Title: Somebody's Luggage
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Author: Charles Dickens
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Somebody's Luggage
Charles Dickens
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Table of Contents
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Somebody's Luggage
Charles Dickens
CHAPTER IHIS LEAVING IT TILL CALLED FOR
CHAPTER IIHIS BOOTS
CHAPTER IIIHIS BROWNPAPER PARCEL
CHAPTER IVHIS WONDERFUL END
CHAPTER IHIS LEAVING IT TILL CALLED FOR
The writer of these humble lines being a Waiter, and having come of a family of Waiters, and owning at the
present time five brothers who are all Waiters, and likewise an only sister who is a Waitress, would wish to
offer a few words respecting his calling; first having the pleasure of hereby in a friendly manner offering the
Dedication of the same unto JOSEPH, much respected Head Waiter at the Slamjam Coffeehouse, London,
E.C., than which a individual more eminently deserving of the name of man, or a more amenable honour to
his own head and heart, whether considered in the light of a Waiter or regarded as a human being, do not
exist.
In case confusion should arise in the public mind (which it is open to confusion on many subjects) respecting
what is meant or implied by the term Waiter, the present humble lines would wish to offer an explanation. It
may not be generally known that the person as goes out to wait is NOT a Waiter. It may not be generally
known that the hand as is called in extra, at the Freemasons' Tavern, or the London, or the Albion, or
otherwise, is NOT a Waiter. Such hands may be took on for Public Dinners by the bushel (and you may know
them by their breathing with difficulty when in attendance, and taking away the bottle ere yet it is half out);
but such are NOT Waiters. For you cannot lay down the tailoring, or the shoemaking, or the brokering, or the
greengrocering, or the pictorial periodicalling, or the secondhand wardrobe, or the small fancy
businesses,you cannot lay down those lines of life at your will and pleasure by the halfday or evening,
and take up Waitering. You may suppose you can, but you cannot; or you may go so far as to say you do, but
you do not. Nor yet can you lay down the gentleman's service when stimulated by prolonged incompatibility
on the part of Cooks (and here it may be remarked that Cooking and Incompatibility will be mostly found
united), and take up Waitering. It has been ascertained that what a gentleman will sit meek under, at home, he
will not bear out of doors, at the Slamjam or any similar establishment. Then, what is the inference to be
drawn respecting true Waitering? You must be bred to it. You must be born to it.
Would you know how born to it, Fair Reader,if of the adorable female sex? Then learn from the
biographical experience of one that is a Waiter in the sixtyfirst year of his age.
You were conveyed,ere yet your dawning powers were otherwise developed than to harbour vacancy in
your inside,you were conveyed, by surreptitious means, into a pantry adjoining the Admiral Nelson, Civic
and General DiningRooms, there to receive by stealth that healthful sustenance which is the pride and boast
of the British female constitution. Your mother was married to your father (himself a distant Waiter) in the
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profoundest secrecy; for a Waitress known to be married would ruin the best of businesses,it is the same as
on the stage. Hence your being smuggled into the pantry, and thatto add to the inflictionby an unwilling
grandmother. Under the combined influence of the smells of roast and boiled, and soup, and gas, and malt
liquors, you partook of your earliest nourishment; your unwilling grandmother sitting prepared to catch you
when your mother was called and dropped you; your grandmother's shawl ever ready to stifle your natural
complainings; your innocent mind surrounded by uncongenial cruets, dirty plates, dishcovers, and cold
gravy; your mother calling down the pipe for veals and porks, instead of soothing you with nursery rhymes.
Under these untoward circumstances you were early weaned. Your unwilling grandmother, ever growing
more unwilling as your food assimilated less, then contracted habits of shaking you till your system curdled,
and your food would not assimilate at all. At length she was no longer spared, and could have been thankfully
spared much sooner. When your brothers began to appear in succession, your mother retired, left off her
smart dressing (she had previously been a smart dresser), and her dark ringlets (which had previously been
flowing), and haunted your father late of nights, lying in wait for him, through all weathers, up the shabby
court which led to the back door of the Royal Old DustBin (said to have been so named by George the
Fourth), where your father was Head. But the DustBin was going down then, and your father took but
little,excepting from a liquid point of view. Your mother's object in those visits was of a house keeping
character, and you was set on to whistle your father out. Sometimes he came out, but generally not. Come or
not come, however, all that part of his existence which was unconnected with open Waitering was kept a
close secret, and was acknowledged by your mother to be a close secret, and you and your mother flitted
about the court, close secrets both of you, and would scarcely have confessed under torture that you know
your father, or that your father had any name than Dick (which wasn't his name, though he was never known
by any other), or that he had kith or kin or chick or child. Perhaps the attraction of this mystery, combined
with your father's having a damp compartment, to himself, behind a leaky cistern, at the DustBin,a sort of
a cellar compartment, with a sink in it, and a smell, and a platerack, and a bottlerack, and three windows
that didn't match each other or anything else, and no daylight,caused your young mind to feel convinced
that you must grow up to be a Waiter too; but you did feel convinced of it, and so did all your brothers, down
to your sister. Every one of you felt convinced that you was born to the Waitering. At this stage of your
career, what was your feelings one day when your father came home to your mother in open broad
daylight,of itself an act of Madness on the part of a Waiter,and took to his bed (leastwise, your mother
and family's bed), with the statement that his eyes were devilled kidneys. Physicians being in vain, your
father expired, after repeating at intervals for a day and a night, when gleams of reason and old business
fitfully illuminated his being, "Two and two is five. And three is sixpence." Interred in the parochial
department of the neighbouring churchyard, and accompanied to the grave by as many Waiters of long
standing as could spare the morning time from their soiled glasses (namely, one), your bereaved form was
attired in a white neckankecher, and you was took on from motives of benevolence at The George and
Gridiron, theatrical and supper. Here, supporting nature on what you found in the plates (which was as it
happened, and but too often thoughtlessly, immersed in mustard), and on what you found in the glasses
(which rarely went beyond driblets and lemon), by night you dropped asleep standing, till you was cuffed
awake, and by day was set to polishing every individual article in the coffeeroom. Your couch being
sawdust; your counterpane being ashes of cigars. Here, frequently hiding a heavy heart under the smart tie of
your white neckankecher (or correctly speaking lower down and more to the left), you picked up the
rudiments of knowledge from an extra, by the name of Bishops, and by calling platewasher, and gradually
elevating your mind with chalk on the back of the cornerbox partition, until such time as you used the
inkstand when it was out of hand, attained to manhood, and to be the Waiter that you find yourself.
I could wish here to offer a few respectful words on behalf of the calling so long the calling of myself and
family, and the public interest in which is but too often very limited. We are not generally understood. No, we
are not. Allowance enough is not made for us. For, say that we ever show a little drooping listlessness of
spirits, or what might be termed indifference or apathy. Put it to yourself what would your own state of mind
be, if you was one of an enormous family every member of which except you was always greedy, and in a
hurry. Put it to yourself that you was regularly replete with animal food at the slack hours of one in the day
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and again at nine p.m., and that the repleter you was, the more voracious all your fellowcreatures came in.
Put it to yourself that it was your business, when your digestion was well on, to take a personal interest and
sympathy in a hundred gentlemen fresh and fresh (say, for the sake of argument, only a hundred), whose
imaginations was given up to grease and fat and gravy and melted butter, and abandoned to questioning you
about cuts of this, and dishes of that,each of 'em going on as if him and you and the bill of fare was alone
in the world. Then look what you are expected to know. You are never out, but they seem to think you
regularly attend everywhere. "What's this, Christopher, that I hear about the smashed Excursion Train? How
are they doing at the Italian Opera, Christopher?" "Christopher, what are the real particulars of this business
at the Yorkshire Bank?" Similarly a ministry gives me more trouble than it gives the Queen. As to Lord
Palmerston, the constant and wearing connection into which I have been brought with his lordship during the
last few years is deserving of a pension. Then look at the Hypocrites we are made, and the lies (white, I hope)
that are forced upon us! Why must a sedentarypursuited Waiter be considered to be a judge of horseflesh,
and to have a most tremendous interest in horsetraining and racing? Yet it would be half our little incomes
out of our pockets if we didn't take on to have those sporting tastes. It is the same (inconceivable why!) with
Farming. Shooting, equally so. I am sure that so regular as the months of August, September, and October
come round, I am ashamed of myself in my own private bosom for the way in which I make believe to care
whether or not the grouse is strong on the wing (much their wings, or drumsticks either, signifies to me,
uncooked!), and whether the partridges is plentiful among the turnips, and whether the pheasants is shy or
bold, or anything else you please to mention. Yet you may see me, or any other Waiter of my standing,
holding on by the back of the box, and leaning over a gentleman with his purse out and his bill before him,
discussing these points in a confidential tone of voice, as if my happiness in life entirely depended on 'em.
I have mentioned our little incomes. Look at the most unreasonable point of all, and the point on which the
greatest injustice is done us! Whether it is owing to our always carrying so much change in our righthand
trouserspocket, and so many halfpence in our coat tails, or whether it is human nature (which I were loth to
believe), what is meant by the everlasting fable that Head Waiters is rich? How did that fable get into
circulation? Who first put it about, and what are the facts to establish the unblushing statement? Come forth,
thou slanderer, and refer the public to the Waiter's will in Doctors' Commons supporting thy malignant hiss!
Yet this is so commonly dwelt uponespecially by the screws who give Waiters the leastthat denial is
vain; and we are obliged, for our credit's sake, to carry our heads as if we were going into a business, when of
the two we are much more likely to go into a union. There was formerly a screw as frequented the Slamjam
ere yet the present writer had quitted that establishment on a question of teaing his assistant staff out of his
own pocket, which screw carried the taunt to its bitterest height. Never soaring above threepence, and as
often as not grovelling on the earth a penny lower, he yet represented the present writer as a large holder of
Consols, a lender of money on mortgage, a Capitalist. He has been overheard to dilate to other customers on
the allegation that the present writer put out thousands of pounds at interest in Distilleries and Breweries.
"Well, Christopher," he would say (having grovelled his lowest on the earth, half a moment before), "looking
out for a House to open, eh? Can't find a business to be disposed of on a scale as is up to your resources,
humph?" To such a dizzy precipice of falsehood has this misrepresentation taken wing, that the wellknown
and highlyrespected OLD CHARLES, long eminent at the West Country Hotel, and by some considered the
Father of the Waitering, found himself under the obligation to fall into it through so many years that his own
wife (for he had an unbeknown old lady in that capacity towards himself) believed it! And what was the
consequence? When he was borne to his grave on the shoulders of six picked Waiters, with six more for
change, six more acting as pallbearers, all keeping step in a pouring shower without a dry eye visible, and a
concourse only inferior to Royalty, his pantry and lodgings was equally ransacked high and low for property,
and none was found! How could it be found, when, beyond his last monthly collection of walkingsticks,
umbrellas, and pockethandkerchiefs (which happened to have been not yet disposed of, though he had ever
been through life punctual in clearing off his collections by the month), there was no property existing? Such,
however, is the force of this universal libel, that the widow of Old Charles, at the present hour an inmate of
the Almshouses of the CorkCutters' Company, in Blue Anchor Road (identified sitting at the door of one of
'em, in a clean cap and a Windsor armchair, only last Monday), expects John's hoarded wealth to be found
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hourly! Nay, ere yet he had succumbed to the grisly dart, and when his portrait was painted in oils life size,
by subscription of the frequenters of the West Country, to hang over the coffeeroom chimneypiece, there
were not wanting those who contended that what is termed the accessories of such a portrait ought to be the
Bank of England out of window, and a strongbox on the table. And but for betterregulated minds
contending for a bottle and screw and the attitude of drawing,and carrying their point,it would have
been so handed down to posterity.
