about  that.  She is an inquisitive creature, that English girl.  She is  very fond of asking me

questions,in fact, both of them are.  There  is one curious difference between them: the English girl settles

down  into her answers and is quiet; the American girl is never satisfied  with yesterday's conclusions; she is

always reopening old questions  in the light of some new fact or some novel idea.  I suppose that  people bred

from childhood to lean their backs against the wall of  the Creed and the church catechism find it hard to sit up

straight on  the republican stool, which obliges them to stiffen their own backs.  Which of these two girls

would be the safest choice for a young man?  I should really like to hear what answer yon would make if I

consulted you seriously, with a view to my own choice,on the  supposition that there was a fair chance that

either of them might be  won." 

"The one you are in love with," answered Number Five. 

"But what if it were a case of 'How happy could I be with either'?  Which offers the best chance of

happiness,a marriage between two  persons of the same country, or a marriage where one of the parties  is

of foreign birth?  Everything else being equal, which is best for  an American to marry, an American or an

English girl?  We need not  confine the question to those two young persons, but put it more  generally." 

"There are reasons on both sides," answered Number Five.  "I have  often talked this matter over with The

Dictator.  This is the way he  speaks about it.  English blood is apt to tell well on the stock upon  which it is

engrafted.  Over and over again he has noticed finely  grown specimens of human beings, and on inquiry has

found that one or  both of the parents or grandparents were of British origin.  The  chances are that the

descendants of the imported stock will be of a  richer organization, more florid, more muscular, with mellower

voices, than the native whose blood has been unmingled with that of  new emigrants since the earlier colonial

times. So talks The  Dictator. I myself think the American will find his English wife  concentrates herself

more readily and more exclusively on her  husband,for the obvious reason that she is obliged to live mainly

in him.  I remember hearing an old friend of my early days say,  'A  woman does not bear transplanting.'  It does

not do to trust these  old  sayings, and yet they almost always have some foundation in the  experience of

mankind, which has repeated them from generation to  generation.  Happy is the married woman of foreign

birth who can say  to her husband, as Andromache said to Hector, after enumerating all  the dear relatives she

had lost, 

    'Yet while my hector still survives,

     I see My father, mother, brethren, all in thee!'

How many a sorrowing wife, exiled from her native country, dreams  of  the mother she shall see no more!

How many a widow, in a strange  land, wishes that her poor, wornout body could be laid among her

kinsfolk, in the little churchyard where she used to gather daisies  in her childhood!  It takes a great deal of

love to keep down the °  climbing sorrow' that swells up in a woman's throat when such  memories seize upon

her, in her moments of desolation.  But if a  foreignborn woman does willingly give up all for a man, and


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never  looks backward, like Lot's wife, she is a prize that it is worth  running a risk to gain,that is, if she has

the making of a good  woman in her; and a few years will go far towards naturalizing her." 

The Tutor listened to Number Five with much apparent interest.  "And  now," he said, "what do you think of

her companion?" 

"A charming girl for a man of a quiet, easy temperament.  The great  trouble is with her voice.  It is pitched a

full note too high.  It  is aggressive, disturbing, and would wear out a nervous man without  his ever knowing

what was the matter with him.  A good many crazy  Northern people would recover their reason if they could

live for a  year or two among the blacks of the Southern States.  But the  penetrating, perturbing quality of the

voices of many of our Northern  women has a great deal to answer for in the way of determining love  and

friendship.  You remember that dear friend of ours who left us  not long since?  If there were more voices like

hers, the world would  be a different place to live in.  I do not believe any man or woman  ever came within the

range of those sweet, tranquil tones without  being hushed, captivated, entranced I might almost say, by their

calming, soothing influence.  Can you not imagine the tones in which  those words, 'Peace, be still,' were

spoken?  Such was the effect of  the voice to which but a few weeks ago we were listening.  It is hard  to believe

that it has died out of human consciousness.  Can such a  voice be spared from that world of happiness to

which we fondly look  forward, where we love to dream, if we do not believe with assured  conviction, that

whatever is loveliest in this our mortal condition  shall be with us again as an undying possession?  Your

English friend  has a very agreeable voice, round, mellow, cheery, and her  articulation is charming.  Other

things being equal, I think you, who  are, perhaps, oversensitive, would live from two to three years  longer

with her than with the other.  I suppose a man who lived  within hearing of a murmuring brook would find his

life shortened if  a sawmill were set up within earshot of his dwelling." 

"And so you advise me to make love to the English girl, do you?"  asked the Tutor. 

Number Five laughed.  It was not a loud laugh, she never laughed  noisily; it was not a very hearty laugh; the

idea did not seem to  amuse her much. 

"No," she said, "I won't take the responsibility.  Perhaps this is  a  case in which the true reading of Gay's line

would be 

          How happy could I be with neither.

There are several young women in the world besides our two  Annexes." 

I question whether the Tutor had asked those questions very  seriously, and I doubt if Number Five thought he

was very much in  earnest. 

One of The Teacups reminded me that I had promised to say something  of my answers to certain questions.

So I began at once: 

I have given the name of braintappers to the literary operatives  who  address persons whose names are well

known to the public, asking  their opinions or their experiences on subjects which are at the time  of general

interest.  They expect a literary man or a scientific  expert to furnish them materials for symposia and similar

articles,  to be used by them for their own special purposes.  Sometimes they  expect to pay for the information

furnished them; at other times, the  honor of being included in a list of noted personages who have  received

similar requests is thought sufficient compensation.  The  object with which the braintapper puts his

questions may be a purely  benevolent and entirely disinterested one.  Such was the object of  some of those

questions which I have received and answered.  There  are other cases, in which the braintapper is acting

much as those  persons do who stop a physician in the street to talk with him about  their livers or stomachs, or


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other internal arrangements, instead of  going to his office and consulting him, expecting to pay for his  advice.

Others are more like those busy women who, having the  generous intention of making a handsome present to

their pastor, at  as little expense as may be, send to all their neighbors and  acquaintances for scraps of various

materials, out of which the  imposing "bedspread" or counterpane is to be elaborated. 

That is all very well so long as old pieces of stuff are all they  call for, but it is a different matter to ask for

clippings out of  new and uncut rolls of cloth.  So it is one thing to ask an author  for liberty to use extracts

from his published writings, and it is a  very different thing to expect him to write expressly for the  editor's or

compiler's piece of literary patchwork. 

I have received many questions within the last year or two, some of  which I am willing to answer, but prefer

to answer at my own time, in  my own way, through my customary channel of communication with the

public.  I hope I shall not be misunderstood as implying any reproach  against the inquirers who, in order to get

at facts which ought to be  known, apply to all whom they can reach for information.  Their  inquisitiveness is

not always agreeable or welcome, but we ought to  be glad that there are mousing facthunters to worry us

with queries  to which, for the sake of the public, we are bound to give our  attention.  Let me begin with my

braintappers. 

And first, as the papers have given publicity to the fact that I,  The  Dictator of this teatable, have reached the

age of threescore  years  and twenty, I am requested to give information as to how I  managed to  do it, and to

explain just how they can go and do likewise.  I think  I can lay down a few rules that will help them to the

desired  result.  There is no certainty in these biological problems, but there  are  reasonable probabilities upon

which it is safe to act. 

The first thing to be done is, some years before birth, to  advertise  for a couple of parents both belonging to

longlived  families.  Especially let the mother come of a race in which  octogenarians and  nonagenarians are

very common phenomena.  There are  practical  difficulties in following out this suggestion, but possibly  the

forethought of your progenitors, or that concurrence of  circumstances  which we call accident, may have

arranged this for you. 

Do not think that a robust organization is any warrant of long  life,  nor that a frail and slight bodily

constitution necessarily  means  scanty length of days.  Many a stronglimbed young man and many  a

blooming young woman have I seen failing and dropping away in or  before middle life, and many a delicate

and slightly constituted  person outliving the athletes and the beauties of their generation.  Whether the

excessive development of the muscular system is  compatible with the best condition of general health is, I

think,  more than doubtful.  The muscles are great sponges that suck up and  make use of large quantities of

blood, and the other organs must be  liable to suffer for want of their share. 

One of the Seven Wise Men of Greece boiled his wisdom down into two  words, NOTHING TOO MUCH.

It is a rule which will apply to food,  exercise, labor, sleep, and, in short, to every part of life.  This  is not so

very difficult a matter if one begins in good season and  forms regular habits.  But what if I should lay down

the rule, Be  cheerful; take all the troubles and trials of life with perfect  equanimity and a smiling

countenance?  Admirable directions!  Your  friend, the curlyhaired blonde, with florid complexion, round

cheeks, the best possible digestion and respiration, the stomach of  an ostrich and the lungs of a pearldiver,

finds it perfectly easy to  carry them into practice.  You, of leaden complexion, with black and  lank hair, lean,

holloweyed, dyspeptic, nervous, find it not so easy  to be always hilarious and happy.  The truth is that the

persons of  that buoyant disposition which comes always heralded by a smile, as a  yacht driven by a favoring

breeze carries a wreath of sparkling foam  before her, are born with their happiness ready made.  They cannot

help being cheerful any more than their saturnine fellowmortal can  help seeing everything through the cloud

he carries with him.  I give  you the precept, then, Be cheerful, for just what it is worth, as I  would recommend

to you to be six feet, or at least five feet ten, in  stature.  You cannot settle that matter for yourself, but you can


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stand up straight, and give your five feet five its full value.  You  can help along a little by wearing

highheeled shoes.  So you can  do  something to encourage yourself in serenity of aspect and  demeanor,

keeping your infirmities and troubles in the background  instead of  making them the staple of your

conversation.  This piece  of advice, if  followed, may be worth from three to five years of the  fourscore which

you hope to attain. 

If, on the other hand, instead of going about cheerily in society,  making the best of everything and as far as

possible forgetting your  troubles, you can make up your mind to economize all your stores of  vital energy, to

hoard your life as a miser hoards his money, you  will stand a fair chance of living until you are tired of

life,  fortunate if everybody is not tired of you. 

One of my prescriptions for longevity may startle you somewhat.  It  is this: Become the subject of a mortal

disease.  Let half a dozen  doctors thump you, and knead you, and test you in every possible way,  and render

their verdict that you have an internal complaint; they  don't know exactly what it is, but it will certainly kill

you by and  by.  Then bid farewell to the world and shut yourself up for an  invalid.  If you are threescore years

old when you begin this mode of  life, you may very probably last twenty years, and there you are,an

octogenarian.  In the mean time, your friends outside have been  dropping off, one after another, until you find

yourself almost  alone, nursing your mortal complaint as if it were your baby, hugging  it and kept alive by

it,if to exist is to live.  Who has not seen  cases like this,a man or a woman shutting himself or herself up,

visited by a doctor or a succession of doctors (I remember that once,  in my earlier experience, I was the

twentyseventh physician who had  been consulted), always taking medicine, until everybody was reminded

of that impatient speech of a relative of one of these invalid  vampires who live on the blood of tiredout

attendants, "I do wish  she would get wellor something"?  Persons who are shut up in that  way, confined to

their chambers, sometimes to their beds, have a very  small amount of vital expenditure, and wear out very

little of their  living substance.  They are like lamps with half their wicks picked  down, and will continue to

burn when other lamps have used up all  their oil.  An insurance office might make money by taking no risks

except on lives of persons suffering from mortal disease.  It is on  this principle of economizing the powers of

life that a very eminent  American physician, Dr. Weir Mitchell, a man of genius,has  founded his

treatment of certain cases of nervous exhaustion. 

What have I got to say about temperance, the use of animal food,  and  so forth?  These are questions asked me.

Nature has proved a wise  teacher, as I think, in my own case.  The older I grow, the less use  I make of

alcoholic stimulants.  In fact, I hardly meddle with them  at all, except a glass or two of champagne

occasionally.  I find that  by far the best borne of all drinks containing alcohol.  I do not  suppose my experience

can be the foundation of a universal rule.  Dr.  Holyoke, who lived to be a hundred, used habitually, in

moderate  quantities, a mixture of cider, water, and rum.  I think, as one  grows older, less food, especially less

animal food, is required.  But  old people have a right to be epicures, if they can afford it.  The  pleasures of the

palate are among the last gratifications of the  senses allowed them.  We begin life as little cannibals,feeding

on  the flesh and blood of our mothers.  We range through all the  vegetable and animal products, of nature, and

I suppose, if the  second childhood could return to the food of the first, it might  prove a wholesome diet. 

What do I say to smoking?  I cannot grudge an old man his pipe, but  I  think tobacco often does a good deal of

harm to the health,to the  eyes especially, to the nervous system generally, producing headache,  palpitation,

and trembling.  I myself gave it up many years ago.  Philosophically speaking, I think selfnarcotization and

self  alcoholization are rather ignoble substitutes for undisturbed self  consciousness and unfettered

selfcontrol. 

Here is another of those braintapping letters, of similar  character,  which I have no objection to answering at

my own time and  in the  place which best suits me.  As the questions must be supposed  to be  asked with a

purely scientific and philanthropic purpose, it can  make  little difference when and where they are answered.

For myself,  I  prefer our own teatable to the symposia to which I am often  invited.  I do not quarrel with


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those who invite their friends to a  banquet to  which many strangers are expected to contribute.  It is a  very

easy  and pleasant way of giving an entertainment at little cost  and with  no responsibility.  Somebody has been

writing to me about  "Oatmeal  and Literature," and somebody else wants to know whether I  have found

character influenced by diet; also whether, in my opinion,  oatmeal is  preferable to pie as an American

national food. 

In answer to these questions, I should say that I have my beliefs  and  prejudices; but if I were pressed hard for

my proofs of their  correctness, I should make but a poor show in the witnessbox.  Most  assuredly I do

believe that body and mind are much influenced by the  kind of food habitually depended upon.  I am

persuaded that a too  exclusively porcine diet gives a bristly character to the beard and  hair, which is borrowed

from the animal whose tissues these stiff  bearded compatriots of ours have too largely assimilated.  I can

never stray among the village people of our windy capes without now  and then coming upon a human being

who looks as if he had been split,  salted, and dried, like the saltfish which has built up his arid  organism.  If

the body is modified by the food which nourishes it,  the mind and character very certainly will be modified

by it also.  We  know enough of their close connection with each other to be sure  of  that, without any statistical

observations to prove it. 

Do you really want to know "whether oatmeal is preferable to pie as  an American national food"?  I suppose

the best answer I can give to  your question is to tell you what is my own practice.  Oatmeal in the  morning, as

an architect lays a bed of concrete to form a base for  his superstructure.  Pie when I can get it; that is, of the

genuine  sort, for I am not patriotic enough to think very highly of the  article named after the Father of his

Country, who was first in war,  first in peace,not first in pies, according to my standard. 

There is a very odd prejudice against pie as an article of diet.  It  is common to hear every form of bodily

degeneracy and infirmity  attributed to this particular favorite food.  I see no reason or  sense in it.  Mr.  Emerson

believed in pie, and was almost indignant  when a fellowtraveller refused the slice he offered him.  "Why,

Mr.________ ," said be, "what is pie made for!"  If every Green  Mountain boy has not eaten a thousand times

his weight in apple,  pumpkin, squash, and mince pie, call me a dumpling.  And Colonel  Ethan Allen was one

of them,Ethan Allen, who, as they used to say,  could wrench off the head of a wrought nail with his teeth. 

If you mean to keep as well as possible, the less you think about  your health the better.  You know enough not

to eat or drink what you  have found does not agree with you.  You ought to know enough not to  expose

yourself needlessly to draughts.  If you take a  "constitutional," walk with the wind when you can, and take a

closed  car against it if you can get one.  Walking against the wind is one  of the most dangerous kinds of

exposure, if you are sensitive to  cold.  But except a few simple rules such as I have just given, let  your health

take care of itself so long as it behaves decently.  If  you want to be sure not to reach threescore and twenty,

get a little  box of homoeopathic pellets and a little book of homeopathic  prescriptions.  I had a poor friend

who fell into that way, and  became at last a regular Hahnemaniac.  He left a box of his little  jokers, which at

last came into my hands.  The poor fellow had  cultivated symptoms as other people cultivate roses or

chrysanthemums.  What a luxury of choice his imagination presented to  him!  When one watches for

symptoms, every organ in the body is ready  to put in its claim.  By and by a real illness attacked him, and the

box of little pellets was shut up, to minister to his fancied evils  no longer. 

Let me tell you one thing.  I think if patients and physicians were  in the habit of recognizing the fact I am

going to mention, both  would be gainers.  The law I refer to must be familiar to all  observing physicians, and

to all intelligent persons who have  observed their own bodily and mental conditions.  This is the curve  of

health.  It is a mistake to suppose that the normal state of  health is represented by a straight horizontal line.

Independently  of the wellknown causes which raise or depress the standard of  vitality, there seems to be,I

think I may venture to say there is,  a rhythmic undulation in the flow of the vital force.  The "dynamo"

which furnishes the working powers of consciousness and action has  its annual, its monthly, its diurnal

waves, even its momentary  ripples, in the current it furnishes.  There are greater and lesser  curves in the


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movement of every day's life,a series of ascending  and descending movements, a periodicity depending on

the very nature  of the force at work in the living organism.  Thus we have our good  seasons and our bad

seasons, our good days and our bad days, life  climbing and descending in long or short undulations, which I

have  called the curve of health. 

>From this fact spring a great proportion of the errors of medical  practice.  On it are based the delusions of the

various shadowy  systems which impose themselves on the ignorant and halflearned  public as branches or

"schools" of science.  A remedy taken at the  time of the ascent in the curve of health is found successful.  The

same remedy taken while the curve is in its downward movement proves  a failure. 

So long as this biological law exists, so long the charlatan will  keep his hold on the ignorant public.  So long

as it exists, the  wisest practitioner will be liable to deceive himself about the  effect of what he calls and loves

to think are his remedies.  Long  continued and sagacious observation will to some extent undeceive  him; but

were it not for the happy illusion that his useless or even  deleterious drugs were doing good service, many a

practitioner would  give up his calling for one in which he could be more certain that he  was really being

useful to the subjects of his professional dealings.  For myself, I should prefer a physician of a sanguine

temperament,  who had a firm belief in himself and his methods.  I do not wonder at  all that the public support

a whole community of pretenders who show  the portraits of the patients they have "cured."  The best

physicians  will tell you that, though many patients get well under their  treatment, they rarely cure anybody.  If

you are told also that the  best physician has many more patients die on his hands than the worst  of his

fellowpractitioners, you may add these two statements to your  bundle of paradoxes, and if they puzzle you I

will explain them at  some future time. 

[I take this opportunity of correcting a statement now going the  rounds of the medical and probably other

periodicals.  In "The  Journal of the American Medical Association," dated April 26,1890,  published at

Chicago, I am reported, in quotation marks, as saying,  "Give me opium, wine, and milk, and I will cure all

diseases to which  flesh is heir." 

In the first place, I never said I will cure, or can cure, or would  or could cure, or had cured any disease.  My

venerated instructor,  Dr. James Jackson, taught me never to use that expression.  Curo  means, I take care of,

he used to say, and in that sense, if you mean  nothing more, it is properly employed.  So, in the amphitheatre

of  the Ecole de Medecine, I used to read the words of Ambroise Pare, Je  le pansay, Dieu le guarist." (I

dressed his wound, and God cured  him.) Next, I am not in the habit of talking about "the diseases to  which

flesh is heir."  The expression has become rather too familiar  for repetition, and belongs to the rhetoric of

other latitudes.  And,  lastly, I have said some plain things, perhaps some sharp ones, about  the abuse of drugs

and the limited number of vitally important  remedies, but I am not so ignorantly presumptuous as to make the

foolish statement falsely attributed to me.] 

I paused a minute or two, and as no one spoke out; I put a question  to the Counsellor. 

Are you quite sure that you wish to live to be threescore and  twenty  years old? 

"Most certainly I do.  Don't they say that Theophrastus lived to  his  hundred and seventh year, and did n't he

complain of the shortness  of  life?  At eighty a man has had just about time to get warmly  settled  in his nest.

Do you suppose he doesn't enjoy the quiet of  that  restingplace?  No more haggard responsibility to keep him

awake  nights,unless he prefers to retain his hold on offices and duties  from which he can be excused if be

chooses.  No more goading  ambitions,he knows he has done his best.  No more jealousies, if he  were weak

enough to feel such ignoble stirrings in his more active  season.  An octogenarian with a good record, and free

from annoying  or distressing infirmities, ought to be the happiest of men.  Everybody treats him with

deference.  Everybody wants to help him.  He  is the ward of the generations that have grown up since he was

in  the  vigor of maturity.  Yes, let me live to be fourscore years, and  then I  will tell you whether I should like a


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few more years or not." 

You carry the feelings of middle age, I said, in imagination, over  into the period of senility, and then reason

and dream about it as if  its whole mode of being were like that of the earlier period of life.  But how many

things there are in old age which you must live into if  you would expect to have any "realizing sense" of their

significance!  In the first place, you have no coevals, or next to none.  At fifty,  your vessel is stanch, and you

are on deck with the rest, in all  weathers.  At sixty, the vessel still floats, and you are in the  cabin.  At seventy,

you, with a few fellowpassengers, are on a raft.  At eighty, you are on a spars to which, possibly, one, or

two, or  three friends of about your own age are still clinging.  After that,  you must expect soon to find

yourself alone, if you are still  floating, with only a lifepreserver to keep your old whitebearded  chin above

the water. 

Kindness?  Yes, pitying kindness, which is a bitter sweet in which  the amiable ingredient can hardly be said to

predominate.  How  pleasant do you think it is to have an arm offered to you when you  are walking on a level

surface, where there is no chance to trip?  How  agreeable do you suppose it is to have your wellmeaning

friends  shout  and screech at you, as if you were deaf as an adder, instead of  only  being, as you insist,

somewhat hard of hearing?  I was a little  over  twenty years old when I wrote the lines which some of you may

have met  with, for they have been often reprinted : 

          The mossy marbles rest

          On the lips that he has prest

               In their bloom,

          And the names he loved to hear

          Have been carved for many a year

               On the tomb.

The world was a garden to me then; it is a churchyard now. 

"I thought you were one of those who looked upon old age  cheerfully,  and welcomed it as a season of peace

and contented  enjoyment." 

I am one of those who so regard it.  Those are not bitter or  scalding  tears that fall from my eyes upon "the

mossy marbles."  The  young who  left my side early in my life's journey are still with me in  the  unchanged

freshness and beauty of youth.  Those who have long kept  company with me live on after their seeming

departure, were it only  by the mere force of habit; their images are all around me, as if  every surface had been

a sensitive film that photographed them; their  voices echo about me, as if they had been recorded on those

unforgetting cylinders which bring back to us the tones and accents  that have imprinted them, as the hardened

sands show us the tracks of  extinct animals.  The melancholy of old age has a divine tenderness  in it, which

only the sad experiences of life can lend a human soul.  But there is a lower level,that of tranquil

contentment and easy  acquiescence in the conditions in which we find ourselves; a lower  level, in which old

age trudges patiently when it is not using its  wings.  I say its wings, for no period of life is so imaginative as

that which looks to younger people the most prosaic.  The atmosphere  of memory is one in which imagination

flies more easily and feels  itself more at home than in the thinner ether of youthful  anticipation.  I have told

you some of the drawbacks of age; I would  not have you forget its privileges.  When it comes down from its

aerial excursions, it has much left to enjoy on the humble plane of  being.  And so you think you would like to

become an octogenarian?  "I  should," said the Counsellor, now a man in the high noon of bodily  and  mental

vigor.  "Four moreyes, five moredecades would not be  too  much, I think.  And how much I should live to

see in that time!  I am  glad you have laid down some rules by which a man may reasonably  expect to leap the

eight barred gate.  I won't promise to obey them  all, though." 

Among the questions addressed to me, as to a large number of other  persons, are the following.  I take them

from "The American Hebrew"  of April 4, 1890.  I cannot pretend to answer them all, but I can say  something


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about one or two of them. 

"I.  Can you, of your own personal experience, find any  justification  whatever for the entertainment of

prejudice towards  individuals  solely because they are Jews? 

"II.  Is this prejudice not due largely to the religious  instruction  that is given by the church acid

Sundayschool?  For  instance, the  teachings that the Jews crucified Jesus; that they  rejected him, and  can only

secure salvation by belief in him, and  similar matters that  are calculated to excite in the impressionable  mind

of the child an  aversion, if not a loathing, for members of 'the  despised race.' 

"III.  Have you observed in the social or business life of the Jew,  so far as your personal experience has gone,

any different standard  of conduct than prevails among Christians of the same social status? 

"IV.  Can you suggest what should be done to dispel the existing  prejudice?" 

As to the first question, I have had very slight acquaintance with  the children of Israel.  I shared more or less

the prevailing  prejudices against the persecuted race.  I used to read in my hymn  book,I hope I quote

correctly, 

              "See what a living stone

               The builders did refuse!

               Yet God has built his church thereon,

               In spite of envious Jews."

I grew up inheriting the traditional idea that they were a race  lying  under a curse for their obstinacy in

refusing the gospel.  Like  other  children of New England birth, I walked in the narrow path of  Puritan

exclusiveness.  The great historical church of Christendom was  presented to me as Bunyan depicted it: one of

the two giants sitting  at the door of their caves, with the bones, of pilgrims scattered  about them, and grinning

at the travellers whom they could no longer  devour.  In the nurseries of oldfashioned Orthodoxy there was

one  religion in the world,one religion, and a multitude of detestable,  literally damnable impositions,

believed in by uncounted millions,  who were doomed to perdition for so believing.  The Jews were the

believers in one of these false religions.  It had been true once,  but was now a pernicious and abominable lie.

The principal use of  the Jews seemed to be to lend money, and to fulfil the predictions of  the old prophets of

their race. 

No doubt the individual sons of Abraham whom we found in our ill  favored and illflavored streets were

apt to be unpleasing specimens  of the race.  It was against the most adverse influences of  legislation, of

religious feeling, of social repugnance, that the  great names of Jewish origin made themselves illustrious; that

the  philosophers, the musicians, the financiers, the statesmen, of the  last centuries forced the world to

recognize and accept them.  Benjamin, the son of Isaac, a son of Israel, as his family name makes  obvious, has

shown how largely Jewish blood has been represented in  the great men and women of modern days. 

There are two virtues which Christians have found it very hard to  exemplify in practice.  These are modesty

and civility.  The Founder  of the Christian religion appeared among a people accustomed to look  for a

Messiah, a special ambassador from heaven, with an  authoritative message.  They were intimately acquainted

with every  expression having reference to this divine messenger.  They had a  religion of their own, about

which Christianity agrees with Judaism  in asserting that it was of divine origin.  It is a serious fact, to  which

we do not give all the attention it deserves, that this  divinely instructed people were not satisfied with the

evidence that  the young Rabbi who came to overthrow their ancient church and found  a new one was a

supernatural being.  "We think he was a great  Doctor," said a Jewish companion with whom I was conversing.

He  meant a great Teacher, I presume, though healing the sick was one of  his special offices.  Instead of

remembering that they were entitled  to form their own judgment of the new Teacher, as they had judged of


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Hillel and other great instructors, Christians, as they called  themselves, have insulted, calumniated,

oppressed, abased, outraged,  "the chosen race" during the long succession of centuries since the  Jewish

contemporaries of the Founder of Christianity made up their  minds that he did not meet the conditions

required by the subject of  the predictions of their Scriptures.  The course of the argument  against them is very

briefly and effectively stated by Mr. Emerson: 

"This was Jehovah come down out of heaven.  I will kill you if you  say he was a man." 

It seems as if there should be certain laws of etiquette regulating  the relation of different religions to each

other.  It is not civil  for a follower of Mahomet to call his neighbor of another creed a  "Christian dog."  Still

more, there should be something like  politeness in the bearing of Christian sects toward each other, and  of

believers in the new dispensation toward those who still adhere to  the old.  We are in the habit of allowing a

certain arrogant  assumption to our Roman Catholic brethren.  We have got used to their  pretensions.  They

may call us "heretics," if they like.  They may  speak of us as "infidels," if they choose, especially if they say it

in Latin.  So long as there is no inquisition, so long as there is no  auto da fe, we do not mind the hard words

much; and we have as good  phrases to give them back: the Man of Sin and the Scarlet Woman will  serve for

examples.  But it is better to be civil to each other all  round.  I doubt if a convert to the religion of Mahomet

was ever made  by calling a man a Christian dog.  I doubt if a Hebrew ever became a  good Christian if the

baptismal rite was performed by spitting on his  Jewish gabardine.  I have often thought of the advance in

comity and  true charity shown in the title of my late honored friend James  Freeman Clarke's book, "The Ten

Great Religions."  If the creeds of  mankind try to understand each other before attempting mutual

extermination, they will be sure to find a meaning in beliefs which  are different from their own.  The old

Calvinistic spirit was almost  savagely exclusive.  While the author of the "Ten Great Religions"  was growing

up in Boston under the benignant, largeminded teachings  of the Rev. James Freeman, the famous Dr. John

M.  Mason, at New  York, was fiercely attacking the noble humanity of "The Universal  Prayer."  "In

preaching," says his biographer, "he once quoted Pope's  lines as to God's being adored alike 'by saint, by

savage, and by  sage,' and pronounced it (in his deepest guttural) 'the most damnable  lie.'" 

What could the Hebrew expect when a Christian preacher could use  such  language about a petition breathing

the very soul of humanity?  Happily, the true human spirit is encroaching on that arrogant and  narrowminded

form of selfishness which called itself Christianity. 

The golden rule should govern us in dealing with those whom we call  unbelievers, with heathen, and with all

who do not accept our  religious views.  The Jews are with us as a perpetual lesson to teach  us modesty and

civility.  The religion we profess is not self  evident.  It did not convince the people to whom it was sent.  We

have no claim to take it for granted that we are all right, and they  are all wrong.  And, therefore, in the midst

of all the triumphs of  Christianity, it is well that the stately synagogue should lift its  walls by the side of the

aspiring cathedral, a perpetual reminder  that there are many mansions in the Father's earthly house as well as

in the heavenly one; that civilized humanity, longer in time and  broader in space than any historical form of

belief, is mightier than  any one institution or organization it includes. 

Many years ago I argued with myself the proposition which my Hebrew  correspondent has suggested.

Recognizing the fact that I was born to  a birthright of national and social prejudices against "the chosen

people,"chosen as the object of contumely and abuse by the rest of  the world,I pictured my own

inherited feelings of aversion in all  their intensity, and the strain of thought under the influence of  which

those prejudices gave way to a more human, a more truly  Christian feeling of brotherhood.  I must ask your

indulgence while I  quote a few verses from a poem of my own, printed long ago under the  title "At the

Pantomime." 

I was crowded between two children of Israel, and gave free inward  expression to my feelings.  All at once I

happened to look more  closely at one of my neighbors, and saw that the youth was the very  ideal of the Son


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of Mary. 

     A fresh young cheek whose olive hue

     The mantling blood shows faintly through;

     Locks dark as midnight, that divide

     And shade the neck on either side;

     Soft, gentle, loving eyes that gleam

     Clear as a starlit mountain stream;

     So looked that other child of Shem,

     The Maiden's Boy of Bethlehem!

     And thou couldst scorn the peerless blood

     That flows unmingled from the Flood,

     Thy scutcheon spotted with the stains

     Of Norman thieves and pirate Danes!

     The New World's foundling, in thy pride

     Scowl on the Hebrew at thy side,

     And lo!  the very semblance there

     The Lord of Glory deigned to wear!

     I see that radiant image rise,

     The flowing hair, the pitying eyes,

     The faintly crimsoned cheek that shows

     The blush of Sharon's opening rose,

     Thy hands would clasp his hallowed feet

     Whose brethren soil thy Christian seat,

     Thy lips would press his garment's hem

     That curl in wrathful scorn for them!

     A sudden mist, a watery screen,

     Dropped like a veil before the scene;

     The shadow floated from my soul,

     And to my lips a whisper stole:

     Thy prophets caught the Spirit's flame,

     From thee the Son of Mary came,

     With thee the Father deigned to dwell,

     Peace be upon thee, Israel!"

It is not to be expected that intimate relations will be  established  between Jewish and Christian communities

until both become  so far  rationalized and humanized that their differences are  comparatively  unimportant.

But already there is an evident  approximation in the  extreme left of what is called liberal  Christianity and the

representatives of modern Judaism.  The life of a  man like the late  Sir Moses Montefiore reads a lesson from

the Old  Testament which  might well have been inspired by the noblest teachings  of the  Christian Gospels. 

          Delilah, and how she got her name.

Estelle bien gentille, cette petite?  I said one day to Number  Five,  as our pretty Delilah put her arm between

us with a bunch of  those  tender early radishes that so recall the rosyfingered morning  of  Homer.  The little

hand which held the radishes would not have  shamed  Aurora.  That hand has never known drudgery, I feel

sure. 

When I spoke those French words our little Delilah gave a slight,  seemingly involuntary start, and her cheeks

grew of as bright a red  as her radishes.  Ah, said I to myself; does that young girl  understand French?  It may

be worth while to be careful what one says  before her. 

There is a mystery about this girl.  She seems to know her place  perfectly,except, perhaps, when she burst

out crying, the other  day, which was against all the rules of tablemaiden's etiquette,  and yet she looks as


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if she had been born to be waited on, and not to  perform that humble service for others.  We know that once in

a while  girls with education and well connected take it into their heads to  go into service for a few weeks or

months.  Sometimes it is from  economic motives,to procure means for their education, or to help  members

of their families who need assistance.  At any rate, they  undertake the lighter menial duties of some household

where they are  not known, and, having stoopedif stooping it is to be considered  to lowly offices, no

born and bred servants are more faithful to all  their obligations.  You must not suppose she was christened

Delilah.  Any of our ministers would hesitate to give such a heathen name to a  Christian child. 

The way she came to get it was this: The Professor was going to  give  a lecture before an occasional audience,

one evening.  When he  took  his seat with the other Teacups, the American Annex whispered to  the  other

Annex, "His hair wants cutting,it looks like fury."  "Quite  so," said the English Annex.  "I wish you would

tell him so,   I do,  awfully."  "I'll fix it," said the American girl.  So, after  the  teacups were emptied and the

company had left the table, she went  up  to the Professor.  "You read this lecture, don't you, Professor?"  she

said.  "I do," he answered.  "I should think that lock of hair  which  falls down over your forehead would trouble

you," she said.  "It  does  sometimes," replied the Professor.  "Let our little maid trim it  for  you.  You're equal to

that, aren't you?" turning to the  handmaiden.  "I always used to cut my father's hair," she answered.  She

brought a  pair of glittering shears, and before she would let the  Professor go  she had trimmed his hair and

beard as they had not been  dealt with  for many a day.  Everybody said the Professor looked ten  years  younger.

After that our little handmaiden was always called  Delilah,  among the talking Teacups. 

The Mistress keeps a watchful eye on this young girl.  I should not  be surprised to find that she was carrying

out some ideal, some fancy  or whim,possibly nothing more, but springing from some generous,  youthful

impulse.  Perhaps she is working for that little sister at  the Blind Asylum.  Where did she learn French?  She

did certainly  blush, and betrayed every sign of understanding the words spoken  about her in that language.

Sometimes she sings while at her work,  and we have all been struck with the pure, musical character of her

voice.  It is just such a voice as ought to come from that round  white throat.  We made a discovery about it the

other evening. 

The Mistress keeps a piano in her room, and we have sometimes had  music in the evening.  One of The

Teacups, to whom I have slightly  referred, is an accomplished pianist, and the two Annexes sing very  sweetly

together,the American girl having a clear soprano voice,  the English girl a mellow contralto.  They had

sung several tunes,  when the Mistress rang for Avis,for that is our Delilah's real  name.  She whispered to

the young girl, who blushed and trembled.  "Don't be frightened," said the Mistress encouragingly.  "I have

heard you singing 'Too Young for Love,' and I will get our pianist to  play it.  The young ladies both know it,

and you must join in." 

The two voices, with the accompaniment, had hardly finished the  first  line when a pure, ringing, almost

childlike voice joined the  vocal  duet.  The sound of her own voice seemed to make her forget her  fears, and

she warbled as naturally and freely as any young bird of a  May morning.  Number Five came in while she was

singing, and when she  got through caught her in her arms and kissed her, as if she were her  sister, and not

Delilah, our tablemaid.  Number Five is apt to  forget herself and those social differences to which some of us

attach so much importance.  This is the song in which the little maid  took part: 

          TOO YOUNG FOR LOVE.

          Too young for love?

          Ah, say not so!

     Tell reddening rosebuds not to blow!

     Wait not for spring to pass away,

     Love's summer months begin with May!

          Too young for love?

          Ah, say not so!

          Too young?  Too young?


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Ah, no!  no!  no!

          Too young for love?

          Ah, say not so,

     While daisies bloom and tulips glow!

     June soon will come with lengthened day

     To practise all love learned in May.

          Too young for love?

          Ah, say not so!

          Too young?  Too young?

          Ah, no!  no!  no!

IX

I often wish that our Number Seven could have known and  corresponded  with the author of "The Budget of

Paradoxes."  I think  Mr. De Morgan  would have found some of his vagaries and fancies not  undeserving of  a

place in his wonderful collection of eccentricities,  absurdities,  ingenuities,mental freaks of all sorts.  But I

think he  would have  now and then recognized a sound idea, a just comparison, a  suggestive  hint, a practical

notion, which redeemed a page of  extravagances and  crotchety whims.  I confess that I am often pleased  with

fancies of  his, and should be willing to adopt them as my own.  I  think he has,  in the midst of his erratic and

tangled conceptions,  some perfectly  clear and consistent trains of thought. 

So when Number Seven spoke of sending us a paper, I welcomed the  suggestion.  I asked him whether he had

any objection to my looking  it over before he read it.  My proposal rather pleased him, I  thought, for, as was

observed on a former occasion, he has in  connection with a belief in himself another side,a curious self

distrust.  I have no question that he has an obscure sense of some  mental deficiency.  Thus you may expect

from him first a dogma, and  presently a doubt.  If you fight his dogma, he will do battle for it  stoutly; if you

let him alone, he will very probably explain its  extravagances, if it has any, and tame it into reasonable limits.

Sometimes he is in one mood, sometimes in another. 

The first portion of what we listened to shows him at his best; in  the latter part I am afraid you will think he

gets a little wild. 

I proceed to lay before you the paper which Number Seven read to  The  Teacups.  There was something very

pleasing in the deference which  was shown him.  We all feel that there is a crack in the teacup, and  are

disposed to handle it carefully.  I have left out a few things  which he said, feeling that they might give offence

to some of the  company.  There were sentences so involved and obscure that I was  sure they would not be

understood, if indeed he understood them  himself.  But there are other passages so entirely sane, and as it

seems to me so just, that if any reader attributes them to me I shall  not think myself wronged by the

supposition.  You must remember that  Number Seven has had a fair education, that he has been a wide reader

in many directions, and that he belongs to a family of remarkable  intellectual gifts.  So it was not surprising

that he said some  things which pleased the company, as in fact they did.  The reader  will not be startled to see

a certain abruptness in the transition  from one subject to another,it is a characteristic of the squinting  brain

wherever you find it.  Another curious mark rarely wanting in  the subjects of mental strabismus is an irregular

and often sprawling  and deformed handwriting.  Many and many a time I have said, after  glancing at the back

of a letter, "This comes from an insane asylum,  or from an eccentric who might well be a candidate for such

an  institution."  Number Seven's manuscript, which showed marks of my  corrections here and there, furnished

good examples of the  chirography of persons with illmated cerebral hemispheres.  But the  earlier portions of

the manuscript are of perfectly normal  appearance. 

Conticuere omnes, as Virgil says.  We were all silent as Number  Seven  began the reading of his paper. 

                    Number Seven reads.


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I am the seventh son of a seventh son, as I suppose you all know.  It  is commonly believed that some

extraordinary gifts belong to the  fortunate individuals born under these exceptional conditions.  However this

may be, a peculiar virtue was supposed to dwell in me  from my earliest years.  My touch was believed to have

the influence  formerly attributed to that of the kings and queens of England.  You  may remember that the

great Dr. Samuel Johnson, when a child, was  carried to be touched by her Majesty Queen Anne for the

"king's  evil," as scrofula used to be called.  Our honored friend The  Dictator will tell you that the brother of

one of his Andover  schoolmates was taken to one of these gifted persons, who touched  him, and hung a small

bright silver coin, either a "fourpence  ha'penny" or a "ninepence," about his neck, which, strange to say,  after

being worn a certain time, became tarnished, and finally  black,a proof of the poisonous matters which had

become eliminated  from the system and gathered upon the coin.  I remember that at one  time I used to carry

fourpence ha'pennies with holes bored through  them, which I furnished to children or to their mothers, under

pledges of secrecy,receiving a piece of silver of larger dimensions  in exchange.  I never felt quite sure

about any extraordinary  endowment being a part of my inheritance in virtue of my special  conditions of birth.

A phrenologist, who examined my head when I was  a boy, said the two sides were unlike.  My hatter's

measurement told  me the same thing; but in looking over more than a bushel of the  small cardboard

hatpatterns which give the exact shape of the head,  I have found this is not uncommon.  The phrenologist

made all sorts  of predictions of what I should be and do, which proved about as near  the truth as those

recorded in Miss Edith Thomas's charming little  poem, "Augury," which some of us were reading the other

day.  I have  never been through college, but I had a relative who was  famous as a  teacher of rhetoric in one of

our universities, and  especially for  taking the nonsense out of sophomorical young fellows  who could not  say

anything without rigging it up in showy and  sounding phrases.  I  think I learned from him to express myself in

good oldfashioned  English, and without making as much fuss about it  as our Fourth of  July orators and

political haranguers were in the  habit of making.  I  read a good many stories during my boyhood, one of

which left a  lasting impression upon me, and which I have always commended to  young people.  It is too late,

generally, to try to teach old people,  yet one may profit by it at any period of life before the sight has  become

too dim to be of any use.  The story I refer to is in  "Evenings at Home," and is called "Eyes and No Eyes."  I

ought to  have it by me, but it is constantly happening that the best old  things get overlaid by the newest trash;

and though I have never seen  anything of the kind half so good, my table and shelves are cracking  with the

weight of involuntary accessions to my library.  This is the  story as I remember it: Two children walk out, and

are  questioned when  they come home.  One has found nothing to observe,  nothing to admire,  nothing to

describe, nothing to ask questions  about.  The other has  found everywhere objects of curiosity and  interest.  I

advise you, if  you are a child anywhere under forty  five, and do not yet wear  glasses, to send at once for

"Evenings at  Home" and read that story.  For myself, I am always grateful to the  writer of it for calling my

attention to common things.  How many  people have been waked to a  quicker consciousness of life by

Wordsworth's simple lines about the  daffodils, and what he says of  the thoughts suggested to him by "the

meanest flower that blows"!  I was driving with a friend, the other  day, through a somewhat dreary  stretch of

country, where there seemed  to be very little to attract  notice or deserve remark.  Still, the old  spirit infused by

"Eyes and  No Eyes" was upon me, and I looked for  something to fasten my thought  upon, and treat as an

artist treats a  study for a picture.  The first  object to which my eyes were drawn was  an oldfashioned

wellsweep.  It did not take much imaginative  sensibility to be stirred by the  sight of this most useful, most

ancient, most picturesque, of  domestic conveniences.  I know something  of the shadoof of Egypt,  the same

arrangement by which the sacred  waters of the Nile have been  lifted, from the days of the Pharaohs to  those

of the Khedives.  That  long forefinger pointing to heaven was a  symbol which spoke to the  Puritan exile as it

spoke of old to the  enslaved Israelite.  Was  there ever any such water as that which we  used to draw from the

deep, cold well, in "the old oaken bucket"?  What memories gather  about the well in all ages!  What

lovematches  have been made at its  margin, from the times of Jacob and, Rachel  downward!  What fairy

legends hover over it, what fearful mysteries  has it hidden!  The  beautiful wellsweep!  It is too rarely that we

see it, and as it  dies out and gives place to the odiously convenient  pump, with the  last patent on its castiron

uninterestingness, does it  not seem as  if the farmyard aspect had lost half its attraction?  So  long as the  dairy


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farm exists, doubtless there must be every facility  for getting  water in abundance; but the loss of the

wellsweep cannot  be made up  to us even if our milk were diluted to twice its present  attenuation.  The

wellsweep had served its turn, and my companion and  I relapsed  into silence.  After a while we passed

another farmyard,  with nothing  which seemed deserving of remark except the wreck of an  old wagon. 