I am now brought to the title of the present remarks. Having, I hope without offence to any quarter, offered
such observations as I felt it my duty to offer, in a free country which has ever dominated the seas, on the
general subject, I will now proceed to wait on the particular question.
At a momentous period of my life, when I was off, so far as concerned notice given, with a House that shall
be nameless,for the question on which I took my departing stand was a fixed charge for waiters, and no
House as commits itself to that eminently Un English act of more than foolishness and baseness shall be
advertised by me,I repeat, at a momentous crisis, when I was off with a House too mean for mention, and
not yet on with that to which I have ever since had the honour of being attached in the capacity of Head, {1} I
was casting about what to do next. Then it were that proposals were made to me on behalf of my present
establishment. Stipulations were necessary on my part, emendations were necessary on my part: in the end,
ratifications ensued on both sides, and I entered on a new career.
We are a bed business, and a coffeeroom business. We are not a general dining business, nor do we wish it.
In consequence, when diners drop in, we know what to give 'em as will keep 'em away another time. We are a
Private Room or Family business also; but Coffeeroom principal. Me and the Directory and the Writing
Materials and cetrer occupy a place to ourselvesa place fended of up a step or two at the end of the
Coffeeroom, in what I call the good oldfashioned style. The good oldfashioned style is, that whatever you
want, down to a wafer, you must be olely and solely dependent on the Head Waiter for. You must put
yourself a newborn Child into his hands. There is no other way in which a business untinged with
Continental Vice can be conducted. (It were bootless to add, that if languages is required to be jabbered and
English is not good enough, both families and gentlemen had better go somewhere else.)
When I began to settle down in this rightprincipled and well conducted House, I noticed, under the bed in
No. 24 B (which it is up a angle off the staircase, and usually put off upon the lowly minded), a heap of
things in a corner. I asked our Head Chambermaid in the course of the day,
"What are them things in 24 B?"
To which she answered with a careless air, "Somebody's Luggage."
Regarding her with a eye not free from severity, I says, "Whose Luggage?"
Evading my eye, she replied,
"Lor! How should I know!"
Being, it may be right to mention, a female of some pertness, though acquainted with her business.
A Head Waiter must be either Head or Tail. He must be at one extremity or the other of the social scale. He
cannot be at the waist of it, or anywhere else but the extremities. It is for him to decide which of the
extremities.
On the eventful occasion under consideration, I give Mrs. Pratchett so distinctly to understand my decision,
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that I broke her spirit as towards myself, then and there, and for good. Let not inconsistency be suspected on
account of my mentioning Mrs. Pratchett as "Mrs.," and having formerly remarked that a waitress must not
be married. Readers are respectfully requested to notice that Mrs. Pratchett was not a waitress, but a
chambermaid. Now a chambermaid MAY be married; if Head, generally is married,or says so. It comes to
the same thing as expressing what is customary. (N.B. Mr. Pratchett is in Australia, and his address there is
"the Bush.")
Having took Mrs. Pratchett down as many pegs as was essential to the future happiness of all parties, I
requested her to explain herself.
"For instance," I says, to give her a little encouragement, "who is Somebody?"
"I give you my sacred honour, Mr. Christopher," answers Pratchett, "that I haven't the faintest notion."
But for the manner in which she settled her capstrings, I should have doubted this; but in respect of
positiveness it was hardly to be discriminated from an affidavit.
"Then you never saw him?" I followed her up with.
"Nor yet," said Mrs. Pratchett, shutting her eyes and making as if she had just took a pill of unusual
circumference,which gave a remarkable force to her denial,"nor yet any servant in this house. All have
been changed, Mr. Christopher, within five year, and Somebody left his Luggage here before then."
Inquiry of Miss Martin yielded (in the language of the Bard of A.1.) "confirmation strong." So it had really
and truly happened. Miss Martin is the young lady at the bar as makes out our bills; and though higher than I
could wish considering her station, is perfectly wellbehaved.
Farther investigations led to the disclosure that there was a bill against this Luggage to the amount of two
sixteen six. The Luggage had been lying under the bedstead of 24 B over six year. The bedstead is a
fourposter, with a deal of old hanging and valance, and is, as I once said, probably connected with more
than 24 Bs, which I remember my hearers was pleased to laugh at, at the time.
I don't know why,when DO we know why?but this Luggage laid heavy on my mind. I fell a wondering
about Somebody, and what he had got and been up to. I couldn't satisfy my thoughts why he should leave so
much Luggage against so small a bill. For I had the Luggage out within a day or two and turned it over, and
the following were the items: A black portmanteau, a black bag, a desk, a dressingcase, a brownpaper
parcel, a hatbox, and an umbrella strapped to a walkingstick. It was all very dusty and fluey. I had our
porter up to get under the bed and fetch it out; and though he habitually wallows in dust,swims in it from
morning to night, and wears a closefitting waistcoat with black calimanco sleeves for the purpose,it made
him sneeze again, and his throat was that hot with it that it was obliged to be cooled with a drink of Allsopp's
draft.
The Luggage so got the better of me, that instead of having it put back when it was well dusted and washed
with a wet cloth,previous to which it was so covered with feathers that you might have thought it was
turning into poultry, and would byandby begin to Lay,I say, instead of having it put back, I had it
carried into one of my places downstairs. There from time to time I stared at it and stared at it, till it seemed
to grow big and grow little, and come forward at me and retreat again, and go through all manner of
performances resembling intoxication. When this had lasted weeks, I may say months, and not be far
out,I one day thought of asking Miss Martin for the particulars of the Two sixteen six total. She was so
obliging as to extract it from the books,it dating before her time,and here follows a true copy:
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CoffeeRoom. 1856. No. 4. Pounds s. d. Feb. 2d, Pen and Paper 0 0 6 Port Negus 0 2 0 Ditto 0 2 0 Pen and
paper 0 0 6 Tumbler broken 0 2 6 Brandy 0 2 0 Pen and paper 0 0 6 Anchovy toast 0 2 6 Pen and paper 0 0 6
Bed 0 3 0 Feb. 3d, Pen and paper 0 0 6 Breakfast 0 2 6 Broiled ham 0 2 0 Eggs 0 1 0 Watercresses 0 1 0
Shrimps 0 1 0 Pen and paper 0 0 6 Blottingpaper 0 0 6 Messenger to Paternoster Row and back 0 1 6 Again,
when No Answer 0 1 6 Brandy 2s., Devilled Pork chop 2s. 0 4 0 Pens and paper 0 1 0 Messenger to
Albemarle Street and back 0 1 0 Again (detained), when No Answer 0 1 6 Saltcellar broken 0 3 6 Large
Liquourglass Orange Brandy 0 1 6 Dinner, Soup, Fish, Joint, and bird 0 7 6 Bottle old East India Brown 0 8
0 Pen and paper 0 0 6 2 16 6
Mem.: January 1st, 1857. He went out after dinner, directing luggage to be ready when he called for it. Never
called.
So far from throwing a light upon the subject, this bill appeared to me, if I may so express my doubts, to
involve it in a yet more lurid halo. Speculating it over with the Mistress, she informed me that the luggage
had been advertised in the Master's time as being to be sold after such and such a day to pay expenses, but no
farther steps had been taken. (I may here remark, that the Mistress is a widow in her fourth year. The Master
was possessed of one of those unfortunate constitutions in which Spirits turns to Water, and rises in the
illstarred Victim.)
My speculating it over, not then only, but repeatedly, sometimes with the Mistress, sometimes with one,
sometimes with another, led up to the Mistress's saying to me,whether at first in joke or in earnest, or half
joke and half earnest, it matters not:
"Christopher, I am going to make you a handsome offer."
(If this should meet her eye,a lovely blue,may she not take it ill my mentioning that if I had been eight
or ten year younger, I would have done as much by her! That is, I would have made her a offer. It is for
others than me to denominate it a handsome one.)
"Christopher, I am going to make you a handsome offer."
"Put a name to it, ma'am."
"Look here, Christopher. Run over the articles of Somebody's Luggage. You've got it all by heart, I know."
"A black portmanteau, ma'am, a black bag, a desk, a dressingcase, a brownpaper parcel, a hatbox, and an
umbrella strapped to a walkingstick."
"All just as they were left. Nothing opened, nothing tampered with."
"You are right, ma'am. All locked but the brownpaper parcel, and that sealed."
The Mistress was leaning on Miss Martin's desk at the barwindow, and she taps the open book that lays
upon the desk,she has a prettymade hand to be sure,and bobs her head over it and laughs.
"Come," says she, "Christopher. Pay me Somebody's bill, and you shall have Somebody's Luggage."
I rather took to the idea from the first moment; but,
"It mayn't be worth the money," I objected, seeming to hold back.
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"That's a Lottery," says the Mistress, folding her arms upon the book,it ain't her hands alone that's pretty
made, the observation extends right up her arms. "Won't you venture two pound sixteen shillings and
sixpence in the Lottery? Why, there's no blanks!" says the Mistress; laughing and bobbing her head again,
"you MUST win. If you lose, you must win! All prizes in this Lottery! Draw a blank, and remember,
GentlemenSportsmen, you'll still be entitled to a black portmanteau, a black bag, a desk, a dressingcase, a
sheet of brown paper, a hatbox, and an umbrella strapped to a walkingstick!"
To make short of it, Miss Martin come round me, and Mrs. Pratchett come round me, and the Mistress she
was completely round me already, and all the women in the house come round me, and if it had been Sixteen
two instead of Two sixteen, I should have thought myself well out of it. For what can you do when they do
come round you?
So I paid the moneydownand such a laughing as there was among 'em! But I turned the tables on 'em
regularly, when I said:
"My familyname is BlueBeard. I'm going to open Somebody's Luggage all alone in the Secret Chamber,
and not a female eye catches sight of the contents!"
Whether I thought proper to have the firmness to keep to this, don't signify, or whether any female eye, and if
any, how many, was really present when the opening of the Luggage came off. Somebody's Luggage is the
question at present: Nobody's eyes, nor yet noses.
What I still look at most, in connection with that Luggage, is the extraordinary quantity of writingpaper, and
all written on! And not our paper neither,not the paper charged in the bill, for we know our paper,so he
must have been always at it. And he had crumpled up this writing of his, everywhere, in every part and parcel
of his luggage. There was writing in his dressingcase, writing in his boots, writing among his
shavingtackle, writing in his hatbox, writing folded away down among the very whalebones of his
umbrella.
His clothes wasn't bad, what there was of 'em. His dressingcase was poor,not a particle of silver
stopper,bottle apertures with nothing in 'em, like empty little dogkennels,and a most searching
description of toothpowder diffusing itself around, as under a deluded mistake that all the chinks in the
fittings was divisions in teeth. His clothes I parted with, well enough, to a secondhand dealer not far from
St. Clement's Danes, in the Strand,him as the officers in the Army mostly dispose of their uniforms to,
when hard pressed with debts of honour, if I may judge from their coats and epaulets diversifying the window
with their backs towards the public. The same party bought in one lot the portmanteau, the bag, the desk, the
dressingcase, the hatbox, the umbrella, strap, and walkingstick. On my remarking that I should have
thought those articles not quite in his line, he said: "No more ith a man'th grandmother, Mithter Chrithtopher;
but if any man will bring hith grandmother here, and offer her at a fair trifle below what the'll feth with good
luck when the'th thcoured and turnedI'll buy her!"
These transactions brought me home, and, indeed, more than home, for they left a goodish profit on the
original investment. And now there remained the writings; and the writings I particular wish to bring under
the candid attention of the reader.
I wish to do so without postponement, for this reason. That is to say, namely, viz. i.e., as follows, thus:
Before I proceed to recount the mental sufferings of which I became the prey in consequence of the writings,
and before following up that harrowing tale with a statement of the wonderful and impressive catastrophe, as
thrilling in its nature as unlooked for in any other capacity, which crowned the ole and filled the cup of
unexpectedness to overflowing, the writings themselves ought to stand forth to view. Therefore it is that they
now come next. One word to introduce them, and I lay down my pen (I hope, my unassuming pen) until I
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take it up to trace the gloomy sequel of a mind with something on it.
He was a smeary writer, and wrote a dreadful bad hand. Utterly regardless of ink, he lavished it on every
undeserving objecton his clothes, his desk, his hat, the handle of his toothbrush, his umbrella. Ink was
found freely on the coffeeroom carpet by No. 4 table, and two blots was on his restless couch. A reference
to the document I have given entire will show that on the morning of the third of February, eighteen fiftysix,
he procured his no less than fifth pen and paper. To whatever deplorable act of ungovernable composition he
immolated those materials obtained from the bar, there is no doubt that the fatal deed was committed in bed,
and that it left its evidences but too plainly, long afterwards, upon the pillowcase.
He had put no Heading to any of his writings. Alas! Was he likely to have a Heading without a Head, and
where was HIS Head when he took such things into it? In some cases, such as his Boots, he would appear to
have hid the writings; thereby involving his style in greater obscurity. But his Boots was at least pairs,and
no two of his writings can put in any claim to be so regarded. Here follows (not to give more specimens)
what was found in
CHAPTER IIHIS BOOTS
"Eh! well then, Monsieur Mutuel! What do I know, what can I say? I assure you that he calls himself
Monsieur The Englishman."
"Pardon. But I think it is impossible," said Monsieur Mutuel,a spectacled, snuffy, stooping old gentleman
in carpet shoes and a cloth cap with a peaked shade, a loose blue frockcoat reaching to his heels, a large
limp white shirtfrill, and cravat to correspond,that is to say, white was the natural colour of his linen on
Sundays, but it toned down with the week.
"It is," repeated Monsieur Mutuel, his amiable old walnutshell countenance very walnutshelly indeed as he
smiled and blinked in the bright morning sunlight,"it is, my cherished Madame Bouclet, I think,
impossible!"
"Hey!" (with a little vexed cry and a great many tosses of her head.) "But it is not impossible that you are a
Pig!" retorted Madame Bouclet, a compact little woman of thirtyfive or so. "See then,look there,read!
'On the second floor Monsieur L'Anglais.' Is it not so?"
"It is so," said Monsieur Mutuel.
"Good. Continue your morning walk. Get out!" Madame Bouclet dismissed him with a lively snap of her
fingers.
The morning walk of Monsieur Mutuel was in the brightest patch that the sun made in the Grande Place of a
dull old fortified French town. The manner of his morning walk was with his hands crossed behind him; an
umbrella, in figure the express image of himself, always in one hand; a snuffbox in the other. Thus, with the
shuffling gait of the Elephant (who really does deal with the very worst trousersmaker employed by the
Zoological world, and who appeared to have recommended him to Monsieur Mutuel), the old gentleman
sunned himself daily when sun was to be hadof course, at the same time sunning a red ribbon at his
buttonhole; for was he not an ancient Frenchman?
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Being told by one of the angelic sex to continue his morning walk and get out, Monsieur Mutuel laughed a
walnutshell laugh, pulled off his cap at arm's length with the hand that contained his snuffbox, kept it off for
a considerable period after he had parted from Madame Bouclet, and continued his morning walk and got out,
like a man of gallantry as he was.
The documentary evidence to which Madame Bouclet had referred Monsieur Mutuel was the list of her
lodgers, sweetly written forth by her own Nephew and Bookkeeper, who held the pen of an Angel, and posted
up at the side of her gateway, for the information of the Police: "Au second, M. L'Anglais, Proprietaire." On
the second floor, Mr. The Englishman, man of property. So it stood; nothing could be plainer.
Madame Bouclet now traced the line with her forefinger, as it were to confirm and settle herself in her parting
snap at Monsieur Mutuel, and so placing her right hand on her hip with a defiant air, as if nothing should ever
tempt her to unsnap that snap, strolled out into the Place to glance up at the windows of Mr. The Englishman.
That worthy happening to be looking out of window at the moment, Madame Bouclet gave him a graceful
salutation with her head, looked to the right and looked to the left to account to him for her being there,
considered for a moment, like one who accounted to herself for somebody she had expected not being there,
and reentered her own gateway. Madame Bouclet let all her house giving on the Place in furnished flats or
floors, and lived up the yard behind in company with Monsieur Bouclet her husband (great at billiards), an
inherited brewing business, several fowls, two carts, a nephew, a little dog in a big kennel, a grapevine, a
counting house, four horses, a married sister (with a share in the brewing business), the husband and two
children of the married sister, a parrot, a drum (performed on by the little boy of the married sister), two
billeted soldiers, a quantity of pigeons, a fife (played by the nephew in a ravishing manner), several
domestics and supernumeraries, a perpetual flavour of coffee and soup, a terrific range of artificial rocks and
wooden precipices at least four feet high, a small fountain, and halfadozen large sunflowers.
Now the Englishman, in taking his Appartement,or, as one might say on our side of the Channel, his set of
chambers,had given his name, correct to the letter, LANGLEY. But as he had a British way of not opening
his mouth very wide on foreign soil, except at meals, the Brewery had been able to make nothing of it but
L'Anglais. So Mr. The Englishman he had become and he remained.
"Never saw such a people!" muttered Mr. The Englishman, as he now looked out of window. "Never did, in
my life!"
This was true enough, for he had never before been out of his own country,a right little island, a tight little
island, a bright little island, a showfight little island, and full of merit of all sorts; but not the whole round
world.
"These chaps," said Mr. The Englishman to himself, as his eye rolled over the Place, sprinkled with military
here and there, "are no more like soldiers" Nothing being sufficiently strong for the end of his sentence, he
left it unended.
This again (from the point of view of his experience) was strictly correct; for though there was a great
agglomeration of soldiers in the town and neighbouring country, you might have held a grand Review and
Fieldday of them every one, and looked in vain among them all for a soldier choking behind his foolish
stock, or a soldier lamed by his illfitting shoes, or a soldier deprived of the use of his limbs by straps and
buttons, or a soldier elaborately forced to be selfhelpless in all the small affairs of life. A swarm of brisk,
bright, active, bustling, handy, odd, skirmishing fellows, able to turn cleverly at anything, from a siege to
soup, from great guns to needles and thread, from the broadsword exercise to slicing an onion, from making
war to making omelets, was all you would have found.
What a swarm! From the Great Place under the eye of Mr. The Englishman, where a few awkward squads
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from the last conscription were doing the goosestepsome members of those squads still as to their bodies,
in the chrysalis peasantstate of Blouse, and only military butterflies as to their regimentallyclothed
legsfrom the Great Place, away outside the fortifications, and away for miles along the dusty roads,
soldiers swarmed. All day long, upon the grassgrown ramparts of the town, practising soldiers trumpeted
and bugled; all day long, down in angles of dry trenches, practising soldiers drummed and drummed. Every
forenoon, soldiers burst out of the great barracks into the sandy gymnasiumground hard by, and flew over
the wooden horse, and hung on to flying ropes, and dangled upsidedown between parallel bars, and shot
themselves off wooden platforms,splashes, sparks, coruscations, showers of soldiers. At every corner of
the townwall, every guardhouse, every gateway, every sentrybox, every drawbridge, every reedy ditch,
and rushy dike, soldiers, soldiers, soldiers. And the town being pretty well all wall, guardhouse, gateway,
sentrybox, drawbridge, reedy ditch, and rushy dike, the town was pretty well all soldiers.
What would the sleepy old town have been without the soldiers, seeing that even with them it had so
overslept itself as to have slept its echoes hoarse, its defensive bars and locks and bolts and chains all rusty,
and its ditches stagnant! From the days when VAUBAN engineered it to that perplexing extent that to look at
it was like being knocked on the head with it, the stranger becoming stunned and stertorous under the shock
of its incomprehensibility, from the days when VAUBAN made it the express incorporation of every
substantive and adjective in the art of military engineering, and not only twisted you into it and twisted you
out of it, to the right, to the left, opposite, under here, over there, in the dark, in the dirt, by the gateway,
archway, covered way, dry way, wet way, fosse, portcullis, drawbridge, sluice, squat tower, pierced wall, and
heavy battery, but likewise took a fortifying dive under the neighbouring country, and came to the surface
three or four miles off, blowing out incomprehensible mounds and batteries among the quiet crops of chicory
and beetroot,from those days to these the town had been asleep, and dust and rust and must had settled on
its drowsy Arsenals and Magazines, and grass had grown up in its silent streets.
On marketdays alone, its Great Place suddenly leaped out of bed. On marketdays, some friendly enchanter
struck his staff upon the stones of the Great Place, and instantly arose the liveliest booths and stalls, and
sittings and standings, and a pleasant hum of chaffering and huckstering from many hundreds of tongues, and
a pleasant, though peculiar, blending of colours,white caps, blue blouses, and green vegetables,and at
last the Knight destined for the adventure seemed to have come in earnest, and all the Vaubanois sprang up
awake. And now, by long, lowlying avenues of trees, jolting in whitehooded donkeycart, and on
donkeyback, and in tumbril and wagon, and cart and cabriolet, and afoot with barrow and burden,and
along the dikes and ditches and canals, in little peak prowed country boats,came peasantmen and
women in flocks and crowds, bringing articles for sale. And here you had boots and shoes, and sweetmeats
and stuffs to wear, and here (in the cool shade of the Townhall) you had milk and cream and butter and
cheese, and here you had fruits and onions and carrots, and all things needful for your soup, and here you had
poultry and flowers and protesting pigs, and here new shovels, axes, spades, and bill hooks for your farming
work, and here huge mounds of bread, and here your unground grain in sacks, and here your children's dolls,
and here the cakeseller, announcing his wares by beat and roll of drum. And hark! fanfaronade of trumpets,
and here into the Great Place, resplendent in an open carriage, with four gorgeouslyattired servitors up
behind, playing horns, drums, and cymbals, rolled "the Daughter of a Physician" in massive golden chains
and earrings, and bluefeathered hat, shaded from the admiring sun by two immense umbrellas of artificial
roses, to dispense (from motives of philanthropy) that small and pleasant dose which had cured so many
thousands! Toothache, earache, headache, heartache, stomachache, debility, nervousness, fits, fainting,
fever, ague, all equally cured by the small and pleasant dose of the great Physician's great daughter! The
process was this,she, the Daughter of a Physician, proprietress of the superb equipage you now admired
with its confirmatory blasts of trumpet, drum, and cymbal, told you so: On the first day after taking the small
and pleasant dose, you would feel no particular influence beyond a most harmonious sensation of
indescribable and irresistible joy; on the second day you would be so astonishingly better that you would
think yourself changed into somebody else; on the third day you would be entirely free from disorder,
whatever its nature and however long you had had it, and would seek out the Physician's Daughter to throw
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yourself at her feet, kiss the hem of her garment, and buy as many more of the small and pleasant doses as by
the sale of all your few effects you could obtain; but she would be inaccessible,gone for herbs to the
Pyramids of Egypt,and you would be (though cured) reduced to despair! Thus would the Physician's
Daughter drive her trade (and briskly too), and thus would the buying and selling and mingling of tongues
and colours continue, until the changing sunlight, leaving the Physician's Daughter in the shadow of high
roofs, admonished her to jolt out westward, with a departing effect of gleam and glitter on the splendid
equipage and brazen blast. And now the enchanter struck his staff upon the stones of the Great Place once
more, and down went the booths, the sittings and standings, and vanished the merchandise, and with it the
barrows, donkeys, donkeycarts, and tumbrils, and all other things on wheels and feet, except the slow
scavengers with unwieldy carts and meagre horses clearing up the rubbish, assisted by the sleek town
pigeons, better plumped out than on nonmarket days. While there was yet an hour or two to wane before the
autumn sunset, the loiterer outside towngate and drawbridge, and postern and doubleditch, would see the
last white hooded cart lessening in the avenue of lengthening shadows of trees, or the last country boat,
paddled by the last marketwoman on her way home, showing black upon the reddening, long, low, narrow
dike between him and the mill; and as the paddleparted scum and weed closed over the boat's track, he
might be comfortably sure that its sluggish rest would be troubled no more until next marketday.