"Look," I said, "if you want to see one of the greatest of all the  triumphs of human ingenuity, one of the most

beautiful, as it is one  of the most useful, of all the mechanisms which the intelligence of  successive ages has

called into being."  "I see nothing," my companion  answered, "but an old brokendown  wagon.  Why they

leave such a piece  of lumbering trash about their  place, where people can see it as they  pass, is more than I

can  account for."  "And yet," said I, "there is  one of the most extraordinary products  of human genius and

skill,an  object which combines the useful and  the beautiful to an extent which  hardly any simple form of

mechanism  can pretend to rival.  Do you  notice how, while everything else has  gone to smash, that wheel

remains sound and fit for service?  Look at  it merely for its beauty.  See the perfect circles, the outer and the

inner.  A circle is in  itself a consummate wonder of geometrical symmetry.  It is the line  in which the

omnipotent energy delights to move.  There is no fault  in it to be amended.  The first drawn circle and the last

both embody  the same complete fulfillment of a perfect design.  Then look at the  rays which pass from the

inner to the outer circle.  How beautifully  they bring the greater and lesser circles into connection with each

other!  The flowers know that secret,the marguerite in the meadow  displays it as clearly as the great sun in

heaven.  How beautiful is  this flower of wood and iron, which we were ready to pass by without  wasting a

look upon it!  But its beauty is only the beginning of its  wonderful claim upon us for our admiration.  Look at

that field of  flowering grass, the triticum vulgare,see how its waves follow the  breeze in satiny alternations

of light and shadow.  You admire it for  its lovely aspect; but when you remember that this flowering grass is

wheat, the finest food of the highest human races, it gains a  dignity, a glory, that its beauty alone could not

give it.  "Now look  at that exquisite structure lying neglected and disgraced,  but  essentially unchanged in its

perfection, before you.  That slight  and  delicatelooking fabric has stood such a trial as hardly any  slender

contrivance, excepting always the valves of the heart, was  ever  subjected to.  It has rattled for years over the

cobblestones  of a  rough city pavement.  It has climbed over all the accidental  obstructions it met in the

highway, and dropped into all the holes  and deep ruts that made the heavy farmer sitting over it use his

Sunday vocabulary in a weekday form of speech.  At one time or  another, almost every part of that old

wagon has given way.  It has  had two new pairs of shafts.  Twice the axle has broken off close to  the hub, or

nave.  The seat broke when Zekle and Huldy were having  what they called 'a ride' together.  The front was

kicked in by a  vicious mare.  The springs gave way and the floor bumped on the axle.  Every portion of the

wagon became a prey of its special accident,  except that most fragile looking of all its parts, the wheel.  Who

can help admiring the exact distribution of the power of resistance  at the least possible expenditure of

material which is manifested in  this wondrous triumph of human genius and skill?  The spokes are  planted in

the solid hub as strongly as the jawteeth of a lion in  their deepsunken sockets.  Each spoke has its own

territory in the  circumference, for which it is responsible.  According to the load  the vehicle is expected to

carry, they are few or many, stout or  slender, but they share their joint labor with absolute justice,not  one

does more, not one does less, than its just proportion.  The  outer end of the spokes is received into the deep

mortise of the  wooden fellies, and the structure appears to be complete.  But how  long would it take to turn

that circle into a polygon, unless some  mighty counteracting force should prevent it?  See the iron tire  brought

hot from the furnace and laid around the smoking  circumference.  Once in place, the workman cools the hot

iron; and as  it shrinks with a force that seems like a handgrasp of the  Omnipotent, it clasps the fitted

fragments of the structure, and  compresses them into a single inseparable whole.  "Was it not worth  our while

to stop a moment before passing that old  broken wagon, and  see whether we could not find as much in it as

Swift found in his  'Meditations on a Broomstick'?  I have been  laughed at for making so  much of such a

common thing as a wheel.  Idiots!  Solomon's court fool  would have scoffed at the thought of  the young

Galilean who dared  compare the lilies of the field to his  august master.  Nil admirari is  very well for a North

American Indian  and his degenerate successor,  who has grown too grand to admire  anything but himself, and

takes a  cynical pride in his stolid  indifference to everything worth  reverencing or honoring."  After calling my

companion's attention to  the wheel, and discoursing  upon it until I thought he was getting  sleepy, we jogged


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along until  we came to a running stream.  It was  crossed by a stone bridge of a  single arch.  There are very few

stone  arches over the streams in New  England country towns, and I always  delighted in this one.  It was  built

in the last century, amidst the  doubting predictions of staring  rustics, and stands today as strong  as ever, and

seemingly good for  centuries to come.  "See there!" said  I,"there is another of my 'Eyes and No Eyes'

subjects to meditate  upon.  Next to the wheel, the arch is the  noblest of those elementary  mechanical

composites, corresponding to  the proximate principles of  chemistry.  The beauty of the arch  consists first in its

curve,  commonly a part of the circle, of the  perfection of which I have  spoken.  But the mind derives another

distinct pleasure from the  admirable manner in which the several  parts, each different from all  the others,

contribute to a single  harmonious effect.  It is a typical  example of the piu nel uno.  An  arch cut out or a single

stone would  not be so beautiful as one of  which each individual stone was shaped  for its exact position.  Its

completion by the locking of the keystone  is a delight to witness and  to contemplate.  And how the arch

endures,  when its lateral thrust is  met by solid masses of resistance!  In one  of the great temples of  Baalbec a

keystone has slipped, but how rare  is that occurrence!  One  will hardly find another such example among  all

the ruins of  antiquity.  Yes, I never get tired of arches.  They  are noble when  shaped of solid marble blocks,

each carefully beveled  for its  position.  They are beautiful when constructed with the large  thin  tiles the

Romans were so fond of using.  I noticed some arches  built  in this way in the wall of one of the grand houses

just going up  on  the bank of the river.  They were over the capstones of the  windows,  to take off the

pressure from them, no doubt, for now and  then a  capstone will crack under the weight of the superincumbent

mass.  How  close they fit, and how striking the effect of their long  radiations!"  The company listened very

well up to this point.  When  he began the  strain of thoughts which follows, a curious look went  round The

Teacups.  What a strange underground life is that which is  led by the organisms  we call trees!  These great

fluttering masses of  leaves, stems,  boughs, trunks, are not the real trees.  They live  underground, and  what we

see are nothing more nor less than their  tails.  The Mistress dropped her teaspoon.  Number Five looked at the

Doctor,  whose face was very still and sober.  The two Annexes giggled,  or  came very near it.  Yes, a tree is an

underground creature, with  its tail in the air.  All its intelligence is in its roots.  All the  senses it has are in  its

roots.  Think what sagacity it shows in its  search after food and  drink!  Somehow or other, the rootlets, which

are its tentacles, find  out that there is a brook at a moderate  distance from the trunk of  the tree, and they make

for it with all  their might.  They find every  crack in the rocks where there are a few  grains of the nourishing

substance they care for, and insinuate  themselves into its deepest  recesses.  When spring and summer come,

they let their tails grow,  and delight in whisking them about in the  wind, or letting them be  whisked about by

it; for these tails are poor  passive things, with  very little will of their own, and bend in  whatever direction the

wind chooses to make them.  The leaves make a  deal of noise  whispering.  I have sometimes thought I could

understand  them, as  they talk with each other, and that they seemed to think they  made  the wind as they

wagged forward and back.  Remember what I say.  The  next time you see a tree waving in the wind, recollect

that it is  the  tail of a great underground, manyarmed, polypuslike creature,  which  is as proud of its caudal

appendage, especially in summertime,  as a  peacock of his gorgeous expanse of plumage.  Do you think there

is anything so very odd about this idea?  Once get  it well into your  heads, and you will find it renders the

landscape  wonderfully  interesting.  There are as many kinds of treetails as  there are of  tails to dogs and other

quadrupeds.  Study them as Daddy  Gilpin  studied them in his "Forest Scenery," but don't forget that  they are

only the appendage of the underground vegetable polypus, the  true  organism to which they belong.  He

paused at this point, and we all  drew long breaths, wondering what  was coming next.  There was no  denying

it, the "cracked Teacup" was  clinking a little false,so it  seemed to the company.  Yet, after  all, the fancy

was not  delirious,the mind could follow it well  enough; let him go on. What  do you say to this?  You have

heard all sorts of things said in  prose  and verse about Niagara.  Ask our young Doctor there what it  reminds

him of.  Is n't it a giant putting his tongue out?  How can  you fail  to see the resemblance?  The continent is a

great giant, and  the  northern half holds the head and shoulders.  You can count the  pulse  of the giant wherever

the tide runs up a creek; but if you want  to  look at the giant's tongue, you must go to Niagara.  If there were

such a thing as a cosmic physician, I believe he could tell the state  of the country's health, and the prospects

of the mortality for the  coming season, by careful inspection of the great tongue, which  Niagara is putting out

for him, and has been showing to mankind ever  since the first flintshapers chipped their arrowheads.  You

don't  think the idea adds to the sublimity and associations of the  cataract?  I am sorry for that, but I can't help


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the suggestion.  It  is just as manifestly a tongue put out for inspection as if it had  Nature's own label to that

effect hung over it.  I don't know whether  you can see these things as clearly as I do.  There are some people

that never see anything, if it is as plain as a hole in a grindstone,  until it is pointed out to them; and some that

can't see it then, and  won't believe there is any hole till they've poked their finger  through it.  I've got a great

many things to thank God for, but  perhaps most of all that I can find something to admire, to wonder  at, to set

my fancy going, and to wind up my enthusiasm pretty much  everywhere. 

Look here!  There are crowds of people whirled through our streets  on  these newfashioned cars, with their

witchbroomsticks  overhead,if  they don't come from Salem, they ought to,and not more  than one in  a

dozen of these fisheyed bipeds thinks or cares a  nickel's worth  about the miracle which is wrought for their

convenience.  They know  that without hands or feet, without horses,  without steam, so far as  they can see,

they are transported from place  to place, and that  there is nothing to account for it except the

witchbroomstick and  the iron or copper cobweb which they see  stretched above them.  What  do they know

or care about this last  revelation of the omnipresent  spirit of the material universe?  We  ought to go down on

our knees  when one of these mighty caravans, car  after car, spins by us, under  the mystic impulse which

seems to know  not whether its train is  loaded or empty.  We are used to force in the  muscles of horses, in  the

expansive potency of steam, but here we have  force stripped stark  naked,nothing but a filament to cover its

nudity,and yet showing  its might in efforts that would task the  workingbeam of a ponderous

steamengine.  I am thankful that in an  age of cynicism I have not  lost my reverence.  Perhaps you would

wonder to see how some very  common sights impress me.  I always take  off my hat if I stop to  speak to a

stonecutter at his work.  "Why?"  do you ask me?  Because  I know that his is the only labor that is  likely to

endure.  A score  of centuries has not effaced the marks of  the Greek's or the Roman's  chisel on his block of

marble.  And now,  before this new  manifestation of that form of cosmic vitality which we  call  electricity, I

feel like taking the posture of the peasants  listening  to the Angelus.  How near the mystic effluence of

mechanical  energy  brings us to the divine source of all power and motion!  In the  old  mythology, the right

hand of Jove held and sent forth the  lightning.  So, in the record of the Hebrew prophets, did the right  hand of

Jehovah cast forth and direct it.  Was Nahum thinking of our  faroff  time when he wrote, "The chariots shall

rage in the streets,  they  shall justle one against another in the broad ways: they shall  seem  like torches, they

shall run like the lightnings"? 

Number Seven had finished reading his paper.  Two bright spots in  his  cheeks showed that he had felt a good

deal in writing it, and the  flush returned as he listened to his own thoughts.  Poor old fellow!  The "cracked

Teacup" of our younger wits,not yet come to their full  human sensibilities,the "crank" of vulgar

tongues, the eccentric,  the seventh son of a seventh son, too often made the butt of  thoughtless pleasantry,

was, after all, a fellowcreature, with flesh  and blood like the rest of us.  The wild freaks of his fancy did not

hurt us, nor did they prevent him from seeing many things justly, and  perhaps sometimes more vividly and

acutely than if he were as sound  as the dullest of us. 

The teaspoons tinkled loudly all round the table, as he finished  reading.  The Mistress caught her breath.  I was

afraid she was going  to sob, but she took it out in vigorous stirring of her tea.  Will  you believe that I saw

Number Five, with a sweet, approving smile on  her face all the time, brush her cheek with her

handkerchief?  There  must have been a tear stealing from beneath its eyelid.  I hope  Number Seven saw it.

He is one of the two men at our table who most  need the tender looks and tones of a woman.  The Professor

and I are  hors de combat; the Counsellor is busy with his cases and his  ambitions; the Doctor is probably in

love with a microscope, and  flirting with pathological specimens; but Number Seven and the Tutor  are, I fear,

both suffering from that worst of all famines, heart  hunger. 

Do you remember that Number Seven said he never wrote a line of  "poetry" in his life, except once when he

was suffering from  temporary weakness of body and mind?  That is because he is a poet.  If he had not been

one, he would very certainly have taken to  tinkling rhymes.  What should you think of the probable musical

genius of a young man who was particularly fond of jingling a set of  sleighbells?  Should you expect him to


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turn out a Mozart or a  Beethoven?  Now, I think I recognize the poetical instinct in Number  Seven, however

imperfect may be its expression, and however he may be  run away with at times by fantastic notions that

come into his head.  If fate had allotted him a helpful companion in the shape of a loving  and intelligent wife,

he might have been half cured of his  eccentricities, and we should not have had to say, in speaking of  him,

"Poor fellow!"  But since this cannot be, I am pleased that he  should have been so kindly treated on the

occasion of the reading of  his paper.  If he saw Number Five's tear, he will certainly fall in  love with her.  No

matter if he does Number Five is a kind of Circe  who does not turn the victims of her enchantment into

swine, but into  lambs.  I want to see Number Seven one of her little flock.  I say  "little."  I suspect it is larger

than most of us know.  Anyhow, she  can spare him sympathy and kindness and encouragement enough to

keep  him contented with himself and with her, and never miss the pulses of  her loving life she lends him.  It

seems to be the errand of some  women to give many people as much happiness as they have any right to  in

this world.  If they concentrated their affection on one, they  would give him more than any mortal could claim

as his share.  I saw  Number Five watering her flowers, the other day.  The wateringpot  had one of those

perforated heads, through which the water runs in  many small streams.  Every plant got its share: the proudest

lily  bent beneath the gentle shower; the lowliest daisy held its little  face up for baptism.  All were refreshed,

none was flooded.  Presently  she took the perforated head, or "rose," from the neck of  the  wateringpot, and

the full stream poured out in a round, solid  column.  It was almost too much for the poor geranium on which it

fell, and it  looked at one minute as if the roots would be laid bare,  and perhaps  the whole plant be washed out

of the soil in which it was  planted.  What if Number Five should take off the "rose" that  sprinkles her

affections on so many, and pour them all on one?  Can  that ever be?  If it can, life is worth living for him on

whom her  love may be  lavished. 

One of my neighbors, a thorough American, is much concerned about  the  growth of what he calls the

"hardhanded aristocracy." He tells  the  following story: 

"I was putting up a fence about my yard, and employed a man of whom  I  knew something,that he was

industrious, temperate, and that he had  a wife and children to support,a worthy man, a native New

Englander.  I engaged him, I say, to dig some postholes.  My  employee bought a new spade and scoop on

purpose, and came to my  place at the appointed time, and began digging.  While he was at  work, two men

came over from a drinkingsaloon, to which my residence  is nearer than I could desire.  One of them I had

known as Mike  Fagan, the other as Hans Schleimer.  They looked at Hiram, my New  Hampshire man, in a

contemptuous and threatening way for a minute or  so, when Fagan addressed him: 

"'And how much does the man pay yez by the hour?' 

The gentleman does n't pay me by the hour,' said Hiram. 

"'How mosh does he bay you by der veeks?' said Hans. 

"'I don' know as that's any of your business,' answered Hiram. 

"'Faith, we'll make it our business,' said Mike Fagan.  'We're  Knoights of Labor, we'd have yez to know, and

ye can't make yer  bargains fist as ye loikes.  We manes to know how mony hours ye  worrks, and how much

ye gets for it.' 

"'Knights of Labor!' said I.  'Why, that is a kind of title of  nobility, is n't it?  I thought the laws of our country

did n't allow  titles of that kind.  But if you have a right to be called knights, I  suppose I ought to address you

as such.  Sir Michael, I congratulate  you on the dignity you have attained.  I hope Lady Fagan is getting  on

well with my shirts.  Sir Hans, I pay my respects to your title.  I  trust that Lady Schleixner has got through that

little difficulty  between her ladyship and yourself in which the police court thought  it necessary to intervene.' 


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"The two men looked at me.  I weigh about a hundred and eighty  pounds, and am well put together.  Hiram

was noted in his village as  a 'rahstler.'  But my face is rather pallid and peaked, and Hiram had  something of

the greenhorn look.  The two men, who had been drinking,  hardly knew what ground to take.  They rather

liked the sound of ,Sir  Michael and, Sir Hans.  They did not know very well what to make of  their wives as

'ladies.'  They looked doubtful whether to take what  had been said as a casus belli or not, but they wanted a

pretext of  some kind or other.  Presently one of them saw a label on the scoop,  or longhandled, spoonlike

shovel, with which Hiram had been working. 

"'Arrah, be jabers!' exclaimed Mike Fagan, 'but has n't he been  atradin' wid Brown, the hardware fellah, that

we boycotted!  Grab  it, Hans, and we'll carry it off and show it to the brotherhood.' 

The men made a move toward the implement. 

"'You let that are scoopshovel alone,' said Hiram. 

"I stepped to his side.  The Knights were combative, as their noble  predecessors with the same title always

were, and it was necessary to  come to a voie de fait.  My straight blow from the shoulder did for  Sir Michael.

Hiram treated Sir Hans to what is technically known as  a crossbuttock. 

"'Naow, Dutchman,' said Hiram, 'if you don't want to be planted in  that are posthole, y'd better take y'rself

out o' this here piece of  private property.  "Dangerous passin'," as the signposts say, abaout  these times.' 

"Sir Michael went down half stunned by my expressive gesture; Sir  Hans did not know whether his hip was

out of joint or he had got a  bad sprain; but they were both out of condition for further  hostilities.  Perhaps it

was hardly fair to take advantage of their  misfortunes to inflict a discourse upon them, but they had brought it

on themselves, and we each of us gave them a piece of our mind. 

"'I tell you what it is,' said Hiram, 'I'm a free and independent  American citizen, and I an't agon' to hev no

man tyrannize over me,  if he doos call himself by one o' them noblemen's titles.  Ef I can't  work jes' as I

choose, fur folks that wants me to work fur 'em and  that I want to work fur, I might jes' as well go to Sibery

and done  with it.  My gran'f'ther fit in Bunker Hill battle.  I guess if our  folks in them days did n't care no great

abaout Lord Percy and Sir  William Haowe, we an't agon' to be scart by Sir Michael Fagan and  Sir Hans

What 'shisname, nor no other fellahs that undertakes to be  noblemen, and tells us common folks what we

shall dew an' what we  sha'n't.  No, sir!' 

"I took the opportunity to explain to Sir Michael and Sir Hans what  it was our fathers fought for, and what is

the meaning of liberty.  If  these noblemen did not like the country, they could go elsewhere.  If  they did n't like

the laws, they had the ballotbox, and could  choose  new legislators.  But as long as the laws existed they must

obey them.  I could not admit that, because they called themselves by  the titles  the Old World nobility thought

so much of, they had a  right to  interfere in the agreements I entered into with my neighbor.  I told  Sir Michael

that if he would go home and help Lady Fagan to  saw and  split the wood for her fire, he would be better

employed than  in  meddling with my domestic arrangements.  I advised Sir Hans to ask  Lady Schleimer for

her bottle of spirits to use as an embrocation for  his lame hip.  And so my two visitors with the aristocratic

titles  staggered off, and left us plain, untitled citizens, Hiram and  myself, to set our posts, and consider the

question whether we lived  in a free country or under the authority of a selfconstituted order  of

quasinobility." 

It is a very curious fact that, with all our boasted "free and  equal"  superiority over the communities of the Old

World, our people  have  the most enormous appetite for Old World titles of distinction.  Sir  Michael and Sir

Hans belong to one of the most extended of the  aristocratic orders.  But we have also "Knights and Ladies of

Honor,"  and, what is still grander, "Royal Conclave of Knights and Ladies,"  "Royal Arcanum," and "Royal


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Society of Good Fellows,"  " Supreme  Council,"  "Imperial Court,"  "Grand Protector," and "Grand  Dictator,"

and so on.  Nothing less than "Grand" and 11 Supreme" is  good enough for the dignitaries of our associations

of citizens.  Where does all this ambition for names without realities come from?  Because a Knight of the

Garter wears a golden star, why does the  worthy cordwainer, who mends the shoes of his fellowcitizens,

want  to wear a tin star, and take a name that had a meaning as used by the  representatives of ancient families,

or the men who had made  themselves illustrious by their achievements? 

It appears to be a peculiarly American weakness.  The French  republicans of the earlier period thought the

term citizen was good  enough for anybody.  At a later period, "Roi Citoyen"the citizen  king was a common

title given to Louis Philippe.  But nothing is too  grand for the American, in the way of titles.  The proudest of

them  all signify absolutely nothing.  They do not stand for ability, for  public service, for social importance,

for large possessions; but, on  the contrary, are oftenest found in connection with personalities to  which they

are supremely inapplicable.  We can hardly afford to  quarrel with a national habit which, if lightly handled,

may involve  us in serious domestic difficulties.  The "Right Worshipful"  functionary whose equipage stops at

my back gate, and whose services  are indispensable to the health and comfort of my household, is a  dignitary

whom I must not offend.  I must speak with proper deference  to the lady who is scrubbing my floors, when I

remember that her  husband, who saws my wood, carries a string of highsounding titles  which would satisfy

a Spanish nobleman. 

After all, every people must have its own forms of ostentation,  pretence, and vulgarity.  The ancient Romans

had theirs, the English  and the French have theirs as well,why should not we Americans have  ours?

Educated and refined persons must recognize frequent internal  conflicts between the "Homo sum" of Terence

and the "Odi profanum  vulgus" of Horace.  The nobler sentiment should be that of every true  American, and it

is in that direction that our best civilization is  constantly tending. 

We were waited on by a new girl, the other evening.  Our pretty  maiden had left us for a visit to some

relative,so the Mistress  said.  I do sincerely hope she will soon come back, for we all like  to see her flitting

round the table. 

I don't know what to make of it.  I had it all laid out in my mind.  With such a company there must be a

lovestory.  Perhaps there will  be, but there may be new combinations of the elements which are to  make it

up, and here is a bud among the fullblown flowers to which I  must devote a little space. 

                         Delilah.

I must call her by the name we gave her after she had trimmed the  Samson locks of our Professor.  Delilah is a

puzzle to most of us.  A  pretty creature, dangerously pretty to be in a station not guarded  by  all the protective

arrangements which surround the maidens of a  higher  social order.  It takes a strong cage to keep in a tiger or

a  grizzly  bear, but what iron bars, what barbed wires, can keep out the  smooth  and subtle enemy that finds out

the cage where beauty is  imprisoned?  Our young Doctor is evidently attracted by the charming  maiden who

serves him and us so modestly and so gracefully.  Fortunately, the  Mistress never loses sight of her.  If she

were her  own daughter, she  could not be more watchful of all her movements.  And yet I do not  believe that

Delilah needs all this overlooking.  If  I am not  mistaken, she knows how to take care of herself, and could  be

trusted  anywhere, in any company, without a duenna.  She has a  history,I  feel sure of it.  She has been

trained and taught as  young persons of  higher position in life are brought up, and does not  belong in the

humble station in which we find her.  But inasmuch as  the Mistress  says nothing about her antecedents, we do

not like to be  too  inquisitive.  The two Annexes are, it is plain, very curious  about  her.  I cannot wonder.  They

are both goodlooking girls, but  Delilah  is prettier than either of them.  My sight is not so good as  it was,  but I

can see the way in which the eyes of the young people  follow  each other about plainly enough to set me

thinking as to what  is going  on in the thinking marrow behind them.  The young Doctor's  follow  Delilah as

she glides round the table,they look into hers  whenever  they get a chance; but the girl's never betray any


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consciousness of  it, so far as I can see.  There is no mistaking the  interest with  which the two, Annexes watch

all this.  Why shouldn't  they, I should  like to know?  The Doctor is a bright young fellow,  and wants nothing

but a bald spot and a wife to find himself in a  comfortable family  practice.  One of the Annexes, as I have

said,.  has had thoughts of  becoming a doctress.  I don't think the Doctor  would want his wife to  practise

medicine, for reasons which I will  not stop to mention.  Such  a partnership sometimes works wonderfully

well, as in one wellknown  instance where husband and wife are both  eminent in the profession;  but our

young Doctor has said to me that  he had rather see his  wife,if he ever should have one,at the  piano than

at the  dissectingtable.  Of course the Annexes know  nothing about this, and  they may think, as he professed

himself  willing to lecture on medicine  to women, he might like to take one of  his pupils as a helpmeet. 

If it were not for our Delilah's humble position, I don't see why  she  would not be a good match for any young

man.  But then it is so  hard  to take a young woman from so very lowly a condition as that of a  "waitress" that

it would require a deal of courage to venture on such  a step.  If we could only find out that she is a princess in

disguise, so to speak,that is, a young person of presentable  connections as well as pleasing looks and

manners; that she has had  an education of some kind, as we suspected when she blushed on  hearing herself

spoken of as a "gentille petite," why, then  everything would be all right, the young Doctor would have plain

sailing,that is, if be is in love with her, and if she fancies  him,and I should find my lovestory,the

one I expected, but not  between the parties I had thought would be mating with each other. 

Dear little Delilah!  Lily of the valley, growing in the shade  now,  perhaps better there until her petals drop;

and yet if she is  all I  often fancy she is, how her youthful presence would illuminate  and  sweeten a

household!  There is not one of us who does not feel  interested in her,not one of us who would not be

delighted at some  Cinderella transformation which would show her in the setting Nature  meant for her

favorite. 

The fancy of Number Seven about the witches' broomsticks suggested  to  one of us the following poem: 

          THE BROOMSTICK TRAIN;

     OR, THE RETURN OF THE WITCHES.

Lookout!  Look out, boys!  Clear the track!

The witches are here!  They've all come back!

They hanged them high,No use!  No use!

What cares a witch for a hangman's noose?

They buried them deep, but they would n't lie, still,

For cats and witches are hard to kill;

They swore they shouldn't and wouldn't die,

Books said they did, but they lie!  they lie!

A couple of hundred years, or so,

They had knocked about in the world below,

When an Essex Deacon dropped in to call,

And a homesick feeling seized them all;

For he came from a place they knew full well,

And many a tale he had to tell.

They long to visit the haunts of men,

To see the old dwellings they knew again,

And ride on their broomsticks all around

Their wide domain of unhallowed ground.

In Essex county there's many a roof

Well known to him of the cloven hoof;

The small square windows are full in view

Which the midnight hags went sailing through,

On their welltrained broomsticks mounted high,

Seen like shadows against the sky;


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Crossing the track of owls and bats,

Hugging before them their coalblack cats.

Well did they know, those gray old wives,

The sights we see in our daily drives

Shimmer of lake and shine of sea,

Brown's bare hill with its lonely tree,

(It wasn't then as we see it now,

With one scant scalplock to shade its brow;)

Dusky nooks in the Essex woods,

Dark, dim, Dantelike solitudes,

Where the treetoad watches the sinuous snake

Glide through his forests of fern and brake;

Ipswich River; its old stone bridge;

Far off Andover's Indian Ridge,

And many a scene where history tells

Some shadow of bygone terror dwells,

Of "Norman's Woe" with its tale of dread,

Of the Screeching Woman of Marblehead,

(The fearful story that turns men pale

Don't bid me tell it,my speech would fail.)

Who would not, will not, if he can,

Bathe in the breezes of fair Cape Ann,

Rest in the bowers her bays enfold,

Loved by the sachems and squaws of old?

Home where the white magnolias bloom,

Sweet with the bayberry's chaste perfume,

Hugged by the woods and kissed by the seal

Where is the Eden like to thee?

For that "couple of hundred years, or so,"

There had been no peace in the world below;

The witches still grumbling, "It is n't fair;

Come, give us a taste of the upper air!

We've had enough of your sulphur springs,

And the evil odor that round them clings;

We long for a drink that is cool and nice,

Great buckets of water with Wenham ice;

We've served you well upstairs, you know;

You're a good old fellowcome, let us go!"

I don't feel sure of his being good,

But he happened to be in a pleasant mood,

As fiends with their skins full sometimes are,

(He'd been drinking with "roughs" at a Boston bar.)

So what does he do but up and shout

To a graybeard turnkey, "Let 'em out!"

To mind his orders was all he knew;

The gates swung open, and out they flew.

"Where are our broomsticks?" the beldams cried.

"Here are your broomsticks," an imp replied.

"They've been inthe place you knowso long

They smell of brimstone uncommon strong;

But they've gained by being left alone,

Just look, and you'll see how tall they've grown."

And where is my cat? "a vixen squalled.

Yes, where are our cats?" the witches bawled,

And began to call them all by name:

As fast as they called the cats, they came

There was bobtailed Tommy and longtailed Tim,


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And walleyed Jacky and greeneyed Jim,

And splayfoot Benny and slimlegged Beau,

And Skinny and Squally, and Jerry and Joe,

And many another that came at call,

It would take too long to count them all.

All black,one could hardly tell which was which,

But every cat knew his own old witch;

And she knew hers as hers knew her,

Ah, did n't they curl their tails and purr!

No sooner the withered hags were free

Than out they swarmed for a midnight spree;

I could n't tell all they did in rhymes,

But the Essex people had dreadful times.

The Swampscott fishermen still relate

How a strange seamonster stole thair bait;

How their nets were tangled in loops and knots,

And they found dead crabs in their lobsterpots.

Poor Danvers grieved for her blasted crops,

And Wilmington mourned over mildewed hops.

A blight played havoc with Beverly beans,

It was all the work of those hateful queans!

A dreadful panic began at "Pride's,"

Where the witches stopped in their midnight rides,

And there rose strange rumors and vague alarms

'Mid the peaceful dwellers at Beverly Farms.

Now when the Boss of the Beldams found

That without his leave they were ramping round,

He called,they could hear him twenty miles,

From Chelsea beach to the Misery Isles;

The deafest old granny knew his tone

Without the trick of the telephone.

"Come here, you witches!  Come here!" says he,

"At your games of old, without asking me

I'll give you a little job to do

That will keep you stirring, you godless crew!"

They came, of course, at their master's call,

The witches, the broomsticks, the cats, and all;

He led the hags to a railway train

The horses were trying to drag in vain.

"Now, then," says he, "you've had your fun,

And here are the cars you've got to run.

The driver may just unhitch his team,

We don't want horses, we don't want steam;

You may keep your old black cats to hug,

But the loaded train you've got to lug."

Since then on many a car you'll see

A broomstick plain as plain can be;

On every stick there's a witch astride,

The string you see to her leg is tied.

She will do a mischief if she can,

But the string is held by a careful man,

And whenever the evilminded witch

Would cut come caper, he gives a twitch.

As for the hag, you can't see her,

But hark! you can hear her black cat's purr,

And now and then, as a car goes by,


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You may catch a gleam from her wicked eye.

Often you've looked on a rushing train,

But just what moved it was not so plain.

It couldn't be those wires above,

For they could neither pull nor shove;

Where was the motor that made it go

You couldn't guess, but now you know.

Remember my rhymes when you ride again

On the rattling rail by the broomstick train!

X

In my last report of our talks over the teacups I had something to  say of the fondness of our people for titles.

Where did the anti  republican, antidemocratic passion for swelling names come from, and  how long has it

been naturalized among us? 

A striking instance of it occurred at about the end of the last  century.  It was at that time there appeared among

us one of the most  original and singular personages to whom America has given birth.  Many of our

company,many of my readers,all well acquainted with  his name, and not wholly ignorant of his history.

They will not  object to my giving some particulars relating to him, which, if not  new to them, will be new to

others into whose hands these pages may  fall. 

Timothy Dexter, the first claimant of a title of nobility among the  people of the United States of America,

was born in the town of  Malden, near Boston.  He served an apprenticeship as a leather  dresser, saved some

money, got some more with his wife, began trading  and speculating, and became at last rich, for those days.

His most  famous business enterprise was that of sending an invoice of warming  pans to the West Indies.  A

few tons of ice would have seemed to  promise a better return; but in point of fact, he tells us, the

warmingpans were found useful in the manufacture of sugar, and  brought him in a handsome profit.  His

ambition rose with his  fortune.  He purchased a large and stately house in Newburyport, and  proceeded to

embellish and furnish it according to the dictates of  his taste and fancy.  In the grounds about his house, he

caused to be  erected between forty and fifty wooden statues of great men and  allegorical figures, together

with four lions and one lamb.  Among  these images were two statues of Dexter himself, one of which held a

label with a characteristic inscription.  His house was ornamented  with minarets, adorned with golden balls,

and surmounted by a large  gilt eagle.  He equipped it with costly furniture, with paintings,  and a library.  He

went so far as to procure the services of a poet  laureate, whose business it seems to have been to sing his

praises.  Surrounded with splendors like these, the plain title of "Mr." Dexter  would have been infinitely too

mean and common.  He therefore boldly  took the step of selfennobling, and gave himself forthas he said,

obeying "the voice of the people at large"as "Lord Timothy Dexter,"  by which appellation he has ever

since been known to the American  public. 

If to be the pioneer in the introduction of Old World titles into  republican America can confer a claim to be

remembered by posterity,  Lord Timothy Dexter has a right to historic immortality.  If the true  American spirit

shows itself most clearly in boundless self   assertion, Timothy Dexter is the great original American egotist.

If  to throw off the shackles of Old World pedantry, and defy the paltry  rules and examples of grammarians

and rhetoricians, is the special  province and the chartered privilege of the American writer, Timothy  Dexter is

the founder of a new school, which tramples under foot the  conventionalities that hampered and subjugated

the faculties of the  poets, the dramatists, the historians, essayists, storytellers,  orators, of the wornout races

which have preceded the great American  people. 

The material traces of the first American nobleman's existence have  nearly disappeared.  The house is still


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standing, but the statues,  the minarets, the arches, and the memory of the great Lord Timothy  Dexter live

chiefly in tradition, and in the work which be bequeathed  to posterity, and of which I shall say a few words.  It

is  unquestionably a thoroughly original production, and I fear that some  readers may think I am trifling with

them when I am quoting it  literally.  I am going to make a strong claim for Lord Timothy as  against other

candidates for a certain elevated position. 

Thomas Jefferson is commonly recognized as the first to proclaim  before the world the political

independence of America.  It is not so  generally agreed upon as to who was the first to announce the  literary

emancipation of our country. 

One of Mr. Emerson's biographers has claimed that his Phi Beta  Kappa  Oration was our Declaration of

Literary Independence.  But Mr.  Emerson did not cut himself loose from all the traditions of Old  World

scholarship.  He spelled his words correctly, he constructed  his sentences grammatically.  He adhered to the

slavish rules of  propriety, and observed the reticences which a traditional delicacy  has considered inviolable

in decent society, European and Oriental  alike.  When he wrote poetry, he commonly selected subjects which

seemed adapted to poetical treatment,apparently thinking that all  things were not equally calculated to

inspire the true poet's genius.  Once, indeed, he ventured to refer to "the meal in the firkin, the  milk in the

pan," but he chiefly restricted himself to subjects such  as a fastidious conventionalism would approve as

having a certain  fitness for poetical treatment.  He was not always so careful as he  might have been in the

rhythm and rhyme of his verse, but in the main  he recognized the old established laws which have been

accepted as  regulating both.  In short, with all his originality, he worked in  Old World harness, and cannot be

considered as the creator of a truly  American, selfgoverned, selfcentred, absolutely independent style  of

thinking and writing, knowing no law but its own sovereign will  and pleasure. 

A stronger claim might be urged for Mr. Whitman.  He takes into his  hospitable vocabulary words which no

English dictionary recognizes as  belonging to the language,words which will be looked for in vain  outside

of his own pages.  He accepts as poetical subjects all things  alike, common and unclean, without

discrimination, miscellaneous as  the contents of the great sheet which Peter saw let down from heaven.  He

carries the principle of republicanism through the whole world of  created objects.  He will "thread a thread

through [his] poems," he  tells us, "that no one thing in the universe is inferior to another  thing."  No man has

ever asserted the surpassing dignity and  importance of the American citizen so boldly and freely as Mr.

Whitman.  He calls himself "teacher of the unquenchable creed,  namely, egotism."  He begins one of his

chants, "I celebrate myself,"  but he takes us all in as partners in his selfglorification.  He  believes in America

as the new Eden. 

"A world primal again,vistas of glory incessant and branching,  A  new race dominating previous ones and

grander far,  New politicsnew  literature and religionsnew inventions and arts." 

Of the new literature be himself has furnished specimens which  certainly have all the originality he can claim

for them.  So far as  egotism is concerned, he was clearly anticipated by the titled  personage to whom I have

referred, who says of himself, "I am the  first in the East, the first in the West, and the greatest  philosopher in

the Western world." But while Mr. Whitman divests  himself of a part of his baptismal name, the

distinguished New  Englander thus announces his proud position: "Ime the first Lord in  the younited States of

A mercary Now of Newburyport.  it is the voice  of the peopel and I cant Help it."  This extract is from his

famous  little book called "A Pickle for the Knowing Ones."  As an inventor  of a new American style he goes

far beyond Mr. Whitman, who, to be  sure, cares little for the dictionary, and makes his own rules of  rhythm,

so far as there is any rhythm in his sentences.  But Lord  Timothy spells to suit himself, and in place of

employing punctuation  as it is commonly used, prints a separate page of periods, colons,  semicolons,

commas, notes of interrogation and of admiration, with  which the reader is requested to "peper and soolt" the

book as he  pleases. 


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I am afraid that Mr. Emerson and Mr. Whitman must yield the claim  of  declaring American literary

independence to Lord Timothy Dexter,  who  not only taught his countrymen that they need not go to the

Heralds'  College to authenticate their titles of nobility, but also  that they  were at perfect liberty to spell just as

they liked, and to  write  without troubling themselves about stops of any kind.  In  writing  what I suppose he

intended for poetry, he did not even take  the pains  to break up his lines into lengths to make them look like

verse, as  may be seen by the following specimen: 

               WONDER OF WONDERS!

How great the soul is!  Do not you all wonder and admire to see and  behold and hear?  Can you all believe half

the truth, and admire to  hear the wonders how great the soul isonly beholdpast finding  out! Only see

how large the soul is!  that if a man is drowned in the  sea what a great bubble comes up out of the top of the

water...  The  bubble is the soul. 

I confess that I am not in sympathy with some of the movements that  accompany the manifestations of

American social and literary  independence.  I do not like the assumption of titles of Lords and  Knights by

plain citizens of a country which prides itself on  recognizing simple manhood and womanhood as sufficiently

entitled to  respect without these unnecessary additions.  I do not like any  better the familiar, and as it seems to

me rude, way of speaking of  our fellowcitizens who are entitled to the common courtesies of  civilized

society.  I never thought it dignified or even proper for a  President of the United States to call himself, or to be

called by  others, "Frank" Pierce.  In the first place I had to look in a  biographical dictionary to find out

whether his baptismal name was  Franklin, or Francis, or simply Frank, for I think children are  sometimes

christened with this abbreviated name.  But it is too much  in the style of Cowper's unpleasant acquaintance : 

         "The man who hails you Tom or Jack,

          And proves by thumping on your back

          How he esteems your merit."

I should not like to hear our past chief magistrates spoken of as  Jack Adams or Jim Madison, and it would

have been only as a political  partisan that I should have reconciled myself to "Tom" Jefferson.  So,  in spite of

"Ben" Jonson, "Tom" Moore, and "Jack" Sheppard, I  prefer  to speak of a fellowcitizen already venerable by

his years,  entitled  to respect by useful services to his country, and recognized  by many  as the prophet of a

new poetical dispensation, with the  customary  title of adults rather than by the free and easy schoolboy

abbreviation with which he introduced himself many years ago to the  public.  As for his rhapsodies, Number

Seven, our "cracked Teacup,"  says they sound to him like "fugues played on a big organ which has  been

struck by lightning."  So far as concerns literary independence,  if we understand by that term the getting rid of

our subjection to  British criticism, such as it was in the days when the question was  asked, "Who reads an

American book?" we may consider it pretty well  established.  If it means dispensing with punctuation, coining

words  at will, selfrevelation unrestrained by a sense of what is decorous,  declamations in which everything

is glorified without being  idealized, "poetry" in which the reader must make the rhythms which  the poet has

not made for him, then I think we had better continue  literary colonists.  I shrink from a lawless independence

to which  all the virile energy and trampling audacity of Mr. Whitman fail to  reconcile me.  But there is room

for everybody and everything in our  huge hemisphere.  Young America is like a threeyearold colt with  his

saddle and bridle just taken off.  The first thing he wants to do  is to roll.  He is a droll object, sprawling in the

grass with his  four hoofs in the air; but he likes it, and it won't harm us.  So let  him roll,let him roll 

Of all The Teacups around our table, Number Five is the one who is  the object of the greatest interest.

Everybody wants to be her  friend, and she has room enough in her hospitable nature to find a  place for every

one who is worthy of the privilege.  The difficulty  is that it is so hard to be her friend without becoming her

lover.  I  have said before that she turns the subjects of her Circelike  enchantment, not into swine, but into

lambs.  The Professor and I  move round among her lambs, the docile and amiable flock that come  and go at

her bidding, that follow her footsteps, and are content to  live in the sunshine of her smile and within reach of


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the music of  her voice.  I like to get her away from their amiable bleatings; I  love to talk with her about life, of

which she has seen a great deal,  for she knows what it is to be an idol in society and the centre of  her social

circle.  It might be a question whether women or men most  admire and love her.  With her own sex she is

always helpful,  sympathizing, tender, charitable, sharing their griefs as well as  taking part in their pleasures.

With men it has seemed to make  little difference whether they were young or old: all have found her  the same

sweet, generous, unaffected companion; fresh enough in  feeling for the youngest, deep enough in the wisdom

of the heart for  the oldest.  She does not pretend to be youthful, nor does she  trouble herself that she has seen

the roses of more Junes than many  ofthe younger women who gather round her.  She has not had to say, 

          Comme je regrette

          Mon bras si dodu,

for her arm has never lost its roundness, and her face is one of  those that cannot be cheated of their charm

even if they live long  enough to look upon the grown up grandchildren of their coevals. 

It is a wonder how Number Five can find the time to be so much to  so  many friends of both sexes, in spite of

the fact that she is one of  the most insatiable of readers.  She not only reads, but she  remembers; she not only

remembers, but she records, for her own use  and pleasure, and for the delight and profit of those who are

privileged to look over her notebooks.  Number Five, as I think I  have said before, has not the ambition to

figure as an authoress.  That she could write most agreeably is certain.  I have seen letters  of hers to friends

which prove that clearly enough.  Whether she  would find prose or verse the most natural mode of expression

I  cannot say, but I know she is passionately fond of poetry, and I  should not be surprised if, laid away among

the pressed pansies and  roses of past summers, there were poems, songs, perhaps, of her own,  which she

sings to herself with her fingers touching the piano; for  to that she tells her secrets in tones sweet as the

ringdove's call  to her mate. 

I am afraid it may be suggested that I am drawing Number Five's  portrait too nearly after some model who is

unconsciously sitting for  it; but have n't I told you that you must not look for flesh and  blood personalities

behind or beneath my Teacups?  I am not going to  make these so lifelike that you will be saying, This is Mr.

or Miss,  or Mrs. SoandSo.  My readers must remember that there are very many  pretty, sweet, amiable girls

and women sitting at their pianos, and  finding chords to the music of their heartstrings.  If I have  pictured

Number Five as one of her lambs might do it, I have  succeeded in what I wanted to accomplish.  Why don't I

describe her  person?  If I do, some gossip or other will be sure to say, "Oh, he  means her, of course," and find

a name to match the pronoun. 

It is strange to see how we are all coming to depend upon the  friendly aid of Number Five in our various

perplexities.  The  Counsellor asked her opinion in one of those cases where a divorce  was too probable, but a

reconciliation was possible.  It takes a  woman to sound a woman's heart, and she found there was still love

enough under the ruffled waters to warrant the hope of peace and  tranquillity.  The young Doctor went to her

for counsel in the case  of a hysteric girl possessed with the idea that she was a born  poetess, and covering

whole pages of foolscap with senseless  outbursts, which she wrote in paroxysms of wild excitement, and read

with a rapture of selfadmiration which there was nothing in her  verses to justify or account for.  How

sweetly Number Five dealt with  that poor deluded sister in her talk with the Doctor!  "Yes," she  said to him,

"nothing can be fuller of vanity, selfworship, and  selfdeception.  But we must be very gentle with her.  I

knew a young  girl tormented with aspirations, and possessed by a belief that she  was meant for a higher place

than that which fate had assigned her,  who needed wholesome advice, just as this poor young thing does.  She

did not ask for it, and it was not offered.  Alas, alas!  'no man  cared for her soul,'no man nor woman either.

She was in her early  teens, and the thought of her earthly future, as it stretched out  before her, was more than

she could bear, and she sought the presence  of her Maker to ask the meaning of her abortive existence. We

will  talk it over.  I will help you take care of this child." 


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The Doctor was thankful to have her assistance in a case with which  he would have found it difficult to deal

if he had been left to, his  unaided judgment, and between them the young girl was safely piloted  through the

perilous straits in which she came near shipwreck. 

I know that it is commonly said of her that every male friend of  hers  must become her lover unless he is

already lassoed by another.  Il  fait passer par l'a.  The young Doctor is, I think, safe, for I am  convinced that he

is bewitched with Delilah.  Since she has left us,  he has seemed rather dejected; I feel sure that he misses her.

We  all do, but he more seriously than the rest of us.  I have said that  I cannot tell whether the Counsellor is to

be counted as one of  Number Five's lambs or not, but he evidently admires her, and if he  is not fascinated,

looks as if he were very near that condition. 

It was a more delicate matter about which the Tutor talked with  her.  Something which she had pleasantly said

to him about the two  Annexes  led him to ask her, more or less seriously, it may be  remembered,  about the

fitness of either of them to be the wife of a  young man in  his position.  She talked so sensibly, as it seemed to

him, about it  that he continued the conversation, and, shy as he was,  became quite  easy and confidential in

her company.  The Tutor is not  only a poet,  but is a great reader of the poetry of many languages.  It so

happened that Number Five was puzzled, one day, in reading a  sonnet  of Petrarch, and had recourse to the

Tutor to explain the  difficult  passage.  She found him so thoroughly instructed, so clear,  so much  interested,

so ready to impart knowledge, and so happy in his  way of  doing it, that she asked him if he would not allow

her the  privilege  of reading an Italian author under his guidance, now and  then. 

The Tutor found Number Five an apt scholar, and something more than  that; for while, as a linguist, he was,

of course, her master, her  intelligent comments brought out the beauties of an author in a way  to make the

text seem like a different version.  They did not always  confine themselves to the book they were reading.

Number Five showed  some curiosity about the Tutor's relations with the two Annexes.  She  suggested

whether it would not be well to ask one or both of them in  to take part in their readings.  The Tutor blushed

and hesitated.  "Perhaps you would like to ask one of them," said Number Five.  "Which  one shall it be?"  "It

makes no difference to me which," he  answered,"  but I do not see that we need either."  Number Five did  not

press the  matter further.  So the young Tutor and Number Five  read together  pretty regularly, and came to

depend upon their meeting  over a book as  one of their stated seasons of enjoyment.  He is so  many years

younger  than she is that I do not suppose he will have to  pass par la, as most  of her male friends have done.  I

tell her  sometimes that she reminds  me of my Alma Mater, always young, always  fresh in her attractions,

with her scholars all round her, many of  them graduates, or to  graduate sooner or later. 

What do I mean by graduates?  Why, that they have made love to her,  and would be entitled to her diploma, if

she gave a parchment to each  one of them who had had the courage to face the inevitable.  About  the

Counsellor I am, as I have said, in doubt.  Who wrote that  "I  Like You and I Love You," which we found in

the sugarbowl the  other  day?  Was it a graduate who had felt the "icy dagger," or only  a  candidate for

graduation who was afraid of it?  So completely does  she  subjugate those who come under her influence that I

believe she  looks  upon it as a matter of course that the fateful question will  certainly  come, often after a brief

acquaintance.  She confessed as  much to me,  who am in her confidence, and not a candidate for  graduation

from her  academy.  Her graduatesher lambs I called them  are commonly  faithful to her, and though now

and then one may have  gone off and  sulked in solitude, most of them feel kindly to her, and  to those who

have shared the common fate of her suitors.  I do really  believe that  some of them would be glad to see her

captured by any  one, if such  there can be, who is worthy of her.  She is the best of  friends, they  say, but can

she love anybody, as so many other women  do, or seem to?  Why shouldn't our Musician, who is evidently

fond of  her company, and  sings and plays duets with her, steal her heart as  Piozzi stole that  of the pretty and

bright Mrs. Thrale, as so many  musicteachers have  run away with their pupils' hearts?  At present  she seems

to be  getting along very placidly and contentedly with her  young friend the  Tutor.  There is something quite

charming in their  relations with each  other.  He knows many things she does not, for he  is reckoned one of  the

most learned in his literary specialty of all  the young men of his  time; and it can be a question of only a few


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years when some  firstclass professorship will be offered him.  She,  on the other  hand, has so much more

experience, so much more  practical wisdom, than  he has that he consults her on many everyday  questions,

as he did, or  made believe do, about that of making love  to one of the two Annexes.  I had thought, when we

first sat round  the teatable, that she was  good for the bit of romance I wanted; but  since she has undertaken

to  be a kind of halfmaternal friend to the  young Tutor, I am afraid I  shall have to give her up as the heroine

of a romantic episode.  It  would be a pity if there were nothing to  commend these papers to those  who take up

this periodical but essays,  more or less significant, on  subjects more or less interesting to the  jaded and

impatient readers  of the numberless stories and  entertaining articles which crowd the  magazines of this

prolific  period.  A whole year of a teatable as  large as ours without a  single love passage in it would be

discreditable to the company.  We  must find one, or make one, before  the teathings are taken away and  the

table is no longer spread. 

                    The Dictator turns preacher.