As it was not one of the Great Place's days for getting out of bed, when Mr. The Englishman looked down at
the young soldiers practising the goosestep there, his mind was left at liberty to take a military turn.
"These fellows are billeted everywhere about," said he; "and to see them lighting the people's fires, boiling
the people's pots, minding the people's babies, rocking the people's cradles, washing the people's greens, and
making themselves generally useful, in every sort of unmilitary way, is most ridiculous! Never saw such a set
of fellows,never did in my life!"
All perfectly true again. Was there not Private Valentine in that very house, acting as sole housemaid, valet,
cook, steward, and nurse, in the family of his captain, Monsieur le Capitaine de la Cour,cleaning the
floors, making the beds, doing the marketing, dressing the captain, dressing the dinners, dressing the salads,
and dressing the baby, all with equal readiness? Or, to put him aside, he being in loyal attendance on his
Chief, was there not Private Hyppolite, billeted at the Perfumer's two hundred yards off, who, when not on
duty, volunteered to keep shop while the fair Perfumeress stepped out to speak to a neighbour or so, and
laughingly sold soap with his warsword girded on him? Was there not Emile, billeted at the Clockmaker's,
perpetually turning to of an evening, with his coat off, winding up the stock? Was there not Eugene, billeted
at the Tinman's, cultivating, pipe in mouth, a garden four feet square, for the Tinman, in the little court,
behind the shop, and extorting the fruits of the earth from the same, on his knees, with the sweat of his brow?
Not to multiply examples, was there not Baptiste, billeted on the poor Watercarrier, at that very instant
sitting on the pavement in the sunlight, with his martial legs asunder, and one of the Watercarrier's spare
pails between them, which (to the delight and glory of the heart of the Watercarrier coming across the Place
from the fountain, yoked and burdened) he was painting brightgreen outside and brightred within? Or, to
go no farther than the Barber's at the very next door, was there not Corporal Theophile
"No," said Mr. The Englishman, glancing down at the Barber's, "he is not there at present. There's the child,
though."
A mere mite of a girl stood on the steps of the Barber's shop, looking across the Place. A mere baby, one
might call her, dressed in the close white linen cap which small French country children wear (like the
children in Dutch pictures), and in a frock of homespun blue, that had no shape except where it was tied
round her little fat throat. So that, being naturally short and round all over, she looked, behind, as if she had
been cut off at her natural waist, and had had her head neatly fitted on it.
"There's the child, though."
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To judge from the way in which the dimpled hand was rubbing the eyes, the eyes had been closed in a nap,
and were newly opened. But they seemed to be looking so intently across the Place, that the Englishman
looked in the same direction.
"O!" said he presently. "I thought as much. The Corporal's there."
The Corporal, a smart figure of a man of thirty, perhaps a thought under the middle size, but very neatly
made,a sunburnt Corporal with a brown peaked beard,faced about at the moment, addressing voluble
words of instruction to the squad in hand. Nothing was amiss or awry about the Corporal. A lithe and nimble
Corporal, quite complete, from the sparkling dark eyes under his knowing uniform cap to his sparkling white
gaiters. The very image and presentment of a Corporal of his country's army, in the line of his shoulders, the
line of his waist, the broadest line of his Bloomer trousers, and their narrowest line at the calf of his leg.
Mr. The Englishman looked on, and the child looked on, and the Corporal looked on (but the lastnamed at
his men), until the drill ended a few minutes afterwards, and the military sprinkling dried up directly, and was
gone. Then said Mr. The Englishman to himself, "Look here! By George!" And the Corporal, dancing
towards the Barber's with his arms wide open, caught up the child, held her over his head in a flying attitude,
caught her down again, kissed her, and made off with her into the Barber's house.
Now Mr. The Englishman had had a quarrel with his erring and disobedient and disowned daughter, and there
was a child in that case too. Had not his daughter been a child, and had she not taken angelflights above his
head as this child had flown above the Corporal's?
"He's a "National Participled"fool!" said the Englishman, and shut his window.
But the windows of the house of Memory, and the windows of the house of Mercy, are not so easily closed as
windows of glass and wood. They fly open unexpectedly; they rattle in the night; they must be nailed up. Mr.
The Englishman had tried nailing them, but had not driven the nails quite home. So he passed but a disturbed
evening and a worse night.
By nature a goodtempered man? No; very little gentleness, confounding the quality with weakness. Fierce
and wrathful when crossed? Very, and stupendously unreasonable. Moody? Exceedingly so. Vindictive?
Well; he had had scowling thoughts that he would formally curse his daughter, as he had seen it done on the
stage. But remembering that the real Heaven is some paces removed from the mock one in the great
chandelier of the Theatre, he had given that up.
And he had come abroad to be rid of his repudiated daughter for the rest of his life. And here he was.
At bottom, it was for this reason, more than for any other, that Mr. The Englishman took it extremely ill that
Corporal Theophile should be so devoted to little Bebelle, the child at the Barber's shop. In an unlucky
moment he had chanced to say to himself, "Why, confound the fellow, he is not her father!" There was a
sharp sting in the speech which ran into him suddenly, and put him in a worse mood. So he had National
Participled the unconscious Corporal with most hearty emphasis, and had made up his mind to think no more
about such a mountebank.
But it came to pass that the Corporal was not to be dismissed. If he had known the most delicate fibres of the
Englishman's mind, instead of knowing nothing on earth about him, and if he had been the most obstinate
Corporal in the Grand Army of France, instead of being the most obliging, he could not have planted himself
with more determined immovability plump in the midst of all the Englishman's thoughts. Not only so, but he
seemed to be always in his view. Mr. The Englishman had but to look out of window, to look upon the
Corporal with little Bebelle. He had but to go for a walk, and there was the Corporal walking with Bebelle.
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He had but to come home again, disgusted, and the Corporal and Bebelle were at home before him. If he
looked out at his back windows early in the morning, the Corporal was in the Barber's back yard, washing
and dressing and brushing Bebelle. If he took refuge at his front windows, the Corporal brought his breakfast
out into the Place, and shared it there with Bebelle. Always Corporal and always Bebelle. Never Corporal
without Bebelle. Never Bebelle without Corporal.
Mr. The Englishman was not particularly strong in the French language as a means of oral communication,
though he read it very well. It is with languages as with people,when you only know them by sight, you
are apt to mistake them; you must be on speaking terms before you can be said to have established an
acquaintance.
For this reason, Mr. The Englishman had to gird up his loins considerably before he could bring himself to
the point of exchanging ideas with Madame Bouclet on the subject of this Corporal and this Bebelle. But
Madame Bouclet looking in apologetically one morning to remark, that, O Heaven! she was in a state of
desolation because the lampmaker had not sent home that lamp confided to him to repair, but that truly he
was a lampmaker against whom the whole world shrieked out, Mr. The Englishman seized the occasion.
"Madame, that baby"
"Pardon, monsieur. That lamp."
"No, no, that little girl."
"But, pardon!" said Madame Bonclet, angling for a clew, "one cannot light a little girl, or send her to be
repaired?"
"The little girlat the house of the barber."
"Ahhh!" cried Madame Bouclet, suddenly catching the idea with her delicate little line and rod. "Little
Bebelle? Yes, yes, yes! And her friend the Corporal? Yes, yes, yes, yes! So genteel of him, is it not?"
"He is not ?"
"Not at all; not at all! He is not one of her relations. Not at all!"
"Why, then, he"
"Perfectly!" cried Madame Bouclet, "you are right, monsieur. It is so genteel of him. The less relation, the
more genteel. As you say."
"Is she ?"
"The child of the barber?" Madame Bouclet whisked up her skilful little line and rod again. "Not at all, not at
all! She is the child ofin a word, of no one."
"The wife of the barber, then ?"
"Indubitably. As you say. The wife of the barber receives a small stipend to take care of her. So much by the
month. Eh, then! It is without doubt very little, for we are all poor here."
"You are not poor, madame."
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"As to my lodgers," replied Madame Bouclet, with a smiling and a gracious bend of her head, "no. As to all
things else, soso."
"You flatter me, madame."
"Monsieur, it is you who flatter me in living here."
Certain fishy gasps on Mr. The Englishman's part, denoting that he was about to resume his subject under
difficulties, Madame Bouclet observed him closely, and whisked up her delicate line and rod again with
triumphant success.
"O no, monsieur, certainly not. The wife of the barber is not cruel to the poor child, but she is careless. Her
health is delicate, and she sits all day, looking out at window. Consequently, when the Corporal first came,
the poor little Bebelle was much neglected."
"It is a curious" began Mr. The Englishman.
"Name? That Bebelle? Again you are right, monsieur. But it is a playful name for Gabrielle."
"And so the child is a mere fancy of the Corporal's?" said Mr. The Englishman, in a gruffly disparaging tone
of voice.
"Eh, well!" returned Madame Bouclet, with a pleading shrug: "one must love something. Human nature is
weak."
("Devilish weak," muttered the Englishman, in his own language.)
"And the Corporal," pursued Madame Bouclet, "being billeted at the barber's,where he will probably
remain a long time, for he is attached to the General,and finding the poor unowned child in need of being
loved, and finding himself in need of loving,why, there you have it all, you see!"
Mr. The Englishman accepted this interpretation of the matter with an indifferent grace, and observed to
himself, in an injured manner, when he was again alone: "I shouldn't mind it so much, if these people were
not such a"National Participled"sentimental people!"
There was a Cemetery outside the town, and it happened ill for the reputation of the Vaubanois, in this
sentimental connection, that he took a walk there that same afternoon. To be sure there were some wonderful
things in it (from the Englishman's point of view), and of a certainty in all Britain you would have found
nothing like it. Not to mention the fanciful flourishes of hearts and crosses in wood and iron, that were
planted all over the place, making it look very like a Fireworkground, where a most splendid pyrotechnic
display might be expected after dark, there were so many wreaths upon the graves, embroidered, as it might
be, "To my mother," "To my daughter," "To my father," "To my brother," "To my sister," "To my friend,"
and those many wreaths were in so many stages of elaboration and decay, from the wreath of yesterday, all
fresh colour and bright beads, to the wreath of last year, a poor mouldering wisp of straw! There were so
many little gardens and grottos made upon graves, in so many tastes, with plants and shells and plaster
figures and porcelain pitchers, and so many odds and ends! There were so many tributes of remembrance
hanging up, not to be discriminated by the closest inspection from little round waiters, whereon were depicted
in glowing lines either a lady or a gentleman with a white pockethandkerchief out of all proportion, leaning,
in a state of the most faultless mourning and most profound affliction, on the most architectural and gorgeous
urn! There were so many surviving wives who had put their names on the tombs of their deceased husbands,
with a blank for the date of their own departure from this weary world; and there were so many surviving
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husbands who had rendered the same homage to their deceased wives; and out of the number there must have
been so many who had long ago married again! In fine, there was so much in the place that would have
seemed more frippery to a stranger, save for the consideration that the lightest paper flower that lay upon the
poorest heap of earth was never touched by a rude hand, but perished there, a sacred thing!