We have so many light and playful talks over the teacups that some  readers may be surprised to find us taking

up the most serious and  solemn subject which can occupy a human intelligence.  The sudden  appearance

among our New England Protestants of the doctrine of  purgatory as a possibility, or even probability, has

startled the  descendants of the Puritans.  It has naturally led to a  reconsideration of the doctrine of eternal

punishment.  It is on that  subject that Number Five and I have talked together.  I love to  listen to her, for she

talks from the promptings of a true woman's  heart.  I love to talk to her, for I learn my own thoughts better in

that way than in any other "L'appetit vient en mangeant," the French  saying has it.  "L'esprit vient en causant;"

that is, if one can find  the right persons to talk with. 

The subject which has specially interested Number Five and myself,  of  late, was suggested to me in the

following way. 

Some two years ago I received a letter from a clergyman who bears  by  inheritance one of the most

distinguished names which has done  honor  to the American "Orthodox" pulpit.  This letter requested of me  "a

contribution to a proposed work which was to present in their own  language the views of 'many men of many

minds' on the subject of  future punishment.  It was in my mind to let the public hear not only  from

professional theologians, but from other professions, as from  jurists on the alleged but disputed value of the

hangman's whip  overhanging the witnessbox, and from physicians on the working of  beliefs about the future

life in the minds of the dangerously sick.  And I could not help thinking what a good thing it would be to draw

out the present writer upon his favorite borderland between the  spiritual and the material."  The

communication came to me, as the  writer reminds me in a recent letter, at a "painfully inopportune  time," and

though it was courteously answered, was not made the  subject of a special reply. 

This request confers upon me a certain right to express my opinion  on  this weighty subject without fear and

without reproach even from  those who might be ready to take offence at one of the laity for  meddling with

pulpit questions.  It shows also that this is not a  dead issue in our community, as some of the younger

generation seem  to think.  There are some, there may be many, who would like to hear  what impressions one

has received on the subject referred to, after a  long life in which he has heard and read a great deal about the

matter.  There is a certain gravity in the position of one who is, in  the order of nature very near the

undiscovered country.  A man who  has passed his eighth decade feels as if be were already in the  antechamber

of the apartments which he may be called to occupy in the  house of many mansions.  His convictions

regarding the future of our  race are likely to be serious, and his expressions not lightly  uttered.  The question

my correspondent suggests is a tremendous one.  No other interest compares for one moment with that

belonging to it.  It is not only ourselves that it concerns, but all whom we love or  ever have loved, all our

human brotherhood, as well as our whole idea  of the Being who made us and the relation in which He stands

to his  creatures.  In attempting to answer my correspondent's question, I  shall no doubt repeat many things I

have said before in different  forms, on different occasions.  This is no more than every clergyman  does


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habitually, and it would be hard if I could not have the same  license which the professional preacher enjoys

so fully. 

Number Five and I have occasionally talked on religious questions,  and discovered many points of agreement

in our views.  Both of us  grew up under the old "Orthodox " or Calvinistic system of belief.  Both of us

accepted it in our early years as a part of our education.  Our experience is a common one.  William Cullen

Bryant says of  himself, "The Calvinistic system of divinity I adopted of course, as  I heard nothing else taught

from the pulpit, and supposed it to be  the accepted belief of the religious world."  But it was not the  "five

points" which remained in the young poet's memory and shaped  his higher life.  It was the influence of his

mother that left its  permanent impression after the questions and answers of the  Assembly's Catechism had

faded out, or remained in memory only as  fossil survivors of an extinct or fastdisappearing theological

formation.  The important point for him, as for so many other  children of Puritan descent, was not his father's

creed, but his  mother's character, precepts, and example.  "She was a person," he  says, "of excellent practical

sense, of a quick and sensitive moral  judgment, and had no patience with any form of deceit or duplicity.  Her

prompt condemnation of injustice, even in those instances in  which it is tolerated by the world, made a strong

impression upon me  in early life; and if, in the discussion of public questions, I have  in my riper age

endeavored to keep in view the great rule of right  without much regard to persons, it has been owing in a

great degree  to the force of her example, which taught me never to countenance a  wrong because others did." 

I have quoted this passage because it was an experience not wholly  unlike my own, and in certain respects

like that of Number Five.  To  grow up in a narrow creed and to grow out of it is a tremendous trial  of one's

nature.  There is always a bond of fellowship between those  who have been through such an ordeal. 

The experiences we have had in common naturally lead us to talk  over  the theological questions which at this

time are constantly  presenting themselves to the public, not only in the books and papers  expressly devoted to

that class of subjects, but in many of the  newspapers and popular periodicals, from the weeklies to the

quarterlies.  The pulpit used to lay down the law to the pews; at the  present time, it is of more consequence

what the pews think than what  the minister does, for the obvious reason that the pews can change  their

minister, and often do, whereas the minister cannot change the  pews, or can do so only to a very limited

extent.  The preacher's  garment is cut according to the pattern of that of the hearers, for  the most part.  Thirty

years ago, when I was writing on theological  subjects, I came in for a very pretty share of abuse, such as it

was  the fashion of that day, at least in certain quarters, to bestow upon  those who were outside of the

highwalled enclosures in which many  persons; not naturally unamiable or exclusive, found themselves

imprisoned.  Since that time what changes have taken place!  Who will  believe that a wellbehaved and

reputable citizen could have been  denounced as a "moral parricide," because he attacked some of the

doctrines in which he was supposed to have been brought up?  A single  thought should have prevented the

masked theologian who abused his  incognito from using such libellous language. 

Much, and in many families most, of the religious teaching of  children is committed to the mother.  The

experience of William  Cullen Bryant, which I have related in his own words, is that of many  New England

children.  Now, the sternest dogmas that ever came from a  soul cramped or palsied by an obsolete creed

become wonderfully  softened in passing between the lips of a mother.  The cruel doctrine  at which all but

casehardened "professionals" shudder cones out, as  she teaches and illustrates it, as unlike its original as the

milk  which a peasant mother gives her babe is unlike the coarse food which  furnishes her nourishment.  The

virus of a cursing creed is rendered  comparatively harmless by the time it reaches the young sinner in the

nursery.  Its effects fall as far short of what might have been  expected from its virulence as the pearly vaccine

vesicle falls short  of the terrors of the confluent smallpox.  Controversialists should  therefore be careful (for

their own sakes, for they hurt nobody so  much as themselves) how they use such terms as "parricide" as

characterizing those who do not agree in all points with the fathers  whom or whose memory they honor and

venerate.  They might with as  much propriety call them matricides, if they did not agree with the  milder

teachings of their mothers.  I can imagine Jonathan Edwards in  the nursery with his threeyearold child upon


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his knee.  The child  looks up to his face and says to him,"Papa, nurse tells me that you  say God hates me

worse than He hates one of those horrid ugly snakes  that crawl all round.  Does God hate me so?" 

"Alas!  my child, it is but too true.  So long as you are out of  Christ you are as a viper, and worse than a viper,

in his sight." 

By and by, Mrs.  Edwards, one of the loveliest of women and  sweetest  of mothers, comes into the nursery.

The child is crying. 

"What is the matter, my darling?" 

" Papa has been telling me that God hates me worse than a snake." 

Poor, gentle, poetical, sensitive, spiritual, almost celestial Mrs.  Jonathan Edwards!  On the one hand the

terrible sentence conceived,  written down, given to the press, by the child's father; on the other  side the

trusting child looking up at her, and all the mother  pleading in her heart against the frightful dogma of her

revered  husband.  Do you suppose she left that poison to rankle in the tender  soul of her darling?  Would it

have been moral parricide for a son of  the great divine to have repudiated the doctrine which degraded his

blameless infancy to the condition and below the condition of the  reptile?  Was it parricide in the second or

third degree when his  descendant struck out that venomous sentence from the page in which  it stood as a

monument to what depth Christian heathenism could sink  under the teaching of the great master of logic and

spiritual  inhumanity?  It is too late to be angry about the abuse a well  meaning writer received thirty years

ago.  The whole atmosphere has  changed since then.  It is mere childishness to expect men to believe  as their

fathers did; that is, if they have any minds of their own.  The world is a whole generation older and wiser than

when the father  was of his son's age. 

So far as I have observed persons nearing the end of life, the  Roman  Catholics understand the business of

dying better than  Protestants.  They have an expert by them, armed with spiritual  specifics, in which  they

both, patient and priestly ministrant, place  implicit trust.  Confession, the Eucharist, Extreme Unction,these

all  inspire a  confidence which without this symbolism is too apt to be  wanting in  oversensitive natures.

They have been peopled in earlier  years with  ghastly spectres of avenging fiends, moving in a sleepless  world

of  devouring flames and smothering exhalations; where nothing  lives but  the sinner, the fiends, and the

reptiles who help to make  life an  unending torture.  It is no wonder that these images sometimes  return  to the

enfeebled intelligence.  To exorcise them, the old  Church of  Christendom has her mystic formulae, of which

no  rationalistic  prescription can take the place.  If Cowper had been a  good Roman  Catholic, instead of having

his conscience handled by a  Protestant  like John Newton, he would not have died despairing,  looking upon

himself as a castaway.  I have seen a good many Roman  Catholics on  their dying beds, and it always appeared

to me that they  accepted the  inevitable with a composure which showed that their  belief, whether  or not the

best to live by, was a better one to die by  than most of  the harder creeds which have replaced it. 

In the more intelligent circles of American society one may  question  anything and everything, if he will only

do it civilly.  We  may talk  about eschatology, the science of last things,or, if you  will, the  natural history of

the undiscovered country, without offence  before  anybody except young children and very old women of

both sexes.  In  our New England the great Andover discussion and the heretical  missionary question have

benumbed all sensibility on this subject as  entirely, as completely, as the new local anaesthetic, cocaine,

deadens the sensibility of the part to which it is applied, so that  the eye may have its mote or beam plucked

out without feeling it,as  the novels of Zola and Maupassant have hardened the delicate nerve  centres of

the women who have fed their imaginations on the food they  have furnished. 

The generally professed belief of the Protestant world as embodied  in  their published creeds is that the great

mass of mankind are  destined  to an eternity of suffering.  That this eternity is to be one  of  bodily painof


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"torment "is the literal teaching of Scripture,  which has been literally interpreted by the theologians, the

poets,  and the artists of many long ages which followed the acceptance of  the recorded legends of the church

as infallible.  The doctrine has  always been recognized, as it is now, as a very terrible one.  It has  found a

support in the story of the fall of man, and the view taken  of the relation of man to his Maker since that event.

The hatred of  God to mankind in virtue of their "first disobedience" and inherited  depravity is at the bottom

of it.  The extent to which that idea was  carried is well shown in the expressions I have borrowed from

Jonathan Edwards.  According to his teaching,and he was a reasoner  who knew what he was talking about,

what was involved in the premises  of the faith he accepted,man inherits the curse of God as his  principal

birthright. 

What shall we say to the doctrine of the fall of man as the ground  of  inflicting endless misery on the human

race?  A man to be punished  for what he could not help!  He was expected to be called to account  for Adam's

sin.  It is singular to notice that the reasoning of the  wolf with the lamb should be transferred to the dealings of

the  Creator with his creatures.  "You stirred the brook up and made my  drinkingplace muddy."  "But, please

your wolfship, I couldn't do  that, for I stirred the water far down the stream,below your  drinkingplace."

"Well, anyhow, your father troubled it a year or  two ago, and that is the same thing."  So the wolf falls upon

the  lamb and makes a meal of him.  That is wolf logic,and theological  reasoning. 

How shall we characterize the doctrine of endless torture as the  destiny of most of those who have lived, and

are living, on this  planet?  I prefer to let another writer speak of it.  Mr. John Morley  uses the following words:

"The horrors of what is perhaps the most  frightful idea that has ever corroded human character,the idea of

eternal punishment."  Sismondi, the great historian, heard a sermon  on eternal punishment, and vowed never

again to enter another church  holding the same creed.  Romanism he considered a religion of mercy  and peace

by the side of what the English call the Reformation. I  mention these protests because I happen to find

them among my notes,  but it would be easy to accumulate examples of the same kind.  When  Cowper, at

about the end of the last century, said satirically of the  minister he was attacking, 

          "He never mentioned hell to ears polite, "

he was giving unconscious evidence that the sense of the barbarism  of  the idea was finding its way into the

pulpit.  When Burns, in the  midst of the sulphurous orthodoxy of Scotland, dared to say, 

         "The fear o' hell 's a hangman's whip

          To haud the wretch in order,"

he was oily appealing to the common sense and common humanity of  his  fellowcountrymen. 

All the reasoning in the world, all the prooftexts in old  manuscripts, cannot reconcile this supposition of a

world of  sleepless and endless torment with the declaration that "God is  love." 

Where did this "frightful idea" come from?  We are surprised, as we  grow older, to find that the legendary hell

of the church is nothing  more nor less than the Tartarus of the old heathen world.  It has  every mark of coming

from the cruel heart of a barbarous despot.  Some  malignant and vindictive Sheik, some brutal Mezentius,

must have  sat  for many pictures of the Divinity.  It was not enough to kill his  captive enemy, after torturing

him as much as ingenuity could  contrive to do it.  He escaped at last by death, but his conqueror  could not

give him up so easily, and so his vengeance followed him  into the unseen and unknown world.  How the

doctrine got in among,  the legends of the church we are no more bound to show than we are to  account for

the intercalation of the "three witnesses" text, or the  false insertion, or false omission, whichever it may be, of

the last  twelve verses of the Gospel of St Mark.  We do not hang our  grandmothers now, as our ancestors did

theirs, on the strength of the  positive command, "Thou shalt not suffer a witch to live." 


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The simple truth is that civilization has outgrown witchcraft, and  is  outgrowing the Christian Tartarus.  The

pulpit no longer troubles  itself about witches and their evil doings.  All the legends in the  world could not

arrest the decay of that superstition and all the  edicts that grew out of it.  All the stories that can be found in

old  manuscripts will never prevent the going out of the fires of the  legendary Inferno.  It is not much talked

about nowadays to ears  polite or impolite.  Humanity is shocked and repelled by it.  The  heart of woman is in

unconquerable rebellion against it.  The more  humane sects tear it from their "Bodies of Divinity" as if it were

the flaming shirt of Nessus.  A few doctrines with which it was bound  up have dropped or are dropping away

from it: the primal curse;  consequential damages to give infinite extension to every  transgression of the law

of God; inverting the natural order of  relative obligations; stretching the smallest of finite offenses to  the

proportions of the infinite; making the babe in arms the  responsible being, and not the parent who gave it

birth and  determined its conditions of existence. 

After a doctrine like "the hangman's whip" has served its  purpose,  if it ever had any useful purpose,after

a doctrine like  that of  witchcraft has hanged old women enough, civilization contrives  to get  rid of it.  When

we say that civilization crowds out the old  superstitious legends, we recognize two chief causes.  The first is

the naked individual protest; the voice of the inspiration which  giveth man understanding.  This shows itself

conspicuously in the  modern poets.  Burns in Scotland, Bryant, Longfellow, Whittier, in  America, preached a

new gospel to the successors of men like Thomas  Boston and Jonathan Edwards.  In due season, the growth of

knowledge,  chiefly under the form of that part of knowledge called science, so  changes the views of the

universe that many of its longunchallenged  legends become no more than nursery tales.  The textbooks of

astronomy and geology work their way in between the questions and  answers of the timehonored

catechisms.  The doctrine of evolution,  so far as it is accepted, changes the whole relations of man to the

creative power.  It substitutes infinite hope in the place of  infinite despair for the vast majority of mankind.

Instead of a  shipwreck, from which a few cabin passengers and others are to be  saved in the longboat, it

gives mankind a vessel built to endure the  tempests, and at last to reach a port where at the worst the

passengers can find rest, and where they may hope for a home better  than any which they ever had in their

old country.  It is all very  well to say that men and women had their choice whether they would  reach the safe

harbor or not. 

         "Go to it grandam, child;

          Give grandam kingdom, and it grandam will

          Give it a plum, a cherry and a fig."

We know what the child will take.  So which course we shall take  depends very much on the way the choice is

presented to us, and on  what the chooser is by nature.  What he is by nature is not  determined by himself, but

by his parentage.  "They know not what  they do."  In one sense this is true of every human being.  The agent

does not know, never can know, what makes him that which he is.  What  we most want to ask of our Maker is

an unfolding of the divine  purpose in putting human beings into conditions in which such numbers  of them

would be sure to go wrong.  We want an advocate of helpless  humanity whose task it shall be, in the words of

Milton, 

          "To justify the ways of God to man."

We have heard Milton's argument, but for the realization of his  vision of the time 

         "When Hell itself shall pass away,

          And leave her dolorous mansions to the peering day,"

our suffering race must wait in patience. 

The greater part of the discourse the reader has had before him was  delivered over the teacups one Sunday

afternoon.  The Mistress looked  rather grave, as if doubtful whether she ought not to signify her


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disapprobation of what seemed to her dangerous doctrine. 

However, as she knew that I was a good churchgoer and was on the  best terms with her minister, she said

nothing to show that she had  taken the alarm.  Number Five listened approvingly.  We had talked  the question

over well, and were perfectly agreed on the main point.  How could it be otherwise?  Do you suppose that any

intellectual,  spiritual woman, with a heart under her bodice, can for a moment  seriously believe that the

greater number of the highminded men, the  noble and lovely women, the ingenuous and affectionate

children, whom  she knows and honors or loves, are to be handed over to the experts  in a great

torturechamber, in company with the vilest creatures that  have once worn human shape? 

"If there is such a world as used to be talked about from the  pulpit,  you may depend upon it," she said to me

once, "there will soon  be  organized a Humane Society in heaven, and a mission established  among  'the spirits

in prison.'" 

Number Five is a regular churchgoer, as I am.  I do not believe  either of us would darken the doors of a

church if we were likely to  hear any of the "oldfashioned" sermons, such as I used to listen to  in former

years from a noted clergyman, whose specialty was the  doctrine of eternal punishment.  But you may go to the

churches of  almost any of our Protestant denominations, and hear sermons by which  you can profit, because

the ministers are generally good men, whose  moral and spiritual natures are above the average, and who

know that  the harsh preaching of two or three generations ago would offend and  alienate a large part of their

audience.  So neither Number Five nor  I are hypocrites in attending church or "going to meeting."  I am  afraid

it does not make a great deal of difference to either of us  what may be the established creed of the

worshipping assembly.  That  is a matter of great interest, perhaps of great importance, to them,  but of much

less, comparatively, to us.  Companionship in worship,  and sitting quiet for an hour while a trained speaker,

presumably  somewhat better than we are, stirs up our spiritual nature,these  are reasons enough to Number

Five, as to me, for regular attendance  on divine worship. 

Number Seven is of a different way of thinking and feeling.  He  insists upon it that the churches keep in their

confessions of faith  statements which they do not believe, and that it is notorious that  they are afraid to

meddle with them.  The AngloAmerican church has  dropped the Athanasian Creed from its service; the

English mother  church is afraid to.  There are plenty of Universalists, Number Seven  says, in the Episcopalian

and other Protestant churches, but they do  not avow their belief in any frank and candid fashion.  The

churches  know very well, he maintains, that the fear of everlasting punishment  more than any or all other

motives is the source of their power and  the support of their organizations.  Not only are the fears of  mankind

the whip to scourge and the bridle to restrain them, but they  are the basis of an almost incalculable material

interest.  "Talk  about giving up the doctrine of endless punishment by fire!"  exclaimed Number Seven; "there

is more capital embarked in the  subterranean firechambers than in all the ironfurnaces on the face  of the

earth.  To think what an army of clerical beggars would be  turned loose on the world, if once those raging

flames were allowed  to go out or to calm down!  Who can wonder that the old conservatives  draw back

startled and almost frightened at the thought that there  may be a possible escape for some victims whom the

Devil was thought  to have secured?  How many more generations will pass before Milton's  alarming prophecy

will find itself realized in the belief of  civilized mankind? " 

Remember that Number Seven is called a "crank" by many persons, and  take his remarks for just what they

are worth, and no more. 

Out of the preceding conversation must have originated the  following  poem, which was found in the common

receptacle of these  versified  contributions: 

          TARTARUS.


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While in my simple gospel creed

That "God is Love" so plain I read,

Shall dreams of heathen birth affright

My pathway through the coming night?

Ah, Lord of life, though spectres pale

Fill with their threats the shadowy vale,

With Thee my faltering steps to aid,

How can I dare to be afraid?

Shall mouldering page or fading scroll

Outface the charter of the soul?

Shall priesthood's palsied arm protect

The wrong our human hearts reject,

And smite the lips whose shuddering cry

Proclaims a cruel creed a lie?

The wizard's rope we disallow

Was justice once,is murder now!

Is there a world of blank despair,

And dwells the Omnipresent there?

Does He behold with smile serene

The shows of that unending scene,

Where sleepless, hopeless anguish lies,

And, ever dying, never dies?

Say, does He hear the sufferer's groan,

And is that child of wrath his own?

O mortal, wavering in thy trust,

Lift thy pale forehead from the dust

The mists that cloud thy darkened eyes

Fade ere they reach the o'erarching skies!

When the blind heralds of despair

Would bid thee doubt a Father's care,

Look up from earth, and read above

On heaven's blue tablet, GOD IS LOVE!

XI

                    The tea is sweetened.

We have been going on very pleasantly of late, each of us pretty  well  occupied with his or her special

business.  The Counsellor has  been  pleading in a great case, and several of The Teacups were in the

courtroom.  I thought, but I will not be certain, that some of his  arguments were addressed to Number Five

rather than to the jury,the  more eloquent passages especially. 

Our young Doctor seems to me to be gradually getting known in the  neighborhood and beyond it.  A member

of one of the more influential  families, whose regular physician has gone to Europe, has sent for  him to come

and see her, and as the patient is a nervous lady, who  has nothing in particular the matter with her, he is

probably in for  a good many visits and a long bill by and by.  He has even had a call  at a distance of some

miles from home,at least be has had to hire a  conveyance frequently of late, for he has not yet set up his

own  horse and chaise.  We do not like to ask him about who his patient  may be, but he or she is probably a

person of some consequence, as he  is absent several hours on these outoftown visits.  He may get a  good

practice before his bald spot makes its appearance, for I have  looked for it many times without as yet seeing a

sign of it.  I am  sure he must feel encouraged, for he has been very bright and  cheerful of late; and if he

sometimes looks at our new handmaid as if  he wished she were Delilah, I do not think he is breaking his heart

about her absence.  Perhaps he finds consolation in the company of  the two Annexes, or one of them,but

which, I cannot make out.  He  is in consultations occasionally with Number Five, too, but whether


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professionally or not I have no means of knowing.  I cannot for the  life of me see what Number Five wants of

a doctor for herself, so  perhaps it is another difficult case in which her womanly sagacity is  called upon to

help him. 

In the mean time she and the Tutor continue their readings.  In  fact,  it seems as if these readings were growing

more frequent, and  lasted  longer than they did at first.  There is a little arbor in the  grounds connected with

our place of meeting, and sometimes they have  gone there for their readings.  Some of The Teacups have

listened  outside once in a while, for the Tutor reads well, and his clear  voice must be heard in the more

emphatic passages, whether one is  expressly listening or not.  But besides the reading there is now and  then

some talking, and persons talking in an arbor do not always  remember that latticework, no matter how closely

the vines cover it,  is not impenetrable to the sound of the human voice.  There was a  listener one day,it was

not one of The Teacups, I am happy to say,  who heard and reported some fragments of a conversation

which  reached his ear.  Nothing but the profound intimacy which exists  between myself and the individual

reader whose eyes are on this page  would induce me to reveal what I was told of this conversation.  The  first

words seem to have been in reply to some question. 

"Why, my dear friend, how can you think of such a thing?  Do you  knowI amold enough to be your[I

think she must have been on the  point of saying mother, but that was more than any woman could be

expected to say]old enough to be your aunt?" 

"To be sure you are," answered the Tutor, "and what of it?  I have  two aunts, both younger than I am.  Your

years may be more than mine,  but your life is fuller of youthful vitality than mine is.  I never  feel so young as

when I have been with you.  I don't believe in  settling affinities by the almanac.  You know what I have told

you  more than once; you have n't 'bared the icecold dagger's edge' upon  me yet; may I not cherish the".... 

What a pity that the listener did not hear the rest of the sentence  and the reply to it, if there was one!  The

readings went on the same  as before, but I thought that Number Five was rather more silent and  more pensive

than she had been. 

I was much pleased when the American Annex came to me one day and  told me that she and the English

Annex were meditating an expedition,  in which they wanted the other Teacups to join.  About a dozen miles

from us is an educational institution of the higher grade, where a  large number of young ladies are trained in

literature, art, and  science, very much as their brothers are trained in the colleges.  Our  two young ladies have

already been through courses of this kind  in  different schools, and are now busy with those more advanced

studies  which are ventured upon by only a limited number of  "graduates."  They  have heard a good deal about

this institution, but  have never visited  it. 

Every year, as the successive classes finish their course, there is  a  grand reunion of the former students, with

an "exhibition," as it is  called, in which the graduates of the year have an opportunity of  showing their

proficiency in the various branches taught.  On that  occasion prizes are awarded for excellence in different

departments.  It would be hard to find a more interesting ceremony.  These girls,  now recognized as young

ladies, are going forth as missionaries of  civilization among our busy people.  They are many of them to be

teachers, and those who have seen what opportunities they have to  learn will understand their fitness for that

exalted office.  Many  are to be the wives and mothers of the generation next coming upon  the stage.  Young

and beautiful, "youth is always beautiful," said  old Samuel Rogers,their countenances radiant with

developed  intelligence, their complexions, their figures, their movements, all  showing that they have had

plenty of outdoor as well as indoor  exercise, and have lived well in all respects, one would like to read  on the

wall of the hall where they are assembled, 

          Siste, viator!

          Si uxorem requiris, circumspice!


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This proposed expedition was a great event in our comparatively  quiet  circle.  The Mistress, who was

interested in the school,  undertook to  be the matron of the party.  The young Doctor, who knew  the roads

better than any of us, was to be our pilot.  He arranged it  so that  he should have the two Annexes under his

more immediate  charge.  We  were all on the lookout to see which of the two was to be  the favored  one, for it

was pretty well settled among The Teacups that  a wife he  must have, whether the bald spot came or not; he

was getting  into  business, and he could not achieve a complete success as a  bachelor. 

Number Five and the Tutor seemed to come together as a matter of  course.  I confess that I could not help

regretting that our pretty  Delilah was not to be one of the party.  She always looked so young,  so fresh,she

would have enjoyed the excursion so much, that if she  had been still with us I would have told the Mistress

that she must  put on her best dress; and if she had n't one nice enough, I would  give her one myself.  I thought,

too, that our young Doctor would  have liked to have her with us; but he appeared to be getting along  very

well with the Annexes, one of whom it seems likely that he will  annex to himself and his fortunes, if she

fancies him, which is not  improbable. 

The organizing of this expedition was naturally a cause of great  excitement among The Teacups.  The party

had to be arranged in such a  way as to suit all concerned, which was a delicate matter.  It was  finally managed

in this way: The Mistress was to go with a bodyguard,  consisting of myself, the Professor, and Number

Seven, who was good  company, with all his oddities.  The young Doctor was to take the two  Annexes in a

wagon, and the Tutor was to drive Number Five in a good  oldfashioned chaise drawn by a wellconducted

family horse.  As for  the Musician, he had gone over early, by special invitation, to take  a part in certain

musical exercises which were to have a place in the  exhibition.  This arrangement appeared to be in every

respect  satisfactory.  The Doctor was in high spirits, apparently delighted,  and devoting himself with great

gallantry to his two fair companions.  The only question which intruded itself was, whether he might not  have

preferred the company of one to that of two.  But both looked  very attractive in their best dresses: the English

Annex, the rosier  and heartier of the two; the American girl, more delicate in  features, more mobile and

excitable, but suggesting the thought that  she would tire out before the other.  Which of these did he most

favor?  It was hard to say.  He seemed to look most at the English  girl, and yet he talked more with the

American girl.  In short, he  behaved particularly well, and neither of the young ladies could  complain that she

was not attended to.  As to the Tutor and Number  Five, their going together caused no special comment.  Their

intimacy  was accepted as an established fact, and nothing but the difference  in their ages prevented the

conclusion that it was love, and not mere  friendship, which brought them together.  There was, no doubt, a

strong feeling among many people that Number Five's affections were a  kind of Gibraltar or Ehrenbreitstein,

say rather a high tableland in  the region of perpetual, unmelting snow.  It was hard for these  people to

believe that any man of mortal mould could find a foothold  in that impregnable fortress,could climb to that

height and find  the flower of love among its glaciers.  The Tutor and Number Five  were both quiet,

thoughtful: he, evidently captivated; she, what was  the meaning of her manner to him?  Say that she seemed

fond of him,  as she might be were he her nephew,one for whom she had a special  liking.  If she had a

warmer feeling than this, she could hardly know  how to manage it; for she was so used to having love made

to her  without returning it that she would naturally be awkward in dealing  with the new experience. 

The Doctor drove a lively fiveyearold horse, and took the lead.  The Tutor followed with a quiet,

steadygoing nag; if he had driven  the fiveyearold, I would not have answered for the necks of the  pair in

the chaise, for he was too much taken up with the subject  they were talking of, to be very careful about his

driving.  The  Mistress and her escort brought up the rear,I holding the reins,  the Professor at my side, and

Number Seven sitting with the Mistress. 

We arrived at the institution a little later than we had expected  to,  and the students were flocking into the hall,

where the  Commencement  exercises were to take place, and the medalscholars were  to receive  the tokens of

their excellence in the various departments.  From our  seats we could see the greater part of the

assembly,not  quite all,  however of the pupils.  A pleasing sight it was to look  upon, this  array of young


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ladies dressed in white, with their class  badges, and  with the ribbon of the shade of blue affected by the

scholars of the  institution.  If Solomon in all his glory was not to  be compared to a  lily, a whole bed of lilies

could not be compared to  this gardenbed  of youthful womanhood. 

The performances were very much the same as most of us have seen at  the academies and collegiate schools.

Some of the graduating class  read their "compositions," one of which was a poem,an echo of the  prevailing

American echoes, of course, but prettily worded and  intelligently read.  Then there was a song sung by a choir

of the  pupils, led by their instructor, who was assisted by the Musician  whom we count among The Teacups.

There was something in one of the  voices that reminded me of one I had heard before.  Where could it  have

been?  I am sure I cannot remember.  There are some good voices  in our village choir, but none so pure and

birdlike as this.  A  sudden thought came into my head, but I kept it to myself.  I heard a  tremulous catching of

the breath, something like a sob, close by me.  It was the Mistress,she was crying.  What was she crying

for?  It  was impressive, certainly, to listen to these young voices, many of  them blending for the last

time,for the scholars were soon to be  scattered all over the country, and some of them beyond its

boundaries,but why the Mistress was so carried away, I did not  know.  She must be more impressible than

most of us; yet I thought  Number Five also looked as if she were having a struggle with herself  to keep down

some rebellious signs of emotion. 

The exercises went on very pleasingly until they came to the  awarding  of the gold medal of the year and the

valedictory, which was  to be  delivered by the young lady to whom it was to be presented.  The  name  was

called; it was one not unfamiliar to our ears, and the bearer  of  itthe Delilah of our teatable, Avis as she

was known in the  school  and elsewhererose in her place and came forward, so that for  the  first time on that

day, we looked upon her.  It was a sensation  for  The Teacups.  Our modest, quiet waitinggirl was the best

scholar  of  her year.  We had talked French before her, and we learned that she  was the best French scholar the

teacher had ever had in the school.  We had never thought of her except as a pleasing and welltrained

handmaiden, and here she was an accomplished young lady. 

Avis went through her part very naturally and gracefully, and when  it  was finished, and she stood before us

with the medal glittering on  her breast, we did not know whether to smile or to cry,some of us  did one, and

some the other. We all had an opportunity to see her  and congratulate her before we left the institution.

The mystery of  her six weeks' serving at our table was easily solved.  She had been  studying too hard and too

long, and required some change of scene and  occupation.  She had a fancy for trying to see if she could

support  herself as so many young women are obliged to, and found a place with  us, the Mistress only

knowing her secret. 

"She is to be our young Doctor's wife!" the Mistress whispered to  me,  and did some more crying, not for

grief, certainly. 

Whether our young Doctor's long visits to a neighboring town had  anything to do with the fact that Avis was

at that institution,  whether she was the patient he visited or not, may be left in doubt.  At all events, he had

always driven off in the direction which would  carry him to the place where she was at school. 

I have attended a large number of celebrations, commencements,  banquets, soirees, and so forth, and done my

best to help on a good  many of them.  In fact, I have become rather too well known in  connection with

"occasions," and it has cost me no little trouble.  I  believe there is no kind of occurrence for which I have not

been  requested to contribute something in prose or verse.  It is sometimes  very hard to say no to the requests.

If one is in the right mood  when he or she writes an occasional poem, it seems as if nothing  could have been

easier.  "Why, that piece run off jest like ile.  I  don't bullieve," the unlettered applicant says to himself, "I don't

bullieve it took him ten minutes to write them verses."  The good  people have no suspicion of how much a

single line, a single  expression, may cost its author.  The wits used to say that Ropers,  the poet once before

referred to, old Samuel Ropers, author of the  Pleasures of Memory and giver of famous breakfasts,was


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accustomed  to have straw laid before the house whenever he had just given birth  to a couplet.  It is not quite

so bad as that with most of us who are  called upon to furnish a poem, a song, a hymn, an ode for some grand

meeting, but it is safe to say that many a trifling performance has  had more good honest work put into it than

the minister's sermon of  that week had cost him.  If a vessel glides off the ways smoothly and  easily at her

launching, it does not mean that no great pains have  been taken to secure the result.  Because a poem is an

"occasional"  one, it does not follow that it has not taken as much time and skill  as if it had been written

without immediate, accidental, temporary  motive.  Pindar's great odes were occasional poems, just as much as

our Commencement and Phi Beta Kappa poems are, and yet they have come  down among the most precious

bequests of antiquity to modern times. 

The mystery of the young Doctor's long visits to the neighboring  town  was satisfactorily explained by what

we saw and heard of his  relations with our charming "Delilah,"for Delilah we could hardly  help calling

her.  Our little handmaid, the Cinderella of the  teacups, now the princess, or, what was better, the pride of the

school to which she had belonged, fit for any position to which she  might be called, was to be the wife of our

young Doctor.  It would  not have been the right thing to proclaim the fact while she was a  pupil, but now that

she had finished her course of instruction there  was no need of making a secret of the engagement. 

So we have got our romance, our lovestory out of our Teacups, as I  hoped and expected that we should, but

not exactly in the quarter  where it might have been looked for. 

What did our two Annexes say to this unexpected turn of events?  They  were goodhearted girls as ever lived,

but they were human, like  the  rest of us, and women, like some of the rest of us.  They behaved  perfectly.

They congratulated the Doctor, and hoped he would bring  the young lady to the teatable where she had

played her part so  becomingly.  It is safe to say that each of the Annexes world have  liked to be asked the

lover's last question by the very nice young  man who had been a pleasant companion at the table and

elsewhere to  each of them.  That same question is the highest compliment a man can  pay a woman, and a

woman does not mind having a dozen or more such  compliments to string on the rosary of her remembrances.

Whether  either of them was glad, on the whole, that he had not offered  himself to the other in preference to

herself would be a mean, shabby  question, and I think altogether too well of you who are reading this  paper

to suppose that you would entertain the idea of asking it. 

It was a very pleasant occasion when the Doctor brought Avis over  to  sit with us at the table where she used

to stand and wait upon us.  We wondered how we could for a moment have questioned that she was  one to be

waited upon, and not made for the humble office which  nevertheless she performed so cheerfully and so well. 

     Commencements and other Celebrations, American and English.

The social habits of our people have undergone an immense change  within the past half century, largely in

consequence of the vast  development of the means of intercourse between different  neighborhoods. 

Commencements, college gatherings of all kinds, church assemblages,  school anniversaries, town

centennials,all possible occasions for  getting crowds together are made the most of.  "'T is sixty years

since,"and a good many years over,the time to which my memory  extends.  The great days of the year

were, Election,General  Election on Wednesday, and Artillery Election on the Monday  following, at which

time lilacs were in bloom and 'lection buns were  in order; Fourth of July, when strawberries were just going

out; and  Commencement, a grand time of feasting, fiddling, dancing, jollity,  not to mention drunkenness and

fighting, on the classic green of  Cambridge.  This was the season of melons and peaches.  That is the  way our

boyhood chronicles events.  It was odd that the literary  festival should be turned into a Donnybrook fair, but

so it was when  I was a boy, and the tents and the shows and the crowds on the Common  were to the

promiscuous many the essential parts of the great  occasion.  They had been so for generations, and it was only

gradually that the Cambridge Saturnalia were replaced by the  decencies and solemnities of the present sober


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anniversary. 

Nowadays our celebrations smack of the Sundayschool more than of  the  dancinghall.  The aroma of the

punchbowl has given way to the  milder flavor of lemonade and the cooling virtues of icecream.  A

strawberry festival is about as far as the dissipation of our  social  gatherings ventures.  There was much that

was objectionable in  those  swearing, drinking, fighting times, but they had a certain  excitement  for us boys of

the years when the century was in its  teens, which  comes back to us not without its fascinations.  The days  of

total  abstinence are a great improvement over those of unlicensed  license,  but there was a picturesque

element about the rowdyism of  our old  Commencement days, which had a charm for the eye of boyhood.  My

dear  old friend,bookfriend, I mean,whom I always called Daddy  Gilpin  (as I find Fitzgerald called

Wordsworth, Daddy Wordsworth),  my old  friend Gilpin, I say, considered the donkey more picturesque  in

a  landscape than the horse.  So a village fete as depicted by  Teniers is  more picturesque than a teetotal picnic

or a Sabbath  school  strawberry festival.  Let us be thankful that the vicious  picturesque  is only a

remembrance, and the virtuous commonplace a  reality of  today. 

What put all this into my head is something which the English Annex  has been showing me.  Most of my

readers are somewhat acquainted with  our own church and village celebrations.  They know how they are

organized; the women always being the chief motors, and the machinery  very much the same in one case as

in another.  Perhaps they would  like to hear how such things are managed in England; and that is just  what

they may learn from the pamphlet which was shown me by the  English Annex, and of which I will give them

a brief account. 

Some of us remember the Rev. Mr. Haweis, his lectures and his  violin,  which interested and amused us here

in Boston a few years ago.  Now  Mr. Haweis, assisted by his intelligent and spirited wife, has  charge  of the

parish of St. James, Westmoreland Street, Marylebone,  London.  On entering upon the twentyfifth year of

his incumbency in  Marylebone, and the twentyeighth of his ministry in the diocese of  London, it was

thought a good idea to have an "Evening Conversazione  and Fete."  We can imagine just how such a meeting

would be organized  in one of our towns.  Ministers, deacons, perhaps a member of  Congress, possibly a

Senator, and even, conceivably, his Excellency  the Governor, and a long list of ladies lend their names to

give  lustre to the occasion.  It is all very pleasant, unpretending,  unceremonious, cheerful, well ordered,

commendable, but not imposing. 

Now look at our Marylebone parish celebration, and hold your breath  while the procession of great names

passes before you.  You learn at  the outset that it is held UNDER ROYAL PATRONAGE, and read the names

of two royal highnesses, one highness, a prince, and a princess.  Then  comes a list before which if you do not

turn pale, you must  certainly  be in the habit of rouging: three earls, seven lords, three  bishops,  two generals

(one of them Lord Wolseley), one admiral, four  baronets,  nine knights, a crowd of right honorable and

honorable  ladies (many of  them peeresses), and a mob of other personages, among  whom I find Mr.  Howells,

Bret Harte, and myself. 

Perhaps we are disposed to smile at seeing so much made of titles;  but after what we have learned of Lord

Timothy Dexter and the high  sounding names appropriated by many of our own compatriots, who have  no

more claim to them than we plain Misters and Misseses, we may feel  to them something as our late friend

Mr.  Appleton felt to the real  green turtle soup set before him, when he said that it was almost as  good as

mock. 

The entertainment on this occasion was of the most varied  character.  The programme makes the following

announcement: 

               Friday, 4 July, 18.


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At 8 P. M. the Doors will Open.

          Mr. Haweis will receive his Friends.

          The Royal Handbell Ringers will Ring.

          The Fishpond will be Fished.

          The Stalls will be Visited.

          The Phonograph will Utter.

Refreshments will be called for, and they will come,Tea, Coffee,  and Cooling Drinks.  Spirits will not be

called for, from the Vasty  Deep or anywhere else,nor would they come if they were. 

At 9.30 Mrs. Haweis will join the assembly. 

I am particularly delighted with this last feature in the  preliminary  announcement.  It is a proof of the high

regard in which  the  estimable and gifted lady who shares her husband's labors is held  by  the people of their

congregation, and the friends who share in  their  feelings.  It is such a master stroke of policy, too, to keep

back  the principal attraction until the guests must have grown eager  for  her appearance: I can well imagine

how great a saving it must have  been to the good lady's nerves, which were probably pretty well tried  already

by the fatigues and responsibilities of the busy evening.  I  have a right to say this, for I myself had the honor

of attending a  meeting at Mr. Haweis's house, where I was a principal guest, as I  suppose, from the fact of the

great number of persons who were  presented to me.  The minister must be very popular, for the meeting  was a

regular jam,not quite so tremendous as that greater one,  where but for the aid of Mr. Smalley, who kept

open a breathingspace  round us, my companion and myself thought we should have been  asphyxiated. 

The company was interested, as some of my readers maybe, to know  what  were the attractions offered to the

visitors besides that of  meeting  the courteous entertainers and their distinguished guests.  I  cannot  give these

at length, for each part of the show is introduced  in the  programme with apt quotations and pleasantries,

which enlivened  the  catalogue.  There were eleven stalls, "conducted on the  cooperative  principle of division

of profits and interest; they retain  the  profits, and you take a good deal of interest, we hope, in their  success." 

Stall No. 1.  Edisoniana, or the Phonograph.  Alluded to by  the  Roman Poet as Vox, et praeterea nihil. 

Stall No. 2.  Moneychanging. 

Stall No. 3.  Programmes and General Enquiries. 

Stall No. 4.  Roses. 

A rose by any other name, etc.  Get one.  You can't expect to smell  one without buying it, but you may buy one

without smelling it. 

Stall No.  5.  Lasenby Liberty Stall.  (I cannot explain this.  Probably articles from Liberty's famous

establishment.) 

Stall No.  6.  Historical Costumes and Ceramics. 

Stall No.  7.  The Fishpond. 

Stall No.  8.Varieties. 

Stall No.  9.Bookstall.  (Books) "highly recommended for insomnia;  friends we never speak to,  and always cut

if we want to know them  well." 


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Stall No.  10.  Icelandic. 

Stall No.  11.  Call Office.  "Mrs. Magnusson, who is devoted to  the North Pole and all its works,  will thaw

your sympathies, enlighten  your minds," etc., etc. 

All you buy may be left at the stalls, ticketed.  A duplicate  ticket  will be handed to you on leaving.  Present

your duplicate at  the Call  Office. 

At 9.45, First Concert. 

At 10.45, An Address of Welcome by Rev. H. R. Haweis. 

At 11 P. M., Birdwarbling Interlude by Miss Mabel Stephenson,  U.  S. A. 

At 11.20, Second Concert. 

          NOTICE !

Three Great Pictures. 

LORD TENNYSON.  G. F. Watts, R. A.  JOHN STUART MILL  G. F. Watts,  R. A.  J0SEPH GARIBALDI

Sig. Rondi. 

NOTICE ! 

A Famous Violin. 

A worldfamed Stradivarius Violin, for which Mr. Hill, of Bond  Street, gave L 1000, etc., etc. 

REFRESHMENTS. 

Tickets for Tea, Coffee, Sandwiches, Iced Drinks, or Ices, Sixpence  each, etc., etc.

I hope my American reader is pleased and interested by this glimpse  of the way in which they do these things

in London. 

There is something very pleasant about all this, but what specially  strikes me is a curious flavor of city

provincialism.  There are  little centres in the heart of great cities, just as there are small  freshwater ponds in

great islands with the salt sea roaring all  round them, and bays and creeks penetrating them as briny as the

ocean itself.  Irving has given a charming picture of such a quasi  provincial centre in one of his papers in the

SketchBook,the one  with the title "Little Britain."  London is a nation of itself, and  contains provinces,

districts, foreign communities, villages,  parishes,innumerable lesser centres, with their own distinguishing

characteristics, habits, pursuit, languages, social laws, as much  isolated from each other as if "mountains

interposed " made the  separation between them.  One of these lesser centres is that over  which my friend Mr.

Haweis presides as spiritual director.  Chelsea  has been made famous as the home of many authors and

artists,above  all, as the residence of Carlyle during the greater part of his life.  Its population, like that of

most respectable suburbs, must belong  mainly to the kind of citizens which resembles in many ways the

better class,as we sometimes dare to call it,of one of our  thriving New England towns.  How many John

Gilpins there must be in  this population,citizens of "famous London town," but living with  the simplicity

of the inhabitants of our inland villages!  In the  mighty metropolis where the wealth of the world displays


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itself they  practise their snug economies, enjoy their simple pleasures, and look  upon icecream as a luxury,

just as if they were living on the banks  of the Connecticut or the Housatonic, in regions where the summer

locusts of the great cities have not yet settled on the verdure of  the native inhabitants.  It is delightful to realize

the fact that  while the West End of London is flaunting its splendors and the East  End in struggling with its

miseries, these great middleclass  communities are living as comfortable, unpretending lives as if they  were

in one of our thriving townships in the huckleberrydistricts.  Human beings are wonderfully alike when they

are placed in similar  conditions. 

We were sitting together in a very quiet way over our teacups.  The  young Doctor, who was in the best of

spirits, had been laughing and  chatting with the two Annexes.  The Tutor, who always sits next to  Number

Five of late, had been conversing with her in rather low  tones.  The rest of us had been soberly sipping our tea,

and when the  Doctor and the Annexes stopped talking there was one of those dead  silences which are

sometimes so hard to break in upon, and so awkward  while they last.  All at once Number Seven exploded in

a loud laugh,  which startled everybody at the table. 

What is it that sets you laughing so?  said I. 

"I was thinking," Number Seven replied, "of what you said the other  day of poetry being only the ashes of

emotion.  I believe that some  people are disposed to dispute the proposition.  I have been putting  your doctrine

to the test.  In doing it I made some rhymes,the  first and only ones I ever made.  I will suppose a case of

very  exciting emotion, and see whether it would probably take the form of  poetry or prose.  You are suddenly

informed that your house is on  fire, and have to scramble out of it, without stopping to tie your  neckcloth

neatly or to put a flower in your buttonhole.  Do you  think a poet turning out in his nightdress, and looking

on while the  flames were swallowing his home and all its contents, would express  himself in this style? 

                    My house is on fire!

                    Bring me my lyre!

     Like the flames that rise heavenward my song shall aspire!

He would n't do any such thing, and you know he wouldn't.  He would  yell Fire! Fire! with all his might.  Not

much rhyming for him just  yet!  Wait until the fire is put out, and he has had time to look at  the charred

timbers and the ashes of his home, and in the course of a  week he may possibly spin a few rhymes about it.

Or suppose he was  making an offer of his hand and heart, do you think he would declaim  a versified proposal

to his Amanda, or perhaps write an impromptu on  the back of his hat while he knelt before her? 

               My beloved, to you

               I will always be true.

     Oh, pray make me happy, my love, do! do! do!

What would Amanda think of a suitor who courted her with a rhyming  dictionary in his pocket to help him

make love?" 