"Nothing of the solemnity of Death here," Mr. The Englishman had been going to say, when this last
consideration touched him with a mild appeal, and on the whole he walked out without saying it. "But these
people are," he insisted, by way of compensation, when he was well outside the gate, "they are
so"Participled"sentimental!"
His way back lay by the military gymnasiumground. And there he passed the Corporal glibly instructing
young soldiers how to swing themselves over rapid and deep watercourses on their way to Glory, by means
of a rope, and himself deftly plunging off a platform, and flying a hundred feet or two, as an encouragement
to them to begin. And there he also passed, perched on a crowning eminence (probably the Corporal's careful
hands), the small Bebelle, with her round eyes wide open, surveying the proceeding like a wondering sort of
blue and white bird.
"If that child was to die," this was his reflection as he turned his back and went his way,"and it would
almost serve the fellow right for making such a fool of himself,I suppose we should have him sticking up a
wreath and a waiter in that fantastic buryingground."
Nevertheless, after another early morning or two of looking out of window, he strolled down into the Place,
when the Corporal and Bebelle were walking there, and touching his hat to the Corporal (an immense
achievement), wished him Goodday.
"Goodday, monsieur."
"This is a rather pretty child you have here," said Mr. The Englishman, taking her chin in his hand, and
looking down into her astonished blue eyes.
"Monsieur, she is a very pretty child," returned the Corporal, with a stress on his polite correction of the
phrase.
"And good?" said the Englishman.
"And very good. Poor little thing!"
"Hah!" The Englishman stooped down and patted her cheek, not without awkwardness, as if he were going
too far in his conciliation. "And what is this medal round your neck, my little one?"
Bebelle having no other reply on her lips than her chubby right fist, the Corporal offered his services as
interpreter.
"Monsieur demands, what is this, Bebelle?"
"It is the Holy Virgin," said Bebelle.
"And who gave it you?" asked the Englishman.
"Theophile."
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"And who is Theophile?"
Bebelle broke into a laugh, laughed merrily and heartily, clapped her chubby hands, and beat her little feet on
the stone pavement of the Place.
"He doesn't know Theophile! Why, he doesn't know any one! He doesn't know anything!" Then, sensible of a
small solecism in her manners, Bebelle twisted her right hand in a leg of the Corporal's Bloomer trousers,
and, laying her cheek against the place, kissed it.
"Monsieur Theophile, I believe?" said the Englishman to the Corporal.
"It is I, monsieur."
"Permit me." Mr. The Englishman shook him heartily by the hand and turned away. But he took it mighty ill
that old Monsieur Mutuel in his patch of sunlight, upon whom he came as he turned, should pull off his cap
to him with a look of pleased approval. And he muttered, in his own tongue, as he returned the salutation,
"Well, walnutshell! And what business is it of YOURS?"
Mr. The Englishman went on for many weeks passing but disturbed evenings and worse nights, and
constantly experiencing that those aforesaid windows in the houses of Memory and Mercy rattled after dark,
and that he had very imperfectly nailed them up. Likewise, he went on for many weeks daily improving the
acquaintance of the Corporal and Bebelle. That is to say, he took Bebelle by the chin, and the Corporal by the
hand, and offered Bebelle sous and the Corporal cigars, and even got the length of changing pipes with the
Corporal and kissing Bebelle. But he did it all in a shamefaced way, and always took it extremely ill that
Monsieur Mutuel in his patch of sunlight should note what he did. Whenever that seemed to be the case, he
always growled in his own tongue, "There you are again, walnutshell! What business is it of yours?"
In a word, it had become the occupation of Mr. The Englishman's life to look after the Corporal and little
Bebelle, and to resent old Monsieur Mutuel's looking after HIM. An occupation only varied by a fire in the
town one windy night, and much passing of waterbuckets from hand to hand (in which the Englishman
rendered good service), and much beating of drums,when all of a sudden the Corporal disappeared.
Next, all of a sudden, Bebelle disappeared.
She had been visible a few days later than the Corporal,sadly deteriorated as to washing and
brushing,but she had not spoken when addressed by Mr. The Englishman, and had looked scared and had
run away. And now it would seem that she had run away for good. And there lay the Great Place under the
windows, bare and barren.
In his shamefaced and constrained way, Mr. The Englishman asked no question of any one, but watched from
his front windows and watched from his back windows, and lingered about the Place, and peeped in at the
Barber's shop, and did all this and much more with a whistling and tunehumming pretence of not missing
anything, until one afternoon when Monsieur Mutuel's patch of sunlight was in shadow, and when, according
to all rule and precedent, he had no right whatever to bring his red ribbon out of doors, behold here he was,
advancing with his cap already in his hand twelve paces off!
Mr. The Englishman had got as far into his usual objurgation as, "What busi " when he checked himself.
"Ah, it is sad, it is sad! Helas, it is unhappy, it is sad!" Thus old Monsieur Mutuel, shaking his gray head.
"What busin at least, I would say, what do you mean, Monsieur Mutuel?"
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"Our Corporal. Helas, our dear Corporal!"
"What has happened to him?"
"You have not heard?"
"No."
"At the fire. But he was so brave, so ready. Ah, too brave, too ready!"
"May the Devil carry you away!" the Englishman broke in impatiently; "I beg your pardon,I mean me,I
am not accustomed to speak French,go on, will you?"
"And a falling beam"
"Good God!" exclaimed the Englishman. "It was a private soldier who was killed?"
"No. A Corporal, the same Corporal, our dear Corporal. Beloved by all his comrades. The funeral ceremony
was touching,penetrating. Monsieur The Englishman, your eyes fill with tears."
"What busi "
"Monsieur The Englishman, I honour those emotions. I salute you with profound respect. I will not obtrude
myself upon your noble heart."
Monsieur Mutuel,a gentleman in every thread of his cloudy linen, under whose wrinkled hand every grain
in the quarter of an ounce of poor snuff in his poor little tin box became a gentleman's property,Monsieur
Mutuel passed on, with his cap in his hand.
"I little thought," said the Englishman, after walking for several minutes, and more than once blowing his
nose, "when I was looking round that cemeteryI'll go there!"
Straight he went there, and when he came within the gate he paused, considering whether he should ask at the
lodge for some direction to the grave. But he was less than ever in a mood for asking questions, and he
thought, "I shall see something on it to know it by."
In search of the Corporal's grave he went softly on, up this walk and down that, peering in, among the crosses
and hearts and columns and obelisks and tombstones, for a recently disturbed spot. It troubled him now to
think how many dead there were in the cemetery, he had not thought them a tenth part so numerous
before,and after he had walked and sought for some time, he said to himself, as he struck down a new vista
of tombs, "I might suppose that every one was dead but I."
Not every one. A live child was lying on the ground asleep. Truly he had found something on the Corporal's
grave to know it by, and the something was Bebelle.
With such a loving will had the dead soldier's comrades worked at his restingplace, that it was already a neat
garden. On the green turf of the garden Bebelle lay sleeping, with her cheek touching it. A plain, unpainted
little wooden Cross was planted in the turf, and her short arm embraced this little Cross, as it had many a time
embraced the Corporal's neck. They had put a tiny flag (the flag of France) at his head, and a laurel garland.
Mr. The Englishman took off his hat, and stood for a while silent. Then, covering his head again, he bent
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down on one knee, and softly roused the child.
"Bebelle! My little one!"
Opening her eyes, on which the tears were still wet, Bebelle was at first frightened; but seeing who it was, she
suffered him to take her in his arms, looking steadfastly at him.
"You must not lie here, my little one. You must come with me."
"No, no. I can't leave Theophile. I want the good dear Theophile."
"We will go and seek him, Bebelle. We will go and look for him in England. We will go and look for him at
my daughter's, Bebelle."
"Shall we find him there?"
"We shall find the best part of him there. Come with me, poor forlorn little one. Heaven is my witness," said
the Englishman, in a low voice, as, before he rose, he touched the turf above the gentle Corporal's breast,
"that I thankfully accept this trust!"
It was a long way for the child to have come unaided. She was soon asleep again, with her embrace
transferred to the Englishman's neck. He looked at her worn shoes, and her galled feet, and her tired face, and
believed that she had come there every day.
He was leaving the grave with the slumbering Bebelle in his arms, when he stopped, looked wistfully down at
it, and looked wistfully at the other graves around. "It is the innocent custom of the people," said Mr. The
Englishman, with hesitation. "I think I should like to do it. No one sees."
Careful not to wake Bebelle as he went, he repaired to the lodge where such little tokens of remembrance
were sold, and bought two wreaths. One, blue and white and glistening silver, "To my friend;" one of a
soberer red and black and yellow, "To my friend." With these he went back to the grave, and so down on one
knee again. Touching the child's lips with the brighter wreath, he guided her hand to hang it on the Cross;
then hung his own wreath there. After all, the wreaths were not far out of keeping with the little garden. To
my friend. To my friend.
Mr. The Englishman took it very ill when he looked round a street corner into the Great Place, carrying
Bebelle in his arms, that old Mutuel should be there airing his red ribbon. He took a world of pains to dodge
the worthy Mutuel, and devoted a surprising amount of time and trouble to skulking into his own lodging like
a man pursued by Justice. Safely arrived there at last, he made Bebelle's toilet with as accurate a
remembrance as he could bring to bear upon that work of the way in which he had often seen the poor
Corporal make it, and having given her to eat and drink, laid her down on his own bed. Then he slipped out
into the barber's shop, and after a brief interview with the barber's wife, and a brief recourse to his purse and
cardcase, came back again with the whole of Bebelle's personal property in such a very little bundle that it
was quite lost under his arm.
As it was irreconcilable with his whole course and character that he should carry Bebelle off in state, or
receive any compliments or congratulations on that feat, he devoted the next day to getting his two
portmanteaus out of the house by artfulness and stealth, and to comporting himself in every particular as if he
were going to run away,except, indeed, that he paid his few debts in the town, and prepared a letter to
leave for Madame Bouclet, enclosing a sufficient sum of money in lieu of notice. A railway train would come
through at midnight, and by that train he would take away Bebelle to look for Theophile in England and at his
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forgiven daughter's.
At midnight, on a moonlight night, Mr. The Englishman came creeping forth like a harmless assassin, with
Bebelle on his breast instead of a dagger. Quiet the Great Place, and quiet the neverstirring streets; closed
the cafes; huddled together motionless their billiardballs; drowsy the guard or sentinel on duty here and
there; lulled for the time, by sleep, even the insatiate appetite of the Office of Towndues.
Mr. The Englishman left the Place behind, and left the streets behind, and left the civilianinhabited town
behind, and descended down among the military works of Vauban, hemming all in. As the shadow of the first
heavy arch and postern fell upon him and was left behind, as the shadow of the second heavy arch and
postern fell upon him and was left behind, as his hollow tramp over the first drawbridge was succeeded by a
gentler sound, as his hollow tramp over the second drawbridge was succeeded by a gentler sound, as he
overcame the stagnant ditches one by one, and passed out where the flowing waters were and where the
moonlight, so the dark shades and the hollow sounds and the unwholesomely locked currents of his soul were
vanquished and set free. See to it, Vaubans of your own hearts, who gird them in with triple walls and
ditches, and with bolt and chain and bar and lifted bridge,raze those fortifications, and lay them level with
the allabsorbing dust, before the night cometh when no hand can work!