You are right, said I,there's nothing in the world like rhymes to  cool off a man's passion.  You look at a

blacksmith working on a bit  of iron or steel.  Bright enough it looked while it was on the  hearth, in the midst

of the seacoal, the great bellows blowing away,  and the rod or the horseshoe as red or as white as the

burning  coals.  How it fizzes as it goes into the trough of water, and how  suddenly all the glow is gone!  It

looks black and cold enough now.  Just so with your passionate incandescence.  It is all well while it  burns and

scintillates in your emotional centres, without articulate  and connected expression; but the minute you plunge

it into the  rhymetrough it cools down, and becomes as dead and dull as the cold  horseshoe.  It is true that if

you lay it cold on the anvil and  hammer away on it for a while it warms up somewhat.  Just so with the

rhyming fellow,he pounds away on his verses and they warm up a  little.  But don't let him think that this

afterglow of composition  is the same thing as the original passion.  That found expression in  a few oh, oh's,


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eheu's, helas, helas's, and when the passion had  burned itself out you got the rhymed verses, which, as I have

said,  are its ashes. 

I thanked Number Seven for his poetical illustration of my thesis.  There is great good to be got out of a

squinting brain, if one only  knows how to profit by it.  We see only one side of the moon, you  know, but a

fellow with a squinting brain seems now and then to get a  peep at the other side.  I speak metaphorically.  He

takes new and  startling views of things we have always looked at in one particular  aspect.  There is a rule

invariably to be observed with one of this  class of intelligences: Never contradict a man with a squinting

brain.  I say a man, because I do not think that squinting brains are  nearly so common in women as they are in

men.  The "eccentrics" are,  I think, for the most part of the male sex. 

That leads me to say that persons with a strong instinctive  tendency  to contradiction are apt to become

unprofitable companions.  Our  thoughts are plants that never flourish in inhospitable soils or  chilling

atmospheres.  They are all started under glass, so to speak;  that is, sheltered and fostered in our own warm and

sunny  consciousness.  They must expect some rough treatment when we lift  the sash from the frame and let

the outside elements in upon them.  They can bear the rain and the breezes, and be all the better for  them; but

perpetual contradiction is a pelting hailstorm, which  spoils their growth and tends to kill them out altogether. 

Now stop and consider a moment.  Are not almost all brains a little  wanting in bilateral symmetry?  Do you

not find in persons whom you  love, whom you esteem, and even admire, some marks of obliquity in  mental

vision?  Are there not some subjects in looking at which it  seems to you impossible that they should ever see

straight?  Are  there not moods in which it seems to you that they are disposed to  see all things out of plumb

and in false relations with each other?  If you answer these questions in the affirmative, then you will be  glad

of a hint as to the method of dealing with your friends who have  a touch of cerebral strabismus, or are liable

to occasional paroxysms  of perversity.  Let them have their head.  Get them talking on  subjects that interest

them.  As a rule, nothing is more likely to  serve this purpose than letting them talk about themselves; if

authors, about their writings; if artists, about their pictures or  statues; and generally on whatever they have

most pride in and think  most of their own relations with. 

Perhaps you will not at first sight agree with me in thinking that  slight mental obliquity is as common as I

suppose.  An analogy may  have some influence on your belief in this matter.  Will you take the  trouble to ask

your tailor how many persons have their two shoulders  of the same height?  I think be will tell you that the

majority of  his customers show a distinct difference of height on the two sides.  Will you ask a

portraitpainter how many of those who sit to hint  have both sides of their faces exactly alike?  I believe he

will tell  you that one side is always a little better than the other.  What  will your hatter say about the two sides

of the head?  Do you see  equally well with both eyes, and hear equally well with both ears?  Few persons past

middle age will pretend that they do.  Why should  the two halves of a brain not show a natural difference,

leading to  confusion of thought, and very possibly to that instinct of  contradiction of which I was speaking?

A great deal of time is lost  in profitless conversation, and a good deal of ill temper frequently  caused, by not

considering these organic and practically insuperable  conditions.  In dealing with them, acquiescence is the

best of  palliations and silence the sovereign specific. 

I have been the reporter, as you have seen, of my own conversation  and that of the other Teacups.  I have told

some of the circumstances  of their personal history, and interested, as I hope, here and there  a reader in the

fate of different members of our company.  Here are  our pretty Delilah and our Doctor provided for.  We may

take it for  granted that it will not be very long that the young couple will have  to wait; for, as I have told you

all, the Doctor is certainly getting  into business, and bids fair to have a thriving practice before he  saddles his

nose with an eyeglass and begins to think of a pair of  spectacles.  So that part of our little domestic drama is

over, and  we can only wish the pair that is to be all manner of blessings  consistent with a reasonable amount

of health in the community on  whose ailings must depend their prosperity. 


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All our thoughts are now concentrated on the relation existing  betwen  Number Five and the Tutor.  That there

is some profound  instinctive  impulse which is drawing them closer together no one who  watches them  can for

a moment doubt.  There are two principles of  attraction which  bring different natures together: that in which

the  two natures  closely resemble each other, and that in which one is  complementary  of the other.  In the first

case, they coalesce, as do  two drops of  water or of mercury, and become intimately blended as  soon as they

touch; in the other, they rush together as an acid and an  alkali  unite, predestined from eternity to find all they

most needed  in each  other.  What is the condition of things in the growing  intimacy of  Number Five and the

Tutor?  He is many years her junior,  as we know.  Both of them look that fact squarely in the face.  The

presumption is  against the union of two persons under these  circumstances.  Presumptions are strong obstacles

against any result we  wish to  attain, but half our work in life is to overcome them.  A  great many  results look

in the distance like sixfoot walls, and when  we get  nearer prove to be only fivefoot hurdles, to be leaped

over or  knocked down.  Twenty years from now she may be a vigorous and active  old woman, and he a

middleaged, halfwornout invalid, like so many  overworked scholars.  Everything depends on the number

of drops of  the elixir vitae which Nature mingled in the nourishment she  administered to the embryo before it

tasted its mother's milk.  Think  of Cleopatra, the bewitching old mischiefmaker; think of Ninon de  L'Enclos,

whose own son fell desperately in love with her, not  knowing the relation in which she stood to him; think of

Dr.  Johnson's friend, Mrs. Thrale, afterward Mrs. Piozzi, who at the age  of eighty was full enough of life to

be making love ardently and  persistently to Conway, the handsome young actor.  I can readily  believe that

Number Five will outlive the Tutor, even if he is  fortunate enough rather in winning his way into the fortress

through  gates that open to him of their own accord.  If he fails in his  siege, I do really believe he will die

early; not of a broken heart,  exactly, but of a heart starved, with the food it was craving close  to it, but

unattainable.  I have, therefore, a deep interest in  knowing how Number Five and the Tutor are getting along

together.  Is  there any danger of one or the other growing tired of the intimacy,  and becoming willing to get

rid of it, like a garment which has  shrunk and grown too tight?  Is it likely that some other attraction  may

come into disturb the existing relation?  The problem is to my  mind not only interesting, but exceptionally

curious.  You remember  the story of Cymon and Iphigenia as Dryden tells it.  The poor youth  has the capacity

of loving, but it lies hidden in his undeveloped  nature.  All at once he comes upon the sleeping beauty, and is

awakened by her charms to a hitherto unfelt consciousness.  With the  advent of the new passion all his

dormant faculties start into life,  and the seeming simpleton becomes the bright and intelligent lover.  The case

of Number Five is as different from that of Cymon as it  could well be.  All her faculties are wide awake, but

one emotional  side of her nature has never been called into active exercise.  Why  has she never been in love

with any one of her suitors?  Because she  liked too many of them.  Do you happen to remember a poem

printed  among these papers, entitled "I Like You and I Love You" 

No one of the poems which have been placed in the urn, that is,  in  the silver sugarbowl,has had any

name attached to it; but you  could guess pretty nearly who was the author of some of them,  certainly of the

one just, referred to.  Number Five was attracted to  the Tutor from the first time he spoke to her.  She dreamed

about him  that night, and nothing idealizes and renders fascinating one in whom  we have already an interest

like dreaming of him or of her.  Many a  calm suitor has been made passionate by a dream; many a passionate

lover has been made wild and half beside himself by a dream; and now  and then an infatuated but hapless

lover, waking from a dream of  bliss to a cold reality of wretchedness, has helped himself to  eternity before he

was summoned to the table. 

Since Number Five had dreamed about the Tutor, he had been more in  her waking thoughts than she was

willing to acknowledge.  These  thoughts were vague, it is true,emotions, perhaps, rather than  worded trains

of ideas; but she was conscious of a pleasing  excitement as his name or his image floated across her

consciousness;  she sometimes sighed as she looked over the last passage they had  read from the same book,

and sometimes when they were together they  were silent too long,too long!  What were they thinking of? 

And so it was all as plain sailing for Number Five and the young  Tutor as it had been for Delilah and the

young Doctor, was it?  Do  you think so?  Then you do not understand Number Five.  Many a woman  has as


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many atmospheric rings about her as the planet Saturn.  Three  are easily to be recognized.  First, there is the

wide ring of  attraction which draws into itself all that once cross its outer  border.  These revolve about her

without ever coming any nearer.  Next  is the inner ring of attraction.  Those who come within its  irresistible

influence are drawn so close that it seems as if they  must become one with her sooner or later.  But within this

ring is  another,an atmospheric girdle, one of repulsion, which love, no  matter how enterprising, no matter

how prevailing or how insinuating,  has never passed, and, if we judge of what is to be by what has been,

never will.  Perhaps Nature loved Number Five so well that she  grudged her to any mortal man, and gave her

this inner girdle of  repulsion to guard her from all who would know her too nearly and  love her too well.

Sometimes two vessels at sea keep each other  company for a long distance, it may be daring a whole voyage.

Very  pleasant it is to each to have a companion to exchange signals with  from time to time; to came near

enough, when the winds are light, to  hold converse in ordinary tones from deck to deck; to know that, in  case

of need, there's help at hand.  It is good for them to be near  each other, but not good to be too near.  Woe is to

them if they  touch!  The wreck of one or both is likely to be the consequence.  And  so two wellequipped and

heavily freighted natures may be the  best of  companions to each other, and yet must never attempt to come

into  closer union.  Is this the condition of affairs between Number  Five  and the Tutor?  I hope not, for I want

them to be joined  together in  that dearest of intimacies, which, if founded in true  affinity, is the  nearest

approach to happiness to be looked for in  our mortal,  experience.  We mast wait.  The Teacups will meet once

more before the  circle is broken, and we may, perhaps, find the  solution of the  question we have raised. 

In the mean time, our young Doctor is playing truant oftener than  ever.  He has brought Avis,if we must

call her so, and not  Delilah,several times to take tea with us.  It means something, in  these days, to graduate

from one of our firstclass academies or  collegiate schools.  I shall never forget my first visit to one of  these

institutions.  How much its pupils know, I said, which I was  never taught, and have never learned!  I was fairly

frightened to see  what a teaching apparatus was provided for them.  I should think the  first thing to be done

with most of the husbands, they are likely to  get would be to put them through a course of instruction.  The

young  wives must find their lords wofully ignorant, in a large proportion  of cases.  When the wife has

educated the husband to such a point  that she can invite him to work out a problem in the higher  mathematics

or to perform a difficult chemical analysis with her as  his collaborator, as less instructed dames ask their

husbands to play  a game of checkers or backgammon, they can have delightful and  instructive evenings

together.  I hope our young Doctor will take  kindly to his wife's (that is to be) teachings. 

When the following verses were taken out of the urn, the Mistress  asked me to hand the manuscript to the

young Doctor to read.  I  noticed that he did not keep his eyes very closely fixed on the  paper.  It seemed as if

he could have recited the lines without  referring to the manuscript at all. 

          AT THE TURN OF THE ROAD.

The glory has passed from the goldenrod's plume,

The purplehued asters still linger in bloom;

The birch is bright yellow, the sumachs are red,

The maples like torches aflame overhead.

But what if the joy of the summer is past,

And winter's wild herald is blowing his blast?

For me dull November is sweeter than May,

For my love is its sunshine,she meets me today!

Will she come?  Will the ringdove return to her nest?

Will the needle swing back from the east or the west?

At the stroke of the hour she will be at her gate;

A friend may prove laggard,love never comes late.

Do I see her afar in the distance?  Not yet.

Too early! Too early!  She could not forget!


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When I cross the old bridge where the brook overflowed,

She will flash full in sight at the turn of the road.

I pass the low wall where the ivy entwines;

I tread the brown pathway that leads through the pines;

I haste by the boulder that lies in the field,

Where her promise at parting was lovingly sealed.

Will she come by the hillside or round through the wood?

Will she wear her brown dress or her mantle and hood?

The minute draws near,but her watch may go wrong;

My heart will be asking, What keeps her so long?

Why doubt for a moment?  More shame if I do!

Why question?  Why tremble?  Are angels more true?

She would come to the lover who calls her his own

Though she trod in the track of a whirling cyclone!

I crossed the old bridge ere the minute had passed.

I looked: lo! my Love stood before me at last.

Her eyes, how they sparkled, her cheeks, how they glowed,

As we met, face to face, at the turn of the road!

XII

There was a great tinkling of teaspoons the other evening, when I  took my seat at the table, where ail The

Teacups were gathered before  my entrance.  The whole company arose, and the Mistress, speaking for  them,

expressed the usual sentiment appropriate to such occasions.  "Many happy returns" is the customary formula.

No matter if the  object of this kind wish is a centenarian, it is quite safe to assume  that he is ready and very

willing to accept as many more years as the  disposing powers may see fit to allow him. 

The meaning of it all was that this was my birthday.  My friends,  near and distant, had seen fit to remember it,

and to let me know in  various pleasant ways that they had not forgotten it.  The tables  were adorned with

flowers.  Gifts of pretty and pleasing objects were  displayed on a side table.  A great green wreath, which must

have  cost the parent oak a large fraction of its foliage, was an object of  special admiration.  Baskets of flowers

which had half unpeopled  greenhouses, large bouquets of roses, fragrant bunches of pinks, and  many

beautiful blossoms I am not botanist enough to name had been  coming in upon me all day long.  Many of

these offerings were brought  by the givers in person; many came with notes as fragrant with good  wishes as

the flowers they accompanied with their natural perfumes. 

How old was I, The Dictator, once known by another equally  audacious  title,I, the recipient of all these

favors and honors?  I  had  cleared the eightbarred gate, which few come in sight of, and  fewer,  far fewer, go

over, a year before.  I was a trespasser on the  domain  belonging to another generation.  The children of my

coevals  were  fast getting gray and bald, and their children beginning to look  upon  the world as belonging to

them, and not to their sires and  grandsires.  After that leap over the tall barrier, it looks like a  kind of

impropriety to keep on as if one were still of a reasonable  age.  Sometimes it seems to me almost of the nature

of a misdemeanor  to be wandering about in the preserve which the fleshless gamekeeper  guards so jealously.

But, on the other hand, I remember that men of  science have maintained that the natural life of man is nearer

fivescore than threescore years and ten.  I always think of a  familiar experience which I bring from the French

cafes, well known  to me in my early manhood.  One of the illustrated papers of my  Parisian days tells it

pleasantly enough. 

A guest of the establishment is sitting at his little table.  He  has  just had his coffee, and the waiter is serving

him with his petit  verre.  Most of my readers know very well what a petit verre is, but  there may be here and


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there a virtuous abstainer from alcoholic  fluids, living among the bayberries and the sweet ferns, who is not

aware that the words, as commonly used, signify a small glassa very  small glassof spirit, commonly

brandy, taken as a chassecaf‚, or  coffeechaser.  This drinking of brandy, "neat," I may remark by the  way,

is not quite so bad as it looks.  Whiskey or rum taken unmixed  from a tumbler is a knockdown blow to

temperance, but the little  thimbleful of brandy, or Chartreuse, or Maraschino, is only, as it  were, tweaking the

nose of teetotalism. 

Well,to go back behind our brackets,the guest is calling to the  waiter, "Garcon! et le bain de pieds!

"Waiter! and the footbath!  The little glass stands in a small tin saucer or shallow dish, and  the custom is

to more than fill the glass, so that some extra brandy  rung over into this tin saucer or cupplate, to the

manifest gain of  the consumer. 

Life is a petit verre of a very peculiar kind of spirit.  At  seventy  years it used to be said that the little glass was

full.  We  should  be more apt to put it at eighty in our day, while Gladstone and  Tennyson and our own

Whittier are breathing, moving, thinking,  writing, speaking, in the green preserve belonging to their children

and grandchildren, and Bancroft is keeping watch of the gamekeeper in  the distance.  But, returning resolutely

to the petit verre, I am  willing to concede that all after fourscore is the bain de pieds,  the slopping over, so

to speak, of the full measure of life.  I  remember that one who was very near and dear to me, and who lived to

a great age, so that the tenbarred gate of the century did not look  very far off, would sometimes apologize in

a very sweet, natural way  for lingering so long to be a care and perhaps a burden to her  children, themselves

getting well into years.  It is not hard to  understand the feeling, never less called for than it was in the case  of

that beloved nonagenarian.  I have known few persons, young or  old, more sincerely and justly regretted than

the gentle lady whose  memory comes up before me as I write. 

Oh, if we could all go out of flower as gracefully, as pleasingly,  as  we come into blossom!  I always think of

the morningglory as the  loveliest example of a graceful yielding to the inevitable.  It is  beautiful before its

twisted corolla opens; it is comely as it folds  its petals inward, when its brief hours of perfection are over.

Women  find it easier than men to grow old in a becoming way.  A very  old  lady who has kept something, it

may be a great deal, of her  youthful  feelings, who is daintily cared for, who is grateful for the  attentions

bestowed upon her, and enters into the spirit of the young  lives that surround her, is as precious to those who

love her as a  gem in an antique setting, the fashion of which has long gone by, but  which leaves the jewel the

color and brightness which are its  inalienable qualities.  With old men it is too often different.  They  do not

belong so much indoors as women do.  They have no pretty  little manual occupations.  The old lady knits or

stitches so long as  her eyes and fingers will let her.  The old man smokes his pipe, but  does not know what to

do with his fingers, unless he plays upon some  instrument, or has a mechanical turn which finds business for

them. 

But the old writer, I said to The Teacups, as I say to you, my  readers, labors under one special difficulty,

which I am thinking of  and exemplifying at this moment.  He is constantly tending to reflect  upon and

discourse about his own particular stage of life.  He feels  that he must apologize for his intrusion upon the

time and thoughts  of a generation which he naturally supposes must be tired of him, if  they ever had any

considerable regard for him.  Now, if the world of  readers hates anything it sees in print, it is apology.  If what

one  has to say is worth saying, he need not beg pardon fur saying it.  If  it is not worth saying I will not finish

the sentence.  But it is so  hard to resist the temptation, notwithstanding that the terrible line  beginning

"Superfluous lags the veteran" is always repeating itself  in his dull ear! 

What kind of audience or reading parish is a man who secured his  constituency in middle life, or before that

period, to expect when he  has reached the age of threescore and twenty?  His coevals have  dropped away by

scores and tens, and he sees only a few units  scattered about here and there, like the few beads above the

water  after a ship has gone to pieces.  Does he write and publish for those  of his own time of life?  He need not

print a large edition.  Does he  hope to secure a hearing from those who have come into the reading  world


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since his coevals?  They have found fresher fields and greener  pastures.  Their interests are in the outdoor,

active world.  Some  of them are circumnavigating the planet while he is hitching his  rocking chair about his

hearthrug.  Some are gazing upon the  pyramids while he is staring at his andirons.  Some are settling the

tariff and fixing the laws of suffrage and taxation while he is  dozing over the weather bulletin, and going to

sleep over the  obituaries in his morning or evening paper. 

Nature is wiser than we give her credit for being; never wiser than  in her dealings with the old.  She has no

idea of mortifying them by  sudden and wholly unexpected failure of the chief servants of  consciousness.  The

sight, for instance, begins to lose something of  its perfection long before its deficiency calls the owner's

special  attention to it.  Very probably, the first hint we have of the change  is that a friend makes the pleasing

remark that we are "playing the  trombone," as he calls it; that is, moving a book we are holding  backward and

forward, to get the right focal distance.  Or it may be  we find fault with the lamp or the gasburner for not

giving so much  light as it used to.  At last, somewhere between forty and fifty, we  begin to dangle a jaunty

pair of eyeglasses, half plaything and half  necessity.  In due time a pair of sober, businesslike spectacles

bestrides the nose.  Old age leaps upon it as his saddle, and rides  triumphant, unchallenged, until the darkness

comes which no glasses  can penetrate.  Nature is pitiless in carrying out the universal  sentence, but very

pitiful in her mode of dealing with the condemned  on his way to the final scene.  The man who is to be hanged

always  has a good breakfast provided for him. 

Do not think that the old look upon themselves as the helpless,  hopeless, forlorn creatures which they seem to

young people.  Do  these young folks suppose that all vanity dies out of the natures of  old men and old

women?  A dentist of olden time told me that a good  looking young man once said to him, "Keep that incisor

presentable,  if you can, till I am fifty, and then I sha'n't care how I look."  I  venture to say that that gentleman

was as particular about his  personal appearance and as proud of his good looks at fifty, and many  years after

fifty, as he was in the twenties, when he made that  speech to the dentist. 

My dear friends around the teacups, and at that wider board where I  am now entertaining, or trying to

entertain, my company, is it not as  plain to you as it is to me that I had better leave such tasks as  that which I

am just finishing to those who live in a more  interesting period of life than one which, in the order of nature,

is  next door to decrepitude?  Ought I not to regret having undertaken to  report the doings and sayings of the

members of the circle which you  have known as The Teacups? 

Dear, faithful reader, whose patient eyes have followed my reports  through these long months, you and I are

about parting company.  Perhaps you are one of those who have known me under another name, in  those

faroff days separated from these by the red sea of the great  national conflict.  When you first heard the tinkle

of the teaspoons,  as the table was being made ready for its guests, you trembled for  me, in the kindness of

your hearts.  I do not wonder that you did,I  trembled for myself.  But I remembered the story of Sir

Cloudesley  Shovel, who was seen all of a tremor just as he was going into  action.  "How is this?" said a

brother officer to him.  "Surely you  are not afraid?"  " No," he answered, "but my flesh trembles at the  thought

of the dangers into which my intrepid spirit will carry me."  I knew the risk of undertaking to carry through a

series of connected  papers.  And yet I thought it was better to run that risk, more  manly, more sensible, than to

give way to the fears which made my  flesh tremble as did Sir Cloudesley Shovel's.  For myself the labor  has

been a distraction, and one which came at a time when it was  needed.  Sometimes, as in one of those poems

recently published,the  reader will easily guess which,the youthful spirit has come over me  with such a

rush that it made me feel just as I did when I wrote the  history of the "Onehoss Shay" thirty years ago.  To

repeat one of my  comparisons, it was as if an early fruit had ripened on a graft upon  an old, steadygoing

tree, to the astonishment of all its later  maturing products.  I should hardly dare to say so much as this if I

had not heard a similar opinion expressed by others. 

Once committed to my undertaking, there was no turning back.  It is  true that I had said I might stop at any

moment, but after one or two  numbers it seemed as if there were an informal pledge to carry the  series on, as


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in former cases, until I had completed my dozen  instalments. 

Writers and speakers have their idiosyncrasies, their habits, their  tricks, if you had rather call them so, as to

their ways of writing  and speaking.  There is a very old and familiar story, accompanied by  a feeble jest,

which most of my readers may probably enough have met  with in Joe Miller or elsewhere.  It is that of a

lawyer who could  never make an argument without having a piece of thread to work upon  with his fingers

while he was pleading.  Some one stole it from him  one day, and he could not get on at all with his

speech,he had lost  the thread of his discourse, as the story had it.  Now this is what I  myself once saw.  It

was at a meeting where certain grave matters  were debated in an assembly of professional men.  A speaker,

whom I  never heard before or since, got up and made a long and forcible  argument.  I do not think he was a

lawyer, but he spoke as if he had  been trained to talk to juries.  He held a long string in one hand,  which he

drew through the other band incessantly, as he spoke, just  as a shoe maker performs the motion of waxing his

thread.  He  appeared to be dependent on this motion.  The physiological  significance of the fact I suppose to be

that the flow of what we  call the nervous current from the thinking centre to the organs of  speech was

rendered freer and easier by the establishment of a  simultaneous collateral nervous current to the set of

muscles  concerned in the action I have described. 