All went prosperously, and he got into an empty carriage in the train, where he could lay Bebelle on the seat
over against him, as on a couch, and cover her from head to foot with his mantle. He had just drawn himself
up from perfecting this arrangement, and had just leaned back in his own seat contemplating it with great
satisfaction, when he became aware of a curious appearance at the open carriage window,a ghostly little
tin box floating up in the moonlight, and hovering there.
He leaned forward, and put out his head. Down among the rails and wheels and ashes, Monsieur Mutuel, red
ribbon and all!
"Excuse me, Monsieur The Englishman," said Monsieur Mutuel, holding up his box at arm's length, the
carriage being so high and he so low; "but I shall reverence the little box for ever, if your so generous hand
will take a pinch from it at parting."
Mr. The Englishman reached out of the window before complying, and without asking the old fellow what
business it was of hisshook hands and said, "Adieu! God bless you!"
"And, Mr. The Englishman, God bless YOU!" cried Madame Bouclet, who was also there among the rails
and wheels and ashes. "And God will bless you in the happiness of the protected child now with you. And
God will bless you in your own child at home. And God will bless you in your own remembrances. And this
from me!"
He had barely time to catch a bouquet from her hand, when the train was flying through the night. Round the
paper that enfolded it was bravely written (doubtless by the nephew who held the pen of an Angel), "Homage
to the friend of the friendless."
"Not bad people, Bebelle!" said Mr. The Englishman, softly drawing the mantle a little from her sleeping
face, that he might kiss it, "though they are so"
Too "sentimental" himself at the moment to be able to get out that word, he added nothing but a sob, and
travelled for some miles, through the moonlight, with his hand before his eyes.
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CHAPTER IIIHIS BROWNPAPER PARCEL
My works are well known. I am a young man in the Art line. You have seen my works many a time, though
it's fifty thousand to one if you have seen me. You say you don't want to see me? You say your interest is in
my works, and not in me? Don't be too sure about that. Stop a bit.
Let us have it down in black and white at the first go off, so that there may be no unpleasantness or wrangling
afterwards. And this is looked over by a friend of mine, a ticket writer, that is up to literature. I am a young
man in the Art linein the FineArt line. You have seen my works over and over again, and you have been
curious about me, and you think you have seen me. Now, as a safe rule, you never have seen me, and you
never do see me, and you never will see me. I think that's plainly putand it's what knocks me over.
If there's a blighted public character going, I am the party.
It has been remarked by a certain (or an uncertain,) philosopher, that the world knows nothing of its greatest
men. He might have put it plainer if he had thrown his eye in my direction. He might have put it, that while
the world knows something of them that apparently go in and win, it knows nothing of them that really go in
and don't win. There it is again in another formand that's what knocks me over.
Not that it's only myself that suffers from injustice, but that I am more alive to my own injuries than to any
other man's. Being, as I have mentioned, in the FineArt line, and not the Philanthropic line, I openly admit
it. As to company in injury, I have company enough. Who are you passing every day at your Competitive
Excruciations? The fortunate candidates whose heads and livers you have turned upside down for life? Not
you. You are really passing the Crammers and Coaches. If your principle is right, why don't you turn out
tomorrow morning with the keys of your cities on velvet cushions, your musicians playing, and your flags
flying, and read addresses to the Crammers and Coaches on your bended knees, beseeching them to come out
and govern you? Then, again, as to your public business of all sorts, your Financial statements and your
Budgets; the Public knows much, truly, about the real doers of all that! Your Nobles and Right Honourables
are firstrate men? Yes, and so is a goose a firstrate bird. But I'll tell you this about the goose;you'll find
his natural flavour disappointing, without stuffing.
Perhaps I am soured by not being popular? But suppose I AM popular. Suppose my works never fail to
attract. Suppose that, whether they are exhibited by natural light or by artificial, they invariably draw the
public. Then no doubt they are preserved in some Collection? No, they are not; they are not preserved in any
Collection. Copyright? No, nor yet copyright. Anyhow they must be somewhere? Wrong again, for they are
often nowhere.
Says you, "At all events, you are in a moody state of mind, my friend." My answer is, I have described
myself as a public character with a blight upon himwhich fully accounts for the curdling of the milk in
THAT cocoanut.
Those that are acquainted with London are aware of a locality on the Surrey side of the river Thames, called
the Obelisk, or, more generally, the Obstacle. Those that are not acquainted with London will also be aware
of it, now that I have named it. My lodging is not far from that locality. I am a young man of that easy
disposition, that I lie abed till it's absolutely necessary to get up and earn something, and then I lie abed again
till I have spent it.
It was on an occasion when I had had to turn to with a view to victuals, that I found myself walking along the
Waterloo Road, one evening after dark, accompanied by an acquaintance and fellowlodger in the gasfitting
way of life. He is very good company, having worked at the theatres, and, indeed, he has a theatrical turn
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himself, and wishes to be brought out in the character of Othello; but whether on account of his regular work
always blacking his face and hands more or less, I cannot say.
"Tom," he says, "what a mystery hangs over you!"
"Yes, Mr. Click"the rest of the house generally give him his name, as being first, front, carpeted all over,
his own furniture, and if not mahogany, an outandout imitation"yes, Mr. Click, a mystery does hang
over me."
"Makes you low, you see, don't it?" says he, eyeing me sideways.
"Why, yes, Mr. Click, there are circumstances connected with it that have," I yielded to a sigh, "a lowering
effect."
"Gives you a touch of the misanthrope too, don't it?" says he. "Well, I'll tell you what. If I was you, I'd shake
it of."
"If I was you, I would, Mr. Click; but, if you was me, you wouldn't."
"Ah!" says he, "there's something in that."
When we had walked a little further, he took it up again by touching me on the chest.
"You see, Tom, it seems to me as if, in the words of the poet who wrote the domestic drama of The Stranger,
you had a silent sorrow there."
"I have, Mr. Click."
"I hope, Tom," lowering his voice in a friendly way, "it isn't coining, or smashing?"
"No, Mr. Click. Don't be uneasy."
"Nor yet forg " Mr. Click checked himself, and added, "counterfeiting anything, for instance?"
"No, Mr. Click. I am lawfully in the Art lineFineArt linebut I can say no more."
"Ah! Under a species of star? A kind of malignant spell? A sort of a gloomy destiny? A cankerworm pegging
away at your vitals in secret, as well as I make it out?" said Mr. Click, eyeing me with some admiration.
I told Mr. Click that was about it, if we came to particulars; and I thought he appeared rather proud of me.
Our conversation had brought us to a crowd of people, the greater part struggling for a front place from which
to see something on the pavement, which proved to be various designs executed in coloured chalks on the
pavement stones, lighted by two candles stuck in mud sconces. The subjects consisted of a fine fresh salmon's
head and shoulders, supposed to have been recently sent home from the fishmonger's; a moonlight night at
sea (in a circle); dead game; scrollwork; the head of a hoary hermit engaged in devout contemplation; the
head of a pointer smoking a pipe; and a cherubim, his flesh creased as in infancy, going on a horizontal
errand against the wind. All these subjects appeared to me to be exquisitely done.
On his knees on one side of this gallery, a shabby person of modest appearance who shivered dreadfully
(though it wasn't at all cold), was engaged in blowing the chalkdust off the moon, toning the outline of the
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back of the hermit's head with a bit of leather, and fattening the downstroke of a letter or two in the writing.
I have forgotten to mention that writing formed a part of the composition, and that it alsoas it appeared to
mewas exquisitely done. It ran as follows, in fine round characters: "An honest man is the noblest work of
God. 1 2 3 4 5 6 7 8 9 0. Pounds s. d. Employment in an office is humbly requested. Honour the Queen.
Hunger is a 0 9 8 7 6 5 4 3 2 1 sharp thorn. Chip chop, cherry chop, fol de rol de ri do. Astronomy and
mathematics. I do this to support my family."
Murmurs of admiration at the exceeding beauty of this performance went about among the crowd. The artist,
having finished his touching (and having spoilt those places), took his seat on the pavement, with his knees
crouched up very nigh his chin; and halfpence began to rattle in.
"A pity to see a man of that talent brought so low; ain't it?" said one of the crowd to me.
"What he might have done in the coachpainting, or house decorating!" said another man, who took up the
first speaker because I did not.
"Why, he writesalonelike the Lord Chancellor!" said another man.
"Better," said another. "I know his writing. He couldn't support his family this way."
Then, a woman noticed the natural fluffiness of the hermit's hair, and another woman, her friend, mentioned
of the salmon's gills that you could almost see him gasp. Then, an elderly country gentleman stepped forward
and asked the modest man how he executed his work? And the modest man took some scraps of brown paper
with colours in 'em out of his pockets, and showed them. Then a faircomplexioned donkey, with sandy hair
and spectacles, asked if the hermit was a portrait? To which the modest man, casting a sorrowful glance upon
it, replied that it was, to a certain extent, a recollection of his father. This caused a boy to yelp out, "Is the
Pinter a smoking the pipe your mother?" who was immediately shoved out of view by a sympathetic
carpenter with his basket of tools at his back.
At every fresh question or remark the crowd leaned forward more eagerly, and dropped the halfpence more
freely, and the modest man gathered them up more meekly. At last, another elderly gentleman came to the
front, and gave the artist his card, to come to his office tomorrow, and get some copying to do. The card was
accompanied by sixpence, and the artist was profoundly grateful, and, before he put the card in his hat, read it
several times by the light of his candles to fix the address well in his mind, in case he should lose it. The
crowd was deeply interested by this last incident, and a man in the second row with a gruff voice growled to
the artist, "You've got a chance in life now, ain't you?" The artist answered (sniffing in a very lowspirited
way, however), "I'm thankful to hope so." Upon which there was a general chorus of "You are all right," and
the halfpence slackened very decidedly.
I felt myself pulled away by the arm, and Mr. Click and I stood alone at the corner of the next crossing.
"Why, Tom," said Mr. Click, "what a horrid expression of face you've got!"
"Have I?" says I.
"Have you?" says Mr. Click. "Why, you looked as if you would have his blood."
"Whose blood?"
"The artist's."
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"The artist's?" I repeated. And I laughed, frantically, wildly, gloomily, incoherently, disagreeably. I am
sensible that I did. I know I did.
Mr. Click stared at me in a scared sort of a way, but said nothing until we had walked a street's length. He
then stopped short, and said, with excitement on the part of his forefinger:
"Thomas, I find it necessary to be plain with you. I don't like the envious man. I have identified the
cankerworm that's pegging away at YOUR vitals, and it's envy, Thomas."
"Is it?" says I.
"Yes, it is," says be. "Thomas, beware of envy. It is the green eyed monster which never did and never will
improve each shining hour, but quite the reverse. I dread the envious man, Thomas. I confess that I am afraid
of the envious man, when he is so envious as you are. Whilst you contemplated the works of a gifted rival,
and whilst you heard that rival's praises, and especially whilst you met his humble glance as he put that card
away, your countenance was so malevolent as to be terrific. Thomas, I have heard of the envy of them that
follows the FineArt line, but I never believed it could be what yours is. I wish you well, but I take my leave
of you. And if you should ever got into trouble through knifeingor say, garottinga brother artist, as I
believe you will, don't call me to character, Thomas, or I shall be forced to injure your case."
Mr. Click parted from me with those words, and we broke off our acquaintance.
I became enamoured. Her name was Henrietta. Contending with my easy disposition, I frequently got up to
go after her. She also dwelt in the neighbourhood of the Obstacle, and I did fondly hope that no other would
interpose in the way of our union.
To say that Henrietta was volatile is but to say that she was woman. To say that she was in the
bonnettrimming is feebly to express the taste which reigned predominant in her own.
She consented to walk with me. Let me do her the justice to say that she did so upon trial. "I am not," said
Henrietta, "as yet prepared to regard you, Thomas, in any other light than as a friend; but as a friend I am
willing to walk with you, on the understanding that softer sentiments may flow."
We walked.
Under the influence of Henrietta's beguilements, I now got out of bed daily. I pursued my calling with an
industry before unknown, and it cannot fail to have been observed at that period, by those most familiar with
the streets of London, that there was a larger supply. But hold! The time is not yet come!
One evening in October I was walking with Henrietta, enjoying the cool breezes wafted over Vauxhall
Bridge. After several slow turns, Henrietta gaped frequently (so inseparable from woman is the love of
excitement), and said, "Let's go home by Grosvenor Place, Piccadilly, and Waterloo"localities, I may state
for the information of the stranger and the foreigner, well known in London, and the last a Bridge.
"No. Not by Piccadilly, Henrietta," said I.
"And why not Piccadilly, for goodness' sake?" said Henrietta.
Could I tell her? Could I confess to the gloomy presentiment that overshadowed me? Could I make myself
intelligible to her? No.
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"I don't like Piccadilly, Henrietta."
"But I do," said she. "It's dark now, and the long rows of lamps in Piccadilly after dark are beautiful. I WILL
go to Piccadilly!"
Of course we went. It was a pleasant night, and there were numbers of people in the streets. It was a brisk
night, but not too cold, and not damp. Let me darkly observe, it was the best of all nights FOR THE
PURPOSE.
As we passed the garden wall of the Royal Palace, going up Grosvenor Place, Henrietta murmured:
"I wish I was a Queen!"
"Why so, Henrietta?"
"I would make YOU Something," said she, and crossed her two hands on my arm, and turned away her head.
Judging from this that the softer sentiments alluded to above had begun to flow, I adapted my conduct to that
belief. Thus happily we passed on into the detested thoroughfare of Piccadilly. On the right of that
thoroughfare is a row of trees, the railing of the Green Park, and a fine broad eligible piece of pavement.
"Oh my!" cried Henrietta presently. "There's been an accident!"
I looked to the left, and said, "Where, Henrietta?"
"Not there, stupid!" said she. "Over by the Park railings. Where the crowd is. Oh no, it's not an accident, it's
something else to look at! What's them lights?"
She referred to two lights twinkling low amongst the legs of the assemblage: two candles on the pavement.
"Oh, do come along!" cried Henrietta, skipping across the road with me. I hung back, but in vain. "Do let's
look!"
Again, designs upon the pavement. Centre compartment, Mount Vesuvius going it (in a circle), supported by
four oval compartments, severally representing a ship in heavy weather, a shoulder of mutton attended by two
cucumbers, a golden harvest with distant cottage of proprietor, and a knife and fork after nature; above the
centre compartment a bunch of grapes, and over the whole a rainbow. The whole, as it appeared to me,
exquisitely done.
The person in attendance on these works of art was in all respects, shabbiness excepted, unlike the former
personage. His whole appearance and manner denoted briskness. Though threadbare, he expressed to the
crowd that poverty had not subdued his spirit, or tinged with any sense of shame this honest effort to turn his
talents to some account. The writing which formed a part of his composition was conceived in a similarly
cheerful tone. It breathed the following sentiments: "The writer is poor, but not despondent. To a British 1 2 3
4 5 6 7 8 9 0 Public he Pounds S. d. appeals. Honour to our brave Army! And also 0 9 8 7 6 5 4 3 2 1 to our
gallant Navy. BRITONS STRIKE the A B C D E F G writer in common chalks would be grateful for any
suitable employment HOME! HURRAH!" The whole of this writing appeared to me to be exquisitely done.
But this man, in one respect like the last, though seemingly hard at it with a great show of brown paper and
rubbers, was only really fattening the downstroke of a letter here and there, or blowing the loose chalk off
the rainbow, or toning the outside edge of the shoulder of mutton. Though he did this with the greatest
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confidence, he did it (as it struck me) in so ignorant a manner, and so spoilt everything he touched, that when
he began upon the purple smoke from the chimney of the distant cottage of the proprietor of the golden
harvest (which smoke was beautifully soft), I found myself saying aloud, without considering of it:
"Let that alone, will you?"
"Halloa!" said the man next me in the crowd, jerking me roughly from him with his elbow, "why didn't you
send a telegram? If we had known you was coming, we'd have provided something better for you. You
understand the man's work better than he does himself, don't you? Have you made your will? You're too
clever to live long."
"Don't be hard upon the gentleman, sir," said the person in attendance on the works of art, with a twinkle in
his eye as he looked at me; "he may chance to be an artist himself. If so, sir, he will have a fellowfeeling
with me, sir, when I"he adapted his action to his words as he went on, and gave a smart slap of his hands
between each touch, working himself all the time about and about the composition"when I lighten the
bloom of my grapesshade off the orange in my rainbowdot the i of my Britonsthrow a yellow light
into my cowcumBERinsinuate another morsel of fat into my shoulder of muttondart another zigzag
flash of lightning at my ship in distress!"
He seemed to do this so neatly, and was so nimble about it, that the halfpence came flying in.
"Thanks, generous public, thanks!" said the professor. "You will stimulate me to further exertions. My name
will be found in the list of British Painters yet. I shall do better than this, with encouragement. I shall indeed."
"You never can do better than that bunch of grapes," said Henrietta. "Oh, Thomas, them grapes!"
"Not better than THAT, lady? I hope for the time when I shall paint anything but your own bright eyes and
lips equal to life."
"(Thomas, did you ever?) But it must take a long time, sir," said Henrietta, blushing, "to paint equal to that."
"I was prenticed to it, miss," said the young man, smartly touching up the composition"prenticed to it in
the caves of Spain and Portingale, ever so long and two year over."
There was a laugh from the crowd; and a new man who had worked himself in next me, said, "He's a smart
chap, too; ain't he?"
"And what a eye!" exclaimed Henrietta softly.
"Ah! He need have a eye," said the man.
"Ah! He just need," was murmured among the crowd.
"He couldn't come that 'ere burning mountain without a eye," said the man. He had got himself accepted as an
authority, somehow, and everybody looked at his finger as it pointed out Vesuvius. "To come that effect in a
general illumination would require a eye; but to come it with two dipswhy, it's enough to blind him!"
That impostor, pretending not to have heard what was said, now winked to any extent with both eyes at once,
as if the strain upon his sight was too much, and threw back his long hairit was very longas if to cool his
fevered brow. I was watching him doing it, when Henrietta suddenly whispered, "Oh, Thomas, how horrid
you look!" and pulled me out by the arm.
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Remembering Mr. Click's words, I was confused when I retorted, "What do you mean by horrid?"
"Oh gracious! Why, you looked," said Henrietta, "as if you would have his blood."
I was going to answer, "So I would, for twopencefrom his nose," when I checked myself and remained
silent.
We returned home in silence. Every step of the way, the softer sentiments that had flowed, ebbed twenty mile
an hour. Adapting my conduct to the ebbing, as I had done to the flowing, I let my arm drop limp, so as she
could scarcely keep hold of it, and I wished her such a cold goodnight at parting, that I keep within the
bounds of truth when I characterise it as a Rasper.
In the course of the next day I received the following document:
"Henrietta informs Thomas that my eyes are open to you. I must ever wish you well, but walking and us is
separated by an unfarmable abyss. One so malignant to superiorityOh that look at him!can never never
conduct
HENRIETTA
P.S.To the altar."
Yielding to the easiness of my disposition, I went to bed for a week, after receiving this letter. During the
whole of such time, London was bereft of the usual fruits of my labour. When I resumed it, I found that
Henrietta was married to the artist of Piccadilly.
Did I say to the artist? What fell words were those, expressive of what a galling hollowness, of what a bitter
mockery! IIIam the artist. I was the real artist of Piccadilly, I was the real artist of the Waterloo
Road, I am the only artist of all those pavementsubjects which daily and nightly arouse your admiration. I
do 'em, and I let 'em out. The man you behold with the papers of chalks and the rubbers, touching up the
downstrokes of the writing and shading off the salmon, the man you give the credit to, the man you give the
money to, hiresyes! and I live to tell it!hires those works of art of me, and brings nothing to 'em but the
candles.
Such is genius in a commercial country. I am not up to the shivering, I am not up to the liveliness, I am not
up to the wantingemploymentinanoffice move; I am only up to originating and executing the work. In
consequence of which you never see me; you think you see me when you see somebody else, and that
somebody else is a mere Commercial character. The one seen by self and Mr. Click in the Waterloo Road can
only write a single word, and that I taught him, and it's MULTIPLICATIONwhich you may see him
execute upside down, because he can't do it the natural way. The one seen by self and Henrietta by the Green
Park railings can just smear into existence the two ends of a rainbow, with his cuff and a rubberif very
hard put upon making a showbut he could no more come the arch of the rainbow, to save his life, than he
could come the moonlight, fish, volcano, shipwreck, mutton, hermit, or any of my most celebrated effects.
To conclude as I began: if there's a blighted public character going, I am the party. And often as you have
seen, do see, and will see, my Works, it's fifty thousand to one if you'll ever see me, unless, when the candles
are burnt down and the Commercial character is gone, you should happen to notice a neglected young man
perseveringly rubbing out the last traces of the pictures, so that nobody can renew the same. That's me.
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CHAPTER IVHIS WONDERFUL END
It will have been, ere now, perceived that I sold the foregoing writings. From the fact of their being printed in
these pages, the inference will, ere now, have been drawn by the reader (may I add, the gentle reader?) that I
sold them to One who never yet{2}
Having parted with the writings on most satisfactory terms,for, in opening negotiations with the present
Journal, was I not placing myself in the hands of One of whom it may be said, in the words of Another,
{2,}resumed my usual functions. But I too soon discovered that peace of mind had fled from a brow
which, up to that time, Time had merely took the hair off, leaving an unruffled expanse within.
It were superfluous to veil it,the brow to which I allude is my own.
Yes, over that brow uneasiness gathered like the sable wing of the fabled bird, asas no doubt will be easily
identified by all right minded individuals. If not, I am unable, on the spur of the moment, to enter into
particulars of him. The reflection that the writings must now inevitably get into print, and that He might yet
live and meet with them, sat like the Hag of Night upon my jaded form. The elasticity of my spirits departed.
Fruitless was the Bottle, whether Wine or Medicine. I had recourse to both, and the effect of both upon my
system was witheringly lowering.
In this state of depression, into which I subsided when I first began to revolve what could I ever say if
Hethe unknownwas to appear in the Coffeeroom and demand reparation, I one forenoon in this last
November received a turn that appeared to be given me by the finger of Fate and Conscience, hand in hand. I
was alone in the Coffeeroom, and had just poked the fire into a blaze, and was standing with my back to it,
trying whether heat would penetrate with soothing influence to the Voice within, when a young man in a cap,
of an intelligent countenance, though requiring his hair cut, stood before me.
"Mr. Christopher, the Head Waiter?"
"The same."
The young man shook his hair out of his vision,which it impeded, to a packet from his breast, and
handing it over to me, said, with his eye (or did I dream?) fixed with a lambent meaning on me, "THE
PROOFS."
Although I smelt my coattails singeing at the fire, I had not the power to withdraw them. The young man
put the packet in my faltering grasp, and repeated,let me do him the justice to add, with civility:
"THE PROOFS. A. Y. R."
With those words he departed.