I do not use a string to help me write or speak, but I must have  its  equivalent.  I must have my paper and pen

or pencil before me to  set  my thoughts flowing in such form that they can be written  continuously.  There

have been lawyers who could think out their  whole argument in connected order without a single note.  There

are  authors,and I think there are many,who can compose and finish off  a poem or a story without

writing a word of it until, when the proper  time comes, they copy what they carry in their heads.  I have been

told that Sir Edwin Arnold thought out his beautiful "Light of Asia"  in this way. 

I find the great charm of writing consists in its surprises.  When  one is in the receptive attitude of mind, the

thoughts which are  sprung upon him, the images which flash through hisconsciousness,  are a delight and

an excitement.  I am impatient of every hindrance  in setting down my thoughts,of a pen that will not write,

of ink  that will not flow, of paper that will not receive the ink.  And here  let me pay the tribute which I owe to

one of the humblest but most  serviceable of my assistants, especially in poetical composition.  Nothing seems

more prosaic than the stylographic pen.  It deprives  the handwriting of its beauty, and to some extent of its

individual  character.  The brutal communism of the letters it forms covers the  page it fills with the most

uniformly uninteresting characters.  But,  abuse it as much as you choose, there is nothing like it for the  poet,

for the imaginative writer.  Many a fine flow of thought has  been checked, perhaps arrested, by the ill

behavior of a goosequill.  Many an idea has escaped while the author was dipping his pen in the  inkstand.

But with the stylographic pen, in the hands of one who  knows how to care for it and how to use it, unbroken

rhythms and  harmonious cadences are the natural products of the unimpeded flow of  the fluid which is the

vehicle of the author's thoughts and fancies.  So much for my debt of gratitude to the humble stylographic pen.

It  does not furnish the proper medium for the correspondence of  intimates, who wish to see as much of their

friends' personality as  their handwriting can hold,still less for the impassioned  interchange of sentiments

between lovers; but in writing for the  press its use is open to no objection.  Its movement over the paper  is like

the flight of a swallow, while the quill pen and the steel  pen and the gold pen are all taking short, laborious

journeys, and  stopping to drink every few minutes. 

A chief pleasure which the author of novels and stories experiences  is that of becoming acquainted with the

characters be draws.  It is  perfectly true that his characters must, in the nature of things,  have more or less of

himself in their composition.  If I should seek  an exemplification of this in the person of any of my Teacups, I

should find it most readily in the one whom I have called Number  Seven, the one with the squinting brain.  I

think that not only I,  the writer, but many of my readers, recognize in our own mental  constitution an

occasional obliquity of perception, not always  detected at the time, but plain enough when looked back upon.

What  extravagant fancies you and I have seriously entertained at one time  or another!  What superstitious

notions have got into our heads and  taken possession of its empty chambers,or, in the language of  science,


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seized on the groups of nervecells in some of the idle  cerebral convolutions! 

The writer, I say, becomes acquainted with his characters as be  goes  on.  They are at first mere embryos,

outlines of distinct  personalities.  By and by, if they have any organic cohesion, they  begin to assert

themselves.  They can say and do such and such  things; such and such other things they cannot and must not

say or  do.  The storywriter's and playwriter's danger is that they will  get their characters mixed, and make

A say what B ought to have said.  The stronger his imaginative faculty, the less liable will the writer  be to this

fault; but not even Shakespeare's power of throwing  himself into his characters prevents many of his different

personages  from talking philosophy in the same strain and in a style common to  them all. 

You will often observe that authors fall in love with the imaginary  persons they describe, and that they

bestow affectionate epithets  upon them which it may happen the reader does not consider in any way  called

for.  This is a pleasure to which they have a right.  Every  author of a story is surrounded by a little family of

ideal children,  as dear to him, it may be, as are fleshandblood children to their  parents.  You may forget all

about the circle of Teacups to which I  have introduced you,on the supposition that you have followed me

with some degree of interest; but do you suppose that Number Five  does not continue as a presence with me,

and that my pretty Delilah  has left me forever because she is going to be married? 

No, my dear friend, our circle will break apart, and its different  members will soon be to you as if they had

never been.  But do you  think that I can forget them?  Do you suppose that I shall cease to  follow the love (or

the loves; which do you think is the true word,  the singular or the plural?) of Number Five and the young

Tutor who  is so constantly found in her company?  Do you suppose that I do not  continue my relations with

the "Cracked Teacup,"the poor old fellow  with whom I have so much in common, whose counterpart,

perhaps, you  may find in your own complex personality? 

I take from the top shelf of the hospital department of my library  the section devoted to literary cripples,

imbeciles, failures,  foolish rhymesters, and silly eccentricsone of the least  conspicuous and most

hopelessly feeble of the weakminded population  of that intellectual almshouse.  I open it and look through

its  pages.  It is a story.  I have looked into it once before,on its  first reception as a gift from the author.  I try

to recall some of  the names I see there: they mean nothing to me, but I venture to say  the author cherishes

them all, and cries over them as he did when he  was writing their history.  I put the book back among its dusty

companions, and, sitting down in my reflective rockingchair, think  how others must forget, and how I shall

remember, the company that  gathered about this table. 

Shall I ever meet any one of them again, in these pages or in any  other?  Will the cracked Teacup hold

together, or will he go to  pieces, and find himself in that retreat where the owner of the  terrible clock which

drove him crazy is walking under the shelter of  the high walls?  Has the young Doctor's crown yet received

the seal  which is Nature's warrant of wisdom and proof of professional  competency?  And Number Five and

her young friend the Tutor,have  they kept on in their dangerous intimacy?  Did they get through the  tutto

tremante passage, reading from the same old large edition of  Dante which the Tutor recommended as the

best, and in reading from  which their heads were necessarily brought perilously near to each  other? 

It would be very pleasant if I could, consistently with the present  state of affairs, bring these two young

people together.  I say two  young people, for the one who counts most years seems to me to be  really the

younger of the pair.  That Number Five foresaw from the  first that any tenderer feeling than that of friendship

would intrude  itself between them I do not believe.  As for the Tutor, he soon  found where he was drifting.  It

was his first experience in matters  concerning the heart, and absorbed his whole nature as a thing of  course.

Did he tell her he loved her?  Perhaps he did, fifty times;  perhaps he never had the courage to say so outright.

But sometimes  they looked each other straight in the eyes, and strange messages  seemed to pass from one

consciousness to the other.  Will the Tutor  ask Number Five to be his wife; and if he does, will she yield to the

dictates of nature, and lower the flag of that fortress so long  thought impregnable?  Will be go on writing such


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poems to her as "The  Rose and the Fern " or "I Like You and I Love You," and be content  with the pursuit of

that which he never can attain?  That is all very  well, on the "Grecian Urn" of Keats,beautiful, but not love

such as  mortals demand.  Still, that may be all, for aught that we have yet  seen. 

"Fair youth, beneath the trees, thou canst not leave  Thy song, nor  ever can those trees be bare;  Bold lover,

never, never, canst thou  kiss,  Though winning near the goal,yet do not grieve;  She cannot  fade, though

thou hast not thy bliss,  Forever wilt thou love, and she  be fair! 

          .........................

"More happy love! more happy, happy love!

Forever warm, and still to be enjoyed,

Forever panting and forever young!"

And so, goodbye, young people, whom we part with here.  Shadows  you  have been and are to my readers;

very real you have been and are  to  me,as real as the memories of many friends whom I shall see no  more. 

As I am not in the habit of indulging in late suppers, the reader  need not think that I shall spread another

board and invite him to  listen to the conversations which take place around it.  If, from  time to time, he finds a

slight refection awaiting him on the  sideboard, I hope he may welcome it as pleasantly as he has accepted

what I have offered him from the board now just being cleared. 

.......................... 

It is a good rule for the actor who manages the popular street  drama  of Punch not to let the audience or

spectators see his legs.  It  is  very hard for the writer of papers like these, which are now coming  to their

conclusion, to keep his personality from showing itself too  conspicuously through the thin disguises of his

various characters.  As the show is now over, as the curtain has fallen, I appear before  it in my proper person,

to address a few words to the friends who  have assisted, as the French say, by their presence, and as we use

the word, by the kind way in which they have received my attempts at  their entertainment. 

This series of papers is the fourth of its kind which I have  offered  to my readers.  I may be allowed to look

back upon the  succession of  serial articles which was commenced more than thirty  years ago, in  1857.  "The

Autocrat of the BreakfastTable" was the  first of the  series.  It was begun without the least idea what was to

be its  course and its outcome.  Its characters shaped themselves  gradually  as the manuscript grew under my

hand.  I jotted down on the  sheet of  blotting paper before me the thoughts and fancies which came  into my

head.  A very oddlooking object was this page of memoranda.  Many of  the hints were worked up into formal

shape, many were  rejected.  Sometimes I recorded a story, a jest, or a pun for  consideration, and  made use of

it or let it alone as my second thought  decided.  I  remember a curious coincidence, which, if I have ever told

in print,  I am not sure whether I have or not,I will tell over  again.  I  mention it, not for the pun, which I

rejected as not very  edifying  and perhaps not new, though I did not recollect having seen  it. 

Mulier, Latin for woman; why apply that name to one of the gentle  but  occasionally obstinate sex?  The

answer was that a woman is  (sometimes) more mulish than a mule.  Please observe that I did not  like the poor

pun very well, and thought it rather rude and  inelegant.  So I left it on the blotter, where it was standing when

one of the next numbers of "Punch" came out and contained that very  same pun, which must have been hit

upon by some English contributor  at just about the same time I fell upon it on this side of the  Atlantic.  This

fact may be added to the chapter of coincidences  which belongs to the first number of this series of papers. 

The "Autocrat" had the attraction of novelty, which of course was  wanting in the succeeding papers of similar

character.  The  criticisms upon the successive numbers as they came out were various,  but generally

encouraging.  Some were more than encouraging; very  highcolored in their phrases of commendation.  When


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the papers were  brought together in a volume their success was beyond my  expectations.  Up to the present

time the "Autocrat" has maintained  its position.  An immortality of a whole generation is more than most

writers are entitled to expect.  I venture to think, from the letters  I receive from the children and grandchildren

of my first set of  readers, that for some little time longer, at least, it will continue  to be read, and even to be a

favorite with some of its readers.  Non  omnis moriar is a pleasant thought to one who has loved his poor  little

planet, and will, I trust, retain kindly recollections of it  through whatever wilderness of worlds he may be

called to wander in  his future pilgrimages.  I say "poor little planet."  Ever since I  had a ten cent look at the

transit of Venus, a few years ago, through  the telescope in the Mall, the earth has been wholly different to me

from what it used to be.  I knew from books what a speck it is in the  universe, but nothing ever brought the

fact home like the sight of  the sister planet sailing across the sun's disk, about large enough  for a buckshot,

not large enough for a fullsized bullet.  Yes, I  love the little globule where I have spent more than fourscore

years,  and I like to think that some of my thoughts and some of my emotions  may live themselves over again

when I am sleeping.  I cannot thank  all the kind readers of the "Autocrat" who are constantly sending me  their

acknowledgments.  If they see this printed page, let them be  assured that a writer is always rendered happier

by being told that  he has made a fellowbeing wiser or better, or even contributed to  his harmless

entertainment.  This a correspondent may take for  granted, even if his letter of grateful recognition receives no

reply.  It becomes more and more difficult for me to keep up with my  correspondents, and I must soon give it

up as impossible. 

"The Professor at the Breakfast Table" followed immediately on the  heels of the "Autocrat."  The Professor

was the alter ego of the  first personage.  In the earlier series he had played a secondary  part, and in this second

series no great effort was made to create a  character wholly unlike the first.  The Professor was more

outspoken,  however, on religious subjects, and brought down a good deal of hard  language on himself and

the author to whom he owed his existence.  I  suppose he may have used some irritating expressions,

unconsciously,  but not unconscientiously, I am sure.  There is nothing harder to  forgive than the sting of an

epigram.  Some of the old doctors, I  fear, never pardoned me for saying that if a ship, loaded with an  assorted

cargo of the drugs which used to be considered the natural  food of sick people, went to the bottom of the sea,

it would be "all  the better for mankind and all the worse for the fishes."  If I had  not put that snapper on the

end of my whiplash, I might have got off  without the ill temper which my antithesis provoked.  Thirty years

set that all right, and the same thirty years have so changed the  theological atmosphere that such abusive

words as "heretic" and  "infidel," applied to persons who differ from the old standards of  faith, are chiefly

interesting as a test of breeding, being seldom  used by any people above the social halfcaste line.  I am

speaking  of Protestants; how it may be among Roman Catholics I do not know,  but I suspect that with them

also it is a good deal a matter of  breeding.  There were not wanting some who liked the Professor better  than

the Autocrat.  I confess that I prefer my champagne in its first  burst of gaseous enthusiasm; but if my guest

likes it better after it  has stood awhile, I am pleased to accommodate him.  The first of my  series came from

my mind almost with an explosion, like the champagne  cork; it startled me a little to see what I had written,

and to hear  what people said about it.  After that first explosion the flow was  more sober, and I looked upon

the product of my winepress more  coolly.  Continuations almost always sag a little.  I will not say  that of my

own second effort, but if others said it, I should not be  disposed to wonder at or to dispute them. 

"The Poet at the Breakfast Table" came some years later.  This  series  of papers was not so much a

continuation as a resurrection.  It  was a  doubly hazardous attempt, made without any extravagant

expectations,  and was received as well as I had any right to  anticipate.  It  differed from the other two series in

containing a  poem of  considerable length, published in successive portions.  This  poem  holds a good deal of

selfcommuning, and gave me the opportunity  of  expressing some thoughts and feelings not to be found

elsewhere in  my  writings.  I had occasion to read the whole volume, not long since,  in preparation for a new

edition, and was rather more pleased with it  than I had expected to be.  An old author is constantly rediscoving

himself in the more or less fossilized productions of his earlier  years.  It is a long time since I have read the

"Autocrat," but I  take it up now and then and read in it for a few minutes, not always  without some degree of

edification. 


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These three series of papers, "Autocrat," "Professor,"  "Poet," are  all studies of life from somewhat different

points of view.  They are  largely made up of sober reflections, and appeared to me to require  some lively

human interest to save them from wearisome didactic  dulness.  What could be more natural than that love

should find its  way among the young people who helped to make up the circle gathered  around the table?

Nothing is older than the story of young love.  Nothing is newer than that same old story.  A bit of gilding here

and  there has a wonderful effect in enlivening a landscape or an  apartment.  Napoleon consoled the Parisians

in their year of defeat  by gilding the dome of the Invalides.  Boston has glorified her State  House and herself

at the expense of a few sheets of gold leaf laid on  the dome, which shines like a sun in the eyes of her

citizens, and  like a star in those of the approaching traveller.  I think the  gilding of a lovestory helped all

three of these earlier papers.  The  same need I felt in the series of papers just closed.  The slight  incident of

Delilah's appearance and disappearance served my purpose  to some extent.  But what should I do with

Number Five?  The reader  must follow out her career for himself.  For myself, I think that she  and the Tutor

have both utterly forgotten the difference of their  years in the fascination of intimate intercourse.  I do not

believe  that a nature so large, so rich in affection, as Number Five's is  going to fall defeated of its best

inheritance of life, like a vine  which finds no support for its tendrils to twine around, and so  creeps along the

ground from which nature meant that love should lift  it.  I feel as if I ought to follow these two personages of

my  sermonizing story until they come together or separate, to fade, to  wither,perhaps to die, at last, of

something like what the doctors  call heartfailure, but which might more truly be called heart  starvation.

When I say die, I do not mean necessarily the death that  goes into the obituary column.  It may come to that,

in one or both;  but I think that, if they are never united, Number Five will outlive  the Tutor, who will fall into

melancholy ways, and pine and waste,  while she lives along, feeling all the time that she has cheated  herself

of happiness.  I hope that is not going to be their fortune,  or misfortune.  Vieille fille fait jeune mariee.  What a

youthful  bride Number Five would be, if she could only make up her mind to  matrimony!  In the mean time

she must be left with her lambs all  around her.  May heaven temper the winds to them, for they have been

shorn very close, every one of them, of their golden fleece of  aspirations and anticipations. 

I must avail myself of this opportunity to say a few words to my  distant friends who take interest enough in

my writings, early or  recent, to wish to enter into communication with me by letter, or to  keep up a

communication already begun.  I have given notice in print  that the letters, books, and manuscripts which I

receive by mail are  so numerous that if I undertook to read and answer them all I should  have little time for

anything else.  I have for some years depended  on the assistance of a secretary, but our joint efforts have

proved  unable, of late, to keep down the accumulations which come in with  every mail.  So many of the

letters I receive are of a pleasant  character that it is hard to let them go unacknowledged.  The extreme

friendliness which pervades many of them gives them a value which I  rate very highly.  When large numbers

of strangers insist on claiming  one as a friend, on the strength of what he has written, it tends to  make him

think of himself somewhat indulgently.  It is the most  natural thing in the world to want to give expression to

the feeling  the loving messages from faroff unknown friends must excite.  Many a  day has had its best

working hours broken into, spoiled for all  literary work, by the labor of answering correspondents whose

good  opinion it is gratifying to have called forth, but who were  unconsciously laying a new burden on

shoulders already aching.  I  know too well that what I say will not reach the eyes of many who  might possibly

take a hint from it.  Still I must keep repeating it  before breaking off suddenly and leaving whole piles of

letters  unanswered.  I have been very heavily handicapped for many years.  It  is partly my own fault.  From

what my correspondents tell me, I must  infer that I have established a dangerous reputation for willingness  to

answer all sorts of letters.  They come with such insinuating  humility, they cannot bear to intrude upon my

time, they know that  I have a great many calls upon it,and incontinently proceed to lay  their additional

weight on the load which is breaking my back. 

The hypocrisy of kindhearted people is one of the most painful  exhibitions of human weakness.  It has

occurred to me that it might  be profitable to reproduce some of my unwritten answers to  correspondents.  If

those which were actually written and sent were  to be printed in parallel columns with those mentally formed

but not  written out responses and comments, the reader would get some idea of  the internal conflicts an


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honest and not unamiable person has to go  through, when he finds himself driven to the wall by a

correspondence  which is draining his vocabulary to find expressions that sound as  agreeably, and signify as

little, as the phrases used by a  diplomatist in closing an official communication. 

No.  1.  Want my autograph, do you?  And don't know how to spell my  name.  An a for an e in my middle

name.  Leave out the l in my last  name.  Do you know how people hate to have their names misspelled?  What

do you suppose are the sentiments entertained by the Thompsons  with a p towards those who address them in

writing as Thomson? 

No.  2.  Think the lines you mention are by far the best I ever  wrote, hey?  Well, I didn't write those lines.  What

is more, I think  they are as detestable a string of rhymes as I could wish my worst  enemy had written.  A very

pleasant frame of mind I am in for writing  a letter, after reading yours! 

No.  3.  I am glad to hear that my namesake, whom I never saw and  never expect to see, has cut another tooth;

but why write four pages  on the strength of that domestic occurrence? 

No.  4.  You wish to correct an error in my Broomstick poem, do  you?  You give me to understand that

Wilmington is not in Essex County,  but  in Middlesex.  Very well; but are they separated by running water?

Because if they are not, what could hinder a witch from crossing the  line that separates Wilmington from

Andover, I should like to know?  I  never meant to imply that the witches made no excursions beyond the

district which was more especially their seat of operations. 

As I come towards the end of this task which I had set myself, I  wish, of course, that I could have performed

it more to my own  satisfaction and that of my readers.  This is a feeling which almost  every one must have at

the conclusion of any work he has undertaken.  A common and very simple reason for this disappointment is

that most  of us overrate our capacity.  We expect more of ourselves than we  have any right to, in virtue of our

endowments.  The figurative  descriptions of the last Grand Assize must no more be taken literally  than the

golden crowns, which we do not expect or want to wear on our  heads, or the golden harps, which we do not

want or expect to hold in  our hands.  Is it not too true that many religious sectaries think of  the last tribunal

complacently, as the scene in which they are to  have the satisfaction of saying to the believers of a creed

different  from their own, "I told you so"?  Are not others oppressed with the  thought of the great returns

which will be expected of them as the  product of their great gifts, the very limited amount of which they  do

not suspect, and will be very glad to learn, even at the expense  of their selflove, when they are called to their

account?  If the  ways of the Supreme Being are ever really to be "justified to men,"  to use Milton's expression,

every human being may expect an  exhaustive explanation of himself.  No man is capable of being his  own

counsel, and I cannot help hoping that the ablest of the,  archangels will be retained for the defence of the

worst of sinners.  He himself is unconscious of the agencies which made him what he is.  Selfdetermining he

may be, if you will, but who determines the self  which is the proximate source of the determination?  Why

was the A  self like his good uncle in bodily aspect and mental and moral  qualities, and the B self like the bad

uncle in look and character?  Has not a man a right to ask this question in the here or in the  hereafter,in this

world or in any world in which he may find  himself?  If the Allwise wishes to satisfy his reasonable and

reasoning creatures, it will not be by a display of elemental  convulsions, but by the still small voice, which

treats with him as a  dependent entitled to know the meaning of his existence, and if there  was anything wrong

in his adjustment to the moral and spiritual  conditions of the world around him to have full allowance made

for  it.  No melodramatic display of warring elements, such as the white  robed Second Adventist imagines,

can meet the need of the human  heart.  The thunders and lightnings of Sinai terrified and impressed  the more

timid souls of the idolatrous and rebellious caravan which  the great leader was conducting, but a far nobler

manifestation of  divinity was that when "the Lord spake unto Moses face to face, as a  man speaketh unto his

friend." 


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Page No 125


I find the burden and restrictions of rhyme more and more  troublesome  as I grow older.  There are times when

it seems natural  enough to  employ that form of expression, but it is only occasionally;  and the  use of it as the

vehicle of the commonplace is so prevalent  that one  is not much tempted to select it as the medium for his

thoughts and  emotions.  The art of rhyming has almost become a part of  a high  school education, and its

practice is far from being an  evidence of  intellectual distinction.  Mediocrity is as much forbidden  to the  poet

in our days as it was in those of Horace, and the immense  majority of the verses written are stamped with

hopeless mediocrity. 

When one of the ancient poets found he was trying to grind out  verses  which came unwillingly, he said he

was writing 

          INVITA MINERVA.

Vex not the Muse with idle prayers,  She will not hear thy call;  She steals upon thee unawares,  Or seeks

thee not at all.  Soft as the  moonbeams when they sought  Endymion's fragrant bower,  She parts the

whispering leaves of thought  To show her fullblown flower.  For thee  her wooing hour has passed,  The

singing birds have flown,  And winter  comes with icy blast  To chill thy buds unblown.  Yet, though the woods

no longer thrill  As once their arches rung,  Sweet echoes hover round  thee still  Of songs thy summer sung.

Live in thy past; await no more  The rush of heavensent wings;  Earth still has music left in store  While

Memory sighs and sings. 

I hope my special Minerva may not always be unwilling, but she must  not be called upon as she has been in

times past.  Now that the  teacups have left the table, an occasional evening call is all that  my readers must

look for.  Thanking them for their kind  companionship, and hoping that I may yet meet them in the now and

then in the future, I bid them goodbye for the immediate present. 


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Bookmarks



1. Table of Contents, page = 3

2. OVER THE TEACUPS, page = 4

   3. Oliver W. Holmes, page = 4

   4. PREFACE., page = 4

   5. I. INTRODUCTION., page = 5

   6. II. TO THE READER., page = 11

   7. III, page = 20

   8. IV, page = 31

   9. V, page = 40

   10. VI, page = 50

   11. VII, page = 61

   12. VIII., page = 71

   13. IX, page = 83

   14. X, page = 94

   15. XI, page = 105

   16. XII, page = 117