A. Y. R.? And You Remember. Was that his meaning? At Your Risk. Were the letters short for THAT
reminder? Anticipate Your Retribution. Did they stand for THAT warning? Outdacious Youth Repent? But
no; for that, a O was happily wanting, and the vowel here was a A.
I opened the packet, and found that its contents were the foregoing writings printed just as the reader (may I
add the discerning reader?) peruses them. In vain was the reassuring whisper,A.Y.R., All the Year
Round,it could not cancel the Proofs. Too appropriate name. The Proofs of my having sold the Writings.
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My wretchedness daily increased. I had not thought of the risk I ran, and the defying publicity I put my head
into, until all was done, and all was in print. Give up the money to be off the bargain and prevent the
publication, I could not. My family was down in the world, Christmas was coming on, a brother in the
hospital and a sister in the rheumatics could not be entirely neglected. And it was not only ins in the family
that had told on the resources of one unaided Waitering; outs were not wanting. A brother out of a situation,
and another brother out of money to meet an acceptance, and another brother out of his mind, and another
brother out at New York (not the same, though it might appear so), had really and truly brought me to a stand
till I could turn myself round. I got worse and worse in my meditations, constantly reflecting "The Proofs,"
and reflecting that when Christmas drew nearer, and the Proofs were published, there could be no safety from
hour to hour but that He might confront me in the Coffeeroom, and in the face of day and his country
demand his rights.
The impressive and unlookedfor catastrophe towards which I dimly pointed the reader (shall I add, the
highly intellectual reader?) in my first remarks now rapidly approaches.
It was November still, but the last echoes of the Guy Foxes had long ceased to reverberate. We was
slack,several joints under our average mark, and wine, of course, proportionate. So slack had we become
at last, that Beds Nos. 26, 27, 28, and 31, having took their six o'clock dinners, and dozed over their
respective pints, had drove away in their respective Hansoms for their respective Night Mailtrains and left
us empty.
I had took the evening paper to No. 6 table,which is warm and most to be preferred,and, lost in the
allabsorbing topics of the day, had dropped into a slumber. I was recalled to consciousness by the
wellknown intimation, "Waiter!" and replying, "Sir!" found a gentleman standing at No. 4 table. The reader
(shall I add, the observant reader?) will please to notice the locality of the gentleman,AT NO. 4 TABLE.
He had one of the newfangled uncollapsable bags in his hand (which I am against, for I don't see why you
shouldn't collapse, while you are about it, as your fathers collapsed before you), and he said:
"I want to dine, waiter. I shall sleep here tonight."
"Very good, sir. What will you take for dinner, sir?"
"Soup, bit of codfish, oyster sauce, and the joint."
"Thank you, sir."
I rang the chambermaid's bell; and Mrs. Pratchett marched in, according to custom, demurely carrying a
lighted flat candle before her, as if she was one of a long public procession, all the other members of which
was invisible.
In the meanwhile the gentleman had gone up to the mantelpiece, right in front of the fire, and had laid his
forehead against the mantelpiece (which it is a low one, and brought him into the attitude of leapfrog), and
had heaved a tremenjous sigh. His hair was long and lightish; and when he laid his forehead against the
mantelpiece, his hair all fell in a dusty fluff together over his eyes; and when he now turned round and lifted
up his head again, it all fell in a dusty fluff together over his ears. This give him a wild appearance, similar to
a blasted heath.
"O! The chambermaid. Ah!" He was turning something in his mind. "To be sure. Yes. I won't go upstairs
now, if you will take my bag. It will be enough for the present to know my number.Can you give me 24
B?"
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(O Conscience, what a Adder art thou!)
Mrs. Pratchett allotted him the room, and took his bag to it. He then went back before the fire, and fell a
biting his nails.
"Waiter!" biting between the words, "give me," bite, "pen and paper; and in five minutes," bite, "let me have,
if you please," bite, "a", bite, "Messenger."
Unmindful of his waning soup, he wrote and sent off six notes before he touched his dinner. Three were City;
three WestEnd. The City letters were to Cornhill, Ludgatehill, and Farringdon Street. The WestEnd
letters were to Great Marlborough Street, New Burlington Street, and Piccadilly. Everybody was
systematically denied at every one of the six places, and there was not a vestige of any answer. Our light
porter whispered to me, when he came back with that report, "All Booksellers."
But before then he had cleared off his dinner, and his bottle of wine. He nowmark the concurrence with the
document formerly given in full!knocked a plate of biscuits off the table with his agitated elber (but
without breakage), and demanded boiling brandy andwater.
Now fully convinced that it was Himself, I perspired with the utmost freedom. When he became flushed with
the heated stimulant referred to, he again demanded pen and paper, and passed the succeeding two hours in
producing a manuscript which he put in the fire when completed. He then went up to bed, attended by Mrs.
Pratchett. Mrs. Pratchett (who was aware of my emotions) told me, on coming down, that she had noticed his
eye rolling into every corner of the passages and staircase, as if in search of his Luggage, and that, looking
back as she shut the door of 24 B, she perceived him with his coat already thrown off immersing himself
bodily under the bedstead, like a chimleysweep before the application of machinery.
The next dayI forbear the horrors of that nightwas a very foggy day in our part of London, insomuch
that it was necessary to light the Coffeeroom gas. We was still alone, and no feverish words of mine can do
justice to the fitfulness of his appearance as he sat at No. 4 table, increased by there being something wrong
with the meter.
Having again ordered his dinner, he went out, and was out for the best part of two hours. Inquiring on his
return whether any of the answers had arrived, and receiving an unqualified negative, his instant call was for
mulligatawny, the cayenne pepper, and orange brandy.
Feeling that the mortal struggle was now at hand, I also felt that I must be equal to him, and with that view
resolved that whatever he took I would take. Behind my partition, but keeping my eye on him over the
curtain, I therefore operated on Mulligatawny, Cayenne Pepper, and Orange Brandy. And at a later period of
the day, when he again said, "Orange Brandy," I said so too, in a lower tone, to George, my Second
Lieutenant (my First was absent on leave), who acts between me and the bar.
Throughout that awful day he walked about the Coffeeroom continually. Often he came close up to my
partition, and then his eye rolled within, too evidently in search of any signs of his Luggage. Halfpast six
came, and I laid his cloth. He ordered a bottle of old Brown. I likewise ordered a bottle of old Brown. He
drank his. I drank mine (as nearly as my duties would permit) glass for glass against his. He topped with
coffee and a small glass. I topped with coffee and a small glass. He dozed. I dozed. At last, "Waiter!"and
he ordered his bill. The moment was now at hand when we two must be locked in the deadly grapple.
Swift as the arrow from the bow, I had formed my resolution; in other words, I had hammered it out between
nine and nine. It was, that I would be the first to open up the subject with a full acknowledgment, and would
offer any gradual settlement within my power. He paid his bill (doing what was right by attendance) with his
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eye rolling about him to the last for any tokens of his Luggage. One only time our gaze then met, with the
lustrous fixedness (I believe I am correct in imputing that character to it?) of the well known Basilisk. The
decisive moment had arrived.
With a tolerable steady hand, though with humility, I laid The Proofs before him.
"Gracious Heavens!" he cries out, leaping up, and catching hold of his hair. "What's this? Print!"
"Sir," I replied, in a calming voice, and bending forward, "I humbly acknowledge to being the unfortunate
cause of it. But I hope, sir, that when you have heard the circumstances explained, and the innocence of my
intentions"
To my amazement, I was stopped short by his catching me in both his arms, and pressing me to his
breastbone; where I must confess to my face (and particular, nose) having undergone some temporary
vexation from his wearing his coat buttoned high up, and his buttons being uncommon hard.
"Ha, ha, ha!" he cries, releasing me with a wild laugh, and grasping my hand. "What is your name, my
Benefactor?"
"My name, sir" (I was crumpled, and puzzled to make him out), "is Christopher; and I hope, sir, that, as such,
when you've heard my ex "
"In print!" he exclaims again, dashing the proofs over and over as if he was bathing in them."In print!! O
Christopher! Philanthropist! Nothing can recompense you,but what sum of money would be acceptable to
you?"
I had drawn a step back from him, or I should have suffered from his buttons again.
"Sir, I assure you, I have been already well paid, and"
"No, no, Christopher! Don't talk like that! What sum of money would be acceptable to you, Christopher?
Would you find twenty pounds acceptable, Christopher?"
However great my surprise, I naturally found words to say, "Sir, I am not aware that the man was ever yet
born without more than the average amount of water on the brain as would not find twenty pounds
acceptable. Butextremely obliged to you, sir, I'm sure;" for he had tumbled it out of his purse and crammed
it in my hand in two banknotes; "but I could wish to know, sir, if not intruding, how I have merited this
liberality?"
"Know then, my Christopher," he says, "that from boyhood's hour I have unremittingly and unavailingly
endeavoured to get into print. Know, Christopher, that all the Booksellers aliveand several dead have
refused to put me into print. Know, Christopher, that I have written unprinted Reams. But they shall be read
to you, my friend and brother. You sometimes have a holiday?"
Seeing the great danger I was in, I had the presence of mind to answer, "Never!" To make it more final, I
added, "Never! Not from the cradle to the grave."
"Well," says he, thinking no more about that, and chuckling at his proofs again. "But I am in print! The first
flight of ambition emanating from my father's lowly cot is realised at length! The golden bow"he was
getting on,"struck by the magic hand, has emitted a complete and perfect sound! When did this happen,
my Christopher?"
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"Which happen, sir?"
"This," he held it out at arms length to admire it,"this Per rint."
When I had given him my detailed account of it, he grasped me by the hand again, and said:
"Dear Christopher, it should be gratifying to you to know that you are an instrument in the hands of Destiny.
Because you ARE."
A passing Something of a melancholy cast put it into my head to shake it, and to say, "Perhaps we all are."
"I don't mean that," he answered; "I don't take that wide range; I confine myself to the special case. Observe
me well, my Christopher! Hopeless of getting rid, through any effort of my own, of any of the manuscripts
among my Luggage,all of which, send them where I would, were always coming back to me,it is now
some seven years since I left that Luggage here, on the desperate chance, either that the too, too faithful
manuscripts would come back to me no more, or that some one less accursed than I might give them to the
world. You follow me, my Christopher?"
"Pretty well, sir." I followed him so far as to judge that he had a weak head, and that the Orange, the Boiling,
and Old Brown combined was beginning to tell. (The Old Brown, being heady, is best adapted to seasoned
cases.)
"Years elapsed, and those compositions slumbered in dust. At length, Destiny, choosing her agent from all
mankind, sent You here, Christopher, and lo! the Casket was burst asunder, and the Giant was free!"
He made hay of his hair after he said this, and he stood atiptoe.
"But," he reminded himself in a state of excitement, "we must sit up all night, my Christopher. I must correct
these Proofs for the press. Fill all the inkstands, and bring me several new pens."
He smeared himself and he smeared the Proofs, the night through, to that degree that when Sol gave him
warning to depart (in a four wheeler), few could have said which was them, and which was him, and which
was blots. His last instructions was, that I should instantly run and take his corrections to the office of the
present Journal. I did so. They most likely will not appear in print, for I noticed a message being brought
round from Beauford Printing House, while I was a throwing this concluding statement on paper, that the ole
resources of that establishment was unable to make out what they meant. Upon which a certain gentleman in
company, as I will not more particularly name,but of whom it will be sufficient to remark, standing on the
broad basis of a wavegirt isle, that whether we regard him in the light of,{3} laughed, and put the
corrections in the fire.
Footnotes:
{1} Its name and address at length, with other full particulars, all editorially struck out.
{2} The remainder of this complimentary sentence editorially struck out.
{3} The remainder of this complimentary parenthesis editorially struck out.
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Bookmarks
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